| 1. De Virginibus O Nobilissima |
| 2. Viriditas |
| 3. Vergine Bella |
| 4. Canzonet 1, 2, & 3 |
| 5. Gregorian Chant |
| 6. Introit, Gaudeamus Omnes |
| 7. Epitaph of Seikilos |
| 8. Alleluya (Nativitas) |
| 9. Ode from the Kanon for Easter Sunday |
Editorial Reviews
Spooky Actions is a New York based jazz and new-music ensemble whose diverse recordings include the music of 20th century composer Anton Webern, interpretations of Native American music, and most recently, early music from the 2nd century BC through the 1500s. Their unique and compelling sound is being met with critical acclaim and widespread interest.
The band was founded in 1997 by John Gunther (sax, clarinet, & flute) and Bruce Arnold (electric processed guitar). The two musicians, both professors at New York University, jammed and felt an immediate musical affinity. When they both started bringing in classical music to improvise over, they were inspired to start making their own transcriptions of early and modern classical music and to create a series of recording projects.
"Ive often thought of music as a vessel of the human spirit, a message in a bottle that can travel across an ocean of time, and deliver a "note" from Bach, or Charlie Parker." So writes John Gunther in his essay for their latest release "Early Music." "Perhaps embedded in the intervals and sequences of the melody and rhythm are the thoughts and emotions of the composers themselves" he continues. Thus he states the raison dêtre for Spooky Actions, and its continued mining of diverse repertoire for examination and re-interpretation.
The name Spooky Actions is derived from a comment by Albert Einstein, in which he noted that certain seemingly unrelated objects could nevertheless exert a powerful influence upon each other. He called these relationships "spooky actions at a distance." Spooky Actions, the band, certainly personifies this concept, showing how vivid and accessible improvisations can be derived from music that is often thought of as "etched in stone."
Product Description
"Ive often thought of music as a vessel of the human spirit, a message in a bottle that can travel across an ocean of time, and deliver a "note" from Bach, or Charlie Parker." So writes John Gunther in his essay for this latest excursion by Spooky Actions. "Perhaps embedded in the intervals and sequences of the melody and rhythm are the thoughts and emotions of the composers themselves" he continues. Thus he states the raison dêtre for Spooky Actions, and its continued mining of diverse repertoire for examination and re-interpretation.
Spooky Actions the band, is John Gunther (winds) and Bruce Arnold (electric processed guitar). The two musicians who both teach at New York University met, jammed and felt an immediate musical affinity. When Gunther started bringing in both early and modern classical music to improvise over, they were inspired to start making their own transcriptions, and to create a series of recording projects.
The group (currently including Kirk Driscoll on drums and percussion, and Mike Richmond on Bass and Cello) now turns its attention to a selection of beautiful Early Music. The repertoire covers a wide swath of time, including as it does the "Skolion of Seikilos," one of the earliest examples of written music, from the 2nd century BC, to the "Canzonet 1,2,& 3" of Claudio Monteverdi (1567-1643). Other pieces are "De Virginibus O Nobilissima Viriditas" by Hildegard Von Bingen (1098-1179), "Vergine Bella" by Guillaume Dufay (1397-1474), a Gregorian Chant, "Alleluya (Nativitas) by Perotin (c. 1200) and "Ode from the Kanon for Easter Sunday" a Byzantine Chant from the 8th Century AD.
The result is a CD that can comfort, transport and inspire the listener. And while that is not surprising, since this music was originally designed to do exactly that, what is astonishing is that Spooky Actions has done it againexamined the essence of a piece of music, and made it their own, without removing its heart or intent. As Gunther concludes: "We bring them into the present and frame them with our own life experiences. And so we place the message back in the bottle, and cast it back into the deep."
Early Music
Early Music,Spooky Actions,Muse Eek,The music of Monteverdi, Von Bingen, Dufay and others is given the Spooky treatment. A CD that can comfort, transport and inspire the listener.
