| 1. Mi Tesoro |
| 2. Pobre Corazón |
| 3. Fantasia |
| 4. Se |
| 5. Pobre Palomito |
| 6. Si la Vida Fuera |
| 7. Porque Te Fuiste de Mi |
| 8. Y Que Tiene Que Ver |
| 9. Necesito Tu Amor |
| 10. Me Enamore Locamente |
Anna,Anna Roman,Sony International,Latin,Latin Music,Mexican
Average customer rating:
|
Baby Einstein: Lullaby Classics
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001IXTU4 Release Date: 2004-03-16 |
Tracks:
- Variations (Twinkle, Twinkle), K265/300e
- Minuet In G From Anna Magdalena
- Piano Sonata In C, K 545, 2nd Movement
- Spring Song
- Piano Sonata In D, K 576, 3rd Movement
- Jesu, Joy Of Man's Desiring, BWV 147
- Canon
- The Moldau
- Preludes Book II, Clair De Lune
- Sonata No.14 (Moonlight), 2nd Movement, Op.27
- Symphony No.9, New World
- Fur Elise, WoO 59
- The Four Seasons, Winter, RV267, 2nd Movement
- Orchestral Suite No.3 In D, Air, BWV 1068
- Sonata No.8 (Pathetique), 2nd Movement, Op.13
- Kinderscene, Op.15
- Waltz No.15, Lullaby
Product Description
The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)Customer Reviews:
Lame.......2007-07-22
Sounds like a cheap plastic toy.......2007-06-20
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
would make you sleepy.........2007-06-15
Kid's Music.......2007-06-08
Baby Einstein: Lullaby Classics
Not soothing.......2007-06-07
Average customer rating:
|
Wreck of the Day
Anna Nalick Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FZESD0 Release Date: 2006-07-11 |
Tracks:
- Breathe (2 Am)
- Citadel
- Paper Bag
- Wreck of the Day
- Satellite
- Forever Love (Digame)
- In the Rough
- In My Head
- Bleed
- Catalyst
- Consider This
- Wreck of the Day
- Drink Me [Demo Version]
- Soldier [Demo Version]
- More Than Melody [Demo Version]
Album Description
This new version includes three unreleased demos as well as a new mix of the single, "Wreck of the Day".Customer Reviews:
Good Effort; Lots of Potential; Nalick shouldn't be afraid to move out of her Comfort Zone.......2007-07-06
I think a lot of reasons why sophomore efforts by artists are not as successful is that many artists tend to go into a "comfort zone" and don't try to expand on the initial efforts that were done. With Nalick's debut, "Wreck of the Day", while we are given a strong dose of "coffee house acoustic/guitar" that is so prevalent in the music of the 2000s, we are also given string arrangements, cello, piano, and organ. Nalick actually shows her best stuff when the electric guitars are cranked up. On top of that, Nalick shows very the strong vocal range that has become a trademark of many of the successful "divas". Nalick, shows she isn't just eye candy and she is the author of the lyrics and music for all of these songs.
Here a quick review of the songs:
1-"Breathe (2am)": While not a bad song, it just didn't bowl me over - despite the string arrangements and cello along with Nalick's great vocals. The electric/acoustic guitar sound on this track is just all too common.
2."Citadel": Terrific song. The guitars are cranked up on this song. Nalick's vocals are even stronger than on the opening track - coming across three-dimensional and full of emotion.
3."Paper Bag": We're back to the coffee-shop electric/acoustic sound. This song has the cookie-cutter sound that so much of the music of the 2000s has. Still Nalick overcomes this mold with some terrific vocals.
4."Wreck of the Day": Nalick shows she can pull off the power ballad. The string arrangements and cello are the perfect complement to Nalick's vocals on this one.
5."Satellite": After listening to this song and "Citadel", I'm convinced that when the guitars are cranked up, Nalick can rise to the occasion. Once again, Nalick's vocals are three dimensional and full of emotion.
6."Forever Love (Digame)": This song has a near a cappella beginning. The piano and keyboards give this song a Tori Amos-like feel to it. Not a bad song, but still didn't me doing handstands like "Citadel" and "Satellite".
7."In the Rough": Another example of Nalick's strength where the electric is cranked on the guitars. We hear some tones of anger in Nalick's voice and she really is able to pull this sound off. Listen to how the string arrangements blend perfect here.
