| 1. Adios Penal de la Loma |
| 2. Perro Negro |
| 3. Veinte Aņos |
| 4. Muchacho Alegre |
| 5. Gabino Barrera |
| 6. Que Suerte la Mia |
| 7. Maņanitas |
| 8. Vamonos |
| 9. Ausente |
| 10. Dos Pasajes |
2 Grandes,Francisco Charro Avita & Alberto Vasquez,Sony International,Latin,Latin Pop,Mexican,Mexico
Average customer rating:
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The Best Of Liszt
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041D2 Release Date: 1996-02-13 |
Tracks:
- Mephisto Waltz No. 1
- Die Loreley
- Hungarian Rhapsody No.11 In A Minor: Hungarian Rhapsody No. 11 In A Minor
- Harmonies poetiques et religieuses: No. 7 Funerailles
- Schwanengesang: No. 1 Liebesbotschaft
- Annees de pelerinage: Premiere annee: No. 4 Au bord d'une source
- 3 Etudes de Concert: No. 3 Un sospiro
- Liebestraum No. 3 In A flat
- Etudes d' execution transcendante: No. 3 In G Sharp Minor 'La campanella'
- Hungarian Rhapsody No. 12 In C Sharp Minor
- 3 Etudes de Concert: No. 2 La leggierezza
- Annees de pelerinage: Troisieme annee: No. 4 Les jeux d'eaux a la Villa d'Este
Tracks:
- Hungarian Rhapsody No. 2 In C Sharp Minor
- Fantasia On The Waltz from Gounod's 'Faust'
- Valse oubliee No. 1 In F Sharp
- Valse oubliee No. 2 In A Flat
- Hungarian Rhapsody No. 13 In A Minor
- Annees de pelerinage: Premiere annee: No. 6 Vallee d'Obermann
- Hungarian Rhapsody No. 14 In F Minor
- Annees de pelerinage: Premiere annee: No. 7 Eglogue
- Widmung
- Hungarian Rhapsody No. 6 In D Flat
Customer Reviews:
Very good BUT....Improv in Liszt??.......2005-08-24
Where I have serious reservations is in Dichter's playing of the etude "Un Sospiro". I am open to being corrected but where in the world did he come up with the insertion of a 4 or 5 bar improvisation before the recapitulation of the theme? I've never heard that before. But for overall GRAND Liszt playing, I agree with the on-line reviewers-nothing beats the Jorge Bolet recordings.
Liszt presented in all his magnificence.......2005-01-03
Lisztmania.......2004-06-01
I like to think that the first cd, tracks 1-10 represents the softer side of Liszt. His friendship with Frederic Chopin influenced his lighter, romantic and nocturnal type of music, which are found in such works as Schwanengesang (Swan Song) "Un Sospiro" and Les Jeux D'Eux A La Villa D'Este. The second cd, tracks 1-10 represent some of the more dramatic and intense works for piano, among them the Hungarian Rhapsody No. 2 in C Sharp Minor, which opens the second cd. The work has been orchestrated, it's polyphonic festive mood has been used in the Looney Tunes cartoons. It is meant to describe the folk dancing of Hungary. The Fantasia on the Waltz from Gounod's Faust is incredibly demanding and sweeping, beautiful in this rendition. All the works are performed by the piano artist Misha Dichter. Although to be quite honest, this is not the best of Franz Liszt per se. It only provides us with high quality piano works. But Liszt was more than a radical new pianist, he was also a fine orchestral conductor. He invented the symphonic poem, or tone poem, which was greatly used in the 19th century, influencing such composers as Tchaikovsky, Richard Wagner and Richard Strauss. Why did'nt they have Liszt's great symphonic poems the Dante Symphony and the Faust Symphony ? Also the Dance Of Death Totentanz should have been here, also his fantastic piano concerto. These days, it's hard to find a great interpreter of Franz Liszt. So much of his music is out of this world. It feels like only an octupus with millions of hands and fingers would aptly play his complex, multi-melodic score.
