| 1. La Viruta |
| 2. La Punalada |
| 3. Vamos Carinito |
| 4. Dano |
| 5. Contratiempo |
| 6. Viejo Malevo |
| 7. De Pura Cepa |
| 8. Perdoname |
| 9. Capricho De Amor |
| 10. La Trampera |
| 11. Pere Yo Se |
| 12. A La Parrilla |
| 13. La Copa Del Olvido |
| 14. Mi Viejo Reloj |
| 15. Dejame Sonar |
| 16. Nostalgias |
| 17. Preparense |
| 18. Vamos, Vamos Zaino Viejo |
| 19. Fugitivia |
| 20. Paisaje |
Editorial Reviews
Fresedo was Born in Buenos Aires in 1897. He was a Master Composer, Bandoneonist, Arranger and Director. While in his Teens, He was Playing in Tango Trios. He Built his Own Group in 1918. In 1921, He Organized a Sextet that Finished Like an Orchestra and in 1925 He Recorded with Gardel. He Open Spirit Allowed his Orchestra to Give Opportunity to New Composers, Playing New Songs that Would Not have Been Performed Elsewhere.
2 En 1,Osvaldo Fresedo,EMI,Latin
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25 Classical Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000058HT Release Date: 1996-01-23 |
Tracks:
- Eine Klein Nachtmusik: (I. Allegro)
- Nutcracker Suite: (Russian Dance)
- The Four Seasons, Op. 8: (Spring: I. Allegro)
- Hungarian Dance No. 5 In G Minor
- Symphony in D, K. 161 - 163: (III. Presto)
- Waltz In D-Flat Major, Op. 64, No. 1
- Tritsch-Tratsch Polka, Op. 214
- Brandenburg Concerto No. 3 In G, S. 1048: (III. Allegro)
- Swan Lake: (Dance Of The Swans)
- Carmen Suite No. 2: (Habanera)
- Messiah: (Overture)
- Wind Serenade 'The Marriage Of Figaro': Overture
- Violin Concerto No. 1 In G Minor, Op. 12: (III. Allegro)
- Water Music: (Overture)
- Sleeping Beauty Ballet Suite, Op. 66: (Panorama)
- Symphony No. 26 In E-flat Major, K. 184: (III. Allegro)
- Waltz No. 10 In B Minor, Op. 69 No. 2
- Violin Concerto No. 1 In A Minor, S. 1041: (III. Allegro)
- Water Music: (Lentement)
- Brandenburg Concerto No. 4 In G Major, S. 1049: (II. Andante)
- Habanera
- Horn Concerto No. 3 In E-Flat Major, K. 447: (II. Romanza)
- Rhapsody On A Theme By Paganini, Op. 43: (Variation No. 18)
- Thunder And Lightning Polka, Op. 324
- Stars And Stripes Forever
Customer Reviews:
classic music CD.......2007-06-27
Good for beginners.......2007-02-15
Great mix.......2007-02-14
Good for first-timer.......2007-01-22
25 Classical Favorites cd.......2007-01-06
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Essential Guitar: 33 Guitar Masterpieces
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000069KIT Release Date: 2002-08-13 |
Customer Reviews:
Two-and-a-half hours of bliss.......2007-04-04
Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.
I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.
not what i expected.......2007-03-26
excellent guitar performances.......2006-07-27
Essential Guitar..........2005-07-26
Buy it and enjoy!!!!
Lives up to its Name!.......2005-06-10
The recording quality is uniformly good, even on the tracks by Segovia. I don't know if they were remastered or recorded late in his career, but they're free of the surface noise present in so many of his recordings. The set clocks in at a generous 2 1/2 hours - one of the greatest deals in instrumental music; this is not a "bargain" quality set. Listen to the samples online - great stuff.
My only mild criticism is in the marketing. The advertising features John Williams and Julian Bream. Each contributes exactly one track. I would have enjoyed more pieces by them for stylistic comparison. But the less well-known (at least to guitar music neophytes like me) artists are every bit as good, and I intend to obtain more of their work.
