Symphony of Ice

Symphony of Ice

Track Listings

 
1. Symphony of Ice

Symphony of Ice,Various Artists,Madacy Records,Environmental,Meditation,New Age / Meditation,Pop


Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Vaughan Williams: Symphonies Nos. 7 "Sinfonia antartica" & 8
Average customer rating: 4.5 out of 5 stars
  • Excellent performances of one of our greatest symphonists.
  • Unbelievable Sound Quality
  • A Tale of Two Eighths
  • Best "Sinfonia Antartica" Currently Available
  • Pure music
Vaughan Williams: Symphonies Nos. 7 "Sinfonia antartica" & 8

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Vaughn Williams: Symphonies Nos. 5 and 9
  2. Vaughan Williams: Phantasy Quintet/String Quartets 1 & 2
  3. Vaughan Williams: A London Symphony (original 1913 version) / Butterworth: The Banks of Green Willow - London Symphony Orchestra / Richard Hickox
  4. Vaughan Williams: Symphony No. 2; The Wasps
  5. Vaughan Williams: Symphonies Nos. 3 "Pastoral" & No. 6

ASIN: B00000AELD
Release Date: 1998-08-25

Tracks:

  1. Sinfonia Antartica (Symphony No. 7): Prelude: Andante maestoso - Lento - Poco animato - Piu mosso - Tranquillo - Andante moderato con moto - Largamente
  2. Sinfonia Antartica (Symphony No. 7): Scherzo: Moderato
  3. Sinfonia Antartica (Symphony No. 7): Landscape: Lento -
  4. Sinfonia Antartica (Symphony No. 7): Intermezzo: Andante sostenuto - Allegretto - Pesante - Tempo primo tranquillo
  5. Sinfonia Antartica (Symphony No. 7): Epilogue: Alla marcia, moderato (non troppo allegro) - Andante maestoso
  6. Symphony No. 8 In D Minor: Fantasia (Variazioni senza Tema): Moderato - Presto - Andante sostenuto - Allegretto - Andante non troppo - Allegro vivace - Andante sostenuto - Largamente - Tempo primo ma tranquillo
  7. Symphony No. 8 In D Minor: Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo
  8. Symphony No. 8 In D Minor: Cavatina (per stromenti ad arco): Lento espressivo
  9. Symphony No. 8 In D Minor: Toccata: Moderato maestoso
  10. Movement Superscriptions For Sinfonia antartica: Prometheus Unbound: Prelude: 'To Suffer Woes Which Hope Thinks Infinite' (Percy Bysshe Shelley)
  11. Movement Superscriptions For Sinfonia antartica: Book Of Common Prayer, Psalm 104: Schezro: 'There Go The Ships'
  12. Movement Superscriptions For Sinfonia antartica: Hymn Before Sunrise, In The Vale Of Chamouni: Landscape: 'Ye Ice Falls!' (Samuel Taylor Coleridge)
  13. Movement Superscriptions For Sinfonia antartica: The Sun Rising: Intermezzo: 'Love, All Alike,' (John Donne)
  14. Movement Superscriptions For Sinfonia antartica: Message To The Public: Epilogue: 'I Do Not Regret This Journey;' (Captain Robert Falcon Scott)

Customer Reviews:

5 out of 5 stars Excellent performances of one of our greatest symphonists........2004-04-28

The posthumous fate of Ralph Vaughan Williams (1872-1958) has not always been a kind one. After his death, his music passed through a prolonged period of being deeply unfashionable. Stodgy, tweedy Vaughan Williams--who could get into that?! But, like Elgar, whose music is also cast in a stuffy, stereotypically "British" light, there is much more to Vaughan Williams than one might think.

First, the man was a superb melodist. He was not a mere tunesmith, to be sure, but crafted works that are primarily conceived in terms of melodic development, and this makes his work immediately appealing. Second, he was a highly original thinker who used his colossal technique (he had a doctorate in composition and studied with Ravel) for surprisingly modern ends. His music can at times sound like a mixture of Bach and Debussy, but it is always unmistakably Vaughan Williams. He had a penchant for modal counterpoint, and his streams of parallel chords place his work squarely in the 20th century.

