| 1. Symphony of Ice |
Symphony of Ice,Various Artists,Madacy Records,Environmental,Meditation,New Age / Meditation,Pop
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Vaughan Williams: Symphonies Nos. 7 "Sinfonia antartica" & 8
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AELD Release Date: 1998-08-25 |
Tracks:
- Sinfonia Antartica (Symphony No. 7): Prelude: Andante maestoso - Lento - Poco animato - Piu mosso - Tranquillo - Andante moderato con moto - Largamente
- Sinfonia Antartica (Symphony No. 7): Scherzo: Moderato
- Sinfonia Antartica (Symphony No. 7): Landscape: Lento -
- Sinfonia Antartica (Symphony No. 7): Intermezzo: Andante sostenuto - Allegretto - Pesante - Tempo primo tranquillo
- Sinfonia Antartica (Symphony No. 7): Epilogue: Alla marcia, moderato (non troppo allegro) - Andante maestoso
- Symphony No. 8 In D Minor: Fantasia (Variazioni senza Tema): Moderato - Presto - Andante sostenuto - Allegretto - Andante non troppo - Allegro vivace - Andante sostenuto - Largamente - Tempo primo ma tranquillo
- Symphony No. 8 In D Minor: Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo
- Symphony No. 8 In D Minor: Cavatina (per stromenti ad arco): Lento espressivo
- Symphony No. 8 In D Minor: Toccata: Moderato maestoso
- Movement Superscriptions For Sinfonia antartica: Prometheus Unbound: Prelude: 'To Suffer Woes Which Hope Thinks Infinite' (Percy Bysshe Shelley)
- Movement Superscriptions For Sinfonia antartica: Book Of Common Prayer, Psalm 104: Schezro: 'There Go The Ships'
- Movement Superscriptions For Sinfonia antartica: Hymn Before Sunrise, In The Vale Of Chamouni: Landscape: 'Ye Ice Falls!' (Samuel Taylor Coleridge)
- Movement Superscriptions For Sinfonia antartica: The Sun Rising: Intermezzo: 'Love, All Alike,' (John Donne)
- Movement Superscriptions For Sinfonia antartica: Message To The Public: Epilogue: 'I Do Not Regret This Journey;' (Captain Robert Falcon Scott)
Customer Reviews:
Excellent performances of one of our greatest symphonists........2004-04-28
First, the man was a superb melodist. He was not a mere tunesmith, to be sure, but crafted works that are primarily conceived in terms of melodic development, and this makes his work immediately appealing. Second, he was a highly original thinker who used his colossal technique (he had a doctorate in composition and studied with Ravel) for surprisingly modern ends. His music can at times sound like a mixture of Bach and Debussy, but it is always unmistakably Vaughan Williams. He had a penchant for modal counterpoint, and his streams of parallel chords place his work squarely in the 20th century.
Vaughan Williams' unique talent for scoring is evident throughout this excellent recording of his 7th and 8th symphonies. The "Sinfonia antartica" is based upon a film score he supplied for a film about the explorer Robert Scott. It is by turns brooding and wistful--an ideal introduction to this magnificent composer. Symphony No. 8 is a more eclectic affair, brighter in temperament overall, but a rewarding example of the surprises that lurk around every corner of RVW's work.
Was he the greatest symphonist of the 20th century? The jury's still out. He certainly created a body of symphonic work that is second to none in its richness, diversity, and consistency. Mahler, Sibelius, and Shostakovich are usually considered the most important symphonists of the last century, but for those who seek other fare, you can't do better than Vaughan Williams.
Unbelievable Sound Quality.......2002-03-17
Not a bad accomplishment for budget-price label Naxos!
A Tale of Two Eighths.......2001-07-30
The Vaughan Williams eighth symphony exhibits a few interesting parallels with the eighth symphony of the composer whose oeuvre established the "rule of nine" in the writing of symphonies: Beethoven.
Beethoven's Opus 93 strikes some listeners as both "a step backwards" from the rambunctious and expansive seventh (with its electrifying "double scherzo" and achingly intense theme-and-variations slow movement), and a mystification before the grandiose Opus 125. It is something of a look back towards Haydn; it is charming, and elegant, and seems to do entirely without the dramatic musical rhetoric of which Beethoven's third, fifth and seventh symphonies provide ample and potent illustration. It is the sort of thing which "musical progressivists" say we composers cannot do; you can almost hear the phrase spoken, "you can never go back."
