15 Con Amor

1. No Quiero Vivir Ya Sin Tu Amor

2. Yo Comence la Broma

3. Vino Rojo

4. Secreto

5. Reflexiones de Mi Vida

6. Mandilon

7. Gorda Pac-Man

8. Llorar

9. Nos Pertenecemos

10. Dos Seres

11. Carino Bandolero

12. Triste Realidad

13. Sabor de Mi Piel

14. Te He Prometido

15. Aquella Que Se Mira

15 Con Amor,Yndio,EMI International,Latin,Latin Continuum,Latin Music,Latin Pop,Mexican

Classical Music for Children: A Toddler's Introduction to Classical Music

Average customer rating:

Awesome CD
He started dancing as soon as we put it on!
Better than baby einstein
great music at a great price
A Wonderful CD for all ages

Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Children's Music | Styles | Music

Educational | Children's Music | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Children's Favorites
Classics for Kids
Bernstein Favorites: Children's Classics
Pavarotti's Opera Made Easy-My Favourite Opera For Children
David Bowie Narrates Prokofiev's "Peter and the Wolf"

ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

Clair de Lune
Eine kleine Nachtmusik: Romance: Andante
Moonlight Sonata: Adagio sestonuto
Minute Waltz
On The Beautiful Blue Danube
The Nutcracker Suite: Russian Dance
El Amor Brujo: Danca del Terror
Grand Valse Brillante, Waltz No. 1 op. 18
Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
Goldberg Variations: Aria
The Nutcracker Suite: Chinese Dance
Symphony No. 7: Allegro molto
Symphony No. 94: Menuetto: Allegro molto
The Nutcracker Suite: March
Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.

Average customer rating:

Excellent Solo Debut
First rate album!
Phenomenal Player!

Jens Lindemann: Flying Solo
Eden Ahbez , Alexander Arutiunian , Samuel Barber , Fryderyk Chopin , Claude Debussy , George Gershwin , Percy Grainger , Jeno Hubay , Jens Lindemann , Franz Liszt , Fernando J. Obradors , Rob Parisi , Bobby Troup , Thomas (Fats) Waller , Clarence Williams , Brad Ellis , and Jennifer Snow
Manufacturer: Marquis Music
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Jens Lindemann: Rising Sun
Caprice - Alison Balsom
Bach: Works for Trumpet
Amanda
Music for Trumpet and Organ

ASIN: B00007JTXJ
Release Date: 2003-06-24

Tracks:

Girl With the Flaxen Hair
Handful of Keys
Sugar Blues
Vito
Amazing Grace Variations
Danny Boy
Three Preludes
Three Preludes (Continued)
Three Preludes (Continued)
Oh Quand Je Dors
Etude Op. 10, No. 2
Hejre Kati
Sure on This Shining Night
Nature Boy
Irish Washerwoman
Their Hearts Were Full of Spring
Nocturne Op. 9, No. 2
Al Amor
Del Cabello Mas Sutil
Con Amores, La Mi Madre
Elegy
Play That Funky Music

Product Description

As both a soloist and former lead trumpet of the world-renowned Canadian Brass for five years, Jens Lindemann has developed a critically acclaimed career as an international virtuoso. This new solo CD is a perfect showcase for his talent. He is accompanied by pianists Jennifer Snow and Brad Ellis.

Customer Reviews:

Excellent Solo Debut.......2006-09-12

Lindemann's musicality, technique, and showmanship is evident
here on a very high level. Of particular interest is
his very effective use of plunger to subtly modify his sound.
The Gershwin preludes are especially entertaining. He uses
the extreme high high register a bit more frequently than
I would wish, but with high range this strong, it's easy to
see why he would want to use it.

This is, overall, extremely musical playing. Minor quibbles
can be made about intonation in some spots, but the listener
will forgive these when the playing is so infectious and
the tone so fine. I found myself laughing on occasion because
I was having so much fun listening to what the artist was doing
with these pieces. It is apparent that Lindemann and his fine
accompanists were having a great time with this music. Buy this
disc and you will too.

First rate album!.......2006-03-06

Jens Lindemann really makes a name for himself with this album. Anyone who enjoys trumpet music will probably enjoy this. Jens is a true master at mixing jazz, pop and classical styles seamlessly. This album has a good mix of classical and jazz hits to suit anyone's taste. After first hearing Jens' beautiful tone when he played with the Canadian Brass, I was eagerly awaiting his first solo album. I had no idea his talent was so immense until I heard some of the songs on this album. His arrangement of Chopin's Etude No. 2 requires circular breathing for the entire piece. I think his variations on Amazing Grace are the best I've ever heard. There is even some insanely high stuff for those of you who like a little squealing now and then! ;)

Phenomenal Player!.......2005-12-01

Jens is one of the few trumpet players out there that can move with me a single note. There are some great tracks on this CD that showcase his technical brilliance, but most of the tracks show off his lyrical ability, especially the first track. My only personal complaint was with the choice of some of the 'pop' tracks - they just aren't really my kind of music, but Jens plays everything with wonderful clarity and fluidity (as expected).

