Gente [Limited Edition] [Special Edition] [Import]

Track Listings

 
1. Gente
2. La Mujer Que Mueve El Mundo
3. Se Que Me Quieres
4. Tu
5. Mi Unica Razon
6. Esta Noche
7. Me Visitan Canciones
8. Dime Que No
9. Parte De Mi
10. La Alegria
11. Calor
12. Gente (Remix By Jean) (Bonus Track)
13. Gente (Remix By Jose Padilla Radio Edit) (Bonus Track)
14. Cuanto Es Bastante? (+Gente Remix By Jotamayuscula Con Supernafamacho) (Bonus)
15. Gente (Remix By Jose Padilla Extended) (Bonus Track)
16. Esta Noche (Dvd)
17. Tu (Dvd)
18. Calor (Dvd)
19. Me Visitan Canciones (Dvd)
20. Dime Que No (Dvd)
See all 25 tracks on this disc

Editorial Reviews

Product Description
Includes a Bonus Dvd (Pal/Rc-0) with Basico 40 "Esta Noche", "tu", "Calor", "me Visitan Canciones", "Dime Que No", "Gente", "mi Unica Razon", "la Mujer Que Mueve El Mundo" and the Vide-clips for "Gente" and "mi Unica Razon".

Gente,Presuntos Implicados,Wea International,Latin,Latin Pop,Rock en Espaņol,Spain


Cieli di Toscana
Average customer rating: 4.5 out of 5 stars
  • See Other Andrea Bocelli Review
  • Emotional therapy!
  • Great music!
  • Cieli di Toscana
  • LOVE IT!!!!
Cieli di Toscana
Paolo Gianolio , Margherita Graczyk , Gary Miller , John Reid , Luis Jardim , Francesco Sartori , Mauro Malavasi , and Massimo Guantini
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005OWJV
Release Date: 2001-10-16

Tracks:

  1. Melodramma
  2. Mille Lune Mille Onde
  3. E Ara 'A Settembre (Someone Like You)
  4. Chiara
  5. Mascagni
  6. Resta Qui
  7. Il Mistero Dell 'Amore
  8. Se La Gente Usasse Il Cuore
  9. Si Volto'
  10. L 'Abitudine
  11. L 'Incontro
  12. E Mi Manchi Tu
  13. Il Diavolo E L 'Angelo
  14. L 'Ultimo Re

Amazon.com

Not content with the simplistic "crossover" formula, superstar tenor Andrea Bocelli has been pursuing alternative paths since he emerged as a vocal phenomenon in the mid-1990s: operatic classics and contemporary popular song. The singer's last few albums have showcased his love for the former (including homages to his beloved Verdi: the Requiem and Verdi aria collection). But Cieli di Toscana ("Tuscan Skies") marks a triumphant return to the pop idiom last explored on Sogno, offering a highly varied series of the kind of beautifully crafted contemporary melodies that initially won Bocelli acclaim.

The familiar cast of songwriter-collaborators (including Francesco Sartori, responsible for the smash success "Time to Say Goodbye") mixes with new blood; Bocelli himself unveils his songwriting talents on "Il Diavolo e l'Angelo." It's a highly produced affair, but behind all the gloss, Bocelli sings with a newfound, relaxed, even mellow quality. There are intimately touching moments--"L'Incontro," a tribute to his first son featuring Bocelli's own poetry as read by U2's Bono--as well as soaring flights of lyricism (the duet "L'Abitudine" with Italian singer Helena). And on "Mascagni," with its quotes from that composer's operas, Bocelli makes another nod to his classical affinities. But whatever the style, Bocelli is a singer who knows how to go straight to his listeners' hearts. --Sarah Chin

Album Description

Exclusive UK version of Bocelli's third pop release includes the exclusive bonus track 'Tornera La Neve' and CD-ROM. The album also features 'L'Incontro' a duet with Gerard Depardieu. David Foster co-composes some of the tracks on this album as well. 2001.

Customer Reviews:

5 out of 5 stars See Other Andrea Bocelli Review.......2007-07-06

Just what it says. See my other Andrea Bocelli reviews to get the idea I really like this guy.

5 out of 5 stars Emotional therapy!.......2007-05-14

"He is all heart; there's no pretense. You can feel it." No kidding. These were my mom's last comments about Bocelli two months before she left earthly existence.

This album helped me process a lot of emotional residue affiliated with the strain of difficult dynamics between my mom and myself.

Don't get me wrong. The music isn't sad; it's pure heart and emotion, so it may evoke emotions. The last cut, "L'Ultimo Re" is gorgeous with the way his voice soars!

E.A. Davis, author: Waiting for Wings: Accompanying a Parent to the Edge of Life

5 out of 5 stars Great music!.......2006-12-18

I bought the album before listening to any of the songs, because i'm a Bocelli fan. I was not disappointed. Wonderful melodies, beautiful voice.My personal favourites are Melodramma, Chiara and Resta Qui, but this is a great cd overall.

