Clockwork

Clockwork

Track Listings

 
1. Thirty-Six
2. Two Color Dream
3. Clockwork
4. Opening
5. Bougainvillea
6. Elegy
7. Sorta Samba
8. Part Five

Clockwork,Alex de Grassi,Windham Hill Records,Bolivia,Chamber Jazz,Contemporary Instrumental,Ethnic Fusion,Jazz Music,New Age / Meditation


A Clockwork Orange: Wendy Carlos's Complete Original Score
Average customer rating: 5 out of 5 stars
  • early moog recording
  • A little bit misleading
  • Pioneering and enjoyable electronic music
  • 'A Clockwork Orange:Wendy Carlos's Complete Original Score' Movie Soundtrack (East Side Digital)
  • Lost pieces and extras from the gifted musician who gave A CLOCKWORK ORANGE that Moogish flavour
A Clockwork Orange: Wendy Carlos's Complete Original Score

Manufacturer: East Side Digital
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Switched-On Boxed Set
  2. Switched-On Bach
  3. Stanley Kubrick's Clockwork Orange (1971 Film)
  4. The Well-Tempered Synthesizer
  5. Switched-On Bach II

ASIN: B00000DGXX
Release Date: 1998-11-03

Tracks:

  1. Timesteps
  2. March From A Clockwork Orange (Beethoven: Ninth Symphony: Foruth Movement, Abridged)
  3. Title Music From A Clockwork Orange (From Purcell's Music For The Funeral Of Quenn Mary)
  4. La Gazza Ladra (Rossini's The Thieving Magpie, Abridged)
  5. Theme From A Clockwork Orange (Beethoviana)
  6. Ninth Symphony: Second Movement (Scherzo)
  7. William Tell Ouverture, Abridged
  8. Orange Minuet
  9. Biblical Daydreams
  10. Country Lane

Amazon.com

One of the most satisfying soundtrack "companion" pieces ever released, this collaboration between synthesist Wendy Carlos and producer Rachel Elkind manages to both logically extend and credibly expand on director Stanley Kubrick's masterfully conceived Clockwork Orange musical ethos. That shouldn't be surprising, as the pair was largely responsible for initiating those concepts with the music they'd begun as a follow-up to their successful, synthesizer-pioneering Switched on Bach collection. "Timesteps," a rich, wildly evocative, 13+ minute electronic sound and music collage, was based on impressions gleaned from Anthony Burgess's original novel (excerpts of it are liberally scattered throughout the film), while an abridged version of the fourth movement of Beethoven's Ninth Symphony was an early experiment in vocal synthesis that ended up as one of the film's key motifs. Also featured here are synthesized versions of music Kubrick ultimately chose to use in orchestral form (Rossini's "The Thieving Magpie") as well as original Carlos/Elkind electronic compositions ("Orange Minuet," "Biblical Daydreams," and "Country Lane") that ended up on the cutting-room floor. Composed on primitive, monophonic analog instruments (which could play only one at a time!) long supplanted by generations of digital revolution, this work has a brooding otherworldly quality all its own. As our favorite Droog would say: "It was like a bird of rarest spun metal, or like silvery wine flowing in a space ship, gravity all nonsense now." --Jerry McCulley

Customer Reviews:

4 out of 5 stars early moog recording.......2007-07-30

I have had this recording for a looooong time, admittedly, it is an acquired taste, but it is truly an original piece of work, and a great soundtrack (although some of the music was not actually in the movie). It is interesting to listen to this and to compare it to other works of electronic music that have evolved since its' inception. Wendy Carlos was a pioneer.

3 out of 5 stars A little bit misleading.......2007-05-13

I thought I was buying the complete soundtrack to the film and not just Wendy Carlo's bits. But it was ok.

5 out of 5 stars Pioneering and enjoyable electronic music .......2006-09-15

I used to have this recording on LP - the cover was a marvellous collage (the new cover is slightly naff) - and it was a very fine companion to the regular A Clockwork Orange soundtrack, which featured music which didn't fit together very well outside the context of the film.

Wendy Carlos's complete score is very satisfying and it still stands up well today (2006). I think that the standout tracks on this album are 'Timesteps' and 'Country Lane', which are powerful original compositions. Both tracks display a remarkable musical imagination.

Timesteps is a freely composed fantasia which takes us from place to place in the mind of the composer. There are moments which sound like jungle music, others which sound like sentimental film music with an ocean in the background and another second with an unnaturally sweet heavenly female choir sound. It is a unique composition and quite superb. It is a pity Wendy Carlos didn't write more music as inspired as this piece - perhaps she did and I haven't heard them!?

Country Lane is also very impressive. It is a piece which demonstrates very cruel emotions very well. The use of the ancient "Dies Irae" tune, also used very effectively by Liszt and Berlioz, "vocoded" is a brilliant touch. In fact, the vocoder was used very effectively by Wendy Carlos in Timesteps, Country Land and the Fourth Movement of the 9th Symphony of Beethoven on this disc. Perhaps the first significant use of this instrument on a recording? Kraftwerk and Zap went on to use the instrument in more popular musical styles.

