El #1 del Jaripeno

Track Listings

 
1. Me Gusta Tener de a Dos
2. Sin Firma Ni Documentos
3. Cuando Nadie Te Quiera
4. Amanecí Con Ganas
5. Para Que Quieres Volver
6. Taka Taka
7. Enséñame a Olvidar
8. Mátame
9. Cada Rato
10. Dos Seres Que Se Aman
11. Si Tú Lo Aceptas
12. Mujeres Benditas

El #1 del Jaripeno,El Chapo de Sinaloa,Sony International,Latin,Mexican,Mexico


El Cantante
Average customer rating: 4 out of 5 stars
  • Some extremely HOT music.
  • Great soundtrack...up until track 10!
  • CLASSIC.
  • Best song missing
  • Very Pleased.
El Cantante
Marc Anthony
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
GeneralGeneral | Latin Music | Styles | Music
SalsaSalsa | Latin Music | Styles | Music
Salsa & MerengueSalsa & Merengue | Compilations | Latin Music | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. El Cantante: The Originals
  2. United We Swing
  3. Arroz Con Habichuela
  4. Como Ama una Mujer
  5. Passion and Pain: The Life of Hector Lavoe

ASIN: B000ROALCG
Release Date: 2007-07-24

Tracks:

  1. El Cantante
  2. Mi Gente
  3. Escandalo
  4. Aguanile
  5. Che Che Cole
  6. El Dia De Mi Suerte
  7. Que Lio
  8. Quitate
  9. Todo Tiene Su Final
  10. Toma De Mi

Amazon.com

There will likely be lots of scoffing at Marc Anthony's interpretation--both on disc and onscreen--of late salsa singer Hector Lavoe. But let's not forget that Anthony is a salsa superstar in his own right. He has anchored some of the genre's most thrilling moments and has taken salsa to audiences not normally exposed to the sweltering sound. The El Cantante soundtrack is a solid effort, notable for Anthony's dedication to recreating Lavoe's distinct delivery and phrasing. He puts aside his own emotive stylings for a more subdued performance on several tracks, including the celebratory "Mi Gente" and the mournful "Escandalo." Anthony is virtually unrecognizable during "Che Che Cole," "Quitate," and the standout "Que Lio," which makes the project all the more intriguing. Jennifer Lopez, Anthony's wife in real life and onscreen in El Cantante, croons pensive closing ballad "Toma de Mi." Even without the film, the soundtrack stands as an earnest homage to a tragic icon. --Joey Guerra

Album Description

Over 10 million albums sold worldwide. Awarded over 12 Latin and standard gold and platinum certifications by the RIAA. Has won a total of 16 "Premino Lo Nuestro" Awards in the span of his career. Holding the record of winning the most "Premios Lo Nuestro" Awards of all artist. Marc Anthony first single will be "Mi Gente" distributed on June 7th. Radio impact date: June 12th. Two versions will be available. Radio contests around album release date. Radio VIP will be invited on May 16th and May 24th to the movie screening in New York.

Customer Reviews:

5 out of 5 stars Some extremely HOT music........2007-08-01

One song in particular "AQUANILE" is really hot, hot, hot. If you don't want to get up and dance to this, you must be dead.

3 out of 5 stars Great soundtrack...up until track 10!.......2007-07-30

I really was enjoying this CD! 9 tracks of 70's style Salsa (something I grew up listening to) done with new arrangements and STELLAR vocals by the swesome Marc Anthony...

...up until track 10! I really, REALLY wish hubby Marc would be honest with Jen and tell her SHE CAN'T SING! A well written song with a HORRIBLE singer, brings this CD down from 5 stars to a 3! Talk about buzz kill.

A high recommend, if you can somehow edit out the 10th track.

5 out of 5 stars CLASSIC........2007-07-30

Marc Anthony Singing Hector Lavoe is enough to let you know this c.d. is an instant classic.

Jennifer Lopez's song on the soundtrack "Toma De Mi" is amazing. Beautiful flow and captivating lyrics.

Instant classi.

4 out of 5 stars Best song missing.......2007-07-27

I wonder why Hector's best song was not included on the soundtrack?
The song "Periodico de Ayer" (Yesterdays Newspaper") is to this date one of the best Salsa recordings.

