Come What May

1. Cosaque Á Paris

2. Adagio des Années Mornes

3. Evit Gabriel

4. Kanaouen an Dud a Vor

5. Micro-Polka

6. Valse Minette/Les Patates Ont Germé a St. Amable

7. Tu Nous Les Kas-Ebarh Toi

8. Chanson a la Mariée

9. Laridé D.T. /Polka d'été

10. Plinn an Enaouer

11. St. Malo-Sur-Mer

12. Drao du Mao

13. Conscrit de Napoléon

14. Bourée en Ré

Come What May,Ad Vielle Que Pourra,Green Linnet,Celtic Folk,Celtic/Irish,Ethnic Fusion,Europe,France,French Folk,Int'l & World Music,Nova Scotia,Quebec,World Music

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Average customer rating: Strong Corey Who? Another solid disc from Corey Taylor and company A Very Solid Follow-Up!!! The Future of Rock`n`Roll

Come What(ever) May Stone Sour Manufacturer: Roadrunner Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Post Grunge | American Alternative | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Phobia One X Stone Sour Extreme Behavior The Open Door ASIN: B000G8NXBY Release Date: 2006-08-01

Tracks:

1. 30/30-150
2. Come What(ever) May
3. Hell & Consequences
4. sillyworld
5. Made Of Scars
6. Reborn
7. Your God
8. Through Glass
9. Socio
10. 1st Person
11. Cardiff
12. Zzyzx Rd.

Album Description

The sophmore release from Stone Sour, featuring the tracks "Through Glass" which is blowing up at Rock Radio and "30/30-150" the hard rocker whose video can be seen on MTV2 Headbangers Ball.

Customer Reviews:

Strong.......2007-06-23

As a guy who grew up on a steady diet of Dokken, Ratt, etc. My eyes were opened up when I purchased Stone Sour's new offering. I had heard 'Sillyworld' on KBPI several weeks ago and at that point I thought I was listening to a "poor man's" Pink Floyd cover band-I wrote Stone Sour off. Then, a few days ago, I heard 'Made of Scars' and I was hooked! I love this cd. A great blend of heavy, aggressive fist pumping tunes (30/30-150, Come What(ever) May, Hell & Consequences) with some very poignent songs like Zzyzx, Through Glass, and yes-Silly World. I will never relinquish my 80's hair band roots but bands like Stone Sour, Godsmack, KoRn, Puddle of Mudd, and others are definitely opening up my eyes to fresh, great new music.

Corey Who?.......2007-05-20

I don't care who he is. He has talent, and lots of it. I thought "Through The Glass" was my first contact with this band, but I quickly found out that I was wrong. This CD was so good, and piqued my curiosity about this Taylor guy so much, that I have spent roughly $100 on the various "Corey Taylor Projects". I have yet to be disappointed.

Another solid disc from Corey Taylor and company.......2007-04-13

I believe their debut to be superior to this cd, which is much more accessible to the general public, but it still has it's share of heavy moments. "Through Glass" is a catchy cross-over hit, "30/30-150" is a heavy metal song similar to Slipknot, and all of the songs on here have something to offer. Missing is the raw energy of their debut. This one is much more calculated and simplified. "Sillyworld", their current single, may be the worst song they have written. I just don't get how they can make that a single. If you are a fan of hard rock with a heavier metal side, you'll like this cd. Corey is one of the most recognizable vocalists in heavy music, and I think what he lacks in range, he makes up for by creating very catchy hooks.

A Very Solid Follow-Up!!!.......2007-04-10

As good as 2002's Self-Titled debut was, It always sounded to me, a little too much like Slipknot....Especially Track 1. However that is not the case with 2006's "Come What(ever) May", this album shows Corey Taylor and the gang coming into their own. The only real similarity here is Taylor's voice, the rest is purely Stone Sour. This is very well one of the best new metal releases in quite awhile, there isn't a single bad song on it. The album starts with a bang (30/30-150) and ends in a classic rock ballad (Zzyzx Rd.) a song that has an almost Bob Seger sound at times...Yes, you read that corectly. It shows that these guys are finally stepping out the shadows of Slipknot and into their own.