Average customer rating:

Sanroma: Greatest Almost-Unknown Pianist of the Century

Piano Masters: Jesus Maria Sanroma

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Jesus Maria Sanroma, Vol. 2

ASIN: B00004R8MB
Release Date: 2000-04-25

Customer Reviews:

Sanroma: Greatest Almost-Unknown Pianist of the Century.......2005-02-26

Jesus Maria ("Choo Choo")Sanroma used to stay at our home in Coconut Grove (Miami), Florida..when on tour. My father was a Baldwin Piano dealer and Choo Choo was a Baldwin artist...and they were fast friends. He was master of the great Baldwin SD-10 concert grand piano. Both Jose Iturbi and Artur Rubenstein told my father that Sanroma was probably the best of all of them.
Unfortunately, his Gershwin tours, which were astounding, allowed illiterate classical snobs to discount his talents. However, within this album you will experience the fire and passion of this amazing artist. A great & kind man. And from, proudly, Purto Rican parentage.

Average customer rating:

"It reeks of music"
Salieri was no joke
Near worthless!
FALSTAFF: a good recording of Salieri's last operas!...
FALSTAFF: a good recording of Salieri's last operas!...

Salieri: Falstaff

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Cimarosa: L'Italiana in Londra
Farinelli

ASIN: B000005Z6S
Release Date: 1998-03-17

Tracks:

Falstaff: Overture - Allegro di controdanza
Falstaff: Act l - Scene 1 - Introduction (Falstaff, Mrs Ford, Mrs Slender, Slender, Guests) - 'Viva il comune amico' (Falstaff And Guests)
Falstaff: Act l - Scene 1 - 'Sia pur l'ultimo bicchiere' (Falstaff)
Falstaff: Act l - Scene 1 - 'Ma gia l'alba s'avvicina' (Mistress Ford)
Falstaff: Act l - Scene 2 - 'Vedete che capriccio...' (Bardolf)
Falstaff: Act l - Scene 2 - 'Non reggo piu dal sonno...' (Bardolf)
Falstaff: Act l - Scene 3 - 'Mangiar da principe...' (Bardolf) - Duet (Falstaff, Bardolf) - 'Con molta degnazione' (Falstaff)
Falstaff: Act l - Scene 3 - 'Da scrivere...' (Falstaff)
Falstaff: Act l - Scene 4 - 'Li porto o non li porto?...' (Bardolf)
Falstaff: Act l - Scene 5 - 'Vicino a rivedere' (Ford) - 'Di dubitar di lei non ho motive...' (Ford)
Falstaff: Act l - Scene 6 - 'Oh, tinozzo ambulante!...' (Mistress Slender)
Falstaff: Act l - Scene 6 - 'Vendetta, si vendetta' (Mistress Slender)
Falstaff: Act l - Scene 6 - 'Comare, in questo punto...' (Mistress Slender)
Falstaff: Act l - Scene 6 - Duet (Mistress Ford, Mistress Slender) - 'La stessa, la stessissima' (Mistress Slender)
Falstaff: Act l - Scene 6 - 'Ma parlando sul serio...' (Mistress Slender)
Falstaff: Act l - Scene 7 - 'Ho capito, ma spero che non sara poi vero...' (Slender)
Falstaff: Act l - Scene 8 - Quartet (Mistress Ford, Mistress Slender, Ford, Slender) - 'Oh, quanto vogliam ridere' (Mistress Ford)
Falstaff: Act l - Scene 9 - 'Eh! Mia moglie, compare...' (Ford)
Falstaff: Act l - Scene 9 - 'Venga, venga pure il cavaliere' (Slender)
Falstaff: Act l - Scene 10 - 'A un uom della mia sorte...' (Falstaff)
Falstaff: Act l - Scene 11 - 'Guten morgen, mein Herr...'(Mistress Ford)
Falstaff: Act l - Scene 11 - 'Oh, die Manner kenn ich schon' (Mistress Ford)
Falstaff: Act l - Scene 12 - 'E che ti par, Falstaff?...' (Falstaff)
Falstaff: Act l - Scene 12 - 'Nell'impero di Cupido' (Falstaff)
Falstaff: Act l - Scene 12 - 'Ah, vile! Ah seduttore!...' (Ford) - 'Or degli affanni i palpiti' (Ford)
Falstaff: Act l - Scene 13 - 'Restate la vicini...' (Mistress Ford)
Falstaff: Act l - Scene 14 - 'Bricconcella, alfin t'ho colta' (Falstaff)

Tracks:

Falstaff: Act l - Scene 14 - 'Si. Son geloso a torto' (Ford)
Falstaff: Act ll - Scene 1 - 'Sentite pure...' (Betty)
Falstaff: Act ll - Scene 1 - Trio (Betty, Mistress Ford, Mistress Slender) - 'Nell'acqua il buzzone' (Betty) - 'Questa a buon conto...' (Mistress Ford)
Falstaff: Act ll - Scene 2 - 'Ehi! Bardolfo! A chi dico?...' (Falstaff) - Scene 3 - 'Corpo di Satanasso!...' (Falstaff)
Falstaff: Act ll - Scene 4 - 'E preparato?...' (Falstaff) - Duet (Betty, Falstaff) - 'Ah, Signore, se sapesse' (Betty)
Falstaff: Act ll - Scene 4 - 'Si degni almen di legger questo foglio...' (Betty)
Falstaff: Act ll - Scene 4 - Trio (Betty, falstaff, Bardolf) - 'Si mi vedeste il core' (Falstaff)
Falstaff: Act ll - Scene 5 - 'E il nostro Signor Broch...' (Falstaff) - Scene 6 - 'Il Signor Broch vi attende...' (Bardolf)
Falstaff: Act ll - Scene 7 - 'Se un pranzo non vi basta...' (Ford)
Falstaff: Act ll - Scene 7 - 'Che sento!... E quando ei venne...' (Ford) - 'Or dunque quella bestia...' (Falstaff)
Falstaff: Act ll - Scene 7 - Cavatina (Falstaff, Ford) - 'Nella stanza in un cantone' (Falstaff) - 'Or, quando fui nel cesto...' (Falstaff)
Falstaff: Act ll - Scene 7 - 'Io, sotto titolo di roba sudicia' (Falstaff)
Falstaff: Act ll - Scene 7 - 'Signor, son penetrato del piu vivo dolor...' (Ford)
Falstaff: Act ll - Scene 8 - 'Stelle sogno o son desto?...' (Falstaff) - 'Furie che mi agitate' (Falstaff)
Falstaff: Act ll - Scene 9 - 'Presto Betty, che torna gia l'amico...' (Mistress Ford) - Duet (Mistress Ford, Falstaff) - 'Su, mio core, a gioir ti prepara!' (Mistress Ford)
Falstaff: Act ll - Scene 10 - 'Ma siam sicuri?...' (Falstaff) - Scene 11 - 'Ehi, comare presto!...' (Mistress Slender) - Duettino (Mistress Ford, Falstaff) - 'Pre carita, celatevi' (Mistress Ford)
Falstaff: Act ll - Scene 11 - 'Siete sola?...' (Mistress Slender)
Falstaff: Act ll - Scene 11 - Trio (Mistress Ford, Mistress Slender, Falstaff) - 'Primo ancor che Mastro venga' (Falstaff)
Falstaff: Act ll - Scene 11 - 'Ma dunque, care amiche?...' (Falstaff) - Scene 12 - 'Ha, ha! Sarebbe bella se cosi travestito...' (Mistress Ford)
Falstaff: Act ll - Scene 13 - 'Ecco, amici! Ah! Ribaldo!...' (Ford)
Falstaff: Act ll - Scene 13 - Ensemble (Betty, Mistress Ford, Mistress Slender, Ford, Slender, Friends) - 'Che vedo! Oh, me infelice!' (Mrs Ford)
Falstaff: Act ll - Scene 13 - 'Orben, colui che cerco...' (Ford)
Falstaff: Act ll - Scene 13 - Duet (Mistress Ford, Mistress Slender) - 'Benedetto quel bastone' (Tutti)
Falstaff: Act ll - Scene 14 - 'Sorte pettegola, meco la vuoi' (Falstaff)
Falstaff: Act ll - Scene 15 - 'Se in Londra si sapessero le mie delusioni...' (Falstaff)
Falstaff: Act ll - Scene 15 - 'La sua fede si gradita' (Ford)
Falstaff: Act ll - Scene 15 - 'Sorte pettegola, meco la vuoi' (Falstaff) - 'Chi dite mai?...' (Ford) - 'Sorte pettegola, meco la vuoi' (Falstaff)
Falstaff: Act ll - Scene 16 - 'Che dici?...' (Falstaff)
Falstaff: Act ll - Scene 16 - 'Consolatevi amico...' (Falstaff)
Falstaff: Act ll - Scene 17 - Aria (Slender, Echo) - 'reca in amor la gelosia' (Slender) - 'Zitto: vien qualchedun...' (Slender)
Falstaff: Act ll - Scene 17 - Finale (Mistress Ford, Mistress Slender, Falstaff, Ford, Slender, Spirits) - 'Siete gia qui' (Slender)
Falstaff: Act ll - Scene 17 - 'Fate verdi, turchine e bianche e nere' (Mistress Ford)

Amazon.com

Amadeus, a great movie, made Antonio Salieri a sort of celebrity, but in terms of his value as a composer, it was misleading. This first recording, long overdue and very welcome, should help readjust Salieri's reputation. By far the best opera based on Shakespeare's The Merry Wives of Windsor, is Verdi's Falstaff. But the lazy, cowardly, greedy, overweight, alcohol-soaked, sexually predatory, and somehow (despite everything) endearing antihero is big enough for more than one opera. Salieri's Falstaff is much simpler and smaller in scale than Verdi's, less inventive and energetic. But this is a sophisticated, funny, brightly performed treatment of Falstaff's attempt to woo two married women with identical love notes. --Joe McLellan

Customer Reviews:

"It reeks of music".......2002-05-03

Salieri's "Falstaff, ossia le tre burli" ("Falstaff, or the three hoaxes"), to a libretto by Carlo Prospero Gianfranceschi, was first performed in Vienna in 1799, making it one of his last operas. It is a "dramma giocoso"..., that is, an opera buffa with some serious elements. This is an interesting time in the history of Italian opera -- Mozart's great operas were almost a decade in the past, and Rossini's about a decade away. Stylistically, though, we are closer to the classical than the bel canto. The various ensembles (including extended finales to each of the two acts) are reminiscent of Mozart -- Salieri obviously learned much from his great contemporary. Some of the numbers, too, have an element of opera seria parody, just as we find, say, in Fiordiligi's aria "Come scoglio" in "Cosi fan tutte".

While it must be admitted that Salieri does not muster the depth of pscyhological insight into character that is a hallmark of Mozart's greatness, nor the effervescent sparkle which enlivens Rossini's comic operas, this is nonetheless a delightful work, which should give pleasure to anyone who enjoys the late classical Viennese style.

If you wish to sample this lovely fare, try the lively Overture, which is a rondo based on a contredanse theme, that makes prominent use of the woodwinds, and ends in a blaze of glory a la Beethoven (who was, of course, Salieri's pupil). Another highglight is Falstaff's Act I aria ("Nell'impero di Cupido"), which is somewhat reminiscent of Bartolo's Act I aria in "Figaro" and even seems to look ahead to some of Rossini's buffo patter songs (I am thinking in particular of Don Magnifico's Act III aria in "Cenerentola").

