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1. Te Equivocaste Conmigo
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2. Eres Tu
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3. Como Dice Jose Alfredo
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4. Oferton
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5. En Busca de un Amor Eterno
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6. Cobarde
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7. Alma Traicionera
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8. Mi Orgullo Herido
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9. Dices Que No Me Quieres
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10. Ay Cariņito
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Rosa del Carmen,Rosa del Carmen,Dimsa-Orfeon,Latin,Mexican
Average customer rating:
- Fabulous Intro!
- A Great Introduction To The World's Greatest Tenor
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Great Caruso
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001HK8
Release Date: 1997-11-18 |
Tracks:
- Vesti La Giubba
- Una Furtiva Lagrima
- Chiudo Gli Occhi (Dream Song)
- Cielo E Mar!
- M'Appari Tutt' Amor
- Solenne In Quest'Ora
- Che Gelida Manina
- O Soave Fanciulla (Love Duet )
- Del Tempoi Al Limitar
- Celeste Aida
- Se M'Ami Ancor...Al Nostri Monti Ritorneremo
- Recondita Armonia
- La Fleur Que Tu M'Avais Jetee
- Mamma! Quel Vino E Generoso!
- Oh! Mostruosa Colpa!...Si, Pel Ciel
- Libiamo Ne'Leiti Calici
- O Figli...Ah, La Paterna Mano
- Mia Piccirella
- Pimpinella
- For You Alone
- Trusting Eyes
- Luna D'Estate
- 'O Sole Mio
Customer Reviews:
Fabulous Intro!.......2004-05-04
You just gotta buy this one! It's fabulous! Made me a fan!!!
A Great Introduction To The World's Greatest Tenor.......2003-05-31
The transfers of the original accoutic 78's are very good and the selection gives you a great slice of the arias and songs that made him the benchmark for all tenors that have followed. This is a great introduction to his art and will make you want to get one of the complete sets.
Average customer rating:
- Revealing
- Villa Pace Recordings
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Rosa Ponselle: 1939 Victor & 1954 "Villa Pace" Recordings
Manufacturer: Romophone
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001S3P
Release Date: 1996-11-08 |
Tracks:
- Si tu voulais
- A l'aime
- The Nightingale and the Rose
- When I Have Sung My Songs
- When I Have Sung My Songs
- Ave Maria
- On Wings Of Dreams
- Ave Maria
- Plaisir d'amour
- Jeune fillette
- Beau soir
- Bonjour, Suzon
- La chevelure
- Carmen-Carmela
- El Mirar de la Maja
- La partida
- La Molinara: Nel cor piu non mi sento
- Star vicino
- 'A Vucchella
- Ideale
- Marechiare
- Fa la nana, bambin
- Dicitencello vuje
- Could I
Tracks:
- Amadis: Bois espais
- Rosemonde
- Guitares et mandolines
- From: 'Poem de l'amour et de la mer': Le temps des Lilas
- Von ewiger Liebe, Op 43 No. 1
- Mir traumte von einem Konigskind, Op. 4 No. 5
- Erlkonig, Op. I
- In questa tomba oscura
- Rispetto
- O del mio amato ben
- Aprile
- Amuri, amuri
- I battitori di grano
- Drink To Me Only With Thine Eyes
- The Night Wind
- Homing
- Interview With Ruby Mercer: Introduction And Announcement Of Lully's - 'Bois epais'
- Interview With Ruby Mercer: Comments On Persico's - 'Rosemonde'
- Interview With Ruby Mercer: Comments On Saint-Saens's - 'Guitares et mandolines'
- Interview With Ruby Mercer: Comments On Brahms's - 'Von ewiger Liebe'
- Interview With Ruby Mercer: Comments On Trunk's Mir - 'traumte von einem Konigskind'
- Interview With Ruby Mercer: Comments On Schubert's - 'Erlkonig'
- Interview With Ruby Mercer: Comments On Beethoven's - 'In questa tomba oscura'
- Interview With Ruby Mercer: Comments On Wolf-Ferrari's - 'Rispetto'
- Interview With Ruby Mercer: Comments ON Donaudy's - 'O del amato ben'
- Interview With Ruby Mercer: Comments On Tosti's - 'Aprile'
- Interview With Ruby Mercer: Comments On Sadero's - 'Amuri, amuri'
- Interview With Ruby Mercer: Comments On Sadero's - 'I battitori di grano'
- Interview With Ruby Mercer: Comments On - 'Drink To Me Only With Thine Eyes'
- Interview With Ruby Mercer: Comments On Farley's - 'The Night Wind'
- Interview With Ruby Mercer: Comments On de Riego's - 'Homing And Concluding Remarks'
Tracks:
- Le nozze di Figaro: Voi che sapete
- Tre giorni son che Nina
- An die Musik, Op. 88 No. 4
- Der Tod und das Madchen, Op. 7 No. 3
- Traume, No. 5 From ' Wesendonck Lieder'
- Morgen!, Op. 27 No. 4
- Nur wer die Sehnsucht kennt, Op. 6 No. 6
- L'invitation au voyage
- Psyche
- Tristesse eternelle
- From 'Seven Popular Spanish Songs': Asturiana, No. 3
- From 'Seven Popular Spanish Songs': Nana, No. 5
- My Lovely Celia
- In The Luxembourg Gardens
- Angus Dei
- Ave Maria
- Ave Maria
- Ave Maria
- Ave Maria
- Se
- Colombetta
Amazon.com
