The Best of Classics

Disc: 1
1. Moonlight Sonata - Richard Clayderman
2. Liebestraum Waltz - Richard Clayderman
3. Nocturne - Richard Clayderman
4. Pastorale from Symphony No. 6 - Richard Clayderman
5. Rêveries - Richard Clayderman
6. Romance - Richard Clayderman
7. Serenade - Richard Clayderman
8. Ave Maria - Richard Clayderman
9. Swan - Richard Clayderman, Royal Philharmonic Orchestra
10. Nocturne Opus 9, No. 2 in E Flat Major - Richard Clayderman, Royal Philharmonic Orchestra
See all 14 tracks on this disc
Disc: 2
1. Hymn of Joy - Richard Clayderman
2. Italian Symphony - Richard Clayderman, Royal Philharmonic Orchestra
3. Gymnopédie No. 1 - Richard Clayderman, Royal Philharmonic Orchestra
4. Rhapsody in Blue - Richard Clayderman, Royal Philharmonic Orchestra
5. Concerto in A-Minor Opus 16 - Richard Clayderman, Royal Philharmonic Orchestra
6. Largo - Richard Clayderman
7. Barcarolle - Richard Clayderman, Royal Philharmonic Orchestra
8. Elisabethan Serenade - Richard Clayderman
9. Badinerie from the Suite in B-Minor - Richard Clayderman
10. Clair de Lune - Richard Clayderman, Royal Philharmonic Orchestra
See all 14 tracks on this disc

The Best of Classics,Johann Sebastian Bach,Ludwig van Beethoven,Ronald Binge,Alexander Borodin,Johannes Brahms,Fryderyk Chopin,Claude Debussy,George Gershwin,Charles Gounod,Edvard Grieg,George Frideric Handel,Franz Liszt,Pietro Mascagni,Felix Mendelssohn,Wolfgang Amadeus Mozart,Jacques Offenbach,Sergey Rachmaninov,Camille Saint-Saens,Erik Satie,Franz Schubert,Robert Schumann,Pyotr Il'yich Tchaikovsky,Royal Philharmonic Orchestra,Richard Clayderman,Brilliant Classics,Bagatelle for Keyboard,Baroque Suite/Partita for Orchestra,Chamber,Chamber Music,Character/Single-Movement/Miscellaneous Work for Keyboard,Concerto,Contemporary Instrumental,Easy Listening,Easy Listening/Vocal,France,French Romantic Opera,Holiday,Instrumental Pop,Italian Baroque Opera,Italian Romantic Opera,Keyboard,Keyboard Work with Descriptive or Unclassified Title,Miscellaneous,Miscellaneous Music,Neo-Classical,Nocturne for Keyboard,Opera,Orchestral

Average customer rating:

Edith Piaf CD
Great Singer! Great CD!
Wonderful Compilation of Edith Piaf
Eternelle
Mesmerizing and enchanting...

Eternelle: The Best Of
Edith Piaf
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000050ZM2
Release Date: 2002-01-29

Tracks:

La Vie En Rose
Hymne A L'amour
Padam... Padam
Johnny Tu N'es Pas Un Ange
La Goualante Du Pauvre Jean
Sous Le Ciel De Paris
L'homme A La Moto
Mon Manege A Moi (Tu Me Fais Tourner La Tete)
Non Je Ne Regrette Rien
Milord
Les Flonflons Du Bal
Les Mots D'amour
Fallait-il?
La Foule
Tiens V'la Un Marin
Le Droit D'aimer
A Quoi Ca Sert L'amour?
L'accordeoniste

Customer Reviews:

Edith Piaf CD.......2007-07-25

Excellent CD of original works and pleasure to hear after seeing recent movie, La Vie En Rose. Better selection of songs than movie CD in my opinion.

Great Singer! Great CD!.......2007-07-19

Definitely a must-have for those who grew up in the 40's and the 50's. Good listening music and what a solid voice! I will never get tired of listening to Edith Piaf.

Wonderful Compilation of Edith Piaf.......2007-03-09

Such a pleasure to hear so many songs that Ms. Piaf made famous especially, "Milord", "La Vie En Rose", and "Non, Je Ne Regrette Rien". A great compilation! I only wish a word booklet had been included, but you can't have everything. Ms. Piaf's voice is more than enough!

Eternelle.......2007-02-17

The songs are wonderful, Edith Piaf has a beautiful voice. The songs are sung in French, a masterpiece.

Mesmerizing and enchanting..........2002-03-26

I love this collection. It has all of my favorite songs of Edith Piaf. This one is truly a classic. You won't be dissatisfied.

Average customer rating:

Here's what the fuss was all about!
Beverly Sills - The Best
Beverly Sills' highs are breathtaking!
THE 2005 OPERA CD OF THE YEAR
EMI Does It Again: Beverly Sills - A Tribute

The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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The Great Recordings
Beverly Sills: Made in America
Art of Beverly
Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

Una Voce Poco Fa - Sherrill Milnes
Dunque Io Son - Sherrill Milnes
Contro Un Cor - Sherrill Milnes
Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
Via, Caro Sposino - Ambrosian Opera Chorus
Tornami A Dir Che M'ami - Ambrosian Opera Chorus
La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

Vilia - Beverly Sills
Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
Libiamo Ne' Lieti Calici - John Alldis Choir
Un Di Felice, Eterea - John Alldis Choir
E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
Che Fai? - John Alldis Choir
Addio Del Passato - John Alldis Choir
Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Average customer rating:

Great Stuff
A Great Introduction to Italian Opera
Best of the best!
Fabulous bargain for anyone
Great songs for a low price.

The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Best Opera Album in the World...Ever!

ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

La Traviata: 'Libiamo, Libiamo'
Rigoletto: 'La donna e' Mobile'
The Barber Of Seville: 'Una voce poco fa'
La Boheme: 'Che gelida manina'
Rigoletto: 'Gualtier Malde!' Caro nome'
Il Trovatore: 'Vedi! le fosche'
Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
TOSCA: 'Vissi d'arte'
La Traviata: 'Di Provenza il mar, il suol'
The Marriage Of Figaro: 'Voi che sapete'
Aida: 'Se quel guerrier io fossi...Celeste Aida'
Madama Butterfly: 'Un bel di vedremo'
La Gioconda: 'Cielo e mar'
Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.

Average customer rating:

Audio beauty and magnificence, Maria Callas
sublime
Good "Best Of"
The Very Best of Maria Callas
Classic Callas

The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Maria Callas, the Voice of the Century
The Most Famous Opera Arias
The Best of Italian Opera
The Most Famous Opera Duets
The #1 Opera Album

ASIN: B00005Y1YQ
Release Date: 2002-02-12

Tracks:

Carmen: L'Amour Est Un Oiseau Rebelle
Gianni Schicchi: O Mio Babbino Caro
La Wally: Ebben? Ne Andro Lontana
Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
Tosca: Vissi D'arte, Vissi D'amore
Andrea Chenier: La Mamma Morta
Le Nozze Di Figaro: Porgi Amor
Orphee Et Eurydice: J'ai Perdu Mon Eurydice
Aida: Ritorna Vincitor!
Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
Madama Butterfly: Un Bel Di Vedremo
Norma: Casta Diva
Turandot: Signore, Ascolta!
Louise: Depuis Le Jour
La Boheme: Si. Mi Chiamano Mimi
La Gioconda: Suicidio
La Forza Del Destino: Pace, Pace Mio Dio!

Customer Reviews:

Audio beauty and magnificence, Maria Callas.......2007-03-31

There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.

sublime.......2007-02-14

she is an angel , a voice without parallel , a collection very interesting of arias from different masters.

Good "Best Of".......2007-02-09

Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.

The Very Best of Maria Callas.......2006-08-20

Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.

Classic Callas.......2006-07-11

Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!

Average customer rating:

customer
WONDERFUL CD
Good upbeat working music

Very Best of Hooked on Classics

Manufacturer: Double Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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More Hooked On Classics
Hooked on Christmas
Hooked On Classics
Hooked On Classics 2: Can't Stop the Classics

ASIN: B000028CJX
Release Date: 1998-09-28

Tracks:

Hooked on Classics Pt. 1 & 2: Piano of the Bumblebee No. 1/Fli [Medley]
Hooked on Haydn: Trumpet Concerto in E-Flat (3rd Movement) [Medley]
Night in Opera: Trumpet Concerto in E-Flat (3rd Movement)/Hall [Medley]
Tales of the Vienna Waltz: Blue Danube Waltz 1, Theme 1/Blue D [Medley]
Hooked on a Can Can: Orpheus in the Underworld (Can Can)/Thund [Medley]
Hooked on Marching: Under the Double Eagle/The Stars & Stripes [Medley]
Journey Through America: The Star Spangled Banner/Oh Susanna/M [Medley]
Hooked on Mozart: Rondo Alla Turca (Turkish March, From Sonata [Medley]
Hooked on Bach: Ave Maria/Minuet [From the Notebook of Anna Ma
Symphony of the Seas: The Sailors Hornpipe/Portsmouth/Anchors [Medley]

Tracks:

Hooked on Classics: Wedding March [From a Midsummer's Night's
Hooked on Romance (Opus 3): Gymnopedie No. 2/Nocturne Opus 9, [Medley]
Hooked on Tchaikovsky: Capriccio Italien (Introduction)/Swan L [Medley]
If You Knew Sousa/The Liberty Bell/Blaze Away/The Liberty Bell [Medley]
If You Knew Sousa and Friends: Entry of the Gladiators/Colonel [Medley]
Also Sprach Zarathustra [Medley]
Can't Stop the Classics: Overture 2 Russian & Ludmilla/Czardas [Medley]
Hooked on America: Rhapsody in Blue/Camptown Races/Rhapsody in [Medley]
Hooked on Romance: Air Form Suite No. 3 (Air for G String)/Ave [Medley]

Customer Reviews:

customer.......2007-06-26

cd arrived fast, in excellent shape as promised, well packaged to protect it during shipment. I'd heard the CD during an exercise class and had trouble trying to get it from other vendors so especially appreciated Amazon.

WONDERFUL CD.......2007-05-08

I was so happy to find this on CD I have the original on a cassette from childhood. I loved it then and now and now my children listen and love it.

Good upbeat working music.......2007-03-08

I love these CDS . . what a brilliant idea to add a beat to the most popular classical songs of all time. It is great upbeat music that gets you going. I specifically use it for when I need a boost to get me going on housework. It get you in just the right mood to start working. My kids love it too.

Average customer rating:

If you love beautiful voices...
If you want to know Corelli's art, this is the right CD
excellent gift
Greatest Tenor of This Century!
Ah... Franco :}

The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

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The Very Best of Beniamino Gigli
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Franco Corelli: Corelli in Concert

ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

A Te, O Cara
Meco All' Altar Di Venere... Me Protegge, Me Difende
Ah Si, Ben mio...De Quella Pira
Se Quel Guerrier Io Fossi!...Celeste Aida
Pur Ti Riveggo, Mia Dolce Aida
Intanto Amici... Viva Il Vino Spumeggiante
Mamma, Quel Vino E Generoso
Recitar!... Vesti La Giubba
No, Pagliaccio Non Son
Colpito Qui M'avete...Un Di All'azzuro Spazio
Credo A Una Possanza Arcana
Legray!... Andrea Chenier!...Si, Fui Soldato
Come Un Bel Di Di Maggio
Vicino A Te

Tracks:

Donna Non Vidi Mai
Recondita Armonia
E Lucevan Le Stelle
Non Piangere, Liu... Ah! Per L'ultima Volta!
Nessun Dorma
Favorita Del Re!... Spirto Gentil
Cielo E Mar
L'anima Ho Stanca
Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
Ange Adorable
L'amour, L'amour.. Ah! Leve-Toi, Soleil!
O Nuit Divine!
C'est La! Salut! Tombeau!
Fronde Tenere... Ombra Mai Fu
Ave Maria
Domine Deus
Core 'Ngrato
Torna A Surriento

Customer Reviews:

If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.

Average customer rating:

A great introduction to the art of Placido Domingo
This is really the best.
If you like Placido at all, you must have this CD.
Rare And Great Domingo Classics
A real Bobby Dazzler

Very Best of
Placido Domingo
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

Placido Domingo: A Love Until The End Of Time
Bravo Domingo
Perhaps Love
The Domingo Songbook
The Best of the Three Tenors

ASIN: B000083GOJ
Release Date: 2003-04-22

Tracks:

Ill Mio Tesoro
Un'aura Amorosa
Dies Bildnis Ist Bezaubernd Schon
La Ci Darem La Mano
Vani Sono I Lamenti...Svegliatevi Nel Core
Pays Merveilleux...O Paradis
Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
None But The Lonley Heart
Lensky's Aria
Donna, Non Vidi Mai (Manon Lescauy Act, II)
Ah, Manon, Mi Tradisce
Dammi I Colori...Recondita Armonia
E Lucevan Le Stelle (Tosca, Act III)
Ch'ella Mi Creda (La Fanciulla Del West, Act III)
Dai Campi, Dai Prati (Mefistofele, Act I)
Virgini Muse...Quando Al Soave Anelito
O Sink Hernieder, Nacht Der Liebe
Was Am Besten Er Kann...Hoho! Hohei!

Tracks:

Se Quel Guerrier Io Fossi!...Celeste Aida
Su, Profetessa...Di Tu Se Fedele
Forse La Soglia Attinse...Ma Se M'e Forza Perderti
O Tu Che In Seno Agli Angeli
Su, Cacciator...Fontainebleau!...
Niun Mi Tema
Ach, Wie So Herrlich Zu Schau'n
Sckenkt Man Sich Rosen In Tirol
Gern Hab'ich Die Frau'n Gekusst
O Vaterland...Da Geh'ich Zu Maxim
Dein Ist Mein Ganzes Herz
Mi Aldea
Cancion Del Sembrador
No Puede Ser
Serenata
Copillas De Belen
Coplas Del Pastor Enamorado
En Aranjues Con Tu Amor
Jealousy Tango
La Golondina

Amazon.com

Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler

Customer Reviews:

A great introduction to the art of Placido Domingo.......2007-07-04

Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!

This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:

"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.

From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.

From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.

And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.

Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.

Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.

Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.

Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.

So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.

This is really the best........2007-05-16

I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.

If you like Placido at all, you must have this CD........2005-04-06

Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.

Rare And Great Domingo Classics.......2005-03-08

EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.

Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......

A real Bobby Dazzler.......2004-02-19

Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.

Average customer rating:

Best songs Album
What's here is good, but...
Herman's Hermits - 'Very Best Of Herman's Hermits' (EMI)
Tremendous Charm
Decent

The Very Best of Herman's Hermits
Herman's Hermits
Manufacturer: EMI Classics Imports
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

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British Invasion | Classic Rock | Styles | Music

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ASIN: B00000IBJI
Release Date: 2001-04-17

Tracks:

I'm Into Something Good
Show Me Girl
Silhouettes
Can't You Hear My Heartbeat
Mrs. Brown You've Got A Lovely Daughter
Wonderful World
I'm Henery The VIII I Am
Listen People
Dandy
Just A Little Bit Better
A Must To Avoid
You Won't Be Leaving
This Door Swings Both Ways
No Milk Today
East West
There's A Kind Of Hush
I Can Take Or Leave Your Loving
Sleepy Joe
Sunshine Girl
Something's Happening
My Sentimental Friend
Here Comes The Star
Years May Come
Bet Yer Life I Do
Lady Barbara

Customer Reviews:

Best songs Album.......2007-01-10

The songs are very rhythmic and dance able.

This collection of Herman's hermits hits is great and happy and some a little mellow.

A classic treasure of their music and times.

What's here is good, but..........2006-09-01

What's here is good, but it is missing some of their hits like "Leaning On The Lamp Post", "Museum" and one of my favorites "Don't Go Out Into The Rain". It seems to be common practice when record companies release "greatest hits" collections to leave off a few hits and replace them with some forgettable album cut or B-sides that never received air-play. I don't understand what they are thinking when they do this. With 25 songs on this CD, they could have included ALL of their hits and still had room for some of their better non-hit songs. Their "Retrospective" CD is better.

Herman's Hermits - 'Very Best Of Herman's Hermits' (EMI).......2006-06-19

As it turns out,this is the one-disc version of the 2-CD title of the same name,but with a different cover(see my review).A good collection of the British Invasion band's repertoire,but how many time must these labels put out 'best of' compilations?As I put the CD in my player,I checked out the twenty-five cuts,as usual,with a few of the highlights being "I'm Into Something Good","Wonderful World","Sunshine Girl","Dandy",etc.By today's standards,this is pretty innocent material.Pretty much aimed toward the completists.

Tremendous Charm.......2006-01-22

I well recall singing "Henry VIII" in the playground. It was the 1960s, and Herman's Hermits seemed to be everywhere: on the radio, on the jukebox, on home hi-fi stereos. It was a very popular band, so much so that it was often mentioned in the same breath with The Beatles--and indeed the two bands had a fair amount in common when they first began their careers. But where The Beatles would mutate with the passing years and grow into several unexpected directions, Herman's Hermits remained exactly what it had always been: a charming pop band with a fresh-faced and boyish-looking lead singer. His name was Peter Noone.