The Future of Rock`n`Roll.......2007-03-25

With the release of 'Come What(ever) May' & a ton of sold out shows World-Wide including the infamous Family Values Tour with other Hard Rock greats Deftones & KoRn, It's not ranting to say Stone Sour is more than just a side project now. In fact several Slipknot fans are worried that the recent popularity may be the sign of Corey Taylor leaving the band to stay on as frontman of Stone Sour full-time, Doubtful but a def. possibility now.

My favorite tracks include the first single '30/30-150', The catchy and head bang worthy 'Your God' & of course the World-Wide hit 'Through Glass' featuring deep meaningful lyrics that anyone can find easy to sing-a-long with and relate to. But of all the album one song sticks out most at least in my case the ballad 'Zzyzx Rd.' the vocals by Corey are mezmerizing and the song structure is beyond the rest of this album with an almost 'Oldies' feel. I applaud them for being brave enough to write such meaningful songs and move aside from there Metal roots a bit.

Stone Sour has set the example of what it means to be a Rock`n`Roll group in todays age and has been opening doors between Rock & Metal since the release of there debut album. In my humble opinion Stone Sour are easily one of (if not the) best Hard Rock groups in the scene today. Thank You.

Average customer rating: Wow. Love this CD Could it get any better? Moulin rouge tried to fill up the GAP ahahahahaha

Moulin Rouge 2 Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Moulin Rouge Moulin Rouge! (Two-Disc Collector's Edition) Chicago William Shakespeare's Romeo + Juliet: Music From The Motion Picture, Volume 2 (1996 Version) William Shakespeare's Romeo + Juliet: Music From The Motion Picture (1996 Version) [Enhanced CD] ASIN: B00005YW4Z Release Date: 2002-02-26

Tracks:

1. Your Song
2. Sparkling Diamonds [Original Film Version]
3. One Day I'll Fly Away
4. The Pitch (Spectacular Spectacular) [Original Film Version]
5. Come What May [Original Film Version]
6. Like a Virgin [Original Film Version]
7. Meet Me in the Red Room [Original Film Version]
8. Your Song
9. The Show Must Go On [Original Film Version]
10. Ascension/Nature Boy (From the Death and...)
11. Bolero (Closing Credits) [Original Film Version]

Amazon.com

There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley

Album Details

Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'

Customer Reviews:

Wow........2007-01-15

I must say...I was very glad when they released Part Two of the Moulin Rouge soundtrack. Don't get me wrong...the first part was great and all, but it was nothing spectacular. I was specifically looking for certain songs from the movie, and I was completely disappointed when they were on there. The release of a second soundtrack was, in my opinion, an absolute necessecity.

The highlights of the album are:

-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)

In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!

If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!

Love this CD.......2006-07-04

I love everything about this movie. The music is amazing and the instrumental songs on this CD are perfect. The first CD seemed to be more for a bunch of teenyboppers that wanted to hear the worst song on the whole CD (Lady Marmalade). If only they could combine the good songs from the first CD into this one.

I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.

Could it get any better?.......2006-03-02

So i thought that the first instalment in these soundtracks was great (and it was) but the purchase of this sequel is a must if you want the full effect. With the original film versions of these songs, sung by the stars of the movie, you get the real feel that was the magnifisence of Moulin Rouge! Ewan McGregor is still by far the star, with his talent spilling over the dramatic lovesong 'Come What May' and 'Your Song', but Nicole's brilliant performance as Satine definatly takes front and center in 'One Day I'll Fly Away' and the film version of 'Sparkling Diamonds'...I have noticed that many complain about how the first soundtrack did not include the film version of this song...well you need this CD then...you will not be dissapointed. Other highlights include 'Like a Virgin' which is downright histarical, and the dark cover of 'the show must go on' which highlights the tragidy behind this tightly woven tale. THis is one must have soundtrack for your ever growing collection. A perfect companion to soundtrack number 1!