Legendary soprano Rosa Ponselle recalled these sessions taped by RCA in her Baltimore home as the only time she enjoyed making records. Fourteen years after her abrupt retirement from opera, her voluptuous instrument (ruby red in the '39 Victors and now tinged with purple) soars to better advantage in the amplitude of her spacious music room than within the cramped confines of the recording studio. Whether in Beethoven, Schubert, Debussy, Mozart, or Tosti songs, or chestnuts like "Drink To Me Only With Thine Eyes," the vocalism is always informed by Ponselle's musical intelligence and sense of style. Romophone brings together all the material from these home sessions, including 75 minutes of music not issued by RCA, plus a promotional interview that reveals a warm, down-to-earth persona quite different from your typical diva stereotype. Ponselle fans need no encouragement to acquire this set. --Dan Davis
Customer Reviews:
Revealing.......2004-12-28
It must be remembered when approaching these recordings that we are not hearing the Ponselle of the Met singing her great roles, we are hearing the Ponselle of retirement, and a long retirement. She seems to have left her career right at its height, and for whatever reasons. She was not idle, but was active in the world of opera in other ways (including working with many now famous singers when they were students: Sherryl Milnes, Beverly Sills just to name two). She approached her music with the vibrancy of her time, which is often at odds with how we would sing such things today (the Mozart aria for Cherubino for example). However, even though we hear a voice that has now started to show wear, not from oversinging, but rather from not being used all that often and from age, we are not listening to someone who has "lost it all." Everything that made her great is still there for us to enjoy and wish we could experience. Her range is no longer seamless as it was during her active singing career (a thing she was noted for), but her legato is a wonder to behold, as it was during her most active singing years. It is no wonder that singing teacher tell students to listen to her recordings to learn what legato is all about (and as a result, Ponselle is one of the most immitated singers in history, but at no time has anyone ever captured her sound, her quality, her depth of tone, her ring, her anything; people may try to immitate the essence of her singing by copying what they hear -- even the great Maria Callas' interpretations in La Vesta sound like haunting echos of Ponselle -- but what was the depth of her interpretations or of her voice no one has ever come close to matching). Her chest notes are raw at times, but they do not ruin the music in any way. Her top notes (which always put terror into her heart, but for the life of me, after listening to all her recordings available, I cannot figure out why -- even after reading her story of why the High C in Aida scared her so much --- her high notes were extremely secure, even a high D flat in the trovatore arias, no strain is evident at any time, not ever!), well, her top notes are at time frayed and not centered as they were. Still, once again, that is not a bother. It is evident that at times she has to "work rather noticeably" to produce her top notes, but there again, we are not offended by what we hear.
What we do experience, and mostly because we have no arias from her great roles to listen to, is the Ponselle way with a song. She just seemed to embrace a song and make it her own. Her interpretation may be enjoyable to you, you may find other singers you like better, but her interpretation is NEVER common and without validity. Each piece is truly her own stamped completely with her emotional and vocal understanding of the text and the music.
That brings me to the diction part of the recording. Her RRRRRR (rolled R, or tongue trill by some) is very pronounced and now days may be seen as tasteless. However, it was the way things were sung then, and not just in Italian (even English actors rolled their R's beyond belief at that time). Personally, the well pronouced rolled R has never bothered me whatever, and in a way, I expect to hear it when singers are singing opera. It is so played down now days, one is sometimes completely unaware an R was even said. Ponselle's diction is incredible, and I don't just say that. Each and every word is completely understandable, even in English (which is crystle clear). It seems that was a common trait back in her day, for in many recordings of that time and earlier that I have the singers are exceptionally clear with their diction (even the Met manager, former singer, Edward Johnson is so clear while singing English -- a collection of Canadian songs -- one is stunned that the poor recordings quality didn't just eat up the words). Perhaps such singers as Renee Flemming and all the other greats of today should play some Ponselle recordings and learn what diction is all about.