8."In My Head": A piano introduction will kick off this song. It doesn't matter what the instrumentation is in this song, because this song will be about Nalick's vocals - plain and simple. On the chorus, Nalick shows why she has all the potential in the world.
9.'Bleed": Nalick portrays an angry lover, but she isn't as angry as in "In the Rough". Some of the instrumentation was very good (I was amazed this sound was pulled off with no synthesizers), yet the instrumentation took on a very predictable form.
10."Catalyst": Here we are back to the acoustic coffee house sound. I say blah.... This song really didn't have me doing handstands. However the string arrangements and cello come in at the right time and help pick up what would have been a boring song.
11."Consider This": Nalick surprises us again - this time bringing in a bluesy sound. Nalick shows she doesn't need to be in the coffee house safety-zone and can really pull off the bluesy sound. I personally would have liked to hear more songs with Nalick doing a bluesy song.
12."Wreck of the Day '06": While I didn't consider the first version of "Wreck of the Day" the strongest track, it still was a good track. On this version, Nalick mixes things up again - this time going to a Country music style. After a few listens, this version really holds its own. The string arrangements are adapted perfectly for this Country music style. In fact the string arrangements show something innovative from a country music perspective.
There are three demo cuts included on this collection. "Drink", "Soldier", and "More Than Melody" are included as "bonus" material. These will give a good feel for Nalick's vocal potential, but keep in mind they are demos and not a polished product. They also feature yet more acoustic guitar - this time as the only instrument.
The liner notes include all of the lyrics, and musician credits, a bunch of "Thank Yous", and photos of Nalick herself. Overall, I think Nalick was at her best when she ventured out of the "comfort zone" of the "coffee house" music. While I do think Nalick should concentrate on her strengths, I certainly don't want to discourage her from "venturing out" in new directions. This is certainly not a bad effort and could definitely be something to build on for her sophomore effort. This is worth checking out.
Awesome CD! .......2007-06-15
AMAZING!!!.......2007-04-11
Quick and Speedy Delivery.......2007-03-30
Alanis like hit.......2007-03-14
Average customer rating:
|
Anna Netrebko & Rolando Villazón: Duets
Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000L21DNA Release Date: 2007-04-17 |
Tracks:
- O Soave Fanciulla
- Lucia Perdona...Sulla Tomba
- Giovanna, Ho Dei Rimorsi...E Il Sol Dell'anima
- Va! Je T'ai Pardonne ... Nuit D'hymenee
- No.8 Chanson: De Mon Amie, Fleur Endormie No.9 Duo Leila! Leila! Dieu Puissant
- Toi! Vous!... Ah! Viens, Manon, Je T'aime!
- Tvajo Malchan'je Nepan'atna
- Callate, Corazon! Duermete Y Calla!
Amazon.com
Rolando Villazon and Anna Netrebko, opera's "golden couple" (or is it "dream team?") have just released their first CD of duets. In the duet that closes the first act of Bohème, both singers are in rapturous voice, their phrasing sensitive and sincere. The Lucia-Edgardo duet is passionate and tender by turns, with Villazon particularly good - he takes his solo softly and in a long breath. The Duke and Gilda are roles made for them: She sounds sweet and vulnerable and he sounds like he believes what he's singing at the moment, and their final high D flat together is a dazzler. A hypnotic Roméo et Juliette duet follows, with gentle singing from both, and they make the most of Leila and Nadir's scene from The Pearl Fishers, turning in a languorous, smooth performance. The big duet from the third act of Manon finds Netrebko at her most seductive and a duet from Iolanta, probably the most lyrical tenor-soprano moment in Russian opera, is a nice rarity, with Villazon very at home in the Russian idiom and the pair soaring to great emotional heights. A delicious number from Torroba's Zarzuela Luisa Fernando ends the CD on a soft, tender note. Netrebko's diction remains unfortunate and while singing with a partner whose diction is as clean and clear as Villazon's, it becomes more noticeable. But there's precious little to complain about here - it's a true pleasure to hear singing and communicating of this caliber. --Robert LevineCustomer Reviews:
five stars +.......2007-05-15
Wonderful duets!.......2007-05-12
They both are first class singers.
