| 1. Beyond The Century |
| 2. Adiemus |
| 3. Cantus Inaequalis |
| 4. Kayama (Radio Edit) |
| 5. In Caelum Fero (Radio Edi |
| 6. Hymn |
| 7. Cantilena |
| 8. Cantus-Song Of The Trinit |
| 9. Cantus-Song Of The Plains |
| 10. Elegia |
| 11. Chorale Vi+Cantus-Song Of |
| 12. Chorale 1 (Za Ma Ba) |
| 13. Cantus-Song Of Tears (Edi |
| 14. Rain Dance (Edit) |
| 15. Ein Wiener Walzer (A Vien |
| 16. Corrente (Courante) |
| 17. Zarabanda (Saraband) |
| 18. La La La Koora (Landler) |
| 19. Adiemus (1999 New Version |
Editorial Reviews
Japanese Version featuring Exclusive Cover Art.
Journey: Best of,Adiemus,EMI Int'l,New Age,New Age / Meditation,Pop
Average customer rating:
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The Journey: The Very Best of Donna Summer
Donna Summer Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CABJ1 Release Date: 2003-09-30 |
Tracks:
- Love To Love You Baby
- Could It Be Magic
- I Feel Love
- I Love You
- Last Dance
- MacArthur Park
- Heaven Knows
- Hot Stuff
- Bad Girls
- Dim All The Lights
- No More Tears (Enough Is Enough)
- On The Radio
- The Wanderer
- Love Is In Control (Finger On The Trigger)
- State of Independence
- She Works Hard For The Money
- This Time I Know Its For Real
- I Will Go With You (Con Te Partiro)
- Thats The Way
- Dream-A-Lots Theme (I Will Live For Love)
Customer Reviews:
a good collection of songs,the jouney's not over.......2007-07-13
Everything You'd Want.......2007-06-12
I thank the powers that be for this gift and reminder of how great Donna Summer is.
very best of donna summer.......2007-05-14
I Luv Donna.......2007-04-06
Donna Summer Rocks!.......2007-01-10
over and over again. Her vocals are outstanding and her music
is timeless.
Average customer rating:
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Very Best of Hooked on Classics
Manufacturer: Double Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000028CJX Release Date: 1998-09-28 |
Tracks:
- Hooked on Classics Pt. 1 & 2: Piano of the Bumblebee No. 1/Fli [Medley]
- Hooked on Haydn: Trumpet Concerto in E-Flat (3rd Movement) [Medley]
- Night in Opera: Trumpet Concerto in E-Flat (3rd Movement)/Hall [Medley]
- Tales of the Vienna Waltz: Blue Danube Waltz 1, Theme 1/Blue D [Medley]
- Hooked on a Can Can: Orpheus in the Underworld (Can Can)/Thund [Medley]
- Hooked on Marching: Under the Double Eagle/The Stars & Stripes [Medley]
- Journey Through America: The Star Spangled Banner/Oh Susanna/M [Medley]
- Hooked on Mozart: Rondo Alla Turca (Turkish March, From Sonata [Medley]
- Hooked on Bach: Ave Maria/Minuet [From the Notebook of Anna Ma
- Symphony of the Seas: The Sailors Hornpipe/Portsmouth/Anchors [Medley]
Tracks:
- Hooked on Classics: Wedding March [From a Midsummer's Night's
- Hooked on Romance (Opus 3): Gymnopedie No. 2/Nocturne Opus 9, [Medley]
- Hooked on Tchaikovsky: Capriccio Italien (Introduction)/Swan L [Medley]
- If You Knew Sousa/The Liberty Bell/Blaze Away/The Liberty Bell [Medley]
- If You Knew Sousa and Friends: Entry of the Gladiators/Colonel [Medley]
- Also Sprach Zarathustra [Medley]
- Can't Stop the Classics: Overture 2 Russian & Ludmilla/Czardas [Medley]
- Hooked on America: Rhapsody in Blue/Camptown Races/Rhapsody in [Medley]
- Hooked on Romance: Air Form Suite No. 3 (Air for G String)/Ave [Medley]
Customer Reviews:
customer.......2007-06-26
WONDERFUL CD.......2007-05-08
Good upbeat working music.......2007-03-08
Average customer rating:
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The Journey: The Best of Adiemus
Adiemus Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002MG3U Release Date: 2000-01-25 |
Tracks:
- Adiemus
- Cantus Inaequalis
- Kayama (Radio Edit)
- In Caelum Fero (Radio Edit)
- Hymn
- Cantilena
- Cantus - Song Of The Trinitiy (Edit)
- Cantus - Song Of The Plains (Edit)
- Elegia
- Chorale VI + Cantus - Song Of Aeolus
- Chorale I (Za Ma Ba)
- Cantus - Song Of Tears (Edit)
- Rain Dance (Edit)
- Ein Wiener Walzer (A Viennese Waltz)
- Corrente (Courante)
- Zarabanda (Saraband)
- La La La Koora (Landler)
- Beyond The Century