These recordings, though made long after her retirement, are still a great testiment as to what she was like as a singer, for they give us all the greatness that was hers. It makes people like me, who were born after she retired (though quite a while before she died, as I remember her well on live from the met broadcasts on the radio Saturday afternoons) wish we could go back in time and hear some real singing.
In addition to the music, we have some interviews with Ruby Mercer, which are a real delight to listen to. No wonder people like Sills have nothing but great memories working with Ponselle. She is truly well grounded. She knows her contribution to the world of music for exactly what it is. There is no false modesty, nor is there any "high mindedness about self." We have a very down to earth person talking about things, even why she chose some of the music she did, in a very down to earth way.
I recommend the set to anyone who loves to hear great singing, even if it would have more appeal to collectors than average people. It is well recorded, and the sound is excellent. It is a treasure to have on any record shelf.
Villa Pace Recordings.......2003-05-15
This recording is a must for anyone who loves to hear art songs sung incredibly. Aside from Rosa Ponselle's voice being arguably one of the most beatiful, distictive, incredible sounding voices (so big that it was troublesome to record), the fact that she is also one of the greatest vocal artists in the world is also evident. Although most of the songs were recoreded when her voice wasn't as capable of stunning high high C's (there wasn't any Aida aria's on this one), her musicality, ability to act with her voice, and her use of language is breath-taking. Especially nice, is her french, it's so clear and clean, yet doesn't sound constricted or bothersome. The best track is the second lower version of "When I have sung my Songs". It is truly phenomenal, and her singing of this piece is a true testament to what this woman was capable of. Also her "o del mio amato ben" some of the most dramatically genuine singing I 've heard. Buy this CD if you want to hear some real singing and one of the greatest voices of the 20th century.
Average customer rating:
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Brava Berganza! A Birthday Tribute
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B0007DHPRG
Release Date: 2005-04-12 |
Average customer rating:
|
Pavarotti's Greatest Hits
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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| Leoncavallo, Ruggiero
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ASIN: B00000E37M
Release Date: 1990-10-25 |
Average customer rating:
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The Complete Caruso
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B0001TSWQO
Release Date: 2004-11-09 |
Average customer rating:
- Beyond all description...
- An Absolute Must-Have for Any Pavarotti Fan
- Wonderful!!!!
|
The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005O841
Release Date: 2001-11-13 |
Album Description
Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale
Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila
Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes
Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem
Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot
Disc 6: Puccini and Verismo Includes arias from Cavalleria Rusticana, Manon Lescaut, Pagliacci, Andrea Chenier, and Tosca
Disc 7: Arias 1 Includes arias from La Griselda, Atalanta, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Guillaume Tell, and more. Includes Unreleased Material.
Disc 8: Arias 2 Includes arias from Martha, Mefistofele, La Giocanda, Adriana Lecouvreur, Rosenkavalier, Fedora, Werther, Faust, Carmen, and more
Disc 9: Italian Songs Includes: In questa tomba oscura, Me voglio fa'na casa, Non t'amo piu, Pace non trovo, and more
Disc 10: Neapolitan and Italian Popular Songs Includes: O sloe mio, Torna a Surriento, Core 'ngrato, Funiculi Funicula, Non ti scordar di me, Mamma and more
Bonus CD: The 1964 EP (previously unreleased) "Che Gelida Manina," "E lucevan le stelle," "Questo o quella," "La Donna e mobile," and "Parmi veder" with Orchestra of the Royal Opera House, Covent Garden, Edward Downes conducting
Customer Reviews:
Beyond all description..........2006-09-19
As a boy, I heard so many hyperbolic references to the legendary Enrico Caruso that I chose to purchase a remastered copy of his "Greatest Hits" when I first began to acquire recordings as a young man. Soon after, I discovered Pavarotti and my life was changed by his music. Caruso ended up in the Goodwill Store. I am convinced that in 500 years, should the earth cool again and the Muslim hoards abate, the civilized world will still tell tales of the greatest tenor. I have often found myself grumpy when searching for recordings of Pavarotti because of the inconsistent fidelity of the recordings. That search for the definitive Pavarotti recordings, regarding both content and fidelity, has ended with the release of this extraordinary collection. Worth it's weight in gold, the Puccinni Volume (#5) alone is enough to send someone like me into hyperspace. I am astounded by the beauty and power of these performances. I will always remember the day, not long ago, when a NPR commentator glibly mentioned between the weather and the night's playlist the terrible words, "Luciano Pavarotti has announced that he is retiring from Opera." I felt as if something indescribably beautiful was fading from the world. Of course, beauty in all of its earthly forms is fleeting at best, but these discs contain a reflection of it that will surely bolster any soul.