Yet, in his eighth symphony, Beethoven succeeds, marvelously and musically; he does, and does not, "go back." Vaughan Williams does something of the same, in his eighth. Even though Vaughan Williams' seventh was composed originally as film music, and then adapted as a symphony in his `cycle' (or perhaps because of this), the eighth seems like a deliberate step away from musical dramtization, and into the realm of abstract, `pure' music, a music which functions on its own, not driven by any extra-musical `program.'
Now, the `point' to which Beethoven does and does not go back, is Haydn; the generation before, and a composer with whom Beethoven had taken lessons. The `point' to which Vaughan Williams does and does not go back, is musical Impressionism, and specifically Ravel. Vaughan Williams had taken some lessons with Ravel; and the `return to pure music' in the eighth is doubly apt here, as part of Ravel's Impressionism is a sort of `romantic neo-classicism' exemplified in "Le Tombeau de Couperin" and the piano concertos.
That Vaughan Williams made his eighth with the Beethoven-parallel in mind, seems to me confirmed in the opening of the second movement. Vaughan Williams' all-winds scherzo begins with too much of a `metronomic' gesture for this to be coincidental. This parallel does not become burdensome, because the `metronomic piece' functions differently in the two eighth symphonies: it is the slow movement in the Beethoven Op. 93, followed by the lovely Menuet and Trio (good heavens! didn't Beethoven realize how passé this was?), while in Vaughan Williams' eighth it serves as a scherzo followed by a richly beautiful slow movement for strings alone (in timbral balance of the string-less scherzo).
Where Vaughan Williams `does not go back' is, about two-thirds into the first movement, where, after some moments of trumpet-&-string doublings which seemed to evoke the sound-world of Prokofiev, the relatively smooth calm of most of the movement yields to the sort of orchestral menace normally associated with Shostakovich. This fury lasts but a moment, and gives way again to the idyllic calm of the opening material, but here is a musical point at which you wonder if it is really possible to `go back' ....
The last movement of the Vaughan Williams' eighth is bright and resplendent. It is almost mis-labeled; `toccata' traditionally means a `touched' piece, a keyboard work with figurations more characteristic of two hands at a keyboard, rather than a large ensemble of single-line instruments. But Vaughan Williams has a history of adapting the idea of the Toccata, as in his Toccata Marziale for band; and my musicological quibble does not get in the way of the piece, which reminds me more of a jubilant carillon.
--Karl
Best "Sinfonia Antartica" Currently Available.......2000-10-24
Pure music.......1999-07-26
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The Y2K Album: A Doomsday Collection For The Coming Crash
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JWNB Release Date: 1999-08-10 |
Tracks:
- Thus Spake Zarathustra: Sunrise - Y2K ALBUM
- Carmina Burana: O Fortuna - Orff
- The Planets: Mars, The Bringer Of War - Holst
- The Firebird Suite: Infernal Dance Of King Katschei - Stravinsky
- The Valkyries: The Ride Of The Valkyries - Wagner
- Requiem: Dies irae/Tuba mirum (part 1 of 2) - Y2K ALBUM
- Requiem: Dies irae/Tuba mirum (part 2 of 2) - Y2K ALBUM
- A Night On The Bare Mountain - Mussorgsky
- Symphonie Fantastique: Dream Of The Witches' Sabbath - Berlioz
- The Rite of Spring (From Part I - Adoration of the Earth): Ritual Of The Rival Tribes - Procession Of The Sage - The Sage -- Dance Of The Earth (Part 1 Of 3) - Y2K ALBUM
- The Rite of Spring (From Part I - Adoration of the Earth): Ritual Of The Rival Tribes - Procession Of The Sage - The Sage -- Dance Of The Earth (Part 2 Of 3) - Y2K ALBUM
- The Rite of Spring (From Part I - Adoration of the Earth): Ritual Of The Rival Tribes - Procession Of The Sage - The Sage -- Dance Of The Earth (Part 3 Of 3) - Y2K ALBUM
- Alexander Nevsky: The Battle On The Ice - Prokofiev
- Star Wars Suite: The Battle - Y2K ALBUM
