The Noise

Track Listings

 
1. Baby Rasta & Gringo
2. Zyon y Lenox
3. Nottyplay
4. Cheka
5. Yaga y Mackie Ranks
6. Zindely y Valerie
7. Zyon y Agel Dow
8. Felo Man
9. Rey Blasto
10. Andy Boy
11. Dembow [Remix]
12. Sex [Remix]
13. Noise [Mix]

The Noise,Various Artists,Universal Latino,Latin,Latin Pop/Rock Collections,Reggae,Reggaeton,V/A Compilations


We Were Dead Before the Ship Even Sank
Average customer rating: 4 out of 5 stars
  • I like the way this music sounds.
  • Fire this up!!
  • Great Album, got me into Modest Mouse
  • It's OK for MM
  • catchy, unique rock
We Were Dead Before the Ship Even Sank
Modest Mouse
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000MRA4WK
Release Date: 2007-03-20

Tracks:

  1. March Into The Sea
  2. Dashboard
  3. Fire It Up
  4. Florida
  5. Parting Of The Sensory
  6. Missed The Boat
  7. We've Got Everything
  8. Fly Trapped In A Jar
  9. Education
  10. Little Motel
  11. Steam Engenius
  12. Spitting Venom
  13. People As Places As People
  14. Invisible

Amazon.com

Their last album may have given them a certifiable radio hit, airtime on VH1, and a Kidz Bop tribute, but listening to the follow-up to 2004's Good News for People Who Love Bad News, you might get the sense that the members of Modest Mouse are flinching at the spotlight. We Were Dead Before the Ship Even Sank, the group's fifth full-length release, is denser than its predecessor with tunes that seem willfully harder to penetrate. Even the addition of former Smiths guitarist Johnny Marr to the line-up seems incidental, as Modest Mouse's off-kilter sound stays largely intact. But keep listening and it becomes obvious that the band hasn't lost any of his pop bite, especially midway through with a sweep of terrific songs like "Missed the Boat," "Education" and "Little Motel." It's hard to tell if there's another "Float On" in the bunch. In fact, the first single, "Dashboard," is one of the weakest Isaac Brock has ever penned. With Shins James Mercer adding lovely vocals to "Florida," however, it hardly matters. --Aidin Vaziri

Customer Reviews:

5 out of 5 stars I like the way this music sounds........2007-07-27

After listening to the songs on this album I have decided I like them all. This album is different than other albums by the same band (Modest Mouse), and should be treated differently even though some people will treat it like an old friend and try to cut its hair while they are sleeping though they don't want a haircut. Trust this album and it will treat you right.

5 out of 5 stars Fire this up!!.......2007-07-15

Looking for something new, and at the prompting of my brother who is a big fan, I got "We Were Dead Before the Ship Even Sank", Modest Mouse's fifth studio CD. The sound ranges from dancey rock to reflective epics.

I like it, especially the more uptempo numbers like the dance/rock of "Dashboard" (hello Franz Ferdinand!!), the racuous sing-along "Florida" (with what can best be described as barking/yelping vocals), "Education" (nice disco-like bassline), and my favourite, the incredibly catchy "We've got everything" (similar to "Dashboard").

On the more downtempo end of things are the country tinged "Missed the boat",the even more country-ish "Spitting venom" (which takes a rockier turn about midway through), the drawn out. atmospheric "Parting of the sensory", "Fly trapped in a jar" (the horn intro sounds like a buzzing fly, nice tempo shift midway), the gentle "Little motel" (which builds up in intensity towards the end), and the lovely "People as places as people".

Closing the disc is the upbeat rocker "Invisible" with snarling/howling vocals, rolling drums, and cutting guitars.

Like the song says, "Fire it up"!!!

5 out of 5 stars Great Album, got me into Modest Mouse.......2007-07-09

This is the first review I've bothered to write for any product on a retail website, so that must be an indication of some sort. This is one of those albums where I actually like almost every song. Before this came out, I scoffed at my best friend's new-found liking for Modest Mouse. I found their older stuff a bit too outlandish (which is saying something after hearing this album) and fragmented.

The songs on this album just flow so nicely. My least favorite songs on the album are "Education," "Fly Trapped In A Jar," and "Parting Of The Sensory." The first two have the fragmented style and high-pitched, cracking vocals of Modest Mouse's other albums, and the latter has a very "experimental" feel. There is a lot of clashing of instruments; it sounds somehow less structured than the rest of the songs (often this is good, but it lacks structure, rather than being free of it, if you know what I mean).

Right now I'm listening to "Spitting Venom," one of my favorites on the album. The quick change from a steady strumming to full riffs and singing is certainly one of Modest Mouse's strengths.

4 out of 5 stars It's OK for MM.......2007-07-08

It's not better than M&A, Long Drive, or LCW, but it's worth picking up. In time my rating might improve, but it seems just as likely that it will not.

I wouldn't start here, I'd start with M&A and LCW, then pick up Long Drive. Good News is also decent.

