| 1. Me Gusta Tener de a Dos |
| 2. Sin Firma Ni Documentos |
| 3. Cuando Nadie Te Quiera |
| 4. Amanecí Con Ganas |
| 5. Para Que Quieres Volver |
| 6. Taka Taka |
| 7. Enséñame a Olvidar |
| 8. Mátame |
| 9. Cada Rato |
| 10. Dos Seres Que Se Aman |
| 11. Si Tú Lo Aceptas |
| 12. Mujeres Benditas |
El #1 del Jaripeno,El Chapo de Sinaloa,Sony International,Latin,Mexican,Mexico
Average customer rating:
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El Cantante
Marc Anthony Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ROALCG Release Date: 2007-07-24 |
Tracks:
- El Cantante
- Mi Gente
- Escandalo
- Aguanile
- Che Che Cole
- El Dia De Mi Suerte
- Que Lio
- Quitate
- Todo Tiene Su Final
- Toma De Mi
Amazon.com
There will likely be lots of scoffing at Marc Anthony's interpretation--both on disc and onscreen--of late salsa singer Hector Lavoe. But let's not forget that Anthony is a salsa superstar in his own right. He has anchored some of the genre's most thrilling moments and has taken salsa to audiences not normally exposed to the sweltering sound. The El Cantante soundtrack is a solid effort, notable for Anthony's dedication to recreating Lavoe's distinct delivery and phrasing. He puts aside his own emotive stylings for a more subdued performance on several tracks, including the celebratory "Mi Gente" and the mournful "Escandalo." Anthony is virtually unrecognizable during "Che Che Cole," "Quitate," and the standout "Que Lio," which makes the project all the more intriguing. Jennifer Lopez, Anthony's wife in real life and onscreen in El Cantante, croons pensive closing ballad "Toma de Mi." Even without the film, the soundtrack stands as an earnest homage to a tragic icon. --Joey GuerraAlbum Description
Over 10 million albums sold worldwide. Awarded over 12 Latin and standard gold and platinum certifications by the RIAA. Has won a total of 16 "Premino Lo Nuestro" Awards in the span of his career. Holding the record of winning the most "Premios Lo Nuestro" Awards of all artist. Marc Anthony first single will be "Mi Gente" distributed on June 7th. Radio impact date: June 12th. Two versions will be available. Radio contests around album release date. Radio VIP will be invited on May 16th and May 24th to the movie screening in New York.Customer Reviews:
Some extremely HOT music........2007-08-01
Great soundtrack...up until track 10!.......2007-07-30
...up until track 10! I really, REALLY wish hubby Marc would be honest with Jen and tell her SHE CAN'T SING! A well written song with a HORRIBLE singer, brings this CD down from 5 stars to a 3! Talk about buzz kill.
A high recommend, if you can somehow edit out the 10th track.
CLASSIC........2007-07-30
Jennifer Lopez's song on the soundtrack "Toma De Mi" is amazing. Beautiful flow and captivating lyrics.
Instant classi.
Best song missing.......2007-07-27
The song "Periodico de Ayer" (Yesterdays Newspaper") is to this date one of the best Salsa recordings.
Very Pleased........2007-07-27
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El Cantante: The Originals
Héctor Lavoe Manufacturer: Fania / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I33W Release Date: 2007-07-03 |
Tracks:
- El Cantante
- Mi Gente
- Che Che Colé
- Periódico De Ayer
- El Dia De Suerte
- Qué Lío
- Aguanile
- Todo Tiene Su Final
- Tú Bien Lo Sabes
- Plato De Segunda Mesa
- No Hay Quién Te Aguante
- Paraíso de Dulzura
- Lloré
- Mi Gente (Louie Vega EOL Remix-Radio Edit)
Album Description
El Cantante - The Originals - Hector LavoeHéctor Lavoe continues to be the source of tributes, covers, drama, and films. This collection of carefully remastered original songs affirms that the attention is well deserved. It features some of the classic hits he recorded together with Willie Colon. The influence of Lavoe will continue to be felt in the Latin music world, but nothing beats listening to this remastered original.