4 out of 5 stars Very Pleased........2007-07-27

Not Hector Lavoe but rather a refreshing remake.Marc Anthonys voice is great if someone had to do it...No one better than Marc.
El Cantante: The Originals
Average customer rating: 4 out of 5 stars
  • Very Good... but windows does not display titles correctly
El Cantante: The Originals
Héctor Lavoe
Manufacturer: Fania / Umgd
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
GeneralGeneral | Latin Music | Styles | Music
SalsaSalsa | Latin Music | Styles | Music
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  1. El Cantante
  2. Comedia
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ASIN: B000R7I33W
Release Date: 2007-07-03

Tracks:

  1. El Cantante
  2. Mi Gente
  3. Che Che Colé
  4. Periódico De Ayer
  5. El Dia De Suerte
  6. Qué Lío
  7. Aguanile
  8. Todo Tiene Su Final
  9. Tú Bien Lo Sabes
  10. Plato De Segunda Mesa
  11. No Hay Quién Te Aguante
  12. Paraíso de Dulzura
  13. Lloré
  14. Mi Gente (Louie Vega EOL Remix-Radio Edit)

Album Description

El Cantante - The Originals - Hector Lavoe

Héctor Lavoe continues to be the source of tributes, covers, drama, and films. This collection of carefully remastered original songs affirms that the attention is well deserved. It features some of the classic hits he recorded together with Willie Colon. The influence of Lavoe will continue to be felt in the Latin music world, but nothing beats listening to this remastered original.

Héctor Lavoe siempre será una fuente de tributos, álbumes, portadas, obras de teatro, y películas. Esta colección de temas originales remasterizados otorgan la atención que se merece el gran cantante. Adicionalmente, contiene canciones clásicas que grabo con Willie Colon. La comunidad latina continuara sintiendo el impacto de Lavoe, pero en realidad, no hay nada mejor que escuchar este álbum original remasterizado.

Customer Reviews:

4 out of 5 stars Very Good... but windows does not display titles correctly.......2007-07-12

Those who like Hector Lavoe will enjoy this cd. Although the quality is not excellent (I heard the original LP in one of my neighbor's sound system and liked the sound and was amazed by the coda of Periodico de Ayer, an almost classical part at the end of the song with violins which lamentably is not included in this CD.)
I also like Dia de Suerte. How the chorus begins at "destiempo"... had not noticed it? uhmm.
El Cartel: The Big Boss
Average customer rating: 3.5 out of 5 stars
  • Good album, inconsistent in production values, a bit too long
  • Crossover to the American Market Gone Wrong
  • The Big Boss
  • The unbiased opinion of an biased fan
  • Daddy Yankee has done it again
El Cartel: The Big Boss
Daddy Yankee
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Latin Music | Styles | Music
Latin RapLatin Rap | Latin Music | Styles | Music
GeneralGeneral | Reggae | International | Styles | Music
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ASIN: B000PDZJ0I
Release Date: 2007-06-05

Tracks:

  1. Jefe
  2. En Sus Marcas Listos Fuera
  3. Cambio
  4. Fuera De Control
  5. Impacto
  6. Ella Me Levanto
  7. A Lo Clasico
  8. Bring It On
  9. Who's Your Daddy?
  10. El Celular
  11. Ven Damelo
  12. Papi Lover
  13. Que Paso!
  14. Mensaje De Estado
  15. Tension
  16. Soy Lo Que Soy
  17. Coraza Divina
  18. Plane To PR
  19. Me Quedaria
  20. Todos Quieren A Raymond
  21. Impacto

Amazon.com

If the reggaeton revolution slowed for a second and you're not sure why, consider the comings and goings of Daddy Yankee: Three years have passed since he lit a Latino fire under the non-Latino world with "Gasolina," and despite the best efforts of vast clusters of tough-talking, body-rocking followers, only he, apparently, can keep it stoked. El Cartel: The Big Boss is a 21-track thrill ride destined to restore reggaeton's lost luster. The first few minutes creak--as intros go, "Jefe" is on the longwinded side--but from there it's a riot of bump-bumps, nemesis-bashing, and quick-tongued braggadocio. All credit to DY for again climbing atop a swirling mass of beats and remembering to swagger appealingly on the way up, but the small army of producers and friends who line up to pay the big boss respects on this disc also deserve their props: Fergie makes an impact on the Scott Storch-produced "Impacto" without forcing it in an overly mainstream direction, "Papi Lover" with Pussycat Doll Nicole Sherzinger busts out a cool bhangra-ragga vibe, and Will.i.am winds up "Plane to PR," a slight but contagious ode to Caribbean senoritas, tight. --Tammy La Gorce

