| 1. Amor |
| 2. Nuevecita |
| 3. Tequila |
| 4. Mami Ven Aqui |
| 5. Loco Loco |
| 6. No Me Gusta Jugar |
| 7. Gusanito |
| 8. Hotel Tru-Ko - Maniatico, Tru-Ko |
| 9. Bella |
| 10. One Love |
718,Tru-Ko,Universal Latino,Latin,Latin Pop/Rock,Reggae
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Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
Antonio Vivaldi , Giovanni Antonini , Cecilia Bartoli , and Il Giardino Armonico Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002CF52 Release Date: 1999-10-26 |
Tracks:
- Dell'aura al sussurrar
- Dopo un'orrida procella
- Di due rai languire costante
- L'Orlando finto pazzo: Qual favellar? ... Andero, volero, gridero
- Zeffiretti, che sussurrate
- La fida ninfa: Alma oppressa
- La fida ninfa: Dite, oime
- Giustino: Sventurata navicella
- Giustino: Sorte, che m'invitasti ... Ho nel petto un cor si forte
- L'Olimpiade: Tra le follie ... Siam navi all'onde algenti
- Farnace: Gelido in ogni vena
- Anch'il mar par che sommerga
- Teuzzone: Di trombe guerriere
Amazon.com
Mezzo Cecilia Bartoli could easily rest on her laurels as one of today's most charismatic, characterful singers for her lively portrayals of Mozart and Rossini heroines. But it's been particularly exciting to observe her growth as an artist in exploring the exuberant world of baroque opera, with its range of pyrotechnic demands--both vocal and emotional. Bartoli's show-stopping virtuosity in a Vivaldi aria from her Live in Italy recital gave a tantalizing sample of her finesse in that style. For The Vivaldi Album, Bartoli conducted extensive research into the composer's manuscripts, (a documentary tracing her quest is planned for subsequent international screening). Although he's best known for his concertos--in typically baroque fashion, two of the arias in fact recycle material from The Four Seasons--Vivaldi was a ferociously prolific composer of operas for the cutting-edge theaters of his time, and the arias gathered here demonstrate the word-painting magic of his music, from the sylvan setting of dueting flageolets in "Di due rai languire costante" to the storm-tossed passions of "Anch'il mar par che sommerga," where Bartoli spins out ripples of rapid-fire coloratura with a gravity-defying accuracy that will leave your head spinning. In addition to many such examples of vocal acrobatics, Bartoli brings exquisite nuance and limpid tone to the delicate echo effects of "Zeffiretti, che sussurrate," and there's no better test for the remarkable flexibility of her range--full and dusky at the bottom and thrilling at the top--than the huge intervallic leaps of "Dopo un'orrida procella." With her naturally large voice, Bartoli can at times tend to histrionic excess (in the recitative to the short aria from "L'Orlando finto pazzo"), but the expressive color of her phrasing is wonderfully matched throughout by the Giardino Armonico's lively panache. All power to Bartoli in her goal of reviving this neglected aspect of Vivaldi's output. --Thomas MayCustomer Reviews:
Cecilia Bartoli brings Baroque music to life.......2005-08-24
A Revelation.......2003-11-05
Now getting to the performance by Bartoli. She really loves this music, as you can tell. Yes, she is mannered in some of the things she does, but that is her way of seeing the music. Her technical skills are amazing, and her interpretations (the "drama" behind the music) is just as intense. Some think Bartoli has a strong voice. Actually, her voice is very small, if you have heard her in performance (they weren't even sure she would be heard when she sang at the Met), and it has a very delicate quality, even when being "brash." Recordings give you the impression she has a much larger sound than she does, but that is because small voices record truer and better than large ones (the industry still can't capture large voices at all). However, even with a small voice, in performance she is breathtaking. She makes the music live. She has weird mannerisms one sees that to American trained singers are completely unacceptable (weird facial expressions, strange things done with he mouth and teeth, head bobbing, etc), but that has never distracted from her overall intensity. Yes, she is intense. You are literally taken away with her interpretation, and her skills. Interestingly, she is more famous in music circles for her cancelations (she cancels more performances in a year than she actually sings). I love this recording, not only because of the music, but because I have seen her sing some of this music live. She really LIVES what she sings, and that comes across in this recording.
A special note: in the little booklet that comes with the recording, Bartoli herself writes her impressions of this music. It is extremely insightful. Whether you like her or not, you have to admire the work she has done to make this music live and be as authentic in interpretation as she can. It is her love of this music that has caused her to record this album. I am thankful she did, for now, I can take those old scores I have and get a better understanding of what the composer was doing. Would that more singers would explore new/old works, and I think it would be far more interesting to have them write their impressions of the music they are singing than the standard academic essays we must read. Reading about how she came to this music, in her own words, gave a different dimension to listening. Now I was listening to see if she was successful in communicating what she felt this music had to offer. SHE WAS.
The best work of Cecilia Bartoli.......2003-08-15
The art of singing, still with us.......2003-02-09
a favor, and get this record. Music hidden in some obscure
library for centuries, brought to pulsating life by a minor
voice, here used with passion and artistry reminding one of
vocal artists of the past. An enriching experience for anyone
enjoying the art of singing.
Great music, but disappointment.......2002-10-01
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Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DBTM Release Date: 1998-10-20 |
Tracks:
- Tu ch'hai le penne, Amore
- Amarilli
- Al fonte, al prato
- Lascia la spina
- Agitata da due venti
- Oiseaux, si tous les ans, K. 307
- La Pastorella, D 528
- Havanaise
- Hai luli!
- Zaide
- Malinconia, ninfa gentile
- Ma rendi pur contento
- La conocchia
- Me voglio fa 'na casa
- Mi lagnero tacendo
- Mi lagnero tacendo (Il Risentimento)
- Mi lagnero tacendo (Sorzico)
- L' Orpheline du Tyrol
- Riedi al soglio (Zelmira)
- Le nozze di Figaro: Voi che sapete
- Canzonetta Spagnuola
- Caro mio ben
- Cinco Canciones negras, No. 5: Canto negro
- Carmen: Seguedille (Carmen)
Amazon.com essential recording
In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick StearnsCustomer Reviews:
Buy two and give one to someone you love!.......2007-03-08
If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.
The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.
When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"
This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!
If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.
Highly recommended!
A joyful sample of the human voice........2006-06-12
A sheer delight from start to finish.......2005-07-14
I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.
Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.
As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.
A stunning recording and an absolute favourite to relax to or just to be inspired by.
Exquisite.......2003-01-31
Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.
There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.
She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.
In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.
The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.
Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.
Amarilli - Delicate and beautiful expression of true love.
Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.
Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."
Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.
Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.
La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.
Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.
Hai luli! - A seductive treatment of a song asking "where can my love be?"
"What's the point of living without a lover?"
Zaide - High energy and fast paced. A song about an orphan.
Malinconia, ninfa gentile - Gorgeous and poetic song.
Ma rendi pur contento - She really captures longing and an almost delicate purity.
La conocchia - Light and breezy.
Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.
Mi langero tacendo - Poignant moment.
"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."
Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.
Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)
L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.
Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."
Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.
Canzonetta spagnuola - A muse comes to torment a painter.
Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.
Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.
Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.
And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.
~TheRebeccaReview.com
Cecilia Live.......2002-07-12
On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.
Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.
Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
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Art of the Baroque Trumpet, Vol. 5: An Italian Concert
Tomaso Albinoni , Arcangelo Corelli , Petronio Franceschini , Baldassare Galuppi , Alessandro Stradella , Giuseppe Torelli , Antonio Vivaldi , Marco Antonio Ziani , Wasa Baroque Ensemble , Niklas Eklund , and Maria Keohane Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NUOO Release Date: 2001-10-16 |
Tracks:
- Con in C, RV 537: Allegro - Jeffrey Segal
- Con in C, RV 537: Largo - Jeffrey Segal
- Con in C, RV 537: Allegro - Jeffrey Segal
- Tito Manlio, RV, 738: Combatta Un Gentil Cor - Niklas Eklund/Maria Keohane
- Son in D: Grave
- Son in D: Allegro
- Son in D: Grave
- Son in D: Allegro
- Son in D: Allegro
- La Flora: Trombe D'Ausonia - Niklas Eklund/Maria Keohane
- Con in D: Allegro
- Con in D: Adagio
- Con in D: Presto
- Con in D: Adagio
- Con in D: Allegro
- La Statira: Vien Con Nuova Orribil Guerra - Niklas Eklund/Maria Keohane/Jeffrey Segal
- Son in D: Grave
- Son in D: Allegro
- Son in D: Grave
- Son in D: Allegro
- Son in D: Grave
- Son in D: Allegro
- Alla Tromba Della Fama - Niklas Eklund/Maria Keohane
- Sinf Avanti Il Barcheggio: Allegro
- Sinf Avanti Il Barcheggio: Andante
- Sinf Avanti Il Barcheggio: Allegro
- Sinf Avanti Il Barcheggio: Allegro
- Griselda, RV 718: Agitata Da Due Venti
- Son in D: Grave - Jeffrey Segal
- Son in D: Allegro - Jeffrey Segal
- Son in D: Adagio - Jeffrey Segal
- Son in D: Allegro - Jeffrey Segal
Customer Reviews:
exquisite playing, but by this point in the series he's used up most of the first-rate repertoire.......2007-04-26
(Volume 2, a recital for trumpet and organ, is timbrally monotonous and the repertoire is not particularly good, so that it gets a bit tedious. Volume 4, also trumpet concerti, is not as well done interpretively: there's a rushed quality to the readings, even an absent-mindedness.)
This, Volume 5, alternates trumpet concerti with more Baroque opera duets with soprano, so it recapitulates the best of the series. Once again the pieces are astonishingly well-played and the interpretations fresh, sensitive, and exciting. The only problem is that having gong through four hours' worth of this repertoire already, on the previous volumes, Eklund is starting to run out of first-rate repertoire to play. He's strating to get into "filler" material, in other words; not entirely, but aside from the Vivaldi Concerto for Two Trumpets and a couple of the duets with soprano, this program does not represent Baroque writing of the first order.
Great Baroque Trumpet.......2007-02-23
This is great baroque music, superbly played. Very highly recommended.
Eklund's Trumpet Playing--It's a Natural!.......2003-09-23
This is true as well in the arias, where Swedish singer Maria Keohane proves the perfect partner for Eklund, matching the mellowness of the natural trumpet with a darkly burnished soprano. Their collaboration highlights the finest music on the CD: Albinoni's "Vien con nuova orribil guerra"--brilliantly scored for two trumpets, two oboes, and string--and Baldassare Gallupi's "Alla tromba della Fama," with its pretty echo effects and scintillating cadenzas. Keohane even has a virtuoso turn all to herself in Vivaldi's picturesque "Agitata da due venti," which paints the scene of a boat tossed by two winds.