Héctor Lavoe siempre será una fuente de tributos, álbumes, portadas, obras de teatro, y pelÃculas. Esta colección de temas originales remasterizados otorgan la atención que se merece el gran cantante. Adicionalmente, contiene canciones clásicas que grabo con Willie Colon. La comunidad latina continuara sintiendo el impacto de Lavoe, pero en realidad, no hay nada mejor que escuchar este álbum original remasterizado.
Customer Reviews:
Very Good... but windows does not display titles correctly.......2007-07-12
I also like Dia de Suerte. How the chorus begins at "destiempo"... had not noticed it? uhmm.
Average customer rating:
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El Cartel: The Big Boss
Daddy Yankee Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PDZJ0I Release Date: 2007-06-05 |
Tracks:
- Jefe
- En Sus Marcas Listos Fuera
- Cambio
- Fuera De Control
- Impacto
- Ella Me Levanto
- A Lo Clasico
- Bring It On
- Who's Your Daddy?
- El Celular
- Ven Damelo
- Papi Lover
- Que Paso!
- Mensaje De Estado
- Tension
- Soy Lo Que Soy
- Coraza Divina
- Plane To PR
- Me Quedaria
- Todos Quieren A Raymond
- Impacto
Amazon.com
If the reggaeton revolution slowed for a second and you're not sure why, consider the comings and goings of Daddy Yankee: Three years have passed since he lit a Latino fire under the non-Latino world with "Gasolina," and despite the best efforts of vast clusters of tough-talking, body-rocking followers, only he, apparently, can keep it stoked. El Cartel: The Big Boss is a 21-track thrill ride destined to restore reggaeton's lost luster. The first few minutes creak--as intros go, "Jefe" is on the longwinded side--but from there it's a riot of bump-bumps, nemesis-bashing, and quick-tongued braggadocio. All credit to DY for again climbing atop a swirling mass of beats and remembering to swagger appealingly on the way up, but the small army of producers and friends who line up to pay the big boss respects on this disc also deserve their props: Fergie makes an impact on the Scott Storch-produced "Impacto" without forcing it in an overly mainstream direction, "Papi Lover" with Pussycat Doll Nicole Sherzinger busts out a cool bhangra-ragga vibe, and Will.i.am winds up "Plane to PR," a slight but contagious ode to Caribbean senoritas, tight. --Tammy La GorceAlbum Description
THE KING OF REGGAETON, DADDY YANKEE, returns with his new album "El Cartel: The Big Boss". After international platinum success with his first 4 albums, Daddy Yankee released, "El Barrio Fino", which went PLATINUM in the U.S alone, and solidified himself as the leading pioneer of the reggaeton movement. "El Cartel: The Big Boss" is the follow-up studio album everybody has been waiting 3 years for. Having enlisted super-producers such as will.i.am and Scott Storch, Daddy Yankee more than lives up to the hype and delivers his most multi-dimensional and complete album to date.Customer Reviews:
Good album, inconsistent in production values, a bit too long.......2007-07-27
Jefe - What is this, Hammer revisited? As an opener, it sucks. It is not a bad track, though.
En Sus Marcas - nice beat, difficult to understand at times; somehow this is Rompe, Revisited.
Cambio - clever use of rhyme and lyrics, slightly bachateao, so to speak.
Fuera de Control - identity crisis... would have taken the dembow away and leave as a straight hip-hop track.
Impacto - first installment, again, good beat, energetic; second one, less so.
Ella me levantó - a cliché from beginning to end, hate it. Would be loved by the average 15 yo. Sucks donkeys.
A lo Clasico - somehow reminds me of Calle 13's "Se Vale To-Tó". Has Voltio written all over it. Rompe The Third.
