| 1. T.P.'s Especial |
| 2. Sophisticated Lady |
| 3. Bluesette |
| 4. Soul Song |
| 5. On Broadway |
| 6. Maria Cervantes (A Novo Morales) |
| 7. Jo-Je-Ti |
| 8. First Light |
On Broadway,Tito Puente,Concord Records,Afro-Cuban Jazz,Big Band Latino,Cuban Jazz,Jazz,Latin,Latin Continuum,Latin Jazz,Latin Pop,Leader,Mambo,Salsa,Tropical
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031WEN Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth VincentelliCustomer Reviews:
Mamma Mia.......2007-03-22
Mamma Mia Musical CD.......2007-03-21
JUST GREAT MUSIC.......2007-03-08
Mamma Mia.......2007-01-29
Not good at all.......2007-01-09
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The Lamb Lies Down on Broadway
Genesis Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002J1S Release Date: 1994-09-20 |
Tracks:
- The Lamb Lies Down On Broadway
- Fly On A Windshield
- Broadway Melody Of 1974
- Cuckoo Cocoon
- In The Cage
- The Grand Parade Of Lifeless Packaging
- Back In N.Y.C.
- Hairless Heart
- Counting Out Time
- Carpet Crawlers
- The Chamber Of 32 Doors
Tracks:
- Lilywhite Lilith
- The Waiting Room
- Anyway
- Here Comes The Supernatural Anaesthetist
- The Lamia
- Silent Sorrow In Empty Boats
- The Colony Of Slippermen (The Arrival/A Visit To The Doktor/Raven)
- Ravine
- The Light Dies Down On Broadway
- Riding The Scree
- In The Rapids
- It.
Amazon.com essential recording
When it comes to making albums of epic proportions, few rival this magnificent production that a trip the band took to New York City inspired in 1973. The underlying story is of a street kid named Rael who, thanks in part to the realities of big city life, undergoes a weird and mystical transformation. Containing extended instrumental sections showcasing the extraordinary talents of Tony Banks, Steve Hackett, and Phil Collins, as well as the expressive vocals and often disturbing lyrics of Peter Gabriel, this is the album that located Genesis truly on the map. --Paul ClarkCustomer Reviews:
The Path not Taken.......2007-06-16
I listen to the album now with deep regret. "Lamb" shows the innovative directions the band was going in. Back in NYC anticipates electro-rock (like Gary Numan) by 4 or 5 years; the Eno-esque soundscapes, while dated now, show a desire to experiment; the intense complexity of the songs is offset, unlike in their prior work, by a solid foundation of bass and drums, driving rhythms (just listen to the bass and drums in In the Cage); the songs are generally shorter and more varied in tone and style.
What could have been had they continued down this path ... such remarkable possibilities unrealized. But the creative chemistry of the original line-up was lost when Gabriel left and then, a few years later, Hackett. Genesis survived the transition into the 1980s, but only by selling themselves by the pound. They collapsed into a pop band.
For me, then, The Lamb Lies Down on Broadway, represents the apogee of the Genesis genius, a signpost to a path not taken.
Genesis at thier peak.......2007-06-16
Opera Prima.......2007-06-08
Also have the vinyl, but decided to go digital, and both sound alike.
You can buy it and enjoy it, no doubt.
True perfection!.......2007-05-28
"Dock the Dick...".......2007-05-03
I've read lots of speculation about The Lamb's plot, but I think one possible theory has been overlooked. I believe it's given away in the second verse of the first song on the album:
... Metal motion comes in bursts,
But the gas station can quench that thirst
Suspension cracked on unmade road
The truckers eyes read Overload
And out of the subway,
Rael Imperial Aerosol Kid
Exits into daylight, spraygun hid,
And the lamb lies down on Broadway
A few seconds after the introduction of Rael, I believe he's immediately killed by this out of control truck with cracked suspension careening out from an alleyway, and lying dead on Broadway his soul is reborn and sent on this quest through some sort of "purgatory" (?). The album documents Rael's path to salvation with reflections on society, his own life and adventures in the afterlife. Rael has become the sacrificial lamb of societal decay, and in the end he finally does right by regaining his own lost love of self and others - at last discovering the "it." that life and compassion are made of.