- Adiemus (1999 New Version)
Amazon.com
Karl Jenkins's mix of classical orchestration and world-music elements first gained notoriety through a Delta Airlines TV commercial. The female choir singing faux African chant and the bright, uplifting music resonated with viewers, making the album Songs of Sanctuary an enormous commercial success. Jenkins followed up with Cantata Mundi, and Dances of Time, also bestsellers. Now the Higher Octave label has compiled the best of this electronica artist's Adiemus projects with The Journey. Full of Jenkins's sweeping orchestral sounds, pseudo-ethnic chant from Miriam Stockley and friends, and layered world rhythms, this album acts as a great introduction to this unique New Age music. --Karen K. HuggCustomer Reviews:
Adiemus, genuine masterpieces of Karl Jenskins.......2007-03-10
The Journey: The best of Adiemus.......2007-02-08
The Journey: The Best of Adiemus.......2006-08-06
Great Compendium.......2006-07-10
Awesome.......2006-01-30
It is relaxing, haunting, beautiful and more.
Average customer rating:
|
Travelling the Sacred Sound Current: Divine Chants & Sacred Tones for Healing & Meditation
Deborah Van Dyke Manufacturer: Sound Current ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NVWC Release Date: 2001-08-08 |
Tracks:
- Awakening
- Gayatri Mantra
- Kadosh
- Om Nama Shivaya
- Yod He Vav He
- Om Mani Padme Hum
- Journey
- Sound Current
- Ceremony of the Seven Rays
Amazon.com's Best of 2001
Following her remarkably beautiful and top-selling crystal-bowl meditation CDs, heralded by critics, customers, and even Dr. Wayne Dyer, sound healer and teacher Deborah Van Dyke presents Travelling the Sacred Sound Current, audio companion to her instructive and finely wrought book of the same name. Van Dyke's musical offering, used in conjunction with the book or as a standalone tool, moves beyond relaxation and entertainment value into the realm of spiritual and therapeutic practice and purpose. Based on sound scientific principle--Dr. Andrew Weil's Sound Body, Sound Mind is highly recommended to this end--Van Dyke uses frequencies and tones to promote maximal benefit to body, mind, and spirit. These nine pieces bring together ancient mantras and chants, crystal bowl tones, drums, and didgeridoo, as well as nature sounds and Peruvian whistles, to create the thread-work of a profoundly interactive listening experience. Travelling the Sacred Sound Current resonates with deep beauty, peace, and truth. Neither far afield in woo-woo content nor loftily academic, Van Dyke's work is a welcome invitation, likely to appeal to both the intensive meditation student and the casual or novice seeker. --Paige La GroneAlbum Description
Newest release from CRYSTAL VOICES creator & sound healer DEBORAH VAN DYKE - this is the Companion CD to her new definitive Book on sound healing: "Travelling the Sacred Sound Current: Keys for Conscious Evolution" (available through Amazon.com books). Recorded live in her healing sanctuary, the essence of sacred ceremony is captured in this authentically beautiful CD. It offers an exquisite treasure of timeless healing mantras & chants, crystal bowl tones, drums, gongs, didjeridoo, nature sounds, and Peruvian whistling vessels, which provide a deep vibrational sound journey for inner attunement and healing. Includes a powerful shamanic drum experience as well as a twenty minute crystal bowl meditation. Sit back , relax, and be prepared to embark on an inner voyage of transformation with this sacred ceremonial music and Deborah's compelling and soulful vocals. You will be soothed and transported to a place of deep inner peace. This CD is truly a sound vision quest for awakening, purification, and opening gateways of consciousness. Music created with a sacred healing intention - an frequency-shifting, soul-enriching experience.PLANETLIGHTWORKER Magazine, Oct/03, Editor's review: "Sometimes in life when I'm faced with the experience of otherworldly beauty I am simply awestruck, - to the point of being left speechless. This is one of those moments.