5 out of 5 stars Cieli di Toscana.......2006-08-25

There is no other voice quite like Andrea's voice. I keep listening to this CD over and over as some of the songs just touch my heart, both with his voice and the written arrangements. One of my very favorites from Andrea. He has the same qualities to his voice with popular songs as he does with opera. When following the English translations in the CD case, the message of each song becomes very clear through the inflections and tonal quality of his voice.

5 out of 5 stars LOVE IT!!!!.......2006-08-25

What more can I say once agian a total great cd, that will sure to become my favorite and my kids love it too!!! Ages 5, 8, and 15. WOW>>>>> Pleases all ages,LOVE IT LOVE LOVE IT
A Gente Ainda Não Sonhou
Average customer rating: 4 out of 5 stars
  • More great Carlinhos Brown
  • The continuing adventures of little Carlos
A Gente Ainda Não Sonhou
Carlinhos Brown
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NY16FQ
Release Date: 2007-04-30

Tracks:

  1. O Aroma Da Vida
  2. Mande Um Email Pra Mim
  3. Everybodygente
  4. Aos Teus Olhos
  5. Loved You Right Away
  6. Goodbye Hello
  7. Marina Dos Mares
  8. Pedindo Pra Voltar
  9. A Gente Ainda Nao Sonhou
  10. Garoa
  11. GuaranCaf
  12. Dia De Voce
  13. Pina Futuro
  14. Te Amo Familia

Album Details

2007 Studio Release by the Singer from Bahia, Brazil who Recorded the Album Between March 2005 and September 2006. Two Titles Are Co-written with Marisa Monte and Arnaldo Antunes. The Album features 16 Tracks that Merge Pop, Rock, Latin, and Traditional Music from his Native Bahia.

Customer Reviews:

5 out of 5 stars More great Carlinhos Brown.......2007-07-21

My favorite of his offerings was Omelette Man but this newer one is really growing on me.

3 out of 5 stars The continuing adventures of little Carlos.......2007-06-27

Fans of Carlinhos Brown will find ample aural fodder to delight and frustrate on his newest album. For those interested in learning about this influential Brazilian musician--who has written, produced, or played with nearly everyone in modern Brazilian music--the best bet remains his first solo disc, "Alfabetagamizado," a true classic. The new disc starts out fine with "O aroma da vida"--a fairly adventurous but melodic track, then moves in a direction alarmingly toward treacle with "Mande um email pra mim." "Everybodygente" and "Loved You Right Away" are passable, but the album kicks into its groove, finally, at track seven with "Marina dos mares," followed by the flamenco-flavored "Pedindo pra volta" and the can't-help-but-dance funk workout "Garoa." "Guaraná café", "Página futuro" and "Te amo familia" round out the collection nicely. A perpetual frustration with Brown, with the notable exception of his first solo collection, is his tendency to produce cloying, saccharine ballads. Nothing on "A Gente Ainda Nao Sonhou" approaches the quite mastery of "Argila" or "Mares de ti" on "Alfabetagamizado."
Mozart: The Marriage of Figaro / Pace, de Carolis, Frontali, Morandi [Highlights]
Average customer rating: 5 out of 5 stars
  • Best Cherubino...
  • wonderful music
  • Close Your Eyes and Listen
  • Terrific value, beautiful quality.
  • Exceptional recording
Mozart: The Marriage of Figaro / Pace, de Carolis, Frontali, Morandi [Highlights]
Wolfgang Amadeus Mozart , Hungarian State Opera Orchestra , Pier Giorgio Morandi , Patrizia Pace , Natale de Carolis , Donato di Stefano , Ingrid Kertesi , Roberto Frontali , Denes Gulyas , Tamas Bator , and Jozsef Mukk
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004NK2F
Release Date: 2000-03-14

Tracks:

  1. Overture
  2. Cinque, Dieci...
  3. Bravo, Signor Padrone!
  4. Se Vuol Ballare, Signor Contino
  5. La Vendetta
  6. Non So Piu Cosa Son
  7. Non Piu Andrai
  8. Porgi Amor
  9. Voi, Che Sapete
  10. Venite, Inginocchiatevi
  11. Susanna, Or Via Sortite?
  12. Hai Gia Vinta Causa!
  13. Vedro, Mentr'io Sospiro
  14. Riconosci In Questo Amplesso
  15. E Susanna Non Vien!
  16. Dove Sono I Bei Momenti?
  17. Sull'aria...
  18. Tutto E Disposto
  19. Aprite Un Po' Quegl'occhi
  20. Giunse Al Fin Il Momento
  21. Deh Vieni Non Tardar
  22. Pace, Pace, Mio Dolce Tesoro!
  23. Final Scene: Gente! Gente!

Customer Reviews:

5 out of 5 stars Best Cherubino..........2007-05-06

No kidding. This album has the best Cherubino part compared to the other Le Nozze di Figaro copycat. After you've listened to Non so più cosa son, you would feel bad hearing the other rendition of the same song.