One of the most amazing aspects of this album is that it allows a unique experience for each listener. The story lends itself to endless speculation and countless interpretations so it never really gets old. The lyrics are just vague enough and the music layered enough to constantly re-discover it. Once you "get it" it will haunt you for a very long time. Simply an amazing accomplishment.
Buy it, listen to it, listen to it five more times, then try to put it down. I dare you.
Average customer rating:
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Broadway, My Way
Linda Eder Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000088E4T Release Date: 2003-02-18 |
Tracks:
- I Am What I Am (from "La Cage aux Folles")
- Anthem (from "Chess")
- On The Street Where You Live (from "My Fair Lady")
- What Kind of Fool (from "Stop The World I Want to Get Off")
- Some People (from "Gypsy")
- I'll Be Seeing You (from "Right This Way")
- Gold (from "Camille Claudel")
- Don't Rain On My Parade (from "Funny Girl")
- The Impossible Dream (from "Man of La Mancha")
- A New Life (from "Jekyll & Hyde")
- Edelweiss (from "The Sound of Music")
- Unusual Way (from "Nine")
- Man of La Mancha (from "Man of La Mancha")
Amazon.com
The people who felt betrayed when Linda Eder covered several pop songs on 2002's Gold will be relieved that her follow-up, Broadway My Way, is a return to the Great White Way. As if to prove that she isn't limited to either the songs of Frank Wildhorn or ballads, Eder tackles some well-known show tunes. The ballads tend to be overwrought, so it's best to look for the uptempo numbers. The singer's take on "Some People" is technically fine but so va-va-voom showbiz that it lacks the deranged edge that makes the song so compellingly dramatic. Things work a lot better on "I Am What I Am": while Eder doesn't take it to the top (or rather over the top), this is as close as she gets to Mermanizing a number. Elsewhere, "Don't Rain on My Parade" (immortalized by Streisand) and "Man of La Mancha" are appropriately brassy and triumphant, with Eder roaring her way through both songs. Fans of both Eder and Wildhorn should note that the singer reprises her Svengali's "Gold," the title track from her previous album, and an excerpt from his long-in-the-works Camille Claudel. --Elisabeth VincentelliAlbum Description
On the eagerly awaited Broadway My Way, Atlantic recording artist and acclaimed Broadway sensation Linda Eder performs classics including 'On the Street Where You Live' (from My Fair Lady), 'Edelweiss' (from The Sound of Music), 'Don't Rain On My Parade' (from Funny Girl) and 10 other great broadway songs performed in a whole new voice. 2003.Customer Reviews:
Linda Eder - Great Voice.......2007-07-06
Not a voice.......an instrument.......2007-02-17
and hip-hop, heard me playing this disc and begged me to buy her
one........and I did, and she plays it all the time, and to her
friends. Linda Eder exceeds the Streisand mystique by far.
the best female singer of the great american standards........2006-07-24
musical in 1960. over the years i have had the honor to see
almost all of the giants of american song, garland, streisand,
patti lupone, lena horne, betty buckley, barbaracook etc. in
"broadway, my way" linda eder cements her place as the best of the best. from an anthem like "i am what i am" to the lovely
"on the street where you live" captures you body and soul.
i loved this album, and don't ever miss a chance to see her live. JOHN POWER
The powerful and beautiful voice of Linda Elder.......2006-02-23
Linda Eder shines with her Broadway album.......2006-02-18
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The Andrew Lloyd Webber Collection
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I0XW Release Date: 1999-06-01 |
Tracks:
- The Phantom Of The Opera: The Phantom Of The Opera
- Song & Dance: Unexpected Song
- Aspects Of Love: Chanson D'enfance
- The Phantom Of The Opera: All I Ask Of You
- Evita: Don't Cry For Me Argentina
- Evita: Another Suitcase In Another Hall
- Aspects Of Love: Love Changes Everything
- Friends For Life
- Cats: Memory
- Cats: Gus: The Theatre Cat
- Aspects Of Love: Anything But Lonely
- Cats: Macavity: The Mystery Cat
- Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
- The Phantom Of The Opera: Wishing You Were Somehow Here Again
- Requiem: Pie Jesu
- The Phantom Of The Opera: The Music Of The Night
Amazon.com essential recording
Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason VerlindeAlbum Details
Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.Customer Reviews:
The Andrew Lloyd Weber Collection.......2007-05-12
Andrew Lloyd Webber .......2007-02-12
The Andrew Lloyd Webber Collection.......2007-01-05
The Best You'll See from Sarah.......2006-09-09
I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!