Powerful and expressive singing with an amazing technique and control.......2007-04-09
Netrebko, as a soprano, is in a league of her own. Her voice in any new recording sounds better than in her last one. The lyricim, color and communicating power of her singing trancends vulnerability, despair and hopelessness that are so well portayed in Mimi's duet. Some bloggers hate Netrebko's guts and claim hype for her success. That's a cop out. You cannot sell out opera houses all over the world, and CDs that have surpassed in numbers many classical recording of the past, based only on hype. There must be a substantive voice behind a beautiful face and body. I love and I know opera well, and I've seen, live, many of the great sopranos of past forty years. And if I'm flying across the U.S.A. to see Netrebko at her Carnegie Hall debut- I was lucky to find one of the last tickets- is not hype. No body fooled me and no body made me do it.
For some, the jury may be still out for these two opera superstars, but this CD is an example of extraordinary singing and is highly recommended.
Constantine A. Papas
El Paso, Texas
Another great recording.......2007-04-03
Divine Duo.......2007-04-02
Average customer rating:
|
The King and I (1956 Film Soundtrack)
Deborah Kerr , Yul Brynner , Marni Nixon , Rita Moreno , and Alfred Newman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A7XC Release Date: 2001-03-13 |
Tracks:
- Main Title - 20th Century-Fox Orchestra/Alfred Newman
- I Whistle A Happy Tune - Marni Nixon/Rex Thompson
- My Lord And Master - Rita Moreno
- The March Of The Siamese Children - 20th Century-Fox Orchestra/Alfred Newman
- Anna And The Royal Wives - 20th Century-Fox Orchestra/Alfred Newman
- Hello, Young Lovers - Marni Nixon
- A Puzzlement - Yul Brynner
- Getting To Know You - Deborah Kerr/Marni Nixon
- Garden Rendezvous - 20th Century-Fox Orchestra/Alfred Newman
- We Kiss In A Shadow - Leona Gordon/Reuben Fuentes
- I Have Dreamed - Leona Gordon/Reuben Fuentes
- Shall I Tell You What I Think Of You? - Deborah Kerr/Marni Nixon
- Something Wonderful - Terry Saunders
- Prayer To Buddha - Yul Brynner
- Waltz Of Anna And Sir Edward - 20th Century-Fox Orchestra/Alfred Newman
- The Small House Of Uncle Thomas - Rita Moreno
- Song Of The King - Yul Brynner/Marni Nixon
- Shall We Dance? - Deborah Kerr/Marni Nixon/Yul Brynner
- The Letter - 20th Century-Fox Orchestra/Alfred Newman
- Something Wonderful (Finale) - Chorus/Alfred Newman
- Overture (LP Version) - 20th Century-Fox Orchestra/Alfred Newman
Amazon.com essential recording
Compared with the Broadway cast recording, the 1956 soundtrack to the film version of The King and I wins hands down. Yul Brynner is the king (literally and figuratively) in both formats (how could anyone else own such a role?), but the movie's score has better sonics, Brynner's voice is stronger, and the tunes are more memorable (thanks to Alfred Newman's conducting and Ken Darby's scoring) than on any of the various cast recordings. Marni Nixon sings the role of Anna (played onscreen by Deborah Kerr), Brynner delivers his hallmark performance, and the best-loved tunes--"Hello, Young Lovers," "Getting to Know You," and "I Whistle a Happy Tune" are the versions we'll always remember. A classic. --James HendricksonCustomer Reviews:
brilliant. a truely timeless classic.......2007-07-29
SONGS
what's great here is that although several songs were cut for the movie, they are included on the soundtrack (my lord and master, shall i tell you what i think of you) it's a shame they were left out, but getting to hear them here is pretty great. there's a great broadway feel because of that, so i'm glad they made their way to this soundtrack
SONGS 5 out of 5
PERFORMERS
well of course there's yul brynner as the king, and no one tops him. his combination of stupborness and confusion are great and even these vocal tracks show why he won his oscar. marni nixon (who dubbed for deborah kerr) and deborah kerr perform together on several tracks, and the dubbing is perfect. you can't tell where one begins and the other ends. nixon's voice is flawless and she is great here too. sadly the supporting performers are mildly forgettable. personally i didnt care for reuben fuentes and leona gordon's dubbing for lun tha and tuptim respectively. they both do well, but aren't as moving martin vidnovic and june angela in the 1977 broadway revival. and, as well as fuentes and gordon actually do, they lack the presence and emotional level that is unsurpassed by peabo bryson and lea salonga on the 1992 studio cast album
PERFORMERS 5 out of 5
this is a great recording from a great movie that is a wonderful addition for either music lovers, musical lovers, or movie lovers. and fans of the king and i cant pass this up. marni nixon and of course yul brynner are amazing and shouldnt be forgotten.