5 out of 5 stars wonderful music.......2006-06-20

you do not have to be an opera expert to appreciate this cd , as a person who is just beging to appreciate fine opera this is a wonderful choice . waht is nice amazon gives you the opportunity to listen to the tracs prior to buying it. i am extremelly pleased with this item and im sure you will be to. sincerly christian john nielsen

5 out of 5 stars Close Your Eyes and Listen.......2006-05-28

If right now you need to know joy and timelessness, a heart filled with light, beauty that has been and will be always, overflowing with the splendor you are fashioned from, knowing all that is your own, that you are only in the least important sense alone, with nothing to fear other than never perceiving any of this, close your eyes and listen to the Duettino Sull'aria from Le Nozze di Figaro...

5 out of 5 stars Terrific value, beautiful quality........2004-04-16

This CD is a wonderful value with top-notch recording. The Cherubino character (mischievous lovestruck youth) is especially delightful on this CD. I fell in love with "Sul Aria" in The Shawshank Redemption, and later saw this opera live. Though it's only a highlights album, I found it rather complete, with solid linear notes (plot summary for you to follow along), and ALL of the beloved songs I had remembered. I recommend this one!

5 out of 5 stars Exceptional recording.......2003-09-29

The quality of this recording is exceptional. Naxos recordings are often played on classical music stations for good reason. The performances are excellent.
Mozart: Le Nozze di Figaro (Highlights)
Average customer rating: 5 out of 5 stars
  • I got it for the same reason....
  • Where's the full-length version?
  • "Che belle voci!"
  • Great opera
  • amazing
Mozart: Le Nozze di Figaro (Highlights)
Gundula Janowitz , Barbara Vogel , Klaus Hirte , Patricia Johnson , Martin Vantin , Erwin Wohlfahrt , and Chor und Orchester der Deutschen Oper Berlin
Manufacturer: Deutsche Grammophon
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ASIN: B000001GDO
Release Date: 1990-05-16

Tracks:

  1. Le nozze di Figaro - The Marriage of Figaro: Overture
  2. Le nozze di Figaro - The Marriage of Figaro: Act 1: Duettino: 'Se a caso Madama la notte ti chiama' - Figaro, Susanna
  3. Le nozze di Figaro - The Marriage of Figaro: Act 1: Cavatina: 'Se vuol ballare signor Contino' - Figaro
  4. Le nozze di Figaro - The Marriage of Figaro: Act 1: Aria: 'La vendetta, oh, la vendetta' - Bartolo
  5. Le nozze di Figaro - The Marriage of Figaro: Act 1: Aria: 'Non s piu cosa son, cosa faccio' - Cherubino
  6. Le nozze di Figaro - The Marriage of Figaro: Act 1: Aria: 'Non piu andrai farfallone amoroso' - Figaro
  7. Le nozze di Figaro - The Marriage of Figaro: Act 2: Cavatina: 'Porgi amor' - Contessa
  8. Le nozze di Figaro - The Marriage of Figaro: Act 2: Canazona: 'Voi che sapete' - Cherubino
  9. Le nozze di Figaro - The Marriage of Figaro: Act 2: Aria: 'Venite, inginocchiatevi' - Susanna
  10. Le nozze di Figaro - The Marriage of Figaro: Act 3: Act III: Aria: 'Vedro, mentr'io sospiro' - Conte
  11. Le nozze di Figaro - The Marriage of Figaro: Act 3: Recitativo: 'E Susanna non vien!' - Contessa
  12. Le nozze di Figaro - The Marriage of Figaro: Act 3: Aria: 'Dove sono i bei momenti' - Contessa
  13. Le nozze di Figaro - The Marriage of Figaro: Act 3: Duettino: 'Che soave zeffietto' - Susanna, Contessa
  14. Le nozze di Figaro - The Marriage of Figaro: Act 4: Aria: 'L'ho perduta' - Barbarina
  15. Le nozze di Figaro - The Marriage of Figaro: Act 4: Aria: 'Aprite un po' quegli occhi' - Figaro
  16. Le nozze di Figaro - The Marriage of Figaro: Act 4: Recitativo: 'Giunse alfin il momento' - Susanna
  17. Le nozze di Figaro - The Marriage of Figaro: Act 4: Aria 'Deh vieni, non tardar' - Susanna
  18. Le nozze di Figaro - The Marriage of Figaro: Finale: 'Gente, Gente, all'armi, all'armi' - Conte,Tutti

Customer Reviews:

5 out of 5 stars I got it for the same reason...........2006-03-07

as many of the others...because that one song that echoed over the courtyard of Shawshank Prison grabbed me. So, I looked in the credits and discovered this. OK, so it's just the highlights, but it's an AMAZING album from start to finish. Presented with passion, humanity, and sometimes even humor. Sometimes opera will drive me up the wall when I don't like one of the singer's voices, but this one has a wonderful collection of talent, and is very easy to listen to.