The performance here, by authentic Italian forces, does justice to the idiomatic character of classical Italian opera buffa. So much of the action takes place in secco recitatives -- those bits of quasi-sung, quasi-spoken dialogue accompanied only by basso continuo -- and it is essential, as here, that the singers impart the nuance of the Italian language to it. The wonderful ensemble is ably supported by Alberto Veronesi and his Milanese forces. (An odd feature I noticed is that the continuo instrument in the recitatives is a fortepiano, whereas in the musical numbers it is a harpsichord. Is this supposed to be an authentic touch? There is no explanation in the notes.)

I wish to single out in particular the brilliant Florentine baritone, Romano Franceschetto, who carries on the great tradition of buffo baritones such as Giuseppe Taddei, Sesto Bruscantini, and more recently Claudio Desderi, who brings an acute, agile, intelligent mind and voice to his musical numbers and who does a beautiful job in the recitatives. In fact listening to the recitatives I almost thought I was listening to Bruscantini or Taddei.

Gluck is supposed to have said of a piece of Salieri's, "Puzza di musica" -- "It reeks of music" -- and if you listen to this recording you will understand why Gluck held his disciple in such esteem. It is worth noting that Salieri held the most important musical job in Europe -- court composer to the Habsburg Imperial court -- and numbered Gluck, Haydn, and Mozart as friends and colleagues, and Beethoven, Schubert, Hummel, and Liszt as pupils. If you want to get an insight into this interesting composer, who lived at such a pivotal time in the history of music and made his small but not trivial contribution to it, forget "Amadeus", try this recording. It will have you asking for more.

Salieri was no joke.......2001-08-13

Despite our compatriot's words to the contrary, Antonio Salieri was a magnificent composer who has composed some of the most moving scenes in all of operatic music. It is unfair to compare any musician to another since each musician has his/her own way of viewing a work and approaching that work. Mozart, obviously, would have taken a different approach to Falstaff just as Handel, Bach, Beethoven, Ligeti, or even Durufle would have taken. Each composer is unique and as true music lovers we must respect this and also respect Salieri's important, yet, unfortunately, mostly forgotten gargantuan comtribution to classical music.

Near worthless!.......2000-05-10

How can one listen to this work without comparing it to those of Mozart? I couldn't, and it's like comparing sewer water to a fine red wine- there is no comparision.

This opera is completely dull, uninspiring, unimaginitve, and just plain boring! I much prefer the classical period to that of the romantic, but i also much prefer Verdi's Falstaff to this one.

While it is true Amadeus exaggerated the rivilary between Mozart and Salieri, Salieri's jealousy was very much real. He did recognize Mozart's devine talent.

Furthermore, Salieri was not the incompetent composer Amadeus made him out to be. In fact, for that time period he was very compentent and as good as almost all the other composers of his day. The problem? Mozart far exceeded anything composers of that day, or since could put out! It always amazing me that Salieri and many composers were paid twice as much as Mozart for turning out work that was half as genious, half as brilliant, have as imaginative, and have as miraculous as Mozart's music was. Furthermore, Mozart was offered commissions (many) only after Salieri first turned them down.

The Marriage of Figaro and Don Giovanni - arguably the two greatest operas ever composeed, failed in Vienna- while the operas of Salieri were smash hits! The "musical capital" of the world was totally inept when it came to recognizing great music! Most people don't know it, but the premiere of Figaro in Prague was one of the greatest triumphs in operatic history. Mozart was thrilled and wrote in symphony in honor of the people of Prague. That led to the commission of Don Giovanni, which was a triumph as well in Prague, but failed in Vienna upon it's transfer there prompting Mozart to declare, "My Praguers, they understand me."

There is a reason why Mozart is regarded as the greatest. Mozart is simply stunning beauty and perfection with no equal.

This opera is near garbage. Salieri's Axur is quite nice- but still far from the level of Mozart.

Salieri was envious of Mozart- and with good reason. And for that reason- Salieri was a smart man. In a time when Vienna tossed their great musical gift (Mozart) by the wayside, Salieri recognized it.

If you don't have all Mozart operas- get them first!

FALSTAFF: a good recording of Salieri's last operas!..........2000-03-24

A worthwhile issue of an opera composer whose dozens of works (i.e. Axur, re d'Ormus, Les Danaides, La Locandiera, etc.) are still little-known. A good recording of the Salieri's comedy, I enjoyed it. The arias are few, the ensembles many with complicated finales. However, I loved this recording wich embraces a remarkable teamwork, and is full of life and fun. It is very much an 18th-century opera buffa which takes liberties with Shakespeare's original (no Anne and Fenton; Mrs. Ford visits Falstaff disguised as a German woman - an excuse for comic mixture of German and Italian dialogue; only the Fords run any risk of marital separation) but which offers several enjoyable parodies of opera seria conventions. Falstaff, is one of Salieri's last operas (Vienna, 1799), and one of the first to derive its plot from Shakespeare's The Merry Wives of Windsor (later composers like Adolphe-Charles Adam, and Guisseppe Verdi composed operas on the same subject during the 19th century). The music of Salieri has remained forgotten (besides the fictional treatment of Salieri's supposed rivalry with Mozart in Peter Shaffer's study of jealousy, Amadeus), his name a foot-note in the lives of his pupils Beethoven and Schubert.

