| 1. Pasa Por Vas |
| 2. Cuestionalo |
| 3. Fuerte Es Tu Mente |
| 4. Confusion Rock |
| 5. You Influence |
| 6. Control |
| 7. God Bless Me |
| 8. Tres Inviernos |
| 9. Mi Última Carta |
| 10. Ecuador |
Confusion Rock,Tommy O'Tool,Delanuca,Latin,Rock,Rock/Pop
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Land of Confusion
Disturbed Manufacturer: Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000IHYU9C Release Date: 2006-10-09 |
Tracks:
- Land Of Confusion
- Sickened (Non-Album Track)
- Land Of Confusion (Video)
Album Description
Enhanced CD single, taken from their album Ten Thousand Fists. Features two versions of 'Land Of Confusion', a cover of the 1986 Genesis hit (Main Version and Enhanced Video) plus the non-album 'Sickened'. Warner. 2006.Album Details
Their Inimitable Interpretation of the Genesis Classic `land of Confusion. The Single is Taken from their Us #1 Album Release `ten Thousand Fists'. Produced by Johnny K (Soil, Three Doors Down) and Marked by an Abrasive Attack Led by David Draiman's Soaring Vocals, Disturbed Put their Metallic Mark on a Track that First Featured on the Genesis Album `invisible Touch'. The Original Version Hit #15 in May 1986. Includes Exclusive B-side Track.Customer Reviews:
Good work, but a computer is needed to see everything..........2007-01-16
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Ocean of Confusion: Songs of Screaming Trees 1989-1996
Screaming Trees Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009A1BFE Release Date: 2005-05-24 |
Tracks:
- Who Lies in Darkness
- Alice Said
- Disappearing
- Ocean Of Confusion
- Shadow Of The Season
- Nearly Lost You
- Dollar Bill
- More Or Less
- For Celebrations Past
- Julie Paradise
- Butterfly
- E.S.K.
- Watchpocket Blues
- Paperback Bible
- Make My Mind
- Dying Days
- Sworn And Broken
- Witness
- Traveler
Customer Reviews:
An utterly perfect introduction to an unjustly neglected band.......2006-12-10
That is why OCEAN OF CONFUSION is a nearly perfect introduction to the Screaming Trees. And although I've enjoyed their albums, I find I almost never listen to any of their music except this compilation disc. In fact, if someone gets this and is truly blown away by what they hear, the next album I recommend them getting is not one of the individual albums, but a second compilation, ANTHOLOGY: SST YEARS 1985-89. That disc covers their earlier years just as this one covers the second half of their career. If one wants more after that, I recommend instead of more Screaming Trees, exploring the solo albums of the band's singer and songwriter Mark Lanegan, especially WHISKEY FOR THE HOLY GHOST.
But though the individual albums weren't great as albums, all contained a few spectacularly great singles. This anthology collects enough of these to prove that while other bands of the time like Nirvana, Mudhony, Soundgarden, and Alice in Chains achieved more popular success, they were the equal of any of these bands musically and probably their superior. They in fact exerted considerably influence on Nirvana in general and Kurt Cobain in particular, who was quite the fan of Mark Lanegan. For anyone who wants to own the central works of alt-rock from the time when it moved from the periphery of popular music to its center, this album is indispensable. Few of the songs will be familiar, though "Nearly Lost You" was a minor hit at the time.
Another remarkable thing about this album is that there is utterly no filler. Every song is at least very good, while a number of absolutely spectacular. "Nearly Lost You," as I mentioned, was a minor hit, but should have been a major one. If you aren't hooked after the first two songs on the album, "Who Lies in Darkness" and "Alice Said," there isn't much point in going further. The rest of the album is more of the same, almost all of it very nearly as good. And some of it better, in my humble opinion. The three songs "Nearly Lost You," "Dollar Bill," and "More or Less" are about as good as any three consecutive songs you'll ever hope to find on a grunge album.
If you don't know the Screaming Trees but enjoy any of the bands associated with the Seattle scene in the early nineties, you will love this album. I personally consider this to be some of the greatest music produced by that movement. No one who loves music should be without this.
Best of?.......2006-05-18
Awesome band, good compilation.......2006-03-19
Why did it take until 2005 for me to hear these guy's?.......2006-02-04
Overall, I would reccomend the album if you like pearl jam or the seattle sound from the early nineties. The album was a lot better than I had expected and I was suprised I had never heard of the band before last year...too bad it took so long.
