Songs from Other Planets

Songs from Other Planets

Track Listings

 
1. Nexis 6
2. first interlude
3. The Moons of Sarna
4. second interlude
5. Hypnoticon
6. Harmonic Vibrations of the Tau
7. G 51-15
8. The F-i Factor
9. third interlude
10. Zero Gravity
11. Ceruvean Twilight
12. Orbiting Aldebaran
13. The Return of Planet X
14. Epsilon Eridani
15. Clouds of Etherea

Editorial Reviews

About the Artist
Jon O'Bergh studied piano at the University of California at Irvine while performing with a popular southern California dance band. He has released five CDs, including "Carta," which was #1 nationwide for two months on the NAV chart. He co-produced "Uptown : 2025 A.D." with Marcel and co-produced a track on Jarrod's debut CD, "Every Part of Me." Jon's style mixes elements of world beat, Space Age, jazz, ambient and New Age. He has written numerous songs, music for television and institutional projects.

Product Description
A cyberjazz blend of alien voices, ambient textures and extraterrestrial grooves that will take the listener on a journey out of this world. There are more galaxies in the universe than there are stars in a single galaxy such as our own Milky Way, which alone contains some 100 billion stars. Even if there is only one planet with life in each galaxy, that would still leave over a trillion planets with life. From the rhythmic signal of a pulsar to the harmonic spectrum of vibrating atoms, music is a fundamental part of the universe. Other intelligent beings surely understand this, and if so, their music must be wonderful and strange, yet somehow familiar. This CD explores the musical language of these other imagined worlds.

Songs from Other Planets,Jon O'Bergh,Timescape,A cyberjazz blend of alien voices, ambient textures and extraterrestrial grooves,Contemporary Instrumental,Electronic,Ethnic Fusion,Techno-Tribal

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Idiot's Guide to Classical Music
Average customer rating: 4.5 out of 5 stars
  • I can name that tune in three notes
  • A Fabulous CD
  • Mega-Sampler! This really does have 99 tracks!
  • Fun Sampler
  • Useful.
 Idiot's Guide to Classical Music

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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ASIN: B000003FPT
Release Date: 1995-02-14

Tracks:

  1. Adagio
  2. Air on the G String: Air on the G String, Excerpt
  3. Brandenburg Concerto: Third Movement, Excerpt
  4. Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
  5. Tocatta & Fugue: Excerpt
  6. Adagio for Strings: Excerpt
  7. Synphony No. 5: First Movement, Excerpt
  8. Symphony No. 9: Fourth Movement, Excerpt
  9. Fse: Excerpt
  10. Turkish March: Turkish March, Excerpt
  11. Moonlight Sonata: Excerpt
  12. Symphonie Fantastique: March Ot the Scaffold, Excerpt
  13. Damnation of Faust: Excerpt
  14. Carmen - Habanera: Habanera, Excerpt
  15. Toreador Song [From Carmen]
  16. Minuet: Minuet, Excerpt
  17. Prince Igor: Polovtsian Dance No 17, Excerpt
  18. Hungarian Dance No. 5: No 5, Excerpt
  19. Lullaby: No 4, Lullaby, Excerpt
  20. "Minute" Waltz: Excerpt
  21. Grande Valse Brillante: Excerpt
  22. Marche Fune: Marche Fune
  23. Appalachian Spring: Excerpt
  24. Fanfare for the Common Man: Excerpt
  25. Clair de Lune: Excerpt
  26. Prelude to the Afternoon: Excerpt
  27. Lakm Flower Duet: Flower Duet, Excerpt
  28. Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
  29. The Sorcerer's Apprentice: Excerpt
  30. Pomp & Circumstance: Excerpt
  31. El Amor Brujo
  32. Pavane: Excerpt
  33. Rhapsody in Blue: Excerpt
  34. American in Paris: Excerpt
  35. Funeral March of Marionette: Excerpt
  36. Piano Concerto in a Minor: Excerpt
  37. Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
  38. Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
  39. Water Music - Hornpipe: Hornpipe, Excerpt
  40. Symphony No. 94 "Surprise": Second Movement, Excerpt
  41. The Planets - Mars: Mars, Excerpt
  42. Sabre Dance: Sabre Dance, Excerpt
  43. Pagliacci: Vesti la Giubba, Excerpt
  44. Hungarian Rhapsody
  45. Liebestraum No. 3: No 3, Excerpt
  46. Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
  47. Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
  48. Symphony No. 4 "Italian": Fourth Movement, Excerpt
  49. Rondeau: No 1, Rondeau
  50. Piano Concerto No. 21: Andante, Excerpt
  51. Eine Kleine Nachtmusik: First Movement, Excerpt
  52. The Marriage of Figaro - Overture: Overture, Excerpt
  53. Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
  54. Symphony No. 40: First Movement, Excerpt
  55. Night on Bald Mountain: Excerpt
  56. Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
  57. Barcarolle: Barcarolle, Excerpt
  58. Orpheus in Hades - Theme II: Excerpt (Theme)
  59. Carmina Burana - O Fortuna: O Fortuna, Excerpt
  60. Canon: Canon, Excerpt
  61. Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
  62. Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
  63. Turandot - Nessun Dorma: Nessun Dorma, Excerpt
  64. Piano Concerto No. 2: Second Movement, Excerpt
  65. Symphony No. 2: Third Movement, Opening, Excerpt
  66. Rhapsody on a Theme: Variation 18, Excerpt
  67. Bolero
  68. Flight of the Bumblebee
  69. Concierto de Aranjuez - Adagio: Adagio, Excerpt
  70. The Barber of Seville - Overture: Excerpt
  71. The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
  72. William Tell Overture - Theme II: Excerpt
  73. Danse Macabre: Excerpt
  74. Gymnope No. 1
  75. Symphony N0. 8 "Unfinished": Excerpt
  76. Ave Maria: Excerpt
  77. Finlandia [Finale: Finale, Excerpt]
  78. Valse Triste: No 1, Valse Triste, Excerpt
  79. Stars & Stripes Forever: Excerpt
  80. Semper Fidelis: Excerpt
  81. Blue Danube Waltz: Excerpt
  82. Tales from the Vienna Woods: Excerpt
  83. Also Sprach Zarathustra: Fanfare, Excerpt
  84. Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
  85. The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
  86. Swan Lake - Waltz: Waltz, Excerpt
  87. Sleeping Beauty -: Waltz, Excerpt
  88. Romeo & Juliet - Theme II: Theme LL, Excerpt
  89. Piano Concerto No. 1 - Opening: Opening, Excerpt
  90. 1812 Overture - Finale: Finale, Excerpt
  91. Fantasia on "Greensleeves": Excerpt
  92. Alda - Grand March: Grand March, Excerpt
  93. Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
  94. Requiem - Dies Irae: Dies Irae, Excerpt
  95. Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
  96. The Four Seasons "Spring" - Allegro: Allegro, Excerpt
  97. The Four Season "Winter" - Largo: Largo, Excerpt
  98. Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
  99. Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt

Customer Reviews:

5 out of 5 stars I can name that tune in three notes.......2005-02-19

My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.

5 out of 5 stars A Fabulous CD.......2004-10-14

The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.

5 out of 5 stars Mega-Sampler! This really does have 99 tracks!.......2002-03-20

Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.

If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.

The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.

I can honestly say that this CD is a great gift for the friend who has everything.

5 out of 5 stars Fun Sampler.......2001-11-09

For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.

5 out of 5 stars Useful........1999-03-22

Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
The Best Classical Album in the World... Ever!
Average customer rating: 3.5 out of 5 stars
  • Forget what they SAY
  • Most Aggravating Album in the World!
  • A fair introduction to Classical Music
  • Great for Beginners
  • Exellent compilation
 The Best Classical Album in the World... Ever!
Stanley Myers , Antonio Vivaldi , Gregorian Chant , John Williams , Edward Elgar , Giuseppe Verdi , Giacomo Puccini , Michael Nyman , Edvard Grieg , Ludwig van Beethoven , Umberto Giordano , Riccardo Muti , Fryderyk Chopin , Tomaso Giovanni Albinoni , Georges Bizet , Wolfgang Amadeus Mozart , Johann Pachelbel , Antonin Dvorak , Carl Orff , Pyotr Il'yich Tchaikovsky , Léo Delibes , George Gershwin , Maurice Ravel , Charles Gounod , Erik Satie , Sergey Prokofiev , and Sergey Rachmaninov
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Górecki, Henryk MikolajGórecki, Henryk Mikolaj | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by NymanAll Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SatieAll Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
French HornFrench Horn | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
CelloCello | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
New York Philharmonic OrchestraNew York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
Studer, CherylStuder, Cheryl | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
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  3. The Most Relaxing Classical Album in the World...Ever!
  4. Simply the Best Classical Anthems
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ASIN: B000002S6K
Release Date: 1996-04-23