The Angel of Music.......2006-03-13
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My Fair Lady (1956 Original Broadway Cast)
Alan Jay Lerner , Rex Harrison , Julie Andrews , and Frederick Loewe Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000067AS1 Release Date: 2002-05-28 |
Tracks:
- Overture
- Why Can't The English?
- Wouldn't It Be Loverly
- With An Ordinary Man
- I'm An Ordinary Man
- Just you Wait
- The Rain In Spain
- I Could Have Danced All Night
- Ascot Gavotte
- On The Street Where You Live
- You Did It
- Show Me
- Get Me To The Church On Time
- A Hymn To Him
- Without You
- I've Grown Accustomed To Her Face
- A Post-Recording Conversation (bonus track)
- Playback: Alan Jay Lerner & Frederick Loewe (bonus track)
Amazon.com
The 2,700 performances of Lerner and Loewe's musical adaptation of George Bernard Shaw's Pygmalion gracefully spanned the Eisenhower and Camelot eras, then begat a wildly popular film version, whose 1965 Best Picture Oscar capped the show's decade of prominence. The crowning achievement of Lerner and Loewe's rich body of work began its recording life on this 1956 cast recording, a collection of performances that long ago became a ubiquitous and indispensable fixture of American musical theater. Indeed, it's hard to imagine anyone else but Julie Andrews and Rex Harrison in the roles of the cockney Eliza Doolittle and her long-suffering mentor, Henry Higgins, delivering definitive versions of the show's embarrassment of riches: "Why Can't the English?," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," and "I've Grown Accustomed to Her Face." This new edition offers a digitally burnished take of the already glorious recording, now supplemented with a post-recording conversation track featuring Harrison, Andrews, Lerner, conductor Franz Allers, and original producer Goddard Lieberson, as well as a 1961 audio interview with Lerner and Loewe. --Jerry McCulleyCustomer Reviews:
a flawless recording.......2007-07-29
for proof that My Fair Lady deserves all of its fame look no further than this cast album. this is a true gem of musical theater and every cast recording should be done this well.
SONGS
the music is great. its strength is in subtlety. the background orchestral pieces are all soft and the strength is placed on the performers, which works great. a lot of the strength here goes to the witty lyrics of "why can't the english" and "i'm an ordinary man" (basically rex harrison's pieces!) or the soft crooning lyrics of "I Could've Danced All Night" and "On the Street Where You Live." the songs are fresh, original and pretty well done here.
SONGS 5 out of 5
PERFORMERS
a lot of credit falls on the steller cast here since most of the focus is on them. harrison is wonderfully and witty as henry higgens. julie andrews is, well, perfect as eliza. she is the greatest eliza ever. her vocals are all brilliantly done. the rest of the cast succeds in bringing humor or romance to the show wherever it is required. this is a top-notch cast the easilly outdoes the 1964 movie. if for no other reason than the sheer energy that is captured here.
PERFORMERS 5 out of 5
most broadway fans should own this just because it's My Fair Lady, but beyond that, this is a great show and this album captures all that brilliance perfectly. if you need just one recording, THIS IS THE ONE!!!
Excellent Sound Track.......2007-06-27
Great gift!.......2007-06-01
Good, but not for the Family.......2007-05-29
fantastic.............2007-05-16
The story was actually based on PYGMALION, by the late, great playwright, George Bernard Shaw, inspired by Greek mythology. In the original Greek play, Pygmalion is the sculptor who creates a depiction of a woman, out of ivory, and falls in love with it. He prays to Venus, and then his sculpture is brought to life, as Galatea. In the musical, the gist is similar but the journey and characters veer from this concept considerably. For starters, no one starts out as a piece of stone--especially not Eliza Doolittle. She has definite opinions and a distinctive personality (saucy language and all), that Dr. Doolittle is very keen on shaping up for society. The music is perfectly in synch with the mood of this great play, which is in some ways a true parable about human behavior and the treatment of women in society. Some of the most beautiful music by Lerner and Loewe is featured here. The songs include "Wouldn't It Be Loverly," "I've Grown Accustomed To Her Face," and "Get Me to the Church On Time." This is brilliant. Buy this today! I am not sure how great the sound quality is on audio cassette, in comparison to the original recording on vinyl that I heard, as a little girl. I have a feeling it's pretty spectacular though!
