| 1. Cryin' In Love (Intro) |
| 2. With You There Was Music |
| 3. (There You Were) Tonite |
| 4. Walking In The Park |
| 5. Slow Down 'Till It Feels Right |
| 6. Music Is |
| 7. Remember Me |
| 8. Just Because |
| 9. At Midnight |
| 10. Remember Me, Too |
| 11. (If Only You Would) Call Home |
| 12. Cryin' In Love (studio Piano) |
| 13. Out There Once Again |
| 14. Cryin' In Love (Reprise) |
Editorial Reviews
About the Artist
I have been playing the piano since the age of three..writing since fourteen: have two Christmas CD's and one easy listening CD complete as of this year. Write, score and produce all work myself. Have my own studio.
Product Description
Original songs fully scored - Ballad types.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
It is a good collection for inexpensively getting a lot of Andrew Lloyd Webber's most popular songs in one place and having them there to be able to listen to get the idea of what a certain song sounds like and is about. It isn't the collection of definitive recordings for certain roles. In fact in a couple examples, I wonder if the performer fully understood the context of the song he or she was singing &/or what it was about. Overall, the album is good, for the most part, if not excellent.
However, the liner notes for "The Essential Songs of Andrew Lloyd Webber" is another matter. I don't mean to be unkind, but the author of the comments on the different tracks (one Rexton S. Bunnett) is blatantly WRONG in multiple instances. I don't mean just in nit-picky details, but in major plot details/context of songs, like the fact that Bunnett identifies "Wishing You Were Somehow Here Again" as being sung by "our heroine" (who he does not even identify by name as Christine Daae) as she thinks about her lover, not as being sung about Christine's dead father. He also says that the Phantom has found his perfect love and "Angel of Music" in Christine... because HE is the Angel of Music who Christine believes has been sent to her by her dead father, and because although the Phantom is obsessed with Christine, that relationship is far from "loving" (even if Christine shows him compassion. I feel like these (and a couple other mistakes) are major plot points to get wrong. A good amount of the commentary reads as if Bunnett might have written it at the last minute, fudging his way through entries on musicals of which he had little knowledge; like what an essay I might write on a book I never read for my college class but had quickly looked up on Cliff's Notes would sound like. In terms of sheer editing, there are spelling mistakes, run-on sentences and spacing errors ("Any DreamWill Do")in the liner notes. Where was the copy editor?
And the most frightening fact of all, under Bunnett's credentials, it says "Harper Collins has just published his revision and updating of the Collins Book of the Musical."
I am being very critical, but I think that for a widely-released CD it is reasonable to expect the liner notes to be at a professional level, as they were most likely supposed to be.
Pros:
Two classic songs that are performed excellently are Phantom of the Opera and I Don't Know How to Love Him.
Of course you want to compare Phantom to the classic Michael Crawford/ Sarah Brightman version. Well, guess what? This version is BETTER. The woman has a deeper voice than Brightman, and her singing style is just awesome. The ending of this version (you know, the "Sing, my angel of music, sing for me!") is different, but in a good way... I think.)
And of course, the standard for I Don't Know How to Love Him is Yvonne's version. This version is different, but it grew on me quickly. This version has a country feel to it, almost. Somehow it works and sounds great.
There are a lot of great performances in this collection. My favorites include: Heaven on Their Minds, Everything's Alright, Could We Start Again Please, Another Suitcase in Another Hall, Buenos Aires, Rainbow High, Only You, Starlight Express, Angel of Music, Masquerade, All I Ask of You, Half a Moment, and Whistle Down the Wind. I think they're all great versions of their more famous counterparts.
Cons:
First of all, there are some technical problems that are kind of disappointing. A few of the songs have a very echoey sound. Any Dream Will Do, Another Suitcase in Another Hall, Wishing You Were Somehow Here Again, and There's Me are the songs that come to mind that are the worst in this regard. It isn't really bad, just enough to be slightly annoying, more so when the volume is turned way up on your CD player.
A few songs are worthy of skipping over when listening to this collection. In my opinion, Superstar, Sunset Boulevard, and Gethesmane are the biggest disappointments.
Superstar just doesn't cut it for me. The singer really overdoes it, making it overstylized... really makes you yearn for Murray Head. I can't stand listening to it. Just my opinion.