FALSTAFF: a good recording of Salieri's last operas!..........2000-03-24

Average customer rating:

The Mozart Collection [Box Set]

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set)
Mendelssohn: The Masterworks [Box Set]
Beethoven: The Complete Symphonies and Piano Concertos
Bach: Complete Works - 155 CD Box Set

ASIN: B000ASAEQ2
Release Date: 2005-11-08

Tracks:

I. Allegro Con Spirito - Leonard Bernstein
II. Andante - Leonard Bernstein
III. Menuetto-Trio - Leonard Bernstein
IV. Finale. Presto - Leonard Bernstein
I. Adagio-Allegro Spiritoso - Leonard Bernstein
II. Andante - Leonard Bernstein
III. Menuetto-Trio - Leonard Bernstein
IV. Presto - Leonard Bernstein
I. Molto Allegro - Leonard Bernstein
II. Andante - Leonard Bernstein
III. Menuetto: Allegretto-Trio - Leonard Bernstein
IV. Allegro Assai - Leonard Bernstein

Tracks:

I. Adagio-Allegro - Berliner Philharmoniker
II. Andante - Berliner Philharmoniker
III. Finale: Presto - Berliner Philharmoniker
I. Adagio-Allegro - Berliner Philharmoniker
II. Andante Con Moto - Berliner Philharmoniker
III. Menuetto: Allegretto-Trio - Berliner Philharmoniker
IV. Finale: Allegro - Berliner Philharmoniker
I. Allegro Vivace - Berliner Philharmoniker
II. Andante Cantabile - Berliner Philharmoniker
III. Menuetto: Allegretto-Trio - Berliner Philharmoniker
IV. Molto Allegro - Berliner Philharmoniker

Tracks:

I. Allegro - Alfred Brendel
II. Romance - Alfred Brendel
III. Rondo (Allegro Assai) - Alfred Brendel
I. Allegro - Alfred Brendel
II. Adagio - Alfred Brendel
III. Allegro Assai - Alfred Brendel
Allegretto Grazioso - Alfred Brendel
Adagio - Alfred Brendel
Allegro - Alfred Brendel
Concert Rondo In A Major, K. 386 - Alfred Brendel

Tracks:

I. Allegro Vivace - Maria Joao Pires
II. Andantino - Maria Joao Pires
III. Allegro Ma Non Troppo - Maria Joao Pires
I. Allegro - Maria Joao Pires
II. Andante - Maria Joao Pires
III. Allegretto - Maria Joao Pires
I. Allegro - Maria Joao Pires
II. Andante - Maria Joao Pires
III. Allegro Vivace Assai - Maria Joao Pires

Tracks:

I. Allegro - Gidon Kremer
II. Adagio - Gidon Kremer
III. Rondeau: Allegro - Gidon Kremer
I. Allegro - Gidon Kremer
II. Andante Cantabile - Gidon Kremer
III. Rondeau: Andante Grazioso - Gidon Kremer
I. Allegro Aperto - Gidon Kremer
II. Adagio - Gidon Kremer
III. Rondeau: Tempo Di Menuetto - Gidon Kremer

Tracks:

I. Allegro Maestoso - Itzhak Perlman
II. Andante - Itzhak Perlman
III. Presto - Itzhak Perlman
I. Allegro Spiritoso - Itzhak Perlman
II. Andante Grazioso - Itzhak Perlman
III. Tempo Di Menuetto: Vivace - Itzhak Perlman

Tracks:

I. Allegro - English Chamber Orchestra
II. Rondo: Allegro - English Chamber Orchestra
I. Allegro Maestoso - English Chamber Orchestra
II. Andante - English Chamber Orchestra
III. Rondo - English Chamber Orchestra
I. Allegro - English Chamber Orchestra
II. Romance: Larghetto - English Chamber Orchestra
III. Allegro - English Chamber Orchestra
I. Allegro Moderato - English Chamber Orchestra
II. Romanza: Andante - English Chamber Orchestra
III. Rondo: Allegro Vivace - English Chamber Orchestra
Fragment In E Flat Major, K.370b - English Chamber Orchestra
Rondo In E Flat Major, K. 371 - English Chamber Orchestra
Rondo In D Major, K. 514 - English Chamber Orchestra
Fragment In E Major K. Anh. 98a - English Chamber Orchestra

Tracks:

I. Allegro - Nicanor Zabaleta
II. Andantino - Nicanor Zabaleta
III. Rondeau: Allegro - Nicanor Zabaleta
I. Allegro Maestoso - Werner Tripp
II. Adagio Ma Non Troppo - Werner Tripp
III. Rondeau: Temop Di Menuetto - Werner Tripp
I. Allegro - Dietmar Zemen
II. Andante Ma Adagio - Dietmar Zemen
III. Rondo: Tempo Di Menuetto - Dietmar Zemen

Tracks:

I. Allegro - Jack Brymer
II. Adagio - Jack Brymer
III. Rondo: Allegro - Jack Brymer
I. Allegro - Jack Brymer
II. Larghetto - Jack Brymer
III. Menuetto - Jack Brymer
IV. Allegretto Con Variazioni - Jack Brymer

Tracks:

I. Allegro - Sir Neville Marriner
II. Romance: Andante - Sir Neville Marriner
III. Menuetto: Allegretto - Sir Neville Marriner
IV. Rondo: Allegro - Sir Neville Marriner
I. Adagio Maestoso-Allegro Con Spirito - Sir Neville Marriner
II. Menuetto: Allegretto - Sir Neville Marriner
III. Concertante: Andante Grazioso - Sir Neville Marriner
IV. Rondeau: Allegro Ma Non Troppo - Sir Neville Marriner
V. Andantino - Sir Neville Marriner
VI. Menuetto - Sir Neville Marriner
VII. Finale: Presto - Sir Neville Marriner
I. Marcia: Maestoso - Sir Neville Marriner
II. Menuetto - Sir Neville Marriner
III. Rondeau: Allegretto - Sir Neville Marriner