FINALLY, KEER AND NIXON BOTH SING.......2007-05-26
DEBORAH KERR BOTH SING. TRULY A COLLECTORS
ITEM WITH ALL THE NOSTALGIA, OUTSHINES ALL
OTHER ATTEMPTS TO RE-MASTER THIS MAGNIFICANT
MUSIC.
The King and I--a distinguished, beautiful score laced with tenderness and sorrow.......2007-04-08
The CD starts off with the music for the "main title" of the film; and this also serves as an appetizer to whet out appetites for what's to come. "I Whistle A Happy Tune" gives us Marni Nixon singing the vocals for Deborah Kerr; the melody is infectiously catchy; this song is one of the highlights of the CD. "My Lord And Master," performed by Leona Gordon who sang the vocals for Rita Moreno, is another masterpiece with a softness to it that belies the pain Rita's character Tuptim feels because she is separated from her one true love. "The March Of The Siamese Children" is performed by the 20th Century Fox Orchestra to perfection without a single superfluous note; the melody infuses this number with an Asian flavor as well.
Other gems on this CD--and that would, quite honestly, include every single track--include "Hello, Young Lovers" sung by Marni Nixon as Deborah Kerr's character Anna Leonowens laments a love gone awry back in England; the touching and heartrending "We Kiss In A Shadow;" Terry Saunders as Lady Thiang performing "Something Wonderful" with exceptional sensitivity and "Shall We Dance?" which is performed by Deborah Kerr, Marni Nixon and Yul Brynner. As you listen to numbers like "Shall We Dance?" that calls for Anna, played by Deborah Kerr, to speak and then sing, you will have a hard time discerning where Deborah Kerr leaves off speaking and Marni Nixon starts singing. It's THAT good.
As long as I include the words "Something Wonderful" when writing this review I must add that the extras you get are stupendous. As I stated above, the CD boasts much that the record album soundtrack never included. Indeed, we get music that didn't even make it to the final cut of the movie! I loved the beautiful and sensitive rendition of "The Small House Of Uncle Thomas" which was previously unreleased and "Shall I Tell You What I Think Of You" is a marvelous song--cut from the final edited edition of the film--that highlights Anna's contempt for the King's backward ways.
The CD package offers more still. Along with the CD comes a generous 32 page booklet with an extensive essay by Charles L. Granata that tells the history of both the stage play and the making of the stage play into a major motion picture at Fox. In addition, you get the song credits and there are rarely seen photographs as well.
The quality of the sound shines like solid gold. These performances reflect great sensitivity to the emotions each character felt. It is a special treat to listen to Yul Brynner's songs; he infuses each song and even every word with just the right emotions so that the listener experiences exactly what his character feels at every turn.
This CD is one of the very few that truly remind me of the old MGM logo which boasted of having "more stars than there are in the heavens." Indeed, five stars are nowhere near enough for this treasure. I highly recommend this CD for people who truly loved and appreciated The King And I both in its several onstage productions as well as on the big screen; and fans of show tunes will delight in this CD soundtrack with its' diamonds scattered broadly in all directions.
A fine King and I soundtrack reissue.......2007-02-10
I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.
This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.
In short, this is a superb presentation of a fine R&H film soundtrack.