Truth be told, it was really Noone who made the band; although the rest of the boys certainly appeared on stage with Noone, they were seldom used to any extent in the recordings that made Herman's Hermits such an unqualified success on both sides of the Atlantic during the "English Invasion." Noone had a rather plantive voice with working-class accents and he gave his vocals a light touch, eschewing long notes, high notes, and other showy expressions--and the result was almost conversational and truly charming.

Then as now, tastes in music differed between England and America, and while Herman's Hermits scored numerous hits in both countries during the 1960s they were not always the same ones. This inexpensive compilation makes the best of worlds, presenting most of the bands hits regardless of on which side of the Atlantic they occurred. While both American and English listeners will recognize a good chunk of the songs, each will discover ones they never knew existed.

In terms of sound, the recordings date from the 1960s and they show it, but they've been brushed up quite a bit for this release and the result is a nice if not always top-notch sound. Whatever the case, it's all a lot of innocent, 1960s pop fun, and while it may not convert modern youth to the sound, those who recall the band's glory days will enjoy it greatly.

GFT, Amazon Reviewer

Decent .......2005-11-16

I amit Hermens Hermets have some good songs like there,s a kind of hush and something tells me. But the best band from the uk and America and I am an American the Beatles are simply the best band ever. I love contempory Christian praise and worship. Yes I am A Christian and this music is decnet so much better than today,s Heavy Metal. GodBless

Average customer rating:

Good compilation- of bits and pieces
Good and inexpensive collection

Best Classics 100 Volume 1

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000GPIPQA
Release Date: 2006-08-29

Tracks:

The Arrival Of The Queen Of Sheba - Sir Neville Marriner
I. Allegro - Yehudi Menuhin
Toccata In D Minor BWV565 - Wayne Marshall
III. Rondo (Allegro Vivace) - Barry Tuckwell
I. Allegro Con Brio - Philharmonia Orchestra
1812 Overture - Oslo Philharmonic Orchestra
Symphony No.9 In D Minor Choral Op.125 - The Westminster Choir
I. Allegro Molto Moderato - Cecile Ousset
Alla Marcia - Halle Orchestra
Jupiter, The Bringer Of Jollity - Philharmonia Orchestra
I. Allegro Non Troppo E Molto Maestoso - Horacio Gutierrez
Symphonic Poem, Op.26 - Halle Orchestra
Gloria All'egitto - Chorus Of The Royal Opera House, Covent Garden
Montagues And Capulets - The Philadelphia Orchestra
Radetzky March - Willi Boskovsky
Pomp And Circumstance March No.1 - Royal Choral Society
I. Allegro Ma Non Tanto - Mikhail Rudy
Symphony No.3 In C Minor Organ Op.78 - Mathias Eisenberg

Tracks:

Air On The G String - Sir Neville Marriner
Dance Of The Blessed Spirits - New Philharmonia Orchestra
Canon In D - Sir Neville Marriner
II. Adagio - Sabine Meyer
Aria - Julia
Adagio In G Minor - Sir Neville Marriner
I. Adagio Sostenuto - Dame Moura Lympany
II. Andantino - James Galway
II. Andante - Yehudi Menuhin
II. Andante - Stephen Hough
II. Largo - Oslo Philharmonic Orchestra
II. Adagio - Yehudi Menuhin
Nimrod - London Symphony Orchestra
II. Adagio - Julian Bream
The Lark Ascending - Migel Kennedy
IV. Adagietto - New Philharmonia Orchestra
Variation 18 - Cecile Ousset

Tracks:

Au Fond Du Temple Saint - Nicolai Gedda
Song To The Moon - Lucia Popp
Dome Epais - Mady Mesple
La Fleur Que Tu M'avais Jetee - Nicolai Gedda
Che Faro Senza Euridice - Agnes Balsta
Casta Diva - Maria Callas
Che Gelida Manina - Roberto Alagna
O Mio Babbino Caro - Angela Gheorghiu
Bailero: Chants D'Auvergne - Victoria De Los Angeles
Vogliatemi Bene - Carlo Bergonzi
Va, Pensiero - Chorus Of The Royal Opera House, Covent Garden
Es Lebt' Eine Vilja - Elisabeth Schwarzkopf
Ombra Mai Fu - Richard Lewis
Ave Maria - Gerald Moore
Minuit, Chretiens - Roberto Alagna
Nessun Dorma - Jose Carreras

