| 1. Lord of the Wind |
| 2. Fata Morgana |
| 3. Sacred Journey I |
| 4. Lord of the Sand |
| 5. Tunhuang |
| 6. Free Flight |
| 7. Mandala |
| 8. Tao |
| 9. Sacred Journey II |
Tun Huang (Silk Road 3),Kitaro,Rhino / Wea,Contemporary Instrumental,Ethnic Fusion,New Age / Meditation,Progressive Electronic
Average customer rating:
|
Tun Huang (Silk Road 3)
Kitaro Manufacturer: Kuck Kuck Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008HDJ Release Date: 1992-11-03 |
Tracks:
- Lord Of The Wind
- Fata Morgana
- Sacred Journey 1
- Lord Of The Sand
- Tunhuang
- Free Flight
- Mandala
- Tao
- Sacred Journey II
Customer Reviews:
An album of fragile beauty.......2006-07-02
As a fan of 1970s electronica and progressive rock, I was only vaguely familiar with Kitaro's work in the Far East Family Band, and even less familiar with his solo work: everything that I had read mentioned New Age this or New Age that. Only brief mention of Kitaro had been made in the prog circles, and upon consulting the Gibraltar Encyclopedia of Rock found that they had nothing to say about his solo work whatsoever apart from providing a discography and mentioning him only briefly in a huge section on the Far East Family Band. To further complicate matters, I have personally found three different release dates for this album (1980, 1981, and 1985) and the rest of his discography is equally confusing. As such, I entered into my first experience with the music of Kitaro blindly....more or less.
The instrumentation on this album is heavy on the analog synths and the dreamy, soft soundscapes that would not be out of place on a Tangerine Dream or (especially) Vangelis album from 1977 - 1979 are everywhere on Tun Huang (aka Silk Road 3). I would also throw 1975 Pink Floyd in there too, but that might be stretching it a bit...but not much I might add. The analog synthesizers used by Kitaro include instruments by Roland, Prophet (Prophet V), and Moog (mostly mini-moog), along with the mellotron - everything sounds incredibly warm and organic. Kitaro is also quite the multi-instrumentalist and plays a full drum kit and percussion on a few tracks, along with the sitar (on Lord of the Sand only), tabra, acoustic guitar, chanting bell, and wind chime. Joining Kitaro on this album is violinist Yasuo Kojima - he contributes some excellent playing.
It is however (as it should be), the music that has me so excited. It is richly textured, contemplative, deeply haunting and sad at times, exhilarating, sweeping - you get the idea. Musically, there is far, far too much going on in this recording to simply lump it with the static and motionless approach of ambient music or the homogenized mood pieces that characterize much of current New Age music. Harmonies are used to good effect, there is melodic counterpoint and dynamic range along with shifts in rhythm, not to mention variation in timbre. The pieces all flow together in one song-cycle suite which adds a bit of drama to the overall work, although there is a slight break between Tun Huang and Free Flight. All in all, this was a very nice way to draw the Silk Road trilogy to a close.
Well, stumbling upon this Kitaro album completely made my day and it is very highly recommended to electronica fans and open-minded proggers. For those folks that liked this album, you may also like Albedo 0.39 (Vangelis, 1976), Opera Sauvage (Vangelis, 1979), Force Majeure (Tangerine Dream, 1979), and Tangram (Tangerine Dream, 1980).
Kitaro's Best Studio Album.......2005-05-11
Kitaro's Best... Bar None.......2004-10-30
Excellent.......2003-03-22
Some of the best driving music.......2002-04-17
Average customer rating:
|
Tun Huang (Silk Road 3)
Kitaro Manufacturer: Domo Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005WOA Release Date: 1996-10-15 |
Tracks:
- Lord Of The Wind
- Fata Morgana
- Sacred Journey I
- Lord Of The Sand
- Tunhuang
- Free Flight
- Mandala
- Tao
- Sacred Journey II
Customer Reviews:
An album of fragile beauty.......2006-07-02
As a fan of 1970s electronica and progressive rock, I was only vaguely familiar with Kitaro's work in the Far East Family Band, and even less familiar with his solo work: everything that I had read mentioned New Age this or New Age that. Only brief mention of Kitaro had been made in the prog circles, and upon consulting the Gibraltar Encyclopedia of Rock found that they had nothing to say about his solo work whatsoever apart from providing a discography and mentioning him only briefly in a huge section on the Far East Family Band. To further complicate matters, I have personally found three different release dates for this album (1980, 1981, and 1985) and the rest of his discography is equally confusing. As such, I entered into my first experience with the music of Kitaro blindly....more or less.
The instrumentation on this album is heavy on the analog synths and the dreamy, soft soundscapes that would not be out of place on a Tangerine Dream or (especially) Vangelis album from 1977 - 1979 are everywhere on Tun Huang (aka Silk Road 3). I would also throw 1975 Pink Floyd in there too, but that might be stretching it a bit...but not much I might add. The analog synthesizers used by Kitaro include instruments by Roland, Prophet (Prophet V), and Moog (mostly mini-moog), along with the mellotron - everything sounds incredibly warm and organic. Kitaro is also quite the multi-instrumentalist and plays a full drum kit and percussion on a few tracks, along with the sitar (on Lord of the Sand only), tabra, acoustic guitar, chanting bell, and wind chime. Joining Kitaro on this album is violinist Yasuo Kojima - he contributes some excellent playing.
It is however (as it should be), the music that has me so excited. It is richly textured, contemplative, deeply haunting and sad at times, exhilarating, sweeping - you get the idea. Musically, there is far, far too much going on in this recording to simply lump it with the static and motionless approach of ambient music or the homogenized mood pieces that characterize much of current New Age music. Harmonies are used to good effect, there is melodic counterpoint and dynamic range along with shifts in rhythm, not to mention variation in timbre. The pieces all flow together in one song-cycle suite which adds a bit of drama to the overall work, although there is a slight break between Tun Huang and Free Flight. All in all, this was a very nice way to draw the Silk Road trilogy to a close.
Well, stumbling upon this Kitaro album completely made my day and it is very highly recommended to electronica fans and open-minded proggers. For those folks that liked this album, you may also like Albedo 0.39 (Vangelis, 1976), Opera Sauvage (Vangelis, 1979), Force Majeure (Tangerine Dream, 1979), and Tangram (Tangerine Dream, 1980).
Kitaro's Best Studio Album.......2005-05-11
Kitaro's Best... Bar None.......2004-10-30
Excellent.......2003-03-22
Some of the best driving music.......2002-04-17
Average customer rating: |
Kitaro: Silk Road III [Audio CD] Tun Huang [Original Recording]
Tun Huang Manufacturer: Sound Design, Music, Inc. ProductGroup: Music Binding: Audio CD ASIN: B000M9GGOS |
Product Description
UPC: 04228116962Meditation Music:
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Meditation Music
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Savage Timez [Explicit Lyrics]
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Rimsky-Korsakov: Russian Easter Overture; Stravinsky: Scherzo, Op. 3; Fireworks, Op. 4; Petrouchka