But there is lots of wonderfully colorful music here, including fine works from the High Baroque by Giuseppi Torelli and interesting pieces of the Mid Baroque by Zani, Stradella, and Fanceschini.
The accompaniments by the Wasa Baroque Ensemble under the direction of trumpeter Edward H. Tarr are skilled and sympathetic, and Naxos has supplied an appropriately rich, resonant recording. If the other installments in the series are as fine as this, fans of the trumpet and of the Baroque will certainly want all of them.
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Candlelight Favorites (25)
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000058IB Release Date: 1996-08-20 |
Tracks:
- The Entertainer - Roger Shields
- Nutcracker Suite (Chocolate) - Pyotr Il'yich Tchaikovsky
- Water Music (Original No. 18) - George Frideric Handel
- Concerto For 2 Oboes & Strings In D Minor, Op. 42 No. 2 (I. Largo) - A. Caroldi
- Concerto For 4 Pianos In A Minor BWV 1065 (III. Allegro) - Bracha Eden
- Symphony In G Major, K. 45a 'Lambacher - Sinfonie' (II. Andante) - Wolfgang Amadeus Mozart
- Trumpet Concerto In C (IV. Allegro) - Edward H. Tarr
- Enigma Variations, Op. 36 (Beginning) - Sir Edward Elgar
- Op. 289: Persian March - Johann Strauss II
- Barcarolle - Susan Jolles
- Concerto In D For Trumpet, 2 Oboes, Strings & Continuo (II. Largo) - Heinz Zickler
- Prelude No. 6, Op. 28 - Walter Klien
- Violin Concerto No. 1 In A Minor BWV 1041 (I. Allegro) - Susanne Lautenbacher
- Suite For 2 Trumpets, 2 Oboes & Strings (II. Largo) - Heinz Zickler
- Serenade No. 4 In D Major, K. 203 - Oscar Ravina
- Violin Concerto No. 2 In B Minor, Op. 7 'La Campanella (II. Adagio) - Jean-Jacques Kantorow
- Pictures At An Exhibition (I. Promenade) - Modest Mussorgsky
- Variation On A Waltz By Diabelli, D. 718 - Peter Frankl
- Water Music (Original No. 15) - George Frideric Handel
- Le Coucou - Werner Simons
- Plaisir D'Amore - Susan Jolles
- Caucasian Sketches (IV. Procession Of The Sardar) - Mikhail Mikhaylovich Ippolitov-Ivanov
- Salu D'Amour (Love's Greeting) - Sir Edward Elgar
- Symphony No. 39 In F Major (II. Andantino) - Michael Haydn
- Cello Concerto No. 2 In D Major, Hob VIIb/2 (II. Adagio) - Laszlo Varga
Customer Reviews:
Only thing wrong is the title... Good classical collection!.......2003-10-13
This collection surpasses many classical variety albums in its overall quality, regardless of the excellent price. The performances of the respective pieces are excellent as is the audio engineering, which is crisp and clear. What suprised me most, after a couple listens, was how well the widely varied pieces fit together as an album. The selections cross time from the early Baroque period into the 20th century, and they all have a certain continuity. This gives the album added value, as you'd have to purchase many albums to have the wide range of music represented here. CANDLELIGHT FAVORITES gives a mixture of instantly recognizable tunes with some "deeper cuts". It's essentially a classical "mix tape" of sorts, and it works well for both background and purposeful listening.
So excuse the cheesy cover design and the slight title misnomer, and you've got a very affordable and welcome addition to your classic music collection. CANDLELIGHT FAVORITES comes recommended for those seeking a good, varied classical album.
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J.S. Bach: Complete Works for Organ (Box Set)
Manufacturer: Erato ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005ECW Release Date: 1994-10-04 |
Tracks:
- Prld & Fuge in e, BWV 548: Praludium
- Prld & Fuge in e, BWV 548: Fuge
- Choral: An Wasserflussen Babylon..., BWV 653
- Choral: Von Gott will ich nicht lassen..., BWV 658
- Choral: Schmucke dich, o liebe Seele..., BWV 654
- Prld & Fuge in b, BWV 544: Praludium
- Prld & Fuge in b, BWV 544: Fuge
- Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Sopran, BWV 662
- Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Tenor, BWV 663
- Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Trio, BWV 664
Tracks:
- Toccata (Dorisch) & Fuge in d, BWV 538: Toccata
- Toccata (Dorisch) & Fuge in d, BWV 538: Fuge
- Orgelbuchlein, BWV 618: O Lamm Gottes unschuldig
- Orgelbuchlein, BWV 619: Christe, du Lamm Gottes
- Orgelbuchlein, BWV 620: Christus, der uns selig macht
- Orgelbuchlein, BWV 621: Da Jesus an dem Kreuze stund
- Orgelbuchlein, BWV 622: O Mensch, bewein' dein' Sunde gro
- Orgelbuchlein, BWV 623: Wir danken dir, Herr Jesu Christ
- Orgelbuchlein, BWV 624: Hilf Gott, damir's gelinge
- Prld & Fuge in g, BWV 535: Prld
- Prld & Fuge in g, BWV 535: Fuge
- Orgelbuchlein, BWV 625: Christ lag in Todesbanden
- Orgelbuchlein, BWV 626: Jesus Christus, unser Heiland
- Orgelbuchlein, BWV 627: Christ ist erstanden (3 vers)
- Orgelbuchlein, BWV 628: Erstanden ist der heil'ge Christ
- Orgelbuchlein, BWV 629: Erschienen ist der herrliche Tag
- Orgelbuchlein, BWV 630: Heut' triumphiret Gottes Sohn
- Toccata & Fuge in C, BWV 566: Toccata
- Toccata & Fuge in C, BWV 566: Fuge
- Orgelbuchlein, BWV 631: Komm, Gott Schopfer, heilieger Geist
- Orgelbuchlein, BWV 632: Herr Jesu Christ, dich zu uns wend
Tracks:
- Prld & Fuge in C, BWV 545: Prld
- Prld & Fuge in C, BWV 545: Fuge
- Fuge in G, BWV 577
- Prld & Fuge in d, BWV 539: Prld
- Prld & Fuge in d, BWV 539: Fuge
- Choral: Wo soll ich fliehen hin, BWV 694
- Partita sopra: O Gott, du frommer Gott, BWV 767
- Choral: Wir Christenleut hab'n jetzund Freud, BWV 710
- Alla Breve in D, BWV 589
- Canzona in d, BWV 588
- Fuge in c, BWV 575
- Fuga sopra il Magnificat: Meine Seele erhebet den Herren, BWV 733
- Kleines harmonisches Labyrinth (Introitus, Centrum, Exitus), BWV 591
- Prld & Fuge in a, BWV 551: Prld
- Prld & Fuge in a, BWV 551: Fuge
Tracks:
- Prld & Fuge in e, BWV 533: Prld
- Prld & Fuge in e, BWV 533: Fuge
- Chorale: Nun freut euch, lieben Christen g'mein, BWV 734
- Chorale: Liebster Jesu, wir sind hier, BWV 730
- Chorale: Liebster Jesu, wir sind hier, BWV 731
- Chorale: In dulci jubilo, BWV 729
- Chorale: Herzlich tut mich verlangen, BWV 727
- Prld & Fuge in C, BWV 531: Prld
- Prld & Fuge in C, BWV 531: Fuge
- Chorale: Herr Jesu Christ, dich zu uns wend, BWV726
- Chorale: Allein Gott in der Hoh'sei Ehr' (Bicinium), BWV 711
- Chorale: Allein Gott in der Hoh'sei Ehr', BWV 715
- Chorale: Fuga super Allein Gott in der Hoh' sei Ehr', BWV 716
- Chorale: Allein Gott in der Hoh' sei Ehr' (manualiter), BWV 717
- Chorale: Christ lag in Todesbanden, BWV 718
- Chorale: Ach Gott und Herr (per canonem), BWV 714
- Fantasia con imitazione in b, BWV 563
- Chorale: Gelobet seist du, Jesu Christ, BWV 722
- Chorale: Gottes Sohn ist kommen, BWV 724
- Chorale: Jesus, meine Zuversicht, BWV 728
- Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 732
- Chorale: Vater unser im Himmelreich, BWV 737
- Chorale: Vom Himmel hoch, da komm'ich her, BWV 738
- Chorale: Wie schon leuchter der Morgenstern, BWV 739
- Chorale: Wir glauben all' an einen Gott, BWV 765
- Chorale: Herr Gott, dich loben wir, BWV 725
Tracks:
- Prld & Fuge in c: Prld
- Prld & Fuge in c: Fuge
- Chorale: Herr Jesu Christ, dich zu uns wend, BWV 709
- Chorale: Liebster Jesu, wir sind hier, BWV 706 (1+2)
- Chorale: Erbarm' dich mein, o Herre Gott, BWV 721
- Chorale: Wer nur den lieben Gott la walten, BWV 690
- Chorale: Wer nur den lieben Gott la walten, BWV 691
- Chorale: Christ lag in Todesbanden, BWV 695
- Prld & Fuge in c: Prld
- Prld & Fuge in c: Fuge
- Partita: sopra Christ, der du bist der helle Tag, BWV 766
- Sieben Fughetten Fur Die Weinachtszeit: Christum wir sollen loben schon, BWV 696
- Sieben Fughetten Fur Die Weinachtszeit: Gelobet seist du, Jesu Christ, BWV 697
- Sieben Fughetten Fur Die Weinachtszeit: Herr Christ, der ein'ge Gottes Sohn, BWV 698
- Sieben Fughetten Fur Die Weinachtszeit: Nun komm'der Heiden Heiland, BWV 699
- Sieben Fughetten Fur Die Weinachtszeit: Von Himmel hoch da komm' ich her, BWV 701
- Sieben Fughetten Fur Die Weinachtszeit: Gottes Sohn ist kommen, BWV 703
- Sieben Fughetten Fur Die Weinachtszeit: Lob sei dem allmachtigen Gott, BWV 704
- Choral: Vom Himmel hoch da komm' ich her, BWV 700
- Fuge in b uber ein Theme von Corelli, BWV 579
- Fantasia: Jesu, meine Freude, BWV 713
- Choral: In dich hab' ich gehoffet, Herr, BWV 712
Tracks:
- Prld & Fuge in C, BWV 547: Prld
- Prld & Fuge in C, BWV 547: Fuge
- Canonic Vars: Vom Himmel hoch, da komm' ich her, BWV 769
- Clavier Ubung Dritter Teil: Prld in E flat, BWV 552
- Chorale: Kyrie, Gott Vater in Ewigkeit, BWV 669
- Chorale: Christe, aller Welt Trost, BWV 670
- Chorale: Kyrie, Gott heilinger Geist, BWV 671
- Chorale: Kyrie, gott Vater in Ewigkeit (manualiter), BWV 672
- Chorale: Christe, aller Welt Trost (manualiter), BWV 673
- Chorale: Kyrie, Gott heiliger Geist (manualiter), BWV 674
- Chorale: Allein Gott in der Hoh' sei Ehr', BWV 675
- Chorale: Allein Gott in der Hoh' sei Ehr', BWV 676
- Chorale: Allein Gott in der Hoh' sei Ehr' (Fughetta), BWV 677
- Chorale: Dies sind die heil'gen zehn Gebot, BWV 678
- Chorale: Dies sind die heil'gen zehn Gebot (Fughetta), BWV 679
Tracks:
- Chorale: Wir glauben all' an einen Gott, BWV 680
- Chorale: Wir glauben all' an einen Gott (Fughetta) (manualiter), BWV 681
- Chorale: Vater unser im Himmelreich, BWV 682
- Chorale: Vater unser im Himmelreich (manualiter), BMV 683
- Chorale: Christ, unser Herr, zum Jordan kam, BWV 684
- Chorale: Christ, unser Herr, zum Jordan kam (manualiter), BWV 685
- Chorale: Aus tiefer Not schrei' ich zu dir, BWV 686
- Chorale: Aus tiefer Not schrei' ich zu dir (manualiter), BWV 687
- Chorale: Jesu Christus, unser Heiland, BWV 688
- Chorale: Jesu Christus, unser Heiland (Fuga) (manualiter), BWV 689
- Vier Duette: Duetto I, BWV 802
- Vier Duette: Duetto II, BWV 803
- Vier Duette: Duetto III, BWV 804
- Vier Duette: Duetto IV, BWV 805
- Fuge in E flat, BWV 552
- Chorale: Herr Jesu Christ, dich zu uns wend' (Trio), BWV 655
- Chorale: Vor Deinen Thron tret' ich, BWV 668
Tracks:
- Prld & Fuge in c, BWV 546: Prld
- Prld & Fuge in c, BWV 546: Fuge
- Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 633
- Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 634
- Orgelbuchlein: Chorale: Dies sind die heil' gen zehn Gebott, BWV 635
- Orgelbuchlein: Chorale: Vater unser im Himmelreich, BWV 636
- Orgelbuchlein: Chorale: Durch Adam's Fall ist ganz verderbt, BWV 637
- Orgelbuchlein: Chorale: Es ist das Heil uns kommen her, BWV 638
- Orgelbuchlein: Chorale: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
- Orgelbuchlein: Chorale: Ich dich hab'ich gehoffet, Herr, BWV 640
- Orgelbuchlein: Chorale: Wenn wir in hochsten Noten sein, BWV 641
- Orgelbuchlein: Chorale: Wer nur den lieben Gott la walten, BWV 642
- Orgelbuchlein: Chorale: Alle Menschen mussen sterben, BWV 643
- Orgelbuchlein: Chorale: Ach wie nichtig, ach, wir fluchtig, BWV 644
- Partita Sopra: Sei gregrut, Jesu gutig, BWV 768
- Prld & Fuge in f, BWV 534: Prld
- Prld & Fuge in f, BWV 534: Fuge
- Fant in C, BWV 570
Tracks:
- Piece d'Orgue in G, BWV 572: Tres vitement-Gravement-Lentement
- Orgelbuchlein: Chorale: Nun komm' der Heiden Heiland, BWV 599
- Orgelbuchlein: Chorale: Gottes Sohn ist kommen, BWV 600
- Orgelbuchlein: Chorale: Herr Christ, der ein' ge Gottes Sohn, BWV 601
- Orgelbuchlein: Chorale: Lob sei dem allmachtigen Gott, BWV 602
- Orgelbuchlein: Chorale: Puer natus in Bethlehem, BWV 603
- Orgelbuchlein: Chorale: Gelobt seist du, Jesu Christ, BWV 604
- Orgelbuchlein: Chorale: Der Tag, der ist so freudenreich, BWV 605
- Orgelbuchlein: Chorale: Vom Himmel hoch da komm' ich her, BWV 606
- Orgelbuchlein: Chorale: Vom Himmel kam der Engel Schar, BWV 607
- Orgelbuchlein: Chorale: In dulci jubilo, BWV 608
- Orgelbuchlein: Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 609
- Orgelbuchlein: Chorale: Jesu, meine Freude, BWV 610
- Orgelbuchlein: Chorale: Christum wir sollen loben schon, BWV 611
- Orgelbuchlein: Chorale: Wir Christenleut, BWV 612
- Orgelbuchlein: Chorale: Helft mir, Gootes Gute preisen, BWV 613
- Orgelbuchlein: Chorale: Das alte Jahr vergangen ist, BWV 614
- Orgelbuchlein: Chorale: In dir ist Freude, BWV 615
- Orgelbuchlein: Chorale: Mir Fried' und Freud' ich fahr' dahin, BWV 616
- Orgelbuchlein: Chorale: Herr Gott, nun schleuden Himmel auf, BWV 617
- Fant in c, BWV 562
- Choral: Wir glauben all' an einen Gott, Vater, BWV 740
- Fant: Super Valet will ich dir geben, BWV 735
- Choral: Valet will ich dir geben, BWV 736
- Fuge uber ein Thema von Giovanni Legrenzi in c, BWV 574
Tracks:
- Prld & Fuge, BWV 532: Prld
- Prld & Fuge, BWV 532: Fuge
- Trio in d, BWV 656
- Orgelchorale aus Achtzehn Chorale: O Lamm Gottes, unschuldig, BWV 656
- Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland, BWV 659
- Orgelchorale aus Achtzehn Chorale: Trio super 'Nun komm, der Heiden Heiland, BWV 660
- Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland' in organo pleno, BWV 661
- Orgelchorale aus Achtzehn Chorale: Fantasia super Komm, heiliger Geist, BWV 651
- Orgelchorale aus Achtzehn Chorale: Komm, heiliger Geist, BWV 652
- Orgelchorale aus Achtzehn Chorale: Nun danket alle Gott, BWV 657
- Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 665
- Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 666
- Orgelchorale aus Achtzehn Chorale: Komm, Gott Schopfer, BWV 667
Tracks:
- Konzert in a, BWV 593: Allegro
- Konzert in a, BWV 593: Adagio
- Konzert in a, BWV 593: Allegro
- Konzert in d, BWV 596: (Allegro)-Grave-Fuga
- Konzert in d, BWV 596: Largo
- Konzert in d, BWV 596: Finale
- Konzert in C, BWV 594: (Allegro)
- Konzert in C, BWV 594: Rezitativ Adagio
- Konzert in C, BWV 594: Allegro
- Konzert in G, BWV 592: (Allegro)
- Konzert in G, BWV 592: Grave (Adagio)
- Konzert in G, BWV 592: Presto (assai)
- Konzert in C, BWV 595: (Allegro)
- Aria in F, BWV 587
- Prld & Fuge in A, BWV 536: Prld
- Prld & Fuge in A, BWV 536: Fuge
- Choral: An Wasserflussen Babylon, BWV 653b
- Prld & Fuge in G, BWV 550: Prld
- Prld & Fuge in G, BWV 550: Fuge
- Trio in g, BWV 584
Tracks:
- Toccata in d, BWV 565
- Toccate & Fuge in F, BWV 540: Toccata
- Toccate & Fuge in F, BWV 540: Fuge
- Prld (Fant) & Fuge in g, BWV 542: Prld
- Prld (Fant) & Fuge in g, BWV 542: Fuge
- Pastorella, BWV 590: 1
- Pastorella, BWV 590: 2
- Pastorella, BWV 590: 3
- Pastorella, BWV 590: 4
- Prld & Fuge in a, BWV 543: Prld
- Prld & Fuge in a, BWV 543: Fuge
- Toccata in C, BWV 564: Toccata
- Toccata in C, BWV 564: Adagio
- Toccata in C, BWV 564: Fuge
Tracks:
- Son I in E flat, BWV 525: Allegro moderato
- Son I in E flat, BWV 525: Adagio
- Son I in E flat, BWV 525: Allegro
- Son II in c, BWV 526: Vivace
- Son II in c, BWV 526: Largo
- Son II in c, BWV 526: Allegro
- Son III in d, BWV 527: Andante
- Son III in d, BWV 527: Adagio e dolce
- Son III in d, BWV 527: Vivace
- Son IV in e, BWV 528: Adagio
- Son IV in e, BWV 528: Andante
- Son IV in e, BWV 528: Un poco allegro
- Son V in C, BWV 529: Allegro
- Son V in C, BWV 529: Largo
- Son V in C, BWV 529: Allegro
- Son VI in G, BWV 530: Vivace
- Son VI in G, BWV 530: Lento
- Son VI in G, BWV 530: Allegro
Tracks:
- Passacaglia E Tema Fugatum in c, BWV 582
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 645: Wachet auf, ruft uns die Stimme
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 646: Wo soll ich fliehen hin
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 647: Wer nur den lieben Gott la...
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 648: Meine Seele erhebet den Herren
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 649: Ach, bleib' bei uns
- Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 650: Kommst du nun, Jesu...
- Fuge in g, BWV 578
- Prld & Fuge in g, BWV 541: Prld
- Prld & Fuge in g, BWV 541: Fuge
- Choral: Ein' feste Burg ist unser Gott, BWV 720
- Prld in G, BWV 568
- Adagio, BWV 1027: Adagio
- Adagio, BWV 1027: Allegro moderato (trio) (1027a)
- Ricercare a 6 (aus Das musikalische Opfer), BWV 1079-5
- Prld in a, BWV 569
Amazon.com
Marie-Claire Alain is not only one of the greatest organists alive today, but she stands directly in a what is undoubtedly the world's greatest tradition of organ playing. It was France that first rediscovered and cultivated Bach's organ music, and which in turn stimulated the great works of Franck, Widor, Vierne, and their school. Alain has recorded Bach's complete organ music no less than three times, here on historical organs of Bach's own time. Each disc is planned as a recital that showcases both the music and the instrument. Her performances are simply the last word in style, musicianship, and virtuosity. Magnificent. --David HurwitzCustomer Reviews:
Complete set CD review of Bach.......2007-05-12
The Definitive Collection of Bach .......2005-09-25
Absolutely wonderful!.......2004-07-27
Monumental Artistry.......2003-03-08
The sound is pure sonority, almost perfect, and the technical prowess is just awesome. Out of the millions of notes played, I never heard a miscue or slight jiggle. Still, keyboard wizardry is only part of the story. The registration is a work of art in itself. Alain understand the difference between the Baroque and the Modern, the French and the German and the old and the new. Just as she is a "natural" for Widor or Vierne, she also seems to have entered the Bach mind on some of these.
This is a fabulous collection worthy of any serious student of classical music. Nowhere can one derive such satisfaction that listenting to Bach played by Ms. Alain.
A Happy Sacrifice.......2001-06-30
Average customer rating:
|
Bach: The Organ Works (Box Set)
J.S. Bach , and Werner Jacob Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YA0W Release Date: 2000-11-07 |
Tracks:
- Fantasia C, BWV.570
- Chorale Vars (Partite Diverse): Sei Gegrusset, Jesu Gutig, BWV.768
- Fugue On A Theme C, BWV.574
- Chorale: Wir Christenleut', BWV.710
- Trio Son No.4 e, BWV.528: I: Adagio
- Trio Son No.4 e, BWV.528: II: Vivace
- Trio Son No.4 e, BWV.528: III: Andante
- Trio Son No.4 e, BWV.528: IV: Un Poco Allegro
- Chorale: O Lamm Gottes, Unschuldig
- Chorale: Christ Lag In Todesbanden, BWV.718
- Kleines Harmonisches Labyrinth, BWV.591: Introitus - Centrum - Exitus (Andante)
- Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV. 711
- Toccata, Adagio And Fugue in C, BWV.564: I: Toccata
- Toccata, Adagio And Fugue in C, BWV.564: II: Adagio
- Toccata, Adagio And Fugue in C, BWV.564: III: Fugue
Tracks:
- Prld And Fugue in E, BWV.566: Prld
- Prld And Fugue in E, BWV.566: Fugue
- Prld And Fugue in E, BWV.566: Chorale Vars (Partite Diverse): O Gott, Du Frommer Gott, BWV.767
- Prld And Fugue in E, BWV.566: Fantasia in C, BWV.573
- Prld And Fugue in E, BWV.566: Fugue in G, BWV. 577
- Prld And Fugue in E, BWV.566: Chorale: Ein' Feste Burg Ist Unser Gott, BWV.720
- Prld And Fugue in E, BWV.566: Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV.717
- Prld And Fugue in E, BWV.566: Chorale: Christ Lag in Todesbanden, BWV.695
- Prld And Fugue in E, BWV.566: Fugue in c, BWV.575
- Prld And Fugue in E, BWV.566: Chorale: Wie Schon Leucht' Uns Der Morgenstern, BWV.739
- Prld And Fugue in E, BWV.566: Chorale: Vater Unser Im Himmeireich, BWV.737
- Prld And Fugue in E, BWV.566: Chorale: Wir Glauben All' An Einen Gott Vater, BWV.740
- Prld And Fugue in E, BWV.566: Chorale Var (Partite Diverse): Christ, Der Du Bist Der Helle Tag....
Tracks:
- Prld And Fugue in a, BWV.551: Prld
- Prld And Fugue in a, BWV.551: Fugue
- Orgel-Buchlein Nos.1-7, BWV 599-605: 1. Chorale: Nun Komm' Der Heiden Heiland
- Orgel-Buchlein Nos.1-7, BWV 599-605: 2. Chorale: Gott, Durch Deine Gute
- Orgel-Buchlein Nos.1-7, BWV 599-605: 3. Chorale: Herr Christ, Der Ein'ge Gottes-Sohn
- Orgel-Buchlein Nos.1-7, BWV 599-605: 4. Chorale: Lob Sei Dem Allmachtigen Gott
- Orgel-Buchlein Nos.1-7, BWV 599-605: 5. Chorale: Puer Natus In Bethlehem
- Orgel-Buchlein Nos.1-7, BWV 599-605: 6. Chorale: Gelobet Seist Du, Jesu Christ
- Orgel-Buchlein Nos.1-7, BWV 599-605: 7. Chorale: Der Tag, Der Ist So Freudenreich
- Aria in F, BWV.587
- Orgel-Buchlein Nos.8-10, BWV.606-608: 8. Chorale: Vom Himmel Hoch, Der Komm' Ich Her
- Orgel-Buchlein Nos.8-10, BWV.606-608: 9. Chorale: Vom Himmel Kam Der Engel Schar
- Orgel-Buchlein Nos.8-10, BWV.606-608: 10. Chorale: In Dulci Jubilo
- Pastorale in F, BWV.590
- Orgel-Buchlein Nos.11-12, BWV.609-610: 11. Chorale: Lobt Gott, Ihr Christen Allzugleich
- Orgel-Buchlein Nos.11-12, BWV.609-610: 12. Chorale: Jesu, Meine Freude
- Prld And Fugue in c, BWV.549: Prld
- Prld And Fugue in c, BWV.549: Fugue
- Orgel-Buchlein Nos.13-14, BWV.611-612: 13. Chorale: Christum Wir Sollen Loben Schon
- Orgel-Buchlein Nos.13-14, BWV.611-612: 14. Chorale: Wir Christenleut'
- Prld And Fugue in b, BWV.544: Prld
- Prld And Fugue in b, BWV.544: Fugue
- Orgel-Buchlein Nos.15-19, BWV.613-617: 15. Chorale: Helft Mir Gottes Gute Preisen
- Orgel-Buchlein Nos.15-19, BWV.613-617: 16. Chorale: Das Alte Jahr Vergangen Ist
- Orgel-Buchlein Nos.15-19, BWV.613-617: 17. Chorale: In Dir Ist Freude
- Orgel-Buchlein Nos.15-19, BWV.613-617: 18. Chorale: Mit Fried' Und Freud' Ich Fahr Dahin
- Orgel-Buchlein Nos.15-19, BWV.613-617: 19. Chorale: Herr Gott, Nun Schleuss Den Himmel Auf
- Fantasia Con Imitazione in b, BWV.563
Tracks:
- Prld And Fugue in e, BWV.533: Prld
- Prld And Fugue in e, BWV.533: Fugue
- Orgel-Buchlein Nos.20-24, BWV.618-622: 20. Chorale: O Lamm Gottes, Unschuldig
- Orgel-Buchlein Nos.20-24, BWV.618-622: 21. Chorale: Christe, Du Lamm Gottes
- Orgel-Buchlein Nos.20-24, BWV.618-622: 22. Chorale: Christus, Der Uns Selig Macht
- Orgel-Buchlein Nos.20-24, BWV.618-622: 23. Chorale: Da Jesus An Dem Kreuze Stund
- Orgel-Buchlein Nos.20-24, BWV.618-622: 24. Chorale: O Mensch, Bewein' Dein' Sunde Gross
- Fantasia And Fugue in c, BWV.562: Fantasia
- Fantasia And Fugue in c, BWV.562: Fugue (Fragment)
- Prld And Fugue in f, BWV.534: Prld
- Prld And Fugue in f, BWV.534: Fugue
- Orgel-Buchlein Nos.25-26, BWV.623-624: 25. Chorale: Wir Danken Dir, Herr Jesu Christ
- Orgel-Buchlein Nos.25-26, BWV.623-624: 26. Chorale: Hilf Gott, Dass Mir's Gelinge
- Trio in c, BWV.585
- Orgel-Buchlein Nos.25-26, BWV.625-627: 27. Chorale: Christ Lag In Todesbanden
- Orgel-Buchlein Nos.25-26, BWV.625-627: 28. Chorale: Jesus Christus, Unser Heiland
- Orgel-Buchlein Nos.25-26, BWV.625-627: 29. Chorale: Christ Ist Erstanden
- Prld And Fugue in C, BWV.531: Prld
- Prld And Fugue in C, BWV.531: Fugue
- Orgel-Buchlein Nos.30-32, BWV.628-630: 30. Chorale: Erstanden Ist Der Heil'ge Christ
- Orgel-Buchlein Nos.30-32, BWV.628-630: 31. Chorale: Erschienen Ist Der Herrliche Tag
- Orgel-Buchlein Nos.30-32, BWV.628-630: 32. Chorale: Heut' Triumphieret Gottes Sohn
- Trio in d, BWV.583
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 33. Chorale: Komm, Gott Schopfer..
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 34. Chorale: Herr Jesu Christ,...
- Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 36. Chorale: Liebster Jesu, Wir Sind Hier
Tracks:
- Prld And Fugue in c, BWV.546: Prld
- Prld And Fugue in c, BWV.546: Fugue
- Orgel-Buchlein Nos.37-39, BWV.635-637: 37. Chorale: Dies Sind Die Heil'gen Zehn Gebot'
- Orgel-Buchlein Nos.37-39, BWV.635-637: 38. Chorale: Vater Unser Im Himmelreich
- Orgel-Buchlein Nos.37-39, BWV.635-637: 39. Chorale: Durch Adams Fall Ist Ganz Verderbt
- Trio in G, BWV.586
- Orgel-Buchlein Nos.40-42, BWV.638-640: 40. Chorale: Es Ist Das Heil Uns Kommen Her
- Orgel-Buchlein Nos.40-42, BWV.638-640: 41. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ
- Orgel-Buchlein Nos.40-42, BWV.638-640: 42. Chorale: In Dich Hab' Ich Gehoffet, Herr
- Pedal-Exercitium, BWV.598
- Fuge in g, BWV.578
- Orgel-Buchlein Nos.43-46, BWV.641-644: 43. Chorale: Wenn Wir in Hochsten Nothen Sein
- Orgel-Buchlein Nos.43-46, BWV.641-644: 44. Wer Nur Den Lieben Gott Lasst Walten
- Orgel-Buchlein Nos.43-46, BWV.641-644: 45. Chorale: Alle Menschen Mussen Sterben
- Orgel-Buchlein Nos.43-46, BWV.641-644: 46. Chorale: Ach Wie Nichtig, Ach Wie Fluchtig
- Trio in g, BWV.584
- Orgel-Buchlein No.35, BWV.633: 35. Chorale: Liebster Jesu, Wir Sind Hier
- Chorale: Gott, Durch Dein Gute, BWV.724
- Chorale: Gottes Sohn Ist Kommen, BWV.703
- Chorale: Herr Christ, Der Ein'ge Gottes Sohn, BWV.698
- Trio Son No.3 in d, BWV.527: I: Andante
- Trio Son No.3 in d, BWV.527: II: Adagio E Dolce
- Trio Son No.3 in d, BWV.527: III: Vivace
- Fantasia And Fugue in g, BWV.542: Fantasia
- Fantasia And Fugue in g, BWV.542: Fugue
Tracks:
- Con in a, BWV.596: I: Grave - Fuga
- Con in a, BWV.596: II: Largo
- Con in a, BWV.596: Finale
- Con in a, BWV.593: I: (Unknown)
- Con in a, BWV.593: II: Adagio
- Con in a, BWV.593: III: Allegro
- Con in C, BWV, 595
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.731
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.730
- Con in C, BWV.592: I: (Unknown)
- Con in C, BWV.592: Grave
- Con in C, BWV.592: Presto
- Con in C, BWV.594: I: (Unknown)
- Con in C, BWV.594: II: Rezitativ: Adagio
- Con in C, BWV.594: III: Allegro
- Chorale: Nun Freut Euch, Lieben Christen G'mein, BWV.734
Tracks:
- Toccata And Fugue in d, BWV. 734: Toccata
- Toccata And Fugue in d, BWV. 734: Fugue
- Trio Son No.6 in G, BWV.530: I: Vivace
- Trio Son No.6 in G, BWV.530: II: Lento
- Trio Son No.6 in G, BWV.530: III: Allegro
- Alla Breve in D, BWV.589
- Fantasia in G, BWV.572
- Chorale: Herr Gott, Dich Loben Wir, BWV.725
- Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.709
- Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.726
- Prld And Fugue in G, BWV.541: Prld
- Prld And Fugue in G, BWV.541: Fugue
Tracks:
- Fantasia Super Komm, Heiliger Geist, Herre Gott, BWV.651
- Chorale: Komm, Heiliger Geist, Herre Gott, BWV.652
- Toccata And Fugue in d, BWV.538: Toccata
- Toccata And Fugue in d, BWV.538: Fugue
- Prld And Fugue in D, BWV.532: Prld
- Prld And Fugue in D, BWV.532: Fugue
- Trio Son No.5 in C, BWV.529: I: Allegro
- Trio Son No.5 in C, BWV.529: II: Largo
- Trio Son No.5 in C, BWV.529: III: Allegro
- Chorale: Komm, Gott Schopfer, Heiliger Geist, BWV.667
- Prld And Fugue in G, BWV.550: Prld
- Prld And Fugue in G, BWV.550: Fuge
- Chorale: Jesus Christus, Unser Heiland, BWV.665
- Chorale: Jesus Christus, Unser Heiland, BWV.666
- Prld in a, BWV.569
Tracks:
- Toccata And Fugue in F, BWV.540: Toccata
- Toccata And Fugue in F, BWV.540: Fugue
- Chorale: Nun Komm, Der Heiden Heiland, BWV.659
- Chorale: Nun Komm, Der Heiden Heiland, BWV.660
- Chorale: Nun Komm, Der Heiden Heiland, BWV.661
- Prld And Fugue in a, BWV.543: Prld
- Prld And Fugue in a, BWV.543: Fugue
- Trio Super Herr Jesu Christ, Dich Zu Uns Wend, BWV.655
- Fugue On A Theme in b, BWV.579
- Chorale: An Wasserflussen Babylon, BWV.653b
- Fantasia And Fugue in c, BWV.537: Fantasia
- Fantasia And Fugue in c, BWV.537: Fugue
- Chorale: O Lamm Gottes, Unschuldig, BWV.656
- Canzona in d, BWV.588
- Chorale: Vor Deinen Thron Tret'ich, BWV.668
Tracks:
- Prld And Fugue in C, BWV.547: Prld
- Prld And Fugue in C, BWV.547: Fugue
- Chorale: Von Gott Will Ich Nicht Lassen, BWV.658
- Prld And Fugue in A, BWV.536: Prld
- Prld And Fugue in A, BWV.536: Fugue
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.662
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.663
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.664
- Trio Son No.1 in Eflat, BWV.525: I: (Unknown)
- Trio Son No.1 in Eflat, BWV.525: II: Adagio
- Trio Son No.1 in Eflat, BWV.525: III: Allegro
- Chorale: Schmucke Dich, O Liebe Seele, BWV. 654
Tracks:
- Passacaglia And Fugue in c, BWV.582
- Fantasia Super Jesu, Meine Freude, BWV.713
- Prld And Fugue in d, BWV.539: Prld
- Prld And Fugue in d, BWV.539: Fugue
- Chorale Vars: Vom Himmel Hoch, Da Komm' Ich Her, BWV.769
- Prld And Fugue in g, BWV.535: Prld
- Prld And Fugue in g, BWV.535: Fugue
- Chrale: An Wasserflussen Babylon, BWV.653
- Prld And Fugue in C, BWV.545: Prld
- Prld And Fugue in C, BWV.545: Fugue
- Chorale: Nun Danket Alle Gott, BWV.657
Tracks:
- Prld: Eflat, BWV.552/1
- 1. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.669
- 2. Chorale: Christe, Aller Welt Trost, BWV.670
- 3. Chorale: Kyrie, Gott Heiliger Geist, BWV.671
- 8. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.676
- 10. Chorale: Dies Sind Die Sind Die Heil'gen Zehn Gebot', BWV.678
- 12. Chorale: Wir Glauben All' An Einen Gott, BWV.680
- 14. Chorale: Vater Unser Im Himmelreich, BWV.682
- 16. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.684
- 18. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.686
- 20. Chorale: Jesus Christus, Unser Heiland, BWV.688
- Fugue: Eflat, BWV.552/2
- Duetto No.1: e, BWV.802
- Duetto No.2: F, BWV.803
- Duetto No.3: G, BWV.804
- Duetto No.4: a, BWV.805
Tracks:
- 7. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.675
- 4. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.672
- 5. Chorale: Christe, Aller Welt Trost, BWV.673
- 6. Chorale: Kyrie, Gott Heiliger Geist, BWV.674
- 9. Fughetta Super Allein Gott in Der Hoh' Sei Ehr', BWV.677
- 11. Fughetta Super Dies Sind Die Heil'gen Zehn Gebot', BWV.679
- 13. Fughetta Super Wir Glauben All' An Einen Gott, BWV.681
- 15. Chorale: Vater Unser Im Himmelreich, BWV.683
- 17. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.685
- 19. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.687
- 21. Fuga Super Jesus Christus, Unser Heiland, BWV.689
- Prld And Fugue in e, BWV.548: Prld
- Prld And Fugue in e, BWV.548: Fugue
- Chorale: Wachet Auf, Ruft Uns Die Stimme, BWV.645
- Chorale: Wo Soll Ich Fliehen Hin, BWV.646
- Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.647
- Chorale: Meine Seele Erhebet Den Herren, BWV.648
- Chorale: Ach, Blieb' Bei Uns Herr Jesu Christ, BWV.649
- Chorale: Kommst Du Nun, Jesu, Vom Himmel, BWV.650
- Trio Son No.2 c, BWV.526: I: Vivace
- Trio Son No.2 c, BWV.526: II: Largo
- Trio Son No.2 c, BWV.526: III: Allegro
Tracks:
- Fuga Sopra Il Magnificat, BWV.733
- Chorale: Nun Komm' Der Heiden Heiland, BWV.699
- Chorale: Lob Sei Dem Allmacht'gen Gott, BWV.704
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.738
- Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV. 715
- Chorale: Gelobet Seist Du, Jesu Christ, BWV.722
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.700
- Chorale: Christum Wir Sollen Loben Schon, BWV.696
- Chorlae: Lobt Gott, Ihr Christen, Allzugleich, BWV.732
- Chorale: In Dulci Jubilo, BWV.729
- Chorale: Gelobet Seist Du, Jesu Christ, BWV.697
- Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.701
- Prld in G, BWV.568
- Fantasia Super Valet Will Ich Dir Geben, BWV.735
- Chorale: Ach Gott, Vom Himmel Sieh' Darein, BWV.741
- Chorale: Ach Gott Und Herr, BWV.714
- Chorale: In Dich Hab' Ich Gehoffet, Herr, BWV.712
- Chorale: Erbarm' Dich Mein, O Herre Christ, BWV.721
- Chorale: Herzlich Tut Mich Verlangen, BWV.727
- Chorale: Wo Soll Ich Fliehen Hin, BWV.728
- Chorale: Jesus, Meine Zuversicht, BWV.728
- Chorale: Wer Nu Den Lieben Gott Lasst Walten, BWV.691
- Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.690
- Chorale: Liebster Jesu, Wir Sind Hier, BWV.706
- Chorale: Valet Will Ich Dir Geben, BWV.736
Tracks:
- 1. Chorale: Der Tag, Der Ist So Freudenreich, BWV.719
- 2. Chorale: Wir Christenleut', BWV.1090
- 3. Chorale: Das Alte Jahr Vergangen Ist, BWV.1091
- 4. Chorale: Her Gott, Nun Schleuss Den Himmel Auf, BWV.1092
- 5. Chorale: Herzliebster Jesu, Was Hast Du Verbrochen, BWV.1093
- 6. Chorale: O Jesu, Wie Ist Dein Gestalt, BWV.1094
- 7. Chorale: O Lamm Gottes, Unschuldig, BWV.1095
- 8. Chorale: Christe, Der Du Bist Tag Und Licht, BWV.1096
- 9. Chorale: Ehre Sei Dir, Christe, Der Du Leidest Not, BWV.1097
- 10. Chorale: Wir Glauben All in Einen Gott, BWV.1098
- 11. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.1099
- 12. Chorale: Allein Zu Dir, Herr Jesu Christ, BWv.1100
- 13. Chorale: Ach Gott Und Herr, BWV.714
- 14. Chorale: Ach Herr, Mich Armen Sunder, BWV.742
- 15. Chorale: Durch Adams Fall Ist Ganz Verderbt, BWV. 1101
- 16. Chorale: Du Friedefurst, Herr Jesu, BWV.1102
- 17. Chorale: Erhalt Uns, Herr, Bei Deinem Wort, BWV.1103
- 18. Chorale: Vater Unser Im Himmelreich, BWV.737
- 19. Chorale: Wenn Dich Ungluck Tut Greifen An, BWV.1104
- 20. Chorale: Jesu, Meine Freude, BWV.1105
- 21. Chorale: Gott Ist Mein Heil, Mein Hilf Und Trost, BWV.1106
- 22. Chorale: Jesus, Meines Lebens Leben, BWV.1107
- 23. Chorale: Als Jesus Christ in Der Nacht, BWV.1108
- 24. Chorale: Ach Gott, Zu Dich Erbarmen, BWV.1109
- 25. Chorale: O Herre Gott, Dein Gottlich Wort, BWV.1110
Tracks:
- 26. Chorale: Nun Lasst Uns Den Leib Begraben, BWV.1111
- 27. Chorale: Christus, Der Ist Mein Leben, BWV.1112
- 28. Chorale: Ich Hab' Mein Sach Gott Heimgestellt, BWV.1113
- 29. Chorale: Herr Jesu Christ, Du Hochstes Gut, BWV.1114
- 30. Chorale: Herzlich Lieb Hab' Ich Dich, O Herr, BWV.1115
- 31. Chorale: Was Gott Tut, Das Ist Wohlgetan, BWV.1116
- 32. Chorale: Alle Menschen Mussen Sterben, BWV.1117
- 33. Chorale: Mach's Mit Mir Gott, Nach Deiner Gut
- 34. Chorale: Werde Munter Mein Gemute, BWV.1118
- 35. Chorale: Wie Nach Einer Wasserquelle, BWV.1119
- 36. Chorale: Christe, Der Du Bist Der Helle Tag, BWV.1120
- 37. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ, BWV.639
- 38. Chorale: Herr Christ Der Ein'ge Gottes-Sohn, BWV.601
- Prld And Fugue in C, BWV.553
- Prld And Fugue in d, BWV.554
- Prld And Fugue in e, BWV.555
- Prld And Fugue in F, BWV.556
- Prld And Fugue in G, BWV.557
- Prld And Fugue in g, BWV.558
- Prld And Fugue in a, BWV.559
- Prld And Fugue in Bflat, BWV.560
Customer Reviews:
Bach for professional listeners.......2006-01-30
Bach Organ Works on original organs.......2004-10-24
Average customer rating:
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718
Theodore Unit Manufacturer: Sure Shot Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQJVO Release Date: 2004-08-03 |
Tracks:
- Guerilla Hood
- Punch In Punch Out
- '88 Freestyle
- The Drummer
- Gatz
- Who Are We?