The choral section of the fourth movement of Beethoven's 9th symphony recorded by Wendy Carlos is strangely beautiful and beguiling. Sort of a "reification" of a dreamt interpretation of the music? Perhaps.....

The purely "instrumental" works and Classical and Classically inspired works on this album are very interesting and represent some very effective use of the synthesizer. Of course, it would be easy for many people with a computer and some other equipment to do their own electronica versions of these works today. However, Wendy Carlos had a very personal style and understanding of this music. Her version of the 3rd, 4th and 5th Brandenburg Concertos still entertain me today, even though I am really a devotee of the HIP approach to this music.

I dare say that Wendy Carlos introduced a lot of young people to the music of Beethoven and to the idea of using synthesizers. I remember reading that Phil Oakey, from The Human League, said that Wendy Carlos was a major influence on him.

5 out of 5 stars 'A Clockwork Orange:Wendy Carlos's Complete Original Score' Movie Soundtrack (East Side Digital).......2006-07-03

I've heard several long-time music fans boast about how this movie soundtrack is simply 'one of' THE best album releases,period!Rather they be a big-time metal head,a classic rock supporter,someone who plays easy listening material all the time,maybe an school punk fan,etc.To best describe this CD(with added bonus cuts that wouldn't fit on the original vinyl lp)I would say it's like ahead-of-it's-time new age with an experimental vibe to it.Key tracks are the unforgetable thirteen minute "Timesteps",the creative "Theme From A Clockwork Orange","William Tell Overture,Abridged" and a tune that was co-written by Carlos and movie producer Rachel Elkind "Biblical Daydreams".A must-have reissue CD of the cult masterpiece Stanley Kubrick film,that after you've seen the flick for the very first time,it MAY effect the way you look at the world from here on out.Highly recommended.

5 out of 5 stars Lost pieces and extras from the gifted musician who gave A CLOCKWORK ORANGE that Moogish flavour.......2006-04-30

I own the original LP and cassette of this album ... released after the release of the "original soundtrack," this album offers the CLOCKWORK fan the "real" soundtrack. Missing are the third party tracks which Kubrick used ... included are the complete "Timesteps" which is what convinced Kubrick to hire (then) Walter Carlos to adapt the classical works for the film ... also included is the electronic rendition of "The Thieving Magpie," not finished in time for inclusion in the film ... and a piece which wasn't used, "Country Lane."

The Warner album includes an abridged excerpt of "Timesteps" (bits of it were used in the film), but the complete composition gets a deserved spotlight here. This is not a "movie soundtrack" album, but Wendy Carlos' own release of the music she prepared for the film. "Angel trumpets and devil trombones ... hear all proper now." ;)
Stanley Kubrick's Clockwork Orange (1971 Film)
Average customer rating: 5 out of 5 stars
  • Prisoner 6 double-five 3-2-1
  • Kubrick At His Best
  • Good soundtrack
  • Easier to experience than the movie!
  • Horrorshow Lomticks of Music to do the old Ultra-Violence By.
Stanley Kubrick's Clockwork Orange (1971 Film)
Various Artists , Ludwig van Beethoven , Edward Elgar , Terry Tucker , Erika Eigen , Nacio Herb Brown , and Gene Kelly
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002KDU
Release Date: 1990-10-25

Tracks:

  1. Title Music From A Clockwork Orange - Walter Carlos
  2. The Thieving Magpie (Abridged) - A Clockwork Orange ST
  3. Theme from A Clockwork Orange (Beethoviana) - Walter Carlos
  4. Ninth Symphony, Second Movement (Abridged) - A Clockwork Orange ST D
  5. March From A Clockwork Orange (Ninth Symphony, Fourth Movement, Abridged) - Walter Carlos
  6. William Tell Overture (Abridged) - Walter Carlos
  7. Pomp and Circumstance March No.1 - Stanley Kubrick
  8. Pomp And Circumstance March No.4 (Abridged) - Stanley Kubrick
  9. Timesteps (Excerpt) - Walter Carlos
  10. Overture To The Sun - Terry Tucker
  11. I Want To Marry A Lighthouse Keeper - Ericka Eigen
  12. William Tell Overture (Abridged) - A Clockwork Orange ST
  13. Suicide Scherzo (Ninth Symphony, Second Movement, Abridged) - Walter Carlos
  14. Ninth Symphony, Fourth Movement (Abridged) - A Clockwork Orange ST
  15. Singin' in the Rain - Gene Kelly

Amazon.com

Stanley Kubrick's demanding perfectionism in all aspects of the filmmaking process has led to some of the most memorable soundtracks of the modern era. Kubrick's taste for the classics led to his scrapping Alex North's original score for 2001: A Space Odyssey in lieu of the "temporary" tracks he had used for editing, turning Richard Strauss' Also Sprach Zarathustra into an unlikely 20th-century pop icon. For his 1971 adaptation of Anthony Burgess's cautionary future-shocker, Kubrick once again turned to the classics. Malcolm McDowell's protagonist Droog Alex's taste for Beethoven is given a nice tweaking by Moog pioneer Walter (now Wendy) Carlos's synthesized take on the glorious Ninth Symphony. Some have complained that the now-primitive electronics involved give it a dated feel. Disturbingly--and effectively--other-worldly is more like it. Kubrick also imbues repertory standards by Rossini and Elgar with dark, frequently hilarious irony, and makes Gene Kelly's sunny reading of "Singin' In The Rain" the underscore to an all-too-accurate prediction of societal nightmares to come. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Prisoner 6 double-five 3-2-1.......2007-03-16

The soundtrack album of CLOCKWORK ORANGE, even with it's simple (and supposedly) outdated Wendy Carlos recordings, holds up far better than the actual film has over these 36 years. This story takes place in the 1990s, and we all know that today's world is nothing like Anthony Burgess' dismal and nightmarish vision . . . don't we?

Most of the CLOCKWORK ORANGE soundtrack's classical selections are by Herbert Von Karajan and the Berlin Philharmonic. These spirited Beethoven and Rossini interpretations remain some of the very best ever recorded.

The excerpt of Wendy's "Timesteps" is the most compelling piece here. In the film, this stark aural collage is background to Alex's behavior modification. In order to shorten his prison sentence, the violent sociopath is made chemically ill while forced to view scenes of rapine and bloodshed. His sickness can only be arrested by replacing his natural criminal urges with passive thoughts.

It's hard to listen to "Overture To The Sun" without recalling the spotlighted naked girl who tempts an on-exhibit Alex into a state of unwellness that he likens to "wanting to snuff it." His freedom to choose brutality has been taken from him forcefully, through violent reprogramming. The subsequent events that precipitate Alex's restoration into a fully non-functional member of society beset him in a fashion ironically similar to the chaos he once left in his violent wake.

The stark images and perversities of this movie tend to stay with a person. Perhaps watching Kubrick's CLOCKWORK ORANGE has in some way "programmed" the viewer, too, by desensitizing us to the madness that is all around. Maybe this film holds up better than I thought. I must have a glass of choko moloko and reconsider . . .

5 out of 5 stars Kubrick At His Best.......2007-01-11

This is a fantastic Kubrick movie. Based on a novel of equal respect, this movie details troubled youth, violence, and sex in a modern-yet-more-so world. The slang of the young men in the movie is a mixture of British and Russian slang terminology created by the book's author. A must-see for the Kubrick fan out there.

3 out of 5 stars Good soundtrack.......2006-02-20

I own this on vinyl and yes an exellent soundtrack from an exellent movie

4 out of 5 stars Easier to experience than the movie!.......2005-08-17

Having purchased this soundtrack along with its respective CD score (by Wendy Carlos), it is a wonderful installment to any soundtrack fan/buff. The awesome sound of classical music, contained in the CDs, in which director Stanley Kubrick chose for the picture, is so juxtaposing it is brilliant. Even if one does not know a lick of classical music, one can easily suggest this soundtrack as a useful introduction into the genre. Though the film may not be as easy to experience as the music contained inside, the soundtrack stands as a milestone for music in film perhaps only beaten by the director's previous work in '2001 A Space Odyssey'.

5 out of 5 stars Horrorshow Lomticks of Music to do the old Ultra-Violence By. .......2005-07-28

Bolshi Yarblockos, my droggies. Viddy thou this incredible soundtrack from the film A Clockwork Orange. Cued from the novel by Anthony Burgess, the musical selections mainly focus on the Beethoven obsession of the main character Alex, however Carlos's deep knowledge of the classical repetoire and Kubrick's neurotic perfectionism combine to fill out this album. I love most of the tracks here, and have listened to them since 1972.

My personal favorite is the title music of the film, Henry Purcell's "Funeral Music for Queen Mary," a piece so appropriate to the film that Purcell must have been channelling the future when he wrote it in the late 17th century. Carlos's interpretation of this Purcell piece is astounding in its forboding textures and alientating timbres. Electronic tympani have never sounded better - and were never used like this before. Ring modualtions, filter sweeps, phased sawtooth angel trumpets and resonate devil trombones - oh bliss!

I also liked the strange music Kubrick chose - "I want to Marry a Lighthouse Keeper," and "Anthem to the Sun," both obscure and perfect.

Carlos's avant-garde composition "Timesteps" appears in abbreviated form here, and for most listeners this abridgement is enough.

The concluding ironic use of "Singing in the Rain," is wonderful, and after an album (and film) full of electronics, classical music, and weirdness, a standard is shocking enough.

There is a new version of the soundtrack put out by Carlos herself, which includes only her work. Some tracks composed but not used in the film appear here, as do some track used, but not appearing on the OST as well. Timesteps in its 13:37 form is also on this album.

For those fans of Prog rock: Viddy the film when Alex visits a record store: Notice the Vertigo swirl above the main desk, also in the wrecked foyer of Alex's highrise, one of the figures on the vandalised mural has "Suck it and see" written on it, also the name of a Vertigo music sampler of the same era.
The Incredible Film Music Box
Average customer rating: 5 out of 5 stars
  • Great Sampling Collection
  • Six Decades of Film Music
  • Excellent collection with fine performances
  • "essential film scores from 1939 to 2004 ~ Incredible Music"
The Incredible Film Music Box

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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All Works by ManciniAll Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by NymanAll Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music
Rota, NinoRota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0007S687Y
Release Date: 2005-05-10

Tracks:

  1. Gone With The Wind: Overture
  2. Citizen Kane: Overture
  3. Casablanca: As Time Goes By
  4. It's A Wonderful Life: It's A Wonderful Life
  5. The Third Man: The Harry Lime Theme
  6. The Searchers: Suite
  7. The Bridge On The River Kwai: Colonel Bogey March
  8. Vertigo: Prelude
  9. Touch Of Evil: Main Title
  10. Ben-Hur: Parade Of The Charioteers
  11. North By Northwest: Prelude
  12. Psycho: Suite
  13. The Magnificent Seven: The Magnificent Seven
  14. Lawrence Of Arabia: Overture

Tracks:

  1. To Kill A Mockingbird: Suite
  2. The Great Escape: Main Title
  3. Doctor Zhivago: Main Title & Lara's Theme
  4. The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
  5. Once Upon A Time In The West: Jill's Theme
  6. 2001: A Space Odyssey: Also Sprach Zarathustra
  7. Midnight Cowboy: Midnight Cowboy
  8. Get Carter: Main Title
  9. A Clockwork Orange: Ode To Joy
  10. The Godfather: Waltz & Love Theme
  11. Jaws: Jaws
  12. Rocky: Gonna Fly Now
  13. Taxi Driver: Suite
  14. Star Wars: Episode IV: A New Hope

Tracks:

  1. Superman: Main Theme
  2. Alien: End Title
  3. Raging Bull: Intermezzo From Cavalleria Rusticana
  4. Raiders Of The Lost Ark: Raiders March
  5. Blade Runner: End Titles
  6. E.T.: The Extraterrestrial: Adventures On Earth
  7. Once Upon A Time In America: Deborah's Theme
  8. Back To The Future: Main Theme
  9. Witness: Building The Barn
  10. Aliens: Main Title
  11. Cinema Paradiso: Cinema Paradiso
  12. Glory: Charging Frot Wagner
  13. Dances With Wolves: The John Dunbar Theme
  14. Unforgiven: Claudia's Theme

Tracks:

  1. The Piano: The Heart Asks Pleasure First
  2. Schindler's List: Main Theme
  3. Braveheart: End Credits
  4. Titanic: My Heart Will Go On
  5. Saving Private Ryan: Hymn To The Fallen
  6. American Beauty: Any Other Name
  7. Gladiator: Now We Are Free
  8. Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
  9. The Girl With The Pearl Earring: Griet's Theme
  10. Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
  11. Harry Potter And The Prisoner Of Azkaban: Suite
  12. Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
  13. Finding Neverland: Impossible Opening
  14. The Incredibles: Overture

Customer Reviews:

5 out of 5 stars Great Sampling Collection.......2007-07-29

Over the past thirty years, my father and I have been collecting film music on various formats--vinyl, tape, reel-to-reel, CD, recording it from the movie, even. This collection is a great starter for someone who wants to start owning movie music. Lots of big hitters, including Hermann, Barry, Conti, Mancini, and Goldsmith as well as some contemporary scores that are great, too. This is the type of collection I would make for a friend who asks "what scores should I start with?"

4 out of 5 stars Six Decades of Film Music.......2007-05-13

This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.

5 out of 5 stars Excellent collection with fine performances.......2007-03-28

Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.

5 out of 5 stars "essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16

When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004

There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!

Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.

Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!

Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Clockwork Gray
Average customer rating: Not rated
    Clockwork Gray
    Blaze Ya Dead Homie
    Manufacturer: Psychopathic
    ProductGroup: Music
    Binding: Audio CD

    Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
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    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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    ASIN: B000TE8BK8
    Release Date: 2007-08-21

    Album Description

    Tick... Tock...Tick... Tock... It's the sound of a heart that stopped. Pop, Pop, Pop, a series of shots, and a gangsta went in the ground. He tried to Feel the Sunshine, but all his days turned out gray. Gray as the ground, gray like dead flesh, and gray like the steel of a hot barrel. Still, the streets couldn't stop him, and the ground couldn't keep him. So he came back, with a heart full of horror and a mouth full of murder. He came back and he kept on comin'... Tick, Tock, Tick, Tock... It's the pulse, a beat, bumpin from beneath, comin up through the ground and filling the street. It's the inevitable pulse oftime, flowing from his soul. It's his ammunition. The undead have much, and now he wants control. The beat is felt in every step of his story. The pop of a gun. The drop of a casket. Then the explosion of rebirth, and the invasion in your speakers as his beat comes for you. The Undying defeated death, and he bumps on to his next hit, looking fo a pulse to fill his empty veins. The pulse of time... Clockwork Gray is the fourth solo album from Blaze, and it continues the tale of vengeance and indulgence of a man from beyond. And that's where he continues to go. Beyond death, beyond revenge, beyond hip-hop, beyond sexy, and beyond scary. It's a street story of getting what's his, but knowing there's always more to get. Clockwork Gray goes back in time to the darkness where it started, with heavy hip-hop beats and the realest ruthless rhymes. This Dead Homie is a shadow at your back, but is he there to keep you covered, or cover you with blood? Close your eyes and let the darkness in, but this time the casket may close on you...
    Rediscovering Lost Scores, Vol. 1
    Average customer rating: 4 out of 5 stars
    • The (second) soundtrack that never was...
    • Treasure Trove of Cinemagic
    Rediscovering Lost Scores, Vol. 1

    Manufacturer: East Side Digital
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    ASIN: B0009G3C1O
    Release Date: 2005-05-24

    Tracks:

    1. Colorado - 'The Shining'
    2. The Rocky Mountains - 'The Shining'
    3. Chase Music - 'The Shining'
    4. Nocturnal Valse Triste - 'The Shining'
    5. Greetings Ghosties - 'The Shining'
    6. Horror Show - 'The Shining'
    7. A Haunted Waltz - 'The Shining'
    8. Psychic Shout #237 - 'The Shining'
    9. Danny - 'The Shining'
    10. Heartbeats And Worry - 'The Shining'
    11. Subliminal Ballroom - 'The Shining'
    12. Thought Clusters - 'The Shining'
    13. A Ghost Piano - 'The Shining'
    14. Visitors - 'The Shining'
    15. Dark Winds And Rustles - 'The Shining'
    16. Bumps In The Wind - 'The Shining'
    17. Setting With Medea - 'The Shining'
    18. Two Polymoog Improvisations - 'The Shining'
    19. Fanfare And Drunken 'Dies' - 'The Shining'
    20. Clockworks (Bloody Elevators) - 'The Shining'
    21. Danny Bells Ascending - 'The Shining'
    22. Postlude - 'The Shining'
    23. Stately Purcell - 'Clockwork Orange'
    24. Pop Purcell - 'Clockwork Orange'
    25. Trumpet Voluntary - 'The Shining'
    26. The Children Of Peru - 'UNICEF Films'
    27. Shanty Town And Farewell - 'UNICEF Films'
    28. Daycare And The Colonel - 'UNICEF Films'
    29. Two Distant Walks - 'UNICEF Films'
    30. Ethiopian Life - 'UNICEF Films'
    31. Tanzanian Scenes - 'UNICEF Films'
    32. Three Hopeful Places - 'UNICEF Films'

    Customer Reviews:

    3 out of 5 stars The (second) soundtrack that never was..........2005-08-13

    Let me start out by saying that I (and probably most people) bought this for the Shining portion of music, and is what I am discussing here. Wendy's original score to the Shining was mostly left on the cutting room floor and only a few tracks made it into the final film. (The same happened to her Clockwork Orange soundtrack, although more of that was used.)

    Once I heard that all of her original score to the Shining was being released I immediately became excited about the prospect of finally hearing the high-pitched music while Halloran "shines" on his bed, the long suite of twisted vocals and heartbeats as Jack yells at Wendy, dismantles the radio, etc. Upon receiving the CD I was a little disappointed, however.

    There are basically 3 tracks on the CD that sound even remotely like her music in the movie:

    *Track #2 ("Rock Mountains") - This is the music that can be heard while the family drives to the Overlook and continues throughout the Donna Party discussion. This track is a SHORTENED VERSION of the one heard in the film, but covers the main musical points.

    *Track #10 ("Heartbeats & Worry") - This is SIMILAR to the music heard at various points throughout the film, (during Jack's "Shoveling out driveways" speech, Wendy trying to wake Danny up, Halloren on the plane, etc) but is much shorter and lacks many of the musical elements heard in the film. This track is the same general idea, and has some extra layers not heard in the film version.

    *Track #21 ("Danny Bells Ascending") - This track also has ELEMENTS of the music heard in the scenes above, just without the heartbeats. (It also has some extra layers thrown in.)

    That's about it from the movie. I kind of figured I would be disappointed because I usually am with any commercial releases of film scores. I always expect to get ALL the cues exactly as they appear in the movie, but this very rarely happens. Most soundtracks usually have certain cues omitted (usually my favorite ones) and they either join several cues into a suite of music or add extra stuff into the cues. Why they do this I'll never understand. In the case of the Shining, the music editor may have combined several different Carlos cues for the movie, but one thing I am certain - all of Wendy's music from the film is not on this CD. (I'm pretty sure they won't be on the second volume either, based on the samples I've heard.)

    Another criticism I have is that I wish they released just the Shining music from both Volumes 1 and 2 as "Wendy Carlos's score to the Shining" (as they did with A Clockwork Orange), and put the UNICEF and Clockwork Orange stuff on a separate release.

    Having said all that, the music on this CD is top notch, as is anything Wendy Carlos has done. I'm glad this stuff has finally seen the light of day! But if you're expecting a note-for-note version of the music from your favorite scenes in the film, you may be in for a disappointment...

    5 out of 5 stars Treasure Trove of Cinemagic.......2005-06-07

    In between her pioneering classical transcriptions and her groundbreaking explorations of new timbres and tunings, Carlos was also called upon to score a few films. Of these only one, "A Clockwork Orange," has been adequately represented by an official soundtrack album and a second album of original music written for the movie. Her score for "Tron" wasn't released on CD by Disney until 2001, NINETEEN YEARS after the film. All of the other scores have been, lamentably, totally missing.

    Until now.

    Carlos is no stranger to neglect. She has had to single-handedly rescue her classical pieces from the dumpster, and most of the rest of her catalog never saw Original Master re-releases until she herself undertook the project. It seems her New England stubbornness is triggered by disrespect, which in a way is lucky because nobody does Wendy better than Wendy herself.

    She's done it once again with these soundtrack albums, volumes 1 and 2. Most of her fans know she wrote a complete score for Stanley Kubrick's "The Shining," although only two short pieces made it to the soundtrack LP (which has never been reissued). Here she FINALLY shares the rest of her score (minus the two tracks in legal limbo), and they are just as wonderful as everyone suspected. Witty and urbane classical reworkings are interposed with original horror music of astonishing power. Of particular note is a track where she overdubs and treats Rachel Elkind's voice until it sounds like a swarm of bumblebees!

    She's also discovered three more "Clockwork Orange" cues, which are a delightful addition to the existing canon.

    Volume 2 includes additional music from "Tron" and her unreleased score to "Woundings," and both volumes include several shorter pieces for various independent films.

    Overall these discs are everything you'd expect and hope for in documenting Carlos's cinematic career.
    The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical
    Average customer rating: 5 out of 5 stars
    • A Collection of the Original Oz Stage Productions
    • Ain't it a Shame!
    • Why the 1903 "Wizard" was forgotten
    • A long overdue revisit to a classic American musical
    • Long-Forgotten Broadway Hit Gets First Rate Revival
    The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

    Manufacturer: Original Cast Record
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
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    General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Broadway & VocalistsBroadway & Vocalists | Indie Music | Stores | Music
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    1. The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon
    2. The Wizard of Oz (1988 London Cast)
    3. The Wizard Of Oz In Concert: A Benefit Performance For The Children's Defense Fund (1996 Lincoln Center Cast)
    4. Shock Treatment (1981)
    5. The Wizard Of Oz: Original Motion Picture Soundtrack - The Deluxe Edition

    ASIN: B00009MPYQ

    Tracks:

    1. Wizard of OzSelection (Arthur Pryor's Band)
    2. The Bullfrog and the Coon (Ada Jones)
    3. Pocahontas (Edward M. Favor)
    4. Daisy Donohue (Harry Tally)
    5. Down on the Brandywine (Collins & Harlan)
    6. Come Take a Skate with Me Sung (Collins & Harlan)
    7. I Love You All the Time (Harry Macdonough)
    8. The Moon Has His Eyes on You (Ada Jones)
    9. When You Love, Love, Love (Thomas E. Whitbred)
    10. When We Get Whats a-Comin to Us
    11. Mister Dooley Sung (Edward M. Favor)
    12. Julie Dooley (J. W. Myers)
    13. Meet Me Down at the Corner (Jones & Spencer)
    14. Budweisers a Friend of Mine (Billy Murray)
    15. Theres a Lot of Things You Never Learn at School (Bob Roberts)
    16. Under a Panama (Billy Murray)
    17. Good Bye Fedora (Collins & Harlan)
    18. Sitting Bull (Collins & Harlan)
    19. I Love Only One Girl in this Wide Wide World (Harry Macdonough)
    20. Sammy (Harry Macdonough)
    21. The Tale of a Stroll (Morgan & Stanley)
    22. Cant You See Im Lonely? (Ada Jones)
    23. Are You Sincere? (Byron G. Harlan)
    24. Hurrah for Baffins Bay (Collins & Harlan)
    25. Football (Dan W. Quinn)
    26. Id Like to Go Halves in That (Burt Shepard)
    27. Rejoice!The Wizard is No Longer King
    28. The Traveler and the Pie
    29. Must You? (Dan W. Quinn)
    30. Thats Where She Sits All Day (Dan W. Quinn)
    31. The Sweetest Girl in Dixie (Henry Burr)
    32. Scarecrow Laugh (Fred Stone)

    Tracks:

    1. Sammy Mira (Music Box Disc)
    2. Must You? (Mira Music Box Disc)
    3. Opening Prayer
    4. Phantom Patrol
    5. Just a Simple Girl from the Prairie
    6. Poppy Song
    7. Love is Love
    8. When We Get What's A-Comin' to Us
    9. The Traveler and the Pie
    10. When You Love, Love, Love
    11. Rejoice! The Wizard is No Longer King
    12. Phantom Patrol (Aeolian Piano Roll)
    13. My Little Maid of Oz Aeolian Piano Roll
    14. The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
    15. The Tik-Tok Man of OzSelection (Piano Roll)
    16. Ask the Flowers to Tell You (Macdonough & Dunlap)
    17. My Beautiful Dream Girl (John Barnes Wells)
    18. My Pretty Little Piece of Dresden China (Bessie Wynn)
    19. Gay Paree (Montgomery & Stone)
    20. Travel Travel Little Star (Montgomery & Stone)
    21. A Scotch Moriah (Montgomery & Stone)
    22. Hurrah for Baffins Bay (Dan W. Quinn)
    23. Daisy Donohue (Trombone Solo by Arthur Pryor)
    24. Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
    25. Down on the BrandywineMedley (Edison Military Band)
    26. The Bullfrog and the CoonMedley (Six Brown Brothers)
    27. Ill Take You Back to Italy (Ada Jones & Billy Murray)
    28. Father Goose Songs (Sallie Osbourne)

    Album Description

    The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

    The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

    Customer Reviews:

    5 out of 5 stars A Collection of the Original Oz Stage Productions.......2006-12-07

    This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
    I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
    The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
    The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
    I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

    5 out of 5 stars Ain't it a Shame!.......2006-05-20

    I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
    however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

    4 out of 5 stars Why the 1903 "Wizard" was forgotten.......2004-03-20

    This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

    5 out of 5 stars A long overdue revisit to a classic American musical.......2003-09-30

    Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

    5 out of 5 stars Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

    One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

    Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

    As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

    Obviously the play was quite different in plot from the movie--Dorothy travelled to Oz with her cow Imogene instead of Toto, for starters--, but the songs represent the style of popular music of 100 years ago and are collected here in a beautiful compilation. The set contains two booklets of liner notes which contain credits, lyrics, a written history of the production, and are extensively illustrated with photos and illustrations. Although the sound quality of the source material is not always up to today's standards, the songs are presented in the best versions possible, and the music is highly enjoyable. With 60 tracks and the wealth of information contained here, both written and photographic, this 2-CD set is good value for the money. A must-have for all collectors of WIZARD OF OZ memorabilia, an insightful look at popular music and Broadway history from a century ago, a glimpse into ethnic and racial stereotypes that were accepted at the time, and a curiosity for fans of the 1939 film, this set is big on appeal. Kudos to the Hungry Tiger Press for rescuing this treasure trove of musical history from obscurity!
    Celestial Clockwork
    Average customer rating: 5 out of 5 stars
    • Underground Gem...
    • Illogic the poet
    • The Absolute Best Hip hop of all time
    • wow.... One word Amazing
    • Celestial Artistic Genius
    Celestial Clockwork
    Illogic
    Manufacturer: Raptivism
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rap & Hip-Hop | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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    ASIN: B0007Y0964
    Release Date: 2005-05-10

    Tracks:

    1. Intro
    2. The Only Constant
    3. Birthright
    4. 1,000 Whispers
    5. Time Capsule
    6. Celestial Clockwork
    7. Hollow Shell (Cash Clutch)
    8. Lesson On Love
    9. Frist Trimester
    10. Live To Die
    11. Stand
    12. My World
    13. I Wish He Would Make Me

    Customer Reviews:

    5 out of 5 stars Underground Gem..........2007-08-01

    Boy, is this album a gem. I can listen to this album all day and I have, actually. First off, the flow is one of the best today. So smooth. The production is another highlight, since its nice but sticks to the underground figure. The samples(movie samples, it seems) are very nicely picked. But from all this, the lyrics and knowledge are by far the best part. Amazing!!!!!

    Closing comments: I suggest you listen to this with headphones to catch all the lyrics he drops or try to concrete. This is flawness and I mean it. I didn't find myself pressing the skip button, at all. Don't expect poppy bull**** from this album, but expect knowledge and a true underground classic.

    4 out of 5 stars Illogic the poet.......2007-06-14

    This album is very deep and poetic. The beats are very smooth and nice. There's really only one thing missing: the edginess of his battle style. Some parts of this album tend to put me to sleep. This album shows a very mature, thoughful, clear-minded illogic. Personally, I tend to go for his Write to Death releases or Got Lyrics because the beats are harder and so are the lyrics. This album is like an evolution of the Unforseen Shadows album because of its soulfulness and depth.

    5 out of 5 stars The Absolute Best Hip hop of all time.......2006-03-11

    This is Hip Hop at its best

    5 out of 5 stars wow.... One word Amazing.......2005-10-30

    This album is absolutely amazing.... His voice is a mix of many more known underground cats. Almost a Black Slug... His beats are some of the best i've heard. I believe Blueprint produces a majority of the tracks. Thats another unbelievable talent. The lyrics on this album are absolutely brillant.... his flow is very smooth and matches each beat on each album perfectly. The album has a basic theme which each track plays on. If u dont have this album i strongly encourage you to give it a chance... This album is so good it should come with a money back guarentee...

    AMAZING ALBUM.....one of my top 5 favorite albums... its up there with anything you can find.