Tracks:

I. Largo-Molto Allegro - Orpheus Chamber Orchestra
II. Menuetto-Trio I-Trio II - Orpheus Chamber Orchestra
III. Adagio - Orpheus Chamber Orchestra
IV. Menuetto: Allegretto-Trio I-Trio II - Orpheus Chamber Orchestra
V. Romance: Adagio-Allegretto-Adagio - Orpheus Chamber Orchestra
VI. Tema Con Variazioni: Andante - Orpheus Chamber Orchestra
Var. I - Orpheus Chamber Orchestra
Var. II - Orpheus Chamber Orchestra
Var. III - Orpheus Chamber Orchestra
Var. IV - Orpheus Chamber Orchestra
Var. V: Adagio - Orpheus Chamber Orchestra
Var. VI: Allegro - Orpheus Chamber Orchestra
VII. Finale: Molto Allegro - Orpheus Chamber Orchestra
I. Allegro Maestoso - Orpheus Chamber Orchestra
II. Menuetto I-Trio - Orpheus Chamber Orchestra
III. Adagio - Orpheus Chamber Orchestra
IV. Menuetto II-Trio - Orpheus Chamber Orchestra
V. Finale: Allegro - Orpheus Chamber Orchestra

Tracks:

I. Largo-Allegro Moderato - Vladimir Ashkenazy
II. Larghetto - Vladimir Ashkenazy
III. Rondo: Allegretto - Vladimir Ashkenazy
I. Allegro - Sir Georg Solti
II. Andante - Sir Georg Solti
III. Rondo: Allegro - Sir Georg Solti
I. Allegro Con Spirito - Vladimir Ashkenazy
II. Andante - Vladimir Ashkenazy
III. Molto Allegro - Vladimir Ashkenazy

Tracks:

I. Allegro Moderato - Emerson String Quartet
II. Andante - Emerson String Quartet
III. Menuetto: Allegretto - Emerson String Quartet
IV. Allegretto Ma Non Troppo-Piu Allegro - Emerson String Quartet
I. Allegro Vivace Assai - Emerson String Quartet
II. Menuetto: Moderato - Emerson String Quartet
III. Adagio - Emerson String Quartet
IV. Allegro Assai - Emerson String Quartet
I. Adagio-Allegro - Emerson String Quartet
II. Andante Cantabile - Emerson String Quartet
III. Menuetto: Allegro - Emerson String Quartet
IV. Allegro Molto - Emerson String Quartet

Tracks:

I. Allegro Con Spirito - Daniel Barenboim
II. Allegro - Daniel Barenboim
II. Allegro - Daniel Barenboim
II. Tempo Di Menuetto - Daniel Barenboim
I. Allegro Moderato - Daniel Barenboim
II. Andantino Sostenuto E Cantabile - Daniel Barenboim
III. Rondeau: Allegro - Daniel Barenboim
I. Molto Allegro - Daniel Barenboim
II. Andante - Daniel Barenboim
III. Presto - Daniel Barenboim

Tracks:

I. Tema: Andante Grazioso-Var. I-VI - Mitsuko Uchida
II. Menuetto-Trio - Mitsuko Uchida
III. Alla Turca: Allegretto - Mitsuko Uchida
I. Allegro - Mitsuko Uchida
II. Adagio - Mitsuko Uchida
III. Allegro Assai - Mitsuko Uchida
Andante-Adagio-Presto-Tempo Primo-Allegretto - Mitsuko Uchida
I. Allegro Maestoso - Mitsuko Uchida
II. Andante Cantabile Con Espressione - Mitsuko Uchida
III. Presto - Mitsuko Uchida

Tracks:

No.3 Aria: 'Ruhe Sanft, Mein Holdes Leben' - Kiri Te Kanawa
Recitative And No.1 Aria: 'Quando Avran Fine Omai-Padre, Germani, Addio!' - Anna Netrebko
Recitative: 'Qual Mi Conturba I Sensi' - Placido Domingo
No.12b Aria: 'Fuor Del Mar' - Placido Domingo
No.29 Recitative And Aria: 'Oh Smania! Oh Furie!-D'Oreste, D'Aiace' - Edita Gruberova
No.30 Reciotative: 'Popoli, A Voi L'Ultima Legge' - Edita Gruberova
No.30a Aria: 'Torna La Pace Al Core' - Edita Gruberova
No.4 Recitative And Aria: Konstanze, Dich Wiederzusehen-O Wie Angstlich, O Wie Feurig' - Fritz Wunderlich
No.8 Aria: 'Durch Zartlichkeit Und Schmeicheln' - Kathleen Battle
No.11 Aria: 'Martern Aller Arten' - Kathleen Battle
No.14 Duet: 'Vivat Bacchus! Bacchus Lebe!' - Kathleen Battle
No.19 Aria: 'Ha! Wie Will Ich Triumphieren' - Kathleen Battle
No.2 Aria: 'Der Vogelfanger Bin ich Ja' - Hermann Prey
No.3 Aria: 'Dies Bildnis Ist Bezaubernd Schon' - Fritz Wunderlich
No.4 Recitative And Aria: 'O Zittre Nicht, Mein Lieber Sohn!-Zuym Leiden Bin Ich Auserkoren' - Sumi Jo
No.10 Aria: 'O Isis Und Osiris' - Sumi Jo
No.14 Aria: 'Der Holle Rache...' - Sumi Jo
No.21 Finale (Excerpt): 'Pa-Pa-Papagena!' - Cecilia Bartoli