Vaughan Williams' unique talent for scoring is evident throughout this excellent recording of his 7th and 8th symphonies. The "Sinfonia antartica" is based upon a film score he supplied for a film about the explorer Robert Scott. It is by turns brooding and wistful--an ideal introduction to this magnificent composer. Symphony No. 8 is a more eclectic affair, brighter in temperament overall, but a rewarding example of the surprises that lurk around every corner of RVW's work.

Was he the greatest symphonist of the 20th century? The jury's still out. He certainly created a body of symphonic work that is second to none in its richness, diversity, and consistency. Mahler, Sibelius, and Shostakovich are usually considered the most important symphonists of the last century, but for those who seek other fare, you can't do better than Vaughan Williams.

5 out of 5 stars Unbelievable Sound Quality.......2002-03-17

The "Antarctica Symphony" portion of this disk has been called "the best digital recording ever made", and is often recommended for use as a demonstration disk on high-end audio equipment. One listen and you'll understand why...this is truly a sonic marvel.

Not a bad accomplishment for budget-price label Naxos!

5 out of 5 stars A Tale of Two Eighths.......2001-07-30

I think many listeners (and reviewers) will focus more on the seventh symphony; so I leave the seventh to them, although I greatly enjoy this recording of the seventh, and am even modestly grateful that the recited superscriptions are included at the end, where they do not interrupt the sequence of the symphony itself.

The Vaughan Williams eighth symphony exhibits a few interesting parallels with the eighth symphony of the composer whose oeuvre established the "rule of nine" in the writing of symphonies: Beethoven.

Beethoven's Opus 93 strikes some listeners as both "a step backwards" from the rambunctious and expansive seventh (with its electrifying "double scherzo" and achingly intense theme-and-variations slow movement), and a mystification before the grandiose Opus 125. It is something of a look back towards Haydn; it is charming, and elegant, and seems to do entirely without the dramatic musical rhetoric of which Beethoven's third, fifth and seventh symphonies provide ample and potent illustration. It is the sort of thing which "musical progressivists" say we composers cannot do; you can almost hear the phrase spoken, "you can never go back."

Yet, in his eighth symphony, Beethoven succeeds, marvelously and musically; he does, and does not, "go back." Vaughan Williams does something of the same, in his eighth. Even though Vaughan Williams' seventh was composed originally as film music, and then adapted as a symphony in his `cycle' (or perhaps because of this), the eighth seems like a deliberate step away from musical dramtization, and into the realm of abstract, `pure' music, a music which functions on its own, not driven by any extra-musical `program.'

Now, the `point' to which Beethoven does and does not go back, is Haydn; the generation before, and a composer with whom Beethoven had taken lessons. The `point' to which Vaughan Williams does and does not go back, is musical Impressionism, and specifically Ravel. Vaughan Williams had taken some lessons with Ravel; and the `return to pure music' in the eighth is doubly apt here, as part of Ravel's Impressionism is a sort of `romantic neo-classicism' exemplified in "Le Tombeau de Couperin" and the piano concertos.

That Vaughan Williams made his eighth with the Beethoven-parallel in mind, seems to me confirmed in the opening of the second movement. Vaughan Williams' all-winds scherzo begins with too much of a `metronomic' gesture for this to be coincidental. This parallel does not become burdensome, because the `metronomic piece' functions differently in the two eighth symphonies: it is the slow movement in the Beethoven Op. 93, followed by the lovely Menuet and Trio (good heavens! didn't Beethoven realize how passé this was?), while in Vaughan Williams' eighth it serves as a scherzo followed by a richly beautiful slow movement for strings alone (in timbral balance of the string-less scherzo).