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Cornell 1964
Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7G77G Release Date: 2007-07-17 |
Tracks:
- Opening
- ATFW You
- Sophisticated Lady
- Fables Of Faubus
- Orange Was the Coulour Of Her Dress, Then Blue Silk
- That the 'A' Train
Tracks:
- Meditations
- So Long Eric
- When Irish Eyes Are Smiling
- Jitterbug Waltz
Amazon.com
The band that Charles Mingus, the doyen of jazz's mercurial polymaths, pulled together for his early-1964 European tour was phenomenaland here they are playing 130 minutes worth of live music no one's ever heard. Pianist Jaki Byard, alto saxophonist/flutist/bass clarinetist Eric Dolphy, tenor saxophonist Clifford Jordan, trumpeter Johnny Coles, and longtime drummer Dannie Richmond came together for the Mingus tour knowing that Dolphy would be staying in Europe after their gigshe died tragically just 12 weeks after this gig. And Coles would come perilously close to death himself with a stomach ulcer within a month of the band's Cornell date, forcing him off the tour. So the music here is particularly special and musically resplendent. There is considerable overlap with the The Great Concert of Charles Mingus, but that 2-CD set is sans the ailing Coles, who fattens the sound here: playing beautifully as "Johnny O'Coles" on the unlikely "When Irish Eyes Are Smiling." But Eric Dolphy, his every breath is poetry: from his palpitating bass clarinet on the pugnacious "Fables of Faubus" to the tipsy, whirling flute he plays on "Jitterbug Waltz," a tune he loved playing. The sound here is less crisp than The Great Concert, thick in the middle and ill-defined when it comes to Richmond's drums, leaving the group's interplay like an ear-magnet. "Take the 'A' Train" pays soulful, blossoming homage to Billy Strayhorn even as you can hear the band tightening their grip collectively, learning to fly as a unit. Unheard music of this caliber demands a listen, and here the rewards are bountiful. --Andrew BartlettCustomer Reviews:
A great introduction to Mingus.......2007-07-25
What a concert those lucky students were given:
"ATFW You": Jaki Byard's fleet, witty parade of Art Tatumisms and Fats Wallerisms.
"Sophisticated Lady": for bass. Mingus never stopped paying tribute to Duke Ellington.
"Fables of Faubus": A Weillian send-up of Orval Faubus, segregationist governor of Arkansas. The lyrics here are, alas, inaudible. (A sample: "Two, four, six, eight, they brainwash and teach you hate.") A very lengthy "Fables," dipping into various streams of musical Americana along the way. Here, as elsewhere, Mingus and Richmond are the most inventive bass-and-drums pairing in jazz, changing tempos and textures and thereby pushing soloists to dig deeper: the rhythm section as personal trainer.
"Orange Was the Color Of Her Dress, Then Blue Silk": One of Mingus's most beautiful compositions, with overtones of Ellington, "Blues in the Night," and "Body and Soul."
"Take the 'A' Train": I think that it's here that everything rises to a very high level of energy. As Clifford Jordan begins his second chorus, Mingus calls to Johnny Coles and Eric Dolphy: "Join in," and the band takes off. Jordan is the great surprise on this performance and on the rest of the recording, playing with greater intensity and freedom than on the European tour recordings (or at least the ones that I've heard). And Coles, who missed much of the European tour with a stomach ulcer, is brilliant here and elsewhere. I'm only now realizing that he was an influence on Lester Bowie, one of my favorite trumpeters.
"Meditations": like "Orange," a composition in markedly different sections. Particularly powerful solos from Byard and Dolphy (bass clarinet).
"So Long Eric": Twelve-bar blues. Mingus plants the endpin of his bass in the floor, and not for the first time: "Well, we got several holes now." The tempo here is slower than on other recordings of this tune. Mingus calls to Johnny Coles: "Come on, Johnny." He calls to Jaki Byard: "By yourself," and bass and drums drop out. No problem: Byard turns into Art Tatum and Erroll Garner. It's Clifford Jordan's turn to solo: "I know you swing," says Mingus. And before Dannie Richmond's solo: "Go!"
Two encores follow, the first featuring "the only Irishman in the band," "Johnny O'Coles." (Note the concert date.) And finally, a giddy, slightly wobbly "Jitterbug Waltz," the elegant Fats Waller melody that Eric Dolphy loved to play.
For a newcomer to Mingus' music, Cornell 1964 is a perfect start: three major Mingus compositions ("Fables," "Orange," "Meditations"), some blues, some strong evidence of Mingus' reverence for his musical ancestors, and a charming novelty, all played by what many listeners regard as Mingus' greatest band.
