| 1. Fern Grotto |
| 2. Island Memories |
| 3. Come The Rain |
| 4. Cycles |
| 5. Next To Me |
| 6. Woodlands |
| 7. Java |
| 8. Wind In The Windmill |
| 9. Indigo Skies |
| 10. Spirit Dance |
| 11. Celtic Garden |
| 12. No Strings |
| 13. Laurel Ann |
| 14. Harlequin |
| 15. Goodbye Shanghai |
Editorial Reviews
About the Artist
Acoustic Journal is purely Doug Hamer doing what he loves best. It is comprised soley of his original melodies and arrangements while playing his beloved Martin OM-42 guitar and as such this album gives the listener an intimate glimpse int the very heart of the writer guitar-stylist. He considers music to be one of life's greatest Blessings and each song written to be a gift. Surrounded by the coastal mountains and waters of Puget Sound, his writing and even his playing style has invariably been influenced by the beauty of his surroundings. The texture, mood and flow of his compositions reflect his love of nature and gratitude for our Creator. Relax and enjoy the journery...
Product Description
Acoustic Journal has truly been a musical journey, a special voyage of the heart to places and experiences that have left an indelible impression on the artists soul. Every composition is intended to carry the listener across time, across mountains and oceans through a wide array of emotions. Each original piece represents a memory and is intended to capture an impression of a special moment in time. Fingerstyle solo guitar at its best
The strengths of Acoustic Journal are its relative simplicity (this is, after all, just a solo acoustic guitar CD, with no keyboards or other accompaniment, wtih the exception of the presence of a second guitarist on the song "Next to Me", a gentle romantic ballad, on which Hamer is joined by Dean Nissen) and it's wider than usual variety of music, embracing an assortment of moods and tempos. That Hamer manages to vary the music as much as he does while still keeping the overall "feel" of the CD on the quiet side (perhaps achieved through attention to detail in the recording process, e.g. mic placement, mixing, and engineering) makes the recording an ideal soundtrack to Saturday afternoon chores, especially outdoors, or maybe as the musical backdrop to a distant thunderstorm.
From the self-described (in the copious liner notes) "haunting chordal structure and swaying tempo" of "Wind in the Windmill" to the slyly cheerful "Indigo Skies" to the uptempo blues of "No Strings" and the serene album closer, "Goodbye Shanghi," Doug Hamer paints a multi-hued sonic landscape on his acoustic guitar, taking the listener through peaceful rural towns, winding through fog-shrouded valleys, and hiking to the tops of rolling hills. As I've always maintained, most acoustic intrumental music is especially well-suited for playing while enjoying our wonderful natural environment, whether it's the peaceful north woods of the Midwest, the expansive vistas of the Rockies or Grand Tetons or the breathtaking ocean views from Highway 1 along the Pacific coastline. Doug Hamer's Acoustic Journal is ideal music to listen to in any of these environs or you can enjoy it almost as much as an armchair traveler,too. Either way, I solidly recommend the album.
Bill Binkelman
Music Reviewer
New Age Reporter
Acoustic Journal is purely Doug Hamer doing what he loves best. It is comprised soley of his original melodies and arrangements while playing his beloved Martin OM-42 guitar and as such this album gives the listener an intimate glimpse int the very heart of the writer guitar-stylist. He considers music to be one of life's greatest Blessings and each song written to be a gift. Surrounded by the coastal mountains and waters of Puget Sound, his writing and even his playing style has invariably been influenced by the beauty of his surroundings. The texture, mood and flow of his compositions reflect his love of nature and gratitude for our Creator. Relax and enjoy the journery...
Product Description
Acoustic Journal has truly been a musical journey, a special voyage of the heart to places and experiences that have left an indelible impression on the artists soul. Every composition is intended to carry the listener across time, across mountains and oceans through a wide array of emotions. Each original piece represents a memory and is intended to capture an impression of a special moment in time. Fingerstyle solo guitar at its best
Acoustic Journal,Doug Hamer,JRT Records,Solo fingerstyle guitar at its best; all compositions in this album carry the listener across time, across mountains, lakes and even oceans through a wide array of emotions; each song capturing a special moment in time.
Average customer rating: |
Half Moon Bay
Will Pfluger Manufacturer: Vineyard Guitar Workshop ProductGroup: Music Binding: Audio CD ASIN: B0000CCTDG Release Date: 2003-08-18 |
Tracks:
- Mists of Elysium
- All Along The Trees
- Parlor Polonaise
- Vicki Ellen
- Horseman's Pastorale
- Before The Fall
- Melancholia
- Half Moon Bay
- Ontological Inexactitude
Average customer rating:
|
Acoustic Journal
Doug Hamer Manufacturer: JRT Records ProductGroup: Music Binding: Audio CD ASIN: B0001GDE4M Release Date: 2004-01-30 |
Tracks:
- Fern Grotto
- Island Memories
- Come The Rain
- Cycles
- Next To Me
- Woodlands
- Java
- Wind In The Windmill
- Indigo Skies
- Spirit Dance
- Celtic Garden
- No Strings
- Laurel Ann
- Harlequin
- Goodbye Shanghai
Album Description
Acoustic Journal has truly been a musical journey, a special voyage of the heart to places and experiences that have left an indelible impression on the artists soul. Every composition is intended to carry the listener across time, across mountains and oceans through a wide array of emotions. Each original piece represents a memory and is intended to capture an impression of a special moment in time. Fingerstyle solo guitar at its bestCustomer Reviews:
Acoustic Journal by Bill Binkelman, New Age Reporter.......2006-11-19
The strengths of Acoustic Journal are its relative simplicity (this is, after all, just a solo acoustic guitar CD, with no keyboards or other accompaniment, wtih the exception of the presence of a second guitarist on the song "Next to Me", a gentle romantic ballad, on which Hamer is joined by Dean Nissen) and it's wider than usual variety of music, embracing an assortment of moods and tempos. That Hamer manages to vary the music as much as he does while still keeping the overall "feel" of the CD on the quiet side (perhaps achieved through attention to detail in the recording process, e.g. mic placement, mixing, and engineering) makes the recording an ideal soundtrack to Saturday afternoon chores, especially outdoors, or maybe as the musical backdrop to a distant thunderstorm.
From the self-described (in the copious liner notes) "haunting chordal structure and swaying tempo" of "Wind in the Windmill" to the slyly cheerful "Indigo Skies" to the uptempo blues of "No Strings" and the serene album closer, "Goodbye Shanghi," Doug Hamer paints a multi-hued sonic landscape on his acoustic guitar, taking the listener through peaceful rural towns, winding through fog-shrouded valleys, and hiking to the tops of rolling hills. As I've always maintained, most acoustic intrumental music is especially well-suited for playing while enjoying our wonderful natural environment, whether it's the peaceful north woods of the Midwest, the expansive vistas of the Rockies or Grand Tetons or the breathtaking ocean views from Highway 1 along the Pacific coastline. Doug Hamer's Acoustic Journal is ideal music to listen to in any of these environs or you can enjoy it almost as much as an armchair traveler,too. Either way, I solidly recommend the album.
Bill Binkelman
Music Reviewer
New Age Reporter
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