- Smith Brothers
- Mama Can You Hear Me
- Paychecks
- Wicked With Lead
- Daily Routine
- Right Back
- Pass The Mic
- Work
- It's The Unit
- Be My Girl
Product Description
1. Theodore Intro
2. Wicked With Lead (Feat. Ghostface & Trife)
3. The Drummer (Feat. Ghostface, Street Life Trife, & Method Man)
4. Duck Out Of The Way (Feat. Wiggs & Cappadonna)
5. Smith Brothers (Feat. Ghostface & Trife)
6. Theodore Anthem (Feat. Ghostface & Trife)
7. Time Freestyle (Feat. Ghostface, Trife, & Crime Life)
8. Got Gatz (Feat. Ghostface, Solomen Childs & Killer Bamz)
9. Paychecks (Feat. Ghostface and Trife)
10. Cutting It Up (Feat. Ghostface & Raekwon)
11. Set It Up (Feat. Ghostface & Trife)
12. Gorilla Hood (Feat. Ghostface)
13. Stapelton (Feat. Wiggs & Cappadonna)
14. Pretty Toney Shoulda... (Feat. Ghostface)
Format: CD
Customer Reviews:
Theodore Unit - Ghostfacing The Best .......2006-05-20
EVERYONE ELSE ALREADY SAID IT EVERYTHING ELSE POSSIBLE I'LL JUST GIVE MY SINCERE RATING 5 STARS (*****) WUTANG FOREVER!!!! LONG .......2006-01-23
Theodore Unit - 718.......2005-12-31
Lyric wise, not the hottest lyrics in the game but definately dope and better than the commercial garbage! Ghost, Trife and Solomon stand out the most lyrically. Tracks like "Be My Girl" by Solomon doesnt have the dopest rhymes but its dope! Haha. Doesnt make sense but trust me. I think that every track on the album is successful lyric wise.
Production wise, good! Now I wasnt feeling every beat. So ill tell you the ones I dont like. "Wicked With Lead", "Work", "Its The Unit", those I dont like, just my personal tastes. But they are good out of my tastes. Now! "Pass The Mic" has the dopest beat. Its old school, just F*** its hott! Nothing to it, bass and drums and a trumpet sound that comes in every now and then its just hott. Good production on the album.
My Top 5 Songs
1.Guerilla Hood
2.Who Are We?
3.Mama Can You Hear Me
4.Right Back
5.Be My Girl
They are new group........2005-03-05
SHAOLIN.......2005-01-31
Average customer rating:
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Emma Kirkby - Vivaldi Opera Arias and Sinfonias
Antonio Vivaldi , Roy Goodman , Emma Kirkby , Liliana Mazzarri , and The Brandenburg Consort Manufacturer: Hyperion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZUX Release Date: 1994-12-15 |
Tracks:
- Griselda: Sinfonia
- Griselda: Sinfonia
- Griselda: Sinfonia
- Griselda, Act III: Ombre vane, ingiusti orrori
- Griselda, Act II: Agitata da due venti
- Tito Manlio, Act II: Non ti lusinghi la cudeltate
- Ottone In Villa: Sinfonia
- Ottone In Villa: Sinfonia
- Ottone In Villa: Sinfonia
- Ottone in villa, Act I: Gelosia, tu gia rendi l'alma mia
- Ottone in villa, Act II: L'ombre, l'aure, e ancora il rio
- L'Atenaide, Act III: Ferma, teodosio
- Tamerlano: Sinfonia
- Tamerlano: Sinfonia
- Tamerlano: Sinfonia
- L'incornazione di dario, Act II: Non mi lusinga vana speranza
- Catone In utica, Act II: Se mai senti spirati sul volto
- Catone In utica, Act II: Se in campo armato
Customer Reviews:
Rare selections brilliantly performed.......2001-11-01
Emma Kirkby does just that--the faster songs and the ornaments are tossed off with such ease that one forgets how difficult the music is that she is singing; if any other singer were attempting these pieces, they would sound as if they were about to collapse from exhaustion. But not Kirkby, who has never sounded more at ease or beautiful. Goodman conducts sensitively and intelligently, and the orchestra performs well, important since much of the disc is composed of Sinfonias from Vivaldi's operas.
Vivaldi: Opera Arias & Sinfonias / Roy Goodman, Emma Kirkby.......2000-04-06
Average customer rating:
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Bach: The Organ Works
Johann Sebastian Bach , and Peter Hurford Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B0000041KD Release Date: 1995-07-10 |
Tracks:
- Toccata And Fugue In F Major: Toccata
- Toccata And Fugue In F Major: Fugue
- Prelude And Fugue In G Major
- Prelude And Fugue In E Minor: Prelude
- Prelude And Fugue In E Minor: Fugue
- Prelude And Fugue In C Major
- Prelude And Fugue In C Minor
- Prelude and Fugue in D major: Prelude
- Prelude and Fugue in D major: Fugue
- Toccata And Fugue In D Minor: Toccata
- Toccata And Fugue In D Minor: Fugue
Tracks:
- Toccata, Adagio, And Fugue In C Major: Toccata
- Toccata, Adagio, And Fugue In C Major: Adagio
- Toccata, Adagio, And Fugue In C Major: Fugue
- Fantasia And Fugue In C Major
- Prelude And Fugue In E Minor
- Prelude And Fugue In A Minor
- Kleines harmonisches Labyrinth
- Toccata And Fugue In D Minor: Toccata
- Toccata And Fugue In D Minor: Fugue
- Trio In C Minor
- Fantasia And Fugue In G Minor: Fantasia
- Fantasia And Fugue In G Minor: Fugue
Tracks:
- Fantasia In G Major
- Fugue In B Minor
- Trio In D Minor
- Prelude And Fugue In G Minor
- Fantasia In C Minor
- Fugue In G Major
- Fantasia And Fugue In C Minor: Fantasia
- Fantasia And Fugue In C Minor: Fugue
- Fugue In G Major
- Fugue In C Minor
- Fugue In G Major
- Fantasia And Fugue In C Major
- Pedal-Exercitium
- Passacaglia And Fugue In C Minor: Passacaglia
- Passacaglia And Fugue In C Minor: Fugue
Tracks:
- Clavier Ubung III: Prelude In E Flat Major
- Clavier Ubung III: Kyrie, Gott Vater in Ewigkeit
- Clavier Ubung III: Christe, aller Welt Trost
- Clavier Ubung III: Kyrie, Gott heiliger Geist
- Clavier Ubung III: Allein Gott in der Hoh' sei Ehr'
- Clavier Ubung III: Dies sind die heilgen
- Clavier Ubung III: Wir glauben all' an einen Gott
- Clavier Ubung III: Vater unser im Himmelreich
- Clavier Ubung III: Christ unser Herr zum Jordan kam
- Clavier Ubung III: Aus tiefer Not schrei ich zu dir
- Clavier Ubung III: Jesus Christus unser Heiland, der von uns
- Clavier Ubung III: Fugue In E Flat Major
Tracks:
- Clavier Ubung III: Kyrie, Gott Vater in Ewigkeit
- Clavier Ubung III: Christe, aller Welt Trost
- Clavier Ubung III: Kyrie, Gott heiliger Geist
- Clavier Ubung III: Allein Gott in der Hoh' sei Ehr'
- Clavier Ubung III: Allein Gott in der Hoh' sei Ehr'
- Clavier Ubung III: Dies sind die heilgen sehn Gebot'
- Clavier Ubung III: Wir glauben all' an einen Gott
- Clavier Ubung III: Vater unse im Himmelreich
- Clavier Ubung III: Christ unser Herr zum Jordan kam
- Clavier Ubung III: Aus tiefer Not schrei ich zu dir
- Clavier Ubung III: Jesus Christus unser Hieland, der von uns
- Chorale Preludes From The Kirnberger Collection: Wer nur den lieben Gott lasst walten
- Chorale Preludes From The Kirnberger Collection: Wer nur den lieben Gott lasst walten
- Chorale Preludes From The Kirnberger Collection: Ach Gott und Herr
- Chorale Preludes From The Kirnberger Collection: Ach Gott und Herr
- Chorale Preludes From The Kirnberger Collection: Wo soll ich fliehen hin
- Chorale Preludes From The Kirnberger Collection: Christ lag in Todesbanden
- Chorale Preludes From The Kirnberger Collection: Christum sollen wir loben schon
- Chorale Preludes From The Kirnberger Collection: Gelobet seist du, Jesu Christ
- Chorale Preludes From The Kirnberger Collection: Herr Christ, der ein'ge Gottes Sohn
- Chorale Preludes From The Kirnberger Collection: Nun komm', der Heiden Heiland
- Chorale Preludes From The Kirnberger Collection: Vom Himmel hoch, da komm' ich her
- Chorale Preludes From The Kirnberger Collection: Vom Himmel hoch, da komm' ich her
- Chorale Preludes From The Kirnberger Collection: Das Jesulein soll doch mein Trost
- Chorale Preludes From The Kirnberger Collection: Gottes Sohn ist kommen
- Chorale Preludes From The Kirnberger Collection: Lob sei dem allmachtigen
- Chorale Preludes From The Kirnberger Collection: Durch Adams Fall ist ganz verderbt
- Chorale Preludes From The Kirnberger Collection: Liebster Jesu, wir sind hier
- Chorale Preludes From The Kirnberger Collection: Ich hab' mein Sach' Gott heimgestellt
- Chorale Preludes From The Kirnberger Collection: Ich hab' mein Sach' Gott heimgestellt
- Chorale Preludes From The Kirnberger Collection: Herr Jesu Christ, dich zu uns wend'
- Chorale Preludes From The Kirnberger Collection: Wir Christenleut
- Chorale Preludes From The Kirnberger Collection: Allein Gott in der Hoh' sei Ehr'
- Chorale Preludes From The Kirnberger Collection: In dich hab' ich gehoffet, Herr
- Chorale Preludes From The Kirnberger Collection: Jesu, meine Freude
Tracks:
- Sonata No. 1 In E Flat Major: I Allegro moderato
- Sonata No. 1 In E Flat Major: II Adagio
- Sonata No. 1 In E Flat Major: III Allegro
- Sonata No. 2 In C Minor: I Vivace
- Sonata No. 2 In C Minor: II Largo
- Sonata No. 2 In C Minor: III Allegro
- Sonata No. 3 In D Minor: I Andante
- Sonata No. 3 In D Minor: II Adagio e dolce
- Sonata No. 3 In D Minor: III Vivace
- Sonata No. 4 In E Minor: I Adagio - Vivace
- Sonata No. 4 In E Minor: II Andante