Moulin rouge tried to fill up the GAP.......2006-02-12

This contains many great tracks missing from the original soundtrack, including Like A Virgin, Spectacular Spectacular and The Show Must Go On. I thought the inclusion of two instrumental versions of Your Song might be a bit redundant, but upon listening to them I really enjoyed them and they are quite different from one another. OK, it's not the best soundtrack that could have been put out. But it's pretty darn close. One thing that many DEDICATED fans of the movie (including myself) said is that the original movie soundtrack lacked the actual original movie score. There are 10+ songs in "Moulin Rouge" and many didn't make the final cut.

Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.

One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.

To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.

ahahahahaha.......2006-02-01

Everything the other customers are saying is true: more music from the film, thankyouverymuch, not irritating pop conceits like the first. However, I would not have reviewed this album unless I found it absolutely necesary to point out that, in the climactic moments of track 5 "Come What May," Ewan MacGregor's voice is for some reason missing and replaced by a bizarre, operatic man's voice. It truly had me crying with laughter the first few times I heard it, and I wanted to share this wondrous discovery with the world.

Average customer rating: stonesour A Mixed Bag... Great musicians but that is it New edition to a great follow up album Revitalizing the Best Rock Release of 2006

Come What(ever) May (CD/DVD, Special Edition) Stone Sour Manufacturer: Roadrunner Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Post Grunge | American Alternative | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: HELLYEAH Libertad Stone Sour Famous Untitled (Bonus Dvd) (Dlx) ASIN: B000P6R96C Release Date: 2007-06-26

Tracks:

1. 30/30-150
2. Come What(ever) May
3. Hell & Consequences
4. sillyworld
5. Made Of Scars
6. Reborn
7. Your God
8. Through Glass
9. Socio
10. 1st Person
11. Cardiff
12. Zzyzx Rd.
13. Suffer [Bonus]
14. The Day I Let Go [Bonus]
15. Freeze Dry Seal [Bonus]
16. Wicked Game [Bonus]
17. The Frozen [Bonus]

Tracks:

1. Live in Moscow Concert Footage [DVD]
2. Documentary From Moscow Performance [DVD]
3. Music Videos: "30/30-150," "Through Glass," "Sillyworld" & "Reborn"

Album Description

This special edition package delivers most of what Stonesour stands for: intensity, drama, emotion, color, darkness, melodies, anger, honesty, and drive. Featuring hits like "Through Glass" and "Sillyworld," this package also includes six bonus tracks and DVD footage of a live performance in Moscow.

Customer Reviews:

stonesour.......2007-07-31

Once again stonesour have come up with the goods mixing hard hitting metal with more melodic songs including a cover of wicked game, my favourite tracks are come what(ever)may and fruitcake both strong guitar rhythm based tracks well worth a listen all in all 18 yes! 18 tracks well worth the money.

A Mixed Bag..........2007-07-26

Come What(Ever) May was one of the strongest heavy metal/hard rock albums of last year and has rarely left my CD player since its release. I looked forward to this Special Edition release and wasn't disappointed...for the most part. The bonus tracks are left over from the Come(What)ever May recording sessions, with "left over" being the operative term. There's a reason these tracks weren't included on the disc originally; they aren't bad, but they aren't as strong as the rest of the tracks on the CD either. The exception is an amazing, acoustic cover of Chris Issak's "Wicked Game." Maybe it's because I've never been a fan of the orginal version, or maybe because it's the last thing you'd expect the likes of Corey Taylor & Co. to cover, but something about this track was so compelling that, driving home after purchasing the CD, I had to pull off the road and listen. Wow. The final track on the special edition CD is a spoken-word piece from Corey, an anti-Hollywood screed called "The Frozen." It's better than his poem at the end of Stone Sour's first CD, but Henry Rollins he isn't.

On the other hand, the DVD is a real treat. It includes all 4 of the videos from Come What(Ever) May, albeit censored for language. A 'hidden' video of working-in-the-studio footage, set to what sounds like an unmixed version of "Reborn"--could've left this one out fellas--preceeds a video of the band's live performance at the RAMP Awards in Moscow last October. It's a great, if all too brief, set that makes me want to be sure I catch Stone Sour next time they're on tour. With Slipknot reportedly headed back into the studio to record a new album next year, let's hope Corey and Jim don't make Stone Sour fans wait four more years for a new CD from their "other" band.