Q: What kind of trees? A: Screaming Trees.......2005-11-01
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLI8 Release Date: 2004-11-30 |
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Confusion Is Sex/Kill Yr. Idols
Sonic Youth Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003TAD Release Date: 1995-02-28 |
Tracks:
- (She's In A) Bad Mood
- Protect Me You
- Freezer Burn/I Wanna Be Your Dog
- Shaking Hell
- Inhuman
- The World Looks Red
- Confusion Is Next
- Making The Nature Scene
- Lee Is Free
- Kill Yr. Idols
- Brother James
- Early American
- Shaking Hell (Live)
Customer Reviews:
Beautiful Mess .......2007-05-10
So this album is a mess. A brilliant mess of untuned guitars, stunning yet detached bass playing, and dissonant drumming (strange for a noise album). In My opinon this is Kims best album. Her vocals, while abrasive and completly out of tune (how i like it) are intense and grab u by the ears and won't let go untill the end of the song (in some cases longer). Also her Bass playing is pronounced more than usual, especially in her creepy droner Protect Me You. Her tracks are my fave ones on the album (Shaking hell, live Stooges cover I Wanna be Your Dog, and Protect Me You). In fact, I have never heard anything like PMY.
Thurston and Lee are crazy good. If you think the noise songs on Sister and EVOL are too much, hear this. They are not tuneless, they are positively Horrifying. Im scared to turn my volume up to loud, (as much as I want to), as I fear for the safty of my speakers (and my ears). They seem to try as hard as possiby to make the riffs sound bad, and as Bad as they are, it still sound euphoriuc. Although in my opinion their more structured than Evol and BMR, just in a different way. I prefer this to their later noise rock of plain guitar screeches. Here its just scary. Nightmarish as other reviewers say.
The drumming, is not Steve Shelley. I love him to death, but i think for the sake of this album it is a good thing. There doesn't seem to be much of a rhythem, probably because you can barely hear the drumming in parts, even though thy're not exactly quite. I wouldn't be suprised if the drummer (names escaped me) didn't even use a drum kit half the time. He might well have been smashing a bamboo stick on a dinner table. Theres absolutly NO structure to his drumming. And its perfect.
The added KYI EP is excellent. Dont buy the album without it. Shaking Hell live is awesome, and of course Kill Your Idols...
Buy it, but beware, it'll freak the hell out of you, and may find yourself regretting the purchase. Actually don't buy it if u found albums like Daydream Nation hard to get through, cos you won't have a chance.
Good times with the Youth..........2007-03-22
This reviewer's favorite songs: 'Making the Nature Scene', 'The World Looks Red' and 'Early American'.
(Brother James is better live!)
Got no idols..........2006-11-21
Anyways buy this and Bad Moon Rising, two albums that perfectly accompany one another.
No Wave Masterpiece... All Hail The Old School.......2006-10-04
This isn't music; this is art........2006-06-19
I regretably admit to being one of the many who literally shook when first hearing this album. I couldn't even fathom how I had just spent money on it. Then, I decided to read the accompanied essay in the booklet and I began to get a stronger feel for the album and the points they were trying to make (whether sucessfully or unsucessfully, that's up to YOU to decide). So I listened to it again (with the volume considerably lower then before) and I eventually, over time (five or six listens), gave in to their sonic chaos and their disturbing "soundscapes" which are melancholy to the point of cliche-defying power and dark beauty.
One word of advice for any newcomers; this is literally the last Sonic Youth album you should buy. It's not necesarily their worst, but I can count five or six which are far superiour to this, and after listening to them extensively you will get a better feel for this glorious piece of art.
blog.myspace.com/mattyp242
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To the Confusion of Our Enemies
Riverboat Gamblers Manufacturer: Volcom Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EQ4740 Release Date: 2006-04-25 |
Tracks:
- True Crime
- Don't Bury Me...I'm Still Not Dead
- Biz Loves Sluts
- The Song We Used To Call 'Wasting Time'
- On Again Off Again
- The Gamblers Try Their Hand At International Diplomacy
- Walk Around Me
- Unicorn Shave Your Horn
- The Art Of Getting F***ed
- Year Of The Rooster
- The Curse Of The Ivory Coast
- Rent Is Due
- Uh Oh!