Where Vaughan Williams `does not go back' is, about two-thirds into the first movement, where, after some moments of trumpet-&-string doublings which seemed to evoke the sound-world of Prokofiev, the relatively smooth calm of most of the movement yields to the sort of orchestral menace normally associated with Shostakovich. This fury lasts but a moment, and gives way again to the idyllic calm of the opening material, but here is a musical point at which you wonder if it is really possible to `go back' ....

The last movement of the Vaughan Williams' eighth is bright and resplendent. It is almost mis-labeled; `toccata' traditionally means a `touched' piece, a keyboard work with figurations more characteristic of two hands at a keyboard, rather than a large ensemble of single-line instruments. But Vaughan Williams has a history of adapting the idea of the Toccata, as in his Toccata Marziale for band; and my musicological quibble does not get in the way of the piece, which reminds me more of a jubilant carillon.

--Karl

4 out of 5 stars Best "Sinfonia Antartica" Currently Available.......2000-10-24

The classic recorded performance of Ralph Vaughan Williams' "Sinfonia Antartica" (completed 1952) is Sir Adrian Boult's on EMI from the mid-1960s; a slightly later performance on RCA led by André Previn boasted superior sound but misjudged by prefacing each movement with spoken versions of RVW's epigraphs. (Thus interrupting the musical continuity in a score that depends heavily on a seamless transition from one mood to another.) Bernard Haitink (also on EMI) issued an "Antartica" about fifteen years ago, very close to Boult's in merit, but - in this day of classical-music démorale - "no longer available." Haitink's countryman, Kees Bakels, has "burned" a CD cycle of the RVW symphonies for Naxos, with the Bournemouth Symphony Orchestra, and one entry therein couples the Eighth with the "Antartica" (ordinally the Seventh). As James Day notes in his book on RVW, the "Antartica" calls on the largest orchestra that the composer ever stipulated, with parts for organ, wind-machine, an enormous percussion battery, and wordless soprano-solo with female choral vocalise. The "Antartica" shares with the "Pastoral" and the Sixth the evocation of inhuman nature and of human courage pitted (heroically but vainly) against such nature. Boult grasped this aspect of the work, but the limited capacity of mid-60s analogue recording took its toll on the realization of his understanding. (The vinyl pressings also posed an obstacle. I owned the American Angel pressing as well as an EMI import; neither struck me as adequate.) Bakels, like Boult, sees that this is a grim account, a genuine sequel to the tragic E-Minor Symphony of 1947. Notice how he takes the crescendi in the Prelude, with the great climax at 1.50: It's truly "majestic," as the score says it should be; the ensuing Lento, with prominent xylophone and wordless voices, sounds very icy and haunted indeed. The Scherzo presents the danger of sounding too comical; Bakels avoids this pitfall. Of the symphony's core, the "Landscape" (Third Movement), Bakels makes just the inhuman, implacable, frigid monster that RVW must have had in mind, although the organist (beginning at 8.30) does not achieve quite the hard-edged quality that I recall from Boult. The Eighth Symphony is a less monumental score, but possesses a playful seriousness all its own. The Finale can become a welter of sound, as it did unfortunately in the Boult/EMI; but here it sounds forth in all its polyphonic glory, with the tuned percussion caught with great definition by the engineers.

4 out of 5 stars Pure music.......1999-07-26

As with Beethoven each of Vaughan Williams' nine symphonies has a distinct character of its own. the eighth is the most lighthearted one, ranging in mood form energetic to festive to downright comical, with a measure of gentle melancholy thrown in for contrast.The 2nd and 3rd movements- a funny march for winds and a beautifull cavatina for strings- show VW at his best.So what if he does not grab fate by the throat in this symphony? This is music in its best and purest form. The other work on the CD-Symphonia Antarctica- has its moments but it remains essentially what it is: a glorified movie-score.Director Kees Bakels proves again that he is one of the best Vaughan Williams interpreters of this time.
The Y2K Album: A Doomsday Collection For The Coming Crash
Average customer rating: 5 out of 5 stars
  • DOOMSDAY CLASSICAL MUSIC !
  • Spectacluar!!!
  • Love classical this is very very good
The Y2K Album: A Doomsday Collection For The Coming Crash

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JWNB
Release Date: 1999-08-10

Tracks:

  1. Thus Spake Zarathustra: Sunrise - Y2K ALBUM
  2. Carmina Burana: O Fortuna - Orff
  3. The Planets: Mars, The Bringer Of War - Holst
  4. The Firebird Suite: Infernal Dance Of King Katschei - Stravinsky
  5. The Valkyries: The Ride Of The Valkyries - Wagner
  6. Requiem: Dies irae/Tuba mirum (part 1 of 2) - Y2K ALBUM
  7. Requiem: Dies irae/Tuba mirum (part 2 of 2) - Y2K ALBUM
  8. A Night On The Bare Mountain - Mussorgsky
  9. Symphonie Fantastique: Dream Of The Witches' Sabbath - Berlioz
  10. The Rite of Spring (From Part I - Adoration of the Earth): Ritual Of The Rival Tribes - Procession Of The Sage - The Sage -- Dance Of The Earth (Part 1 Of 3) - Y2K ALBUM
  11. The Rite of Spring (From Part I - Adoration of the Earth): Ritual Of The Rival Tribes - Procession Of The Sage - The Sage -- Dance Of The Earth (Part 2 Of 3) - Y2K ALBUM
  12. The Rite of Spring (From Part I - Adoration of the Earth): Ritual Of The Rival Tribes - Procession Of The Sage - The Sage -- Dance Of The Earth (Part 3 Of 3) - Y2K ALBUM
  13. Alexander Nevsky: The Battle On The Ice - Prokofiev
  14. Star Wars Suite: The Battle - Y2K ALBUM
  15. The Twilight Of The Gods: The Immolation Of The Gods - Wagner

Customer Reviews:

5 out of 5 stars DOOMSDAY CLASSICAL MUSIC !.......2005-06-18

Doomsday Classics! The title and concept for this novelty album may be dated, but the music is timeless! "HEAVY" classical music to be played LOUDLY! The arrangements and sound quality on this CD are EXCELLENT! One of my favorite compilation albums of classical music. For the price, don't let this one pass you by.

5 out of 5 stars Spectacluar!!!.......2002-01-04

This is by far one of my favorite cds. I purchased it originally as a joke, but I have come to love it and play it very loudly when I'm in a bad mood. Spectacularly, it always helps cheer me up, or give me encouragement. Plus this is just some quality music, some of which any person who's heard classical music will recognize. :) Unfortunately, I somehow broke my copy, and now must buy a new one...it's such a relief that Amazon still carries it. :)

5 out of 5 stars Love classical this is very very good.......1999-10-14

Have looked for good classical recordings in every possible location from "record clubs" to "music outlets" and this is the best as represented I've found. Would like to know more about artist,composers,and availability of all.
Prokofiev: Greatest Hits
Average customer rating: Not rated
    Prokofiev: Greatest Hits

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0007WQHX0
    Release Date: 2005-04-12

    Tracks:

    1. March - London Symphony Orchestra
    2. Birth Of Kije - Adolph Herseth
    3. Romance - Adolph Herseth
    4. Wedding Of Kije - Adolph Herseth
    5. Troika - Adolph Herseth
    6. Death Of Kije - Adolph Herseth
    7. Montagues And Capulets - Edo De Waart
    8. The Battle On Ice - London Symphony Chorus
    9. Andante-Allegro - Vladimir Ashkenazy
    10. Allegro - Berlin Philharmonic
    11. Larghetto - Berlin Philharmonic
    12. Gavotta (Non Troppo Allegro) - Berlin Philharmonic
    13. Finale (Vivace) - Berlin Philharmonic
    14. Concluding Processional Music - Vienna Philharmonic
    Classical Princess: music for dress-up
    Average customer rating: 5 out of 5 stars
    • Classical Princess- Music for Dress-Up
    Classical Princess: music for dress-up