4 out of 5 stars Where's the full-length version?.......2003-05-03

I have both the highlights and the full recording of this version of Figaro. For some reason, though, Amazon doesn't seem to carry the full version, which is too bad. This is one of the few operas I actually think needs the recitiatives.
Anyway, so since the acting doesn't matter too much on a highlights version I won't get into that. The singing is very good, in fact I think it's probably the best version of Figaro out there. The only exception is in regards to Gundula Janowitz's performance of Dove Sono, which seems to be very ill-suited to her voice. The rest of her part is done beautifully. I also think it's sad that Marcellina's aria was left off, since that is always one of my favorite songs and I will never intentionally buy a recording where it has not been included, but due to how frequently it gets cut, I am not surprised.
Anyway, I recommend the highlights version if you are after something you can listen to in the car and don't want to bother with a full three disc set. For all other purposes I would advise you to track down the full-length recording, which is definitely worth it.

5 out of 5 stars "Che belle voci!".......2002-06-26

This recording is fantastic. Bohm is a lively, exciting conductor who can also make one wet-eyed in the final scene. Prey has the perfect blend of mischievousness and richness of sound for Figaro's character, and he is well-matched by Edith Mathis as Susanna who is delightful and full-voiced. Gundola Janowitz as the Countess is also amazing, and her "Dove sono" is really moving. Fischer-Dieskau is a powerful Count, too. Troyanos (Cherubino) is beyond praise and her "Voi che sapete" ranks with Frederica von Stade. The sound quality is crisp and clear, and the selections are good, though I wish the sextet "Riconosci in questo amplesso" was included. In all, great!!!

5 out of 5 stars Great opera.......2001-08-18

The Marriage of Figaro is arguably one of the best operas ever developed, and it's great to know that this cd contains the best songs from the fabulous opera. The orchestra, along with the singers, give a grand performance of high caliber. If you enjoy classical music, then this will make a magnificent addition to your musical collection.

5 out of 5 stars amazing.......2000-12-30

After watching Shawshank Redemption I looked everwhere for this recording. This is some of the most emotionaly moving pieces of music I have ever heard. Im a 17 year old guy in a punk rock band, and I cried probably the hardest Ive ever cried in my life when listening to the duettino sull aria. Its one of the most beautiful things I have ever heard in my entire life. I cant imagine not having it.
Signum
Average customer rating: 5 out of 5 stars
  • Romantic Medieval Dancing / Festive Music
  • Medieval
Signum

Manufacturer: Dancing Ferret
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009IOS24
Release Date: 2007-07-16

Tracks:

  1. Al jorn - alonso
  2. A voi gente
  3. Trotto
  4. Audite
  5. Alle psallite
  6. Razon
  7. Owe war sint verswunden
  8. Sine nomine
  9. Al jorn - carceres
  10. Non e gran cousa
  11. Cry de la mort
  12. Quen na virgen
  13. Estampie VIII
  14. Non devemos
  15. Bona condit
  16. Al jorn - triana

Album Description

Authentic medieval languages, songs and over fifteen instruments take the listener on an hour-long journey back through time. Lush, beautiful female vocals, sometimes in contrast with choral arrangements, deliver a harmonious and warm feel throughout the album. This captivating yet comforting sound belies the often dark subject matter of the lyrics (all in Latin save one piece in medieval German), which focus primarily on medieval man's concept of the apocalypse.

Customer Reviews:

5 out of 5 stars Romantic Medieval Dancing / Festive Music.......2006-08-26

About the Band:
Estampie is a German medieval band named after a style of dance from the Middle Ages which involved lots of hopping and stomping of the feet. For those of you not familiar with this style of music, simply think of music you might associate with a castle (think Lord of the Rings). True to the name, Estampie provides joyful and energetic music that you'll want to skip to. Featuring an ensemble of talented musicians, with key members including Syrah (Sigrid Hausen) and Michael Popp of Qntal and Ernst Schwindl, Estampie can be characterized by their exclusive use of an extensive array of traditional instruments (no electronics) including harps, various pipes and flutes, an array of drums, and numerous stringed instruments.

About the Album:
Long before I bought Signum, I've heard Estampie on many middle ages (or mittlealters in German) compilations. The album is nearly a full hour in length and an absolute joy to listen to. Most of the tracks feature multiple vocalists, which though typical of heavenly voices and neo-medieval music, is always a treat. Various percussion instruments are used to establish a welcoming beat, while the pipes and/or stringed instruments used build out a romantic melody.

Recommended Tracks:
- A Voi Gente
- Alle Psallite
- Razon
- Al Jorn - Carceres
- Cry del la Mort

If you enjoy bagpipes, then you'll love Sine Nomine. Sometimes I've been able to talk DJs into playing Estampie at goth / industrial clubs, but I must point out that the band is appropriately named, as tracks like Sine Nomine are so fast that you will be tempted to dance estampie style (skip and hop). However, in contrast to the fast paced tracks, the Signum also features slower and calm choral tracks such as Al Jorn - Carceres (which tend to be my favorites).