Vital; impeccable; a treasure trove.......2002-10-17
Good - but where's the poetry?.......2001-05-11
Average customer rating: |
Los Grandes Cantantes de la Sonora Matancera, Vol. 2
Carlos Argentino & Alberto Beltran Manufacturer: Prodisc Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005IC2N Release Date: 2001-05-01 |
Tracks:
- Ay Cosita Linda - Carlos Argentino
- Tu Rica Boca - Carlos Argentino
- En El Mar - Carlos Argentino
- El Negrito Del Batey - Alberto Beltran
- Aunque Me Cueste La Vida - Alberto Beltran
- La Numero Cien - Alberto Beltran
- Yo Vivo Mi Vida - Alberto Beltran
- El Muneco De La Ciudad - Nelson Pinedo
- Me Voy Pa La Habana - Nelson Pinedo
- Gavilan Pio Pio - Nelson Pinedo
- To Precio - Bienvenido Granda
- Estoy Pensando En Ti - Bienvenido Granda
- Tres Palabras - Bienvenido Granda
- Calla - Bienvenido Granda
Average customer rating:
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Grandes Exitos de Salsa, Vol. 2
Fruko y Sus Tesos Manufacturer: Discos Fuentes ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002R143 Release Date: 1999-07-13 |
Tracks:
- La Cara Del Payaso
- A La Memoria Del Muerto
- Nadando
- Barranquillero Arrebatao
- Catalina Del Mar
- La Vi Partir
- Quiero De Nuevo Empezar
- Tu Sufriras
- Soy Guajiro Del Monte
- Corazon Vacante
- Lontananza
- Bamboleo En El Mar
- Flores Silvestres
- Confundido
- Alma Navidena
- El Amor
Customer Reviews:
2nd Set of Greatest Hits -- Even Better than the First!.......2000-12-23
I can't stop playing Fruko, and I know you will become addicted as well!
Average customer rating:
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Great Pianists of the 20th Century - Selections from the definitive collection [Sampler]
Andrei Gavrilov , Walter Gieseking , Emil Grigoryevich Gilels , and Friedrich Gulda Manufacturer: Polygram Records Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DI3I Release Date: 1998-12-28 |
Tracks:
- Waltz In G Flat, Op. 70 No. 1
- Predule In B Flat Minor, Op. 28 No. 16
- 'Paganini' Variations, Op. 35, Book 1: Variations 13 & 14
- Transcendental Etude No. 5 In B Flat 'Feux follets' (excerpt)
- Etude In G Sharp Minor, Op. 25 No. 2
- 'Annees de pelerinage' II: Sonetto 47 del petrarca
- Etude In C, Op. 23 No. 2 'Staccato' (excerpt)
- Sonata In D, Hob. XVI: 42 (Finale)
- Suite No. 2 'Silhouettes: Coquette
- Pieces de Clavecin: Le rappel des oiseaux
- Mazurka In D, Op. 33 No. 2
- The Months: Song Of The Lark
- 'Preludes', Book I: La fille aux cheveux de lin
- Impromptu No. 4 In F Minor, D. 935 (excerpt)
- Etude In G Flat, Op. 25 No. 9 'Butterfly'
- Intermezzo, Op. 4 No. 6
- Ich ruf zu dir (Chorale-Prelude)
- Sonata In C, K. 330 (finale) (excerpt)
- Waltz In D Flat, Op. 70 No. 3
- Standchen
- Nocturne In E Flat, Op. 55 No. 2
- Romeo And Juliet: Dance Of The Girls With Lilies
- 'Preludes,' Book I: Minstrels
- Prelude In B Minor
- 'Paganini' Etude No. 5: La chasse
- Carnaval: Chopin & Estrella
- Suite Bergamasque: Passepied
- French Suite No. 6 In E, BWV 817a: Bourree
- Sonata In B Flat, D. 960 (Scherzo)
- Jesu, Joy Of Mans Desiring
- La jongleuse
- Valse oubliee No. 1
- Etude In F, Op. 10 No. 8
Tracks:
- 'Iberia,' Book I (excerpt): Evocation
- Hungarian Dance No. 1 In G Minor
- Fantasies, Op. 116: Intermezzo In E
- Etude Op. 2 No. 3
- Lyrical Pieces, Op. 43: To The Spring
- Intermezzo In C, Op. 119 No. 3
- El Pelele (excerpt)
- Etude In G Sharp Minor, Op. 26 No. 6 'Double-thirds'
- Waltz In C Sharp, Op. 39 No. 6
- Kinderszenen, Op. 15: Gluckes genug
- Tarantelle, Op. 43
- 'Preludes,' Book II: General Lavine - eccentric
- Concert Etude No. 2 In F Minor 'La leggierezza (excerpt)
- Mazurka In F Minor, Op. 63 No. 2
- Paganini Etude No. 3 'La campanella' (excerpt)
- Minuet In G (excerpt)
- Sonata In A, K. 212
- French Suite No. 2, BWV 813: Courante
- The Sleeping Beauty: Gavotte & Le canari qui chante
- Berceuse, Op. 57
- The Man I Love (excerpt) - Andre Previn
- Etude-Tableau In C, Op. 33 No. 2
- Prelude In G Sharp Minor, Op. 32 No. 12
- Waltz In D Flat, Op. 64 No. 1' Minute'
- Moment Musical In F Minor, D. 780 No. 5
- 'Diabelli' Variations, Op. 120 No. 8 (Poco vivace)
- Sonata No. 3 In F Sharp Minor, Op. 23 (2nd movement)
- 'Annees de pelerinage' I: Au bord d'une source
- Partita No. 1 In B Flat, BWV 825 (Prelude)
- 'Etudes,' Book I: Etude No. 6
- Nobody But You
- Sonata In F, K. 107
- Embraceable You
- 'Diabelli' Variations, Op. 120 No. 8 (Poco vivace)
- 'Preludes', Book I: La danse de Puck
Amazon.com
Philips' 100-volume Great Pianists of the 20th Century series is one of the most ambitious projects ever put together by a record company. For all the debate that will surely ensue over who was chosen and who was passed over, it's obvious that careful, loving attention has gone into the selection of content for the happy 72 to be admitted to this special pantheon (certain especially significant pianists are allotted two or even three volumes, such as Vladimir Horowitz). Each of the handsomely designed, sepia-tinted volumes--adorned with a black and white photo--contains two CDs and a thoughtful essay on the artist in question. Prospective buyers should be aware that this sampler volume offers only short vignettes (averaging between two and three minutes), along with a thumbnail sketch, for each pianist. Still, it's a smorgasbord of morsels that allow you to taste some of the major trends in philosophy and approach to the instrument throughout the century (and reaching well back into the 19th), and the overlap of repertory permits some fascinating quick comparisons as style and technique have evolved. Delve into some of the artists in the series--say Alfred Brendel or Martha Argerich--and trace in greater depth the piano's identity crisis. Is it, for example, a resonantly string-like instrument ideal for pastel shadings or a steely, percussive machine meant to express the hardness of the 20th century? There are countless discoveries to be made here, both for the connoisseur and for anyone taking the first step into getting acquainted with great keyboard artistry. --Thomas MayCustomer Reviews:
Tantalizing preview of good things to come.......2003-01-07
As a sampler, there are some incredible jewels here, for example Nikita Magaloff's sparkling Chopin Tarantelle and Paganini Etude No.3: 'La Campanella' played excitingly by John Ogdon. There is even an early recording of Paderewski playing (predictably) Paderewski.
This sampler seems a bit of a Euro-centric, but the editors wisely chose to include Earl Wild doing Gershwin and Roslyn Tureck doing Bach. I ended up purchasing the Andre Watts volume from this series, and wondered what it would be like to own the whole shootin' match. I saw the entire CD series on display in a top notch music store in Germany--it was overwhelming to see the line of brown covers stretching impressively across an entire wall. The sampler is a good way to have a taste of this ambitious series of the giants of piano in the 20th Century. I listen to it often with great enjoyment.
RE: Glenn Gould.......2001-05-23
Missing no one except Katia Skanavi.......2001-04-19
Forget Somebody?.......2000-09-21
Unparalled Excellence (Mark G. Davis).......1999-08-01
If you have piano cd's, this should be part of that collection. I purchased one, almost not believing what I read on the jacket. I'm telling my friends about this one, as I'm aware of no other CD having all those piano masters - - at any price?)...
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Liszt: Piano Music
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD ASIN: B00004RITA Release Date: 2001-09-11 |
Customer Reviews:
Bargain-priced invitation into Liszt's Musical World.......2003-07-19
It is beautifully packaged, competitively priced and includes interesting notes about Liszt and the works included by the performer himself.
Mr Howard has recorded 145 solo piano CDs, which includes the 95 CDs which make up the complete Liszt piano CDs.
The set includes many well-known pieces, as well as some interesting ones you may not be familiar with.
Highly recommended.
The best of Howard's Liszt.......2002-11-11
Average customer rating: |
30 Grandes Exitos, Vol. 2
Diaz Diomedes Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005M6C1 Release Date: 2001-07-10 |
Tracks:
- Cantando
- Me Deja El Avion
- Dejala
- Frente A Mi
- Ilusiones
- Se Te Nota En La Mirada
- Romantico
- La Juntera
- Ven Conmigo
- Lluvia De Verano
- Nadie Mas Como Tu
- Una De Mis Canciones
- El Verdadero Culpable
- El Romancero
- Tu Cumpleanos
- El Hombre De Mama
Tracks:
- Camino Largo
- A Un Carino Del Alma
- Cristina Isabel
- Lo Mismo Me Da
- Penas De Un Soldado
- No Era El Nido
- Sin Ti
- Algo De Tu Parte
- Zunilda
- Dos Corazones
- Injusticia
- Acompaname
- Mi Ahijado
- Sufro Por Ella
- Esta Voz Es Para Siempre
- Caracoles De Colores
Average customer rating: |
Journey-Podróz: Works for Solo Guitar from Spain to Poland
Manufacturer: M.a. Recordings ProductGroup: Music Binding: Audio CD ASIN: B000BJNTUS Release Date: 2005-11-22 |
Average customer rating:
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Berlioz - La Révolution Grecque (Grandes Oeuvres Chorales)
Michel Plasson , Laurent Naouri , Rolando Villazon , and Nicolas Rivenq Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008ODZY Release Date: 2004-01-13 |
Tracks:
- Sara, Belle D'indolence
- Meditation Religieuse: Ce Monde Entier N'est Qu'une Ombre Fugitive
- La Mort D'Ophelie
- Marche Funebre Pour La Derniere Scene d'Hamlet
- Formez Vos Rangs, Entrez En Danse!
- Dieu Tout-Puissant, Dieu De L'aurore
- Veni Creator Spiritus
- Tantum Ergo Sacramentum
- Recit & Air: Leve-toi, Fils De Sparte!
- Choeur: Mais La Voix Du Dieu Des Armees
- Priere: Astre Terrible Et Saint, Guide Les Pas Du Brave!
- Final: Des Sommets De L'Olympe
Tracks:
- Des Espagnols M'ont Pris Sur Leur Navire
- Introduction
- Recit & Air: Pretresses De Bacchus... O Seul Bien Qui Me Reste!
- Recit: Quels Cris Affreux Se Font Entendre?
- Bacchanale: O Dieu Puissant, Fils De Latone... O Bacchus Evoe!
- Tableau Musical
- N'oublions Pas Ces Champs, Dont La Poussiere
- Amis, La Coupe Ecume
- C'est Le Grand Jour, Le Jour De Fete
- Dieu Tout-Puissant, Dieu De L'Aurore
- Bien Que Le Ciel Parfois Se Couvre D'un Nuage
Customer Reviews:
Excellent collection of enjoyable rarities.......2005-08-13
Anyway:
It's a bit sad that Berlioz is known to many listeners only through a handful of works like the Symphonie Fantastique (his most famous, yet an early work), maybe the Requiem and Harold in Italy, and a few other items (the short list seems to vary from person to person but it's always short). Sad, because unlike some other composers who are one or two trick ponys, Berlioz was a continuously strong and imaginative composer, in fact he was a great composer, up there with the best of them, who let loose with a long string of masterpieces that still need attention--like his opera Benvenuto Cellini and twenty other things. The man, even when trying to write boring music, was incapable of writing boring music. Then there's his incredible writing: his autobiography, his criticisms, his satires. He's not only one of my very favorite composers but one of my very favorite writers too. There's no other composer I can say that about.
So what's up with him, and why should you pay attention to this pricey collection of unknowns? Jacques Barzun, another favorite writer and an authority on Berlioz, thinks the Frenchman was so advanced in his ideas that he's been thoroughly misunderstood and grotesquely underappreciated up until fairly recently. Even Donald Francis Tovey, an insightful musical commentator (and another favorite writer--his books are highly recommended) of over 100 years ago talks of Berlioz as if, at times, he didn't known exactly what he was doing. There's an awful comment by him about how Berlioz allegedly knew how to start and end a piece but got a bit lost in between. How untrue. Barzun, on the other hand, mentions an incident where some critic complains about a series of wrong (meaning incompetently judged and not conforming to theory of that time) chords used in Harold in Italy and the response by a sharp conductor was "So tell me then why they sound so right?" (Someone later did a proper modern analysis and found the chord use was subtle and brilliant) Barzun's point, in a wonderful essay "Berlioz after a Hundred Years" (In "Critical Questions")is that we have yet to totally figure out why so much of his music sounds right. I'd also add that we are only just maybe starting to learn how to make it sound right. Berlioz was smart, possibly smarter than any of us and it's taking us 200 years to catch up with him.
[My guess at one explanation of his greatness was his total mastery of the very poetic French language and his ability to translate that into a sort of music. His melodies often sound like someone speaking. Elliot Carter is another great composer who is intensely literate and a fine writer... and a great composer perhaps for similar reasons.]
I'll go even further, after 30 years of listening to his music I'm convinced he stands at the top platform with the handful of all-time great composers. Berlioz transformed Western art music--single-handedly--into a supple, breathing, colorful, and living thing, and in a way that few composers have managed since. Moving from the Masters (Bach through Beethoven) to Berlioz is like moving from great oil painting to motion pictures in Technicolor and that's about the best way I can describe the phenomenon (Barzun notes his unique multidimensionality). Listen to Mozart's Marriage of Figaro and then listen to Benvenuto Cellini. The music, over 150 years old and only about 50 years older than Mozart's sounds totally modern, and often modern like a modern that hasn't even happened yet. Listen to Schumann's "Faust" (and I dearly love Schumann) and listen to Berlioz's and be shocked. The Schumann version sounds like flat soda in comparison. The only other composer I've encountered whose music has this same visceral "aliveness" (at times) is Shostakovich. Oddly, Berlioz can make even the mighty Strauss sound wooden and fussy (some would say Germanic).
The argument then is one shouldn't avoid anything by Berlioz and one should shop around to find recordings by conductors who understand his music (Gad! Solti doing Faust is stunning)and orchestras who can handle the twists, turns and other race car demands of the scores. This collection of choral works, many rare, many early (keeping in mind the ever-popular Fantastique is early too), is excellent with the only drawback being that a few, lovely as they are, don't showcase his best compositional assets. He was, regardless, a striking choral composer as Colin Davis noted during the recording sesssions for "Cellini." Personally, I never cared much for choral music or even opera until I forced myself to listen to the non-orchestral Berlioz. Well, at least I like HIS stuff in these genres! Everything about this disc is first-rate: performances, conducting (Plasson is an excellent Berlioz conductor) and sound. The only complaint is the cover art is awful. It looks like someone at EMI wanted to save a few bucks so they hired a vaguely talented teenage niece or something to handle it.
Finally, unlike most collections of rarities and odds and ends by composers--even the best of them--this is a set of discs I drag out, play, and enjoy regularly.
Average customer rating: |
50 GRANDES EXITOS Y JOYAS PERDIDAS DE SU DISCOGRAFIA (2 CD)
MIGUEL ACEVES MEJIA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QZS9L6 |
Product Description
CD1 01- YO TENIA UN CHORRO DE VOZ 02- ELLA 03- LA CAMA DE PIEDRA 04- SUFRIR POR UN AMOR 05- GRITENME PIEDRAS DEL CAMPO 06- VAYA CON DIOS 07- ORGULLOSA Y BONITA 08- CABALLO LOMO GATEADO 09- ENTRE COPA Y COPA 10- GORRIONCILLO PECHO AMARILLO 11- CORRIDO DE PANCHO VILLA 12- QUE SEAS FELIZ 13- LA MALAGUENA 14- EL AVENTURERO 15- CARABINA 30-30 16- GUITARRAS DE MEDIANOCHE 17- CUATRO CAMINOS 18- CUCURRUCUCU PALOMA 19- PRISIONERA 20- FALLASTE CORAZON 21- LA DEL REBOZO BLANCO 22- CUANDO EL DESTINO 23- EL CHIHUAHUA 24- EL SIETE LEGUAS 25- ...SOLO TU CD2 01- PLEGARIA GUADALUPANA 02- NICARAGUA MIA 03- CIELITO LINDO 04- YO 05- A LOS 15 O 20 TRAGOS 06- TUXPAN 07- UN MUNDO RARO 08- JUSTICIA RANCHERA 09- EL ENMASCARADO 10- COSTA RICA 11- PRIETA LINDA 12- EL GALLITO DEL NORTE 13- LOS AGUACEROS 14- EL JARDINERO 15- EL BORRACHO 16- NO HAY DERECHO 17- CANTO DEL PRISIONERO 18- DELANTE DE MI DETENTE 19- A LAS TRES DE LA MANANA 20- NO SOY EL COCO 21- EL DERROTADO 22- ADONDE TE HALLAS ? 23- TRES CONSEJOS 24- RUMBOS DISTINTOS 25- MAMA LUPITA
Average customer rating:
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Jorge Bolet 2
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JNPY Release Date: 1999-07-20 |