    Manufacturer: Delos Records
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Disney's Princess Collection: The Music of Hopes, Dreams and Happy Endings
    2. Disney Princess Tea Party

    ASIN: B00000070Y
    Release Date: 1996-10-24

    Tracks:

    1. From Sleeping Beauty: Sleeping Beauty Waltz
    2. From Sleeping Beauty: Dance Of The Young Girls
    3. From Sleeping Beauty: Lovely Scene
    4. Praeludium From Holberg Suite: Entrance Of The Princess
    5. From Heigh Ho! Mozart: Beauty and the Beast
    6. From My Keyboard Friends: Sadie's Waltz
    7. The Nutcracker Suite: Nutcracker Dance
    8. The Nutcracker Suite: Chinese Dance
    9. The Nutcracker Suite: Dance of the Reed Pipes
    10. The Nutcracker Suite: Waltz of the Flowers
    11. Serenade For Strings: Serenade
    12. Serenade For Strings: Waltz Time
    13. From World Of The Harp: The Stream
    14. From The Red Poppy: Red Poppy Waltz
    15. From Prince Ivan And The Frog Princess: Waltz of the Prince and Princess
    16. From Prince Ivan And The Frog Princess: Happily Ever After
    17. From The Snow Queen: Dance of the ICe Crystals
    18. From The Snow Queen: Reunion with the Gypsy Girl
    19. From Romeo And Juliet: The Child Juliet
    20. Scherzo From Trio No. 1: Joking

    Amazon.com

    You know the classical compilation business is getting serious when you have artists like conductor Andrew Litton and the Dallas Symphony on a record of music for little kids to play dress-ups by. On this disc, packaged explicitly for that purpose, participants include the Seattle Symphony, the English Chamber Orchestra, and the Los Angeles Chamber Orchestra. Nothing but the best for my kid! The selections were apparently chosen by a girl, pictured on the cover, who looks to be about five or six. She's done a great job. There's lots of Tchaikovsky here, as well as Grieg, Gliere, and Prokofiev. It's great music and the disc, with its cheerful cover, will likely bring a smile to the lips of many adults as well as children. --Gwendolyn Freed

    Customer Reviews:

    5 out of 5 stars Classical Princess- Music for Dress-Up.......2000-03-07

    This beautiful music will inspire me to play Dress-up...and I'm the Mom!
    The String Quartet Tribute to the Darkness
    Average customer rating: 5 out of 5 stars
    • A Darkened homage
    The String Quartet Tribute to the Darkness

    Manufacturer: Vitamin Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Compilations | Rock | Styles | Music
    GeneralGeneral | Vocal Pop | Pop | Styles | Music
    TributesTributes | Pop | Styles | Music
    ASIN: B0006FFS2O
    Release Date: 2004-11-16

    Tracks:

    1. Black Shuck
    2. Get Your Hands Off Of My Woman
    3. Growing On Me
    4. I Believe In A Thing Called Love
    5. Love Is Only A Feeling
    6. Givin' Up
    7. Stuck In A Rut
    8. Friday Night
    9. Love On The Rocks With No Ice
    10. Holding My Own
    11. Makin' Out
    12. Darker Than Dark

    Product Description

    1. Black Shuck
    2. Get Your Hands Off Of My Woman
    3. Growing On Me
    4. I Believe In A Thing Called Love
    5. Love Is Only A Feeling
    6. Givin' Up
    7. Stuck In A Rut
    8. Friday Night
    9. Love On The Rocks With No Ice
    10. Holding My Own

    Bonus Tracks:
    11. Makin' Out
    12. Darker Than Dark (original composition)

    Format: CD

    Customer Reviews:

    5 out of 5 stars A Darkened homage.......2004-12-31

    On first listening to this album, I was apprehensive. I am a fan of the Darkness, and believe them to be a ground breaking band. Back around the late 70's, music took a tangent. It went off into a strange land where fully grown adults wore clothes too big for them, and listened endlessly to pre-fabricated music. The Darkness are taking up from where the likes of Queen and AC/DC left off.
    I was worried that the combination of the emotional strings could not quite leash the power and soul of The Darkness; that classic players could not translate thier power. On hearing the album, I realised something: Much alike permission to land, this too is ground breaking. It is the soft carresing hand of classical music reaching out to the arms of today. A bridge between the expert fingers of the voilin to the guitar. In more plainer terms, I was wrong.
    The take on it is absolutely fantastic. Not only does it ensoul permission to land with the sensual sounds of the strings, but also manages to keep with the fun and excitement that The Darkness have brought to modern day music. An absolute must for any Darkness fan, or anyone wanting some real fun put back into thier ears. I myself can turn on any one of these pieces and float away into another level of adoration for music. This album truly shows the abilities music has to move you, it shows how music can be enjoyed and shows a true talent I have not seen for a very, very long time.
    Lease Breakers
    Average customer rating: 5 out of 5 stars
    • WOW!
    • Wow!
    Lease Breakers

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
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    All Bargain TitlesAll Bargain Titles | Symphonies | Classical | Today's Deals in Music | Formats | Music
    CDs $7 - $10CDs $7 - $10 | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music
    CDs $7 - $10CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music
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    ASIN: B0000029RJ
    Release Date: 1996-11-12

    Tracks:

    1. Also sprach Zarathustra: Introduction (Sunrise)
    2. Carmina Burana: 'O Fortuna'
    3. Die Walkure: 'Ride Of The Valkyries'
    4. William Tell Overture: Finale (Excerpt)
    5. Manzoni Requeim: 'Dies irae, dies illa'
    6. Toccata (And Fugue) In D Minor
    7. Pictures At An Exhibition: 'The Great Gate Of Kiev'
    8. The Rite Of Spring: 'Sacrifical Dance'
    9. Alexander Nevsky Cantata: 'Battle On The Ice' (Excerpt)
    10. Symphony No. 8 In C Minor: Finale. Feierlich, nicht schnell (Opening)
    11. Requiem: 'Tuba mirum'
    12. 1812 Overture: Finale. Largo - Allegro vivace
    13. Glagolitic Mass: Intrada. Moderato
    14. Ein Heldenleben: Battle Scene
    15. Symphony No. 4 In F Minor, Op. 36: Finale. Allegro con fuoco (Excerpt)
    16. Symphony No. 5 In D Minor, Op. 47: Allegro non troppo

    Customer Reviews:

    5 out of 5 stars WOW!.......2003-10-21

    Get it, just click the mouse and get it. All but one or two of the performances are exceptional. And those are still excellent. Each cut will make you want to go and buy the entire piece. Get it. What are you waiting for?

    5 out of 5 stars Wow!.......1999-04-15

    This CD is great! Each recording is of exceptional quality - don't be fooled by the low price. This is definitely NOT background music. Jarring at times. Good for someone who's sick of the sappy-sweet sort of classical music. The selection from Carmina burana is excellent- it's my favorite part of the work. The use of synthesizers is very dramatic. I think they fit in well with the work's theme and help the excitement build even more. Everything on here's great! :)
    Oscar's Orchestra (British Animated Television Series)
    Average customer rating: Not rated
      Oscar's Orchestra (British Animated Television Series)

      Manufacturer: Elektra / Wea
      ProductGroup: Music
      Binding: Audio CD

      PolonaisesPolonaises | Ballets & Dances | Classical | Styles | Music
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      FrenchFrench | Languages | Opera & Vocal | Styles | Music
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      1990s1990s | By Decade | Soundtracks | Styles | Music
      ASIN: B000000S8K
      Release Date: 1997-10-28

      Tracks:

      1. Glinka: Ruslan & Ludmilla-Overture/Schumann: Piano Concerto-1st Movement/Dialogue - Leningrad Philharmonic Orchestra/Yevgeny Mravinsky/TV Cast
      2. Bruch: Violin Concerto-3rd Movement/Dialogue - Maxim Vengerov/Leipzig Gewandhaus Orchester/Kurt Masur/TV Cast
      3. W.A. Mozart: Ronda Alla Turca From Sonata No.11 In A, K331/Dialogue - Karl Engel/TV Cast
      4. Vaughan Williams: Symphony No.2 'London'-1st Movement/Dialogue - BBC Symphony Orchestra/Andrew Davis/TV Cast
      5. Vaughan Williams: Wasps Overture/Dialogue - BBC Symphony Orchestra/Andrew Davis/TV Cast
      6. Chopin: Polonaise Heroique/Dialogue - Francois-Rene Duchable/TV Cast
      7. Wagner: Ride Of The Valkyres/Dialogue - Chicago Symphony Orchestra/Daniel Barenboim/TV Cast
      8. Vivaldi: Four Seasons-'Spring'/Dialogue - Il Giardino Armonico/TV Cast
      9. Rimsky-Korsakov: Flight Of The Bumble Bee From 'The Tale Of Tsar Saltan'/Dialogue - Scottish Chamber Orchestra/Raymond Leppard/TV Cast
      10. Holst: Planets-Mars/Dialogue - BBC Symphony Orchestra/Andrew Davis/TV Cast
      11. Grieg: March Of The Dwarves/Dialogue - Christopher Ross/TV Cast
      12. Bizet: Carmen-Overtures/Dialogue - Orchestre Philharmonique De Strasbourg/Alain Lombard/TV Cast
      13. Rodrigo: Concierto De Aranjuez-Adagio/Dialogue - Turibio Santos/Monte-Carlo National Opera Orchestra/Claudio Scimone/TV Cast
      14. Tchaikovsky: 1812 Overture/Vivaldi: Four Seasons-'Spring'/Dialogue - Israel Philharmonic Orchestra/Zubin Mehta/Ariadne Daskalakis/Philip Mayers/TV Cast
      15. Massenet: Meditation From 'Thais'/Dialogue - Michael Davis/BBC Symphony Orchestra/Andrew Davis/TV Cast
      16. Brahms: Violin Concerto-Finale/Dialogue - Thomas Zehetmair/Philharmonia Orchestra/Christoph Eschenbach/TV Cast
      17. W.A. Mozart: The Magic Flute/Dialogue - Zurich Opera Orchestra/Nikolaus Harnoncourt/TV Cast
      18. Beethoven: Symphony No.5-1st Movement/Dialogue - Chamber Orchestra Of Europe/Nikolaus Harnoncourt/TV Cast
      19. Tchaikovsky: Nutcracker Suite-March/Dialogue - Bolshoi Symphony Orchestra/Alexander Lazarev/TV Cast
      20. Tchaikovsky: Romeo & Juliet/Dialogue - Leipzig Gewandhaus Orchestra/Kurt Masur/TV Cast
      21. Rachmaninov: Piano Concerto No.2-Finale/Dialogue - Francois-Rene Duchable/Orchestre Philharmonique De Strasbourg/Theodore Guschlbauer/TV Cast
      22. Ravel: Tzigane/Dialogue - Ariadne Daskalakis/TV Cast
      23. Paganini: Caprice Op.I No.I/Dialogue - Alexander Markov/TV Cast
      24. Wagner: Giant's Theme From 'Das Rheingold'/Dialogue - Bayreuth Festival Orchestra/Daniel Barenboim/TV Cast
      25. Prokofiev: Alexander Nevsky-Battle On Ice/Dialogue - Leipzig Gewandhaus Orchestra/Kurt Masur/TV Cast
      26. Joplin: Ragtime Dance/Dialogue - Joshua Rifkin/TV Cast
      27. Gershwin: Rhapsody In Blue/Dialogue - Gabriel Tacchino/Monte-Carlo Philharmonic Orchestra/Lawrence Foster/TV Cast
      28. Glinka: Ruslan & Ludmilla-Overture (Repeat) - Leningrad Philharmonic Orchestra/Yevgeny Mravinsky

      Tracks:

      1. Oscar & His Orchestra Are On The Run. Will Thadius Vent Catch Them? - TV Cast
      2. Why Does Thadius Vent Hate Music So Much? Could It Be Oscar's Fault? - TV Cast
      3. Monty The Violin Is In Mortal Danger. Can Oscar & His Orchestra Rescue Him In Time? - TV Cast
      Symphony of Ice
      Average customer rating: 5 out of 5 stars
      • Symphony Of Ice
      Symphony of Ice
      Various Artists
      Manufacturer: Madacy Records
      ProductGroup: Music
      Binding: Audio CD

      EnvironmentalEnvironmental | New Age | Styles | Music
      GeneralGeneral | New Age | Styles | Music
      MeditationMeditation | New Age | Styles | Music
      CDs Under $7CDs Under $7 | Environmental | New Age | Today's Deals in Music | Formats | Music
      CDs $7 - $10CDs $7 - $10 | Environmental | New Age | Today's Deals in Music | Formats | Music
      All Bargain TitlesAll Bargain Titles | Environmental | New Age | Today's Deals in Music | Formats | Music
      ASIN: B000000KS9
      Release Date: 1994-09-09

      Tracks:

      1. Symphony Of Ice

      Customer Reviews:

      5 out of 5 stars Symphony Of Ice.......2004-04-12

      This is a recording of an ocean in the artic.The warming rays of the sun melt the crust of ice causing many tiny chimes.You can also hear the surf at time.There is no music on this release just the relaxing sound of ice melting causing chime like sounds.Peaceful and serene.
      Season's Celebration
      Average customer rating: Not rated
        Season's Celebration

        Manufacturer: Cbc
        ProductGroup: Music
        Binding: Audio CD

        Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
        General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
        HanukkahHanukkah | Holiday | Miscellaneous | Styles | Music
        General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
        HanukkahHanukkah | Holiday Music | Special Features | Music
        ASIN: B00008MLK8
        Release Date: 2003-04-15

        Tracks:

        1. Burns' Night/A Salute to Robbie Burns
        2. Valentine's Day/My Romance
        3. St. David's Day/Celebrate St. David
        4. Victoria Day/Downbound from Thunder Bay
        5. William David Day/Cape Breton Moments
        6. Opening Night/Anne of Green Gables
        7. St. Jean Baptiste/Quand Les Hommes Vivront d'Amour
        8. Canada Day/Cross Country Canada
        9. Civic Holiday/Regatta Day
        10. Thanksgiving Day/Point Pelee Reverie
        11. St. Andrew's Day/The Grand St. Andrew's Ball
        12. Chanukah/Chanukah - S'vivon, Sov, Sov, Sov
        13. Christmas Day/Wassail, Wassail, All Over the Town
        14. New Year's Eve/Celebration

        Meditation Music:

        1. Thank You, Teacher
        2. The Best of Classics
        3. The Four Elements of Life: A 28 Day Coaching Program For Discovering The Gift Within You
        4. The Kingdom of Your Mind
        5. The Mirror Shattered
        6. The Night Was Blue
        7. The Other Shore: Various Compositions, 1992-1997
        8. The Veil of Life
        9. This Time In Between -Island Spa Mix
        10. Thy Will

        Meditation Music

        meditation music

        Meditation Music

        Barbablu

        Jan van Vlijman: Un Malheureux Vêtu de Noir

        Fux: Concentus Musico-Instrumentalis, Vol. 1

        Music: Tchaikovsky & Prokofiev: Piano Concertos

        Experiment in Terror (1962 Film) [Soundtrack]

        Flying High [Explicit Lyrics]

        Easy Does It [Import]

        Meltdown [Import] [Limited Edition]

        Global Meditation, Vol. 3: Pulse of Life

        In London

        Hand In The Sand - A Collection 1990-2004

        Grandes [Enhanced] [Import]

        Giant Steps

        Stravinsky: Le Baiser de la fee (The Fairy's Kiss) (recorded 1960); Apollo (Apollon musagete) (recorded 1961)

        Band on the Run