Great musicians but that is it.......2007-07-07

The lyrics are a typical whine whine whine that is enhanced by the singer acting like he has something beyond a superficial knowledge of the world. The result is a young person who watches blurbs of news clips and has listened to his crazy aunt about how bad and terrible America is. Don't profess to know about war unless you have served, and the same goes with politics. The singer has done neither, now of course he has the freedom to express his opinion because he is free, yet when all he does is smack talk about how we are not free and the flag means nothing then it is rather hypocritical. Do you even know how young this country is young man? The rest of the world that you speak of that is in a shystorm was there long before this country was founded. If you hate this country so much, you can leave at any time. Feel solace knowing that, because people in other parts of the world like Africa or the Soviet Union, do not have it so easy and would give anything to have the freedoms you have...the freedoms you so obviously misunderstand as you stoop over the zombies on your little soapbox. Musically this band is very, very good and I can take a couple of tripe songs, but when the entire album seems to be this singer jumping on the pain train to moan and wail a hyperbole of emotional nonsense, it gets old. I am throwing my copy in the garbage.

When you write a song, write about something you know because when you don't, you come off as nothing more than a cartoon of smokey wisps and buzzing sounds.

New edition to a great follow up album.......2007-07-03

Again, the stone sour crew has again put together another collection of songs that will get fists pumping and people chanting. This album is at least as good as the first. There is no doubt of the slipknotish influence underneath, but the as it is unravelled and twisted back together throughout this album is far from what slipknot is. That is why corey taylor and his bandmates have this project, so they can explore other avenues of metal. Buy this version of the album folks. This is a special edition with 8 live tracks on DVD, along with 3 videos, and then 6 bonus tracks not included on the original album on the CD. Definate great value, and nice bonus to add to a collectors set. For first time buyers, get this version, second time buyers like me, well worth it.

Highlights-Your God, Made of Scars, Hell & Consequences, Through Glass.

Low's: None at this time.

Again, very strong sophmore effort from this Iowa based band.

Revitalizing the Best Rock Release of 2006.......2007-06-29

Originally released last August, Corey Taylor (Slipknot) leads Stone Sour with the best Hard Rock release of 2006 called Come What(ever) May. In June 2007 they re-release the disk with 6 bonus tracks and a DVD. So let's break it down by original disk, bonus tracks and DVD....

The Original Disk From 2006:

There's no mistaking Corey Taylor's signature Slipknot screaming on Track 6 (Reborn), but Stone Sour mostly moves far away from Slipknot's complicated, chaotic arrangements to a more clearly sung, melodic rock sound. Make no mistake...Come What(ever) May is full of pounding Heavy Metal arrangements, but the vocals never stray into the hardcore Lamb of God I'm-the-Devil-and-I'm-pissed department. Instead you get driving music with quality singing.

And don't expect Nu Metal with Stone Sour...expect Hard Rock...period. I wouldn't classify Stone Sour as "old school" Metal either (you know, like Judas Priest or Iron Maiden). I would call these guys Modern Metal. Unlike the infestation of Nu Metal bands today, the guitars are set free in Stone Sour. James Root (also from Slipknot) and Josh Rand share the 6-string duties and blister their way through the disk. Ex-Soulfly drummer Ray Mayorga impresses on the skins (Godsmack's Shannon Larkin takes the sticks for Track 1). And Slipknot's stage manager Shawn Economaki rocks the bass.

There are standout tracks aplenty. Made of Scars (Track 5) is one of the best Hard Rock songs that I've heard in years. Track 3 (Hell & Consequences) is a close runner up. Track 9 (Socio) continues the melodic rock pattern, and Track 7 (Your God) had me singing along with its memorable "what am I supposed to do now" chorus after the first listen. Track 8 is the mainstream radio played hit Through Glass, and as I predicted in 2006, Track 4 (Sillyworld) has gotten its share of radio play in 2007 as well.

Often times head-banging, often times straight melodic rock. Either way, Corey Taylor's vocals are always understandable.