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Songs from the Labyrinth (Music by John Dowland)
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HXDESU Release Date: 2006-10-10 |
Tracks:
- Walsingham
- Can she excuse my wrongs?
- Ryght honorable: as I have bin most bounde unto your honor Â…
- Flow my tears
- Have you seen the bright lily grow
- Then in time passing on Mr. Johnson diedÂ…
- The Most High and Mighty Christianus the Fourth, King of Denmark
- The lowest trees have tops
- And accordinge as I desired ther cam a letterÂ…
- Fine knacks for ladies
- From thenc I went to the Landgrave of HessenÂ…
- Fantasy
- Come, heavy sleep
- Forlorn Hope Fancy
- And from thence I had great desire to see ItalyÂ…
- Come again
- Wilt thou unkind thus reave me
- After my departure I caled to mynde our conferenceÂ…
- Weep you no more, sad fountains
- My Lord WilloughbyÂ’s Welcome Home
- Clear or cloudy
- Men say that the Kinge of Spain is making gret preparationÂ…
- In darkness let me dwell
Amazon.com
In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina RodenAlbum Description
StingÂ's Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet.Customer Reviews:
great CD.......2007-07-23
I will completely recomend anyone this CD.
Very disappointing.......2007-07-19
*sigh*.......2007-07-16
In a way, it doesn't surprise me that Sting would do this. For years now he's been trying to gain cred in the classical music world (I have a 1988 recording of him doing Stravinsky's A Soldier Tale that delighted me when I was 16 and musically ignorant, but now makes my eyes roll into the back of my head). What upsets me is he had to do something that's initimately important to me as a musician. The is problem is that when it comes this kind of music, as others have said, he IS an amatuer, and all his heavy-handed, juvenile earnesty and clumsy, misplaced intensity just drains out all the joy I would normally experience from these songs. Moreover, he's voice isn't merely "untrained" - it's *shot* from years of strain caused by bad "rock" vocal technique. It's just pitiful to listen to in such an exposed context. If you think this is how these songs ought to be intrepreted, you're sadly mistaken.
There are people who would call Sting a "pop genius, " laud him and hand him all sort of impressive looking awards and honors, but this is the music of a real genius, someone who knew not just how to write lyrics that hit home with his audience, but as how to compose songs with unparallel grace, form and sophistication in an idiosyncratic style that bridged convention and innovation. And Sting simply cannot do Dowland's music justice. He just doesn't have the chops or the insight. It's great he's supposedly "studied" this music and that he wrote lengthy, flowery liner notes, but did he really need to record this CD for any reason that his own self-satisfaction? It's far too obvious he hasn't done the same level of groundwork of countless Early Music musicians who don't do this a hobby or avocation from political causes or high-profile celebrity, but as their sole passion. Why couldn't he simply support those musicians, without trying to grab some spotlight for himself? Having a decent lutenist as a sidekick just isn't enough to pull him up from his amatuerly, self-important bog, either. Frankly, he just doesn't get it, and at this stage, I don't think he will.
Early music lovers don't need someone like Sting to bring this music to us - we've been doing just fine without him because we have so many other, really wonderful musicians around to keep this music alive. Someone else recommended Nigel Rogers and Paul O'Dette, and I would gladly recommend them over this celebrity-fuel nonsense as well. Yes these are both musicians with academic backgrounda, but that doesn't mean they are academic musicians - far from it. They just have to hold down teaching positions and do master classes because they don't have a pop career to play the bills. Musicially and professionally, they're what Early Music musicians ought to be - dedicated, educated, passionate and yet they don't have any need to take themselves this deathly seriously.
Elizabethan Music.......2007-07-12
Vibe shift.......2007-07-10
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Oh, Inverted World
The Shins Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005JSHW Release Date: 2001-06-19 |
Tracks:
- Caring Is Creepy
- One By One All Day
- Weird Divide
- Know Your Onion!