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Fiddler on the Roof (1964 Original Broadway Cast)
Jerry Bock , Sheldon Harnick , Zero Mostel , and Julia Migenes Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002WB3 Release Date: 1989-07-24 |
Tracks:
- Prologue-Tradition
- Matchmaker - Julia Migenes
- If I Were A Rich Man
- Sabbath Prayer
- To Life
- Miracles Of Miracles - Austin Pendleton
- The Dream
- Sunrise, Sunset - Julia Migenes
- Wedding Dance - Orchestra
- Now I Have Everything - Julia Migenes
- Do You Love Me?
- The Rumor - Beatrice Arthur
- Far From The Home I Love - Julia Migenes
- Anatevka
Amazon.com
Fiddler on the Roof is one of Broadway's great classics. Based on the tales of Sholem Aleichem, the musical tells the humorous and heartbreaking story of the milkman Tevye as he tries to maintain the simplicities of his traditional life even as his daughters grow up and Russia heads toward revolution. Many of Jerry Bock and Sheldon Harnick's songs have become touchstones of popular culture, including "Tradition," "If I Were a Rich Man," and "Sunrise, Sunset." As Tevye, Zero Mostel leads--and at times dominates--the original 1964 Broadway cast, displaying irrepressible swagger and bluster. A young Julia Migenes plays his middle daughter, Hodel, while those who only know Bert Convy as a game-show host will be surprised by his pleasant voice as her suitor. The CD includes two previously unreleased songs but no lyrics. --David HoriuchiCustomer Reviews:
The original first time way..........2007-05-09
This is simply THE classic recording of a classic musical. I like the intimacy of the pit orchestra over the inflated version on the soundtrack (as soundtracks almost always are).
If I were a rich man, this is still the recording I would own.
Sure Miss Zero.......2007-01-08
One Of A Kind.......2006-07-28
Zero Mostel was one of those larger than life personalities the likes of whom we don't have anymore. Mostel, Merman, Channing, Bert Lahr...they didn't so much create a role as embody it with their personalities, but they were so huge, the result would be thrilling. Tevye was tailor made for Mostel, loud, comic and ultimately endearing. The kind of role he was a master at adapting himself too.
This recording captures all of that beautifully. The entire cast is wonderful. (Bea Arthur as Yente!!) Though some great actors replaced Mostel on Boadway, Herschel Bernardi, Harry Goz, most recently Alfred Molina, etc. and they created different and more realistic portrayals, it was Mostels signiture role and it's a gem.
A Timeless Classic.......2006-07-25
Great!!! .......2006-06-17
P.S. Let us pray the rerelease this album with the missings songs.
Average customer rating:
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
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Greatest Hits: Broadway
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029PM Release Date: 1996-10-29 |
Tracks:
- Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
- On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
- Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
- Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
- West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
- The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
- My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
- Annie: Tomorrow - Andrea McArdle/Peter Howard
- The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
- Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
- Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
- Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
- Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
- Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
- Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
- Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
- Cabaret: Cabaret - Jill Haworth/Harold Hastings
- Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
- Show Boat: Ol' Man River - William Warfield/Franz Allers
- A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
- A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings
Customer Reviews:
Great to Hear All those great Voices from the Past.......2007-07-05
You certainly can't beat the price!