- The Twilight Of The Gods: The Immolation Of The Gods - Wagner
Customer Reviews:
DOOMSDAY CLASSICAL MUSIC !.......2005-06-18
Spectacluar!!!.......2002-01-04
Love classical this is very very good.......1999-10-14
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Prokofiev: Greatest Hits
Manufacturer: Decca ProductGroup: Music Binding: Audio CD ASIN: B0007WQHX0 Release Date: 2005-04-12 |
Tracks:
- March - London Symphony Orchestra
- Birth Of Kije - Adolph Herseth
- Romance - Adolph Herseth
- Wedding Of Kije - Adolph Herseth
- Troika - Adolph Herseth
- Death Of Kije - Adolph Herseth
- Montagues And Capulets - Edo De Waart
- The Battle On Ice - London Symphony Chorus
- Andante-Allegro - Vladimir Ashkenazy
- Allegro - Berlin Philharmonic
- Larghetto - Berlin Philharmonic
- Gavotta (Non Troppo Allegro) - Berlin Philharmonic
- Finale (Vivace) - Berlin Philharmonic
- Concluding Processional Music - Vienna Philharmonic
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Classical Princess: music for dress-up
Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000070Y Release Date: 1996-10-24 |
Tracks:
- From Sleeping Beauty: Sleeping Beauty Waltz
- From Sleeping Beauty: Dance Of The Young Girls
- From Sleeping Beauty: Lovely Scene
- Praeludium From Holberg Suite: Entrance Of The Princess
- From Heigh Ho! Mozart: Beauty and the Beast
- From My Keyboard Friends: Sadie's Waltz
- The Nutcracker Suite: Nutcracker Dance
- The Nutcracker Suite: Chinese Dance
- The Nutcracker Suite: Dance of the Reed Pipes
- The Nutcracker Suite: Waltz of the Flowers
- Serenade For Strings: Serenade
- Serenade For Strings: Waltz Time
- From World Of The Harp: The Stream
- From The Red Poppy: Red Poppy Waltz
- From Prince Ivan And The Frog Princess: Waltz of the Prince and Princess
- From Prince Ivan And The Frog Princess: Happily Ever After
- From The Snow Queen: Dance of the ICe Crystals
- From The Snow Queen: Reunion with the Gypsy Girl
- From Romeo And Juliet: The Child Juliet
- Scherzo From Trio No. 1: Joking
Amazon.com
You know the classical compilation business is getting serious when you have artists like conductor Andrew Litton and the Dallas Symphony on a record of music for little kids to play dress-ups by. On this disc, packaged explicitly for that purpose, participants include the Seattle Symphony, the English Chamber Orchestra, and the Los Angeles Chamber Orchestra. Nothing but the best for my kid! The selections were apparently chosen by a girl, pictured on the cover, who looks to be about five or six. She's done a great job. There's lots of Tchaikovsky here, as well as Grieg, Gliere, and Prokofiev. It's great music and the disc, with its cheerful cover, will likely bring a smile to the lips of many adults as well as children. --Gwendolyn FreedCustomer Reviews:
Classical Princess- Music for Dress-Up.......2000-03-07
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The String Quartet Tribute to the Darkness
Manufacturer: Vitamin Records ProductGroup: Music Binding: Audio CD ASIN: B0006FFS2O Release Date: 2004-11-16 |
Tracks:
- Black Shuck
- Get Your Hands Off Of My Woman
- Growing On Me
- I Believe In A Thing Called Love
- Love Is Only A Feeling
- Givin' Up
- Stuck In A Rut
- Friday Night
- Love On The Rocks With No Ice
- Holding My Own
- Makin' Out
- Darker Than Dark
Product Description
1. Black Shuck
2. Get Your Hands Off Of My Woman
3. Growing On Me
4. I Believe In A Thing Called Love
5. Love Is Only A Feeling
6. Givin' Up
7. Stuck In A Rut
8. Friday Night
9. Love On The Rocks With No Ice
10. Holding My Own
Bonus Tracks:
11. Makin' Out
12. Darker Than Dark (original composition)
Format: CD
Customer Reviews:
A Darkened homage.......2004-12-31
I was worried that the combination of the emotional strings could not quite leash the power and soul of The Darkness; that classic players could not translate thier power. On hearing the album, I realised something: Much alike permission to land, this too is ground breaking. It is the soft carresing hand of classical music reaching out to the arms of today. A bridge between the expert fingers of the voilin to the guitar. In more plainer terms, I was wrong.