- Girl Inform Me
- New Slang
- The Celibate Life
- Girl On The Wing
- Your Algebra
- Pressed In A Book
- The Past And Pending
Amazon.com's Best of 2001
Something extraordinary is afoot in Albuquerque. The Shins' first big-time record, Oh, Inverted World, combines mysterious narratives with golden song structures, resulting in lavish and opulent indie pop. Touches of Neutral Milk Hotel's lyrical majesty and the nostalgic swirl of Echo and the Bunnymen abound. But the Shins' music--rich with acoustic guitars, flickering rhythms, and Casio-tone keyboards--is distinct and peculiar. Worry mixes with abstraction throughout, and while James Mercer sings, "You led no celibate life / No skirt while chemicals danced on your head / You stole the keys to this ride / And your fables are falling tonight," you may wonder if he's been routing through your fondest, most troubling memories. This vital album is easily among 2001's most distinguished recordings and one of the best Sub Pop releases to date. --Thom ArnoAlbum Description
Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flakemusic in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors.Customer Reviews:
great.......2007-06-27
Just Textured, Feel-Good Tunes!.......2007-06-08
Best Shins album.......2007-05-17
-JR
Great album.......2007-03-09
Indie Rock Right-Side-Up.......2007-02-15
Like all great artists (The Beatles, Pink Floyd, the Brians Wilson and Eno, to name just a few), there are hints of other influences in this record (in fact, the last two in my parenthetical above are arguably in that list). These influences come in the form of hints and hums, though, and don't overshadow the delicate beauty of the rest of the record. They give it shape and shadow, but the warm, tender heart of the album belongs exclusively to Mr. Mercer, et. al.
Emotional ("Caring is Creepy"), skippingly-playful ("Know Your Onion!"), tender and evocative ("The Past and Pending"), and unabashedly poppy ("Girl Inform Me"), this album spans the spectrum of creativity, and does it with a talent and panache that seems rarer and rarer these days. The Shins mix simple (but gorgeous) chord progressions with airy brass, unobtrusive tambourine and harmonica, and well-blended electronica into something that is almost achingly fun to experience. It would be wrong to say they've turned the world of indie rock upside down, but it's true they've shone light on a new and darker part of it, a part that's worth visiting for a long, long time.
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Lost in Meditation: Meditative Gregorian Chants
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VIL Release Date: 1994-08-30 |
Tracks:
- Introitus: Ecce advenit
- Graduale: Onmes de Saba
- Communio: Omnes qui in Christo
- Halleluja: Dies sanctificatus
- Ofertorium: Tui sunt caeli
- Hymnus: Creator alme siderum
- Introitus: Gaudens gaudebo
- Halleluja: Leatatus sum
- Communio: Dicite Pusillanimes
- Tractus Deus: Deus meus
- Introitus: Misereris
- Antiphon: Pueri Hebraeorum
- Hymnus: Gloria
- Graduale: Christus factus est
- Halleluja: Hallelujah
- Introitus: Resurrexi
- Sequenz: Victimae paschalis laudes
- Hymnus: Veni creator
Customer Reviews:
Excellent for Meditation.......2007-08-01
Relaxing..........2007-07-22
Great music, great price.......2007-05-07
Definitely Meditative.......2007-03-09
Gregorian Meditation.......2007-01-13
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Early Days & Latter Days: Vol. 1 & 2
Led Zepplin Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000787GW Release Date: 2002-11-19 |
Tracks:
- Good Times, Bad Times
- Babe I'm Gonna Leave You
- Dazed And Confused
- Communication Breakdown
- Whole Lotta Love
- What Is And What Should Never Be
- Immigrant Song
- Since I've Been Loving You
- Black Dog
- Rock And Roll
- The Battle Of Evermore
- When The Levee Breaks
- Stairway To Heaven
Tracks:
- The Song Remains The Same
- No Quarter
- Houses Of The Holy
- Trampled Underfoot
- Kashmir
- Ten Years Gone
- Achillies Last Stand
- Nobody's Fault But Mine
- All My Love
- In The Evening
Album Description
Full Title - Early Days & Latter Days - The best of Volumes One and Two. This special two-disc set captures the legendary power of Led Zeppelin's finest moments in a collection of 23 classic tracks selected by Jimmy Page himself. As if that weren't enough, Early Days Volume one includes a never-before-heard live version of 'Communication Breakdown' recorded circa 1969. Latter Days Volume two is enhanced with never-before-seen performance footage of 'Kashmir' filmed at London's Earl Court back in 1975. 2 standard jewel cases housed in a slipcase. Atlantic. 2002.Customer Reviews:
what this set did for me!.......2007-07-24
So, is this set part of a plan to 'trap' people into becoming fanatics? Maybe not, but that's how it worked out for me. I hardly ever pull out these disks now to listen to Zep, but they served their purpose and I'm glad that I bought them! I dare anyone who is new to Zep to buy these and NOT want more of them! Zeppelin is the BEST!!!