Finally I must point out that Signum features both male and female vocals, often sung together. It is a rare treat to pull so many talented vocalists and musicians together in one period band.

Similar Artists:
- Corvus Corax
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5 out of 5 stars Medieval.......2005-05-31

Estampie, the musical collaboration of singer Sigrid Hausen (Syrah) and mastermind Michael Popp (Qntal), is deemed to be the leading medieval music act. Their haunting interpretations of old music found fans in many countries, amongst aficionados of Classical music as well as within the world music and independent music scenes. Estampie always spearheaded the popular medieval scene and are referred to as a source of inspiration by a lot of bands playing medieval music. Their eighth album titled "Signum" offers again music from the 12th to the 15th Centuries rife with insistent mysticism and stirring drive with technical perfection. The ambitious arrangements are a result of a long lasting dealing with this kind of music and are crowned with choirs and particularly with Syrah`s transcendental voice. A one-of-a-kind listening pleasure!
Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
Average customer rating: 5 out of 5 stars
  • Refreshing and Surprising!
  • Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard.
  • Best ever!!
Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  5. Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77

ASIN: B00006IU7V
Release Date: 2003-03-11

Album Details

These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig

Customer Reviews:

5 out of 5 stars Refreshing and Surprising!.......2006-11-24

I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.

5 out of 5 stars Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14

First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.

As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.

What I do want to write is about the performances.
Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.

Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.

For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)

What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.

The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.

This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)

As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.

Should not be missed by any terms by anybody who cares for music.

Ran

5 out of 5 stars Best ever!!.......2004-01-12

Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.

I cannot recommend this too highly. Exciting performances now available in Decca's collectors' edition.
Rossini - The Barber of Seville / Roberta Peters · Leinsdorf
Average customer rating: 4.5 out of 5 stars
  • Perfection in Seville
  • Un 'Barbero' sorprendente
  • Strange to say, but probably one of the best Barbers
  • Pure Bliss!!! YOU MUST GET THIS!!
  • Hey! This is one of the BEST!
Rossini - The Barber of Seville / Roberta Peters · Leinsdorf
Gioachino Rossini , Erich Leinsdorf , Roberta Peters , Robert Merrill , Fernando Corena , Margaret Roggero , Carlo Tomanelli , and Giorgio Tozzi
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003G4F
Release Date: 1996-09-17

Tracks:

  1. The Barber Of Seville: Overture
  2. The Barber Of Seville: Act I: Scene 1: Piano, pianissimo (Count)
  3. The Barber Of Seville: Act I: Scene 1: Ecco ridente il cielo (Count)
  4. The Barber Of Seville: Act I: Scene 1: Ehi, Fiorello! - Mio signore! (Count)
  5. The Barber Of Seville: Act I: Scene 1: Mille grazie, mio signore (Count)
  6. The Barber Of Seville: Act I: Scene 1: Gente indiscreta! (Count, Figaro)
  7. The Barber Of Seville: Act I: Scene 1: La ran le lera; Largo al factotum (Figaro)
  8. The Barber Of Seville: Act I: Scene 1: Ah, ah! che bella vita! (Count, Figaro)
  9. The Barber Of Seville: Act I: Scene 1: Non e venuto ancora (Rosina, Count, Bartolo, Figaro)
  10. The Barber Of Seville: Act I: Scene 1: Se il nome saper voi bramate (Rosina, Count, Figaro)
  11. The Barber Of Seville: Act I: Scene 1: Oh, cielo! (Count, Figaro)
  12. The Barber Of Seville: Act I: Scene 1: All'idea di quel metallo (Count, Figaro)

Tracks:

  1. The Barber Of Seville: Act I: Scene 1: Evviva il mio padrone - Rossini
  2. The Barber Of Seville: Act I: Scene: 2: Una voce poco fa (Rosina) - Rossini
  3. The Barber Of Seville: Act I: Scene: 2: Si, si, la vincero! (Rosina, Figaro, Bartolo) - Rossini
  4. The Barber Of Seville: Act I: Scene: 2: La calunnia e un venticello (Basilio) - Rossini
  5. The Barber Of Seville: Act I: Scene: 2: Ah, che ne dite? (Basilio, Bartolo, Figaro, Rosina) - Rossini
  6. The Barber Of Seville: Act I: Scene: 2: Dunque io son... tu non m'inganni? (Rosina, Figaro) - Rossini
  7. The Barber Of Seville: Act I: Scene: 2: Ora mi sento meglio (Rosina, Bartolo) - Rossini
  8. The Barber Of Seville: Act I: Scene: 2: A un dottor della mia sorte (Bartolo) - Rossini
  9. The Barber Of Seville: Act I: Scene: 2: Brontola quanto vuoi (Rosina, Count) - Rossini
  10. The Barber Of Seville: Act I: Scene: 2: Ehi, di casa... buona gente (Count, Bartolo, Rosina, Basilio) - Rossini
  11. The Barber Of Seville: Act I: Scene: 2: Che cosa accadde, signori miei (Figaro, Bartolo, Count, Basilio) - Rossini
  12. The Barber Of Seville: Act I: Scene: 2: Fermi tutti, nessun si mova (Bartolo, Figaro, Basilio, Count, Rosina) - Rossini
  13. The Barber Of Seville: Act I: Scene: 2: Mi par d'esser con la testa (Rosina, Count, Basilio, Bartolo, Figaro) - Rossini