Deborah Van Dyke has created one of the most glorious New Age recordings I can remember. Crafted through the use of some very natural textures, its poetic rhythms are sensual and astonishingly pure. There is a complexity to the CD that is as unique as each human life. In just the first few breaths of listening I could feel the sweetest altering of my physical body taking place. A shift in posture, an expansion of my senses, and a fluttering of excitement in my heart's heart. The naturalness, the eloquent harmony and echo, all come together to offer such a tremendous gift to creation. For centering, grounding, gifting, doing healing work with others, Travelling the Sacred Sound Current intuitively knows the listener's need and exceeds that requirement with a universal gift of transformation".
*****UPDATE: Deborah's NEWEST CD RELEASE now available on Amazon.com: 'CHORDS OF THE COSMOS: Harmonies of the Zodiac with Crystal Bowls for Chakra Balancing, Meditation & the Healing Arts'.
Customer Reviews:
takes me to nirvana.......2007-01-29
Sounds of Light was better.......2006-12-26
Inaccurate, but a good listen.......2005-11-08
namaste :)
Very good if you like Indian mantras.......2005-08-12
.......2005-01-31
but never heard chanted before, from this CD.
As a woman, following the voice of a women guide
was easier for me to echo, then male chants.
It is the perfect CD to play and chant along while ringing
my own crystal bowls and sets a relaxing, prayerful mood
before going to sleep, for me.
Average customer rating:
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The Best Of Wagner
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F4J Release Date: 1991-06-06 |
Tracks:
- Die Meistersinger: Prelude
- Die Walkure: Ride Of The Valkyries
- Lohengrin: Bridal Chorus
- Siegfried: Forest Murmurs
- Gotterdammerung: Dawn & Siegfried's Rhine Journey
- Die Walkure: Magic Fire Music
- Tristan und Isolde: Liebestod
Customer Reviews:
An excellent classical CD.......2007-01-28
A hidden diamond.......2001-10-03
The original Ormandy program is supplemented with a track by Robert Shaw doing a luscious rendering of the famous Bridal Chorus from
My only caveat is that this stuff really merited more respectful packaging than this ersatz "Best of" series, but at the price, who should complain?
Tracks:
Tracks:
Customer Reviews:
This classic recording has value, even if it is the highlights and excerpts from the operas. There is a full recording in its entirety with Karl Bohm conducting and with the same singers- Birgit Nilsson as Brunhilde, Wolfgang Windgassen as Siegfried, Leonie Rysanek as Sieglende, James King as Siegmund and Theo Adam as Wotan, king of the gods. These singers were regarded as the best interpretors of their day. Certainly, Birgit Nilsson was born to sing Brunhilde. She has all the drama just in her voice. The inflection is dramatic, her stage presence was commanding, and a voice that even Maria Callas would kill for. Maria Callas sang Brunhilde once in the 40's, but it was never good nor became her signature role. Callas was primarily an Italian singer and she had complications singing German. In Callas' day, Kirsten Flagstad was the reigning Brunhilde interpretor. But Birgit Nilsson's voice far surpasses even Flagstad. Birgit Nilsson has all the heigh notes, the passion, the fire and the Wagnerian touch to a fine art. Theo Adam makes a superb Wotan- imperious, commanding, greedy, regial. His voice was well-trained in German and in the art of Wagner music drama. The same applies to James King, a top-notch German heldentenor who made such roles as Siegfried and Theseus (from Strauss' Ariadne) his own.
To sing Wagner is no walk in the park. Only the best heldentenors and Wagnerian soprano divas are employed in this recording. Among them the diva Leonie Rysanek, whose vocals and theatrics on stage was always to her advantage. Here she sings the role of Sieglende- Siegfried's mother and wife of Siegmund. In her dramatic duet with Siegmund, Leonie Rysanek heightens the drama of the moment by actually SCREAMING. It's brilliant. It was well known that Rysanek would always scream her lines when warranted. She has sung other heavy German repertoire- such as Strauss' Salome.