Good stuff, not the greatest.......2007-07-11
Early Days, Better Days.......2007-07-05
A nice concise jolt of Zeppelin.......2007-03-23
I have to first agree with the reviewer who commented about Heartbreaker, Livin' Lovin' Maid, and Misty Mountain Hop being excluded from this set. I felt similarly about those songs, as well as Thank You, which, as obscure as it was, I have always counted as one of my favorites.
But, on the other side of the coin, when do we ever find a greatest hits compilation that has each and every song we want? Never.
That said, I went and bought this CD because my young son is very much into drumming and is now becoming familiar with great rock drummers. So I knew he had to get to know Bonzo, and when I saw this in the store I grabbed it up because it had a really good lineup. When we popped it into the dashboard on the way home - wow - we both really enjoyed it, he was air drumming in the back seat like a lunatic and I was just thoroughly enjoying one song after another. If it included the above songs, it would be a true stairway to heaven for me. This set is great, highly recommend it.
Great for introduction to Zeppelin.......2006-08-10
I understand why an older fan of Led Zeppelin would be disappointed with this; it misses a few major hits such as Ramble On, Heartbreaker, Over the Hills and Far Away, and The Rain Song (these songs could have still fit onto the two albums without passing the 80-minute CD limit). However, I find this almost a good thing, because it led me to not end up disappointed when getting their studio albums, realizing that there were even more masterpieces than just the ones on the greatest hits, for example: the ones listed above, Living Loving Maid, Tangerine, and all the remaining songs on the fourth album.
With such little new music as great as once was, it's becoming more necessary for younger music-listeners such as me, to look into classic rock like Zeppelin. There was no greater way than by getting the Early Days and the Latter Days.
And, how much better to have all the songs in their albums' order on a greatest hits compilation, yet to still have it end on the uncomparible Stairway to Heaven. Great job.
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Chants Of India: Ravi Shankar; George Harrison
Ravi Shankar , and George Harrison Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SMC Release Date: 1997-05-06 |
Tracks:
- Vandanaa Trayee
- Omkaaraaya Namaha
- Vedic Chanting (One)
- Asato Maa
- Sahanaa Vavatu
- Poornamadah
- Gaayatri
- Mahaa Mrityunjaya (Om Triambakam)
- Veenaa-Murali (Music Interlude)
- Geetaa (Karmanye Vadhikaraste)
- Mangalam (Tala Mantra)
- Hari Om (Music Interlude)
- Svara Mantra
- Vedic Chanting (Two)
- Prabhujee
- Sarve Shaam
Amazon.com essential recording
Mantram is Ravi Shankar's effort to set Sanskrit chants from ancient Hindu scriptures to music, and the result is a captivating mix of chant and music. Produced by George Harrison, this collection of mantras and prayers from the Vedas, Upanishads, and other scriptures powerfully transports the listener to a place of peace where it's possible to be one with the universe. It's as if a heavy, enveloping cloak of serenity falls from the dark, floating sounds of cello opening the CD. Shankar employs flute, tamboura, harp, and other instruments to accent the mighty "Om" thread that weaves itself through the cloth of this album, bringing together deep, ominous voices with delicate, earthly instruments. One looking for extensive Shankar sitar might be disappointed, but the beauty of this artist's creativity and spiritual vision sweeps one away into a larger, more meaningful listening experience. Highly recommended. --Karen KarleskiCustomer Reviews:
Classy Indian Chants.......2007-07-24
Authentic Hindu Chants.......2007-06-14
George and Ravi combine worship and melody for a one-of-akind experience.......2007-05-04
uplifting.......2007-04-06
Chants Of India: Ravi Shankar.......2007-04-01
When I bought this disk years ago, it came with a booklet featuring extensive liner notes, including the Sanskrit portions written in the Devanagari script, with transliterations and translations by Panditjee himself. This disk has thereby proven itself a great resource in my studies of Sanskrit, enabling me to read - and therefore properly pronounce - these important verses. I hope this information is still provided in the disk, as a version I bought in India omitted these extensive texts.