The take on it is absolutely fantastic. Not only does it ensoul permission to land with the sensual sounds of the strings, but also manages to keep with the fun and excitement that The Darkness have brought to modern day music. An absolute must for any Darkness fan, or anyone wanting some real fun put back into thier ears. I myself can turn on any one of these pieces and float away into another level of adoration for music. This album truly shows the abilities music has to move you, it shows how music can be enjoyed and shows a true talent I have not seen for a very, very long time.
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Lease Breakers
Manufacturer: Sony ProductGroup: Music Binding: Audio CD ASIN: B0000029RJ Release Date: 1996-11-12 |
Tracks:
- Also sprach Zarathustra: Introduction (Sunrise)
- Carmina Burana: 'O Fortuna'
- Die Walkure: 'Ride Of The Valkyries'
- William Tell Overture: Finale (Excerpt)
- Manzoni Requeim: 'Dies irae, dies illa'
- Toccata (And Fugue) In D Minor
- Pictures At An Exhibition: 'The Great Gate Of Kiev'
- The Rite Of Spring: 'Sacrifical Dance'
- Alexander Nevsky Cantata: 'Battle On The Ice' (Excerpt)
- Symphony No. 8 In C Minor: Finale. Feierlich, nicht schnell (Opening)
- Requiem: 'Tuba mirum'
- 1812 Overture: Finale. Largo - Allegro vivace
- Glagolitic Mass: Intrada. Moderato
- Ein Heldenleben: Battle Scene
- Symphony No. 4 In F Minor, Op. 36: Finale. Allegro con fuoco (Excerpt)
- Symphony No. 5 In D Minor, Op. 47: Allegro non troppo
Customer Reviews:
WOW!.......2003-10-21
Wow!.......1999-04-15
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Oscar's Orchestra (British Animated Television Series)
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD ASIN: B000000S8K Release Date: 1997-10-28 |
Tracks:
- Glinka: Ruslan & Ludmilla-Overture/Schumann: Piano Concerto-1st Movement/Dialogue - Leningrad Philharmonic Orchestra/Yevgeny Mravinsky/TV Cast
- Bruch: Violin Concerto-3rd Movement/Dialogue - Maxim Vengerov/Leipzig Gewandhaus Orchester/Kurt Masur/TV Cast
- W.A. Mozart: Ronda Alla Turca From Sonata No.11 In A, K331/Dialogue - Karl Engel/TV Cast
- Vaughan Williams: Symphony No.2 'London'-1st Movement/Dialogue - BBC Symphony Orchestra/Andrew Davis/TV Cast
- Vaughan Williams: Wasps Overture/Dialogue - BBC Symphony Orchestra/Andrew Davis/TV Cast
- Chopin: Polonaise Heroique/Dialogue - Francois-Rene Duchable/TV Cast
- Wagner: Ride Of The Valkyres/Dialogue - Chicago Symphony Orchestra/Daniel Barenboim/TV Cast
- Vivaldi: Four Seasons-'Spring'/Dialogue - Il Giardino Armonico/TV Cast
- Rimsky-Korsakov: Flight Of The Bumble Bee From 'The Tale Of Tsar Saltan'/Dialogue - Scottish Chamber Orchestra/Raymond Leppard/TV Cast
- Holst: Planets-Mars/Dialogue - BBC Symphony Orchestra/Andrew Davis/TV Cast
- Grieg: March Of The Dwarves/Dialogue - Christopher Ross/TV Cast
- Bizet: Carmen-Overtures/Dialogue - Orchestre Philharmonique De Strasbourg/Alain Lombard/TV Cast
- Rodrigo: Concierto De Aranjuez-Adagio/Dialogue - Turibio Santos/Monte-Carlo National Opera Orchestra/Claudio Scimone/TV Cast
- Tchaikovsky: 1812 Overture/Vivaldi: Four Seasons-'Spring'/Dialogue - Israel Philharmonic Orchestra/Zubin Mehta/Ariadne Daskalakis/Philip Mayers/TV Cast