A Good One!.......2006-11-10
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Movin' Out (Based on the Songs and Music of Billy Joel) (2002 Original Broadway Cast)
Billy Joel , and Michael Cavanaugh Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LWQK Release Date: 2002-10-15 |
Tracks:
- Scenes from an Italian Restaurant
- Movin' Out (Anthony's Song)
- Reverie (Villa D'Este)
- Just the Way You Are
- The Longest Time
- Uptown Girl
- This Night
- Summer, Highland Falls
- Waltz #1 (Nunley's Carousel)
- We Didn't Start the Fire
- She's Got a Way
- The Stranger
- Elegy for the Fisherman
- Invention in C Minor
- Angry Young Man
- Big Shot
- Big Man on Mulberry Street
- Captain Jack
- An Innocent Man
- Pressure
- Goodnight Saigon
- Air (Dublinesque)
- Shameless
- James
- The River of Dreams / Keeping The Faith / Only the Good Die Young
- The River of Dreams (live)
- Keeping the Faith (live)
- Only the Good Die Young (live)
- I've Loved These Days
- Scenes from an Italian Restaurant (Reprise)
Amazon.com
A criticism that has long dogged Billy Joel's career involves his songs' direct, heart-on-the-sleeve emotional sentiments and a musical approach that often revels in pop music's past glories instead of reacting against them. Ironically, those are the very strengths of Twyla Tharp's dialog-free pop ballet based on Joel's infectious canon of music, including his recent forays into the classical realm. This live cast recording is fueled by the piano and vocals of Michael Cavanaugh, who, backed by an ensemble handpicked by the songwriter, gooses every last drop of drama from Joel's already theatrical songs with a verve worthy of the legend himself. But divorced from Tharp's always kinetic choreography, and despite angular reworkings of "We Didn't Start the Fire" and other Joel standards, it's a collection that sometimes sounds akin to Joelmania: not really Billy, but an incredible simulation. --Jerry McCulleyCustomer Reviews:
SO glad I bought it =].......2007-06-08
Still Billy Joel to Me.......2007-03-29
Awesome collection of music.......2007-03-09
Saw the show - what a memory.......2006-08-25
Interesting Concept, But Originals Outshine.......2006-07-12
Scenes From An Italian Restaurant
Movin' Out
We Didn't Start The Fire
Goodnight Saigon
But after attending the show in Chicago last weekend, it was clear that the focal point is (and should be) Twyla Tharp's amazing choreography and the music merely forms a quaint storyline as background. And now? I'd just rather hear Mr. Joel's original versions instead.
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Hello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition)
Jerry Herman , and Carol Channing Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000099SZ0 Release Date: 2003-06-03 |
Tracks:
- Prologue
- I Put My Hand In
- It Takes a Woman
- Put on Your Sunday Clothes
- Ribbons Down My Back
- Motherhood
- Dancing
- Before the Parade Passes By
- Elegance
- Hello, Dolly!
- It Only Takes a Moment
- So Long Dearie
- Finale
- I Put My Hand In [*] - Mary Martin
- Before the Parade Passes By [*] - Pearl Bailey
- Hello, Dolly! [*] - Pearl Bailey
- So Long Dearie [*] - Mary Martin
- Love, Look in My Window [*] - Ethel Merman
- World, Take Me Back [*] - Ethel Merman
- On Recording Hello, Dolly! [*] - Carol Channing
- When Did You Sense That Hello, Dolly! Would Be a Hit? [*] - Carol Channing
- On the Title Number [*] - Carol Channing
- "Dolly Changed Me..."; the Book [*] - Carol Channing
- Plot [*] - Carol Channing
- Optimism, And Finding One's Character [*] - Carol Channing
- Prime of Life [*] - Carol Channing
Amazon.com
Sitting in the balcony at the final preview of this 1964 Jerry Herman show, still very much in school and long before my career as a critic began, I knew somehow that I was witnessing theatrical history. Even as that callow youth, I was certain that Carol Channing had been born to play the role of Dolly Gallagher Levi, the meddling turn-of-the century New York widow who had been adapted from Thornton Wilder's straight play The Matchmaker. Channing has proved me right by playing the role ever since, of course, miraculously only improving with age. Beyond Dolly herself, however, the musical emitted a synergistic exuberance (at least five years before we used the word "synergy"). The supporting cast, including David Burns, Eileen Brennan, and Charles Nelson Reilly, were terrific. Herman's tunes and lyrics were sublimely crafted both to create their characters and stand alone. (The title song took on a life of its own.) The show's designers, librettist Michael Stewart and director Gower Champion, combined to transport the audience to 60 years earlier in little old New York. This wasn't all just my opinion: Hello, Dolly! won a record 10 Tonys. The original cast recording can still take you to that other time and place, even if you didn't see the original show. But, at the risk of offending my inner adolescent, the 1994 revival, naturally starring Channing, was even better--both on stage and on disc. --Robert WindelerCustomer Reviews:
Wonderful Soundtrack.......2007-06-27
DOLLY WILL NEVER GO AWAY.......2007-05-17
The excitement is there, but............2007-01-24
Goodbye, Dolly!.......2005-10-30
For starters, this is not the classic musical that afficianados would have you believe, nor is it Jerry Herman at his best (that honor goes to "Mame"). Rather, this is a fair to middling score with three socko numbers (title tune not included), three rather fine songs (title song included) and the rest either average or inadequate. "Put On Your Sunday Clothes" and "Before the Parade Passes By" are two of the most galvanizing songs ever written for the Broadway stage and no singer can detract from their euphoric energy (though Carol Channing tries -- more on that later). "So Long, Dearie", though slower in tempo than Barbra Streisand's definitve rendition, is a showstopping character song that's both clever and compelling. These three numbers are what gives "Dolly" it's class and they are three of the best things Herman ever wrote. Then we have "Dancing", "Elegance" and (gulp!) the by now overly familiar title song, each an accomplished tune that propels the plot with, well, elegance. The song "Hello, Dolly!" may now annoy as a Broadway warhorse, but it was as fresh as daffodils when it first premiered. The rest of the score, sadly, isn't up to these standards. "It Takes a Woman" and "It Only Takes a Moment" are indistinguished at best, and "Ribbons Down My Back" is downright annoying. Worse still, "I Put My Hand In" is a lackluster opener that pales in comparison to "Just Leave Everything to Me", its replacement in the movie and a bonifide Jerry Herman rouser. And "Motherhood" sounds like exactly what it was, a stage wait for the scenery to move in. Totally expendable.
The second problem here is that this may be the worst sung original cast recording in Broadway history. Charles Neslon Reilly's wobbly tenor struggles to maintain pitch, Eileen Brennan's stilted soprano sounds more like light operetta than musical comedy, and David Burns makes his movie counterpart, Walter Matthau, sound like Mario Lanza in comparision. Then there is Dolly, the incomprehensibly overrated Carol Channing. From her first froggy notes in "I Put My Hand In" you know it's going to be rough sledding and, sure enough, she croaks and screeches her way through one song after another, rendering most of what she sings unlistenable. Channing's voice is thin, harsh and completely unequalized throughout its range and she effectively saps all of the charm out of "...Sunday Clothes" and "Parade". By the time the recording has ended, you want to banish this CD to a deserted island. But wait, there's more! An almost unrecognizable Mary Martin starts the "extras" on this disc with a shock. Some of her last recordings, these "Dolly" numbers unfortunately display how Martin's once lovely instrument had deepened and thickened over the years. A full throttle but somewhat tremulous Ethel Merman fairs little better on some poorly recorded songs added to the show when she took over. These two giants actually make the songs Pearl Bailey does on this disc seem all the more astonishing. While arguably not as talented as Martin or Merman (although, in reconsidering this recording and her career, I think I'm entirely wrong in that observation), Bailey hits a home run on each of her renditions and her recording of the title song is absolutely definitive. Someone should quickly get the cast recording of her "Dolly" back in circulation. "She" and "we" deserve it.
The final problen here is a lengthy recent interview with Ms. Channing that has to be heard to be believed. Does she actually think we're buying the idea that she was doing high kicks in the studio while recording her songs? Please! She barely catches her breath between phrases. And her comparing her premonition that the show would be a hit to a passage in the bible is as laughable as it is sacriligious. Yes, she may have done the show over 5000 times, but she lucked into a classic without earning her own classic status. No wonder all she could do was repeat herself for the rest of her career. Stick with Streisand.
And I guess from the reviews of THIS review, disliking Channing is sacriligous. I better watch my back.
Toxically Corny!!!!.......2005-01-22
I've even asked people who DO like B'way what is the deal with her? I hear it's that she has charisma. OK, since when does charisma equal talent (I honestly believe they are NOT the same thing).
And I have even tried to listen to other musicals over the years, and I just CANNOT get the appeal of it on ANY level! I guess this is well-done as these things go (there is work involved), but I just CANNOT understand what the fuss is all about.
Signed,
One perplexed Owl.
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