Sunset Boulevard is one of my very favorite musicals, so I was really hoping that the singer would do justice to its title song. Unfortunately I don't think he did. You can't help but compare it to Alan Campbell's fantastic version. This guy has a very choppy way of singing, when I'm used to it being sung so smoothly. Maybe it would grow on me, but I don't think I'll give it a chance to. However, that last note is much stronger than Alan Campbell's. It doesn't make up for the rest of the song, though.
Finally, Gethsemane. The inevitable fact is that NO ONE can sing this song like Michael Ball. This guy tries, he really does. But he doesn't have the right voice or the right style. So please listen to Michael Ball's performance of Gethsemane if you want to know how breathtaking of a song it can be. It's on the Royal Albert Hall DVD, and I'm sure he's got it on one of his CDs.
Anyway, overall, this is a good CD if you like quantity over quality. Don't buy it for the classics, you'll probably end up disappointed with many of them. Buy it for the lesser known songs. You probably won't like every song, especially if you're a big ALW fan, but for the price, it's worth it.
If you want classic versions of classic ALW songs, you might prefer something like "The Very Best of Andrew Lloyd Webber: The Broadway Collection".
I have been playing the piano since the age of three..writing since fourteen: have two Christmas CD's and one easy listening CD complete as of this year. Write, score and produce all work myself. Have my own studio.
Product Description
Original songs fully scored - Ballad types.
Remember, Me Too,Tom Ferguson,Waverly Records,New Age,New Age / Meditation,Pop
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ASIN: B00005R5UJ Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and DanceDisc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
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Great Hits from Sigmund Romberg
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD Romberg, Sigmund
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ASIN: B000000X26 Release Date: 1992-06-12 |
Tracks:
- The Desert Song: It
- Maytime: Waltz Medley
- Girl Of The Golden West: Who Are We To Say?
- The New Moon: Introduction - Stout Hearted Men - Lover Come Back To Me - Girl On The Prow - Try Her Out At Dances - Wanting You - Softly As In A Morning Sunrise - One Kiss - Finale
- Nina Rosa: The Gaucho March
- The Desert Song: Waltz
- Viennese Nights: Introduction - I Bring You A Love Song - Here We Are - You Will Remember Vienna - Regimental March
- Blossom Time: Song Of Love
- My Maryland: Introduction - Dixie - Boys In Grey - Mother - Silver Moon - Your Land Is My Land
- Bimbo: In Old Granada
- The Desert Song: Introduction - Riff Song - One Flower In Your Garden - Waltz - The Foreign Legion - Romance - One Alone
- Maytime: Farewell To Dreams
- Nina Rosa: Your Smiles, Your Tears
- The New Moon: Marienne
- The New Moon: Softly As In A Morning Sunrise
- Nina Rosa: My First Love, My Last Love
- Viennese Nights: I Bring A Love Song
- The Night Is Young: When I Grow Too Old To Dream
- The Student Prince: Intorduction - Arrival Of The Prince - Serenade - Deep In My Heart, Dear - Drinking Song - Just We Two - Students' March Song
Customer Reviews:
Great Hits from Sigmund Romberg.......2007-01-04
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The Essential Songs of Andrew Lloyd Webber
Manufacturer: Metro Music ProductGroup: Music Binding: Audio CD Requiems
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ASIN: B00005Y47E Release Date: 2002-02-22 |
Tracks:
- Any Dream Will Do
- Close Every Door
- Heaven On Their Minds
- Everything's Alright
- Gethsemane
- I Don't Know How To Love Him
- Jesus Christ Superstar
- Could We Start Again Please?