Tracks:

  1. The Barber Of Seville: Act II: Ma vedi il mio destino! (Bartolo)
  2. The Barber Of Seville: Act II: Pace e gioia sia con voi (Count, Bartolo)
  3. The Barber Of Seville: Act II: Insomma, mio signore (Bartolo, Count, Rosina)
  4. The Barber Of Seville: Act II: 'Contro un cor che accende amore...' (Rosina, Count)
  5. The Barber Of Seville: Act II: Bella voce! (Count, Rosina, Bartolo)
  6. The Barber Of Seville: Act II: 'Quando mi sei vicina...' (Count, Bartolo)
  7. The Barber Of Seville: Act II: Bravo,signor barbiere,ma bravo! (Figaro, Bartolo, Rosina, Count)
  8. The Barber Of Seville: Act II: Don Basilio! Cosa veggo! (Rosina, Count, Figaro, Bartolo, Basilio)
  9. The Barber Of Seville: Act II: Buona sera, mio signore (Count, Figaro, Basilio, Rosina, Figaro, Bartolo)
  10. The Barber Of Seville: Act II: Orsu, signor don Bartolo (Figaro, Bartolo, Count, Rosina)
  11. The Barber Of Seville: Act II: Ah! Disgraziato me! ma come? (Bartolo,
  12. The Barber Of Seville: Act II: Il vechiotto cerca moglie
  13. The Barber Of Seville: Act II: Dunque voi don Alonso non conoscete affatto? (Bartolo, Basilio, Rosina)
  14. The Barber Of Seville: Act II: Temporale - Storm
  15. The Barber Of Seville: Act II: Alfine eccoci qua (Figaro, Count, Rosina)
  16. The Barber Of Seville: Act II: Ah! qual colpo inaspettato! (Rosina, Figaro, Count)
  17. The Barber Of Seville: Act II: Ah,disgraziati noi! come si fa? (Figaro, Count, Rosina, Basilio)
  18. The Barber Of Seville: Act II: Il conte! ah che mai sento! (Bartolo, Count)
  19. The Barber Of Seville: Act II: Cessa di piu resistere (Count)
  20. The Barber Of Seville: Act II: Insomma, io ho tutti i torti! (Bartolo, Figaro, Basilio, Rosina)
  21. The Barber Of Seville: Act II: Di si felice innesto (Figaro, Bartolo, Basilio, Rosina, Count)

Customer Reviews:

5 out of 5 stars Perfection in Seville.......2007-05-14

I think the mezzo vs high coloratura soprano as Rosina is irrelevant when considering the merits of this recording. This is almost a complete reading of the score which benefits from the casting of most of the original cast of a production that was still relatively new in 1958 when the recording was made.

All the soloists have the bel canto style nailed down. The Figaro of this recording is Robert Merrill and his voice is caught in all of it's prime time state. Simply gorgeous golden tone here that is richly masculine with an easy upper register. The rest of the cast, the conducting and playing of the Met Opera orchestra and chorus are perfection.

Although there is some minor master tape related problems, and they are really minor, RCA's Living Stereo process is remarkable. This edition's sonics are an incredible improvement over RCA's original CD release.

4 out of 5 stars Un 'Barbero' sorprendente.......2004-10-31

Este 'Barbero de Sevilla' (grabado en 1956 por el sello RCA) depara muchas sorpresas agradables. Se trata de una version completisima (se incluyen todos los recitativos y ademas el aria de Almaviva 'Cessa di piu resistere', que suele suprimirse y que aparece aqui por primera vez en la historia en grabacion de esta opera).
El reparto se acerca bastantea la realidad rossiniana de los canones de hoy en dia (lo que debe sorprender, porque en 1956 eran bien diferentes) Como Almaviva tenemos al tenor CESARE VALLETTI, que combina una bella voz con un dominio de la coloratura bastante correcto para la epoca. La Rosina de ROBERTA PETERS (en version soprano ligera) derrocha una cantidad de agudos y sobreagudos con una seguridad y limpieza absolutamente pasmosa: la voz puede gustar o no, pero su dominio del agudo y del registro agudo no se le puede negar.
ROBERT MERRILL es un Figaro diferente, que quiza pueda chocar un poco, porque es el que mas alejado esta de la realidad rossiniana de hoy en dia. FERNANDO CORENA es un Don Bartolo que quiza peca de excesos de comico y GIRGIO TOZZI es un Don Basilio imponente. La lista de secundarios cumple perfectamente con sus cometidos y ERICH LEINSDORF realiza una lectura que, aunque hoy en dia puede resultar poco rossiniana, no deja de ser interesante ante unos cuerpos estables del Metropolitan de Neuva York que, como siempre, responden con calidad.
En definitiva, sin ser un Barbero de primera opcion, es una buena forma de ver cuanto ha evolucionado la historia del canto y de la conduccion rossiniana, disfrutando y sorprendiendose. Una version que, aunque a priori pueda prometer poco, ofrece bastante. Recomendable.

5 out of 5 stars Strange to say, but probably one of the best Barbers.......2004-10-27

It's funny how some "classic" recordings might be classic but they arent necessarily good introductions to an opera. For example, the Maria Callas/Tito Gobbi/Luigi Alva Barber of Seville is often thought to be the classic recording of Rossini's comic gem. While I agree that recording is unique, it's also extremely cut, and it goes for a drier, more "subtle" humor.
OTOH, the Leinsdorf recording, with a cast of Cesare Valletti, Roberta Peters, Robert Merrill, and Fernando Corena is well-sung, relatively complete, well-recorded, and most of all has a freewheeling sense of fun that I think perfectly captures the charm of this opera.
Roberta Peters was a high, light soprano. Her voice can sound a bit glassy and colorless, but her Rosina is lively, virtuostic, and properly spunky. The only caveat is that like some sopranos she transposes "Una voce poco fa' up to F, while the aria IMO is much more charming in its original key of E. Cesare Valleti's Almaviva is more caressing than dazzling (unlike Juan Diego Florez), but unlike many Almavivas he actually sings the whole part. He does not cut his final aria "Cessa di piu resistere."
Overall, I'd say none of the individual singers on this recording are necessarily the best, but together this is a great ensemble recording, and I highly recommend it as an introduction to the opera. To opera, in fact.

5 out of 5 stars Pure Bliss!!! YOU MUST GET THIS!!.......2003-07-29

Okay, if you are just browsing amazon and this set caught your eye let me just say STOP!! GO NO FURTHER!! THIS IS THE BEST!!
THIS IS PERFECTION!! THIS BORDERS ON DIVINE!! There is simply no point in looking for that all important "most enjoyable piece of opera in the world" BECAUSE THIS IS IT! Its this simple folks, if you like opera, if you like beautiful voices, if you like perfect timing, pitch and recording quality you must get this. This is the DEFINITIVE Barber of Seville. I will let the previous reviews here tell you about the story and the performers. My review is here for just one reason - to let people that are on the fence wondering if they should really get this -YES YOU SHOULD! You absolutely will not be dissappointed - I stake my brothers life on it. :)
End of rant.

5 out of 5 stars Hey! This is one of the BEST!.......2002-07-18

I've owned this on vinyl for decades, and it seldom comes any better. Most of you know that, being familiar with Roberta Peters in her prime, along with Valletti, Merrill, Corena, and Tozzi. This is one of the most balanced casts ever assembled. I happen to like both approaches to Rosina- high in the stratosphere vocalizing and the more down-to-earth approach of Teresa Berganza. In Cesare Valletti, we have one of the finest Almavivas since the days of Fernando de Lucia. Valletti gets right into the meat of this character, with Nicolai Gedda being the only modern Almaviva to rival Valletti's voice. (I can't wait to hear Florez sing this!) What can one say about Robert Merrill? If he didn't love singing Figaro, he's done a fine job of fooling me. I do not agree with all of his interpretation, but this is one of the finest baritones having fun with a role that deserves it. (He has formidable competition here: Stracciari is incredible as Figaro. He had one of the most glorious high baritone voices you could ever want to hear and he's darned funny as Figaro to boot. Then there's Sherrill Milnes, who had a voice to rival Stracciari's formidable instrument and the same sense of fun.)

Then there are the not so minor roles of Bartolo and Basilio. Corena had a powerful, rich voice used here with a sense of character that's almost impossible to surpass. Has anyone ever had a better voice for Bartolo? Not in my memory! Giorgio Tozzi's Basilio is one of the glories of this performance; a rich, colorful voice with great beauty of tone... all at the service of one of opera's funniest `villains'. Leinsdorf does a fine job capturing the ambience of Barbiere, so I find it hard to go wrong with this recording...

So now it's time for a little rant and rave... One of the reviewers chided Corena and Tozzi for going over the top, speaking of them like dogs who were caught digging holes in the neighbors' gardens. (What must he think of Capecchi? I shudder to think of it!) The Barber of Seville is not a dusty old museum piece, it's a comedy about very human people going about their businesses with wacky results. This opera somewhat resembles a train wreck in the making, with boxcars full to the brim with maniac clowns. I love it when the singers get into the meat of their characters. Combining it with glorious voices and breathtaking singing only adds to the joy. Corena's performance of Doctor Bartolo IS over the top- which is what is needed- Bartolo is a very over-the-top man. Three cheers to Fernando Corena!
Puccini: Tosca (Highlights) / Freni, Pavarotti
Average customer rating: 5 out of 5 stars
  • A masterpiece
Puccini: Tosca (Highlights) / Freni, Pavarotti