Bring it on - freshest track in the whole album... who cares if he's trying to pander to the English speaking audience?
Who's Your Daddy? - great, DY's voice is a bit buried in the mix. A bit too busy, but great.
El Celular - nice, would offend his die-hard fans, but great sounding, even if the lyrics are a bit clicheish.
Ven dámelo - filler track, period. Gasolina sin plomo.
Papi Lover - as a crossover track beat-wise, nice effort.
Qué pasó? - as a crossover track, better effort than Papi Lover, but would tolerate the previous' subject matter better.
Mensaje de Estado - as far as tiraera goes, this is the best curse streak I've heard in a long, long time. W&Y, consider yourselves dissed. My concern is that tiraera is so old by now...
Tensión - lyrically busy, good beat.
Soy lo que soy - autobiographical tracks, nicely written, but spare me the Popeye treatment... I Yam What I Yam, revisited.
Coraza divina - nice lyrics, awful beat. Proves that DY can get serious and not too saccharine while getting personal.
Plane to PR - great beat, really infectious... hate the idea of oversimplifying things and conveying a clichéd image of Puerto Rico, a la Will Smith's 'Miami', but good dance track
Me quedaría - somehow reminds me of Vico C, ol skool. Good.
Todos quieren a Raymond - great subject matter, great lyrical images. Weird beat. I hate the title, he probably was watching "Everybody Loves Raymond" on his first class seat
Overall impression - DY is trying too hard to please too wide an audience, and his talent for lyrics is getting diluted. Should he be making an international impact on the same league as Ricky Martin, Raymond better remember that Ricky's last English album was a miserable stinker, because it was too busy and unfocused. This album is way too long. It consists of quite a few gems buried between a lot of filler. The braggadocio is starting to take its toll, but he's still the best lyrics delivery man in the business. When he's experimental, he's good; when his lyrics are focused, no one can touch him. Beat-wise, this album is inconsistent. Three stars.
Crossover to the American Market Gone Wrong.......2007-07-20
Now speaking of the songs in the album... most of the reggaeton songs are good (except the one with Héctor "El Father", because it sounds like the beat was made in a bathroom with a leaking pipe), they are a little different than the songs we're used to... since the dembow(reggaeton beat) has changed.. and it's too similar to hip-hop (most of the album ), with slowed down rythms. I personally hated all of the hip hop songs in the album (since as I stated before, he's a reggaeton artist)since they sound to be directed to the american audience and not his true fans...
I just hope that's his next album goes back to his real roots... and that in his songs... he stops mentioning that he's awesome
The Big Boss.......2007-07-20
The unbiased opinion of an biased fan.......2007-07-14
Daddy Yankee has done it again.......2007-07-08
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Sousa's Greatest Hits
John Philip Sousa , and United States Marine Band Manufacturer: Altissimo Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000296U6 Release Date: 1999-09-07 |
Tracks:
- The Stars And Stripes Forever
- The Bride Elect
- Semper Fidelis
- King Cotton
- Sound Off
- The Washington Post
- The Gladiator
- National Fencibles
- Jack Tar
- The Thunderer
- Sabre And Spurs
- The Royal Welsh Fusiliers
- El Capitan
- The Gridiron Club
- Manhattan Beach
- Man Behind The Gun
- The Invincible Eagle
- The Gallant Seventh
Customer Reviews:
Sousa's marches.......2007-06-28
OK, But Not As Good As the Original.......2006-08-12
Sousa Marches, MC Band.......2006-08-04
This is so great!.......2005-03-27
A Great Sousa Collection.......2004-12-15
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Classical Music for Children: A Toddler's Introduction to Classical Music
Manufacturer: Ent. Media Partners ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002XE8 Release Date: 1997-10-24 |
Tracks:
- Clair de Lune
- Eine kleine Nachtmusik: Romance: Andante
- Moonlight Sonata: Adagio sestonuto
- Minute Waltz
- On The Beautiful Blue Danube
- The Nutcracker Suite: Russian Dance
- El Amor Brujo: Danca del Terror
- Grand Valse Brillante, Waltz No. 1 op. 18
- Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
- Goldberg Variations: Aria
- The Nutcracker Suite: Chinese Dance
- Symphony No. 7: Allegro molto
- Symphony No. 94: Menuetto: Allegro molto
- The Nutcracker Suite: March
- Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile
Customer Reviews:
Awesome CD.......2007-05-11
He started dancing as soon as we put it on!.......2007-01-09
Better than baby einstein.......2006-02-26
great music at a great price.......2006-02-02
I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!