great album.......2006-07-15
Average customer rating:
|
Russian Album
Anna Netrebko , Orchestra of the Mariinsky Theatre , and Valery Gergiev Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IZK4YE Release Date: 2007-01-09 |
Tracks:
- Iolanta: "Otago eto preide ne znala ni toski ya" (Iolanta)
- Twelve Songs op. 21: No. 7: "Zdes' khoroso" ("How beautiful it is here")
- Six Songs op. 4: No. 4: "Ne poy, krasavica" ("Oh, do not sing to me")
- The Tale of Tsar Saltan: Aria: "Tï, carevic, moy spasitel" (Swan Princess)
- The Snow Maiden: Scene and Aria: "A-u, a-u!" - "Akh, bednaya Sneguroaka,
- The Snow Maiden: Finale: "Velikiy car'! Sprosi menya sto raz" (Snow Maiden, Tsar, Misgir, Chorus)
- The Tsar's Bride: Scene and Aria: "Ivan Sergeyic, khoces'" (Marfa)
- Six Romances op. 38: No. 6: Pimpinella - Florentine Song "Yesli tï
- A Life for the Tsar: Cavatina and Rondo: "V pole, pole, cistoye glyazu" (Antonida)
- War and Peace: Aria: "Cudo, kak khorosa ona" (Natasha, Anatol, Sonya, Count Rostov)
- Francesca da Rimini: "O, ne riday, moy Paolo, ne nado ..." (Franceska)
- Eugene Onegin: Letter Scene: "Puskay pogibnu ya, no prezde" (Tatyana)
Amazon.com
This is a collection of well-to-lesser-known Russian arias by composers from Glinka to Prokofiev, with stops along the way for Tchaikovsky, Rimsky-Korsakov, and Rachmaninov. The lovely Anna Netrebko remains a glamorous singer, pure of voice, with always-musical phrasing and some exquisitely high soft singing. Particularly fine are a little-known Tchaikovsky Romance with castanets, bassoon, and piccolo adding color; the vivid, Italianate selection from Glinka's A Life for the Tsar; two lyrical Rachmaninov songs (here scored for orchestra); and the Letter Scene from Eugene Onegin, which is delivered with the drama of a true singing actress. Otherwise, many of the arias here are slow and have a certain sameness about them. Netrebko sometimes just sings instead of getting inside them. Netrebko's Italian output so far has been far more exciting, but it's great to have this Russian repertoire sung so beautifully on CD. --Robert LevineAlbum Description
After astonishing debuts as an unknown young singer, Anna Netrebko is now one of the world's favorite opera heroines. Now, for the first time, she's ready to lavish her pure, powerful voice on composers from her homeland, in a program of some of the most beautiful arias and songs in the Russian repertoire. Russian Songs is a deeply personal recording, made in the opera house where she first found stardom, St. Petersburg's Mariinsky Theatre, and conducted by Anna's mentor and friend who has championed her from the start: Valery Gergiev. This collection includes Anna in her signature role, Natasha from Prokofiev's War and Peace - which launched her career at the Metropolitan Opera in 2002. In addition. Anna gives listeners a taste of roles yet to come with Tatiana's letter scene from Tchaikovsky's Eugene Onegin. Anna Netrebko has made it her mission to bring opera to a wider public. Following the huge success of her last solo recording Sempre Libera and the acclaimed Salzburg La Traviata releases, Anna will show once again that she knows how to captivate audiences.Album Description
2006 album from this Russian Opera singer who has stunned critics and audiences alike with her good looks and heart-stopping voice. Features Netrebko tackling some of Russia's most esteemed musical works from composers such as Prokofiev, Rimsky-Korsakov, Rachmaninov and more. Universal.Customer Reviews:
Love of her home land.......2007-05-23
The beautiful warmth of her vocal range gives a brilliant tapestry of sound to the album, bringing to life the various characters she portrays ,with her penultimate portrayal of Natasha in Prokofiev's War and Peace,we can only hope to see her preform it one day for western audiences.
Many feel that Anna Netrebko lacks substance ,this I feel is unfair as she has many years to go to reach her peak ,this album shows that she has the range, the talent and the intelligence to make herself one of the greatest sopranos of all time
beautiful music.......2007-05-17
Great CD........2007-05-07
I love it when she sings in Russian!!.......2007-04-30
beauty and the beast.......2007-04-12
Average customer rating:
|
Art of Beverly
Beverly Sills Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000075A7K Release Date: 2002-11-12 |
Tracks:
- Mignon: Oui, Pour Ce Soir Je Suis Reine Des Fees...Je Suis Titania La Blonde
- Manon: Allons! Il Le Faut-Adieu, Notre Petite Table
- Manon: Je Marche Sur Tous Les Chemins-Obeissons Quand Leur Voix Appelle
- Louise: Depuis Le Jour
- Linda Di Chamounix: Ah! Tardai Troppo...O Luce Di Quest'Anima
- Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapito In Estasi
- I Puritani: Fini...Me Lassa!