- Don't Cry For Me Argentina
- Another Suitcase In Another Hall
- Buenos Aires
- Rainbow High
- High Flying Adored
- Memory
- Jellicle Cats
- Mister Mistofeles
- Unexpected Song
- Last Man In My Life
- Rolling Stock
- U-N-C-O-U-P-L-E-D
Tracks:
- Only You
- Starlight Express
- There's Me
- Pie Jesu
- Angel Of Music
- Masquerade
- Wishing Somehow You Were Here Again
- All I Ask Of You
- The Phantom Of The Opera
- Music Of The Night
- Love Changes Everything
- The First Man You Remember
- Seeing Is Believing
- As If We Never Said Goodbye
- Sunset Boulevard
- With One Look
- Too Much In Love To Care
- Half A Moment
- Whistle Down The Wind
- Our Kind Of Love
Album Description
Full title, 'Essential Songs Of Andrew Lloyd Webber'. UK budget-price compilation. 40 superlative performances featuring songs from every one of Andrew Lloyd Webber's hit musicals. Guest artists include John Barrymore, Issy Van Randwyck, Dave Willetts, Maria Friedman, Kim Criswell, Graham Bickley and the National Symphony Orchestra. Housed in a slipcase. 2002.Customer Reviews:
Okay, but kind of disappointing.......2006-04-17
It is a good collection for inexpensively getting a lot of Andrew Lloyd Webber's most popular songs in one place and having them there to be able to listen to get the idea of what a certain song sounds like and is about. It isn't the collection of definitive recordings for certain roles. In fact in a couple examples, I wonder if the performer fully understood the context of the song he or she was singing &/or what it was about. Overall, the album is good, for the most part, if not excellent.
However, the liner notes for "The Essential Songs of Andrew Lloyd Webber" is another matter. I don't mean to be unkind, but the author of the comments on the different tracks (one Rexton S. Bunnett) is blatantly WRONG in multiple instances. I don't mean just in nit-picky details, but in major plot details/context of songs, like the fact that Bunnett identifies "Wishing You Were Somehow Here Again" as being sung by "our heroine" (who he does not even identify by name as Christine Daae) as she thinks about her lover, not as being sung about Christine's dead father. He also says that the Phantom has found his perfect love and "Angel of Music" in Christine... because HE is the Angel of Music who Christine believes has been sent to her by her dead father, and because although the Phantom is obsessed with Christine, that relationship is far from "loving" (even if Christine shows him compassion. I feel like these (and a couple other mistakes) are major plot points to get wrong. A good amount of the commentary reads as if Bunnett might have written it at the last minute, fudging his way through entries on musicals of which he had little knowledge; like what an essay I might write on a book I never read for my college class but had quickly looked up on Cliff's Notes would sound like. In terms of sheer editing, there are spelling mistakes, run-on sentences and spacing errors ("Any DreamWill Do")in the liner notes. Where was the copy editor?
And the most frightening fact of all, under Bunnett's credentials, it says "Harper Collins has just published his revision and updating of the Collins Book of the Musical."
I am being very critical, but I think that for a widely-released CD it is reasonable to expect the liner notes to be at a professional level, as they were most likely supposed to be.
Not quite what I expected..........2005-04-23
Some great performances, some not so great..........2005-04-18
Pros:
Two classic songs that are performed excellently are Phantom of the Opera and I Don't Know How to Love Him.
Of course you want to compare Phantom to the classic Michael Crawford/ Sarah Brightman version. Well, guess what? This version is BETTER. The woman has a deeper voice than Brightman, and her singing style is just awesome. The ending of this version (you know, the "Sing, my angel of music, sing for me!") is different, but in a good way... I think.)
And of course, the standard for I Don't Know How to Love Him is Yvonne's version. This version is different, but it grew on me quickly. This version has a country feel to it, almost. Somehow it works and sounds great.
There are a lot of great performances in this collection. My favorites include: Heaven on Their Minds, Everything's Alright, Could We Start Again Please, Another Suitcase in Another Hall, Buenos Aires, Rainbow High, Only You, Starlight Express, Angel of Music, Masquerade, All I Ask of You, Half a Moment, and Whistle Down the Wind. I think they're all great versions of their more famous counterparts.
Cons:
First of all, there are some technical problems that are kind of disappointing. A few of the songs have a very echoey sound. Any Dream Will Do, Another Suitcase in Another Hall, Wishing You Were Somehow Here Again, and There's Me are the songs that come to mind that are the worst in this regard. It isn't really bad, just enough to be slightly annoying, more so when the volume is turned way up on your CD player.
A few songs are worthy of skipping over when listening to this collection. In my opinion, Superstar, Sunset Boulevard, and Gethesmane are the biggest disappointments.