Tracks:

No.1 Aria: 'Al Destin, Che La Minaccia' - Natalie Dessay
No.23 Aria: 'Se Di Regnar Sei Vago' - Juan Diego Florez
No.9 Aria: 'Non Piu Andrai, Farfallone Amoroso' - Anne Sofie Von Otter
No.6 Aria: 'Se Di Regnar Sei Vago' - Anne Sofie Von Otter
No.11 Cavatina: 'Porgi, Amor, Qualche Ristoro' - Gundula Janowitz
No.12 Aria: 'Voi Che Sapete Che Cosa E Amor' - Annie Sofie Von Otter
No.20 Aria: 'Dove Sono I Bei Momenti' - Gundula Janowitz
No.28 Recitative And Aria: 'Giunse Alfin Il Momento-Deh Vieni, Non Tardar' - Dawn Upshaw
No.7 Duettino: 'La Ci Darem La Mano' - Cecilia Bartoli
No.10 Aria: 'Or Sai Chi L'Onore' - Bryn Terfel
No.11 Aria: 'Fin Ch'Han Dal Vino' - Bryn Terfel
No.12 Aria: 'Batti, Batti, O Bel Masetto' - Cecilia Bartoli
No.21b Recitative And Aria: 'In Quali Eccessi, O Numi-Mi Tradi Quell'Alma Ingrata' - Renee Fleming
No.23 Recitative And Aria: 'Crudele?-Ah No, Mio Bene!-Non Mi Dir Bell'Idol Mio' - Anna Netrebko
No.24 Finale II (Excerpt): 'Gia La Mensa E Preparata' - Michele Pertusi
No.10 Terzettino: 'Soave Sia Il Vento' - Rolando Panerai
No.11 Aria: 'Smanie Implacabili Che M'Agitate' - Rolando Panerai
No.14 Aria: 'Come Scoglio Immoto Resta' - Rolando Panerai

Tracks:

Requiem Aeternam - Barbara Bonney
II. Kyrie - Barbara Bonney
I. Dies Irae - Barbara Bonney
II. Tuba Mirum - Barbara Bonney
III. Rex Temendae - Barbara Bonney
IV. Recordare - Barbara Bonney
V. Confutatis - Barbara Bonney
VI. Lacrimosa - Barbara Bonney
I. Domine Jesu - Barbara Bonney
II. Hostias - Barbara Bonney
V. Sanctus - Barbara Bonney
VI. Benedictus - Barbara Bonney
VII. Agnus Dei - Barbara Bonney
Lux Aeterna - Barbara Bonney

Tracks:

I. Kyrie (Andante Moderato) - Peter Schreier
Gloria In Excelsis Deo (Allegro Vivace) - Peter Schreier
Laudamus Te (Allegro Aperto) - Peter Schreier
Gratias Agimus Tibi (Adagio) - Peter Schreier
Domine Deus (Allegro Moderato) - Peter Schreier
Qui Tollis Peccata Mundi (Largo) - Peter Schreier
Quoniam Tu Solus Sanctus (Allegro) - Peter Schreier
Jesu Christe (Adagio) - Peter Schreier
Cum Sancto Spiritu - Peter Schreier
Credo In Unum Deum (Allegro Maestoso) - Peter Schreier
Et Incarnatus Est (Andante) - Peter Schreier
IV. Sanctus (Largo) - Peter Schreier
V. Benedictus (Allegro Comodo) - Peter Schreier
Adagio And Fugue For Strings In C Minor, K. 546 - Berliner Philharmoniker

Tracks:

Dixit Dominus - London Symphony Chorus
Confitebor - London Symphony Chorus
Beatus Vir - London Symphony Chorus
Laudate Pueri - London Symphony Chorus
Laudate Dominum - London Symphony Chorus
Magnificat - London Symphony Chorus
Kyrie In D Minor, K. 341 - London Symphony Chorus
Ave Verum Corpus, K. 618 - London Symphony Chorus
Exsultate, Jubilate, K. 165 - London Symphony Chorus

Average customer rating:

This Makes You Want MORE MOZART!

No. 1 Mozart Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

The Decca Records Store | Specialty Stores | Music
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#1 Beethoven Album
#1 Bach Album

ASIN: B00009P1MV
Release Date: 2003-07-01

Tracks:

Allegro - Sir Neville Marriner
Allegro - Mitsuko Uchida
Alla Turca (Allegretto) - Christoph Eschenbach
Finale (Presto) - Nikolaus Harnoncourt
Rondeau (Allegro) - Gidon Kremer
Allegretto Con Variazioni - David Shifrin
Molto Allegro - Sir Neville Marriner
Rondo (Allegro Vivace) - Anthony Halstead
Andante - Geza Anda
Rondeau: Allegro - Daniel Barenboim
Presto - Academy Of St. Martin-In-The-Fields Chamber Ensemble
Allegro - Rudolf Serkin
Finale (Molto Allegro) - Jack Brymer

Tracks:

Allegro Vivace - Berlin Philharmonic
Alleluia - Margaret Marshall
Sinfonia - Sir Neville Marriner
Non Piu Andrai - English Baroque Soloists
Voi Che Sapete - Agnes Baltsa
Che Soave Zeffiretto - Barbara Hendricks
Porgi, Amor, Qualche Ristoro - Kiri Te Kanawa
Deh Vieni, Non Tardar - English Baroque Soloists
La Ci Darem La Mano - Marie McLaughlin
Il Mio Tesoro Intanto - Francisco Ariaza
Soave Sia Il Vento - Kiri Te Kanawa
Overture - Sir Neville Marriner
Der Vogelfanger Bin Ich Ja - Olaf Bar
Der Holle Rache Kocht In Meinem Herzen - Cheryl Studer
In Diesen Heil'Gen Hallen - Samuel Ramey
Ach Ich Fuhl's - Kiri Te Kanawa
Pa-Pa-Pa-Pa-Pa-Pa Papagena! - Olaf Bar
Introitus: Requiem - Barbara Bonney
Kyrie - Barbara Bonney
Sequentia: Dies Irae - Barbara Bonney

Customer Reviews:

This Makes You Want MORE MOZART!.......2006-08-13

This is excellent for
a) people whom haven't really heard much Mozart and
b) those whom are "easing back into" his music.
I fit into the latter category. I recently watched Amadeus for the first time and was STAGGERED by the movie...as fictional as it may well be.
I just HAD to have more than my modest collection of his piano works, and this 2-disc set is PERFECT!
Also, I was never too much into Opera, and THIS collection helped cure me of that as well! Just enough highlights to intrigue...

Average customer rating:

Classical Legends

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B000076HTH
Release Date: 2003-05-06

Tracks:

I. Allegro - Nigel Kennedy
The Heart Asks Pleasure First/The Promise - Michael Nyman
II. Andantino (Extract) - James Galway
L'amour Est Un Oiseau Rebelle (Habanera) - Maria Callas
Air - Sarah Chang
I. Adagio - Moderato (Opening) - Jacqueline Du Pre
I. Adagio Sostenuto (Extract - Dame Moura Lympany
O Soave Fanciulla - Robert Merrill
II. Adagio (Opening) - Yehudi Menuhin
Swan Theme - Andre Previn
O Mio Babbino Caro - Angela Gheorghiu
La Donna E Mobile - Roberto Alagna
Jupiter - Philharmonia Orchestra
E Lucevan Le Stelle - Placido Domingo
In Paradisum - Peter Barley
Caprice In A Minor, Op.1 No.24 - Itzhak Perlman
Summertime - Dame Kiri Te Kanawa
Adagio For Strings - Philadelphia Orchestra
Ave Maria (Adapted Peterson) - Sarah Brightman
Waltz No.6 In D Flat 'Minute' - John Ogdon
The Ride Of The Valkyries - London Philharmonic Orchestra

Tracks:

Toccata & Fugue In D Minor - Vanessa-Mae
Rodrigo (Adapted From En Aranjuez Con Tu Amor) - The Planets
Gabriel's Oboe - Ennio Morricone And His Orchestra
Fruhling - Elisabeth Schwarzkopf
Gigue - Mstislav Rostropovich
Flower Duet - Natalie Dessay
Waltz No.15 In A Flat - Dame Moura Lympany
III. Rondo (Allegro Molto) - Maurice Andre
Pavane - Izzy
The Lark Ascending - Nigel Kennedy
Casta Diva - Maria Callas
Sarabande - Academy Of St. Martin In The Fields
Theme - Tasmin Little
Variation 18 - Cecile Ousset
Ingemisco - Luciano Pavarotti
IV. Adagietto (Conclusion) - New Philharmonia Orchestra
Tuesday (Extract) - London Symphony Orchestra
Nessun Dorma - Jose Carreras

Average customer rating:

500 Classic Masterpieces

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Inventions | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music
ASIN: B00008FZWM
Release Date: 1992-11-04

Average customer rating:

50 Mozart Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Sextets | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000AAF230
Release Date: 2005-08-02

Silvana Di Lorenzo " Memuero Por Estar Con Tigo " 1. Que Pasa Entre Los Dos 2. Me Muero Por Estar Contigo 3. Amor Que Te Quiero Tanto 4. Quien Sera 5. Cantala Vailala 6. Cubreme De Amor 7. Cuando Estoy Es Tus Brazos 8. Escribeme 9. Te Quiero Siempre a Mi Lado 10. Camino Verde 11. Todo Lo Que Quiero De Ti 12. Tres Palabras 13. El Progreso 14. No Se Como Desirte 15. Arrenpentida 16. Locuras Tengo De Ti 17. Abia Una Ves Una Mujer18. Sabe Mi Dios Que Yo Te Adoro.

Average customer rating:

Silvana Di Lorenzo " Memuero Por Estar Con Tigo " 1. Que Pasa Entre Los Dos 2. Me Muero Por Estar Contigo 3. Amor Que Te Quiero Tanto 4. Quien Sera 5. Cantala Vailala 6. Cubreme De Amor 7. Cuando Estoy Es Tus Brazos 8. Escribeme 9. Te Quiero Siempre a Mi Lado 10. Camino Verde 11. Todo Lo Que Quiero De Ti 12. Tres Palabras 13. El Progreso 14. No Se Como Desirte 15. Arrenpentida 16. Locuras Tengo De Ti 17. Abia Una Ves Una Mujer18. Sabe Mi Dios Que Yo Te Adoro.

ProductGroup: Classical
Binding: Audio CD
ASIN: B000KJBG40

Product Description

[C] 100ANOSDEMUSICA

Latin Music: