| 1. Joy & Pain |
| 2. Toy |
| 3. Memory Cloud |
| 4. Rockets |
| 5. Can't Forget You |
| 6. Tenderly |
| 7. Declaration |
| 8. Raining in My Heart |
| 9. Forever |
| 10. Overcome |
| 11. Virtual Affair |
| 12. Raining in My Heart [Remix][*] |
Universal,Moa,Tommy Boy,Electronic,Pop,Popular Music,Rock
Average customer rating:
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Coco
Colbie Caillat Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I30A Release Date: 2007-07-17 |
Tracks:
- Oxygen
- The Little Things
- One Fine Wire
- Bubbly
- Feelings Show
- Midnight Bottle
- Realize
- Battle
- Tailor Made
- Magic
- Tied Down
- Capri
Album Description
Singer/songwriter Colbie Caillat is one of the most celebrated artists to emerge from the growing talent pool of digitally-savvy self-launched artists, whose rise to prominence as the #1 unsigned artist on the popular myspace site has been largely due to her refreshing sense of understatement.
With no marketing push and only the power of the music behind her, Caillat became a sensation on the social networking site. Rolling Stone highlighted her as one of the top female artists on myspace. Ultimately, her number of friends swelled to more than 100,000. Her profile has been visited over 3 million times, and she has more than l0 million plays. She's currently averaging 50,000 + a day.
The songs on Caillat's debut album COCO mirror the Malibu-born Caillat's low-key, refreshing style. Armed with her acoustic guitar and her dusky vocals, she evokes the same gentle, yet spirited style of her musical influences John Mayer, Bob Marley, Lauryn Hill and The Weepies. The laid-back tempo of Hawaii, where she spent twice annual family vacations, is echoed in the music.
"She's the real thing," stated Monte Lipman, President of Universal Republic Records. "From her unique songwriting skills to her powerful but understated presence, Colbie has connected to millions of music lovers simply through the power of her music.
Customer Reviews:
Great CD.......2007-07-28
Refreshing and consistently good.......2007-07-28
Saw reviews that called her the female Jack Johnson. I find I like Coco better than any Johnson album I've heard. While he as a few strong hits, he has a lot of songs I find myself bored with and forwarding through. I don't have the desire to forward through any of the songs on Coco. Consistenly good and very listenable. Give this one a try.
Totally Wonderful!.......2007-07-26
Perfect Summertime Music!.......2007-07-26
I LOVE IT!!!.......2007-07-26
Average customer rating:
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Finding Forever
Common Manufacturer: Universal Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RN86BK Release Date: 2007-07-31 |
Tracks:
- Intro
- Start the Show
- People
- Drivin' Me Wild - Lily Allen, , Common
- I Want You
- Southside - Common, Kanye West,
- Game
- U, Black Maybe
- So Far to Go - Common,
- Break My Heart
- Misunderstood
- Forever Begins
Amazon.com
It's no small feat to follow an instant classic like Common's Be (2005) but he skillfully builds on that success with a worthy sequel. The two albums share much in common, especially with Finding Forever's focus and brevity (under 50 minutes) and especially with Kanye West's musical direction. The two Chicago natives have forged a strong chemistry together, especially on songs like "Start the Show" and "Southside" where both men appear, but just as a producer, West makes his presence felt on everything from the catchy piano tinkles of "Driving Me Wild" (featuring British chanteuse Lily Allen) to the brass-knuckled "The Game" (featuring DJ Premier). As has become his trademark, Common balances heartfelt earnestness ("Black Maybe") with clever charm ("Break My Heart") though he has one too many love songs ("I Want You"). Whether Finding Forever surpasses Be is a matter of individual, song-for-song taste: At worst, it's on par--a laudable accomplishment for a veteran now 15 years into his career. --Oliver WangAlbum Description
Multi-faceted Hip-Hop superstar Common is prepping his highly anticipated seventh album, Finding Forever, for a July 31st release on G.O.O.D Music/Geffen Records. The album is the follow up to the four times Grammy nominated, critically heralded and Kanye West produced Be, which spawned hits including The Corner, Go, and Testify. Finding Forever, finds Kanye again taking the bulk of production work with help from Will.I.Am on the sultry I Want You, the late great J. Dilla on So Far To Go, featuring a surprise guest appearance by D'Angelo and G.O.O.D Music producer Devo Springsteen on Misunderstood. On Finding Forever, Common, rips the mic like a hungry newcomer. The street single The Game produced by Kanye with scratches by the legendary DJ Premier is a horn drenched, vintage NY rap boom-bap banger from the Chi-town emcee, no less. The resounding lead single The People finds Common lyrically asserting why and who he creates his music for over regal strings, delectable keys and hard to get vocals by Gil Scott Heron. This is the explicit version.Customer Reviews:
6 Stars without a doubt.......2007-08-01
GET THIS NOW!!!!!! Its a Masterpiece.......2007-08-01
Buy it. It's just common sense..........2007-08-01
I'm a 32 year old husband and father of two, and I was born and raised in the Bronx. Self-explanatory, I was born with hip-hop. Though I still breathe hip-hop, lyrically and content wise, it doesn't resonate personally unless you're hustling in the trap or you're a pimp. I'm neither. FINDING FOREVER is as intelligent an album you're going to hear this year.
It's the ultimate rap album. Insane beats, with real world statements.(No shoulder leaning, two stepping or shuckin' and jivin')
It's the reason you loved A Tribe Called Quest or Public Enemy.
If you love hip-hop, buy it.
If you love neo-soul, buy it.
If you love beats to bang in your car, buy it.
It's the best rap album you will hear this year, I promise you. If you think I'm wrong. Post a response and tell me so.
How a man 15 years in the game does an album like this is incredible. Common's musical and lyrical maturity should embarrass cats like Jay-Z and LL Cool J, who know better, and put out subpar material anyway.
I wish I could give this album 8 stars.
Forever's Been Found........2007-08-01
Kanye's production on this album is quite outstanding. It really stands as a certification of Kanye's diversity as a producer; not only can he rock his signature trademark soul, or the 80s synth he's been practicing with lately, he can also make some gritty beats for the streets. While Common may not be the ideal 'street rapper,' these beats have enough grime to make even the hardest hip-hop head feel his latest effort. Kanye sound he searching for J Dilla's soul in these beats, and he manages to find the same unpolished, yet finished sound Dilla was known for; even if some of his work on this album is more akin to a RZA or Metal Fingers DOOM than it is Jay-Dee.
Common's rhymes don't differ much from what we've gotten used to from the 'Gap-Era' Common since Like Water For Chocolate came out. That's not a bad thing, per-se, but if you want something other than Common's "for the people" and "I make real hip-hop" approach, Finding Forever may not be your cup of tear lyrically. Sometimes Common's rhymes, while enlightened, can seem overly boastful; not boastful like most emcees brag about their cars and jewels, but Common often brags in a way that defaces, and alienates anyone that isn't in his core fanbase. While he never gets quite as arrogant as some other hip-hop purists' favorites, it can be increasingly annoying to someone who hasn't been riding with Common since Sense, if that makes any sense.
What really matters here is the quality of the music overall, and its quite high here. While the boom-bap focused production on the album may put some folks off for its old-school qualities, the music still manages to feel up to date, no doubt due to Kanye's production-wizardry and Common's eloquent lyricism. Once you get past the intro, it's hard to argue with any of the album's first six actual songs. Start The Show is one of the album's dopest cuts, featuring a raw beat from Kanye, and well as 'Ye chanting on the hook. The People features a sample that sounds like something MF DOOM would flip, but is still considerably dope in the hands of 'Ye. Drivin' Me Wild featuring Lily Allen is a nice collabo between the progressive rapper and the charming British singer, and both artists bring everything to this infectious Kanye-laced track. The will.i.am produced I Want You is dope, featuring some of will's old-school production, fitting for this release. Southside with Kanye is a dope duet, and hard to argue with when it comes to some of the best collaborations this year. The Game is one of the best tracks on the album, featuring scratches from the legendary Primo and production from the Common-proclaimed 'new Primo.'
U, Black Maybe is where the album starts to lose a bit of its edge. After such a hard hitting track, this Bilal assisted track presents a dramatic switch in presentation that messes with consistency a bit. Bilal does his job effectively enough, but doesn't bring a lot on the chorus; Common does his job, but the subject matter is rather cliche for Common. So Far To Go was already featured on J Dilla's Shining, which brings its presence here down. While it features new verses, it would've been better to feature an underhead Dilla beat on this album instead of a song most Common fans've already heard. While it's still one of the best songs on the album, it just doesn't hit hard like it should. Break My Heart is nice, but again, I'm seeing less of a Dilla influence, and more DOOM. Maybe Kanye accidentally put on Special Herbs Vol 1 instead of Donuts? It's not that he ends up emulating a completely different producer than the one he's trying to mimic is a bad thing, it's just odd how the results are so different than what you may expect. Misunderstood picks up the pacing incredibly, featuring a beautiful Nina Simone sample, and is one of the best tracks on the album. Forever Begins is a nice closer, as is the UK bonus track, Play Your Cards right.
Overall, while not creating quite the impact throughout that we could've hoped for, Common's Finding Forever is flowing with gems throughout the release. It maybe flawed, and slightly inconsistent towards the end, but Finding Forever is definitely worth the price of admission.
WOW....Hip Hop Is Back!.......2007-08-01
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Foiled
Blue October Manufacturer: Universal/Motown Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E97HBC Release Date: 2006-04-04 |
Tracks:
- You Make Me Smile
- She's My Ride Home
- Into The Ocean
- What If We Could
- Hate Me
- Let It Go
- Congratulations
- Overweight
- X-Amount Of Words
- Drilled A Wire Through My Check
- Sound Of Pulling Heaven Down
- Everlasting Friend
- 18th Floor Balcony
Amazon.com
Texas quintet Blue October has bounced from Houston-based indie darlings to the majors and back twice since their '98 bow. Yet there's little sense they've compromised much of their eclectic, creatively restless ethos in the bargain on this, their fourth studio album (and second major label stint). In the hands of less ambitious musicians, the personally harrowing, perfectly crafted "Hate Me" would have become template for the entire collection; here it's but the most commercially focused of band leader Justin Furstenfeld's eclectic musical obsessions. His taste for early '80s UK New Wave evinces itself in a fondness for lyrical shadows and fleeting sonic echoes of Richard Butler's P-Furs and Peter Gabriel. But it's in the collection's quieter, more reflective songs ("Let It Go" and "Congratulations" turn on Ryan Delahousaye's signature violin phrases; "X Amount of Words" effortlessly morphs through several intriguing techno conceits; "18th Floor Balcony" bristles with an almost neo-classical elegance) where Blue October sets itself a cut above its post-grunge contenders. -- Jerry McCulleyAlbum Description
The Texan rockers build on their guitar and violin-driven sound, setting their pained-yet-hopeful lyrics to moody-yet-catchy tunes with touches of electronica and piano-laced balladry. Includes the hits "Hate Me" and "Into the Ocean," plus "Drilled a Wire Through My Cheek," "Congratulations" (with Imogen Heap), and more.Customer Reviews:
Curses, Foiled Again.......2007-06-16
And it goes something like this:
"I have to block out thoughts of you, so i don't lose my head
They crawl in like a cockroach leaving babies in my bed
Dropping little reels of tape to remind me that I'm alone
Playing movies in my head that make a porno feel like home
There's a burning in my pride, a nervous bleeding in my brain
An ounce of peace is all I want for you, Will you never call again?
And will you never say that you love me just to put it in my face
And will you never try to reach me, it is I that wanted space"
And then that catchy catchy chorus:
"Hate me today
Hate me tomorrow
Hate me for all the things I didn't do for you
Hate me in ways, yeah ways hard to swallow
Hate me so you can finally see whats good for you"
Anyway, Blue October is from Texas, but you wouldn't know it from their sound. The only thing like Texas about them is that they have a very big sound. It is more alternative rock than anything, but I guess it is not all blues, or country, or Bob Wills and the Texas Playboys.
Awesome CD! .......2007-06-10
Once Upon a Theme.......2007-06-08
Foiled is a finely crafted work:the haunting violin on 18th Floor Balcony, the hypnotic guitar work and vocals on She's My Ride Home, the three part vocal on Into the Ocean and it goes on. There is a theme running through the album that belies the eclectic label. Although the hard edge of Drill it, Hate Me and What if We Could are miles from Congratulations' pop chorus and Overweight's unique structure, each song develops the theme of love and madness, cause and effect, bringing the listner to the edge: sometimes granting friendship, sometimes decrying its loss, but redeeming love at the end (the point in 18th Floor Balcony being the last track).
Wonderfully done.
AMAZING CD... Now I'm getting all their CD's.......2007-06-02
More than satisfied.......2007-05-31
Average customer rating:
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Frank
Amy Winehouse Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PKG7I4 Release Date: 2007-11-13 |
From Amazon.co.uk
With her debut album Frank, Amy Winehouse proves to be one of the most original, honest, and brave singer/songwriters to emerge in recent years. Over the course of the 13 songs, she manages to do everything required of a classic album. This is a stark piece of work, comprising husky, frequently sexually charged vocals, painfully honest lyrics and soft trumpets, laidback beats, and sparse guitar work. It seems that soulful jazz doesn't always have to be bland--it can also be playful, twisted, and arrogant ("Amy Amy Amy"). "F*** Me Pumps" charts a seemingly guilt-free act of infidelity: "What do you expect when you leave me here alone?" she asks coyly, as if by way of justifiable explanation. "You wouldn't want me to be lonely," she adds. You can't help warming to her, despite what she's saying. A unique sense of humour (how rare in music now) and a no-bull attitude make for an interesting, compelling debut. Frank? Yes, but refreshingly so. You wouldn't want her for a girlfriend, but as a life companion she may yet prove indispensable. --Cortman VirtueCustomer Reviews:
Perfection.......2007-07-06
I was completely blown away by the sound. Her voice is like silk over the tripped up beats and rehash of the 1960's.
I looked deeper into her book of work and picked up "Frank". While "Back to Black" is a flawless piece of work... "Frank" is simply perfection. It's much simplier but in it's simplicity lies it's beauty. She allows the beats to remain scarce so that her voice is the anchor to each song.
This album is definitely worth hunting for.
brilliant.......2007-07-04
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Freedom's Road
John Mellencamp Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KGGZXA Release Date: 2007-01-23 |
Tracks:
- Someday
- Ghost Towns Along The Highway
- The Americans
- Forgiveness
- Freedom's Road
- Jim Crow
- Our Country
- Rural Route
- My Aeroplane
- Heaven Is A Lonely Place
Amazon.com
The heartland rocker's first album of all-new material in more than five years finds John Mellencamp in full anthem mode. This is his State of the Union address, with guitars that chime like the Byrds heralding sentiments that recall the socially-conscious 1960s, yet sound all the more pertinent today. Balancing the desolate landscape of "Ghost Towns Along the Highway," the hell-on-earth of "Rural Route," and the tolls demanded on the title track's "Freedom's Road" are the embrace of brotherhood on "Someday," the Everyman populism of "The Americans," and the soaring transcendence of "My Aeroplane." Within the context of the album's song cycle, the "Our Country" centerpiece sounds richer and more powerful than it has as a truck commercial--like a roots-rocking sequel to Woody Guthrie's "This Land Is Your Land." Mellencamp enlists Joan Baez for a duet on the protest ballad "Jim Crow," while saving his most blistering political commentary for the unlisted bonus track, "Rodeo Clown." --Don McLeeseCustomer Reviews:
Another side of John Mellencamp.......2007-07-27
Best CD I've purchased in a very long time.......2007-07-23
Love the songs.......2007-07-18
Mellencamp Is Back!!!!!!!!!!!!!.......2007-07-17
Mellencamp's Return to Greatness!.......2007-07-03
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Umbrella
Rihanna , and Jay-Z Manufacturer: Universal/Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PMGPV6 Release Date: 2007-06-04 |
Tracks:
- Radio Edit
- Seamus Haji & Paul Emanuel Radio Edit
- Lindbergh Palace Remix
- Video
Album Description
2007 enhanced CD pressing of the first single pulled from her third album Good Girl Gone Bad. 'Umbrella' features Jay-Z and is another summer anthem in the vein of previous smashes 'Pon De Replay' and 'S.O.S,'. Features four versions of 'Umbrella': Radio Edit, Seamus Haji & Paul Emanuel Radio Edit, The Lindbergh Palace Remix and Enhanced Video. Mercury.Album Details
After Selling Almost Half a Million Copies of "a Girl Like Me", the 19 Year Old Beauty from Barbados Returns with her Third Album "Good Girl Gone Bad". The Single "Umbrella", featuring Jay Z, is Lifted from the Set and is Presented Here with Mixes by Seamus Haji and Paul Emanuel and Lindbergh as Well as the Enhanced Promotional Video.Customer Reviews:
Umbrella remix CD by Rihanna.......2007-07-14
ANOTHER HIT!!! Keep it UP!!!.......2007-06-11
Jay-Z did not take over the track like he alwayz tries to do... then rihanna comes with the hotness.. her voice may not b the strongest voice in music but she does kno how to use it and does songs that suit her...
the chorus is timeless "U can stand under my umbrella ella ella ey ey ey"... its the way she is singing it that makes it stick in your head.
the 'umbrella' video is so breathe takin... the silver body paint sold me....
'pon de replay", "SOS', 'unfaitful', now "umbrella".... keep the hits comin... ill b listenin
THE CITY OF SAC THANKS YOU..............2007-06-06
Thank you BOTH FOR This wonderful Addison to the Sound of Club-Classic Music.
DJ SANDMAN WjT. Sac, Yolo, CA...........
Small Town USA. Real To life People.....
Rained Out.......2007-06-03
Song: D
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The Magic Position
Patrick Wolf Manufacturer: Fontana Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NJVX5O Release Date: 2007-05-01 |
Tracks:
- Overture
- The Magic Position
- Accident & Emergency
- The Bluebell
- Bluebells
- Magpie
- X
- Augustine
- Secret Garden
- Get Lost
- Enchanted
- The Stars
- Finale
From Amazon.co.uk
Standing at 6 feet 4" tall with a shock of bright red hair, 23 year old Patrick Wolf is something of a statement even before he opens his mouth. His two albums to date--2003's Lycanthropy and 2005's Wind in the Wires--have showed him to be more than a pretty face, however, with songs that strike an attractive balance between the imaginative and the indulgent. His third album, The Magic Position, is undoubtedly Wolf's 'pop' moment. The rollicking romp of "Get Lost," the upbeat "Accident and Emergency," and the celebratory title track all underline new levels of accessibility and--dare we say it--optimism. There are hints of the old Wolf too of course, especially in the eclectic choice of instrumentation and the off-kilter song arrangements; for every pop-perfect track there's a slice of raw darkness ("Bluebell") casual introspection ("Augustine") or sidereal rock-tronica ("The Stars"). Less a dramatic reinvention than a sideways turn into the world of adult emotions and mainstream accessibility, The Magic Position is nonetheless Patrick Wolf's most accomplished work to date. --Paul SullivanCustomer Reviews:
the magic position.......2007-07-23
Special!.......2007-07-22
One should listen a few times to appreciate the music!
A Viable Performer!.......2007-06-27
BRILLIANT PATRICK WOLF DAZZLES WITH HIS LATEST.......2007-06-26
The music ranges from symphonic to spare, but always seems multi-layered and rich. Wolf's lyrics are stirring, descriptive and drenched in wisdom and insight.
Wolf is truly in a class by himself. As a singer-songwriter, composer, multi-instrumentalist, producer, performer and visual artist, he possesses an extraordinary talent, vision and appeal--all of which are realized on this amazing album.
The WolfMagic.......2007-06-02
The opener Overture begins with some serious deep beats before breaking into a rock song. The title track is a boisterous child-like track that brings with it a cheerful disposition. Accidents and Emergency contains an irresistible hook consisting of horns and sirens. Magpie perfectly demonstrates his classical leanings. His deep baritone voice is a stark contrast to his flamboyantly loud image on the album art.
With The Magic Position, Wolf shakes off the dark imagery of his previous releases and emerges with greater faith and conviction. One of the year's best! (A+)
Average customer rating:
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Uncover Me
Jann Arden Manufacturer: Fontana Universal ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MGUZ7K Release Date: 2007-03-06 |
Tracks:
- Bring the Boys Home
- California Dreamin'
- Peace Train
- At Seventeen
- Love Is a Battlefield
- Son of a Preacher Man
- Counterfeit Heart
- You're So Vain
- Downtown
- Solitaire
From Amazon.ca
Perfectly titled Uncover Me is a collection of nine cover songs and one original that allows Arden to show how emotion-driven music has influenced her along the way. The disc kicks off with "Bring the Boys Home" (originally a 1971 anti-Vietnam war song) that is especially moving with its refrain, "bring 'em back alive." The '70s hit "Peace Train" by Yusuf Islam (a.k.a. Cat Stevens) also delivers another powerful message in a gentle melody. True to Arden's musical nature, there are a handful of melancholic tracks, including the aptly wistful version of Janis Ian's "At Seventeen" and a moving, traditional take on the Carpenters' "Solitaire." The disc's one original, "Counterfeit Heart" is a definite standout of the slower numbers, one that seems awash with a '40s croon and ache. That track aside, the strongest parts of the CD come in the form of the sassy female-fronted melodies that bring out the best of Arden's style. Carly Simon's "You're So Vain," Pat Benetar's "Love Is a Battlefield," and Dusty Springfield's "Son of a Preacher Man" each allow Arden to infuse a little extra zest and oomph in her vocals. The only downside? That in choosing the songs, Arden didn't pick a number with a little more bite to it, such as Heart's "Crazy on You" or Joan Jett's "Bad Reputation," which would have allowed her to shake off the softness, if only for a while. --Denise SheppardCustomer Reviews:
Wasted Opportunity.......2007-07-27
Unfortunately, Jann Arden falls into this all to easy trap. That's not to say there are not good attempts and bold song selection choices.
I was more than mildly surprised by the take on "California Dreamin'". She certainly does a better job than Matthew Sweet/Susannah Hoffs did with "Monday Monday".
Even the cover of "Love is a Battlefield" was unexpected and not unpleasant. Some of the background vocals could have been cut, but she tackles it better than I would have thought. "Solitaire" is not bad either.
But then things do go south for me. 10,000 Maniacs did a much better cover of "Peace Train". Things don't go well for "You're So Vain" or "Downtown" and I don't know that "Son of a Preacher Man" should ever be touched. Some songs are too iconic to be successful at - no matter who you are.
The biggest disappointment is "At Seventeen". If it had to be covered, Arden would be a perfect artist to attempt it. But the drums and brushes in the back make is sound like a lounge band cover performing at the airport Holiday Inn. A shame.
Different covers album........2007-03-07
Consider her latest disc "Uncover Me".
For many artists, a covers album is a cop-out -- a set of tried-and-true tunes tossed off to plug the gap and fatten the wallet between discs.
But not Jann. And not for want of trying, either.
The Canadian singer-songwriter reportedly cut a disc of croony standards, but scrapped it as too downbeat (and coming from ballad queen Arden, that's really saying something).
Instead, she regrouped and recorded the fittingly titled "Uncover Me", a collection of '60s and '70s pop tunes that give us a revealing glimpse into her early musical loves and influences.
Listening to her glistening pop-rock versions of classics like Janis Ian's "At Seventeen", Carly Simon's "You're So Vain", The Mamas and the Papas' "California Dreamin'" and Karen Carpenter's "Solitaire", you can picture her sitting alone in her teenage bedroom after school, strumming an acoustic guitar and singing along with her turntable.
The timeless messages of Freda Payne's "Bring the Boys Home" and Cat Stevens' "Peace Train" resonate strongly without seeming heavy-handed, while her somewhat tongue-in-cheek cover of Dusty Springfield's "Son of a Preacher Man" is just a kick.
Most of the tunes are pretty faithfully rendered, with the exception of Pat Benatar's "Love is a Battlefield", which is recast as a shadowy ballad.
But no matter the setting, everything possesses Arden's usual undercurrent of melancholy -- even Petula Clark's sugar-spun ditty "Downtown" sounds ironic and resigned in her hands.
After all, Jann knows that forgetting all your troubles and cares is easier said than done.
Lovely, sensitive, beautiful!
Arden "Uncovers" Gems.......2007-03-07
To designate Arden as a one-hit wonder with her emotionally ravaging top 20 smash "Insensitive" is a caricature. Across the border on the 49th parallel, this chanteuse has been amassed with 8 Juno Awards (the Canadian equivalent of the Grammys) and she was also the receipt of the esteemed 2000 Prairie Awards Songwriter of the Year. However, for "Uncover Me," her ninth studio album, Arden has decided to give her writing kilt a rest. Save for one newly penned tune, this album finds Arden covering a wide array of music from Cat Stevens to the Carpenters to Pat Benator to Carly Simon to Pertula Clark to Dusty Springfield. Naturally such an adventurous excursion lend itself to being one of the most vocally challenging endeavors Arden has had ever committed on record. Unable to divorce herself totally from the originals, she does vocally import Karen Carpenter's vulnerability, Carly Simon's spitefulness, and her own skeptical bite, making Arden a much richer composite vocalist.
If a song could cut the heart like a stiletto it has to be the Carpenters' "Solitaire." A probable biography of Karen Carpenter's vacuous quest for true love, this piano-based ballad finds Arden cribbing Carpenter's forlorn and despairing purrs with great effect. Pertula Clark's "Downtown," though traffics with a carefree disposition, guises an ache of loneliness where the song's protagonist tries to forget her pain vis-à-vis window shopping. Arden's new composition "Counterfeit Heart," though not as melodramatic as the aforementioned tracks, is still a heart wrenching ballad of misplaced trust and broken promises to which Arden conveys with mastery. Also, emotionally lacerating is Janis Ian's "At Seventeen," a song of struggling identity that still speaks today as it did over thirty years ago.
Not one to be victimized by life's circumstances, "You're So Vain" is the perfect "get even" type of a song that Arden performs with sass and attitude. While she sticks too close to Pat Benator's "Love is a Battlefield" that Arden veers dangerously close to being enmeshed into a Benator soundalike. Similarly, a couple of misfires comes in the form of songs that are more "inspirational" in nature. Cat Stevens' "Peace Train," despite being a well crafted song about world peace with those intricate spiritual/Biblical overtones, has been done to death. And sadly Arden adds nothing new to it. Likewise, "Bring Home the Boys," with its over-produced backing, somehow gags Arden's performance.
Nevertheless, as far as cover albums go, "Uncover Me," albeit some too obvious choices, is a well selected opus. Further, the highlight is Arden's interpretative skill: soaking up the best emotional nuances of the originals and adding her own razor-sharp affections, these paeans beget an unflinching realism that is hard to resist. After all these years of experience, Arden has triumphantly channeled her best into the articulation of these songs.
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Uneasy Listening: Vol. 2
Him Manufacturer: Universal Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PC6FYS Release Date: 2007-05-22 |
Tracks:
- Buried Alive By Love
- Rendezvous With Anus
- Sigillum Diaboli
- I Love You (Prelude To Tragedy)
- The Beginning Of the End
- Again
- Wicked Game
- Soul On Fire
- Beautiful
- Endless Dark
- Hand Of Doom
- Right Here In My Arms
- Sailin' On
- Pretending
Album Description
Uneasy Listening Vol. 2 is the companion album to Uneasy Listening Vol. 1. Both albums are collections of previously unreleased versions of the band's classic tracks. Uneasy Listening Vol. 2 features rarities and hard-to-find versions of some of HIM's biggest hits. This special album includes demos, remixes, live and alternate studio recordings of the band's heavier repertoire. Much of this material has never before been released and is highlighted by the highly sought after version of "Buried Alive By Love" featured in Bam Margera's CKY4 DVD.
Whereas Uneasy Listening Vol. 1 featured the sentimental side of HIM, Vol. 2 focuses on the band's harder side and all versions have been selected by the band's singer Ville Valo. He explains, "Most of these versions are hard to find nowadays. Fans have frequently been asking us where to find these songs. The songs are also important to the band. They are songs that have allowed us to express our musical perversions." Valo
summarizes the two-volume set: " Vol. 1 is music for Sunday mornings whereas Vol. 2 is for Saturday nights."
Customer Reviews:
pretty good .......2007-06-22
sweet relief.......2007-06-07
Love Metal At Its Best.......2007-05-24
Average customer rating:
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III
Joe Nichols Manufacturer: Universal South ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B8I8MS Release Date: 2005-10-25 |
Tracks:
- Size Matters (Someday)
- Freedom Feels Like Lonely
- Tequila Makes Her Clothes Fall Off
- Talk Me Out Of Tampa
- That's What Love'll Get You
- I'll Wait For You
- Should I Come Home (Or Should I Go Crazy)
- My Old Friend The Blues
- As Country As She Gets
- Honky Tonk Girl
- Just A Little More
Amazon.com
Though previous releases established Joe Nichols as a traditionalist of uncommon vocal subtlety and emotional depth, the featured tracks on III are comparatively lightweight. Both the album-opening "Size Matters" and the first single, "Tequila Makes Her Clothes Fall Off," attach suggestive titles to material that is more like playful hokum. The former stresses the importance of a big heart; the latter concerns a girl who gets innocently careless when she's out barroom dancing. (If Nichols isn't embarrassed to sing the lines "Them panty hose ain't gonna last too long/If the DJ puts Bon Jovi on," he should be.) Yet much of the rest of the album reinforces his stylistic strengths, with "Talk Me Out of Tampa" evoking the conversational phrasing of prime Merle Haggard, "Should I Come Home (Or Should I Go Crazy)" channeling the inspiration of retro George Jones, and "I'll Wait for You" wringing every last tear from a stone cold country weeper. As Patty Loveless did on Dreamin' My Dreams, which came out a month earlier, Nichols also covers Steve Earle's "My Old Friend the Blues," which appears on its way to becoming a contemporary country standard. --Don McLeeseCustomer Reviews:
great album.......2007-06-23
non-purchase.......2007-04-03
As Good As Always.......2007-01-28
Joe Nichols is Good As Always!!!