Album Description

THE KING OF REGGAETON, DADDY YANKEE, returns with his new album "El Cartel: The Big Boss". After international platinum success with his first 4 albums, Daddy Yankee released, "El Barrio Fino", which went PLATINUM in the U.S alone, and solidified himself as the leading pioneer of the reggaeton movement. "El Cartel: The Big Boss" is the follow-up studio album everybody has been waiting 3 years for. Having enlisted super-producers such as will.i.am and Scott Storch, Daddy Yankee more than lives up to the hype and delivers his most multi-dimensional and complete album to date.

Customer Reviews:

3 out of 5 stars Good album, inconsistent in production values, a bit too long.......2007-07-27

Best to review it, track by track.

Jefe - What is this, Hammer revisited? As an opener, it sucks. It is not a bad track, though.

En Sus Marcas - nice beat, difficult to understand at times; somehow this is Rompe, Revisited.

Cambio - clever use of rhyme and lyrics, slightly bachateao, so to speak.

Fuera de Control - identity crisis... would have taken the dembow away and leave as a straight hip-hop track.

Impacto - first installment, again, good beat, energetic; second one, less so.

Ella me levantó - a cliché from beginning to end, hate it. Would be loved by the average 15 yo. Sucks donkeys.

A lo Clasico - somehow reminds me of Calle 13's "Se Vale To-Tó". Has Voltio written all over it. Rompe The Third.

Bring it on - freshest track in the whole album... who cares if he's trying to pander to the English speaking audience?

Who's Your Daddy? - great, DY's voice is a bit buried in the mix. A bit too busy, but great.

El Celular - nice, would offend his die-hard fans, but great sounding, even if the lyrics are a bit clicheish.

Ven dámelo - filler track, period. Gasolina sin plomo.

Papi Lover - as a crossover track beat-wise, nice effort.

Qué pasó? - as a crossover track, better effort than Papi Lover, but would tolerate the previous' subject matter better.

Mensaje de Estado - as far as tiraera goes, this is the best curse streak I've heard in a long, long time. W&Y, consider yourselves dissed. My concern is that tiraera is so old by now...

Tensión - lyrically busy, good beat.

Soy lo que soy - autobiographical tracks, nicely written, but spare me the Popeye treatment... I Yam What I Yam, revisited.

Coraza divina - nice lyrics, awful beat. Proves that DY can get serious and not too saccharine while getting personal.

Plane to PR - great beat, really infectious... hate the idea of oversimplifying things and conveying a clichéd image of Puerto Rico, a la Will Smith's 'Miami', but good dance track

Me quedaría - somehow reminds me of Vico C, ol skool. Good.

Todos quieren a Raymond - great subject matter, great lyrical images. Weird beat. I hate the title, he probably was watching "Everybody Loves Raymond" on his first class seat

Overall impression - DY is trying too hard to please too wide an audience, and his talent for lyrics is getting diluted. Should he be making an international impact on the same league as Ricky Martin, Raymond better remember that Ricky's last English album was a miserable stinker, because it was too busy and unfocused. This album is way too long. It consists of quite a few gems buried between a lot of filler. The braggadocio is starting to take its toll, but he's still the best lyrics delivery man in the business. When he's experimental, he's good; when his lyrics are focused, no one can touch him. Beat-wise, this album is inconsistent. Three stars.