- I Puritani: Vieni, Vieni Fra Queste Braccia
- Roberto Devereux: L'amor Suo Mi Fe' Beata
- Maria Stuarda: O Nube
- Anna Bolena: Cielo A' Miei Lunghi Spasimi-Coppia Iniqua
Tracks:
- Les Contes D'Hoffman: Les Oiseau Dans La Charmille
- Les Contes D'Hoffman: Elle A Fui, La Tourterelle
- Zaide: Ruhe Sanft, Mein Holdes Leben
- Der Opernball: Im Chambre Separee
- Die Lustige Witwe: Es Lebt' Eine Vilja
- The Ballad Of Baby Doe: Gold Is A Fine Thing
- Die Tote Stadt: Cluck, Das Mir Verblieb
- Daphen: Was Blendet So...Ich Komme...Ich Komme
- Sechs Lieder Op.19 No.2: Breit' uber Mein haupt Dein Schwarzes Haar
Customer Reviews:
WHAT CAN I SAY?.......2007-07-05
Rest in Peace Dear Bubbles (1929-July 2, 2007).......2007-07-03
I met this singer last fall in New York. A few months later, I saw her again hosting the opera quiz at the Met. Little did I know that about five months later, she would forever rest in the peace that she deserved for so long. Rest in peace Beverly. And brava...brava for the many years of wonderful singing that you gave us.
two beautiful discs!.......2007-02-18
Good example of the "Art of Beverly Sills".......2007-01-27
The first CD focuses on her operatic singing. The CD begins with a selection from Thomas' "Mignon," culminating in "Je suis Titania la blonde." Her voice is light and clear. She displays great agility. In the middle of this piece, she shows a decent but not great trill; she closes the "cut" with a series of terrific trills. Her ornamentation is nicely done.
Donizetti's "Linda di Chamounix" was another of Sills' characters. "Ah! Tardai troppo. . .O luce di quest'anima" features more clean vocalization. The florid singing is nicely done, with well sung high notes and additional sound trills. A very agile voice on display! From Donizetti's "Lucia di Lammermoor," Sills sings "Regnava nel silenzio. . .Quando rapito in estasi." Her voice is smooth. In the aria, she produces a set of trill after trill, each one well done, but in their totality almost overdone (I love trills, but there were almost too many!). "Quando rapito in estasi" is well sung, with much well done florid singing, with appoggiaturas, trills, and other ornamentation.
The remainder of the CD features selections from Bellini's "I Puritani," and Donizetti's "Roberto Devereux," "Maria Stuarda," and "Anna Bolena." I can say pretty much the same about these pieces as already stated before. Excellent technique, wonderful ornamentation.
The second CD begins with the redoubtable piece, sung by "Olympia," from Offenbach's "Les Contes d'Hoffmann." Well done, with good vocal effects, catching the mechanical aspects of the music. Other pieces on this side come from Mozart, Heuberger, Moore, Korngold, and so on.
One piece worth mentioning, because it captures her approach to a lighter work, from Lehar's "The Merry Widow." She sings the song for what it is, and does not overwhelm it with her voice. Compare with what Richard Tucker did to the enjoyable but rather light song, "What Now My Love?", when he essayed singing pop tunes. Enjoyable for the thrill of his voice; pretty grisly in terms of his overwhelming the music itself. That does not happen here; there is a certain pathos in Sills' singing, as warranted by the song. It suggests the range of her singing.
All in all, a good sampling of "The Art of Beverly Sills." Hearing her voice again after many years reinforces my preexisting view that she ranks as one of the best coloratura sopranos of the past fifty years. There are terrific contemporary singers who sing the same repertoire and do it well. But Beverly Sills certainly compares very well with them. If interested in an introduction to Sillsiana, this is a good place to start.
Claws.......2003-11-16
Average customer rating:
|
The Anna Russell Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027JD Release Date: 1991-07-26 |
Tracks:
- Introduction To The Concert (By the Women's Club President)
- How to Write Your Own Gilbert And Sullivan Opera
- Coloratura Aria 'Canto Dolciamente Pipo'
- British - Pure But Dull: 'I Love The Spring'
- Russian Folk Song: 'Da, Nyet, Da, Nyet'
- For Loud Singers With No Brains: 'Ah, Lover!'
