Mexico

1. Cama de Piedra

2. Cuatro Rios

3. Arrieros Somos

4. Corazoncito Tirano

5. Arrullo

6. Anoche Estuve Llorando

7. Una Cerca en Mi Camino

8. Nuestro Gran Amori

9. Chaparrita de Oro

10. Me Lleva el Diablo

11. Ratito

12. No Me Dejes Nunca, Nunca

Mexico,Cuco Sanchez,Orfeon Records,Corrido,Latin,Latin Music,Latin Pop/Rock,Mexican

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Average customer rating: He can just sing anything . . . Very good. Not Alejandro's style AF, VIENTO A FAVOR What A Voice!!!!!!!!!!!!!!!!

Viento a Favor Alejandro Fernández Manufacturer: Sony International ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Tejano | Latin Music | Styles | Music Mexico | International | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Mi Tiempo Entre Tus Brazos Todo Cambió Me Estoy Enamorando Papito ASIN: B000QEIM9Q Release Date: 2007-06-26

Tracks:

1. Te Voy A Perder
2. A Manos Llenas
3. Tanto Amar
4. Amenaza De Lluvia
5. Eres
6. No Se Me Hace Facil
7. Estabas ahi
8. Sin Consideracion
9. Solitario Y Solo
10. Sueño Contigo
11. Amor Gitano featuring: Beyoncé
12. Cuando Estamos Juntos

Amazon.com

Viento a Favor is Mexican superstar Alejandro Fernandez's 15th studio disc in as many years as a singer. But he still approaches each project with the urgency and earnestness of a newbie singer. That's what makes each tune a small celebration, an intimate moment of discovery. There are no wasted moments amid the sterling arrangements, some of the best in Fernandez's lush pop repertoire. (He's an equally heralded ranchera singer.) Viento a Favor features tunes written by Leonel Garcia and Noel Schajris (better known as emotive Latin-pop duo Sin Bandera) and Mexican singer Reyli Barba. They're all taken to wuthering heights by Fernandez's stellar vocal range, which goes from hushed whispers to booming intensity. First single "Te Voy a Perder" is an epic romance, and "Amor Gitano," a duet with bilingual diva Beyoncé, expectedly smolders. Closing tune "Cuando Estamos Juntos" is another surprise, an acoustic-flavored ode to simple joy. --Joey Guerra

Customer Reviews:

He can just sing anything . . ........2007-07-26

. . . with this voice. This is definitely adult pop, the direction Alex's music has been taking for the last few years now. He's matured and so has his voice; it's much more resonant and you hear that better singing ballads and this type of smooth pop than the traditional mariachi music. Hard to pick a favorite here, but "Te Voy A Perder" and "Sin Consideracion" are the songs most likely to appeal across genres. Alex is sure to win some new fans with this mix. Even if you don't speak Spanish, he still makes you feel the mood of his songs and you will believe you understand what he's singing. He is La Voz (The Voice).

Very good........2007-07-22

Alejandro has a very pleasant voice that projects real feelings in the words he is expressing. Whether he sings pop or rancheras his voice captures the listener.

Not Alejandro's style.......2007-07-22

Love the hit song "Te voy a perder" and the song with Beyonce', but the rest of the songs are okay. Kinda boring. They are not Alejandro's style of music. I love Alejandro soooooo much I dream of him. I listen to his concert in Spain CD three to four times a week and watch his DVD very often. He's my idol. I love his other cd's also "Corazon Abierto" and his Mariachi CD's. He's awesome! This new cd of his, just isn't his style. I believe he's trying to get into the pop scene, but he's better with his balads and Mariachi music. If you want to listen to it, I suggest buying a used one instead and save your money.
Ale, you can come to my home anytime for dinner and ??!

Ale's big FAN!

AF, VIENTO A FAVOR.......2007-07-08

I HAVE BEEN AN A. FERNANDEZ FAN SINCE HIS FIRST ALBUM. FROM THEN TILL NOW, I STILL STAND BY WHAT IVE THOUGHT, THAT HE IS THE BEST MALE VOICE IVE EVER HEARD. THIS ALBUM IS SPECIAL BECAUSE OF ITS FEEL, ITS DIFFERENT.
ITS UNIQUE. WHEN YOU LISTEN TO THE FIRST TRACK, YOU ARE WAITING ANXIOUSLY TO HEAR THE NEXT, ITS THAT GREAT.THE MUSIC IS BEAUTIFUL, AND WHEN YOU ADD ALEXS' VOICE, YOU HAVE GOT A PERFECT ALBUM, YOU HAVE GOT VIENTO A FAVOR.

What A Voice!!!!!!!!!!!!!!!!.......2007-06-26

Alejandro's New Cd Showcases The Fact That As An Artist He Continues To Grow..."ERES", "CUANDO ESTAMOS JUNTOS", "AMOR GITANO"...While Retaining His Base..."TANTO AMAR", "ESTABAS AHI" & "SOLITARIO & SOLO". This Is Yet Another Fantastic Cd In A Long Line Of Great Cds!!!!! Alejandro Gives The World More Of That SWOON Worthy Voice, Listen To "ESTABAS AHI" And His Voice Washes Over You With Tenderness & Power!!! The Sound, Mixing, Arrangements & Producing Are Once Again Absolutly Perfect!! IMHO He Has The Most Beautiful Male Voice Ever Created!!!!!!