The Bonus Tracks:

Well...you know what they say about bonus tracks...if the songs weren't included on the original release it's because (fill in the blank). Most of the bonuses were taken from the Come What(ever) May recording sessions. The first bonus track called Suffer will greatly please Slipknot fans. The next three are fair with The Day I Let Go a bit darker than your typical Stone Sour. The last called The Frozen is a spoken word message. The surprise is a cover of Chris Isaak's Best Of Chris Isaak Wicked Game that's good enough for, and should get, radio-play.

The DVD:

The DVD is Stone Sour's real gift to fans with this re-release. I'm actually surprised that the package wasn't marketed as a performance DVD that includes the CD with bonus tracks (as opposed CD re-release with DVD and bonus tracks); I suspect that sales will not be as good because of this, especially among those that already own the CD.

First the DVD gives you the (censored) promo videos for 30/30-150, Through Glass, Sillyworld and Made of Scars. Then you get treated to a live performance (uncensored) from Moscow in October 2006 that includes:

1. 30/30-150
2. Orchids
3. Take a Number
4. Reborn
5. Your God
6. Inhale
7. Come What(ever) May
8. Bother
9. Through Glass
10. Blotter
11. Hell & Consequences
12. Get Inside

It's an excellent show where the boys must have huddled prior to going on and agreed to try to be as true to the studio versions as possible, because the songs sound great. The negatives to the DVD are that the picture is full screen and not up to today's widescreen, HD standards, and the only audio option is stereo...no Dolby 5.1 or DTS.

So the re-release of Come What(ever) May should certainly now be the first choice over the original release Come What(ever) May for Hard Rock fans that didn't buy in last year. If you already own the original CD, the price of the re-release is a lot less than a concert ticket and you get a full live performance on the DVD (without the danger from the mosh pit!!!)

I highly recommend the Come What(ever) May re-release to all Hard Rockers.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: It's Dreamy My Favorite Composer of all time An American classic from Hampson that brings smiles and tears OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!! It's simply lovely

American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Hampson, Thomas | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Foster, Stephen | ( F ) | Composers, A-Z | Classical Music Blowout | Stores | Music Hampson, Thomas | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Song of Home Song of America Harvest Home Civil War Classics Stephen Foster Song Book ASIN: B000002SK7 Release Date: 1992-10-20

Tracks:

1. Opening Solo Violin
2. Jeanie With The Light Brown Hair
3. Hard Times Come Again No More
4. The Voice Of Bygone Days
5. Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
6. Open Thy Lattice, Love (1844)
7. Beautiful Dreamer (1864)
8. That's What's The Matter
9. Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
10. Molly! Do You Love Me? (1850)
11. Sweetly She Sleeps, My Alice Fair (1851)
12. Comrades, Fill No Glass For Me (1855)
13. Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
14. My Wife Is A Most Knowing Woman (1863)
15. Gentle Annie (1856)
16. Linger In Blissful Repose (1858)
17. Ah! May The Red Rose Live Alway (1850)

Customer Reviews:

It's Dreamy.......2007-01-10

This is a very wonderful recording of Stephen Foster by a master singer.
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).

The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.

Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.

I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.

If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."

If you love good music, and you have heart which can be stirred, and you love your country, this is for you.

I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.

I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.

My Favorite Composer of all time.......2006-08-20

Growing up playing his stuff on piano, I love the instrumentality of this CD..the violins give off that wail that he speaks of..I am not sure what it is about Stephen Foster but these verses..grab me like no other..there is so much sensitivity to it..

I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour

but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..

An American classic from Hampson that brings smiles and tears.......2006-07-17

Stephen Foster was the greatest American composer of sentimental parlor ballads--he so perfectly imitated folk songs that his music wound up turning into them. In an age of home music-making and later of families sitting around the radio, Foster's songs were a staple, often performed by crossover artists from opera like Lawrence Tibbett. Those were plump, ripe styles of singing, highly flavored by church hymns.

In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.

OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25

Simply one word, WOW!!!
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.

It's simply lovely.......2004-12-14

I didn't know Stephen Foster (I thought): wrong: Oh Susanna, etc, I knew, but had no idea who the composer was.

This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.

Average customer rating:

Handel: The Masterworks (Box Set) Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Mendelssohn: The Masterworks [Box Set] Dvorák: The Masterworks [Box Set] Schubert: The Masterworks [Box Set] ASIN: B00062FLI8 Release Date: 2004-11-30

Average customer rating: The Better of the two Not as good as version 1 in this series Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'

Early American Choral Music, Vol. 2 Manufacturer: Hmf Classical Exp. ProductGroup: Music Binding: Audio CD All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Early American Choral Music, Vol. 1 Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition) Wake Ev'ry Breath - Music of William Billings The Shapenote Album Lost Music of Early America: Music of the Moravians ASIN: B00005UVPB Release Date: 2002-04-09

Customer Reviews:

The Better of the two.......2006-06-03

I have both disc in the series. I liked the music on this disc much more than the first. The selections seem more focused and the sounds are much clearer. Also, the particular pieces fit better together. I love the sound of this group and hope they make more in the future.

Not as good as version 1 in this series.......2004-09-03

This is by the same group who did the wonderful & engaging Early American Choral Music 1. Somehow this CD did not live up to its predecessor in some ways. The performance is still top notch, but somehow the CD as a whole isn't quite as engaging to listen to as the first. Perhaps version 2's strength is also its weakness. Its diversity of composers allows you to pear past the shadow of William Billings and sample other notable early American hymn writers. That exposure is valuable & appreciated. I just couldn't get into it as much.

A final note: many of the texts are beautiful (and available from the publisher's web site). However, I would criticize "Who is this that cometh from Edom?" as dwelling just a bit too much on the Jews' rejection of Jesus. Among other reasons & issues, Christianity says that we are all sinners & there is no cause to single a particular group out negatively.

Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'.......2004-02-21

Please note this CD is a duplicate of His Majestie's Clerkes's "Goostly Psalmes: Anglo-American Psalmody 1550-1800" -- identical contents but a different name and cover. I ordered both and was irritated to discover this. This CD is cheaper, so I recommend this one. It is a lovely choral work from a little-known period of sacred music.

Average customer rating: Time Capsule Unexpected An album to treasure A classic recording of American songs The sessions of sweet silent thought stirred

Songs by Stephen Foster, Vol. 1-2 Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Polkas | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason Stephen Foster Song Book Swanee: The Music of Stephen Foster DOO-DAH: Stephen Foster and the Rise of American Popular Culture ASIN: B000005IYE Release Date: 1992-05-28

Tracks:

1. Songs By Stephen Foster: Jeanie With The Light Brown Hair
2. Songs By Stephen Foster: There's A Good Time Coming
3. Songs By Stephen Foster: Was My Brother In The Battle?
4. Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
5. Songs By Stephen Foster: If You've Only Got A Moustache
6. Songs By Stephen Foster: Gentle Annie
7. Songs By Stephen Foster: Wilt Thou Be Gone, Love?
8. Songs By Stephen Foster: That's What's The Matter
9. Songs By Stephen Foster: Ah! May The Red Rose Live Alway
10. Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
11. Songs By Stephen Foster: Beautiful Dreamer
12. Songs By Stephen Foster: Mr. & Mrs. Brown
13. Songs By Stephen Foster: Slumber My Darling
14. Songs By Stephen Foster: Some Folks
15. Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
16. Songs By Stephen Foster: Linger In Blissful Repose
17. Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
18. Songs By Stephen Foster: Come Where My Love Lies Dreaming
19. Songs By Stephen Foster: The Soiree Polka
20. Songs By Stephen Foster: Better Times Are Coming
21. Songs By Stephen Foster: Katy Bell
22. Songs By Stephen Foster: The Hour For Thee And Me
23. Songs By Stephen Foster: Summer Longings

Customer Reviews:

Time Capsule.......2006-11-30

The voices and instruments, like the songs, are straight from the mid-19th century. If you want to be transported back in time 150 years to a wonderful parlor performance of Foster's songs, this is the album to do it. The voices are marvelous and trained, and one must imagine that the strict phrasing and style are what one would have expected at the time. The cheap upright piano is perfect.

But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.

Very highly recommended.

Unexpected.......2005-11-26

Quality of this recording is fantastic! Performances are superb! However, they don't fit being an example of Foster's music and times. I was expecting banjos and a Mississippi Sound - therfore, very, very disappointed in this CD and consider and a waste of money. Be sure to LISTEN to a few examples to match what you are looking for and what the CD offers. I, unfortunately did not listen before I bought. I rate this low only because my expectations were shattered. This IS a fine CD if opera styles are ok for an example of this southern, 1800's composer's work.

An album to treasure.......2004-09-23

The landmark Library of Congress album, now on enhanced CD. Years
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.

A classic recording of American songs.......2004-08-22

What can I say that hasn't already been said below? I only wanted to reiterate how wonderful this album is and assure the reader the sound is spectacular on CD. This is a live recording, and intentionally so, as the idea was to create a "parlor" experience as these were parlor songs to be sung by family and friends around the old upright piano. I especially liked the comment about the upright piano which, indeed, does croak and clank throughout the performance adding a note of "authenticity" without becoming obtrusive.

If only Ms. DeGaetani had graced my parlor...

The sessions of sweet silent thought stirred.......2003-11-22

I have never heard such unadulterated extraworldy sound emanate from two human voices and what would otherwise be firewood (the period instruments played by Gilbert Kalish). It stirs profound patriotism and a deep sentimentality for our early days when a civilized people pined to find virtue by examining its own body-- the north and the south, the small town, the simple flag, and the beauty of gentile manly and womanly love expressed through equisite song. There is no other music I would rather hear 'when summoning up the remembrance of things past.' The ghost of the early American parlor will prick your skin through these simple hymns and you may escape for a moment our troubled and busy times.

Average customer rating: Lerner & Loewe Songbook Wouldn't it be lovely? A Successful Sequel Delightful Listening

Lerner & Loewe Songbook for Orchestra Frederick Loewe , and Erich Kunzel Manufacturer: Telarc ProductGroup: Music Binding: Audio CD General | Classical | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites) Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri Puttin' on the Ritz: The Great Hollywood Musicals Classics of the Silver Screen Sailing ASIN: B000003D0E Release Date: 1994-01-25

Tracks:

1. I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
2. Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
3. The Night They Invented Champagne - Waltz At Maxim's - Et Al.
4. They Call The Wind Mariah - I Still See Elisa - Et Al.
5. Sword Dance - Down On MacConnachy Square - Et Al.

Customer Reviews:

Lerner & Loewe Songbook.......2006-02-24

If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.

Wouldn't it be lovely?.......2005-09-26

This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.

The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.

There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.

This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.

This is a fun disc to have.

A Successful Sequel.......2005-08-03

This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.

Delightful Listening.......1998-12-05

Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.

Average customer rating: It's lovely - But not newly recorded! Yet another compilation how precious! Disappointing Duplication If you like this sorta thing

Song of America Charles Tomlinson Griffes , Erich Wolfgang Korngold , Charles Naginski , Ned Rorem , American Traditional , Elinor Remick Warren , Kurt Weill , Haydn Wood , Michael Parloff , Jay Ungar , Armen Guzelimian , Craig Rutenberg , David Alpher , Evan Stover , Garrison Keillor , and Mark Rust Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Griffes | Griffes, Charles T. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Hampson, Thomas | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: The Very Best of Thomas Hampson Christmas with Thomas Hampson Long Time Ago - Copland / Dawn Upshaw & Thomas Hampson American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason Leading Man ASIN: B000BGR0TW Release Date: 2005-11-08

Tracks:

1. As Adam Early In The Morning
2. Ah! May The Red Rose Live Alway (1850)
3. Shenandoah (Traditional)
4. Beautiful Dreamer (1864)
5. Danny Deever
6. Roses Of Picardy
7. Jeanie With The Light Brown Hair (1854)
8. Hard Times Come Again No More (1854)
9. Molly, Do You Love Me? (1850)
10. An Old Song Resung
11. Tomorrow (When You Are Gone)
12. The Erie Canal (Traditional)
13. We Two
14. The Nightingale (Traditional)
15. Comrades, Fill No Glass For Me (1855)
16. Luke Havergal
17. To What You Said
18. Look Down Fair Moon
19. Dirge For Two Veterans
20. Ethiopia Saluting The Colors

Amazon.com

Thomas Hampson is a persuasive advocate for these treasures from the Library of Congress' vast collections, so this CD's generous sampling leaves you wanting more. It covers the American songbook in all its variety, from traditional "folk" items like Shenandoah to Stephen Foster to the immigrants Erich Korngold and Kurt Weill to Leonard Bernstein and contemporary composers. Hampson adjusts his flexible, light baritone to fit each song. The voice is full and resonant on Danny Deever, simple and direct in 19th-century traditional songs and ballads, and nuanced in songs like Ned Rorem's "As Adam Early in the Morning," one of several on the disc with texts by Walt Whitman. A standout is the last song in this recital, one that leaves you with thoughts about music, history, and our nation's continuing issues, "Ethiopia Saluting the Colors," by Henry Burleigh. Most of the selections are performed with piano accompaniment, but several are with a small ensemble of traditional instruments. A word of caution: everything was recorded in the 1990s and presumably was available piecemeal on previous releases, although few are likely to have more than a handful of these 20 gems. --Dan Davis

Customer Reviews:

It's lovely - But not newly recorded!.......2006-10-04

I don't think this recording deserves One Star ratings or that the artist deserves such crude bashing. And re: Hampson's eye-colour.... Uh, these aren't lenses? He has blue eyes. I met him many times and...indeed, they are dark blue.

Anyhow, this is what Hampson is focusing on right now, American song. While those aren't exactly my thing I have to say that he sings them beautifully. I wish he'd stick to that rather than heavy Verdi and Wagner which his voice isn't right for.

Yet another compilation.......2006-06-13

I am a huge Tom fan. I go to his concerts and buy all of his CDs. I must say that I have been disappointed by this CD because it's entirely made of old recordings. There's a new photo on the cover, but that's all that is new here. So if you've bought your share of Tom CDs over the years, you want to check out the track info before you guy this one.

Now, Tom has been on tour and I STRONGLY recommend that you go see him next year when he comes through your city.

The other thing really annoying is that on the CD where you'd expect information about the music or the recording co., you instead get a large warning label from the FBI on pirating.

how precious!.......2006-05-08

Thomas Hampson swoons and croons to monotonous effect throughout this tired collection; again displaying his ego and faux scholarship in ample measure. Oi-vay, what a disaster! And what is with the blue contact lenses in the Jacket phot? Hampson's eyes are brown. What an unbelievably vain Diva!

Disappointing Duplication.......2006-01-17

I have not even heard the album, and I will not. Although I revere Mr. H. in just about everything he does, especially in song and Lieder, I am very disappointed that so many of these songs appear on other cds of which I already have about 19 of him. I think he and the producers should have chosen totally NEW material for this instead of drawing on his past achievements. I have no reservations about his performances, for I have seen him at the Met in opera and at Carnegie Hall in Mahler. I value them and all of his past cd productions.

If you like this sorta thing.......2006-01-17

Here Mr. Hampson is in his element. Unlike his less than viable attempts at Opera, Mr. Hampson is a thorough and intelligent singer of songs. His affectations, so fully inappropriate in bigger operatic literature, work well with the intimate nature of these sweet and personal songs. If you are Hampson fan, this album will thrill you.

Meditation Music:

1. Concerto Royal Philharmonic [Live]
2. Dead Can Dance
3. Deep at Night
4. Deep Breathing
5. Desires
6. Earth Heart
7. Expressions: The Heart of God
8. Fair Play
9. Fairy of the Woods/Fairy Night Songs
10. Fall in Love Again

Meditation Music

meditation music

Meditation Music

Big Fun City/Blue Sisters Swing

Williams: Aristophanic Suite/Serenade to Music/A London Symphony/Fantasia on Greensleeves

Volume 1: Tosto, Denza, Zardo, Et Al

Music: The Drums of War

World of Disco Fever [Import]

Wherever You Are (I Feel Love) [CD-single]

World Pride

Worldwide Underground

Zen [Import]

Waltzes & Polkas

Witness of the Sun

Xa-La-La [Import]

Ya Heard Me [Explicit Lyrics]

Fish Ain't Bitin'

Love Scenes