Tracks:
- 'Mephisto' Waltz No. 1 - Liszt
- Venezia E Napoli: 1. Gondoliera - Jorge Bolet
- Venezia E Napoli: 2. Canzone - Jorge Bolet
- Venezia E Napoli: 3. Tarantella - Jorge Bolet
- Harmonies poetiques et religieuses: Funilles - Liszt
- Liebestraum No. 3 In A flat - Liszt
- Trois etudes de concert: La leggierezza - Liszt
- Etude d'execution transcendante d'apres Paganini: La campanella - Liszt
- Reminiscences de 'Norma' - Jorge Bolet
Tracks:
- 'Rigoletto' Paraphrase - Jorge Bolet
- Annees de pelerinage - Deuxiene annee. Italie: Sonetto 104 del Petrarca - Liszt
- Etudes d'execution transcendante: Haronies du soir - Liszt
- Deux etudes de concert: Gnomenreigen - Liszt
- Annees de pelerinage - Primiere annee. Suisse: Au bord d'une source - Liszt
- Consolation No. 3 In D-flat - Liszt
- Hungarian Rhapsody No. 12 In C-sharp Minor - Liszt
- Etudes d'execution transcendante: Ricordanza - Liszt
- Rniscences de 'Don Juan' - Jorge Bolet
Customer Reviews:
Late (and ponderous) Bolet in this second set.......2006-01-21
The reasons behind Bolet's transformation from a stunning virtuoso in the grand romantic tradition into what the critic Bryce Morrison once referred to as "the tired old man of Decca fame" (the label which released the pianist's late efforts) are moot, but there is no gainsaying the change. Granted, most instrumentalists lose part of their energy with age - a question of agility for one thing - but in Bolet's case this process seemed to involve an odd mixture of brooding inwardness and self-imposed restraint, almost as an atonement. Some people even contend that he wanted to go down in history as a profound artist and, while trying to be deep, he just managed to get boring. Whatever the case, one has only to compare Bolet's 1982 version of the Mephisto Waltz n. 1 shown here with his 1961 rendition to notice the phenomenon: the fiery, virtuosic and propulsive handling of the piece in that earlier attempt gave way to an approach which the liner comment elegantly describes as "philosophical rather than dashing", naturally to the detriment of the work's impact. All the notes are perfectly articulated, there is not a harsh sound throughout (Bolet's golden tone never deserted him, nor his ability to produce big sonorities without banging), and yet the result is surprisingly lifeless. The same applies to Funerailles, La leggierezza, Gnomenreigen and La campanella, which are beautifully organized but devoid of a much-needed sparkle.
Many pieces by Liszt require a certain amount of excess to make them work, not only technical - a true virtuoso mechanism - but also spiritual, in the sense of a devil-may-care interpretative attitude, or the so-called bravura. Nowhere is this element more sadly lacking than in Bolet's Don Juan Fantasy. Rather than relishing the technical intricacies and virtuosic exuberance of this magnificent knucklebreaker - in my opinion, the only effective approach to this work - Bolet parades the piece, in an unhurried and deliberate fashion, taking nearly nineteen minutes in his pensive traversal (one of the longest on record). He eschews all excitement and concentrates on clarity and smoothness instead, and it simply doesn't work: listening through becomes an ordeal, especially if you are acquainted with the versions by Simon Barere, Earl Wild and Marc-Andre Hamelin.
It's really a great pity that Philips couldn't offer us examples of the early Bolet, a spectacular pianist who not only had "the fingers of a Horowitz and the tone of a Lhevinne" (Harold Schonberg) but who also often infused his performances with fire and passion. All the above notwithstanding, I can still recommend this set for Bolet's beautiful tone, precise fingerwork and unerring good taste.
Latin Music:
- 2 Grandes
- 2 Grandes
- 2 Grandes
- 2 Grandes
- 2 Grandes
- 2 Grandes
- 2 Grandes
- 30 Mejores Canciones (1964-1997)
- A Donde Vas
- Arriba el Norte
Latin Music
Richard Strauss: Ein Heldenleben, Op.40/Metamorphosen
Rodrigo Complete Works for Piano
Music: Kingdom Come/Machinations
Standing on the Shoulder of Giants [Clean Version]