- Massenet: Meditation From 'Thais'/Dialogue - Michael Davis/BBC Symphony Orchestra/Andrew Davis/TV Cast
- Brahms: Violin Concerto-Finale/Dialogue - Thomas Zehetmair/Philharmonia Orchestra/Christoph Eschenbach/TV Cast
- W.A. Mozart: The Magic Flute/Dialogue - Zurich Opera Orchestra/Nikolaus Harnoncourt/TV Cast
- Beethoven: Symphony No.5-1st Movement/Dialogue - Chamber Orchestra Of Europe/Nikolaus Harnoncourt/TV Cast
- Tchaikovsky: Nutcracker Suite-March/Dialogue - Bolshoi Symphony Orchestra/Alexander Lazarev/TV Cast
- Tchaikovsky: Romeo & Juliet/Dialogue - Leipzig Gewandhaus Orchestra/Kurt Masur/TV Cast
- Rachmaninov: Piano Concerto No.2-Finale/Dialogue - Francois-Rene Duchable/Orchestre Philharmonique De Strasbourg/Theodore Guschlbauer/TV Cast
- Ravel: Tzigane/Dialogue - Ariadne Daskalakis/TV Cast
- Paganini: Caprice Op.I No.I/Dialogue - Alexander Markov/TV Cast
- Wagner: Giant's Theme From 'Das Rheingold'/Dialogue - Bayreuth Festival Orchestra/Daniel Barenboim/TV Cast
- Prokofiev: Alexander Nevsky-Battle On Ice/Dialogue - Leipzig Gewandhaus Orchestra/Kurt Masur/TV Cast
- Joplin: Ragtime Dance/Dialogue - Joshua Rifkin/TV Cast
- Gershwin: Rhapsody In Blue/Dialogue - Gabriel Tacchino/Monte-Carlo Philharmonic Orchestra/Lawrence Foster/TV Cast
- Glinka: Ruslan & Ludmilla-Overture (Repeat) - Leningrad Philharmonic Orchestra/Yevgeny Mravinsky
Tracks:
- Oscar & His Orchestra Are On The Run. Will Thadius Vent Catch Them? - TV Cast
- Why Does Thadius Vent Hate Music So Much? Could It Be Oscar's Fault? - TV Cast
- Monty The Violin Is In Mortal Danger. Can Oscar & His Orchestra Rescue Him In Time? - TV Cast
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Symphony of Ice
Various Artists Manufacturer: Madacy Records ProductGroup: Music Binding: Audio CD ASIN: B000000KS9 Release Date: 1994-09-09 |
Tracks:
- Symphony Of Ice
Customer Reviews:
Symphony Of Ice.......2004-04-12
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Season's Celebration
Manufacturer: Cbc ProductGroup: Music Binding: Audio CD ASIN: B00008MLK8 Release Date: 2003-04-15 |
Tracks:
- Burns' Night/A Salute to Robbie Burns
- Valentine's Day/My Romance
- St. David's Day/Celebrate St. David
- Victoria Day/Downbound from Thunder Bay
- William David Day/Cape Breton Moments
- Opening Night/Anne of Green Gables
- St. Jean Baptiste/Quand Les Hommes Vivront d'Amour
- Canada Day/Cross Country Canada
- Civic Holiday/Regatta Day
- Thanksgiving Day/Point Pelee Reverie
- St. Andrew's Day/The Grand St. Andrew's Ball
- Chanukah/Chanukah - S'vivon, Sov, Sov, Sov
- Christmas Day/Wassail, Wassail, All Over the Town
- New Year's Eve/Celebration
Meditation Music:
- Thank You, Teacher
- The Best of Classics
- The Four Elements of Life: A 28 Day Coaching Program For Discovering The Gift Within You
- The Kingdom of Your Mind
- The Mirror Shattered
- The Night Was Blue
- The Other Shore: Various Compositions, 1992-1997
- The Veil of Life
- This Time In Between -Island Spa Mix
- Thy Will
Meditation Music
Jan van Vlijman: Un Malheureux Vêtu de Noir
Fux: Concentus Musico-Instrumentalis, Vol. 1
Music: Tchaikovsky & Prokofiev: Piano Concertos
Experiment in Terror (1962 Film) [Soundtrack]
Meltdown [Import] [Limited Edition]
Global Meditation, Vol. 3: Pulse of Life