Superstar just doesn't cut it for me. The singer really overdoes it, making it overstylized... really makes you yearn for Murray Head. I can't stand listening to it. Just my opinion.
Sunset Boulevard is one of my very favorite musicals, so I was really hoping that the singer would do justice to its title song. Unfortunately I don't think he did. You can't help but compare it to Alan Campbell's fantastic version. This guy has a very choppy way of singing, when I'm used to it being sung so smoothly. Maybe it would grow on me, but I don't think I'll give it a chance to. However, that last note is much stronger than Alan Campbell's. It doesn't make up for the rest of the song, though.
Finally, Gethsemane. The inevitable fact is that NO ONE can sing this song like Michael Ball. This guy tries, he really does. But he doesn't have the right voice or the right style. So please listen to Michael Ball's performance of Gethsemane if you want to know how breathtaking of a song it can be. It's on the Royal Albert Hall DVD, and I'm sure he's got it on one of his CDs.
Anyway, overall, this is a good CD if you like quantity over quality. Don't buy it for the classics, you'll probably end up disappointed with many of them. Buy it for the lesser known songs. You probably won't like every song, especially if you're a big ALW fan, but for the price, it's worth it.
If you want classic versions of classic ALW songs, you might prefer something like "The Very Best of Andrew Lloyd Webber: The Broadway Collection".
Disappointed.......2005-03-11
Musical Talent at Its Best.......2003-01-03
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With a Song in My Heart: The Songs of Rodgers & Hart
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ASIN: B000059N0T Release Date: 2001-03-27 |
Tracks:
- Manhattan - Ben Selvin & His Orchestra
- Mountain Greenery - Frank Crumit
- The Girl Friend - George Olsen & His Music
- The Blue Room - The Revelers
- My Heart Stood Still - Jessie Matthews/Hutch
- Thou Swell - Ben Selvin & His Orchestra
- You Took Advantage Of Me - Paul Whiteman & His Orchestra
- With A Song In My Heart - Hutch
- Ten Cents A Dance - Ruth Etting
- Isn't It Romantic - Jeanette MacDonald
- Lover - Paul Whiteman & His Orchestra
- You Are Too Beautiful - Frank Sinatra
- Blue Moon - Glen Gray & His Casa Loma Orchestra
- It's Easy To Remember - Bing Crosby
- My Romance - Dinah Shore & Frank Sinatra
- There's A Small Hotel - Hal Kemp & His Orchestra
- Where Or When - Lena Horne
- My Funny Valentine - Mary Martin
- Johnny One Note - Wynn Murray
- The Lady Is A Tramp - Sophie Tucker
- Falling In Love With Love - Allan Jones
- This Can't Be Love - Benny Goodman & His Orchestra/Martha Tilton
- I Didn't Know What Time It Was - Margaret Whiting
- Bewitched, Bothered And Bewildered - Doris Day
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Broadway: America's Music 1935-2005
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD All Works by Bernstein
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ASIN: B000B8I93Q Release Date: 2005-10-18 |
Tracks:
- Oh What a Beautiful Mornin'
- Summertime
- I Could Write a Book
- It Never Entered My Mind
- I Can Cook Too
- Make It Another Old Fashioned, Please
- If I Loved You
- My Heart Belongs to Daddy
- Thou Swell
- I Left My Heart at the Stage Door Canteen
- There's No Business Like Show Business
- South American Way
Tracks:
- Shall We Dance
- Ohio
- Luck Be a Lady
- Mack the Knife
- There's a Small Hotel
- Once in Love with Amy
- Yodel Blues
- Lazy Afternoon
- There Must Be Somethin' Better Than Love
- You're Just in Love
- Now Is the Time
Tracks:
- Impossible Dream
- Love Makes the World Go 'Round
- Try to Remember
- Put on a Happy Face
- I Say Hello
- Happiness
- She Loves Me
- What Kind of Fool Am I?
- Shy
- Consider Yourself
- Poor Little Person
Tracks:
- Magic to Do
- They're Playing My Song
- I Don't Know How to Love Him
- I Won't Send Roses
- Good Morning Starshine
- Don't Cry for Me, Argentina
- Hard Candy Christmas
- Diamonds Are a Girl's Best Friend
- Won't You Charleston with Me?
- Applause
Tracks:
- Phantom of the Opera
- Memory
- On My Own
- Muddy Water
- How Could I Ever Know
- American Dream
- I Know Him So Well
- Dr. Jazz
- Me and My Girl
- Suddenly Seymour
Tracks:
- Mamma Mia!
- Popular
- Seasons of Love
- Oh, the Thinks You Can Think
- Whatever Lola Wants
- Crazy
- How Deep Is Your Love
- Stars
- People Like Us
- I Go to Rio
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Sigmund Romberg and His Orchestra
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Romberg, Sigmund
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ASIN: B00008IHVM Release Date: 2003-04-15 |
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The String Quartet Tribute to Tim McGraw
J. / Wiseman, Craig Leary , R. / James, T. Lerner , C. / Johnson, L. Martin , Aimee / Luther, Bill Mayo , Jim McMillen , W. / Barnhill, J. Perry , Stephony Smith , P. Vassar , Craig / Steele, J. / Anderson, A. Wiseman , Jim McMillen , and Da Capo Players Manufacturer: Vitamin Records ProductGroup: Music Binding: Audio CD General
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ASIN: B0002MPQD2 Release Date: 2004-08-24 |
Tracks:
- Where The Green Grass Grows
- Indian Outlaw
- The Cowboy In Me
- Don't Take The Girl
- It's Your Love
- I Like It, I Love It
- My Next 30 Years
- Not A Moment Too Soon
- She's My Kind Of Rain
- Please Remember Me
- My Best Friend
- Bar-B-Q
Product Description
1. Where The Green Grass Grows
2. Indian Outlaw
3. The Cowboy In Me
4. Don't Take The Girl
5. It's Your Love
6. I Like It, I Love It
7. My Next 30 Years
8. Not A Moment Too Soon
9. She's M Kind Of Rain
10. Please Remember Me
Bonus Tracks:
11. My Best Friend
12. Bar-B-Q
Format: CD
Average customer rating:
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Live at the Palace
Shirley Maclaine Manufacturer: Drg ProductGroup: Music Binding: Audio CD General
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ASIN: B000063NDF Release Date: 2002-04-23 |
Tracks:
- If My Friends Could See Me Now
- My Personal Property
- Remember Me?
- Big Spender
- Irma La Douce
- I'm a Person Too
- The Gypsy in My Soul
- It's Not Where You Start
- Every Little Movement (Has a Meaning All Its Own)
- The Donkey Serenade (Hustle)
- She's a Star (La Chanteuse a Vingt Ans)
- I'm a Brass Band
- If My Friends Could See Me Now (finale)
Customer Reviews:
This was heck a show, and the CD is as close as we can get to it!.......2006-02-20
Steel Shirley.......2004-09-24
a great recording from a great star.......2003-02-08
Ms MacLaine mounted her own solo show at the Palace Theatre in 1976, resulting in this live recording. She sings most of her numbers from the film version of SWEET CHARITY (in which she memorably starred) including "My Personal Property", "I'm a Brass Band" and "If My Friends Could See Me Now". She also sings the title song from IRMA LA DOUCE (although the film version is devoid of any musical moments), and delivers a reminisce of her favorite acting role - in 'Some Came Running' - before sliding into a rendition of "I'm a Person Too".
Ms MacLaine also talks about subbing for Carol Haney in the Broadway production of THE PAJAMA GAME, which catapulted her to stardom. It's obvious that dear Shirley is having a marvellous time here. I urge Broadway fans to snap this up; this is yet another lovely reissue from the good folks at DRG.