Karl Bohm has been criticized for overemphasizing the music, for directing at lightning speed and making a "sloppy", disappointing score for Wagner's Ring. Most fans of the Ring favor George Solti, who was the first to produce the first studio recording of the Ring. Still others prefer Furtwangler, who was a native German and who knew the music so well because for a long time he had been associated with Wagner's descendant family who operate the Bayreuth Festival Opera House. But Karl Bohm, despite his failure in some portions, has his moments. His strength lies in conducting Gotterdammerung's final scene- the Immolation and end of the world. Brunhilde, the last bearer of the cursed ring, has lost her beloved Siegfried to death by traitorous murderer- giants, curses the gods and commits suicide by throwing herself into Siegfrie'ds funeral pyre. The curse of the ring is lifted, the palace of the gods in Vallhalla is consumed in a devastating fire and the world is flooded by the overflowing Rhine river.
The theme of the Ring is not too complicated to understand. In much the same vein as J.R.R. Tolkien's "Lord of the Rings" novels, and the recent film adaptations, the curse of a powerful ring is that of corrupted power. Absolute power corrupts absolutely, in the words of philosopher John Locke. The ring, who entitled its beare to total power, was desired by everyone in the opera- from an ugly dwarf (Albrecht) who was willing to sacrifice sexual relations and love for possession of the ring. Albrecht is the instigator. Stealing the gold of the Rhine from the mermaid-like Rhinemaidens, he begins to build a mine and city under the earth. The gods of Valhalla have their own troubles- the giants who built Valhalla want to claim their promised reward- Wotan's wife, the goddess Freya. The powerful god Wotan will not accept the terms. This occurs in the first opera - Das Rhinegold (The Rhinegold). In the second installment, "Die Walkure (The Valkyrie) we are introduced to Siegmund and Sieglende. Because theirs is an illicit romance, Freya convinces Wotan to decree their deaths. But Brunhilde, Wotan's divine daughter opposes the decree and even saves the life of Sieglende who gives birth to the hero Siegfried. Brunhilde is the Valkyrie warrior woman (she is the stereotypical Wagner opera singer wearing a horned helmet , spear, shield, breast plate and battle costume. When Brunhilde's defiance is discovered, Wotan puts a spell over her. She is to sleep inside a ring of fire until the kiss of a demi-god hero awakens her. In this opera, the famous "Ride of the Valkyries" is featured, a dramatic music which has been used time and again in movies and television, most notably in the film "Apocalypse Now". In Siegfried, we follow the quest of Siegfried. He pulls his father's sword from a tree (like King Arthur does in Excalibur only Arthur pulls the sword from a stone and anvil). Siegfried, with the help of the mentor dwarf Mime, journeys into Albrecht's layer, defeats him and slays the vile dragon Falfner. Of course, he kisses Brunhilde and breaks the spell. In the last opera, Gotterdamerung or "Twilight of the Gods", the saga comes to an end when Siegfried is slain by the Gibechung giants. Brunhilde has her famous Immolation Scene and the world of mortals, and even the gods, die during the end of the world. The highlghts here include Siegfried's Rhine Jounrey and Siegfried's Funeral March (this March was used in John Boorman's Excalibur) and the concluding music.
Nevertheless there is a need for a way to approach the Ring, to be introduced to it and to get its flavor, and this generously filled (2 hours 28 minutes of music) 2-disc set fills that requirement reasonably well. These are excerpts from all four Ring operas from live 1966-67 performances (the second Wieland Wagner production) at Bayreuth, the famed Wagner Festspielhaus in Bavaria; they are not studio recordings. They are not great performances, but they are good, capable, workmanlike ones. The sound is not the equal of the better studio recordings (like the Solti and von Karajan cycles), but it is good enough: clear and never objectionable. The conductor, Karl Bohm, was not a great Wagnerian; he gives a competent reading, favoring brisk tempos, generally lacking repose, keeping things moving along in a business-like manner, but the result is that he seems more interested in moving on to the next scene than in shaping the scene at hand to realize its full potential. His performance overall is characterized by persistent, even relentless, forward pressure. Sometimes this works, sometimes not; if he can be accused of insensitivity, of failing to make the most of his opportunities, he can't be accused of lingering, melting, dawdling, going slack. He is certainly not in the class of Solti or Furtwangler as a Wagner conductor. The notes all get played, but there is little magic fire coming from the pit here.
