Dawn of a New Century

1. Moongate

2. Prayer

3. Elan

4. Dreamcatcher

5. Sona

6. In Our Tears

7. Children of the River

8. Evensong

9. Lore of the Loom

10. Aria

11. Divertimento

12. Aquarell

13. Dawn of a New Century

Editorial Reviews

Amazon.com
Secret Garden's formula is plain to hear. They have the lush string orchestrations of Yanni, the layered vocals of Clannad and Enya, and the stage-show Celtica of Riverdance. In the past these elements have weighed down the music of Irish violinist Fionuala Sherry and Norwegian keyboardist Rolf Lovland with a sweetness that would make tiramisu taste like poi. On Dawn of a New Century, they finally dance closer to the line that divides schlock from serenity, beauty from the banal. Capercaillie singer Karen Matheson gives a haunting vocal performance on "Prayer," surrounded by Clannad-like harmonies. "Children of the River" is a cinematic expanse with Asian overtones, while "Lore of the Loom" swoops through orchestral landscapes that could be Ireland or Norway. But there's also the hokey faux-Baroque of "Divertimento" and the title piece, which could stand in for "I'd Like to Teach the World to Sing." --John Diliberto

Dawn of a New Century,Secret Garden,Polygram Records,Classical Music,Contemporary Instrumental,Neo-Classical,New Acoustic,New Age / Meditation,Pop,Spiritual

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Canon In D
'Brandenburg' Concerto No. 3: Allegro
The Four Seasons - The Winter: Largo And Allegro
Fanfare ('Masterpiece Theatre' Theme)
Camerata Romana: Air For The 'G' String
'Eine kleine Nachtmusik': Allegro
Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
Introduction To Symphony No. 5
'William Tell' Overture: Finale
'Aida': Triumphal March
On The Beautiful, Blue Danube Waltz
'The Nutcracker': Waltz Of The Flowers
'1812' Overture: Finale

Tracks:

Sabre Dance
'Light Cavalry' Overture: Finale
Carmen: The Toreadors
' Midsummer Night's Dream': Wedding March
Radetzky March
Symphony No. 9, 'Choral': Finale
'Prince Igor': Polovstian Dance No. 17
Jesu, Joy Of Man's Desiring
Peer Gynt: Solveig's Song
Sleepers, Wake
Water Music: Hornpipe
Symphony No. 9, 'From The New World': Largo
Emperor Waltz
'Emperor' Quartet: St. Anthony's Chorale
'The Tales Of Hoffman': Barcarolle
L'Arlesienne: Farandole
'The Nutcracker': Dance Of The Mirlitons
'The Nutcracker': Dance Of The Sugar-Plum Fairy
'Rhapsody In Blue': Highlight
'Orpheus In The Underworld': Can-Can

Tracks:

Introduction To 'Also sprach Zarathustra'
Symphony No. 4, 'Italian': Saltarello: Presto
Piano Concerto No. 20: Romance
'The Valkyrie': Ride Of The Valkyries
'The Four Seasons' - The Spring: Allegro
Toccata and Fugue
Trumpet Voluntary
'Royal Fireworks Music': la rejouissance: Allegro
'Moonlight' Sonata: Adagio Sostenuto
London Festival Orchestra: Overture To 'The Barber Of Seville'
Piano Concerto No. 2: Adagio Sostenuto

Tracks:

Carmina Burana: Introduction To 'Carmina Burana'
Peer Gynt: Dawn From 'Peer Gynt'
Lohengrin: Prelude To 'Lohengrin'
'Lieutenant Kije': Troika From 'Lieutenant Kije'
Adiago For Strings
'Carmen': Habanera From 'Carmen'
'Double' Concerto: Allegro From 'Double' Concerto
The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
(Rondo) Alla Turca
Xerxes: Largo From 'Xerxes'
Symphony No. 5: Allegro vivace From Symphony No. 5
'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
Clair De Lune
Bolero

Customer Reviews:

CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.

Average customer rating:

Awesome, Awesome, Awesome
Lush, peaceful, dreamy.
Rest and Relaxation
To keep & treasure; a joy & relief
"Prayer" lyrics

Dawn of a New Century
Secret Garden
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

Meditation | New Age | Styles | Music
Similar Items:

White Stones
Once in a Red Moon
Songs from a Secret Garden
Earthsongs
Dreamcatcher

ASIN: B00000I609
Release Date: 1999-04-20

Tracks:

Moongate
Prayer
Elan
Dreamcatcher
Sona
In Our Tears
Children Of The River
Evensong
Lore Of The Loom
Aria
Divertimento
Aquabell
Dawn Of A New Century

Amazon.com

Secret Garden's formula is plain to hear. They have the lush string orchestrations of Yanni, the layered vocals of Clannad and Enya, and the stage-show Celtica of Riverdance. In the past these elements have weighed down the music of Irish violinist Fionuala Sherry and Norwegian keyboardist Rolf Lovland with a sweetness that would make tiramisu taste like poi. On Dawn of a New Century, they finally dance closer to the line that divides schlock from serenity, beauty from the banal. Capercaillie singer Karen Matheson gives a haunting vocal performance on "Prayer," surrounded by Clannad-like harmonies. "Children of the River" is a cinematic expanse with Asian overtones, while "Lore of the Loom" swoops through orchestral landscapes that could be Ireland or Norway. But there's also the hokey faux-Baroque of "Divertimento" and the title piece, which could stand in for "I'd Like to Teach the World to Sing." --John Diliberto

Customer Reviews:

Awesome, Awesome, Awesome.......2007-05-23

The music on this is haunting and delicious. Out of the vocal selections, "Prayer" is just fabulous. I cannot stop playing it. I have four CDs from Secret Garden and this one rivals their first.

Lush, peaceful, dreamy........2007-01-30

"Once in a Red Moon" is how I discovered the sounds of Secret Garden. Immediately I fell in love with the lush, peaceful and dreamy sounds this duo has become so famous for. The only reason I don't give this CD 5 stars is purely for subjective reasons - I don't think it's their best, but I still think it is definitely worth owning. You'll enjoy it, I'm certain. Every time we play any of Secret Garden's music in our radio broadcast, they are one of the very few groups that stay in our programming as long as they do, because listeners love them so much. A good buy for your collection. Jon

Rest and Relaxation.......2006-11-02

Normally I do not go for New Age music, but when it is combined with Celtic and other such elements I love it. I fall asleep to this music because it is so beautiful!

To keep & treasure; a joy & relief.......2006-03-23

I'm exceedingly picky when it comes to my music; I don't want to waste my time listening to just anything. With that said, I can definitely recommend anything by Secret Garden. I ADORE Secret Garden.

Secret Garden has flat-out shocked me (in a very, very good way). When I discovered them, I felt as if I had finally found the style of music I had been looking for. I say this solemnly: Secret Garden is a rare jewel of which the kind does not seem to exist anymore.

The sound is a rich violin-and-piano mix (with other instruments, too). It's beautiful and unbelievable; you have to hear it for yourself.

The song "Children of the River" is gorgeous; it's a wonderful Asian/Celtic fusion and one of my favorite songs of all time!

On this album, I highly recommend "Elan," "Dreamcatcher," "Sona," "In Our Tears," "Children of the River" (!!!!!!!), "Evensong," "Aria," "Divertimento" (!!!!!), "Aquarell," & "Dawn of a New Century!" As you can see, that's practically the entire CD...so you know what my suggestion is!

"Prayer" lyrics.......2005-10-12

Prayer Lyrics by F. Sherry / R. Lovland
Hush - lay down your troubled mind
The day has vanished and left us behind
And the wind-whispering soft lullabies
Will soothe - so close your eyes
Let your arms enfold us
Through the dark of night
Will your angels hold us
Till we see the light
Sleep - angels will watch over you
And soon beautiful dreams will come true
Can you feel spirits embracing your soul
So dream while secrets of darkness unfold....