3 out of 5 stars Crossover to the American Market Gone Wrong.......2007-07-20

I've always liked Daddy Yankee, since I think he's the best latin reggaeton artist there is right now... but this album was almost like him fighting his roots, since he includes many famous singers (which none has to do anything with latin music), which is something that makes you wonder... for what market was this album really released for... something that makes me mad... since he's famous because of his latin crowd.. not the american one (and he sings reggaeton.. he's not a rapper)

Now speaking of the songs in the album... most of the reggaeton songs are good (except the one with Héctor "El Father", because it sounds like the beat was made in a bathroom with a leaking pipe), they are a little different than the songs we're used to... since the dembow(reggaeton beat) has changed.. and it's too similar to hip-hop (most of the album ), with slowed down rythms. I personally hated all of the hip hop songs in the album (since as I stated before, he's a reggaeton artist)since they sound to be directed to the american audience and not his true fans...

I just hope that's his next album goes back to his real roots... and that in his songs... he stops mentioning that he's awesome

5 out of 5 stars The Big Boss.......2007-07-20

Daddy Yankee has done it again. I have not been able to quit listening to this cd since I recieved it. The music is infectious.

5 out of 5 stars The unbiased opinion of an biased fan.......2007-07-14

I've spent the last 3 days listening to El Cartel: The Big Boss, and I'm happy to report that Daddy Yankee's latest is actually very good. Back track- I picked up Barrio Fino about this time in '05, and truthfully, it took about 3 months to grow on me. Since then, however, it's become one of my all-time favorite CDs, and I still enjoy listening to it. Fast forward- The Big Boss grew on me in about three minutes. What I especially like about the tracks on The Big Boss is the skillful way that DY experiments sound but somehow manages to stay true to his reggaeton roots. The CD doesn't try to be too hip hop and seems to be tailored to an "American" audience without pandering. I found the blend of English and Spanish languages well thought out, playful, and pleasant. When I hit [REPEAT]- Bring it On, Papi Lover, Plane to P.R., Impacto (sin Fergie), and Me Quedaria. Anyway, as some would say "it's Daddy Yankee, so you know it's going to be good!"

4 out of 5 stars Daddy Yankee has done it again.......2007-07-08

El Cartel is a hot cd. It has a different flavor of reggaeton that makes you want to dance endlessly. Impacto of course is the most bangin' track on the cd. Some of the tracks are in English, which allows the non Spanish speaking audience the opportunity to truly appreciate this genre of music and Daddy Yankee's extreme talent. As Daddy Yankee says the King is back!
Sousa's Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Sousa's marches
  • OK, But Not As Good As the Original
  • Sousa Marches, MC Band
  • This is so great!
  • A Great Sousa Collection
Sousa's Greatest Hits
John Philip Sousa , and United States Marine Band
Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD

All Works by SousaAll Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0000296U6
Release Date: 1999-09-07

Tracks:

  1. The Stars And Stripes Forever
  2. The Bride Elect
  3. Semper Fidelis
  4. King Cotton
  5. Sound Off
  6. The Washington Post
  7. The Gladiator
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  11. Sabre And Spurs
  12. The Royal Welsh Fusiliers
  13. El Capitan
  14. The Gridiron Club
  15. Manhattan Beach
  16. Man Behind The Gun
  17. The Invincible Eagle
  18. The Gallant Seventh

Customer Reviews:

5 out of 5 stars Sousa's marches.......2007-06-28

Excellent CD! I'm happy with the speed in which it arrived at our home.

4 out of 5 stars OK, But Not As Good As the Original.......2006-08-12

It's OK, but doesn't have the quality of Sousa's original songs which were also played by a United States Marine Band.

5 out of 5 stars Sousa Marches, MC Band.......2006-08-04

I was totally happy with the CD. It was everything I expected it to be. Thanks Much

5 out of 5 stars This is so great!.......2005-03-27

This music speaks to my inner being, my father was a Marine with the ETC, and it was not an easy time. Music like this helped him think about how the best things in life are two doors down on the left, just a shade away from peace. I love this music, track 13 speaks to me so much that I am not sure if I have the time to listen as much as I want to! Such great music!