Most of the singers are able and well suited to their roles, and they are all singers who actually sang their roles on the operatic stage (not just in the recording studio). Outstanding are Birgit Nilsson and James King. Here is a chance to hear Nilsson, the greatest Wagnerian soprano of the second half of the twentieth century, "live" in her most celebrated role, Brunnhilde (who figures in the last three Ring operas), and that is an opportunity not to be sneezed at. She offers ringing vocal power, amplitude, stamina, with a brillliant, secure top, an unusual combination that is rarely found in Wagnerian sopranos, and she has no competition in any of the other complete sets except the Solti, where she is competing with herself. When it comes to unleashing her huge voice and letting it soar out over the potent Wagner orchestra, she has no peer, and reminds us of what great Wagnerian singing, heroic singing, used to be all about. James King is the Siegmund in Die Walkure (as he is in the Solti set), and his bright, attractive tenor and musicianly singing are a treat after the ersatz, makeshift Heldentenorizing we've usually had to make do with in Wagner since Melchior retired in 1950. Compare his singing here with the dry, threadbare, underpowered Siegfried of Wolfgang Windgassen--whose creditable performance is a triumph of professional skill over lack of natural resources--and you will see what I mean. Theo Adam as Wotan knows his stuff (he was a well-regarded Wotan) but his vocal endowment is not prepossessing either; he too, like so many Wagner singers of the post-Flagstad-Traubel-Melchior era (i.e., after 1950), is underpowered for the role.
This 2-CD set has direct, head-on competition from a similar (and similarly priced) Deutsche Grammophon 2-CD set of highlights from the Ring. The DG set is from the Karajan/Berlin Philharmonic studio recordings of the Ring operas (1967-1970). Here's how I stack up their pros and cons: The Bohm set has generally superior, more involved singing, including Nilsson as Brunnhilde, by singers who sing the same roles throughout (no switching horses in midstream, as in the Karajan, which has two different Wotans, two different Brunnhildes, and two different Siegfrieds), and who actually sang their roles in the opera house, not just in the recording studio (this is a problem with the more "artificial" Karajan set). Also, since the performances are "live," there is a certain sense of vividness, immediacy, and excitement missing in a studio recording. On the other hand, the Karajan set offers generally superior conducting and orchestral playing; his studio recording can be more note-perfect (with its opportunities for re-takes); and the sound of Karajan's set is better than that of Bohm's live performances (although still not as good as Solti's Ring, or the best more recent opera recordings).
So, between the Karajan and Bohm 2-CD Ring highlights sets, there is not a clearcut winner. To make choosing more difficult, both are priced the same and both offer very generously filled CDs (both have about two and a half hours of music). I marginally prefer the Bohm "live" performances, but I couldn't argue with anyone who listened to them both and preferred the Karajan.
Renowned for his performances of Wagner, conductor Karl Bohm evokes fiery playing from the Bayreuth Festival Orchestra. Particularly at the climaxes, his tempi may seem too brisk for those wanting a more langorous Wagner. Nevertheless, Bohm manages to evoke the same white-hot intensity that make many of his other opera recordings riveting, with piercing horns and thunderous percussion. For opera lovers who already own other versions of Wagner's epic, this compilation may whet their appetites for buying the reasonably-priced complete set of Bohm's interpretation.
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Customer Reviews:
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Album Description
Customer Reviews:
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Customer Reviews:
From Moore's magical storytelling, to the Boyce Brothers' pop/country tunes, McGroary's reels, Seamus Kelleher's' electrifying guitar work and Mike O'Callaghan keeping the beat (and writing a new tune), this record does not have a single weak spot on it. Personally, I have always been a huge fan of Paul Moore's songwriting, but there are no slouches in this band.
Very highly recommended for fans of Celtic music, pop music and/or country music. And if you can, catch the boys live - it's something to see.