I use this song when I am depressed, unhappy, or just sleepy :) I adore their new vocals, and am looking forward to collecting all of their albums.

Average customer rating:

Crossover at Its Best
If Dawn Upshaw had made only one album...
Great songs by a better than average singer. Buy It.
A must album for all musical theatre lovers.
Timeless recording

I Wish It So
Dawn Upshaw , Marc Blitzstein , Eric Stern , Stephen Sondheim , Kurt Weill , Leslie Stifelman , Leonard Bernstein , and Matthias Naegele
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Similar Items:

Dawn Upshaw Sings Rodgers & Hart
Dawn Upshaw Sings Vernon Duke
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ASIN: B000005J2V
Release Date: 1994-08-02

Tracks:

I Wish It So
There Won't Be Trumpets - Sondheim
What More Do I Need? - Sondheim
That's Him
The Girls Of Summer - Sondheim
The Saga Of Jenny
Like It Was
Stay Well
I Feel Pretty
Glitter And Be Gay
My Ship
In The Clear
Never Get Lost - Take Me To The World
My New Friends - Bernstein

Amazon.com essential recording

With a spirit of innocence and excitement, no audible breaks of register, and perfect diction, Dawn Upshaw graces us with a satisfying crossover recording in which each song is a fully realized musical monologue. The eclectic and infrequently performed repertoire, from Bernstein, Blitzstein, Sondheim, and Weill, compliments her charm and interpretive acuity. There's her humorous "Saga of Jenny," her adorable "That's Him," her poignant "Like It Was," and her freshly vibrant "I Feel Pretty." Conductor Eric Stern is divine in his arrangements and accompaniment. This is one of the best musical theater albums available. --Barbara Eisner Bayer

Customer Reviews:

Crossover at Its Best.......2006-11-15

"I Wish It So" is the CD that first introduced the exceptional "crossover" talents of soprano Dawn Upshaw. The album, which comprises (mostly) little-heard songs by Kurt Weill, Marc Blitzstein, Leonard Bernstein, and Stephen Sondheim, opens with the title number, a lyrical gem from Blitzstein's JUNO, and continues with Sondheim's vibrant "There Won't Be Trumpets," in which Upshaw, rather than belting, lets her voice ring. She then slam-dunks Sondheim's "What More Do I Need," a truly raucous number. Other highlights include the two songs from Weill's LADY IN THE DARK: the haunting ballad "My Ship" and the witty "The Saga of Jenny," presented here in a superb jazz arrangement. The sound of Upshaw's lower middle voice in this number is thrilling. Her combining of Blizstein's "Never Get Lost" and Sondheim's soaring, life-affirming "Take Me to the World" is perfect, as is her musical yet emotional rendition of "Like It Was" from Sondheim's MERRILY WE ROLL ALONG. The album climaxes with the mock-coloratura aria "Glitter and Be Gay" from Bernstein's CANDIDE, in which Upshaw scales the heights with consistently pure and beautiful tone. In a day when many great opera singers attempt, unsuccessfully, to sing "popular" song, "I Wish It So" is an example of crossover at its very best. It is a CD that no one who loves both opera and musicals should miss.

If Dawn Upshaw had made only one album..........2006-08-24

I have a weak spot for crossover albums by opera stars, which can often be train wrecks or embarrissing self-parodies. There's not a cringe-worthy note in this one, however. Dawn Upshaw has never been as vibrant on disc, and her style in pop music (albeit serious pop music) surpasses expectations. She is a master at touching vulnerability and stars-in-her-eyes vulnerability. There's no current Broadway star who can match her in any of these songs form Sondheim, Weill, and Bernstein, certainly not for sheer beauty of voice and charm. Upshaw went on to make an excellent album of Rodgers and Hart songs, but nothing else quite matches this first effort.