5 out of 5 stars A Great Sousa Collection.......2004-12-15

These recordings seem to date from the 1960s and reflect a style of play that is impossible to find today. Some people might consider the sound to be too bright, the entrances too aggressive. But I think this is more authentic for Sousa than what one generally hears today. Sousa himself is known to have preferred "enthusiastic" entrances from his players, to have favored an "orchestral" sonority for his band and to have played his marches in strict tempo with no ritards or tempo changes. That is what you have on this disc, which features the Marine Band under Lt. Col. Albert Schoepper, who also conducts on Volume 3 of Altissimo's Sousa Original series.
Classical Music for Children: A Toddler's Introduction to Classical Music
Average customer rating: 5 out of 5 stars
  • Awesome CD
  • He started dancing as soon as we put it on!
  • Better than baby einstein
  • great music at a great price
  • A Wonderful CD for all ages
Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

  1. Clair de Lune
  2. Eine kleine Nachtmusik: Romance: Andante
  3. Moonlight Sonata: Adagio sestonuto
  4. Minute Waltz
  5. On The Beautiful Blue Danube
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  9. Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
  10. Goldberg Variations: Aria
  11. The Nutcracker Suite: Chinese Dance
  12. Symphony No. 7: Allegro molto
  13. Symphony No. 94: Menuetto: Allegro molto
  14. The Nutcracker Suite: March
  15. Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

5 out of 5 stars Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

5 out of 5 stars He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

5 out of 5 stars Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

5 out of 5 stars great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

5 out of 5 stars A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.
The Most Relaxing Piano Album in the World...Ever!
Average customer rating: 4.5 out of 5 stars
  • something to have
  • Excellent Music
  • buy now
  • Lovely
  • Aesthetically Pleasing
The Most Relaxing Piano Album in the World...Ever!

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The Most Relaxing Classical Album in the World...Ever!
  2. The Most Relaxing Classical Album In the World Ever, Volume II
  3. The Most Relaxing Classical Music in the Universe
  4. The Most Relaxing Jazz Music in the Universe
  5. The World's Favorite Piano Music

ASIN: B000059Q4Q
Release Date: 2001-03-27

Tracks:

  1. II: Andante - Stephen Hough
  2. I: Adagio Sostenuto - Dame Moura Lympany
  3. Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
  4. Nocturne No. 2 In E Flat - John Ogdon
  5. Clair De Lune - Dame Moura Lympany
  6. II: Adagio - Cecile Ousset
  7. Tango - Dame Moura Lympany
  8. Liebestraum No. 3 In A Flat - John Ogdon
  9. Waltz No. 9 In A Flat - Dmitri Alexeev
  10. Rhapsody On A Theme Of Paganini - Cecile Ousset
  11. Traumerei - Dame Moura Lympany
  12. La Maja Y El Ruisenor - Magda Tagliaferro
  13. Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
  14. Gymnopedie No. 1 - Aldo Ciccolini
  15. Fur Elise - Dame Moura Lympany
  16. Etude In E 'Tristesse' - John Ogdon
  17. Fruhlingslied - Daniel Adni
  18. II: Andante - Dmitri Alexeev

Tracks:

  1. II: Adagio Cantabile - Walter Gieseking
  2. II: Romanze - Annie Fischer
  3. Aria - Maria Tipo
  4. II: Romance (Larghetto) - Garrick Ohlsson
  5. Granada - Gonzalo Soriano
  6. Waltz No. 15 In A Flat - Maura Lympany
  7. II: Largo - Andrei Gavrilov
  8. An Den Fruhling - Daniel Adni
  9. Nocturne No. 10 In A Flat - Daniel Adni
  10. II: Adagio Un Poco Mosso - Walter Gieseking
  11. La Fille Aux Cheveux De Lin - Dame Moura Lympany
  12. Cancons I Dansas No. 1 - Gonzalo Soriano
  13. II: Adagio Sostenuto (Opening) - Cecile Ousset
  14. Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
  15. Gnossienne No. 1 - Aldo Ciccolini
  16. Berceuse - Jean-Philippe Collard
  17. Minuet In G - Dame Moura Lympany
  18. Berceuse In D Flat - Peter Donohoe

Customer Reviews:

5 out of 5 stars something to have.......2007-03-14

These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.

5 out of 5 stars Excellent Music.......2007-02-19

This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!

5 out of 5 stars buy now.......2006-09-01

Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.

5 out of 5 stars Lovely.......2006-02-22

This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.

5 out of 5 stars Aesthetically Pleasing.......2005-09-14

I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.

As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!

I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!