An Absolute Must-Have for Any Pavarotti Fan.......2004-01-09
...and that certainly goes without saying. My one tiny little problem with it is that his recordings of "Santa Lucia" and "Caruso" are not on this incredible box-set. Even though I have those recordings on other CDs, I still think those are very important pieces to include on this set (assuming that this set of Pavi hits would be the only compilation that that any fan of this phenomenal tenor would have). He is probably my biggest idol, and he deserves to have been one of the biggest opera stars in history.
Wonderful!!!!.......2002-11-07
This Pavarotti set; The Pavarotti Edition; is a wonderful collection of Arias and songs that cover Luciano's great career. Pavarotti is THE Voice of the 20th Century and this set does him justice. It includes 10 CDs with over 750 minutes of music; Includes Music from All of His roles; has a beautiful 76 page full color booklet; Has a wonderful write up; and includes a bonus CD of Pavarotti's fist album, a 45, from 1964, which has never been released on CD before this set. Every Song is hear, This SET is a must have for every Pavarotti Fan.
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Rosa Ponselle
Manufacturer: RCA
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Binding: Audio CD
Bellini, Vincenzo
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ASIN: B000003ERK
Release Date: 1990-10-19 |
Tracks:
- A L'aime (To My Beloved)
- The Nightingale And The Rose
- Ernani: Ernani, Involami
- Otello: Salce, Salce (Willow Song)
- La Forza Del Destino: Pace, Pace, Mio Dio
- La Forza Del Destino: Finale: Non Imprecare - Giovanni Martinelli
- Aida: Ritorna Vincitor
- Aida: O Patria Mia
- Carmen-Carmela
- L'Africana: In Grembo A Me
- La Vestale: O Nume Tutelar
- La Gioconda: Suicidio!
- Norma: Casta Diva
- Amuri, Amuri
- Ave Maria
- When I Have Sung My Songs
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Carlo Tagliabue Recital
Manufacturer: Opera Records
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ASIN: B000005WL8
Release Date: 1997-11-25 |
Average customer rating:
- Get It While You Can
- Essential edition for opera lovers
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The Complete Recordings, 1902-1920 (Box Set)
Manufacturer: Naxos
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Similar Items:
- Bach: Cantatas, Vol. 22
- Caruso 2000
- The Complete Caruso
- Classic Puccini Recordings
- Leon Fleisher Plays Brahms
ASIN: B00030B92K
Release Date: 2004-11-23 |
Album Description
The Complete Caruso: Volumes 1 - 12
The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This! complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare
Customer Reviews:
Get It While You Can.......2006-10-13
This may not be easy to get in the USA for very long.....don't miss it.
Essential edition for opera lovers.......2005-02-01
This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History. Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media. His person and his records were his greatest publicity.
The set begins with Caruso's Italian made recordings. They show a great raw talent. The artistry is lacking with many sobs, over acting and mistaken cues. The 1902 and 1903 clearly show a tenor with a lot to learn. But learn it he did. His 1904 sessions show a mature artist on par with any heard since. His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.
The engineering used for this set is wonderful. There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets. These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston. They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.
Also included are outtakes and extra takes. There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday. But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone. Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.
Finally, there is the simple joy of hearing so many things so well sung. Caruso was the pinnacle of the tenor art. He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.
Whether you are an opera fan, a voice fan or just a music lover. This set is worth every penny.
Todd Kosovich
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Una voce poco fa: A Portrait of Teresa Berganza
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Cherubini, Luigi
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Similar Items:
- Brava Berganza! A Birthday Tribute
- Teresa Berganza
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- Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
ASIN: B0001M09OO
Release Date: 2004-05-11 |
Tracks:
- Una Voce Poco Fa
- Non So Piu
- Voi Che Sapete
- Temerari!...Some Scoglio
- Ch'io Mi Scordi Di Te?...Non Temer, Amato Bene
- Che Faro Senza Euridice?
- Che Puro Ciel!
- Divinites Du Styx
- Medea! O Medea!...Solo Un Pianto
- Mi Lusinga Il Dolce Affetto
- Verdi Prati, Selve Amene
- Quand Je Vous Aimerai?...L'amour Est Un Oiseau Rebelle - The Ambrosian Singers
- Pres Des Remparts De Seville - Placido Domingo
- Cruda Sorte! Amor Tiranno!