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25 Thunderous Classics
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6SQ Release Date: 2000-09-05 |
Tracks:
- Also Sprach Zarathustra (Sunrise) - R. Strauss
- Mars (The Planets) - Holst
- Overture 1812 - Tchaikovsky
- Entry Of The Gladiadtors - Fucik
- Sabre Dance - Khachaturian
- Procession Of The Sardar - Ippolitov Ivanov
- Night On Bald Mountain - Mussorgsky
- Anvil Chor (II Trovatore) - Verdi
- The Thunderer March - Sousa
- Thunder & Lightening Polka - J. Strauss
- Prelude To Act III : Lohengrin - Wagner
- The Ride Of The Valkryies - Wagner
- Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
- The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
- Rondeau - Edward Carroll
- Overture: Fireworks Music - Handel
- March To The Scaffold: Symphonie Fantastique - Berlioz
- LesToreadors - Bizet
- William Tell Overture: Finale - Rossini
- Revolutionary Study - Abbey Simon
- Fanfare For The Common Man - Copland
- Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
- Augurs Of Spring From Rite Of Spring - Stravinsky
- Russian Dance From Petrouchka - Stravinsky
- The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky
Customer Reviews:
Good selection.......2005-10-02
thunderous applause.......2005-08-31
This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!
Good Music at a Great Price.......2004-03-06
You will like this!.......2004-02-19
This CD is at the top of them all. They may be short, but not that short. Wondrous music.
I can almost guarantee that you will like this music.
Well worth the price!
Good for the novice.......2002-06-08
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Art of Segovia
Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006B66L Release Date: 2002-10-08 |
Tracks:
- Andante
- Andantino
- Lento
- Romance De Los Pinos
- Madronos
- Serenata Burlesca
- Variations On A Theme From Mozart's 'The Magic Flute'
- Mesto E Calmo
- Theme, Variations & Finale
- Cancion Mexicana No.X
- Sevillana, Op.29
- Sarabanda
- Capriccio Diabolico, Op.85
- Tonadilla For Guitar On The Name Of Andres Segovia
- No.1 In E Minor
- No.3 In A Minor
- Guitarreo
- Segovia, Op.29
Tracks:
- If My Complaints
- Now, O Now I Need Must Part
- Sarabande
- 1. Prelude (Transposed In D Major)
- 4. Tempo Di Bourree
- Courante
- 3. Gavotte En Rondeau
- Aria E Corrente
- Moderato
- Menuet In G Major
- Andantino Variato
- No.7 In A Major
- 2. Canzonetta
- 2. Quasi Lento (Preludio)
- 1. Andantino Poco Allegretto (Allegretto)
- 2. Il Vecchio Castello
- Allegretto
- Tres Calme Et Doucement Expressif
- No.4 In E Flat Minor
- 5. Asturias. Leyenda - Preludio
- 7. Zambra Granadina
- Estudio Sin Luz
- Allegro Con Brio
Amazon.com
DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan DavisCustomer Reviews:
A Man and His Art - Magnificently Captured.......2007-04-06
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
What can you say - it's Segovia!.......2007-02-10
EVERYBODY KNOWS.......2007-01-13
Immortal guitar.......2006-08-02
WOW.......2006-02-23
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Bach for Babies
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IIYV Release Date: 1999-04-13 |
Tracks:
- Partita No. 1 in B-Flat: Praeludium
- Partita No. 1 in B-Flat: Menuets I & II
- English Suite No. 3 In G Minor: Gavotte I - Gavotte II Ou La Musette
- French Suite No. 6 In E: Allemande
- Suite No. 3 In D For Cello: Bourree I & II
- Suite No. 6 For Cello: Gavottes I-II
- Prelude In D Minor
- Orchestral Suite No. 2 In B Minor For Flutes And Strings: Badinerie
- Brandenburg Concerto No. 5 In D: Allegro
- Well-Tempered Clavier, Book I: Prelude No. 3
- Well-Tempered Clavier, Book I: Fugue No. 3
- (Prelude No. 2 from Well-Tempered Clavier, Book I): Be-Bop Bach
- (Fugue No. 2 From Well-Tempered Clavier, Book I): Dixie Bach
- Brandenburg Concerto No. 3 In G: Allegro
- Suite No. 4 For Cello: Bourree
- Partita No. 1 in B-Flat: Giga
- 'Little' Fugue In G Minor
- Brandenburg Concerto No. 4 In G: Presto
- Well-Tempered Clavier, Book 1: Prelude No. 1 In C
- Concerto In D Minor For Oboe And Strings: Sicliano
- Suite In E-Flat For Flute And Harp: Gavotte en rondeau
- Sonata In E-Flat For Flute And Harp: Sicliano
- Minuet In D Minor
- Bist Du Bei Mir (When Thou Art Near)
Amazon.com
Programmed similarly to the Beethoven for Babies collection, this set of Bach compositions runs the emotional gamut, from the gently eye opening to the jumpy arm raising, collecting each set of pieces under a thematic header. The first several selections ("Waking Up") feature solo piano works that come directly from Bach's more pedagogic works, compositions intended for students to use as exercises to loosen their touch. Played superbly by pianist Sviatoslav Richter, as well as the Romero brothers (Pepe and Celedonio) on warm guitar, these compositions urge the ear to open. And then you come the pieces gathered under the "Playtime" heading: jazz pianist John Lewis picks up a couple pieces, as do the folks in Canadian Brass. Then the mood shift heads back to the sleepyhead state with "Winding Down" and "And So to Bed," each of which slows the tempo and quiets the passion to a doze. This is a fine set of Bach works. --Andrew BartlettCustomer Reviews:
Our favorite CD for all occasions.......2005-05-15
Bach and Roll!.......2004-04-26
My daughter loves this CD.......2003-02-24
Soothing.......2002-07-29
Classical, Jazz and Opera Bach all in one.......2001-05-30
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J.S. Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006
Manufacturer: Pentatone ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00097HE8U Release Date: 2005-06-14 |
Customer Reviews:
Julia Fischer performs J.S.Bach's Sonatas and Partitas for Solo Violin.......2007-05-07
Thoughtful Readings.......2007-01-09
Listeners contemplating the purchase of yet another Bach Unaccompanied set will also have to look to their own tastes in deciding whether Fischer fits the bill. Have you long since acquired, and exhausted, the classic Milstein performances? Did you find Perlman nicely polished, or just a bit too slick? Did you respond well to Kremer's impetuosity and drama, or consider his approach overly rough and improvisatory?
In the liner notes, Ms. Fischer tells us that for years she has warmed up every day with these pieces. It shows. She is obviously familiar with them, and her technical security and sense of "what comes next" have benefited. But with familiarity comes a certain complacency, and warmups can encourage a performer to emphasize sheer mechanics: pitch accuracy, evenly smooth bowing, perfect finger coordination, etc. That is what I personally hear as a guiding principle in most of these interpretations. They are soft-edged, maintaining steady tempi, using the middle third of the bow, employing subtle and consistent accents, phrasing, and dynamic emphases.
Nothing wrong with those choices. In many aspects, they may lie closer than some others to what Bach had in mind. But I found myself respecting Fischer's efforts rather than becoming involved in the music itself. In the end I went back to Hilary Hahn's debut disc (which includes some but not all of these works) in order to hear controlled and thoughtful Bach performances with more passion, more bite (bowing at the frog when needed), and more overall humanity.
The SACD recording is quite good, but if anything it emphasizes the mellow, moderated quality of these performances with a violin timbre that is never unpleasant but seldom provides the range of colors that one might hope to hear, even in Bach. Especially in Bach?
I think Ms. Fischer is heard to better advantage in her Pentatone recording of the Russian concertos -- maybe she didn't feel a "Romantic" approach was as appropriate for Baroque music. The result sounds curiously old-fashioned, however, especially given the recent tendency in historically informed Baroque performance to emphasize drama and individualistic expression (e.g., Rachel Podger, Andrew Manze). By comparison, Julia Fischer's Bach comes off as a careful effort by a recent conservatory graduate. Still worth hearing, but perhaps more as an emblem of her undeniable promise.
Bach by Julia Fischer.......2006-08-04
She is one of the best performers of Bach solo pieces if not the best. Milstein, Kagan, Grumiaux, Perlman are good. But she is something else. Timing, fluidity, expression I can go on and on. This is the most "musical" interpretation of these pieces I have heard so far.
very good........2006-06-11
What a Surprise!.......2006-03-09
I was surprised. It doesn't sound like she is young at all. According to Fisher, she played Bach every day. And she has been studying Bach since she was a little girl. No wonder she has attended to the details of it. The speed she took was relatively slow, especially for the Preludes and Sarabande. Her technique was impeccable, but it all sounded so natural. I once listened to Heifitz and I didn't quite like it. It sounded not like Bach. Fisher surely captured the elegance and warmth of one of Bach's most intelligent and intellectual works.
If you like Bach's Unaccompanied Sonata and Partita for Solo Violin, buy this. You won't regret. The recording quality was superb, too!
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Bella Tuscany: Music Inspired by Tuscany
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000294RMQ Release Date: 2004-06-22 |
Tracks:
- O Mio Babino Caro - Erich Kunzel
- Quando M'en Vo' - Erich Kunzel
- Italiana - Jesus Lopez-Cobos
- Danza Rustica - Jesus Lopez-Cobos
- Sonate XIII - Empire Brass Quintet And Friends
- Allegro - Yolanda Kondonassis
- Allegro Non Molto - Yolanda Kondonassis
- The Nightengale - Atlanta Symphony Orchestra
- The Cuckoo - Atlanta Symphony Orchestra
- Siciliana - Angel Romero
- Che Gelida Manina - Fernando De La Mora
- Humming Chorus - May Festival Chorus
- Adagio - Angel Romero
- Allegro - Paul Patterson
- Di Provenza Il Mar, Il Suol - Erich Kunzel
- Intermezzo Sinfonico - Erich Kunzel
Customer Reviews:
Bella Bellisimo.......2007-07-07
Very nice collection of Italian classical repertoire.......2007-01-11
Beautiful.......2007-01-09
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Bach for Breakfast
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041D9 Release Date: 1995-06-13 |
Tracks:
- Jesu, Joy of Man's Desiring
- Orchestral Suite No. 3 In D
- Concerto In D Minor For Oboe, Strings & Continuo: Siciliano
- Suite in D: Bourree I - II
- Sonata In E-Flat For Flute & Harp: Sicilliano
- Sonata In E-Flat For Flute & Harp: Allegro Moderato
- Brandenburg Concerto No. 6 In B-Flat: Adagio ma non tanto
- Sonata In G minor For Flute, Harp & Cello: Allegro
- Sonata In G minor For Flute, Harp & Cello: Adagio
- Sinfonia: Christmas Oratorio
- Orchestral Suite No. 1 In C: Forlane
- Sonata In C For Flute & Harp: Andante-Presto
- Sonata In C For Flute & Harp: Menuetto I - II
- English Suite No. 3 In G Minor: Allemande
- Brandenberg Concerto No. 2 In F: Andante
- Suite In E-Flat For Harp: Gavotte en rondeau
- Concerto In D Minor For Violin & Panpipes: Adagio
- Concerto In A For Oboe d'amore, Strings & Continuo: Allegro moderato
Customer Reviews:
Coffee ? Eggs ? Bacon ? Bach ?.......2005-10-04
Gentle background music with lots of harp.......2005-06-26
While 'classical purists' may raise their brow because of the many flute/harp selections (citing that Bach never composed any music for the harp), the person buying this CD for inspiring and relaxing mood music should be be delighted just fine with these "transcriptions" from piano to harp. The harp has a special niche for creating the most serene of atmospheres which it does not fail to do here. The solo Suite in E-flat was originally composed for solo violin but sounds much more smooth and dreamy on the harp - a piece very well done. However, some pieces are so serene that you might fall asleep at the breakfast table - hence, the sub-title "A leisurely way to start your day." Actually, it could easily be titled, "Bach for Bedtime" as the selections are all pretty relaxed and on the quiet side. So, if the hyper-energy of Mozart symphonies is too much for your mornings or if the sharp surges of Beethoven's music unsettle you, then these calmer Bach selections should be a better way to ease into the day.
If you like the flavor of Baroque music, "Bach for Book Lovers" in the same series is a good choice and has more solo piano selections for the piano lover. "Bach for Bedtime" is also a wonderful (non-duplicating) collection of some of Bach's most serene music and is also recommended. Perhaps the most calming and sedating music in this Philip's series is "Baroque for Bathtime" which can easily put you to sleep - in a good way - with or without the bath. All are high quality with well-selected pieces from the treasures of classical music's most influential composer of the Baroque era - Johann Sebastian Bach.
Excellent Compilation of Brilliant Music for Home Listening.......2004-01-26
The "songs" on this CD and from the series were chosen from the vast and excellent Phillips classical music catalog. The sound, performances, and song selections are world-class.
A lot of great classical music is great for an evening at the concert hall but not very good for listening at home. The crescendos can be loud and the themes too intense. I would rather listen to a breathtaking Mozart piano sonata (solo piano) at home than a grand Mozart symphony (large orchestra) at home. The music on this CD was chosen for home listening, such as when reading a book.
This music appeals to everyone. Classic musicians may snub this music because it's not grand like a full-blown opera. They ignore the fact that the great composers, like Bach recognized different musical genres such as chamber music for at home or the kings court, and grand symphonies for an evening at the concert hall.
The music on this CD is EXCELLENT for listening at home. It's both brilliant and mellow. When I listen to this music I marvel at the brilliance of Bach. I am very grateful for this music and other CD's in this series.
A fantastic CD!
Bach for any meal!.......2004-01-22
Lovely!!!.......2002-04-06
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György Ligeti Edition 3: Works for Piano (Etudes, Musica Ricercata) - Pierre-Laurent Aimard
Manufacturer: Sony ProductGroup: Music Binding: Audio CD |