- Black Nothing Of A Cat
Amazon.com
Lots of young indie bands call the music industry on its superficiality but few do it with such obvious distaste as the Riverboat Gamblers. On the feral, catchy track "The Biz Loves Slut," the Austin, Texas punk band looks at the world through the eyes of a record company suit and, well, it's brutal: "We think your songs might need a better hook/ I promise on the good book, it won't hurt/ I won't get it in your mouth." To The Confusion of Our Enemies, the group's second release, proves that no spreadsheets are required to make an album that matches passion and attitude with crafty riffs and knockout choruses. Meanwhile, freewheeling rock tracks such as "The Gamblers Try Their Hand at International Diplomacy" and "Don't Bury Me... I'm Still Not Dead"--which probably owe more to classic guitar rock heroics than the band would care to admit--reveal why Riverboat Gamblers was named by no less authority than Rolling Stone as one of the "Top 5 bands to break out at this year's SXSW." --Aidin VaziriAlbum Description
Since 2001, Texas's Riverboat Gamblers have cultivated a fanatical following with their rowdy energetic live shows that have led to supporting slots on tours with Flogging Molly, Hot Water Music, Burning Brides, and the MC5, as well as a 2005 stint on the Van's Warped Tour. "Don't Bury Me" will be included in the Van's 2006 Warped Tour compilation on Side One Dummy, and "Walk Around Me" is included on the "Take Action Vol. 5" compilation (Sub City/Hopeless), in stores February.Customer Reviews:
Very good stuff.......2007-04-26
GFFG!!!!!!!!.......2006-11-14
lost the edge.......2006-11-10
High-energy punk rock.......2006-11-10
"To The Confusion Of Our Enemies" is full of punk rck with attitude, but on the other hand doesn't take itself too seriously. "Don't Bury Me" is a high-speed ballad, "Biz Loves Sluts" is a thinly-veiled poke at Hollywood, and tracks such as "The Gamblers Try Their Hand At International Diplomacy" and "Unicorn Shave Your Horn" are just the band messing around and having a good time.
With a sound somewhere that punk and alternative rock lovers alike can appreciate, the "To The Confusion Of Our Enemeies" is a solid addition to any rocker's collection.
decent punk album.......2006-09-08
But that doesn't mean it's not worth the money. There are a few really great gems such as "Don't Bury Me... I'm Still Not Dead", "The Song We Used to Call 'Wasting Time'", and "Year of the Rooster", which has a bit of a throw back to 70's style punk.
All in all, it's good, but not great. Again, it's worth the money but don't expect it to be better or as good as STCA.
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Commitment
Lucky Boys Confusion Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DD52X Release Date: 2003-10-21 |
Tracks:
- Champions Dub
- Hey Driver
- Broken
- Mr. Wilmington
- Beware
- Commitment
- Atari
- Sunday Afternoon
- Closer To Our Graves
- Something To Believe
- You Weren't There
- Blame
- South Union
- Ordinary
- Medicine And Gasoline
- Bonus Track
Customer Reviews:
How Is It Getting 5 Stars?.......2006-06-18
congrats.......2006-02-11
THIS IS AWESOME.......2005-12-12
I definately believe that if they really wanted to, LBC could become just as popular as any of those other bands out there, but because they do not stray from their topic of real life and life in their area, they just can't reach all auidiences, but those they do reach should praise them.
All the songs on this album are good, with favorites being Mr. Wilmington, Atari, Sunday Afternoon, South Union, and Ordinary. The bonus track is also good, being an extention of the first opening track, Champions Dub (you notice the same chorus in the songs, and a very similar rhythm)
With good music and great songs, I hope to see more albums by these guys, they RULE
Great CD by a Great Band.......2005-10-24
Lucky boys confusion - commitment.......2005-10-23
LBC's commitment isn't groundbreaking musically, but the hooks and melodies are what make this record so good. Each song has a strong sound, and none of them sound too similar to the next. For example, "sunday afternoon", "Atari" and "champion" are all at the opposite ends of pop-rock music, yet they don't sound out of place on the same record, written by the same band. Hint's of third-wave ska, reggae and punk can all be heard on "commitment", but they're all brought together by a strong pop sensible sound.
If bands like mest and fall out boy can become popular, than so can LBC. I bought this record early in 2005, and it still gets played to this day. usually when a band puts 15 songs on a record, things can get stale; but not with LBC's commitment. If you like the stuff coming outta chigaco these days, you should make yourself familar with LBC.