Tracks:

  1. The Four Seasons: Concerto No.1 In E 'Spring': I. Allegro
  2. Schindler's List: Theme
  3. Requiem: Ingemisco
  4. The Piano: The Heart Asks Pleasure First
  5. Symphony No.5 In C Minor: I. Allegro con brio
  6. The Deer Hunter: Cavatina
  7. Puer natus est nobis
  8. Cello Concerto In E Minor: I. Adagio
  9. Turandot: Nessun dorma
  10. Piano Concerto: I. Allegro molto moderato
  11. Andrea Chenier: La mamma morta
  12. Waltz No.6 In D Flat, 'Minute'
  13. Adagio In G Minor
  14. Carmen: Habanera
  15. Horn Concerto No.4 In E Flat: III. Rondo (Allegro vivace)
  16. Canon In D
  17. Gianni Schicchi: O mio babbino caro
  18. New World Symphony: II. Largo
  19. La Traviata: Brindisi
  20. Carmina Burana: O Fortuna

Tracks:

  1. Piano Concerto No.1In B Flat Minor: I. Allegro non troppo e molto maestoso (Opening)
  2. Symphony No.3 'Symphony Of Sorrowful Songs': II. Lento e largo - Tranquillissimo
  3. Flute and Harp Concerto In C: II. Andantino
  4. Lakme: Flower Duet
  5. The Four Seasons: Winter: I. Allegro non molto
  6. Porgy And Bess: Summertime
  7. Bolero
  8. Ave Maria
  9. Gymnopedie No.1
  10. Romeo & Juliet: Montagues and Capulets
  11. Rhapsody On A Theme OF Paganinni: Variation 18
  12. Walking In The Air
  13. Sonata No.14 In C Sharp Minor 'Moonlight': I. Adagio sostenuto
  14. Messiah: Hallelujah Chorus
  15. Eine kleine Nachtmusik: I. Allegro
  16. NIMROD: Enigma Variations
  17. Swan Lake: Act One: Finale
  18. Orchestral Suite No.3 In D: Air on the G String
  19. The Planets: Jupiter
  20. 1812 Overture

Customer Reviews:

5 out of 5 stars Forget what they SAY.......2003-11-10

Many of these prior reviewers complain that the abundance of operas and vocals degrate this compilation. They don't know what they're talking about. These genres are what made Classical music popular in it's age. In that era the forum for showcasing "classical music" was operas! Hence why most of these works are lost in the shuffle. Most of us know Mozart and Beethoven's compositions by ear but there are so many other great composers that existed and these CD's will show you but a PIECE. But, fair warning, these CD's show only a small fraction of the whole movement (song). If you truly dig the genre you're in for a treat, investigate!

2 out of 5 stars Most Aggravating Album in the World!.......2002-05-26

This CD is the first thing I ever returned to Amazon. It is an inferior product--selections cut off abruptly before the end, volume fades and returns in the middle of a cut...production values are pure schlock here. Maybe I should have expected as much from such a sophomoric title.

3 out of 5 stars A fair introduction to Classical Music.......2001-03-03

I purchased this CD because I am new to Classical Music and thought this would be a good introduction CD. There is some wonderful music on this CD. The only problem I have with this CD is every other track is Opera of one form or another. As a new listener I found that after the Opera tracks I felt I had been yelled at and it was a distraction to the other music contained on the CD. I now know to hit the skip button on my CD player just about every other track. I only gave it 3 stars because I felt put off by the vocal tracks. I believe that when someone is new to Classical Music they do not think of Opera. If you don't mind hitting the skip button a lot or if you like Opera this CD is for you!