Shirley's Personality Shines.......2002-09-17
Remember you? As if we ever forgot!.......2002-05-22
Average customer rating:
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Ultimate Sigmund Romberg 2
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD Movie Soundtracks
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ASIN: B000069KBV Release Date: 2002-08-27 |
Tracks:
- Softly, As In A Morning Sunrise - William O'Neal
- Stout-Hearted Men - William O'Neal
- Lover, Come Back To Me - Evelyn Herbert
- Wanting You - Evelyn Herbert
- One Kiss - Evelyn Herbert
- Stout-Hearted Men - Perry Askam
- Lover, Come Back To Me - Perry Askam
- Gorgeous Alexander - Gene Gerrard
- Wedding Chorus/Try Her Out At Dances - Gene Gerrard
- Softly, As In A Morning Sunrise - Sidney Burchall
- Lover, Come Back To Me - Sidney Burchall
- Nina Rosa - Geoffery Gwyther
- My First Love, My Last Love - Helen Gilliland
- Adored One - Geoffrey Gwyther
- The Gaucho March - Helen Gilliland
- Wanting You - Lawrence Tibbett
- Lover, Come Back To Me - Lawrence Tibbett
- THe Night Is Young - Evelyn Laye
- When I Grow Too Old To Dream - Evelyn Laye
- The Night Is Young - Ramon Novarro
- Farewell To Dreams - Jeanette MacDonald
- Will You Remember? - Jeanette MacDonald
Average customer rating:
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The Essential Songs of Andrew Lloyd Webber
Manufacturer: Metro Music ProductGroup: Music Binding: Audio CD Requiems
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ASIN: B000B9G6O4 Release Date: 2005-10-03 |
Tracks:
- Phantom of the Opera/All I Ask of You
- By Jeeves/Half a Moment
- Beautiful Game/All the Love I Have
- Jesus Christ Superstar/I Don't Know How to Love Him
- Phantom of the Opera/Think of Me
- Aspects of Love/The First Man You Remember
- Starlight Express B'way/Starlight Express
- Starlight Express/Only You
- Tell Me on a Sunday/Unexpected Song
- Aspects of Love/Seeing Is Believing
- Beautiful Game/Our Kind of Love
- Tell Me on a Sunday/The Last Man in My Life
- Phantom of the Opera/Wishing You Were Somehow Here Again
- Sunset Boulevard/Too Much in Love to Care
- Tell Me on a Sunday/Tell Me on a Sunday
- Aspects of Love/There Is More to Love
- Evita/Don't Cry for Me Argentina
- Aspects of Love/Love Changes Everything
Tracks:
- Sunset Boulevard/With One Look
- Evita/Another Suitcase in Another Hall
- Cats/Memory
- Jesus Christ Superstar/Could We Start Again Please?
- Requiem/Pie Jesu
- Phantom of the Opera/Angel of Music
- Joseph and the Amazing Technicolor Dreamcoat)/Close Every Door
- Jesus Christ Superstar/Gethsemane
- Whistle Down the Wind/Whistle Down the Wind
- Sunset Boulevard/As If We Had Never Said Goodbye
- Starlight Express/U-N-C-O-U-P-L-E-D
- Phantom of the Opera/The Point of No Return
- Aspects of Love/Anything But Lonely
- Joseph and the Amazing Technicolor Dreamcoat/Any Dream Will Do
- Joseph and the Amazing Technicolor Dreamcoat/There's Me
- Jesus Christ Superstar/Pilate's Dream
- Evita/High Flying Adored
- Phantom of the Opera/Music of the Night
Tracks:
- Cats/Macavity
- Jesus Christ Superstar/Heaven on Their Minds
- Evita/Rainbow High
- Starlight Express/Rolling Stock
- Phantom of the Opera/The Phantom of the Opera
- Jesus Christ Superstar/Hosanna
- Evita/Oh What a Circus
- Phantom of the Opera/Masquarade
- Starlight Express/Starlight Express
- Jesus Christ Superstar/King Herod's Song
- Evita/Buenos Aires
- Cats/Jellicle Cats
- Sunset Boulevard/Sunset Boulevard
- Jesus Christ Superstar/Everything's Alright
- Cats/Mr. Mistoffelees
- Phantom of the Opera/Prima Donna
- Cats/The Jellicle Ball
- Jesus Christ Superstar/Jesus Christ Superstar
Album Details
Lovesongs, Ballads and Show Stoppers. 54 Tracks, Including Some Brand New Titles Released Here for the First Time.Meditation Music:
- Sacred Tibet
- Sage
- Small Town Christmas
- Solo Flight
- Songs from Other Planets
- Sounds of Nature: Song of the Dolphins
- Sounds of Nature: Tropical Marshland
- Sounds of Nature: Woodland Wonder
- Spirit Driven
- Subtle Bodies
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