I. Champions dub...intro n/a
II. Hey driver...good first song, features aj popoff from Lit 4/5
III. Broken...(no comment) 4/5
IV. Mr. Wilmington...deep song about suicide sung in pop form. gotta love it 5/5
V. Beware...the closest thing to "pop-punk" on this record. very catchy, and wouldn't sound out of place on a dance-rock record 5/5
VI. Commitment...(no comment) 3/5
VII. Atari...a little formulaic sounding, but good 3/5
VIII. Sunday afternoon...A reggae, hip-hop style song. good ish 4/5
IX. Closer to our graves...morbid, but catchy. LBC can do songs like that 4/5
X. Something to believe...song about religion, or not having any, i guess 4/5
XI. You weren't there...(no comment) 3/5
XII. Blame...this song can get you pumped like no other on the record 5/5
XIII. South union...short and sweet acoustic song 4/5
XIV. Ordinary...(no comment) 4/5
XV. Medicine and gasoline...great closer, lots of energy 5/5
[HIDDEN TRACK I]...another reggae song, pretty okay 3.5/5
It would be very easy to give this record a 4, because that is what most of the songs average, but because this record never seems to get old, that makes it a 5. Get it today if you like pop-rock.
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Throwing the Game
Lucky Boys Confusion Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005BC7W Release Date: 2001-05-08 |
Tracks:
- Breaking Rules
- 40/80
- Fred Astaire
- Bossman
- Do You Miss Me [Killians]
- Child's Play
- Dumb Pop Song
- Not About Debra
- Saturday Night
- Never Like This
- 3 to 10/Cd's Caddy, Pt. 1
- City Lights
- One to the Right
- Slip
Customer Reviews:
Lucky Boys Rock!.......2005-05-27
diverse power-pop.......2004-12-14
Breaking Rules- Awesome, really catchy and very much a power-pop gem 5/5
40/80- The verses aren't my favorite, but the chorus is awesome. Its got kind of a reggae/ska feel, as does alot of the album 3.5/5
Fred Astare- Amazing 1,000,000/5
Bossman- Great verses, and a really catchy chorus. Features beenie man 4/5
Do you miss me- Great piano work in the begining, although I think I've heard the chorus somewhere before 3.5/5
Childs Play- The rapping sucks, but LBC would do away with that all together later on ;) 2/5
Dumb Pop Song- Fans of pop-punk will like this one ALOT. nuff' said 10/5
Not about debra- I'm not a huge fan of the verses, but LBC can write a chorus like nobodys business 4/5
Saturday Night- The guitar work reminds me alot of GC's on their first album. The verses are good, and the chorus is pretty solid too 4/5
Never like this- Short but sweet acoustic song 4/5
3 to 10- Song about gettin it on in the back seat. Awesome chorus, but the screaming at the end is a little annoying 3.5/5
City Lights- I'm not a huge ska fan, but this song has me sold. The horns just blend in so well with the chours that its amazing 5/5
One to the right- The chorus took a little while to grow on me, but when it did, I was singing right along 4/5
Slip- the first three minutes are good, but once the song stars moving into its "ska riffs", I lose all interest. 8 minutes is way too long for one song anyway 3/5
The reason why I call this album "diverse power-pop" is because it showcases many different styles. Some were good, like the reggae and ska, but others sucked a**, like the rapping. Honestly, I probably wouldn't even own "TTG" if it wasn't for the fact that my friend sold it to me (w/o the case) for 3 bucks. I'd recommend this album if you like music from bands like Mest, Goldfinger or LIT (tripping the light fantastic era)
Great CD.......2004-06-02
Lucky Boy that I Listened.......2004-04-30
i never got to be your fred astaire.......2004-02-17
ps. also buy commitment (the newest one) and growing out of it. they both rock my socks too!!!
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How to Get Out Alive
Lucky Boys Confusion Manufacturer: Reincarnate Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FJA9O8 Release Date: 2006-06-20 |
Tracks:
- The Struggle
- Cigarettes
- When Bad News Gets Worse
- Like Rats from a Sinking Ship
- Anything, Anything
Customer Reviews:
How bands like this fall under the radar is beyond me.......2007-02-15
A catchy arpeggio section followed by an infectious riff leads you into "The Struggle (Getting Out Alive)." The chorus has a great structure and flow to it, and Stubhy's melodic vocals are quite encapsulating. "Cigarettes" has both a rock radio and pop radio appeal to it. The lyrical sentiments are genuine and pure and the chord progression and guitar work are easy to grasp on to. Guitarist Adam and Joe mix things up on "When Bad News Gets Worse" as one lays down some chugga-chugga riffage, and the other leans on straight strumming. "Like Rats From a Sinking Ship" is just as frantic and you would imagine the scene would be on an actual ship disaster. It's all about and vocal melody and guitar riffage on "Anything, Anything (I'll Give You)."
The Bad
Nada
The Verdict
How bands like this fall under the radar is beyond me. With just five songs, Lucky Boys Confusion will grab your attention and have you glued to their energetic and melodic sound until it's all over.