Tracks:

Overture - Royal Philharmonic Orchestra
Jesus Bleibet Meine Freude - Sir Neville Marriner
I. Allegro - Emil Gilels
Trumpet Voluntary - Maurice Andre
Judex - Halle Orchestra
Overture - Polish Chamber Orchestra
Sarabande - Academy Of St. Martin In The Fields
Waltz Of The Flowers - Andre Previn
Troika - London Philharmonic Orchestra
Fantasia On Greensleeves - Sir John Barbirolli
Clair De Lune - Dame Moura Lympany
Scene Act II, No.10 - Andre Previn
Cavatina - Manuel Barrueco
II. Romance (Larghetto) - Garrick Ohlsson
My Heart Will Go On - Orchestra
Time To Say Goodbye - Orchestra
Walzer, Op.314 - Berliner Philharmoniker

Tracks:

Cavaleria Rusticana - Philharmonia Orchestra
II. Adagio Sostenuto (Opening) - Cecile Ousset
Morning - Sir Neville Marriner
Romance - Piers Lane
Adagio For Strings - Philadelphia Orchestra
The Story Of The Kalender Prince - Philadelphia Orchestra
Meditation - Anne-Sophie Mutter
Prince Igor - Beecham Choral Society
Adagio Of Spartacus And Phrygia - Royal Philharmonic Orchestra
Fantasy Overture - Oslo Philharmonic Orchestra
II. Allegretto - Philharmonia Orchestra
II. Largo Ma Non Tanto - Yehudi Menuhin
Schindler's List Theme - Tasmin Little
Dance Of The Reed Flutes - Andre Previn
V. Allegretto - The Philadelphia Orchestra

Tracks:

Zadok The Priest - Royal Choral Society
Zion Hort Die Wachter - Suddeutscher Madrigalchor
Miserere Mei, Deus - Stephen Cleobury
Sanctus - Chor der St. Hedwigs-Kathedrale
Panis Angelicus - Halle Choir
L'Enfance Du Christ - Choeurs Rene Duclos
Sanctus - Heinz Hoppe
In Paradisum - Peter Barley
Laudate Dominum - Edda Moser
Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
Ingemisco - Luciano Pavarotti
Ave Verum Corpus K618 - Choir Of King's College, Cambridge
I Know That My Redeemer Liveth - Elizabeth Harwood
The Heavens Are Telling - John Shirley-Quirk
Pie Jesu - Victoria De Los Angeles
Lacrimosa - David Bell
Hallelujah Chorus - Ambrosian Singers

Customer Reviews:

Good compilation- of bits and pieces.......2007-07-02

I was excited to see such a great collection of classics, but I was really disappointed to listen and discover that many tracks are shortened dramatically. A fraction of Rhapsody in Blue- a ridiculously short fragment of Bethoveen Ninth Symphony- "Ode to Joy" a tiny part of the first movement of Rachmoninov's Piano Concerto no.3.

I'd rather have fewer tracks and the complete movements.

Good and inexpensive collection.......2007-03-17

EMI's Best Classics 100 provides six CDs with seven hours of selected classical music. The cover does a poor job of portraying who does the selecting and who performs the piece -- information inside however does detail the symphonies being recorded. Recordings from the Polish Chamber, Berlin Symphonies, Royal Philharmonic etc are mentioned. The recording quality is good and the price is low, representing a good purchase for a general collection.

Average customer rating:

Six discs, great price, but... a few obvious choices missing.
The greatest opera singer of the 20th century.
One of the best collection of Callas on CD
Unbelievable Deal
Deal of the Century!

Maria Callas 100 Best Classics

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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ASIN: B000LPR4VW
Release Date: 2007-01-16

Tracks:

Bellini: La Sonnambula: Come per me sereno
Bellini: La Sonnambula: Sovra il sen la man mi posa
Bellini: La Sonnambula: D'un pensiero
Bellini: La Sonnambula: Ah! non credea mirarti
Bellini: Ah! non giunge
Bellini: I Puritani: Son vergin vezzosa
Bellini: I Puritani: Ah vieni al tempio
Bellini: I Puritani: Qui la voce
Bellini