- For Singers With Tremendous Artistry But No Voice: 'Schlumph; Je N'ai Pas La Plume De Ma Tante'
- For The Dramatic Soprano: 'Schreechenrauf'
- The Ring Of The Nibellungs (An Analysis)
Amazon.com
This set of Anna Russell's inspired satirical monologues should be labeled with a warning notice. Why? Because after listening to her whirlwind explication of Wagner's Ring Cycle, even the most confirmed Wagnerite will be unable to listen to the Ring for weeks to come. Just listening to Russell declare in an incredulous voice: "I'm not making this up, y'know" is enough to induce you to shed bucketloads of laughter-induced tears. Gilbert and Sullivan fans will find their heroes savaged in her concoction of a typical G&S product, complete with a soprano lead who "loves below her station." Other targets include "the nymphs and shepherds" style of quavery English singing, complete with "hey-nonny-nonny's," coloratura mad scenes, and much else, including Russian folk songs, like her "Da, nyet, da, nyet." This disc is packed with laughs, chuckles, smiles, and everything. --Dan DavisCustomer Reviews:
Intelligent and musical fun.-.......2007-01-13
The Genius of Anna Russell.......2006-03-15
If you enjoy laughing.........2006-02-23
This CD can probably also be enjoyed by those who have only a nodding acquaintance with opera, but may not be enjoyed by those who take opera with 100% seriousness.
Anna Russell strikes again!.......2005-10-14
Anna Russell is a SCREAM!.......2005-08-05
Average customer rating:
|
Baby Bach
Various Artists Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065VBH Release Date: 2002-05-07 |
Product Description
A collection of classical music specifically designed for babies 1 to 36 months. The Bach selections included in this recording have been softened so as not to frighten or startle young listeners and to make classical music accessible and pleasing. Since classical music has been shown to influence a child's verbal ability, creativity, intuition, and memory, this CD is a perfect tool to aid in your child's development. Musical selections include: Minuet in G from the Anna Magdalena Notebooks; Flute Sonata in E flat, third movement; Brandenburg Concerto no. two, third movement; Orchestral Suite no. four, Rejouissance; Brandenburg Concerto no. four, first movement; Flute Sonata in E flat, first movement; Toccata in D; Brandenburg Concerto no. five, third movement; Orchestral Suite no. two, Badinerie; Jesu, Joy of Man's Desiring; Orchestral Suite no. three in D, Air; Two Part Invention, no. one; Goldberg Variations, no. one; Goldberg Variations, no. four; Goldberg Variations, no. thirty; Goldberg Variations, Canons; and Brandenburg Concerto no. two, third movement. Age: Birth - 3 years Manufacturer: New Sound MusicCustomer Reviews:
Relaxing music for baby's bedtime.......2007-04-27
Baby loves this music!.......2007-02-17
yikes! would say any lover of classical music.......2007-01-05
I don't think babies need their music dumbed down to that degree.
Anyway, for the parent it's awful to hear. The beauty inherent in the muusic is completely lost, and replaced with whistles, goofy chimes, and plastic pianos. Absolutely horrible.
ANOTHER FANTASTIC CD.......2006-04-25
Excellent CD.......2005-10-12
Average customer rating:
|
Chitty Chitty Bang Bang
Robert B. Sherman Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001DMVXK Release Date: 2004-02-24 |
Tracks:
- Chitty Chitty Bang Bang
- You Two
- Toot Sweets
- Hushabye Mountain
- Me Ol' Bam-Boo
- Chitty Chitty Bang Bang
- Truly Scrumptious
- Chitty Chitty Bang Bang
- Lovely Lonely Man
- Posh!