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000026BVF
Release Date: 2000-09-12

Tracks:

  1. TOSCA: Atto I: Sante ampolle! ... Recondita armonia (Cavaradossi)
  2. TOSCA: Atto I: Gente la dentro! (Cavaradossi)
  3. TOSCA: Atto I: Mario! Mario! Mario! (Tosca)
  4. TOSCA: Atto I: Or lasciami al lavoro (Cavaradossi)
  5. TOSCA: Atto I: Tre sbirri, una carrozza ... Te Deum (Scarpia)
  6. TOSCA: Atto II: Ov'e Angelotti? (Scarpia)
  7. TOSCA: Atto II: Sciarrone, che dice il Cavalier? (Scarpia)
  8. TOSCA: Atto II: Orsu, Tosca, parlate (Scarpia)
  9. TOSCA: Atto II: Foria... - Amore (Cavaradossi, Tosca)
  10. TOSCA: Atto II: Vittoria! Vittoria! (Cavaradossi)
  11. TOSCA: Atto II: Vissi d'arte (Tosca)
  12. TOSCA: Atto II: Chi e la? (Scarpia)
  13. TOSCA: Atto II: Io tenni la promess (Scarpia)
  14. TOSCA: Atto III: E lucevan le stelle (Cavaradossi)
  15. TOSCA: Atto III: Ah! Franchigia a Floria Tosca (Cavaradossi)
  16. TOSCA: Atto III: O dolci mani (Cavaradossi)
  17. TOSCA: Atto III: Come e lunga l'attesa! (Tosca)
  18. TOSCA: Atto III: Presto, su! Mario! Mario! (Tosca)

Customer Reviews:

5 out of 5 stars A masterpiece.......2001-04-25

Tosca a great work of operatic genius is not one to be missed as Puccini and his work stand as timeless as when they were first performed.
Para Mi Gente
Average customer rating: 3 out of 5 stars
  • should be better
Para Mi Gente
Anthony Cruz
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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ASIN: B000OHZKAE
Release Date: 2007-05-01

Tracks:

  1. Porque Aparentar
  2. Empece a Llorar
  3. Te Ofrezco
  4. Mi Chuli Chuli
  5. Mirala a Ella
  6. Yo No Se lo Que Paso
  7. Tu No Sabes
  8. Que No

Customer Reviews:

3 out of 5 stars should be better.......2007-07-11

I don't know how many of you are real fans of Anthony and have enjoyed his classics from years past but this one doesn't measure up. The 3 standout tracks here are #2 Empecer A Llorar, #6 Yo No Se Lo Que Paso and #8 A Que No. These songs remind me of what made him a household name. The coros on the other songs are quite corny and uninspiring. Changing his sound too much is not a good idea. The music and coros have to be sharp because his voice is great and sounds even better with the right arrangements. Ok but the cd needs a lot of work.
Pavarotti's Opera Made Easy - My Favorite Love Duets
Average customer rating: 5 out of 5 stars
  • Excellent value
Pavarotti's Opera Made Easy - My Favorite Love Duets

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004258
Release Date: 1994-08-23

Tracks:

  1. La Boheme: O soave fanciulla
  2. La Traviata: Un di felice
  3. La Traviata: Parigi, o cara
  4. Lucia di Lammermoor: Ah! Verranno a te sull'aure
  5. Rigoletto: E il sol dell'anima...Che m'ami, deh, ripetimi
  6. Don Giovanni: La ci darem la mano
  7. A Masked Ball: M'ami, m'ami!...Oh, qual soave brivido
  8. Madame Butterfly: Vogliatemi bene
  9. Aida: Pur ti riveggo, mia dolce Aida...Fuggiam gli ardori inospiti
  10. Manon Lescaut: Oh, saro la piu bella!
  11. TOSCA: Gente la dentro...Mario! Mario! Mario!

Customer Reviews:

5 out of 5 stars Excellent value.......2001-04-18

This is a great CD of popular operatic love duets, my favorites being the last duet from Traviata and the magnificent extended duet from Tosca. I love this CD so much that I am very tempted to get to know most of the operas featured in more detail. Very enjoyable!!

Latin Music:

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  4. Interpreta Cartola [Import]
  5. Jalaito
  6. Jose Alfredo [Karaoke] [Import]
  7. Joyas Musicales [Box set]
  8. La Casa De La Bomba Y Otras Cronicas [Import]
  9. La Experiencia [Import]
  10. La Historia, Vol. 1

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Great Violinists Volume 5: Adolf Busch

Music: Most Relaxing Classical Piano Music in the Universe

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Mutiny on the Bay

Legends of Uluru [Import]

Liszt: Complete Hungarian Rhapsodies, Vol. 3

Long Gone Before Daylight

Last Call

Music: 6 Volt Ep [CD-single]

Hyacinthe Jadin: Piano Sonatas Nos. 1-3

Mississippi Lad