Spanish Guitar Music
Average customer rating: 5 out of 5 stars
  • Excellent Introduction to Spanish Classical Guitar Music
  • The guitar is an orchestra in miniature!
  • GUITAR MAJESTY
  • Sweet, sweet music, an essential addition to your collection
  • A True Classic
Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Essential Guitar: 33 Guitar Masterpieces
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  5. Classic Williams: Romance of the Guitar

ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

  1. Albeniz: Asturias
  2. Albeniz: Tango
  3. Sanz: Canarios
  4. Rodrigo: Fandango
  5. Torroba: Nocturno
  6. Segreras - El Colibri
  7. Albeniz: Sonata in D
  8. De Falla: The Corregidor's Dance
  9. De Falla: Fisherman's Song
  10. De Falla: The Miller's Dance
  11. Torroba: Madronos
  12. La Nit de Nadal
  13. El Noy de la Mare
  14. Granados: Ma Maja de Goya
  15. Abeniz: Cordoba
  16. Tarrega: Recuerdos de la Alhambra
  17. Granados: Spanish Dance No. 5
  18. El Testamen de Amelia
  19. Villa-Lobos: Prelude No. 4 in E Minor
  20. Albeniz: Sevilla
  21. De Falla: Homanaje
  22. Mudarra: Fantasia
  23. Turina: Fandanguillo

Customer Reviews:

5 out of 5 stars Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

5 out of 5 stars The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

5 out of 5 stars GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

5 out of 5 stars Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

5 out of 5 stars A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.
Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
Average customer rating: 5 out of 5 stars
  • Universal music
  • Long-Time Favorite
  • Best Copland Album I've Ever Listened To
  • Test of Time--Passed with honors!
  • the PERFECT Bernstein recording
Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Gershwin: Rhapsody In Blue/An American In Paris
  2. Copland: Rodeo/Billy The Kid
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  5. Barber's Adagio

ASIN: B0000025MO
Release Date: 1990-10-25

Tracks:

  1. Appalachian Spring: Very Slowly
  2. Appalachian Spring: Allegro
  3. Appalachian Spring: Moderato
  4. Appalachian Spring: Fast
  5. Appalachian Spring: Subito allegro
  6. Appalachian Spring: As At First (Slowly)
  7. Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
  8. Fanfare For The Common Man
  9. El Salon Mexico
  10. Danzon Cubano

Amazon.com

If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey

Amazon.com

Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller

Customer Reviews:

5 out of 5 stars Universal music.......2006-07-14

This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.

5 out of 5 stars Long-Time Favorite.......2005-03-16

When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.

5 out of 5 stars Best Copland Album I've Ever Listened To.......2004-05-15

I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.

5 out of 5 stars Test of Time--Passed with honors!.......2003-07-21

I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.

When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!

"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)

I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.

As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.

As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.

All in all, this is a fantastic album--a must for any classical collection.

5 out of 5 stars the PERFECT Bernstein recording.......2002-12-16

I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.
Frida
Average customer rating: 5 out of 5 stars
  • It's good
  • Revolutionary times
  • Black Dove
  • makes me want to dance
  • Enjoy!
Frida

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006LLNV
Release Date: 2002-10-22

Tracks:

  1. Benediction and Dream
  2. The Floating Bed
  3. El Conejo
  4. Paloma Negra
  5. Self-Portrait with Hair Down
  6. Alcoba Azul
  7. Carabina 30/30
  8. Solo Tu
  9. El Gusto
  10. The Journey
  11. El Antifaz
  12. The Suicide of Dorothy Hale
  13. La Cavalera
  14. La Bruja
  15. Portrait of Lude
  16. La Llorona
  17. Estrella Oscura
  18. Still Life
  19. Viva La Vida
  20. The Departure
  21. Coyoacan and Variations
  22. La Llorona
  23. Burning Bed
  24. Burn It Blue

Amazon.com

She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley

Customer Reviews:

4 out of 5 stars It's good.......2007-07-22

But I don't think it's all it's hyped up to be on the other reviews, but, I do like it to the point of keeping it. It's the perfect 4star rating.

5 out of 5 stars Revolutionary times.......2007-05-14

I absolutely love this soundtrack! Everytime I listen to it, I feel as though I am in Mexico during the revolution and Frida's life. Everyone should choose their own life soundtrack and this one allows us to see into Frida's life more clearly.

4 out of 5 stars Black Dove.......2007-05-13

Fell into the movie trying to avoid study and hang out with a jilted housemate. If I'm honest, Salma Hayek was the main draw. Wafer thin.
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.

5 out of 5 stars makes me want to dance .......2007-05-07

I really enjoyed the CD, the musical selection is great and it seems very authentic.

5 out of 5 stars Enjoy!.......2006-12-30

I purchased this CD after seeing the movie. The music is enjoyable to listen to and passionate as I would think Frida was. I purchased this CD a second time to give to a female Hispanic artist who identifies with the trials and tribulations of Frida. This artist now paints while listening to this CD. Her artwork not only has improved but has become popular. I defiantly recommend its purchase.
I'll Sleep When You're Dead
Average customer rating: 5 out of 5 stars
  • Only a provisional four - could well become five
  • PERFECT.
  • Broke The Rules
  • I have no words.
  • I'll Sleep When You're Dead
I'll Sleep When You're Dead
El-P
Manufacturer: Definitive Jux
ProductGroup: Music
Binding: Audio CD

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  1. Ruff Draft
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ASIN: B000MM0KXS
Release Date: 2007-03-20

Tracks:

  1. Tasmanian Pain Coaster featuring The Mars Volta
  2. Smithereens (Stop Cryin)
  3. Up All Night
  4. EMG
  5. Drive
  6. Dear Sirs
  7. Run the Numbers featuring Aesop Rock
  8. Habeas Corpses (Draconian Love) featuring Cage
  9. The Overly Dramatic Truth
  10. Flyentology featuring Trent Reznor
  11. No Kings
  12. League of Extraordinary Nobodies
  13. Poisenville Kids No Wins/Reprise (This Must Be Our Time) featuring Cat Power

Amazon.com

When a hip-hop album opens with a collaboration with modern-day prog-rockers the Mars Volta, you know to expect the unexpected. That's pretty much what Brooklyn's El-P (born Jaime Meline) has been delivering since day one, first as a member of now-defunct indie-rap heroes Company Flow and later as founder of the maverick New York label Definitive Jux. Trent Reznor and Cat Power also show up on his first new release in five years, but El-P remains the one to watch, rattling off his typically complex rhymes about the state of the world (and the bedroom) over the cling-clang of industrial beats and frenzied noise. It's dense and weird and sometimes even scary, all of which makes it a marked improvement over the usual Saturday night boom-bap. --Aidin Vaziri

Customer Reviews:

4 out of 5 stars Only a provisional four - could well become five.......2007-07-09

I'm at the stage with this album whereby I think it's pretty much a classic but I could end up losing interest soon. The real test is whether I get that hit a couple of months in where I listen to it once at find something even more spectacular about it.

So far I love it: the extended, prog-rock beats and electronics/noises of all descriptions. My favourites are probably the first track, last and many of the others in between. It's a lot easier to say which tracks I don't find 100% great. Flyentology has a slightly monotonous and boring beat which doesn't quite seem as dark or deep as some of his other tracks but it's still pretty good.

I bought this quite soon after getting Fantastic Damage and am currently in a sort of EL-P mode which could mean I'm a little biased but this is definitely worth a listen.

5 out of 5 stars PERFECT. .......2007-06-16

this is one of, or the best of the year. Everything is put together so well! it has some famous stars on it, but you don't notice them/they don't distract as often happens. It's all just layred together perfectly. Don't miss.

5 out of 5 stars Broke The Rules.......2007-06-14

This album can make you smarter.

this album gets deep into the darkside within.

5 out of 5 stars I have no words........2007-06-10

I don't really like rap. Like, at all. This album made me rethink everything. As I said, I have no words, this album left me breathless. If there's one album you buy this year, make it this one. You won't regret it. Simply amazing.