- Hushabye Mountain (Reprise)
- The Roses of Success
- Chu-Chi Face
- Doll on a Music Box/Truly Scrumptious
- Chitty Chitty Bang Bang (Finale)
- Chitty Chitty Bang Bang (Main Title)
Amazon.com
1964 brought both triumph and ironic tragedy to English spy-turned-author Ian Fleming. The year that saw producer Cubby Broccoli's successful film adaptation of Goldfinger elevate the adventures of British secret agent James Bond into a four-decade-plus global phenomena and the publication of Fleming's most idiosyncratic work, the children's fantasy Chitty Chitty Bang Bang, was also the year the author succumbed to a heart attack. Broccoli (who'd acquired the Chitty rights along with Bond) shrewdly lured the Sherman Brothers away from Disney (where their musical successes included a pair of Oscars for Mary Poppins) to write a collection of songs for Fleming's magical tale of inventor Caractacus Potts (Poppins' star Dick Van Dyke) and the phantasmagorical flying car he and his children soar to adventure in. The Sherman's songs are among their best and most beloved, highlighted by the jaunty rhythmic rhymes of the title track, Van Dyke's energetic cane dance, "Me Ol' Bam-Boo," and his bittersweet children's lullaby, "Hushabye Mountain," all set to the magnificent, 90-piece orchestra arrangements of Irwin Kostal (Mary Poppins, West Side Story). Released in conjunction with MGM's double-disc DVD anniversary release, this new edition restores the album's tracks to their original 1968 format and features a new historical essay on the film that's become an enduring children's classic. --Jerry McCulleyCustomer Reviews:
Great Audio Quality from the Original Film.......2007-07-28
great substitute for the movie.......2007-03-21
Great music but less than great sound quality.......2007-03-09
Great Soundtrack.......2007-01-12
I always have a great time when I listen to it. My favourite
is the song when you hear Gerd Froebe singing. I hope futur brings such great Composers back as the Sherman brothers were. Not only loud boom - booms as Hans Zimmer or Howard Shore, for example, dare to present us today.
A most excellent soundtrack CD for a classic........2006-05-18
I took one star off, however, for the simple reason that these 16 tracks don't even add up to 40 minutes of audio, which is why the exclusion of the demos that are included on the 2-Disc DVD baffles me. I made myself a copy of the CD with both the songs from the CD and the demos from the DVD, and it came to just under 70 minutes. It'd be nice if in the future, a new soundtrack was released with the demos, or even just the full songs, including the instrumental breaks. It's about time these record companies started taking advantage of a CD's ability to hold up to 80 minutes of audio.
Despite any flaws, I wholeheartedly recommend this soundtrack to ANY fan of the film. It presents all of the classic songs in a satisfactory presentation, and is wonderfully nostalgic. The songs aren't as good as the songs you'll find in any great Disney classic, but they're still fantastic fun.
Average customer rating:
|
Wreck of the Day
Anna Nalick Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00061U64S Release Date: 2005-04-19 |
Tracks:
- Breathe (2 AM)
- Citadel
- Paper Bag
- Wreck Of The Day
- Satellite
- Forever Love (Digame)
- In The Rough
- In My Head
- Bleed
- Catalyst
- Consider This
Amazon.com
Twenty-year-old Anna Nalick is the rare artist who makes you want to grab pop music's wheels by the spokes so they'll stop spinning so fast. "Wait," the 11 songs on this debut disc say collectively to the newly initiated, "there's something substantial here." An onslaught of substance is more what it feels like, actually, and it grabs hold early. Though each of these songs is distinctive enough to avoid congealing with the others into a gorgeous glop of introspection, heavy sighs, and reflection, leadoff track and first single "Breathe (2 A.M.)" works small wonders as a flagship song. Its simple, lonely piano swirls into guitars that stop just short of rocking, allowing plenty of room for Nalick's unaffected voice to spill in. When it does, the music turns forest-thick and dreamy--influences run the Tori Amos indie singer-songwriter gamut, with streaks of Jewel and Alanis Morissette spiking out--but there's a naturalness and urgency to her singing that saves every chorus and verse from clouding over. Now that she's cautiously alighted into pop territory, sophisticated listeners will do well to dust off their welcome mats. --Tammy La GorceCustomer Reviews:
Breathe 2 AM..........2007-04-17
Strong, clear and pleasing.......2007-02-25
Not Bad..........2007-01-21
Just Breathe.......2006-11-28
I love this album!!.......2006-11-07
Latin Music:
- Aqui Esta el Merengue, Vol. 1
- Aqui Esta el Merengue, Vol. 2
- Aventurero
- Bano de Luna
- Bienvenido a La Vida
- Caetano Veloso
- Canciones de Fe Y Esperanza
- Cantan Corridos
- Cara A Cara
- Carino Nuevo
Latin Music
Heifetz Collection, Vol. 7 (1949-1951)
Music: Beethoven: Key to the Quartets / Emerson String Quart
Le Chant de Virgile (Classical Poetry in Renaissance Music)