- Sonata No. 4 In E Minor: III Un poco allegro
- Sonata No. 5 In C Major: I Allegro
- Sonata No. 5 In C Major: II Largo
- Sonata No. 5 In C Major: III Allegro
- Sonata No. 6 In G Major: I Vivace
- Sonata No. 6 In G Major: II Lento
- Sonata No. 6 In G Major: III Allegro
Tracks:
- Chorale Variations: Ach, was soll ich Sunder machen
- Chorale Variations: Christ, du bist der helle Tag
- Chorale Variations: O Gott, du frommer Gott
- Chorale Variations: Canonische Veranderungen: Vom Himmel hoch, da komm' ich her
- Chorale Variations: Sei gegrusset, Jesu gutig
Tracks:
- Choralvariationen: Allein Gott in der Hoh' sei Ehr'
- Schubler Chorale Preludes: Wachet auf, ruft uns die Stimme
- Schubler Chorale Preludes: Wo soll ich fliehen hin
- Schubler Chorale Preludes: Wer nur den lieben Gott labt walten
- Schubler Chorale Preludes: Meine Seele erhebt den Herren
- Schubler Chorale Preludes: Ach bleib' bei uns, Herr Jesu Christ
- Schubler Chorale Preludes: Kommst du nun, Jesu, vom Himmel herunter
- Chorale Preludes: Liebster Jesue, wir sind hier
- Chorale Preludes: Liebster Jesu, wir sind hier
- Chorale Preludes: Lobt Gott, ihr Christen, allzugleich
- Chorale Preludes: Meine Seele erhebt den Herren
- Chorale Preludes: Nun freut euch, lieben Christen g'mein
- Chorale Preludes: Valet will ich dir geben
- Chorale Preludes: Valet will ich dir geben
- Chorale Preludes: Vater unser im Himmelreich
- Chorale Preludes: Vom Himmel hoch, da komm' ich her
- Chorale Preludes: Wie schon leuchtet der Morgenstern
- Chorale Preludes: Wie glauben all' an einen Gott
Tracks:
- Concerto No. 1 In G Major: (Allegro)
- Concerto No. 1 In G Major: Grave
- Concerto No. 1 In G Major: Presto
- Concerto No. 2 In A Minor: (Allegro)
- Concerto No. 2 In A Minor: Adagio
- Concerto No. 2 In A Minor: Allegro
- Concerto No. 3 In C Major: (Allegro)
- Concerto No. 3 In C Major: Adagio
- Concerto No. 3 In C Major: Allegro
- Concerto No. 4 In C Major
- Concerto No. 5 In D Minor: (Allegro) - Grave e fuga
- Concerto No. 5 In D Minor: Largo e spiccato
- Concerto No. 5 In D Minor: (Allegro)
- Concerto No. 6 In E Flat Major
- Chorale Preludes: Herr Jesu Christ, dich zu uns wend'
- Chorale Preludes: Herzlich tut mich verlangen
- Chorale Preludes: Jesus, meine Zuversicht
- Chorale Preludes: In dulci jubilo
Tracks:
- Neumeister Chorale Preludes: Der Tag, der ist so freudenreich (Ein Kindelein so lobelich)
- Neumeister Chorale Preludes: Wir Christenleut
- Neumeister Chorale Preludes: Das alte Jahr vergangen ist
- Neumeister Chorale Preludes: Herr Gott, nun schleuss den Himmel auf
- Neumeister Chorale Preludes: Herzliebster Jesu, was hast du verbrochen
- Neumeister Chorale Preludes: O Jesu, wie ist dein Gestalt
- Neumeister Chorale Preludes: O Lamm Gottes, unschuldig
- Neumeister Chorale Preludes: Christe, der du bist Tag und Licht
- Neumeister Chorale Preludes: Ehre sei dir, Christe, der du leidest Not
- Neumeister Chorale Preludes: Wir glauben all' an einen Gott
- Neumeister Chorale Preludes: Aus tiefster Not schrei ich zu dir
- Neumeister Chorale Preludes: Allein zu dir, Herr Jesu Christ
- Neumeister Chorale Preludes: Ach, Gott und Herr
- Neumeister Chorale Preludes: Ach Herr, mich armen Sunder (Herzlich tut mich verlangen)
- Neumeister Chorale Preludes: Durch Adams Fall ist ganz verderbt
- Neumeister Chorale Preludes: Du Friedefurst, Herr Jesu Christ
- Neumeister Chorale Preludes: Erhalt uns, Herr, bei deinem Wort
- Neumeister Chorale Preludes: Wenn dich Ungluck tut greifen an
- Neumeister Chorale Preludes: Jesu, meine Freude
- Neumeister Chorale Preludes: Gott ist mein Heil, mein Hilf und Trost
- Neumeister Chorale Preludes: Jesu, meines Lebens Leben
- Neumeister Chorale Preludes: Als Jesus Christus in der Nacht
- Neumeister Chorale Preludes: Ach Gott, tu dich erbarmen
- Neumeister Chorale Preludes: O Herre Gott dein gottlich Wort
- Neumeister Chorale Preludes: Nun lasst uns den Leib begraben
- Neumeister Chorale Preludes: Christus, der ist mein Leben
- Neumeister Chorale Preludes: Ich hab mein Sach Gott heimgestellt
- Neumeister Chorale Preludes: Herr Jesu Christ, du hochstes Gut
- Neumeister Chorale Preludes: Herzlich lieb hab ich dich, o Herr
- Neumeister Chorale Preludes: Was Gott tut, das ist wohlgetan
- Neumeister Chorale Preludes: Alle Menschen mussen sterben
Tracks:
- Neumeister Chorales: Machs mit mir, Gott, nach deiner Gut
- Neumeister Chorales: Werde munter, mein Gemute
- Neumeister Chorales: Wie nach einer Wasserquelle
- Neumeister Chorales: Christ, der du bist der helle Tag
- 'The Eighteen' Chorale Preludes: Komm, heiliger Geist
- 'The Eighteen' Chorale Preludes: Komm, heiliger Geist
- 'The Eighteen' Chorale Preludes: An Wasserflussen Babylon
- 'The Eighteen' Chorale Preludes: Schmucke dich, o liebe Seele
- 'The Eighteen' Chorale Preludes: Herr Jesu Christ, dich zu uns wend'
- 'The Eighteen' Chorale Preludes: O Lamm Gottes unschuldig
- 'The Eighteen' Chorale Preludes: Nun danket alle Gott
- 'The Eighteen' Chorale Preludes: Von Gott will ich nicht lassen
- 'The Eighteen' Chorale Preludes: Nun komm' der Heiden Heiland
- 'The Eighteen' Chorale Preludes: Nun komm' der Heiden Heiland
- 'The Eighteen' Chorale Preludes: Nun komm' der Heiden Heiland
- 'The Eighteen' Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
Tracks:
- 'The Eighteen' Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
- 'The Eighteen' Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
- 'The Eighteen' Chorale Preludes: Jesus Christus, unser Heiland
- 'The Eighteen' Chorale Preludes: Jesus Christus, unser Heiland
- 'The Eighteen' Chorale Preludes: Komm, Gott, Schopfer, heiliger Geist
- 'The Eighteen' Chorale Preludes: Vor deinen Thron (Wenn wir in hochsten Noten sein)
- Miscellaneous Chorale Preludes: O Lamm Gottes unschuldig
- Miscellaneous Chorale Preludes: Ach Gott und Herr
- Miscellaneous Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
- Miscellaneous Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
- Miscellaneous Chorale Preludes: Allein Gott in der Hoh' sei Ehr'
- Miscellaneous Chorale Preludes: Christ Lag in Todesbanden
- Miscellaneous Chorale Preludes: Der Tag, der ist so freudenreich
- Miscellaneous Chorale Preludes: Ein' festeBurg ist unser Gott
- Miscellaneous Chorale Preludes: Erbarm' dich mein, o Herre Gott
- Miscellaneous Chorale Preludes: Gelobet seist du, Jesu Christ
- Miscellaneous Chorale Preludes: Gelobet seist du, Jesu Christ
- Miscellaneous Chorale Preludes: Gottes Sohn ist kommen
- Miscellaneous Chorale Preludes: Herr Gott, wir loben dich
Tracks:
- Eight Short Preludes And Fugues: Prelude And Fugue In C Major
- Eight Short Preludes And Fugues: Prelude And Fugue In D Minor
- Eight Short Preludes And Fugues: Prelude And Fugue In E Minor
- Eight Short Preludes And Fugues: Prelude And Fugue In F Major
- Eight Short Preludes And Fugues: Prelude And Fugue In G Major
- Eight Short Preludes And Fugues: Prelude And Fugue In G Minor
- Eight Short Preludes And Fugues: Prelude And Fugue In A Minor
- Eight Short Preludes And Fugues: Prelude And Fugue In B Flat Major
- Trio In G Major
- Prelude and Fugue in F minor: Prelude
- Prelude and Fugue in F minor: Fugue
- Trio In G Minor
- Prelude and Fugue in A major: Prelude
- Prelude and Fugue in A major: Fugue
- Prelude and Fugue in G major: Prelude
- Prelude and Fugue in G major: Fugue
- Allabreve In D Major
- Prelude In G Major
- Fugue In D Major
- Prelude and Fugue in D minor: Prelude
- Prelude and Fugue in D minor: Fugue
Tracks:
- Prelude And Fugue In C Minor: Prelude
- Prelude And Fugue In C Minor: Fugue
- Prelude In C Major
- Fugue In G Minor
- Canzona In D Minor
- Prelude In A Minor
- Fugue In C Minor
- Pastorale In F Major
- Fantasia In G Major
- Aria In F Major
- Prelude and Fugue in C major: Prelude
- Prelude and Fugue in C major: Fugue
Tracks:
- Toccata And Fugue In E Major: Toccata
- Toccata And Fugue In E Major: Fugues I & II
- Fantasia In B Minor
- Prelude and Fugue in A minor: Prelude
- Prelude and Fugue in A minor: Fugue
- Prelude and Fugue in B minor: Prelude
- Prelude and Fugue in B minor: Fugue
- Prelude and Fugue in C major: Prelude
- Prelude and Fugue in C major: Fugue
- Trio In G Major
- Prelude, Trio And Fugue In B Flat Major: Prelude
- Prelude, Trio And Fugue In B Flat Major: Trio
- Prelude, Trio And Fugue In B Flat Major: Fugue
- Ricercar A 6 In C Minor
- Prelude And Fugue In G Minor
Tracks:
- Nun komm, der Heiden Heiland
- Gottes Sohn ist kommen
- Herr Christ, der ein'ge Gottes Sohn
- Lob sei dem allmachtigen Gott
- Puer natus in Bethlehem
- Gelobet seist du, Jesu Christ
- Der Tag, der ist so freudenreich
- Vom Himmel hoch, da komm ich her
- Vom Himmel kam der Engel Schar
- In dulci jubilo
- Lobt Gott, ihr Christen allzugleich
- Jesu, meine Freude
- Christum wir sollen loben schon
- Wir Christenleut
- Helft mir, Gottes Gute preisen
- Das alte Jahr vergangen ist
- In dir ist Freude
- Mit Fried' und Freud' ich fahr dahin
- Herr Gott, nun schleuss den Himmel auf
- O Lamm Gottes, unschuldig
- Christe, du Lamm Gottes
- Christus, der uns selig macht
- Da Jesus an dem Kreuze stund
- O Mensch, bewein dein Sunde gross
- Wir danken dir, Herr Jesu Christ
- Hif Gott, dass mir's gelinge
- Christ lag in Todesbanden
- Jesus Christus, unser Heiland
- Christ ist erstanden
- Erstanden ist der heil' ge Geist
- Erschienen ist der herrliche Tag
- Heut triumphieret
- Komm, Gott, Schopfer, heiliger Geist
- Herr Jesu Christ, dich zu uns wend'
- Liebster Jesu, wir sind hier
- Liebster Jesu, wir sind hier
- Dies sind die heilgen zehn Gebot
- Vater unser im Himmelreich
- Durch Adams Fall ist ganz verderbt
- Es ist da Heil uns kommen her
- Ich ruf' zu dir, Herr Jesu Christ
Tracks:
- In dich hab ich gehoffet, Herr
- Wenn wir in hochsten Noten sein
- Wer nur den lieben Gott lasst walten
- Alle Menschen mussen sterben
- Ach wie nichtig, ach wie fluchtig
- Ach Gott, vom Himmel sieh' darein
- Ach Herr, mich armen Sunder
- Ach, was ist doch unser Leben
- Auf meinen lieben Gott
- Aus der Tiefe rufe ich
- Christ ist erstanden
- Christus, der uns selig macht
- Gott der Vater wohn' uns bei
- In dulci jubilo
- Jesu, der du meine Seele
- Liebster Jesu wir sind hier
- Nun freut euch
- O Herre Gott, dein gottlich Wort
- O Vater, allmachtiger Gott
- Schmucke dich, o liebe Seele
- Vater unser im Himmelreich
- Vater unser im Himmelreich
- Vater unser im Himmelreich
- Wie schon leuchtet der Morgenstern
- Wir glauben all' an einen Gott
- Christus, der uns selig macht
- Herr Christ, der einig Gotts Sohn
- Fugue In G Minor
Amazon.com
When it comes to organ music there's Bach, and there's everyone else. The actual amount of organ music that he composed is in dispute for a couple of reasons. On issue is attribution: much of the music exists only in copies from Bach's pupils and family members, and so the question of authorship may be in doubt. The other issue is which instrument Bach actually intended some of the keyboard music to be played on. Although scholars agonize over this problem, the fact is that Bach's music usually sounds fine played even on kazoos--it's almost indestructible--so the organ suits it in any case. This collection is one of the most comprehensive available, and it's excellently played and recorded. --David HurwitzCustomer Reviews:
One of the great CD sets of all time.......2006-02-08
One can cavil over the way Hurford takes some of the pieces, I suppose, but his flair, imaginative registrations, and sheer musicality are hard to beat, and the recording too is fantastic.
It's quite easy to listen to three or four CDs from this set in a row, which says something about how fertile Bach's imagination, but also how absorbing Hurford's performance, and how willing he is to avoid generic and worthy church-like interpretations. This is music and music-making of the highest quality.
One of two "keepers".......2005-07-02
Preferences in interpretation generally reflect the emphera of a time, and not absolutes. Choice one for this guy is probably Walcha. Dignified and insightful playing probably much more in line with what was expected of, and provided by, Bach way back when.
This set is flashier and lighter in some ways, more bombastic in others--very much a late Twentieth Century effort. Superficial. It suits a less thoughtful approach to the music which isn't a bad thing and isn't necessarily "damning with faint praise." I just doubt if this is really what the music should sound like and I don't mean that in the same way when I say that about Gould's playing. Gould was highlighting an intense part of Bach's craft, pointing the way into the music so to say.
This is a good set for those who like to shake the timbers with organ music; when it was first released in the early digital era it was marketed that way. Bach's music is pretty bullet-proof so it can stand this kind of approach. If you're not a hyper-critical listener, a period instrument hardliner, or a professional organist with strong well thought out opinions this is probably the set for you as the Walcha will sound dry and academic. On the other hand, if you are a powerful admirer of rock and roll classical this might actually be way too much Bach for you. I generally play this set (or Stokowski transcriptions) when I'm in a brain-dead mood and I want Bach-like stimulation without any work on my part. It's really quite nice.
Bach the organ works.......2004-11-23
Overall i dont think these performances do Bach Justice. Better versions can be found at virtuallybaroque.com (not my site)and better still competely free.
Peter Hurford gives incisive readings.......2004-04-05
EMPHATICALLY 5 stars!.......2004-02-27
To those who are doubters: listen to the (in)famous Toccata and Fugue in D minor, that overplayed warhorse. Hurford brings to it an electricity that makes you feel you are hearing it for the first time again. He also has an amazing ear for registrations, one of the most underestimated difficulties of an organist's art, never wearying the ear, but using a wide palette of colors. [Bach himself was widely known for his innovative registrational practices. Contemporaries remarked that when he was testing organs he would pull combinations of stops that they were certain would sound badly together, only to find that he had created an entirely new sound. Thus, creative registrations should not offend purists in any way.]
Hurford's approach to these works obviously takes into consideration, but is certainly not bound by, historically informed performing practices. His phrasing is immaculate, and consistently interesting. In all, this is a stunning accomplishment.
GET THIS WHILE IT REMAINS AVAILABLE. The classical recording industry is in trouble, and the deletions axe is constantly falling. Large, expensive sets like this are sure to go. While the price itself appears high, it is really very reasonable, running under $8 per disc.
Average customer rating:
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Angelo Manzotti - Vivaldi Opera Aria (Arie d'opera)
Manufacturer: Tactus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004S2X6 Release Date: 2000-04-11 |
Tracks:
- Orlando Furioso: Nel Profondo Cieco Mondo
- L'incoronazione Di Dario: Mi Va Scherzando In Sen
- Teuzzone: Sinf: Allegro
- Teuzzone: Sinf: Adagio
- Teuzzone: Sinf: Allegro
- Teuzzone: Sinf: Taci Per Poco Ancora
- Giustino: Vedro Con Mio Diletto
- Farnace: Sorge L'irato Nembo
- Siroe Re Di Persia: Gelido In Ogni Vena
- Orlando: Sol Da Te Mio Dolce Amore
- L'olimpiade: Siam Navi All'onde Algenti
- Il Tamerlano (Il Bajazet): Sinf: Allegro
- Il Tamerlano (Il Bajazet): Sinf: Largo
- Il Tamerlano (Il Bajazet): Sinf: Allegro
- Il Tamerlano (Il Bajazet): Sinf: Sposa Son Disprezzata
- Griselda: Agitata Da Due Venti
Customer Reviews:
colleratura as they should be: not just a gimmick ...........2006-05-03
THe most heard of criticism is that the sopranisto (or counter tenor for that matter) cannot compete with the (natural) skills /agility of -most referred to- mezzo soprano's. People tend to prove their point with pointing to the griselda aria and comparing it to most notedly the version of Cecilia Bartoli. Yes Brtoli has more speed, but is actually performing the almost same collaratura over and over again. Manzotti proves it to be more than just a neat trick and actually uses different collaratura's with different colors and different expressions. Thus making it very exciting to listen to.
The only minus is that sound of the orchestra is not very pronounciated (sorry of that is not correct english).. not like eg Fabio Bondi would do it :-) But overall a hugely enjoyable record with great singing
An interesting interpretation ..........2004-08-04
Manzotti's voice has a huge range, as befits a singer whose previous records have included tributes to Farinelli and the castrati who sang for Handel, but it does not always have accuracy of intonation nor pitch. The integration of the registers is also lacking, and so his voice sounds curiously disjointed. Listeners who want to hear a quality sopranist at work would be better advised to try out Philippe Jaroussky or Randal Wong.
The sound is ok on this TACTUS release, as is the accompaniment from the Bologna Baroque Orchestra, though a more defined bass line might be appreciated. There are a number of short orchestral movements from Teuzzone and Il Tamerlano that fill in what is a generous length CD at 75 minutes. Releases such as this one are to be encouraged until Vivaldi's operas receive the sort of acclaim that has recently been the case with Handel.
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