Average customer rating: garbage The BEST Latino Rock Band in the world The complete latin album sexy spanish music if it you're thinking about it, buy it

Amar Es Combatir Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Rock en Español | Latin Music | Styles | Music Mexico | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Revolución de Amor El Tren De Los Momentos Limo`n y Sal Sueños Liquidos Ricky Martin: MTV Unplugged ASIN: B000GIXEPY Release Date: 2006-08-22

Tracks:

1. Manda una senal
2. Labios compartidos
3. Ojala pudiera borrarte
4. Arrancame el corazon
5. Tengo muchas alas
6. Dime Luna
7. Bendita tu luz
8. Tu me salvaste
9. Combatiente
10. El viaje
11. El Rey tiburon
12. Somos mar y arena
13. Relax

Amazon.com

It's finally happened. After years of puzzling popularity by way of derivative rock retreads, Mana has finally made the leap to full-bodied musical force on its first album in four years, Amar Es Combatir. The disc is a thoughtful, tender and often terrific collection of pop wizardry. It's buoyed by solid production work, a cohesive sound and singer Fher Olvera's commanding vocal presence. Mana has always drawn inspiration from the arena-rock vibes of everyone from U2 to Journey, but this time, the group takes those blueprints and creates its own urgent framework. It's a thrilling, insanely catchy collection. Everything on the disc crackles with energy, from winsome opener "Manda Un Senal" to swaggering closing track "Relax." In between, the Mexico-based outfit weaves memorable stories of love that are marked by pulsing percussion, driving guitar riffs and emotive vocals. First-rate stuff from a group who finally--at least to these ears--justifies all the fuss. --Joey Guerra

Album Description

Amar es Combatir, Mana's 9th studio album and first in four years, was produced by Mana with the special collaboration of recording engineer Tom Russo (Audioslave, Macy Gray, Michael Jackson, Eric Clapton). Also includes a duet with JLGuerra.

Customer Reviews:

garbage.......2007-06-19

After a while it all sounds the same.

The BEST Latino Rock Band in the world.......2007-04-04

When it comes to asking people about Pop Latino music; it is almost common that almost everyone you ask will say Mana is among thier favorites. This is probably hard to believe that I have only been a Mana fan or the other word they use for fans like me "Manatico" since 2004. I had a huge interest in the group when I Bought my first album from them called "Unplugged". Thier soothing sounds of a live concern scene had me wanting more. When I bought the next album Cuando Los Angeles Lloran I was hooked. I really enjoy listening to Fher Olvera, the main singer in the group. His musical talents are often compared to the main singer in Sting or Bono from U2. It's really amazing how the group we know as Mana know now almost failed to exist at one point of thier career. I listen to these guys often and recommend anyone to listen to thier music, you don't have to speak Spanish but you can still enjoy the sound of Fher's voice, as well as the drumbeats performed by Sergio Vallin Rodriguez. Here are a couple reviews of thier albums from thier careers (may not have all of them)

Falta Amor 1990- Great first album under the name Mana. for those of you who don't that they used to be called Sombrero Verde and were also part of the movement called "Rock en tu Idioma" This album has more of an Adult Contemporary sound to it, kinda like a Soft Rock en Espanol type sound. My favorite song in this album is "Rayando El Sol" Mana's first big hit.

Donde Jugaran Los Ninos 1992- Another great masterpiece of work, still has the Soft Rock en espanol sound. Great hits include: Oye Mi Amor, Vivir Sin Aire, and Como Diablos, as well as the beginning up beat hit: De Pies a Cabeza. This album you can say put the group on the map on heading to being one of the best Latino rock band in the world

Cuando Los Angeles LLoran 1995- This is when they kinda leave the Soft Rock en espanol sound and head towards the rock en espanol sound. You can tell of the musical differences by listening to thier sound, Selva Negra, as well thier balads. Thier balads aim towards the edge of rock. I don't have a favorite song from this album but I do consider it as one of my favorites.

Suenos Liquidos 1997- En el Muelle de San Blas is another favorite song from Mana.

MTV Unplugged 1999- Another favorite of mine, has the all songs in a concert setting on CD. You can listen to this album while relaxing or if your up and around.

Revolucion de Amor 2002- Includes the hit Mariposa Tracioniera. Love that song!