5 out of 5 stars I'll Sleep When You're Dead.......2007-06-07

Hip-hop was becoming a tired institution when El-P, Bigg Jus and Mr. Len (under the moniker Company Flow) recorded one of the most stunning hip-hop albums of the '90s. Bleak, raw, and verbally devastating, 1997's Funcrusher Plus provided a real alternative to G-funk as the three fireball emcees rapped about war, corporate greed and extraterrestrial evil over bargain-basement beats and unsettling ambience. Over the next few years, El-P built up his Definitive Jux label and released a stream of high-quality recordings by some of the most vital emcees in the game, nearly all of whom used Funcrusher Plus as a blueprint to varying degrees. The label had gone quiet in 2007 when rumors of a new El-P record finally surfaced, sending excited twitters through the underground community. Some questioned the rapper's intent when they found out that the album would feature collaborations with Trent Reznor ("hmm"), The Mars Volta ("uh..."), and Chan Marshall of Cat Power ("are you serious?"), but most were fairly certain that it would pulverize in typical El-P fashion.

And pulverize it does. I'll Sleep When You're Dead feels absolutely ferocious; it's the roaring, heavy metal counterpart to Funcrusher Plus's skeletal hardcore punk, and it takes no prisoners from its galvanizing start to its death knell of an ending. Songs are packed to the gills with weird, ungodly noises, melodies appear and disappear like holographs, and dense yet nuanced rhymes roll atop percussion that could have been created by actual weaponry. Indeed, there's so much violence on this record that it should be traumatic to drink in, but El-P's skill and insight on the mic, his studio perfectionism and his flair for idiosyncratic drum programming keep the proceedings as gripping as a 13-car pileup.

Deeper listening reveals that Sleep thrives on a couple of paradoxes. First, the album maintains its focus and cohesion even as it spins off in many different directions. The doomy atmosphere of "Tasmanian Pain Coaster" doesn't sound much like the Brooklynese bounce of "EMG" or the almost operatic "Poisenville Kids No Wins," but even with the diversity (which is inevitable, what with the hundreds of sounds being employed), it's clear that there is a particular aural agenda at work. I'll Sleep When You're Dead sounds uncannily like a comic book, which isn't to knock it; after all, comic books these days attain a level of darkness and extremity that filmmakers are often too risk-averse to attempt. Imagine swarms of robotic flying insects in the Invader Zim cartoon from your worst nightmare raining down machine gun fire and you're getting close.

The second paradox has to do with El-P's lyrics, which attend to personal and universal problems as though they're both part of the same sick plan for humanity that was doomed from the very beginning. While Clipse's Malice and Pusha T believe that a worldly issue (coke dealing) affected their personal states (thickly obfuscated misery), El-P flips the algorithm: He views every act of savagery--from speeding cars to sexual abuse--as indicative of the world's endemic evil. Though it's clear that he doesn't want any part of it, he admits has no choice. He calls himself the "son of urban confusion hatched in a pit where brutes live" and "half a robotic monkey ugly born of a viral agent." Like Nas on his classic Illmatic, El-P simply speaks about what he sees and uses his observations as a form of social protest, reinforcing the idea that the most affecting hip-hop finds a middle ground between slouching back in the seat of a flashy convertible and trying to change the world. His raps have slowed down a bit from his previous work to become part of the rich milieu and to let us latch onto every grim metaphor he hurls our way, but don't worry; El-P's flow will still knock you out of your chair.

And the collaborations? They're all excellent, probably because El-P isn't concerned about flattering his guests, writing his songs his way and using Reznor, Marshall, Rodriguez-Lopez and Bixler-Zavala purely as filigree. The Mars Volta caps off the blitzkrieg "Tasmanian Pain Coaster" with an a funereal trudge, Marshall lends her emphatic torch singing to the chorus of "Poisenville Kids No Wins," and Reznor's sinister cackle seems form-fitted to the electronic torture chamber of "Flyentology." Though they do seem like unorthodox choices, especially compared to Def Jux labelmates Cage and Aesop Rock, all of these artists deal with depravity in their own music (albeit in different ways), and after a few listens, their additions on this album click oddly into place.

I'll Sleep When You're Dead is an utterly urgent recording, something that (unfortunately) feels appropriate for our perpetual state of emergency. Nas once famously spit, "I never sleep, 'cause sleep is the cousin of death," to which El-P eventually paid tribute: "The timepiece must've read early morning at least, so I laid death's cousin, woken by the silence of the peace." The title of this record, then, seems like less of a threat and more of a helpless prayer to a deaf higher power. Something tells me that, deep down, El-P wishes that there wasn't any need for him to enter the rap world and do what he does. But as long as we live on Earth, this record is as good a warning as any to sleep with one eye open.

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