A Wonderful CD for all ages.......2002-11-03
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The Most Relaxing Piano Album in the World...Ever!
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059Q4Q Release Date: 2001-03-27 |
Tracks:
- II: Andante - Stephen Hough
- I: Adagio Sostenuto - Dame Moura Lympany
- Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
- Nocturne No. 2 In E Flat - John Ogdon
- Clair De Lune - Dame Moura Lympany
- II: Adagio - Cecile Ousset
- Tango - Dame Moura Lympany
- Liebestraum No. 3 In A Flat - John Ogdon
- Waltz No. 9 In A Flat - Dmitri Alexeev
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- Traumerei - Dame Moura Lympany
- La Maja Y El Ruisenor - Magda Tagliaferro
- Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
- Gymnopedie No. 1 - Aldo Ciccolini
- Fur Elise - Dame Moura Lympany
- Etude In E 'Tristesse' - John Ogdon
- Fruhlingslied - Daniel Adni
- II: Andante - Dmitri Alexeev
Tracks:
- II: Adagio Cantabile - Walter Gieseking
- II: Romanze - Annie Fischer
- Aria - Maria Tipo
- II: Romance (Larghetto) - Garrick Ohlsson
- Granada - Gonzalo Soriano
- Waltz No. 15 In A Flat - Maura Lympany
- II: Largo - Andrei Gavrilov
- An Den Fruhling - Daniel Adni
- Nocturne No. 10 In A Flat - Daniel Adni
- II: Adagio Un Poco Mosso - Walter Gieseking
- La Fille Aux Cheveux De Lin - Dame Moura Lympany
- Cancons I Dansas No. 1 - Gonzalo Soriano
- II: Adagio Sostenuto (Opening) - Cecile Ousset
- Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
- Gnossienne No. 1 - Aldo Ciccolini
- Berceuse - Jean-Philippe Collard
- Minuet In G - Dame Moura Lympany
- Berceuse In D Flat - Peter Donohoe
Customer Reviews:
something to have.......2007-03-14
Excellent Music.......2007-02-19
buy now.......2006-09-01
Lovely.......2006-02-22
Aesthetically Pleasing.......2005-09-14
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
Average customer rating:
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Spanish Guitar Music
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YJ4Q Release Date: 2002-01-29 |
Tracks:
- Albeniz: Asturias
- Albeniz: Tango
- Sanz: Canarios
- Rodrigo: Fandango
- Torroba: Nocturno
- Segreras - El Colibri
- Albeniz: Sonata in D
- De Falla: The Corregidor's Dance
- De Falla: Fisherman's Song
- De Falla: The Miller's Dance
- Torroba: Madronos
- La Nit de Nadal
- El Noy de la Mare
- Granados: Ma Maja de Goya
- Abeniz: Cordoba
- Tarrega: Recuerdos de la Alhambra
- Granados: Spanish Dance No. 5
- El Testamen de Amelia
- Villa-Lobos: Prelude No. 4 in E Minor
- Albeniz: Sevilla
- De Falla: Homanaje
- Mudarra: Fantasia
- Turina: Fandanguillo
Customer Reviews:
Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).
John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.
As a marketing ploy, it is very effective.
For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.
However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.
Over 70 minutes playing time.
Recommended.
The guitar is an orchestra in miniature!.......2005-02-05
John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.
From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.
GUITAR MAJESTY.......2004-12-21
Sweet, sweet music, an essential addition to your collection.......2004-12-07
A True Classic.......2004-01-26
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Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025MO Release Date: 1990-10-25 |
Tracks:
- Appalachian Spring: Very Slowly
- Appalachian Spring: Allegro
- Appalachian Spring: Moderato
- Appalachian Spring: Fast
- Appalachian Spring: Subito allegro
- Appalachian Spring: As At First (Slowly)
- Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
- Fanfare For The Common Man
- El Salon Mexico
- Danzon Cubano
Amazon.com
If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted LibbeyAmazon.com
Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan MillerCustomer Reviews:
Universal music.......2006-07-14
Long-Time Favorite.......2005-03-16
Best Copland Album I've Ever Listened To.......2004-05-15
Test of Time--Passed with honors!.......2003-07-21
When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!
"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)
I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.
As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.
As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.
All in all, this is a fantastic album--a must for any classical collection.
the PERFECT Bernstein recording.......2002-12-16
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.
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Frida
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LLNV Release Date: 2002-10-22 |
Tracks:
- Benediction and Dream
- The Floating Bed
- El Conejo
- Paloma Negra
- Self-Portrait with Hair Down
- Alcoba Azul
- Carabina 30/30
- Solo Tu
- El Gusto
- The Journey
- El Antifaz
- The Suicide of Dorothy Hale
- La Cavalera
- La Bruja
- Portrait of Lude
- La Llorona
- Estrella Oscura
- Still Life
- Viva La Vida
- The Departure
- Coyoacan and Variations
- La Llorona
- Burning Bed
- Burn It Blue
Amazon.com
She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulleyCustomer Reviews:
It's good.......2007-07-22
Revolutionary times.......2007-05-14
Black Dove.......2007-05-13
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.
makes me want to dance .......2007-05-07
Enjoy!.......2006-12-30
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I'll Sleep When You're Dead
El-P Manufacturer: Definitive Jux ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MM0KXS Release Date: 2007-03-20 |
Tracks:
- Tasmanian Pain Coaster featuring The Mars Volta
- Smithereens (Stop Cryin)
- Up All Night
- EMG
- Drive
- Dear Sirs
- Run the Numbers featuring Aesop Rock
- Habeas Corpses (Draconian Love) featuring Cage
- The Overly Dramatic Truth
- Flyentology featuring Trent Reznor
- No Kings
- League of Extraordinary Nobodies
- Poisenville Kids No Wins/Reprise (This Must Be Our Time) featuring Cat Power
Amazon.com
When a hip-hop album opens with a collaboration with modern-day prog-rockers the Mars Volta, you know to expect the unexpected. That's pretty much what Brooklyn's El-P (born Jaime Meline) has been delivering since day one, first as a member of now-defunct indie-rap heroes Company Flow and later as founder of the maverick New York label Definitive Jux. Trent Reznor and Cat Power also show up on his first new release in five years, but El-P remains the one to watch, rattling off his typically complex rhymes about the state of the world (and the bedroom) over the cling-clang of industrial beats and frenzied noise. It's dense and weird and sometimes even scary, all of which makes it a marked improvement over the usual Saturday night boom-bap. --Aidin VaziriCustomer Reviews:
Only a provisional four - could well become five.......2007-07-09
So far I love it: the extended, prog-rock beats and electronics/noises of all descriptions. My favourites are probably the first track, last and many of the others in between. It's a lot easier to say which tracks I don't find 100% great. Flyentology has a slightly monotonous and boring beat which doesn't quite seem as dark or deep as some of his other tracks but it's still pretty good.
I bought this quite soon after getting Fantastic Damage and am currently in a sort of EL-P mode which could mean I'm a little biased but this is definitely worth a listen.
PERFECT. .......2007-06-16
Broke The Rules.......2007-06-14
this album gets deep into the darkside within.
I have no words........2007-06-10
I'll Sleep When You're Dead.......2007-06-07
And pulverize it does. I'll Sleep When You're Dead feels absolutely ferocious; it's the roaring, heavy metal counterpart to Funcrusher Plus's skeletal hardcore punk, and it takes no prisoners from its galvanizing start to its death knell of an ending. Songs are packed to the gills with weird, ungodly noises, melodies appear and disappear like holographs, and dense yet nuanced rhymes roll atop percussion that could have been created by actual weaponry. Indeed, there's so much violence on this record that it should be traumatic to drink in, but El-P's skill and insight on the mic, his studio perfectionism and his flair for idiosyncratic drum programming keep the proceedings as gripping as a 13-car pileup.
Deeper listening reveals that Sleep thrives on a couple of paradoxes. First, the album maintains its focus and cohesion even as it spins off in many different directions. The doomy atmosphere of "Tasmanian Pain Coaster" doesn't sound much like the Brooklynese bounce of "EMG" or the almost operatic "Poisenville Kids No Wins," but even with the diversity (which is inevitable, what with the hundreds of sounds being employed), it's clear that there is a particular aural agenda at work. I'll Sleep When You're Dead sounds uncannily like a comic book, which isn't to knock it; after all, comic books these days attain a level of darkness and extremity that filmmakers are often too risk-averse to attempt. Imagine swarms of robotic flying insects in the Invader Zim cartoon from your worst nightmare raining down machine gun fire and you're getting close.
The second paradox has to do with El-P's lyrics, which attend to personal and universal problems as though they're both part of the same sick plan for humanity that was doomed from the very beginning. While Clipse's Malice and Pusha T believe that a worldly issue (coke dealing) affected their personal states (thickly obfuscated misery), El-P flips the algorithm: He views every act of savagery--from speeding cars to sexual abuse--as indicative of the world's endemic evil. Though it's clear that he doesn't want any part of it, he admits has no choice. He calls himself the "son of urban confusion hatched in a pit where brutes live" and "half a robotic monkey ugly born of a viral agent." Like Nas on his classic Illmatic, El-P simply speaks about what he sees and uses his observations as a form of social protest, reinforcing the idea that the most affecting hip-hop finds a middle ground between slouching back in the seat of a flashy convertible and trying to change the world. His raps have slowed down a bit from his previous work to become part of the rich milieu and to let us latch onto every grim metaphor he hurls our way, but don't worry; El-P's flow will still knock you out of your chair.
And the collaborations? They're all excellent, probably because El-P isn't concerned about flattering his guests, writing his songs his way and using Reznor, Marshall, Rodriguez-Lopez and Bixler-Zavala purely as filigree. The Mars Volta caps off the blitzkrieg "Tasmanian Pain Coaster" with an a funereal trudge, Marshall lends her emphatic torch singing to the chorus of "Poisenville Kids No Wins," and Reznor's sinister cackle seems form-fitted to the electronic torture chamber of "Flyentology." Though they do seem like unorthodox choices, especially compared to Def Jux labelmates Cage and Aesop Rock, all of these artists deal with depravity in their own music (albeit in different ways), and after a few listens, their additions on this album click oddly into place.
I'll Sleep When You're Dead is an utterly urgent recording, something that (unfortunately) feels appropriate for our perpetual state of emergency. Nas once famously spit, "I never sleep, 'cause sleep is the cousin of death," to which El-P eventually paid tribute: "The timepiece must've read early morning at least, so I laid death's cousin, woken by the silence of the peace." The title of this record, then, seems like less of a threat and more of a helpless prayer to a deaf higher power. Something tells me that, deep down, El-P wishes that there wasn't any need for him to enter the rap world and do what he does. But as long as we live on Earth, this record is as good a warning as any to sleep with one eye open.
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