- Nacqui All'affanno...Non Piu Mesta
Tracks:
- Ahi! Che Forse Ai Miei Di
- Intorno All'idol Mio
- Confusa, Smarrita
- Qual Mia Colpa, O Sventura...Se Delitto E Adoravi
- Chi Vuol Innamorarsi
- La Rosaura (Un Cor Da Voi Ferito)
- Elitropio D'amor
- Como Quieres Que Adivine
- Mananita De San Juan
- Cuatro Canciones Vascas
- Saeta En Forma De Salve A La Virgen De La Esperanza
- El Tra-La-La Y El Punteado
- El Majo Timido
- La Maja Dolorosa
- Farruca
- El Pano Moruno
- Seguidilla Murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- Sagrario's Romanza
- Margarita's Romanza
- Txalopin Txalo
- Nere Maitea
- Atea Tan Tan
- Tun, Kurrun, Kuntun
- Arranoak Bartuetan
- Ainoarra Nimino
- Anderegeya
- Amak Ezkondu
Customer Reviews:
A FORTY YEAR LOVE AFFAIR.......2004-09-02
The lack of a fifth star reflects the shortcomings of Decca, not of the artist.
DISCLAIMER: What you are about to read are the judgments of a man not completely rational about the subject at hand.
Teresa Berganza has the most gorgeous female voice I've ever laid ears on. There, I've said it! Biased? Proudly. Smitten? To my core. From the moment I heard her in recital forty years ago, until this very day, I have been completely enamored of this gracious and sensitive artist. I own, I think, every note she has ever recorded. I have seen her in recital or on the opera stage several times, and I have never heard a vulgar sound emerge from her throat. The sheer depth and harmonic richness of her mezzo simply shower warmth and luxury on the listener.
She is also arguably the most versatile singer of the last generation. Most people think of her as just a Mozart and Rossini specialist, and indeed she is. But her repertoire ranges from Cesti to Stravinsky, from Fernando Sor to Mussorgsky to Villa Lobos. She has also been a devoted advocate for the music of her native Spain, along with Latin and South American music. At a Carnegie Hall recital the program included Faure, Schubert, Mozart, Wolf, de Falla, Rodrigo, Garcia Lorca, and Toldra, with encores of Gimenez, Rossini, and Schumann. Phew! One might think it impossible to hold together such a varied program, but Berganza did it seamlessly.
Now to the appointed task. This Decca compilation is a mostly fair cross section of her core work. I could gripe about the inclusion of material that is available on multiple other CDs, or prattle on about this omission or that, but considering how generously this package is filled out, I'd be arguing for an extra disc or two.
The Rossini on the disc doesn't require much comment. A true mezzo with voluptuous tone, a completely secure and supple fioratura, and the temperament to make the character come alive... what else could one possibly want? It's hard to imagine a Naqui all'affanno... Non piu mesta sung with more bravura brilliance. Much the same thing could be said of the Mozart. Finding something to criticize would require a truly picayune personality. The 1963 Mozart LP on London put Berganza firmly on the international map. The reviews were extravagant with praise, and the selections here are some of the finest, although the inclusion of Come scoglio shows the least flattering side of her vocal talents - the tessitura lies just a bit too high for her compass. The nearly complete CD version of the LP is available on Decca's "The Singers" series, where you can sample her Dorabella and Sextus.
Disc 1 is rounded out with selections from Handel, Gluck, Bizet, and Neris's second act recitative and aria from Medea. To enter a note of criticism, I find the Gluck rather straight-jacketed; she certainly doesn't have the cutting edge or the horsepower to make Divinites du Styx very convincing. The Orfeo tracks suffer some of the same deficits, although, because the voice is not overtaxed, she is able to maintain equilibrium of tone, but in the end they come up flat sounding. These problems are more than made up for by her Ruggiero from Handel's Alcina and Neris's heart-rending aria, where her strengths are fully evident. The chestnuts from Carmen give a taste of what is certainly one of the most unusually conceived assumptions of this often hackneyed role. This is no tramp cigarette girl, but a fully realized independent woman, whose goals will not be thwarted by mere convention - and Berganza has the vocal and dramatic resources to back it all up. The recording is still in the DGG catalog - snap it up.
If the contents of disc 2 seem a bit scattered, that would be because they are a bit scattered. This is where Decca should have made more coherent choices. The most grievous example: Arambarri's Ochos canciones vascas comes form a 1967 Zacosa LP. The fact that the flip side of that record, Gombau's Siete claves de Aragon, is omitted borders on the incomprehensible. Both of these song cycles are piquant, wonderfully conducted by Gombau himself, and show Berganza's interpretative range in singing Spanish music, plus they are perfect companion pieces. As fine as they are, we did not need the umpteenth incarnation