Love it........2006-10-09
Cheesed-out mainstream mallpunk........2006-08-07
Lucky boys are back.......2006-06-29
This album brings Lucky Boys Confusion back to their roots, I can almost feel myself at their superb live shows that they put on. The Struggle is probably my favorite track, it's truly awesome!
Loved it! A+
They ARE alive!.......2006-06-27
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State of Confusion
The Kinks Manufacturer: Velvel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002PUH9W Release Date: 2004-09-21 |
Tracks:
- State of Confusion
- Definite Maybe
- Labour of Love
- Come Dancing
- Property
- Don't Forget to Dance
- Young Conservatives
- Heart of Gold
- Clichof the World (B Movie)
- Bernadette
- Don't Forget to Dance [Original Extended Edit][#][*]
- Once a Thief [#][*]
- Long Distance [*]
- Noise [*]
Customer Reviews:
And when they said "Come dancing," my sister always did.......2007-07-30
"Come Dancing" obliterated that last hold-out. Both a clever video and an insanely catchy song, it shows Ray Davies' wit at its best. The follow-up single, the wistful "Don't Forget To Dance," was as romantic as "Come Dancing" was nostalgic. Those two songs were anomalies on a record that is pessimistic and unsettled on the majority of its songs.
Opening the album with a howl of pain or fear, "State Of Confusion" chronicles Ray's collapsing marriage. While cheeky, "Labour of Love" defines marriage as a "two-headed transplant" while mocking Jimi Hendrix' take on the Star Spangled Banner. "Property" dissects the mementos of a relationship with the withering couplet "we never needed them, but they've outlasted us."
Simple lifetime ennui also rears up allot. The title track rages against the everyday world of pressure, while "Definite Maybe" takes aim at petty bureaucracy. Even more viscous (and funny) is the "David Watts" inspired "Young Conservatives." The song also takes a dig at David Bowie to great effect. (Sadly, it also is dated now.) Davies' anger and frustration fuels the album, which sometimes makes the songs a bit off ("Heart Of Gold" and "Labour Of Love" seem to lack anything more than their disillusion as far as songs were concerned). As such, "State Of Confusion" is not quite as good as "Give The People What They Want," but it is superior to all the albums to follow -- and for that matter, "Sleepwalker" -- but be ready for a darker ride than the hits would lure you into expecting.
Landmark Album by Kinks combines Personal Anguish, Social Commentary, and Innovative Sounds.......2007-02-06
There are really three phases to The Kinks. The Kinks started out in the 1960s as a "rebellious" group of rockers as part of the first British Invasion that would soon have a series of hits. I call this phase - "1960s Kinks". This phase goes from 1964-1971. "1960s Kinks" was a commercially successful period. Although this wasn't Punk Rock, many credit the style of the Kinks for becoming the strawman for the Punk Rock movement that would happen in the 1970s. It was during this period The Kinks were mysteriously banned from playing in the U.S.. The second phase is the "Rock Opera Phase" from 1972 to 1976. This was not a commercially successful phase for the Kinks. These concept/Rock Opera albums were not well received by the public, but eventually would be accepted by The Kinks fans. When the group made the switch to Arista Records, The Kinks went toward more of a Hard Rock/Rock Pop direction. This would start the third phase called "The Later Years" covering 1977 onward. There is a bunch of irony in this switch. The Kinks lost much of their popularity in the UK because this new style wasn't considered "in-step" with the UK's Punk Rock craze. However, The Kinks would suddenly become a major band in the U.S. - the very country where they were once banned from. During this time, even though The Kinks went in the Hard Rock direction, they showed that they could continue to ignore the "rulebook" for the music business by not going with the trends of that time (and basically doing things their own way).
Here is a review track by track:
"State of Confusion": The title of this song tells the story - it is someone who is in a "State of Confusion". The song has a hard-rock quality characteristic of the latter years of the Kinks. It also has an outstanding mantra quality to it. Listen to Davies integrate his own anguish when he sings "Should feel happy, should be glad. I'm alive and it can't bad."
"Definite Maybe": Jim Rodford's bass helps set the tone of this track very nicely while Mick Avory's drums are awesome throughout. This song has a new-wave quality to it. The title of this song "definite maybe" extends the theme of "State of Confusion". Great social commentary about the indecisiveness in society (and some nice humor when a computer indicates that Davies doesn't exist).
"Labour of Love": Pure commentary on marriage by Davies. Ray and Dave Davies provide some outstanding guitar in a dark Hendrix-sounding sample of "Here comes the bride."
"Come Dancing": This retro sounding song helped make this song radio-friendly for mainstream radio. This song has Ray Davies looking back to his childhood days. This song gives Ian Gibbons a chance to shine on keyboards.
"Property": This song is about breakup and divorce. No doubt a reflection of Ray Davies own personal life. This is a slow song that will grow on you.
"Don't Forget to Dance": This song shows Ray Davies with a Bryan Ferry-like crooning quality. This continues to tell more of Ray Davies personal anguish even though Davies sings this song as the one giving the "advice".
"Young Conservatives": A social commentary on the younger generation of the 1980s contrasted to the rebel days of the late 60s and early 70s.. Davies starts the song by saying "Have you heard, the revolution is over" and later says "Revolution used to be cool, now it's out of fashion". This song combines hard rock and punk elements.
"Heart of Gold": The Davies brothers shine on guitar again on this track. Davies explores the trials and tribulations of a girl growing up - yet she still has a "Heart of Gold". The bridge of "I couldn't understand your attitude..." is outstanding.
"Clichés of the World (B Movie)": This might be the album's forgotten gem. Great guitar intro to this song - and that continues throughout Davies compares those trite and overused things in life to a "B" movie.
"Bernadette": Dave Davies provides lead vocals on this track. The theme of brother Ray's personal anguish is evident as he sings "I don't want to leave you payin' all my debts; With that alimony, palimony, whatever it is you get". Almost reminds you of the Beatles' "Birthday" combined with some punk elements.
There are also four bonus tracks - all of which are outstanding. This includes an extended version of "Don't Forget to Dance". There is an unreleased track called "Once a Thief" that has a 60s beat to it - very catchy chorus. "Long Distance" and "Noise" are two songs that were released on a cassette version. "Long Distance" is a slow song that has Davies telling the story of being on the road in Australia. "Noise" combines retro-sounding rock elements with 80s hard rock elements - a terrific song.
The liner notes include lyrics to the original 10 songs and a write-up by Matt Resnicoff that tells the story of the Kinks during the "State of Confusion" period. All in all, this is an outstanding collection and truly a crown jewel in the Kinks' portfolio. Highly recommended.
lots of fun and lots of poignancy--a Kinks masterpiece.......2006-03-11
The Kinks really rock it out on many of the songs. The hook-heavy title track is a dynamic rocker with excellent backing vocal harmonies. "Definite Maybe" is wonderfully cartoonish with bracing guitar chords and highly amusing lyrics about getting the runaround in daily life with no one giving a damn. "Cliches Of The World (B Movie)" is a a captivating epic about a man who feels crippled by the day-to-day routine of his life and dreams about being taken away to some utopian galaxy, featuring Ray's unforgettable raging cries of "just an illusion!". The high-energy, uptempo "Young Conversatives" is super fun with its biting and sarcastic lyrics, plus the sudden and hilarious referencing of the Kinks' own "David Watts" at 1:32 of the song. The bluesy mid-tempo rocker "Bernadette", a song left over from the "Give The People What They Want" era, puts a standard rock 'n' roll riff to excellent use, plus it offers us some more biting lyrics, and Dave's lead vocal is spirited even if it's a bit off-key. "Labour Of Love" is admittedly a little weak--the lyrics, about how couples can become their own worst enemies, are kind of thin--but it's still reasonably catchy and entertaining, with an intro that consists of Dave Davies doing an amusing take on "Here Comes The Bride" that deliberately recalls Hendrix's famous Woodstock performance of "The Star-Spangled Banner".
Of course, there's also the reflective "Come Dancing", an irresistibly catchy, music hall-tinged pop-rocker that was a big time hit for the group. "Property" is an affecting ballad about what's left behind after a long-term relationship is over--it has a real understated power to it, with tender vocals from Ray and excellent use of Vocoder. "Don't Forget To Dance" is a slow-paced, atmospheric ballad with lyrics that try to give encouragement to a lonely, ageing woman--some of the lyrics feel badly forced, but it's still a really pretty and touching song. The excellently tuneful "Heart Of Gold" is an uptempo, country-tinged pop-rocker with jangly electric guitars and curiously affectionate lyrics which, as with "Come Dancing", seem to be written about one of Ray's sisters; it's marred a tad by Dave's somewhat sloppy vocal harmonizing on the choruses, but it's a minor gripe.
As usual with a Kinks album, there is some definite borrowing going on (whether or not Ray was conscious of it is another story). This applies especially to "Don't Forget To Dance"--it sounds extremely similar to the Kinks' own "Misfits", plus it borrows that 7 note piano/ vocal melody from the Rolling Stones' "She's A Rainbow" note-for-note. "Definite Maybe" seems to largely borrow its verse melody from the Yardbirds' "Over Under Sideways Down". "David Watts" gets heavily referenced in "Young Conservatives", not just at the aforementioned 1:32, but even more so on the ending. I just can't help but point this stuff out.
Making the proceedings even more worthwhile are the bonus tracks. The "original extended edit" of "Don't Forget To Dance" has minor but interesting differences compared to the album version. "Once A Thief" is a snappy, bluesy rocker with an irresistibly catchy chorus. "Long Distance" (which originally appeared on the cassette version of the album, but not the vinyl) is a gorgeous, wistful ballad--it's an easy-rolling, masterfully-crafted mid-tempo story-song spiked with soaring cries of the title. The disc closes in fun fashion with "Noise"--sure the lyrics are pretty trivial, but the chorus is undeniably catchy, and there's also an Eastern-flavor that crops up which is intriguing and effective.
All in all, a superb disc from one of the most compulsively appealing (i.e. best) bands ever--this ranks as a must-have for any serious listener.
Solid hard rock with a bleak worldview.......2006-03-04
The stabbing guitar and blaring synth of the opening title track set the tone for the rest of the album: harsh and bleak. Between anthemic choruses, Ray Davies paints a picture of a life falling apart one step at a time. Other standout tracks include the stark ballad "Property" and the upbeat, sentimental "Heart of Gold" which almost sounds like it belongs on an entirely different record. The album climaxes with the driving "Cliches of the World," a compellingly bizarre alien abduction fantasy, before finishing out with the retro stomper "Bernadette" featuring great tag-team vocals from both Davies brothers.
A couple of unappealing tracks ("Labour of Love," "Young Conservatives") keep "SOC" from reaching the level of "GTPWTW" and "Word of Mouth," but it's still a solid '80s offering from the Kinks. Recommended.
Best Kinks CD on Arista.......2004-10-21
Average customer rating:
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Sound of Confusion
Spacemen 3 Manufacturer: Taang Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000EU7 Release Date: 1994-06-17 |
Tracks:
- Losing Touch With My Mind
- Hey Man
- Rollercoaster
- Mary Anne
- Little Doll
- 2.35
- D.D. Catastrophe
- Walking With Jesus
- Rollercoaster
- Feel So Good
- 2.35 (Demo)
Customer Reviews:
Spacemen 3's masterpiece debut album; bracingly powerful minimalist rock.......2006-01-25
The album is wickedly bracing, with a powerful guitars-cranked-up-to-11 sound on basically every track, and yet, when you mix in the consistently booming, Velvet Underground-style tribal-flavored drumming, the album manages to simultaneously have a mellow, trance-inducing quality. To give some perspective, this is a definite touchstone for My Bloody Valentine's 1991 album "Loveless". "Sound of Confusion", however, is the better album.
The first 7 tracks on this CD are the ones that constituted the original "Sound of Confusion" album. Spacemen 3 nod to their influences with devastating covers of the Stooges' "Little Doll" and the 13th Floor Elevators' "Rollercoaster", as well as a drastically revamped, fuzzed-out version of Juicy Lucy's "Just One Time" (retitled "Mary Anne"). Spacemen 3 make each of these cover songs their own. The Stooges' original version of "Little Doll" is pretty great in its own right, but the Spacemen's version here eclipses it; and as for "Rollercoaster" and "Mary Anne", each of them are vastly superior to the originals. The more-or-less one-chord "O.D. Catastrophe", which deliberately recalls the Stooges "T.V. Eye", is a perfectly fitting, spine-chilling, feedback-soaked album closer. The frenzied, stomping garage rocker "2.35"; the Otis Redding-inspired "Hey Man" (aka "Amen"); and the album-opening declaration "Losing Touch With My Mind" are all superb tracks as well.
The two most prominent members throughout Spacemen 3's existence were Sonic Boom and Jason Pierce. Pierce, who is probably more widely known for his subsequent band Spiritualized, handles all of the vocals on the original album, and his vocals are absolutely perfect for the material--check out his sly, insinuating performance on "Little Doll", or his primal screams and wails at the end of each chorus on "Rollercoaster".
Like the Spacemen 3 in general, this debut album manages to be incredibly deriviative and yet startlingly original all at once.
The 1994 CD issue of "Sound of Confusion" on the Taang! label makes this already essential album even more valuable by adding on the entirety of the 12-inch "Walkin' With Jesus" single which was originally released in November of '86. It starts off with the full-throttle, fast-paced, grinding version of the title track. It's followed by a jaw-droppingly powerful, doom-laden re-recording of "Rollercoaster" that's even more haunting than the album version; okay, so it does run on longer than it needs to at 17+ minutes, with over half of its duration consisting of Jason playing lead guitar over a one-note jam--the version on the "Singles" CD which removes 3+ minutes worth of this is more manageable--but this is ultimately nitpicking. The EP closes with the only truly mellow song on the entire disc, an arresting version of "Feel So Good" with Sonic and Jason alternating back and forth between vocal lines as they would also do on the version that appears on the 1987's "The Perfect Prescription" album.
In closing, a HUGE thumbs up to the Taang! label for an absolutely superb job with this CD. Packed with spellbinding music, no serious music fan can go wrong with this disc from Spacemen 3, one of the most important and underrated bands of all time.
Losing Touch With my Mind.......2005-08-08
Different..........2004-01-18
While I admit it has its moments, the album could've definately been enhanced by stripping back some of the needless overdubs that either hinder or just reduce the songs to cheesiness. The early version of Walking with Jesus is interesting as it more prominantly displays their Suicide influence. Other than that, the version that appears on The Perfect Perscription is the pinnacle version of the song.
The 17 minute version of Rollercoaster, which piqued my interest in buying the album because of the great live version found on the Performance album, is less thrilling than I thought ti would be. It's essentially a one-track demo recording that never really takes off and has EXTREMELY cheesey and obviously tacked on samples of rollercoaster noises at the begining and end of the track, all of which makes the track difficult to sit through...
All in all, it's not a bad release, but a very difficult one. It should also be noted that both Pierce and Kember prefered the takes of this album as heard on the Taking Drugs to Make Music to Take Drugs To album.
Wildly uneven but amiable debut.......2002-08-07
1. Although jason pierce sings most of it, this album bears absolutely no resemblance whatsoever to anything spiritualized ever did. If your favorite spacemen songs are the long, quiet bliss-outs, you will find this record immensely unsatisfying. It isnt the least bit pretty - all of the songs are essentially constructed out of the same three slightly uptuned power chords repeated at different intervals with as high a volume as was permitted by the boys' fragile amps and surf guitars. It isnt the least bit soothing; in fact, it's one of the most corrosive records of the eighties, if not the most corrosive. Half of these songs are furious uptempo rockers, and the other half are slow-burning, acidic dirges. Jason pierce had little to do with the writing or arranging; his place was more to sing and contribute the consistently good lead guitar.
2. This is essentially a covers record. Although four of its seven tracks (on the initial release) were credited to the spacemen, in this phase of their career (carrying on to 'perfect prescription') most of their original material simply fastened new lyrics to old proto-punk numbers or traditional songs. Therefore 'hey man' is a loose derivation of 'amen', '2.35' is simply a copy of the rolling stones' 'citadel', and 'OD Catastrophe' is a ridiculous attempt to graft new words onto the stooges' 'TV eye' and take credit for it. The only new track is 'losing touch with my mind', and I use the term 'new' loosely because I simply dont know who it's taken from.
3. Virtually all of the songs are in the same key, volume level, and time signature. The boys were still very young and had a lot to learn about songcraft and dynamics. Consequently, while thrilling in small doses, this album is rather tough to swallow all the way through, especially in taang's expanded edition, for sale here.
4. This isnt nearly as good as the spacemen's later records. Perfect Prescription is still the best place to start, and their most legitimate claim to any level of >importance <.
5. The bonus tracks are an extremely mixed bag. We're given the contents of the 'walking with jesus' EP, an adjoining single between this album and 'Perfect Prescription', and the version of the title track on the former record was an awful eighties punk-rock song bearing no significant resemblance to what eventually turned up on the perfect prescription in glistening, gorgeous form. Other tracks from that EP include a needless 17-minute version of 'Rollercoaster' (a thirteenth floor elevators song delivered in fine form on the original LP) and demo versions of 'Feel So Good' and '2.35' that are not significantly different than the ultimately released ones.
Anyway, what this all translates to is an enjoyable record for droneheads like myself. However exciting though it may be for some as a glimpse into the beginnings of the spacemen 3, this author admits that to most listeners this album will be a laxative rather than an opiate.
PULLS MY BRAAAIIIIYNE TOGETHER.......2001-05-20
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