Great songs by a better than average singer. Buy It........2006-04-24

'I Wish It So' sung by popular / classical switch hitter, Dawn Upshaw is a very, very good interpretation of classical American musical theatre pieces by four masters of the genre, Leonard Bernstein (music), Marc Blitzstein (lyrics), Stephen Sondheim (lyrics) and Kurt Weill (music). As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations. Primarily, I believe she suffers from never actually performing the works on stage, as Lenya has.

And, since Ute Lemper did an album with a similar collection of songs (Illusions) from Sondheim and others, I thing Lemper still has the edge on interpreting other composers as well.

On the positive side, I find Upshaw's interpretation as good or better than almost everyone else who makes a career out of these songs, such as, dare I say it, Barbra Streisand. This is a good thing, because I believe Upshaw is not up to the very best mezzos who share her classical works. She can't hold a candle, for example, to Renee Fleming or Anne Sofie von Otter, although her interpretations of Weill are as good as von Otter, just not as good as Lenya and Lemper.

A very, very nice album if you like female vocalists.

A must album for all musical theatre lovers........2005-04-21

Dawn Upshaw once again disproves the adage that opera singers can't sing showtunes properly. Her diction, her ability to act out the lyrics and her crystal clear angel-like voice are just heavenly. Miss Upshaw could teach quite a few Broadway and Cabaret singers a thing or two about interpretation and she would have her hands full teaching opera singers like Te Kanawa or Fleming how to put over a showtune properly. Simply divine!

Timeless recording.......2004-07-20

This is an endlessly rewarding album by an operatic soprano who demonstrates an expressiveness and range rare in crossover albums of this sort. Upshaw modifies her classical technique without compromising it, narrating with a conversational tone and youthful ebullience well-suited to musical theater. She continues her tradition of championing obscure American art songs with three gorgeous Blitzstein pieces, and wisely avoids the standard, overdone Sondheim showpieces in favor of several gorgeous lesser-known songs. "I Feel Pretty" is given a refreshing makeover, while "Glitter and Be Gay" demonstrates both her impressive vocal control and comedic prowess. Despite the odd choice of "There Won't Be Trumpets", which demands a belter to properly execute the climax, this album is a well-conceived and cohesive collection that becomes more enjoyable on each subsequent listen.

Average customer rating:

Disappointing
The Feel of New York
The next stop once you've heard the originals
Bernstein's New York, it's a wonderful town!
Great CD BUT...

Leonard Bernstein's New York
Leonard Bernstein , Dawn Upshaw , Judy Blazer , Mandy Patinkin , Audra McDonald , Donna Murphy , Richard Muenz , Eric Stern , and Orchestra Of St. Luke's
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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How Glory Goes
Happy Songs
Leonard Bernstein's New York / Mandy Patinkin, Dawn Upshaw, Donna Murphy
Experiment
Sings Sondheim

ASIN: B000005J40
Release Date: 1996-08-20

Tracks:

Lonely Town
Come Up To My Place
What A Waste
A Little Bit In Love
Fancy Free: Danzon Variation
Ain't Got No Tears Left
Ballet At The Village Vortex
Wrong Note Rag
Story Of My Life
Cab And Bedroom
One Hand, One Heart
Ya Got Me
A Quiet Girl
Balcony Scene (Tonight)
Lonely Town Pas De Deux
Somewhere
West Side Story: Ballet Sequence From West Side Story
Some Other Time
New York, New York (Finale, Act II)

Amazon.com

Leonard Bernstein's New York is a cornucopia of tongue-in-cheek wit, unabashed romanticism, big-city loneliness, and intellectual irony. His well-known orchestral brilliance is beautifully represented under the stellar conducting of Eric Stern, but his underappreciated talents as a songwriter are what shine, elevating this recording to magic. The cast of American theater's best includes Mandy Patinkin wonderfully indulging his comic side; Judy Blazer and Donna Murphy, the shiniest lights on Broadway, demonstrating their extensive range as singing actresses; Audra McDonald making the difficult sound easy; and Richard Muenz and Dawn Upshaw singing elegantly. Most unforgettably pleasing are the trios "Ya Got Me" and "What A Waste." A great tribute to Bernstein's theater works. --Barbara Eisner Bayer

Customer Reviews:

Disappointing.......2007-03-13

I agree that this is a great collection. But I have to wonder: Am I the only one who got a bum copy of the CD? The songs are all mixed up on my copy, as in, most of the tracks are mislabeled: "A Quiet Girl" is really "Tonight", The Balcony Scene, printed as "Tonight" is really "Somewhere". The list goes on.

So, who do I kvetch to? I'd like a copy that isn't a complete mishmash.

The Feel of New York.......2007-01-09

Having spent most of my working years in NYC, I felt this CD brought the city to me. Bernstein has allways been a favorite.

The next stop once you've heard the originals.......2007-01-09

As a tribute to Bernstein on Broadway, this CD is hard to beat. All the singers are stars but of a generation, ro two, beyond the originals. Naturally here's been a change of style, and these renditions are more knowing, sophisticated, and at times ironic than the originals. On their own, Donna Murphy, Dawn Upshaw, and Mandy Patinkin, among others, are masters of their craft, but I hope anyone who loves LB will also seek out the original cast albums for all of his musicals, or the clesest one can get (On the Town was remade in the Fifties). Those recordings cast a unique spel, but the next stop is this marvelous CD.

Bernstein's New York, it's a wonderful town!.......2002-01-15

And speaking of "Wonderful Town," it's so nice to hear music from this least appreciated of Bernstein's musicals. "What a Waste," "A Quiet Girl" and Audra McDonald's enchanting "A Little Bit in Love" have never sounded better. Donna Murphy burns the house down with the torchy "Ain't Got No Tears Left," and has fun with Patinkin and Blazer on the raucous "Ya Got Me." "One Hand, One Heart" sung by Dawn Upshaw and Richard Muenz is movingly rendered, as is Patinkin's wonderful delivery of an all-time Bernstein favorite, "Some Other Time." My only comlaint? Where is "I Can Cook Too?" A terrific recording.

Great CD BUT..........2000-07-02

I loved this CD, but there was some things that kept it fromgetting four stars. First Mandy Patkin, I loved him in Sunday in The Park With George, also I have a CD of him singing yiddish songs all good, but in this CD I just don't like him. Like in the song "Come Up To My Place" I didn't like his voice and I never could quite see him as the character for that song. Also I would have liked to see (well actually "hear") some more of the dance numbers or overtures, I realize the main point of the CD was all the singers they put together, but the real highlight of the CD for me was the sections from Fancy Free, and Ballet At The Village Vortex from Wonderful Town. Also I liked "One Hand One Heart" a lot. Overall I would get this CD if you like Bernstein or any of these musicals, it is good listen, just not outstanding.

Average customer rating:

Music For Reading

Manufacturer: Classical Heritage
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Tracks:

The Four Seasons: Spring: Allegro
Air On The 'G' String
Brandenburg Concerto No. 5: Allegro
Canon In D
Jesu, Joy Of Man's Desiring
Eine kleine Nachtmusik: Allegro
'Moonlight' Sonata: Adagio Sostenuto
String Quintet In E Major, Op. 13, No. 5: Minuet
Nocturne In D-Flat Major, Op. 27-2
Trois Gymnopedies: Lent et Douloureux
Nocturne In G Major Op. 37-2
Adagio For Strings

Tracks:

Brandenberg Concerto No. 3: Allegro
Royal Fireworks Music: La Rejouissance
Messiah: Hallelujah Chorus
La Mer: From Dawn Until Noon On The Sea
Lieutenant Kije: Troika
Symphony No. 4: Introduction
Polovtsian Dance No. 17: Excerpt - Borodin
On The Beautiful Blue Danube: Excerpt
The Nutcracker: Waltz Of The Flowers
Pictures At An Exhibition: Promenade
Lohengrin: Prelude - Wagner
Symphony No. 9, 'From The New World': Largo
William Tell Overture: Finale
Piano Sonata No. 2 in B-flat minor, Op. 35: Funeral March
Nocturne In G Minor, Op. 37-1

Tracks:

Xerxes: Largo
Bassoon Concerto In B-Flat Major: Andante Ma Adagio
Impromptu In F-Sharp Major, Op. 36
'Emperor' String Quartet, No. 3: Poco adagio
Waltz No. 3 In A Minor, Op. 34, No. 2
Nocturne In C-Sharp Minor, Op. 27-1
Egmont: Overture
Cavalleria Rusticana: Intermezzo
'Water Music' Suite: Alla Hornpipe
Adagio For Strings And Organ
Orchestral Suite No. 2: Minuet And Badinerie
Concerto For Two Violins And Orchestra: Vivace
Oboe Concerto: Adagio
Prelude And Fugue In C Major

Tracks:

Claire de Lune
Piano Concerto No. 21: Andante ('Elvira Madigan' Theme)
Pavan For A Dead Princess
Pathetique Sonata: Adagio Cantabile
Prelude No. 15 In D-Flat Major
Arabesque No. 1
Nocturne
Thais: Meditation
The Afternoon Of A Faun: Prelude
Fur Elise
Peer Gynt: Dawn
Horn Concerto No. 2 In E-Flat Major: Andante
Horn Concerto No. 3 In E-Flat Major: Romanza
Clarinet Concerto In A Major: Adagio

Holst The Planets & Britten Four Sea Interludes / Bernstein, New York Philharmonic (SACD)

Average customer rating:

Brilliant Performance,Stellar CD!!

Holst The Planets & Britten Four Sea Interludes / Bernstein, New York Philharmonic (SACD)
Holst , New York Philharmonic , and Leonard Bernstein
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Mahler: Symphony No. 1 [SACD]

ASIN: B00008J2QM
Release Date: 2003-03-04

Customer Reviews:

Brilliant Performance,Stellar CD!!.......2007-07-11

I have this on Discrete Quadraphonic 8-track (Holst: The Planets) and have been waiting ,for years,to get a discrete CD.It ia a favorite of mine.Finally a CD!
Edward Kerr
iegolden@shaw.ca

Average customer rating:

Greatest Collection of Classical I have.
This is not a good digital recording

Classics for Lovers

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Pop Rock | Pop | Styles | Music

General | Compilations | Rock | Styles | Music

Tracks:

Canon In D Major - CLASSICS FOR LOVERS
Piano Concerto No.21 'Elvira Madigan': Andante - CLASSICS FOR LOVERS
Pagliacci: Vesti la giubba - CLASSICS FOR LOVERS
Madame Butterfly: Un bel di - CLASSICS FOR LOVERS
Romeo And Juliet: Fantasy Overture - CLASSICS FOR LOVERS
Polovstian Dances 8 And 17: Prince Igor - CLASSICS FOR LOVERS
Tristan And Isolde: Overture - CLASSICS FOR LOVERS
Symphony No.3, 'Organ': Poco adagio - CLASSICS FOR LOVERS

Tracks:

Air For The 'G' String - Royal Philharmonic Orchestra
Moonlight Sonata: Adagio sostenuto - Dubravka Tomsic
Swan Lake: Suite - Scene: Enchanted Lake - London Festival Orchestra
Piano Concerto No.2: Adagio sostenuto - Garrison Kent
Clair de lune - Anna Lelkes
Aida: Celeste, Aida - Jose Perez
La Boheme: Che gelida manina - Jose Perez
Symphony No.9, 'From The World': Largo - Berlin Symphony Orchestra
Martha: Ach, so Fromm - Jose Perez
The Planets, Op.32: Venus (The Bringer Of Peace) - Dallas Symphony Orchestra
Bolero - Radio Symphony Orchestra

Tracks:

'Peer Gynt' Suite: Morning Song - Slavonic Philharmonic Orchestra
Xerxes: Largo - London Festival Orchestra
Piano Concerto No.20: Romance - Svetlana Stanceva
The Nutcracker Suite: Arabian Dance - Berlin Festival Orchestra
Pavan - London Festival Orchestra
The Afternoon Of A Faun: Prelude - London Festival Orchestra
Giselle: Adagio: Waltz - Philharmonia Orchestra Of London
The Carnival Of The Animals: The Swan - London Festival Orchestra
Eine kleine Nachtmusik: Romanze: Andante - Camerata Academica
The Tales Of Hoffman: Barcarolle - Royal Philharmonic Orchestra
Cavalleria Rusticana: Intermezzo - London Festival Orchestra
Daphnis And Chloe - Slavonic Philharmonic Orchestra

Tracks:

The Sleeping Beauty Suite: Pas d'action: Andante - CLASSICS FOR LOVERS
Scheherazade: The Young Prince And Young Princess - CLASSICS FOR LOVERS
Clarinet Concerto In A Major: Adagio - CLASSICS FOR LOVERS
On The Beautiful, Blue Danube - CLASSICS FOR LOVERS
Dawn Until Noon On The Sea: La Mer - CLASSICS FOR LOVERS
Carmen: Intermezzo - CLASSICS FOR LOVERS
Carmen: Seguidilla - CLASSICS FOR LOVERS
Carmen: Habanera - CLASSICS FOR LOVERS
Carmen: Nocturne - CLASSICS FOR LOVERS
Carmina Buraba: Omnia sol temperat - CLASSICS FOR LOVERS
Carmina Buraba: Amor volat undique - CLASSICS FOR LOVERS
Carmina Buraba: Dies, nox et omnia - CLASSICS FOR LOVERS
Symphony No.6, 'Pathetique': Adagio lamentoso: Andante - CLASSICS FOR LOVERS

Customer Reviews:

Greatest Collection of Classical I have........2006-12-14

I don't care much for compilation CDs. Usually they are someone else's favorite set of songs from that genre or composer. I usually like the songs, but when I get into listening to the other songs in the genre or by the same composer I find songs that I'm more fond of.

This collection is different.

I try not to be too generous with my top ratings in iTunes for songs, I don't give out a four or five stars to just anything, but many of the songs from this collection make up a good chunk of my top rated songs. I just love this collection.

This is not a good digital recording.......1999-07-27

There is a 'record player' hum in the background when you try to listen to various tracks on these CDs. The compilation is wonderful. The Quality of the recording is very disappointing. The outside of the album cover reads DDD which I thought to mean clean and clear all digital recording. Don't be deceived by the cover.

Average customer rating:

Milestones
David Gillingham , Aldo Forte , Roger Cichy , Percy Grainger , Donald Grantham , and University of Georgia Wind Symphony
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Marches | Miscellaneous | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
ASIN: B000055T3T
Release Date: 2001-01-09

Tracks:

New Century Dawn
Part I: Dawn 1000 A.D./Contrasting Civilizations/The Growing Conflicts Of Humankind
Part II: Mechanization/Finale, The Space Age And The Promise Of The Future
I. Morning's Cold/A Day For History
II. The Kittyhawk 'Flyer'
III. 'Success Four Flights...'
I. Lisbon
II. Horkstow Grange
III. Rufford Park Poachers
IV. The Brisk Young Sailor
V. Lord Melbourne
VI. The Lost Lady Found
J'ai Ete Au Bal