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American Angels
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ADB4Q Release Date: 2004-02-10 |
Tracks:
- Holy Manna
- Abbeville
- Wondrous Love
- Sweet Hour Of Prayer
- Jewett
- Dunlap's Creek
- New Britain
- The Morning Trumpet
- Resignation
- Poland
- Wayfaring Stranger
- Sweet By And By
- Blooming Vale
- Idumea (I)/Idumea (II)
- Sweet Prospect
- Shall We Gather At The River
- Amanda
- Invitation
- Parting Hand
- Angel Band
Amazon.com
This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert LevineCustomer Reviews:
spiritual americana.......2007-01-06
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!
Rich Heritage.......2006-10-11
Superb .......2006-08-07
Can't walk away from it!.......2006-08-07
These four ladies produce a unique and remarkable sound. I can't recommend it enough.
Mana from Heaven.......2006-05-08
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Rocket Ship Beach
Dan Zanes + Friends Manufacturer: Festival Five Rec. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000051ZNR Release Date: 2002-07-30 |
Tracks:
- Polly Wolly Doodle (with Sheryl Crow)
- King Kong Kitchie (with the Wonderland String Band)
- Bushel and a Peck (with Donald Saaf and the Rocket Ship Singers)
- Go Down Emmanuel Road (with the Sandy Girls)
- Goodbye Old Paint
- Father Goose (with Rankin' Don and the Rocket Ship
- Keep on the Sunny Side (with the Wonderland String Band)
- Erie Canal (with Suzanne Vega)
- Buckeye Jim
- Brown Girl in the Ring (with the Wonderland String Band and G.E. Smith)
- Hello (with Barbara Brousal)
- All My Friends Live in the Woods (with Simon Kirke)
- Weather Report (Sophie and Emma)
- Mole in the Ground
- On the Sunny Side of the Street (with Rankin' Don and Donald Saaf)
- Sidewalks of New York (with a cast of thousands)
- Over the Rainbow (with Donald Saaf)
Amazon.com
Dan Zanes, lead singer of the 1980s roots-rock band the Del Fuegos, didn't need to enlist the high-profile help of pals Sheryl Crow and Suzanne Vega to produce a crowd-pleasing kids' record, but he got it anyway. On Rocket Ship Beach, where traditional tunes such as "Polly Wolly Doodle" (with Crow) and "Erie Canal" (with Vega) mingle in loosey-goosey, just-for-the-fun-of-it fashion with originals such as the plucky "All My Friends Live in the Woods" (written by Bad Company buddy Simon Kirke), Zanes exhibits the same plugged-in exuberance that gave his former band its unpredictable zing. Besides the no-amateurs instrumentation, which includes Zanes on guitar, lap steel, banjo-mandolin, and studiophone, and G.E. Smith on banjo-mandolin and guitar as part of a kickin' string band that performs the classic "King Kong Kitchie," plus a cluster of others, what stands out most about this 17-track funfest is its draw-you-in friendliness. Pitching in with the pros (who also include dancehall rapper Rankin' Don--he delivers the gruff stuff on "Father Goose" and "Sunny Side of the Street") are family friends such as the gang of West Indian babysitters turned vocal group the Sandy Girls, who give it up to impressive, get-you-boogying effect on "Emmanuel Road," and a kindergarten class that contributes, adorably, to "Sidewalks of New York." All told, this is way hipper than most kids' records and it also razzle-dazzles with its packaging--Rocket Ship Beach arrives in a chunky, colorful board-book illustrated with sweet, fantasy-fueled beachside scenes by banjo player and Zanes's brother-in-law, Donald Saaf. --Tammy La GorceAlbum Description
music is in the air. it's alive and it's here for everyone. if you can play an old song, you can write a new song. make it a family parade, all around the kitchen cock-a-doodle-doodle-doo. or how about a family band? on the front steps, in the back yard, in the park, on the sidewalk, in the basement. if you can brush your teeth, you can play tamborine. if you can tell a joke, you can sing.festival five records is the sound of a neighborhood band on the front stoop playing tunes after dinner for a family dance. festival five records is the sound of a group of 9 and 10 year olds singing a sixty year old broadway song in the basement of a 150 year old row house. it's the sound of a 40-year-old dad on a blue porch singing a 400 year old story song about a frog that marries a mouse. when you feel that music in the air, try to catch as much as possible.