Tracks:
Meditation Music:
Meditation Music
Split Personality [Limited Edition] [Import]
Bach: The English Suites, Nos. 1-3; Chromatic Fantasy & Fugue
Music: Dickens, Charles Xmas Carol & Beloved Xmas Carols
Blade Trinity [Clean] [Soundtrack]
Brownz & Blackz: Minority Coalition
Best Of [Import] [Original recording remastered]
Wagner's Grandeur.......2001-08-24
Ormandy is underrated!.......2001-02-08
Excellent Recordings.......2000-11-08
Average customer rating:
Wagner: The Best of the Ring
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
ASIN: B0000041EJ
Release Date: 1996-04-09
The Best Ring Intro and Highlights Recording.......2006-03-23
Gustav Neidlinger (baritone, Alberich) Theo Adam (baritone, Wotan) Wolfgang Windgassen (tenor, Loge) Annelies Burmeister (mezzo-soprano, Fricka) Hermin Esser (soprano Froh) Ruth Hesse (soprano Flosshilde) Helga Dernesch (soprano Wellgunde) Dorothea Siebert (soprano, Woglinde)
DIE WALKURE: James King (tenor, Siegmund) Leonie Rysanek (soprano, Sieglende) Theo Adam (Wotan) Birgit Nilsson (soprano, Brunhilde) Danica Mastilovic (soprano, Fricka) Sieglende Wagner (soprano, Schwertleite) Liane Synek (soprano, Helmwige) and the Valkyries Elisabeth Schartel (Grimgerde) and Anneliese Burmister (Siegrunde)
SIEGFRIED: Wolgang Windgassen (Siegfried) Birgit Nilsson (Brunhilde) Erwin Wohlfahrt (Mime)
GOTTERDAMMERUNG: Wolfgang Windgassen (Siegfried) Birgit Nilsson (Brunhilde) Josef Greindl (bass-baritone, Hagen)...* Conductor Karl Bohm, Bayreuth Festival Orchestra
If you're already an opera fan but have not yet discovered Wagner and wish to be introduced to his biggest most famous opera cycle- Der Ring Des Nibelungen (The Ring of the Nibelungs) then this CD is one you should definately own. From live performances at Bayreuth on July of 1967, these same operas are available on seperate CD's and on a box set from the Phillips label. With a cast of brilliant, experienced Wagnerian singers such as baritone Theo Adam (Odin) soprano Birgit Nilsson (Brunhilde) and tenor Wolfgang Windgassen (Siegfried) you can't go wrong with this set. These singers represent a style of Wagnerian singing that no singer alive today can measure up to. Powerful, invective yet lyrical, passionate voices are equally in balance with dramatic acting. They lived their roles so that everytime I hear the Ring operas, I can't think of a greater Brunhilde than the unbeatable Birgit Nilsson or a greater Odin than that of Theo Adam. Maestro Karl Bohm was a prominent Wagner conductor and a Bayreuth icon in the 60's. He allowed enough natural "fresh air" for his singers, and the orchestra never truly drowns out their voices nor becomes overpowering. Nevertheless, Bohm provides the score, layered with dozens of leitmotifs, with spirituality, grandeur, nobility and the typical Wagnerian fatalism. Bohm understood Wagner more than any other conductor of his time. Although the George Solti studio Ring set is largely considered the greatest, I think this set is possibly better. There is more of a sense of tradition in this recording, since, after all, these are Bayreuth performances. The music and singingremains true to Wagner's original concept and this is not a "conductor's Ring" it is truly Wagner's Ring. The Ring of the Nibelung can become a complex, overanalyzed work of music but beneath its many layers it is an epic panorama of heroes, gods and villains. Its theme is the folly of man in his greedy lust for power, as represented by the titular ring.
Das Rheingold: The first opera deals with the greedy, deformed dwarf Alberich, who foresaking any chance of ever finding love, steals the Gold of the Rhine River from the Rhinemaidens. Baritone Gustav Neidlinger is possibly the greatest interpretor of Albrecht. This is a baritone role that is not in any way meant to be sung beautifully. Neidlinger sounds harsh and ugly, he is in full character. The music for Alberich is equally ugly and dissonant. In contrast, the Rhinemaidens are sung by beautiful, lyric sopranos who must evoke youthfulness, playfulness and a slight sexual flirtation. Their music is at first playful and flirty but after the gold is stolen, their song becomes a lament and remains melancholy in consequent motifs even up to Gotterdammerung when they reappear to reclaim their stolen gold from "the ashes of Brunhilde's Immolation". Donner, the Bridge Keeper of Valhalla, is a high bass who must step up to the exclamations of "Heda! Heda Hedo!", one of the great scenes in this opera, in which the gods enter the newly built glittering palace called Valhalla. But Odin, king of the gods, and suposed god of oaths, has broken his own oath (he promised the spring goddess Freya to the Giants who built Valhalla but didn't keep his word) And the tragedy is set in motion......