Amar es Combatir 2006- My favorite song is Labios Compartidos, still love thier music even though they went a little stronger

The complete latin album.......2007-04-02

I don't speak spanish but I enjoy the music. All the songs are good if you like rock, upbeat, romantic music...I made 3 copies, one for home, car and work. Oh! I even have it on my Ipod for when I exercise. You just can't get enough of it. This is the best album ever!!!

sexy spanish music.......2007-03-30

what an awesome album!.Manda me Senal is my most beloved song and I have dedicated this song to my wife.I have recorded to my mind this song just when I first listened. So catchy and sexy tune.Bendita tu Luz is another apple-pie hit.All in all, I am grateful this contemporary Orpheuses. IMy Spanish fluency increases day by day thanks to the lyrics of their songs.

if it you're thinking about it, buy it.......2007-03-13

this is a good cd. i was worried i might not like it, but it's good. esp 5, 6, 11... but also pretty much all the rest except for 4....

Average customer rating: Universal music Long-Time Favorite Best Copland Album I've Ever Listened To Test of Time--Passed with honors! the PERFECT Bernstein recording

Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Marches | Miscellaneous | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Copland, Aaron | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bernstein, Leonard | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Gershwin: Rhapsody In Blue/An American In Paris Copland: Rodeo/Billy The Kid Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite Barber's Adagio ASIN: B0000025MO Release Date: 1990-10-25

Tracks:

1. Appalachian Spring: Very Slowly
2. Appalachian Spring: Allegro
3. Appalachian Spring: Moderato
4. Appalachian Spring: Fast
5. Appalachian Spring: Subito allegro
6. Appalachian Spring: As At First (Slowly)
7. Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
8. Fanfare For The Common Man
9. El Salon Mexico
10. Danzon Cubano

Amazon.com

If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey

Amazon.com

Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller

Customer Reviews:

Universal music.......2006-07-14

This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.

Long-Time Favorite.......2005-03-16

When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.

Best Copland Album I've Ever Listened To.......2004-05-15

I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.

Test of Time--Passed with honors!.......2003-07-21

I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.

When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!

"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)

I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.

As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.

As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.

All in all, this is a fantastic album--a must for any classical collection.

the PERFECT Bernstein recording.......2002-12-16

I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.

Average customer rating: Lila Down's la cantina Absolutely fabulous soulful, beautiful music LIla Downs Lila's Best

La Cantina Lila Downs Manufacturer: Narada ProductGroup: Music Binding: Audio CD General | International | Styles | Music Mexico | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Cumbia | Latin Music | Styles | Music Folk | Latin Music | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: La Sandunga Una Sangre (One Blood) Border (La Linea) Tree of Life Balancê ASIN: B000EHQ7WY Release Date: 2006-04-04

Tracks:

1. La Cumbia Del Mole
2. El Corrido De Tacha 'La Teibolera'
3. Agua De Rosas
4. Tu Recuerdo Y Yo
5. La Cama De Piedra
6. El Relampago
7. Penas Del Alma
8. La Tequilera
9. Pa' Todo El Ano
10. El Centenario
11. La Noche De Mi Mal
12. Arboles De La Barranca
13. La Cumbia Del Mole (English Version)
14. Yo Ya Me Voy
15. Amarga Navidad

Amazon.com

As a follow-up to her 2005 Latin Grammy win, Mexican-American diva Lila Downs has chosen to release a loving tribute to canciones rancheras, the heartfelt ballads ubiquitous in cantinas throughout Mexico. With their merry accordion riffs and perky snare-led rhythms, the tunes can be reminiscent of Cajun music or Colombian cumbias, but even the cheeriest numbers harbor fate-haunted undertones. The singer's darkly sweet, resonant voice interprets each the fifteen tracks to a fare-thee-well. Her fiery South-of-the-border exhibitionism and touches of dry humor are mirrored by assorted comedic whiz-bang sounds that surface amid the mostly acoustic mix. Third generation accordionist Flaco Jimenez, the doyen of Tex-Mex conjunto (a working class style descended from an older but still extant groove known as norteño,) weaves in and out among bass, harps, mariachi-like fiddles and assorted guitars. Peppered with antique-sounding bytes, dramatic spoken poems and even an in-your-face rap (during "Tu Recuerdo Y Yo", track four), the album plays like a slightly surreal movie that is no less affecting for being nearly untranslatable. --Christina Roden

Customer Reviews:

Lila Down's la cantina.......2007-07-03

I love Lila Down, but not being mexican, this is not my type of music. My mexican friends of certain age (not very young) give it 5 stars.

Absolutely fabulous.......2007-07-02

I can't recall the reason I originally placed an order for this Lila Downs CD. I had never heard about the artist nor had any knowledge about Mexican language. I presume I read some reviews and just tried it.

But no regrets I can honestly say. At the moment La Cantina is one of my mostly played CDs and it seems I'll never get bored with it - though I still have just a hint what the songs are about. But the FEELINGS are there; sometimes sorrow, sometimes happiness, sometimes something in between.

No use in praising Lila's voice as it has been done in so many reviews before. So I settle to my headline comment: Absolutely fabulous. Now I have already five Lila Downs CDs but I still consider this as the best one. Whatever your taste in music is - this is good.

soulful, beautiful music.......2007-05-22

Love this album. Lila Downs is wonderful - I wish I could own all of her albums but I had to choose just one for now. I chose this one - and I was not disappointed. It is a mix of soulful balads and upbeat even dancable tunes. I especially love "la cumbia de mole" in both spanish and english. I challenge you to listen without singing along and moving. Buy this - you will have no regrets other than that you didn't buy it sooner.

LIla Downs.......2007-05-09

Lila Downs is just amazing on this album,her powerful vocals and energy are just incrediable.

Lila's Best.......2007-04-10

I thoroughly enjoyed Lila Down's new album, Cantina. She is a very original artist, and I highly recommend this album.

I wish she would return to Minnesota and do a concert!

Average customer rating: Not up to Snuff Worst Global Underground Ever A welcome change freeland rules Thank goodness something new is coming out of GU

Global Underground: Mexico City Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Britain | British Isles | Europe | International | Styles | Music Similar Items: Global Underground 031: Taipei GU Mixed Renaissance Presents the Masters Series, Pt. 9: Satoshi Tomiie Balance 011 Global Underground: Paris ASIN: B000P7V5V6 Release Date: 2007-06-19

Tracks:

1. Faze Action - In The Trees (Carl Craig C2 Remix #1)
2. Revl9n - Walking Machine (SebastiAn Remix)
3. Etienne De Crecy - F***
4. Kim - Wet N Wild (Midnight Juggernauts Mix)
5. Mr Oizo - Half An Edit
6. Adam Freeland - Silverlake Pills
7. Kim - By The Time They Reach You (Bagraiders Mix)
8. Jape - Floating (Alex Metric Remix)
9. Beauty School - Disco Sux (Stone Lions Mix)
10. Oliver Huntemann - 37°
11. Justice - Phantom
12. Minimal Compact - Deadly Weapons (Optimo Mix)
13. DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
14. Phones - Sharpen The Knives
15. Trabant - The One (Para One Remix)
16. Kavinsky - Testarossa (SebastiAn Remix)
17. Evil 9 - Happy Ending

Tracks:

1. Spacemen 3 - Ecstasy Symphony
2. My My - Butterflies & Zebras
3. Lee Jones - There Comes A Time (Prins Thomas Miks)
4. Justus Kohncke - Advance
5. 120 days - Come Out, Come Down, Fade Out, Be Gone
6. Gui Boratto - Terminal
7. Holden - Lump
8. Cobblestone Jazz - Dump Truck
9. Silversun Pickups - Lazy Eye
10. Substance & Vainqueur - Immersion
11. Fujiya & Miyagi - Ankle Injuries
12. Andrew Weatherall - Feathers
13. B-Movie - Nowhere Girl (Adam Freeland Mix)
14. Mylo - Paris 400 (Aswefall Remix)
15. Adam Freeland - Self Indulgent Ending

Customer Reviews:

Not up to Snuff.......2007-07-30

I was pretty excited when I saw that GU was coming out with their 32nd release from the DJ series. It looks as if I will be anxiously awaiting the 89th release one day as my appetite for new GU doesn't seem to be waning...unless of course there are too many more like Freland's weak release. Nick Warren never seems to let down, his Paris mix still seeing a fair amount of playtime on my ipod. Danny Howells came out with a pretty good one from Miami, but the Freeland mix is dilute, forgettable, and just seems to meander aimlessly. There is one highlight on disc 2 and that is the Silvrsun Pickups with a track called 'Lazy Eye'. I copied that track to the end of the disc onto itunes just so the $20 I spent to preorder this wasn't a total waste. I definitely wouldnt recommend spending much of your hard-earned money on this mix.

Worst Global Underground Ever.......2007-07-28

I am completely sickened by the junk on these two cd's. I'm a big fan of breaks and this album is the Worst breaks set I've ever heard. Every track is annoying, and nothing fits. Try Adam Freeland's Coastal Breaks or Tectonics which are both phenomenal. Unfortunately Adam is devolving as a dj and that's sad to see. Do Not waste your money when there are soooo many great Breaks compilations.

A welcome change.......2007-07-08

It's very unfortunate, really, that this double mix album is getting some of these nasty one-star reviews. I can guarantee that if this was released on a different label under a different mix series, this would not be received as poorly as it is by some reviewers. The main problem with this is that it was marketed to the wrong audience. As you can gather by reading these one-star reviews, much of the Global Underground fanbase is too high-set on expectations for typical progressive house fare that this label is usually known for. I like Nick Warren and Danny Howells as much as the next guy, but someone should change things up a bit once in a while! Hernan Cattaneo's latest Sequential release, for example, bored me to tears!

Anyways, I'm not even sure how the hell to classify the first CD, as it's an energetic frenzied mix of electro, breaks, acid, and guitars. If you're familiar with Ed Banger's catalogue, then you'll have a good idea of what Adam Freeland's going for, as SebastiAn, Justice, and DJ Mehdi all make appearances here. From the moment the CD starts, the energy hardly lets up and Freeland flies through some absolutely sick cuts. A few tracks and sequences that stand out especially are "F**k," "Floating," and "Signatune" leading up to the devastating "Sharpen the Knives." Definitely not for the faint of heart.

The second CD, although less intense, is much more varied. The first three tracks are hypnotic and fairly subdued before building up to a track by 120 Days, a band whose sound reminds me of Kasabian if they went a more psychedelic route. From there Freeland goes through some techy minimal into a downright weird track by James Holden before getting back to a more conventional rock sound with Silversun Pickups (!), which took me by surprise. Many of these groups/bands would be more familiar to indie rock fans than progressive heads, but that doesn't mean there's a drop in quality here. Freeland continues this sound until the mix comes to a distorted fuzzed-out close.

Clearly the people who went out and bought this before doing any sort of research (are they familiar at all with Freeland's track record??) or sampling have themselves to blame. I suggest that anyone else who is curious about this release would sample some of these tracks before making a decision. It's not the best GU mix by a long shot, but it's way more fresh and exciting than a lot of releases lately.

freeland rules.......2007-07-07

the diversity and open mindedness of this set is mind boggling. so great to see a dj, after so many years of spinning, still having the passion and balls to search out and find whats exciting in music today. if you want the same old same old, 2 minute mixes, tribal/proggy tracks that go nowhere, and sets that are so predictable they sound like the dj went to the john and never came back, then dont buy this. if you like your music fresh, exciting, mind bending, then this is the thing for you.

Thank goodness something new is coming out of GU.......2007-07-04

In short...it's about time GU shook things up a bit. I stopped buying GU albums because I got incredibly bored by their predictable releases...besides Danny Howells. I love how some of the die hard GU fans are falling apart about this release. They sounds like they are getting old when they call it noise. LOL!

Average customer rating: Viva MIS!!

Pinata Mexican Institute of Sound Manufacturer: Nacional Mnf Brasil ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Latin Pop | Latin Music | Styles | Music Mexico | International | Styles | Music Similar Items: Méjico Máxico Roots, Rock, Remixed Icky Thump Mun2 the Chicas Project Official Soundtrack Chicano Zen ASIN: B000RGSOLE Release Date: 2007-07-24

Tracks:

1. Killer Kumbia
2. Escribeme Pronto
3. El Microfono
4. Para No Vivir Desesperado
5. La Kebradita
6. A Girl Like You
7. A Todos Ellos
8. Hip Hop No Pares
9. Katia, Tania, Paulina Y La Kim
10. Belludita
11. Mi Negra a Bailal
12. Lala Meda
13. La Kebradita

Album Description

Following the success of last year's debut "Mejico Maxico" is this infectious pastiche of electronica, dub, cha cha, and other musical surprises. Guests on "Pinata" include members of Tom Tom Club, Cornelius, and Babasonicos. In the past year, MIS received widespread acclaim from Spin, the NY Times, and Urb, as well as radio support from such tastemakers as KCRW (LA), Indie 103 (LA), KEXP (Seattle), and KUT (Austin). The band's music has also been featured in other projects including "Ugly Betty", in Dos Equis' national advertising campaign, on multiple soundtracks, and on the upcoming EA Games release "FIFA 2008".

Customer Reviews:

Viva MIS!!.......2007-07-25

I loved the first Mexican Institute of Sound (MIS) album 'Mejico Maxico', but the new album 'Pinata' is even better. This album is worth the price alone just for tracks like "El Microfono" and "Escribeme Pronto". Big ups to KCRW in Los Angeles for turning me on to a great electronic artist!

Average customer rating: Maná is great! Same tunes and lyrics as before Más de lo mismo An advance beyond their past mariposa traicionera

Revolución de Amor Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Rock en Español | Latin Music | Styles | Music Mexico | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Sueños Liquidos Amar Es Combatir Cuando los Angeles Lloran Donde Jugaran los Niños? MTV Unplugged ASIN: B00006EXKB Release Date: 2002-08-20

Tracks:

1. Justicia, Tierra Y Libertad
2. Ay, Doctor
3. Fe
4. Sabanas Frias
5. Pobre Juan
6. Porque Te Vas?
7. Mariposa Traicionera
8. Sin Tu Carino
9. Eres Mi Religion
10. No Voy A Ser Tu Esclavo
11. Angel De Amor
12. Nada Que Perder

Amazon.com

With 16 million total units in global sales (1999's MTV Unplugged has sold 3 million copies so far), four-time Grammy winners Maná are one of the biggest Latin rock bands around. Revolución de Amor, the four-piece band's first studio album in five years, continues Maná's ongoing dual interest in themes of love and social issues, and the band is masterful at packaging its potent messages in an accessible guitar-based sound. Hailing from Guadalajara, Mexico, Maná create an organic mix of classic rock, modern rock, and traditional Latin music that will appeal to fans of Santana and Rubén Blades (both of whom make guest appearances here). But the band is also able to attract younger audiences thanks to punkier songs such as "Nada Que Perder," which could very easily break through on K-rock radio stations across the U.S. One of Maná's best albums to date, Revolución de Amor is proof positive that Latin rock can be accessible to a broad range of people who don't speak Spanish. --Tad Hendrickson

Album Description

Electric and acoustic violinist explores the styles of latin, afro-cuban, jazz and electronica with world beat rhythms.

Album Description

A musical blend of the style and arrangements that Mana is very well known for, but also features other musical forms such as Funk and Afro, Cuban performances recorded by the group for the first time. Finalizing the completion of this Inernational globe of music, two musical legends collaborate and join Mana on Revolucion De Amor, Carlos Santana and Ruben Blades. 12 tracks. 2002.

Customer Reviews:

Maná is great!.......2007-05-17

This was the first Maná CD I have ever purchased. I really like it. They blend traditional latin music and great rock guitar work. I will buy more of their recordings.

Same tunes and lyrics as before.......2006-08-25

Not asking to recreate music however after Sueno Liquido nothing innovated has come out of the band.

4 of 13 songs are good

Mariposa
Sabana's
Angel De Amor
Mi Religion

Más de lo mismo.......2005-10-27

La banda latina más vendedora de discos regresa con un disco prescindible totalmente. Decepciona incluso, pues se esperaba algo diferente al muy bueno "Sueños líquidos", pero suena como a una mala continuación de este, e incluso, queda por debajo. Monótono, lleno de clichés propios del grupo, con pseudo himnos revolucionarios como "Justicia, tierra y libertad" o el típico y repetitivo hit al más puro estilo Maná, como lo es "Ángel de amor". Lo único rescatable del disco son las bellas "Mariposa traicionera" y "Eres mi religión", convirtiéndose esta incluso en uno de los clásicos de toda la discografía del grupo, pues es la única canción en donde la letra tiene rasgos de una muy buena lírica, conjugado con una gran música. Fher suena cansado y Alex, Sergio y Juan, aunque muy talentosos, no explotan su capacidad si continuan haciendo reiteraciones inútiles. Maná debe regenerarse o estará condenada a pasar desapercibido en el panorama de las bandas propositivas. Aunque quizá, el pop que hacen actualmente les resulte mucho más redituable, como de hecho sucede, dejando de lado la música desde hace mucho tiempo, prefiriendo entonces la danza de los millones. Maná está para mucho más que eso.

An advance beyond their past.......2005-08-19

I realize that I'm operating at a disadvantage in reviewing this CD. I don't speak Spanish (although I took it in high school and college) and I haven't followed Maná throughout their career. I'm just an late-arriving Americano who appreciates good music whatever its country of origin.

Nevertheless, I was blown away by this CD's sound: its harmony, arrangement, and emotion. In fact, I was blown away enough to order the 3-CD set of their earlier CDs on Warner, based on Amazon reviewers' raves about their earlier work. I can appreciate where those reviewers were coming from, but I still like "Revolucion de Amor" the best.

For my money, the earlier Maná was a worthy band in the Police vein, but a bit minimalist. This CD, where they arguably went corporate (or whatever), fleshes out their potential and really delivers.

Hey, even with English-language bands, I usually place the lyrics in the background and concentrate on the overall sound. On that count, this CD delivers as much as, say, Tom Petty and the Heartbreakers or the Sisters of Mercy or Procol Harum or Phil Spector's girl groups. Solid harmonies, good musicianship, great balance.

That may just be succumbing to the allures of pop production, but good pop is all too rare, ironically enough.

I hope that the band is working on another CD, three years on, and look forward to what they come up with.

mariposa traicionera.......2005-08-07

Just want to say that I don't know much Spanish, but I do tune into Spanish radio stations cos' I love the sound. I think it was around 12/03 that I kept hearing Mariposa Traicionera on the radio. The name of the song was not announced or maybe it was but I just missed it. The song had this hold on me and I just had to find out who the singer was. Searched the internet with just the keyword "mariposa" and after much work, I finally discovered this Mana band. Have bought a few of their albums since, and am still going through the letras with my Spanish Dictionary! Other songs of the band I like are for example, Te llore un rio, Oye mi amor, Como te deseo,Te llevare al cielo, Eres mi religion. Well, I could go on and on...

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition What to Listen for in Music ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Definitely different, but just plain (throwback word) RAD. "Nothing but Noise"........People listen to the CD!!!! Its a GREAT Mix a refreshing departure from GU's excellent progressive pedigree Two CD's of noise Fits in perfect

Global Underground: Mexico City Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Britain | British Isles | Europe | International | Styles | Music Similar Items: Global Underground: Taipei (GU31) Global Underground 030: Paris Dubai Balance 011 Renaissance Presents the Masters Series, Pt. 9: Satoshi Tomiie ASIN: B000P7V5UW Release Date: 2007-06-19

Tracks:

1. Faze Action - In The Trees (Carl Craig C2 Remix #1)
2. Revl9n - Walking Machine (SebastiAn Remix)
3. Etienne De Crecy - F***
4. Kim - Wet N Wild (Midnight Juggernauts Mix)
5. Mr Oizo - Half An Edit
6. Adam Freeland - Silverlake Pills
7. Kim - By The Time They Reach You (Bagraiders Mix)
8. Jape - Floating (Alex Metric Remix)
9. Beauty School - Disco Sux (Stone Lions Mix)
10. Oliver Huntemann - 37°
11. Justice - Phantom
12. Minimal Compact - Deadly Weapons (Optimo Mix)
13. DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
14. Phones - Sharpen The Knives
15. Trabant - The One (Para One Remix)
16. Kavinsky - Testarossa (SebastiAn Remix)
17. Evil 9 - Happy Ending