Customer Reviews:
It's great!.......2007-01-27
Honestly, this CD sucks.......2007-01-18
People can make of Raffi all they want, but at least his music is tolerable!
Don't waste your money on this lemon of a CD.
What an awesome CD!!!.......2006-12-20
rocket ship beach review.......2006-11-10
we all love it.......2006-08-05
Average customer rating:
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Lost in Meditation: Meditative Gregorian Chants, Vol. 1
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VIK Release Date: 1994-08-30 |
Tracks:
- Introitus: Nos autem
- Graduale: Miserere
- Antiphon: Immutemur
- Ruf: Ecce lignum
- Communio: Qui meditabitur
- Hymnus: Pange lingua
- Improperia: Popule meus
- Halleluja: Veni Sancte Spiritus
- Graduale: Haec dies
- Offertorium: Terra tremuit
- Sequenz: Veni Sancte Spiritus
- Communio: Factus est repente
- Graduale: Benedicta es tu
- Halleluja: Tota pulchra es
- Offertorium: Ave Maria
- Introitus: Populus Sion
- Antiphon: O Sapientia
- Introitus: Lux fulgebit
- Communio: Viderunt omnes
- Halleluja: Vidimus stellam
- Hymnus: Asolis ortus cardine
Customer Reviews:
Fantastic.......2007-01-19
Unusual order.......2006-06-10
The Latin is pronounced well on this CD. (Sometimes you can get a chant CD on which the chanters have French accents.)
Note to the reviewer who was mad about the word "cult": Forgive the translator who used that word. It sounds like a false cognate error to me. The ones who are hardest for me to forgive are those who discontinued Gregorian chant's primacy of place in the liturgy; the ones I can never understand are those who go to Novus Ordo masses. Lex orandi, lex credendi.
Getting Lost While Meditating.......2006-05-18
Calming, Centering, a bit repetitive.......2006-02-21
Great Atmospheric Music.......2005-08-23
Average customer rating:
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Hildegard von Bingen: Canticles of Ecstasy
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001TYF Release Date: 1994-12-13 |
Tracks:
- O vis aeternitatis - Sequentia
- Nunc aperuit nobis
- Quia ergo femina mortem instruxit
- Cum processit factura digiti Dei
- Alma Redemptoris Mater
- Ave Maria, O auctrix vite
- Spiritus Sanctus vivificans vite
- O ignis spiritus Paracliti
- Caritas habundat in omnia
- O virgia mediatrix
- O virdissima virga, Ave
- Instrumental
- O Pastor Animarum
- O tu suavissima virga
- O choruscans stellarum
- O nobilissima viriditas
Amazon.com
Although Hildegard von Bingen's music has been around for 900 years--and recordings of her music for decades--it seems that only now, as we approach the turn of another millennium, the time is right for the world to pay attention. In this first-rate traversal of her music--the most popular of several volumes released by the early-music ensemble Sequentia--we hear music that resulted from Hildegard's legendary visions, which often included song texts that she subsequently collected and dispensed to her religious community of women. As rendered here by the voices and instruments of Sequentia, her music invokes an unobscured sense of mystery, conforming to Hildegard's belief that music was our bridge to the harmonies of the heavens. Whether or not we're experiencing that "heavenly harmony" here, the simple, direct, beautifully turned melodies, sung by pure, finely tuned, warm-colored women's voices, often eerily accompanied by an instrumental drone, is heavenly enough. --David VernierCustomer Reviews:
Simply awe inspiring and amazing.......2007-05-20
Ecstatic Music, Ecstatically Performed........2007-05-13
The music is sublime. The female voices are heavenly, without a hint of sentimentality.
When you listen to "Canticles of Ecstasy" you will know how this medieval nun and composer felt about things.
Caution. They could make a believer of you.
canticles of Ecstay.......2007-03-23
Hildegard von Bingen: Canticles of Ecstacy.......2006-07-25
Devine Music For Tranquil Hearts.......2006-02-23
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- Grace
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