Die Walkure: In tenor and soprano James King and Leonie Rysanek, we get the most dramatic and golden Siegmund and Sieglende. More than others who have sung this romantic pair, King and Rysanek become involved, even lost in the music of their characters and are by far the most passionate interpretors. First of all, James King was endowed with a huge, heroic voice so perfect for Wagner. He is also featured in the Solti studio Ring recording but here, he is in better shape and sings with intensity, vocal heft and dramatic prowess. Also, his Siegmund is romantically sung, as if he could just as easily be a Verdi hero. His German diction never falters and he has command of the voice and melodic line. He passed away recently and left behind numerous recordings, including a Parsifal he recorded late in his career, which is still quite amazing. Leonie Rysanek actually screams out during the Love Duet in which Siegmund shows her his great sword Nothung. She was made famous not only for that hair-raising scream but for her powerful, dramatic voice and her first-rate performances as Strauss' Salome (also under Karl Bohm) Elektra and Verdi's Lady Macbeth which she first sang as a replacement to an ill and indisposed Maria Callas. Rysanek died of cancer in the mid 90's, and she was still singing then. In Die Walkure, we are first introduced to Odin's daughter, the lead Valkyrie goddess Brunhilde (she's the gal in the winged helmet, wielding a spear and flying on a horse). Birgit Nilsson owned this role, no doubt about it. Long after she had retired, she could still belt out the Hojo-to-hos (Valkyrie War Cries). She identified with Brunhilde's Nordic roots (Nilsson was born in Sweden) and she understood Wagner and dramatic German opera. All her huge successes were in German opera- Salome, Elektra most notably. She is also the Brunhilde of Solti's ring but here she is singing a hell of a lot better and she isn't overpowered by the Vienna Phil and its gargantuan musical forces. At the end of the opera, Odin punishes Brunhilde for sympathizing with the lovers Siegmund and Sieglende and saving Sieglende (pregnant with Siegfried). She is to sleep inside a ring of fire on a mountain or rock and only a great hero can awaken her and claim her as his bride. Theo Adam as Wotan is by far the best. He has a huge voice and is able to stir our emotions as he bids his daughter farewell in that great final scene.
Siegfried and Gotterdammerung: The son of Siegmund and Sieglende, he grows up not knowing his heritage as a hero. He discovers Nothung, his father's sword, kills Mime, yet another greedy, power-hungry dwarf and slays the dragon Fafner. He is now able to communicate and bond with nature as one of his special powers. He confronts Odin himself and saves Brunhilde from her nearly eternal sleep. Wolfgang Windgassen sang in the old-school Wagnerian tenor style which meant he had the "Bayreuth bark". He could throw his voice high above the big Wagnerian orchestra but it was a voice that was in no way attractive or emotional. It was cold and at times too harsh. But he is the only tenor to truly master the difficult role of Siegfried. Nowadays, some tenors can either sing the Siegfried of Siegfried or the Siegfried in Gotterdammerung, but rarely can they sing both like Windgassen. In addition, Windgassen achieved success in other Wagner heroic roles like Tristan and Tannhauser. In Gotterdammerung (Twilight of the Gods), Wagner's music has never been more fatalistic. Siegfried bids farewell to Brunhilde and sets out on an adventure down the Rhine river. He is captured by the vindictive and evil Gibechung giants, drugged and forced to wed Gutrune. And it gets worse. The Gibechungs also kidnap Brunhilde and force her to marry one of the giants. Eventually, Siegfried is slain by the cruel giant Hagen. The last minutes of singing are left to Brunhilde (it aint over till the fat lady sings). And what great singing it is. In the Immolation Scene, Brunhilde orders for a funeral pyre to be made for Siegfried. She curses the gods for breaking their oaths, declares that the end is near and summons Grane her old Valkyrie horse. Straddling him, she leaps into the funeral pyre and brings about the Ragnarok- the end of the gods. Valhalla is consumed by a firestorm, the Rhine overfloods and the world of man is destroyed. Birgit Nilsson's high, heroic voice has never sounded better in this scene.
Affordable price, great music, great singing. Please don't hesitate to get this recording if you are interested in hearing The Ring the way it should be sung and if you wish to get only chunks and pieces from an otherwise long 4 opera cycle. Enjoy!!