    5 out of 5 stars Celestial Artistic Genius .......2005-10-04

    I would first like to say that illogic is one of the greatest Mc i have ever heard in the underground community to date. His imagery intricate lyrics hold realistic concepts like no other. There is no comparison when describing his lyricism. Some artist would create an album and fail at his or her first attempt. This man brings every aspect of what an Mc should sound like on every product he or shereleases.
    Eyes Wide Shut: Music from Stanley Kubrick Movies
    Average customer rating: Not rated
      Eyes Wide Shut: Music from Stanley Kubrick Movies

      Manufacturer: Golden Stars
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00004VRKT
      Release Date: 1999-12-01

      Tracks:

      1. When I Fall in Love [From Eyes Wide Shut] - Hollywood Star Orchestra
      2. Second Waltz from "Jazz Suite" [From Eyes Wide Shut]
      3. Strangers in the Night [From Eyes Wide Shut] - Hollywood Star Orchestra
      4. 2nd Movement from "Symphony No. 9" in D Minor Op. 125 "Choral" [From a
      5. Pomp and Circumstance March Op.39/1 [From a Clockwork Orange] - Radio Symphony Orchestra Ljubljana
      6. Tain't What You Do (It's the Way That Cha Do It) [from Lolita, My Love] - Ella Fitzgerald
      7. Introduction from "Also Sprach Zarathustra" [From 2001: A Space ...]
      8. Adagio from "Gayane" - Ballet Suite [from Lolita, My Love]
      9. Theme from "Spartacus" [From Spartacus] - Hollywood Star Orchestra
      10. Sarabande [From Barry Lyndon]
      11. German Dance No. 1 in C Major [From Barry Lyndon]
      12. Third Movement from "Cello Concerto" in E Minor [From Barry Lyndon] - Musici Di San Marco
      13. Main Title from "The Shining" [From the Shining] - Hollywood Star Orchestra
      14. Chapel of Love [From Full Metal Jacket] - The Dixie Cups
      15. We'll Meet Again [From Dr. Strangelove] - Vera Lynn
      Clockwork
      Average customer rating: 5 out of 5 stars
      • Absolute "must-have" from de Grassi
      Clockwork
      Alex de Grassi
      Manufacturer: Windham Hill Records
      ProductGroup: Music
      Binding: Audio CD

      BoliviaBolivia | South & Central America | International | Styles | Music
      GeneralGeneral | International | Styles | Music
      GeneralGeneral | Jazz | Styles | Music
      Jazz FusionJazz Fusion | Jazz | Styles | Music
      GeneralGeneral | New Age | Styles | Music
      MeditationMeditation | New Age | Styles | Music
      GeneralGeneral | International | Indie Music | Stores | Music
      GeneralGeneral | New Age | Indie Music | Stores | Music
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      ASIN: B000000NF9
      Release Date: 1990-10-25

      Tracks:

      1. Thirty-Six
      2. Two Color Dream
      3. Clockwork
      4. Opening
      5. Bougainvillea
      6. Elegy
      7. Sorta Samba
      8. Part Five

      Customer Reviews:

      5 out of 5 stars Absolute "must-have" from de Grassi.......2000-02-13

      One of the best early Windham Hill titles available on CD, de Grassi finger-picks his way through some soulful songs. His early talent in this effort would eventually pave the way for "Slow Circle" and "Turning: Turning Back", which are also top quality (but, sadly, out of print). "Clockwork" is the signature song of de Grassi and rightly so. It will touch you deeply.
      Tesseract
      Average customer rating: Not rated
        Tesseract
        Clockwork
        Manufacturer: Primarily Acapella
        ProductGroup: Music
        Binding: Audio CD

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        GeneralGeneral | Broadway & Vocalists | Styles | Music
        A CappellaA Cappella | Folk | Styles | Music
        ASIN: B000A9QKQO
        Release Date: 2005-08-23

        Tracks:

        1. And (So) What If I Don't
        2. My Baby Just Cares For Me
        3. Blackbird
        4. D.C. Farewell
        5. Donna Lee
        6. Creep
        7. Rhode Island Is Famous For You
        8. Moment's Notice
        9. Little Girl Blue
        10. Variation #1 on "Nightwatch"
        11. Big Cash Deal

        Meditation Music:

        1. Collection 1991: Music & Art
        2. Come What May
        3. Concerto Royal Philharmonic [Live]
        4. Dead Can Dance
        5. Deep at Night
        6. Deep Breathing
        7. Desires
        8. Earth Heart
        9. Expressions: The Heart of God
        10. Fair Play

        Meditation Music

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        Meditation Music

        Be Yourself

        Viklarbo Chamber Ensemble

        Verdi: Opera For Orchestra

        Music: Version 2.0

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        Welcome II Nextasy [Explicit Lyrics]

        Violin of the Yayla

        West Coast Bad Boyz 3: Poppin Collars

        We Are Here

        Virtuoso Piano Duo

        Vamos A La Playa: Direct from México

        V.10: Radames Gnattali/Villa-Lobos [Import]

        Worldwind [CD-single] [Explicit Lyrics]

        Diaspora Blues

        Lady in Satin