Chesapeake Bay Suite - Songs of the Chesapeake, With Every Beat of My Harp

About the Artist
These songs, a combination of my classical and Celtic musical roots, come from my life near the Bay over the last 12 years. They come from a time lived near the beauty of the Chesapeake, its tributaries and coves and from the lush grassland and woods of our horse farm. I share this farm with my husband, a draft mule named Mollberry—Margaret, a coaching pony, Seymour Grass, and two dressage horses, Rienzi and Baroque, as well as assorted small critters. The dressage horses have taught me how to dance with horses. The music that I have written was inspired by the landscape, the water and the animal life, both domestic and wild, on our farm.

In learning to drive my pony, Seymour, harnessed to a gig, I became aware of th various signals that coachman 0f yesteryear used to indicate speed., direction, and distance to pedestrians and to other coaches. I became fascinated with these melodies played on tin horns of the era. Because many of these horns were 36 inches long, they were called "a yard of tin". In playing the melodies and calls on the Celtic harp, they soon blended into my own musical compositions.

Sometimes, in working our mule, my imagination would take me back 100 or more years and I would wonder what it would be like to have ridden her back then. I wondered how we might have waited together for my husband on the coach from Kilmarnock. I fantasized how she and I would rest by the pond on the farm near the Chesapeake. I would have shared apples and pears with her from a place at our farm called Mollyberry’s Glenn. I have often delighted at the play between the mule and our barn cat, Puff. At times, it seems like a real dance, an Irish jig at that! One day, while watching them cavort, the melody and rhythm for one of the songs came to me as I witnessed their intricate choreography.

And so, the harp songs on this CD came to me from that mix of imagination and the realities of living near the Bay. They are a celebration of these waters, these places, the towns and coves with the neat names, of the traditions of fine harness driving and of the wonderful animals that have so enriched our lives. S.A-T.

Product Description
These songs, a combination of my classical and Celtic musical roots, come from my life near the Bay over the last 12 years. They come from a time lived near the beauty of the Chesapeake, its tributaries and coves and from the lush grassland and woods of our horse farm. I share this farm with my husband, a draft mule named Mollberry—Margaret, a coaching pony, Seymour Grass, and two dressage horses, Rienzi and Baroque, as well as assorted small critters. The dressage horses have taught me how to dance with horses. The music that I have written was inspired by the landscape, the water and the animal life, both domestic and wild, on our farm.

In learning to drive my pony, Seymour, harnessed to a gig, I became aware of th various signals that coachman 0f yesteryear used to indicate speed., direction, and distance to pedestrians and to other coaches. I became fascinated with these melodies played on tin horns of the era. Because many of these horns were 36 inches long, they were called "a yard of tin". In playing the melodies and calls on the Celtic harp, they soon blended into my own musical compositions.

Sometimes, in working our mule, my imagination would take me back 100 or more years and I would wonder what it would be like to have ridden her back then. I wondered how we might have waited together for my husband on the coach from Kilmarnock. I fantasized how she and I would rest by the pond on the farm near the Chesapeake. I would have shared apples and pears with her from a place at our farm called Mollyberry’s Glenn. I have often delighted at the play between the mule and our barn cat, Puff. At times, it seems like a real dance, an Irish jig at that! One day, while watching them cavort, the melody and rhythm for one of the songs came to me as I witnessed their intricate choreography.

And so, the harp songs on this CD came to me from that mix of imagination and the realities of living near the Bay. They are a celebration of these waters, these places, the towns and coves with the neat names, of the traditions of fine harness driving and of the wonderful animals that have so enriched our lives. S.A-T.

Chesapeake Bay Suite - Songs of the Chesapeake, With Every Beat of My Harp,Susan Anthony-Tolbert,Singing Cat & Mule Publishing Co.,Celtic and Classical Harp performed Live on the Chesapeake Bay.

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Chesapeake Bay Suite - Songs of the Chesapeake, With Every Beat of My Harp Susan Anthony-Tolbert Manufacturer: Singing Cat & Mule Publishing Co. ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Celtic | International | Styles | Music General | New Age | Styles | Music General | New Age | Indie Music | Stores | Music ASIN: B00067WGWC Release Date: 2004-10-08

Tracks:

1. Dusk at Cove Point
2. A Yard or Tin: In Memory of the Horn of the Night Coachman from Weems
3. The Coaching Moon Trilogy:The Flower Moon Aire,The Pink Moon AllemandeThe Blue Moon Loure
4. Night of the Following Sea At Drum Point
5. First Light at Swan Point
6. By the Pond On The Farm Near the Chesapeake Bay
7. Mollyberrys Glen at Plum Point
8. Waiting for the Kilmarnock Coach with Mollyberry
9. The Cat and Mules Dancing Jig to Weems
10. Bay Grasses At Tydings on the Bay*
11. Mood At Red Tide**
12. Ending Storm At The Meeting of the Two Waters: the Chesapeake and the Potomac
13. Meeting of the Two Lights: Fading Sun, Rising Moon At Thicket Point

Album Description

These songs, a combination of my classical and Celtic musical roots, come from my life near the Bay over the last 12 years. They come from a time lived near the beauty of the Chesapeake, its tributaries and coves and from the lush grassland and woods of our horse farm. I share this farm with my husband, a draft mule named Mollberry—Margaret, a coaching pony, Seymour Grass, and two dressage horses, Rienzi and Baroque, as well as assorted small critters. The dressage horses have taught me how to dance with horses. The music that I have written was inspired by the landscape, the water and the animal life, both domestic and wild, on our farm.

In learning to drive my pony, Seymour, harnessed to a gig, I became aware of th various signals that coachman 0f yesteryear used to indicate speed., direction, and distance to pedestrians and to other coaches. I became fascinated with these melodies played on tin horns of the era. Because many of these horns were 36 inches long, they were called "a yard of tin". In playing the melodies and calls on the Celtic harp, they soon blended into my own musical compositions.

Sometimes, in working our mule, my imagination would take me back 100 or more years and I would wonder what it would be like to have ridden her back then. I wondered how we might have waited together for my husband on the coach from Kilmarnock. I fantasized how she and I would rest by the pond on the farm near the Chesapeake. I would have shared apples and pears with her from a place at our farm called Mollyberry's Glenn. I have often delighted at the play between the mule and our barn cat, Puff. At times, it seems like a real dance, an Irish jig at that! One day, while watching them cavort, the melody and rhythm for one of the songs came to me as I witnessed their intricate choreography.

And so, the harp songs on this CD came to me from that mix of imagination and the realities of living near the Bay. They are a celebration of these waters, these places, the towns and coves with the neat names, of the traditions of fine harness driving and of the wonderful animals that have so enriched our lives. S.A-T.

Meditation Music:

1. Christmas Hymns, Vol. 1
2. Coleccion
3. Détente Musicale
4. Dancing Worlds
5. Dawn of a New Day
6. Drums of Light 2
7. Early Music
8. Echo Passage
9. Elemental
10. Faith, Hope, Joy

Meditation Music

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