Incredible, even if only highlights.......2004-12-20
This is a masterful choosing of highlights and they work to present the work as a whole in a wonderful way. When one then buys the entire ring, there are going to be many wonderful parts now fully appreciated and loved that will come up and the work will not seen as long.
For those of us who love Wagner, well, there are days we don't wish to get out all the CD's of each opera to listen to the few scenes we want to hear, and this highlight set is great to hear those moments that one would find exciting to hear when not in the mood to listen to the whole. The only scene I would have added, because it is exciting and good to listen to, is the oath scene (trio between Gunther, Hoggan, and Brunhilde) that ends Act 2 of Gotterdammerung. It is quite exciting and makes a wonderful contrast to the orchestra of the Rhine Journey that begins the Gotterdammerung highlights and the death of Siegfried which on the highlights follows the Rhine Journey. I know only so much can fit on a CD, but one could have begun that trio with the words "Siegfried's Todd" sung by Gunther and then the trio would not have been so long.
However, great introduction of a massive work.
Highlights From The Classic Live Performance.......2003-12-30
Good introduction to the Ring; good value........2001-09-11
Fire! Fire!.......2000-08-23
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Around the World: A Musical Journey of Best-Loved Favorites
Mormon Tabernacle Choir
Manufacturer: Sony
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ASIN: B0000029ND
Release Date: 1996-01-23
The Best Finlandia.......2000-01-28
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Acoustic Journey
Al Petteway
Manufacturer: Maggie's Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B0002SPS2A
Release Date: 2004-08-17
Great CD.......2004-11-20
a trip one loves to take.......2004-08-19
Desert Dance begins the journey of this album with a great fusion of Celtic, Central American, and Mediterranean (in an earlier time I might have called it Galician or North African). It still retains that 'silk roads' lure that would make Yo Yo Ma jealous.
Caledon Wood has been one of my favourites for many years. The version here adds levels of breadth and depth I'd not imagined. In six listenings it still comes up with new themes. The drum and percussion for example could be very early Celtic of the type around the mythic fire...it could also be East Indian or a variety of other places in the world. Makes it a whole new song.
Sundog creates the meeting of faery time and human time when the sea, the sun, the winds, and our friends gather at a miraculous moment. Red-Haired Boy is another of the tunes that has matured wonderfully and taken on a complexity that is delightful. Listening to it I'm more reminded of the line by the poet: "My Love is Wood Fire Burning". I think of friends of all types with this one. Perhaps the most surprising tune on the CD is Baker's Dozen. On the one hand very much a folk tune. On the other it is a VERY progressive up-town jazz piece that may well be a sleeper. I first heard this shortly after they wrote it. It is as exciting now as the first time with lots of new stuff in it.
Amy and Al are great musicians. They have produced excellent work on their own. Together they produce music that transcends the individual efforts. It is worth listening to anything and everything they have done. That being said, this is their best work yet.
Like those we love, each time we see them we experience both the familiar and a magic something that is new. The same can be said for this album.
For passing time, time passing, and times to remember, this is an album you should run not walk to buy. Like great art, you'll wonder how you lived without it.
Enjoy!
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Ratty Shoes
Blackthorn
Manufacturer: Blackthorn
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005UFEC
Release Date: 2001-11-07
GREAT.......2003-06-18
Incredible!.......2002-03-14
that the "Other Side" could be topped! The cover soundtrack
"Ratty Shoes" starts off with newcomer Michael Boyce singing
lead vocals and will bring your heart right back to Ireland. From Paul Moore's "Jig Junk" to the insanely talented John McGroary ( and I truely meant that) on button acordian with "Clearmountain Aire" gets your feet in steppin gear! But you
have to see these guys "live", unbelievable energy is put out
for every show. Whether these guys are jumping and kicking to every tune their drummer Mike O'Callahan is beating his heart
out with those ever so RED sneakers! But this is truely heart at
work with lyrics by Blackthorn! Great work guys! Buy this CD and
listen to great lyrics performed by a band that has proven
themselves once again!
This album is a complete package.......2002-02-05
THEY DID IT AGAIN!!.......2002-01-14
Blackthorn does it again ..........2001-12-27
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My Best Friend's Wedding
American Film Orchestra
Manufacturer: Intersound Records
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Binding: Audio CD
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ASIN: B00006EXIW
Release Date: 2002-08-06