Impressive; 3 ½ Stars.......2007-01-23
The album starts out rambunctiously with the infectious, playful "Size Matters", which starts out with a country, twang sound, heightened via fiddles in the background. Sure, it has your typical country sound, but it is a strong, catchy track. The chorus resonates very well: "with a big ol' heart/ who can love her like nobody can/ big ol' kisses that go on and on and never end/ with a big ol' small that'll fill the world with laughter/ size matters/ size matters". You can't help but sing "Size Matters" to yourself, which is what makes it such a strong track. "Freedom Feels Like Lonely" is another strong track, though not as strong as single "Size Matters". The chord progression and song writing here are very tight and the production suits Nichol's baritone vocals perfectly. It is in the pocket, even if it doesn't quite live up to the greatness and the fun qualities of "Size Matters". It is a good, "it is, what it is number."
"Tequila Makes Her Clothes Fall Off" is the number that drove many buyers to Nichols's new album. It is definitely fun and sort of "raw" in a tasteful way. Most amazing may be Nichols's reference to "patron" in a country song! You'd expect to hear references to patron in a hip-hop/rap number, but a country track? That's innovation right there! One trend within III is that the best tracks tend to be the ones that are a bit riskier such as "Size Matters" and of course the rediculous, but credible "Tequila Makes Her Clothes Fall Off".
"Talk Me Out Of Tampa" is another strong track, though it is more low key compared to the risky "Size Matters" or "Tequila". It does however return Nichols to a tamer country sound with some pop sensibilites, well at least till the chorus exhibits all of Nichol's country chops. "That's What Love'll Get You" is a faster track, needed after the good, but slow "Talk Me Out Of Tampa". It isn't anything truly new or anything that we haven't heard from country singers in the past, but it is your typical country performance and it is above average.
What attracted me to III was a quick skip past Country Music Television's Top 20 Video Countdown. There I saw the excellent, yet underrated "I'll Wait For You". For me, "I'll Wait For You" is perhaps the most touching ballad I've heard for a while, country, pop, rock, reggae, or whatever it be. Nichols sounds fantastic here and the song makes you just want to burst into tears. I took the risk of buying the whole album because I loved "I'll Wait For You". Honestly, I wasn't the least bit disappointed either. "Should I Come Home (Or Should I Go Crazy)" is another straightfoward country number that doesn't wow me, but it is very catchy. The chorus is another that I enjoy to sing to myself and the vocal harmonies are very lovely. The production work is very strong as well and is simple enough that it truly highlights Nichol's deep baritone.
"My Old Friend The Blues" is another slow number, which starts out without drums and eventually adds them in. It is predictable, but Joe again sounds at his very best and he doesn't oversing the song. It is a number like this where you hear the "Alan Jackson" comparisons. The simplicity is what makes this number. "As Country as She Gets" is more rhythmic, but it is "Honky Tonk Girl" that revives the album for anybody who had doubts after the past few tracks preceeding it. Again, Nichols proves that his strongest material is he "riskier" numbers. "Just A Little More" ends the album with a very slow rhythmic feel. Again, the production is very simple with only traces of instruments adding to the feel occasionally. Nichol's subtle vocals again drive this number and it proves to pay off, even if it is predictable. It is a nice way to end a brief, but overall very strong album.
III is strong enough for me, but I do wish that it was a bit longer. I think that shorter albums are more consistent because there is less room for error (or filler), but 37 minutes maybe cutting it a bit too close. 45 minutes is more acceptable in my eyes. The positive thing is that III does feel complete enough and the extra 8-10 minutes may have hindered it as opposed to helped it. Sure, III isn't perfect, nor is it the best country album I've heard, but it is very good and it is a shame that just 500,000 country fans purchased it. But, Nichols I think has a promising future and if he keeps getting better and better he will hopefully one day get the recognition he deserves. 3 ½ Stars.
Awesome.......2007-01-10
Once you see the tequila video you will see us hicks have a sense of humour too.
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