3 out of 5 stars Great for Beginners.......2000-07-14

This is a nice recording for folks who don't know much about classical music, and would serve as a wonderful introduction. It covers centuries of great music in a very listener-friendly format. I am sure that I will use this CD in my music classroom. For a seasoned classical music lover, however, the CD proves a bit frustrating, including only segments of masterworks (not even the entire movement of the Holst). I bought the CD for a few recordings, which I truly enjoy and make the CD a worthwile purchase. But I found (and I think that most classical musicians will find) that I already had many of these works in their entirety.

5 out of 5 stars Exellent compilation.......2000-04-12

This is a fine collection of classical songs for those that have little experience with classical music. Howver, I truly love it.
Songs from Other Planets
Average customer rating: 4.5 out of 5 stars
  • Gorgeous and atmospheric
  • Unique Collection of Complex Song Structures
 Songs from Other Planets
Jon O'Bergh
Manufacturer: Timescape
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Jazz FusionJazz Fusion | Jazz | Styles | Music
GeneralGeneral | New Age | Styles | Music
ElectronicaElectronica | Dance & DJ | Styles | Music
JazzJazz | New Age | Indie Music | Stores | Music
ASIN: B0002X063Q
Release Date: 2004-08-18

Tracks:

  1. Nexis 6
  2. first interlude
  3. The Moons of Sarna
  4. second interlude
  5. Hypnoticon
  6. Harmonic Vibrations of the Tau
  7. G 51-15
  8. The F-i Factor
  9. third interlude
  10. Zero Gravity
  11. Ceruvean Twilight
  12. Orbiting Aldebaran
  13. The Return of Planet X
  14. Epsilon Eridani
  15. Clouds of Etherea

Album Description

A cyberjazz blend of alien voices, ambient textures and extraterrestrial grooves that will take the listener on a journey out of this world. There are more galaxies in the universe than there are stars in a single galaxy such as our own Milky Way, which alone contains some 100 billion stars. Even if there is only one planet with life in each galaxy, that would still leave over a trillion planets with life. From the rhythmic signal of a pulsar to the harmonic spectrum of vibrating atoms, music is a fundamental part of the universe. Other intelligent beings surely understand this, and if so, their music must be wonderful and strange, yet somehow familiar. This CD explores the musical language of these other imagined worlds.

Customer Reviews:

5 out of 5 stars Gorgeous and atmospheric.......2004-09-21

This CD takes the listener to places he or she may never have expected to go. Dreamlike and accomplished, it skillfully blends the gorgeous piano compositions for which O'Bergh is known with lovely, haunting and otherworldly elements. "Songs from Other Planets" is the best CD yet from a talented composer who deserves widespread recognition.

4 out of 5 stars Unique Collection of Complex Song Structures.......2004-09-19

Jon O'Bergh's latest release titled "Songs from Another Planet" is a unique collection of complex song structures combined with an amazing array of "instruments" and "alien" voices designed to take listeners to another place. It yields new discoveries with each listen.

Meditation Music:

  1. Sounds of Nature: Song of the Dolphins
  2. Sounds of Nature: Tropical Marshland
  3. Sounds of Nature: Woodland Wonder
  4. Spirit Driven
  5. Subtle Bodies
  6. Sunset-deep relaxation
  7. Swim With The Dolphins
  8. Temple of 13 Moons
  9. The Journey-deep relaxation
  10. Tranquil Moods: Soaring Free

Meditation Music

meditation music

Meditation Music

Club Hits 2003

KDFC: Islands of Sanity, Vol. 2

Live from Austin TX [Live] [Original recording remastered]

Music: Concert Studies / Consolations

Onimusha 3: Demon Siege [Soundtrack]

Land of the Breathers [Explicit Lyrics]

Luxury You Can Afford

Make It Go Away

Löwen [Import]

Johannes Brahms: Violin Sonatas

Milk & Kisses [Import]

Ihoujin [CD-single] [Import]

In the Arms of Bass

Horenstein conducts Mahler Symphony No. 1 & Bruckner Symphony No. 9

Mysterious Skin