Tracks:

1. Spacemen 3 - Ecstasy Symphony
2. My My - Butterflies & Zebras
3. Lee Jones - There Comes A Time (Prins Thomas Miks)
4. Justus Kohncke - Advance
5. 120 days - Come Out, Come Down, Fade Out, Be Gone
6. Gui Boratto - Terminal
7. Holden - Lump
8. Cobblestone Jazz - Dump Truck
9. Silversun Pickups - Lazy Eye
10. Substance & Vainqueur - Immersion
11. Fujiya & Miyagi - Ankle Injuries
12. Andrew Weatherall - Feathers
13. B-Movie - Nowhere Girl (Adam Freeland Mix)
14. Mylo - Paris 400 (Aswefall Remix)
15. Adam Freeland - Self Indulgent Ending

Customer Reviews:

Definitely different, but just plain (throwback word) RAD........2007-07-31

Don't expect to hear your typical GU album here. If you are hardcore into what is usually put out by the label, then this might not be for you. But if you're willing to check out something a little different, then this is the one. I was listening to disc 1 while doing some work on the computer and realized that my legs were getting quite a workout! The music just makes you move, constantly.

I haven't heard anything from Adam Freeland before this but I will definitely check out more of his stuff now. I think the negative reviews are from people who are disappointed that this album is a 180 from the norm, but if you know not to expect the norm, then get ready for a great experience! This probably should have been released under something other than the "Global Underground" series, like a NU-Breed or something, but the GU people must have wanted to get this guy some exposure, and rightfully so.

Again, different than your usual GU, but one that must be heard, just know what to expect.

"Nothing but Noise"........People listen to the CD!!!! Its a GREAT Mix .......2007-07-12

Ok I have not written a review in a long time. But I have to let my voice be heard. This cd is truly an amazing mix. No, its not progressive, house, or trance. It Breaks (and a few rock songs thrown in for good messure). Now dont get me wrong, I was thrown off on the first listen. Almost did not give it another chance. But on the second listen I got to really soak up what Freeland has done here and its GREAT. I mean come on people, Who else can have you right in the middle of a pounding breaks mix then all of the sudden throw down a smoking rock song (Lazy Eye)on disc two. Any way I'm not going to go into the specifics of the cd, just trust me GIVE IT A CHANCE

a refreshing departure from GU's excellent progressive pedigree.......2007-07-10

The problem I have with the negative reviews regarding this release is that many of them start off with:

"This is noisy and awful! I've been a fan of GU ever since the series existed and this is nothing like what they play!"

Yea okay. If this was a Seaman release--or Digweed--then sure, be angry. It would be a complete disaster of sound. You got hooked by the expectation of heavily layered, ethereal progressive house and got edgy, punchy electronica. Complain--people will listen.

But if you have been following Adam Freeland around, or electronic music in general for that matter, you'd know that he's not a progressive house DJ. In fact, he isn't even a house DJ. Known for his blistering breaks and genre-defying sets, Adam has slowly progressed (pardon the pun) towards the French and Australian labels (Ed Banger and Modular come to mind), pushing the boundary between house, electronica, and rock.

To me, the combination is sublime. I love every minute of this release (I'll give the other reviewer some slack since the revl9n track IS a bit weird). If you like artists like SebastiAn, Busy P, Digitalism, The Bagraiders, Ajax, and other "new electro" stars, then pick up this album. If you are a diehard fan of groovy, deep progressive house, then this album shouldn't have even attracted you in the first place.

A real dancer in my book.

Two CD's of noise.......2007-07-07

I have to agree with the other reviews that came in at one star. If they had a rating of zero stars these CD's are awful enough to have deserved a zero star rating. If you are into sounds that mostly make you cringe then this is certainly your style. NO need to go on any more, but there's not a single track on these 2 CD's worth listening or dancing to.

Fits in perfect.......2007-07-06

You one star bashers aren't patient. When I first heard this, i was like "what the hell" but.....gave it a chance and im glad i did. Maybe you wouldn't want to hit the random button on this cd- i think thats what the "one star" reviewers did. Superbly mixed, different, and rockin'. If you've given every other GU a chance go ahead and do the same for this.

Average customer rating: fome This Album Is For Everyone comfy cd De colección con el poster interior de Letizia Ortiz recomendation

Sueños Liquidos Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Rock en Español | Latin Music | Styles | Music Mexico | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Revolución de Amor Cuando los Angeles Lloran Donde Jugaran los Niños? Amar Es Combatir MTV Unplugged ASIN: B000005TN5 Release Date: 1997-10-14

Tracks:

1. Hechicera
2. Un Lobo Por Tu Amor
3. Como Dueles En Los Labios
4. Chaman
5. Tu Tienes Lo Que Quiero
6. Clavado En Un Bar
7. Robame El Alma
8. En El Muelle De San Blas
9. La Sirena
10. Me Voy A Convertir En Un Ave
11. Como Te Extrano Corazon
12. Amame Hasta Que Me Muera

Amazon.com

With magnetic rhythms, cool grooves, and catchy hooks, the Mexican rock band Maná have conquered fans on both sides of the border. From the wickedly cool opener "Hechicera" to the pulsating "Un Lobo por Tu Amor," the tunes are easy to get into, regardless of whether you know Spanish or not. There's plenty of fun, too, on the rollicking "Tu Tienes Lo Que Quiero" and the zany "Clavado en un Bar," which became the tour anthem during the band's 1998 tour. Also bewitching are the romantic "En el Muelle de San Blas" and the achy love ode "Como Dueles en los Labios." The band is also daring, remembering political prisoners around the world on "Me Voy a Convertir en un Ave." --Ramiro Burr

Customer Reviews:

fome.......2006-03-14

Mana siempre me ha parecido una banda bastante aburrida, carente de gracia, cursi, poco innovadora, y por sobre todo cursi (lo repito porque es demasiado cursi), Aun asi debo reconocer que el baterista es un buen musico, toca bastante solidamente.
De este disco hablo porque es el unico que he escuchado entero. Quizas melodicamente no son tan malos, pero las letras son sencillamente pésimas, rebuscadas, faciles, hechas para rimar, carentes de introspeccion (a lo menos en este disco), hechizera suena bien, pero la letra es asquerosamente mala (me acuerdo y me da asco), las lentas aca tambien son cursis (el muelle de san blas es una historia idiota), y habia otra de encallado en un bar...charramente mala, pesima letra, son mucho mejores las del folclore mexicano como esa de me "canse de rogarle"...que no me se el nombre...pero la letra es muy ruda.
ne conclusion un album malo, mejor comprense grupos en español de verdad como soda stereo, que le iguala en popularidad, pero le da 1000 patadas en calidad

This Album Is For Everyone.......2004-09-12

It's been almost seven years since Maná released this album, but I still think it's a great album. This band, in my opinion, has been the most successful Spanish rock band. They have tons of hits and every single one of their albums is a monster album with many hits. Maná also talk about many different kinds of things in their songs.

From this album, we get hits like "Hechicera" and "Clavado En Un Bar", but probably the classic song in this album is "En El Muelle De San Blas", which is a very touching sad song. I honestly cannot say that I have a favorite song from this album because every single song is special in its own way. "Chaman", for example, has a very nice message in the chorus: "jamas dejes de amar...el amor es todo", which means "never stop loving...love is everything." "Como Dueles En Los Labios" is another touching slow song in this album with great lyrics. "Me Voy A Convertir En Un Ave" is a very sad song that talks about a man that is unjustly in jail for a crime that he did not commit. "Un Lobo Por Tu Amor", "Tu Tienes Lo Que Quiero", and "Robame El Alma" have a more uptempo sound.

All in all, this is a great album. Basically all the songs are great. I don't have to say this because there is no bad song from Maná that I know of. Anyway, this album is for everyone. Maná is for everyone. They have songs and messages for everyone. This is totally a band that will remain as a very important one in the history of Spanish rock.

comfy cd.......2004-06-08

This is my rainy day cd that I always play when I'm down, its raining, or I can't figure out what else to listen to. I love all the songs, especially "Muelle de San Blas". That song holds a special sound that has so much feeling. It feels like sweet sorrow, you don't even have to understand Spanish to feel this. It is a great cd with lots of emotional value.

De colección con el poster interior de Letizia Ortiz.......2004-05-23

Además de la excelente música... este es un artículo de colección por el poster deplegable interior donde aparece desnuda Letizia Ortiz.

recomendation.......2004-05-11

what can you say besides that it is a good album.

Latin Music:

1. Mis Corridos Escondidos
2. Mundo Indomito//Llegando Hasta El Final [Import]
3. Night Life [Import]
4. Nuevas Grabaciones de Grandes Exitos, Vol. 1
5. OUTRAGEOUS
6. Pachanga at the Caravana Club [Import]
7. Pistas: Canta Como Originales de San Juan [Karaoke]
8. Que los Cumplas Feliz
9. R de Rumba [Import]
10. Radio Macande [Import]

Latin Music

latin music

Latin Music

Nice & Decent [Import]

Silberstein plays Franck, Bloch and Giannini

Renaissance Dance Music

Music: Signed, Sealed, Delivered

Remember Two Things [Live]

Super Freaks

Speak Life

Present and Accounted For

Prato E Faca [Import]

Sasha Plays Romantic Russian Rarities

Somebody's Miracle

Ramsey Lewis' Golden Hits (Newly Recorded, All-Time, Non-Stop)

Play House, Vol. 3

Selections from "The Heifetz Collection"

Monk's Mood