5 out of 5 stars catchy, unique rock.......2007-07-03

I got this album after hearing "Fire It Up" on the radio, I love it. Sometimes it's kindof catchy and melodic, at other times it's loud and punkish. The diversity is truly a strength. The melodic guitar playing is really cool, and the vocals really stick with you. I can listen to it several times on repeat and not get sick of it.
Daydream Nation (Deluxe Edition)
Average customer rating: 5 out of 5 stars
  • Extraordinary.
  • beautiful daydream
  • a deluxe edition done right
  • The best album of 1988...and 2007!
  • HOLD UP. Daydream Nation Got Better?
Daydream Nation (Deluxe Edition)
Sonic Youth
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  3. Beyond
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ASIN: B000Q3648S
Release Date: 2007-06-12

Tracks:

  1. Teen Age Riot
  2. Silver Rocket
  3. The Sprawl
  4. 'Cross the Breeze
  5. Eric's Trip
  6. Total Trash
  7. Hey Joni
  8. Providence
  9. Candle
  10. Rain King
  11. KissabilityTrilogy:
  12. a) The Wonder
  13. b) Hyperstation
  14. z) Eliminator Jr.
  15. Eric's Trip (home demo- bonus demo track)

Tracks:

  1. The Sprawl
  2. 'Cross the Breeze
  3. Hey Joni
  4. Silver Rocket
  5. Kissability
  6. Eric's Trip
  7. Candle
  8. The Wonder
  9. Hyperstation
  10. Eliminator Jr.
  11. Providence
  12. Teen Age Riot
  13. Rain King
  14. Totally Trashed
  15. Total Trash
  16. Within You, Without You (Cover Song)
  17. Touch Me, I'm Sick (Cover Song)
  18. Computer Age (Cover Song)
  19. Electricity (Cover Song)

Album Description

"100 Greatest Albums of the 1980s" (Rolling Stone, 1989)
"100 Alternative Albums" (Spin, 1995)
"Top 99 Albums of `85 to `95" (Alternative Press, 1995)
"The Essential 200 Rock Records" (Rolling Stone, 1997)
"Top 100 Albums of All Time" (New Musical Express, 2003)

Customer Reviews:

5 out of 5 stars Extraordinary........2007-07-28

When daydream nation came out it was a revolution...sort of. Indeed, SonicYouth had been on the radar of anyone interested in alternative music for a few years. Indeed, while all their early records had moments of greatness, sonically it did not allways gel. The sound was allways murky and the songs somewhat sloppily structured. Here, they manage to come over completely focused in a way that remains refreshing. While some of their previous work has strangely improved over time (quite rare) this remains their definitive recors. It is the one that has the most traditional song structures while till being recognizable as classic Sonic Youth. While more melodic than previously the dissonant guitar sounds are still present. All this makes Daydream Nation such a special work. Overall it has not aged. Also to some degree it is the one record that does also not completely sound as any other SY record since it has a more traditional approach at the same time. Indeed one personal criticism against SY is that , especially recently, all thier records sound the same in some way: this is not the case here. Here you get the original record as well as a second CD with live recordings. While these deluxe editins are sometimes a bore, this is an exceptional package. Apparently there is also a beautiful vinyl version of it available.

5 out of 5 stars beautiful daydream.......2007-07-23

to hear the live daydreaming on record is true beauty. the demo of eric's trip shows just how far the songs travel from idea to finished work.
if i had to recommend one sonic youth album to be part of every true music lover's record-collection this would be it. every aspect of their music comes together perfectly on this one.

still on of the greatest records of all times even 19 years after it's original release. hats of ...

5 out of 5 stars a deluxe edition done right.......2007-07-13

Disc One is the reissued definitive recording of the 1980's.
Disc Two is chocked full of noisey Daydream Nation goodness performed live.

So often reissues are a ripoff. This set delivers the goods and then some.

5 out of 5 stars The best album of 1988...and 2007!.......2007-06-22

The fifth album (more or less) by The Best Rock Band of the Last 25 Years should need no introduction, and indeed if you're interested in buying the deluxe edition of Sonic Youth's "Daydream Nation," I can presume you're probably already a fan. You already know how the album summed up and then changed the course of the underground rock movement of the 80s, how the ample attention of critics, then music fans, then record labels set the stage for the alternative rock revolution of the 90s--oh well whatever Nevermind and yada yada yada. If, however, you haven't already drank the Kool-Aid (and you should!), some brief notes about the "basic" edition...

"Daydream Nation" is still hailed as Sonic Youth's grand masterpiece, and yeah, it still holds up as such (confession: it's my second favorite SY album after Sister), even if it doesn't seem as radical today as it did when it came out. Sure, there are swirling whirlwinds of oddly-(de)tuned guitars and feedback fading in, out and sometimes interrupting the songs, but make no mistake, there are definitely songs to be found here. The openening "Teenage Riot" is, for its galloping drums and lyrical cheekiness (imagining Dinosaur Jr's J. Mascis as president, or so Thurston Moore has said) basically a melodic and even hummable pop song. Even a more "experimental" song like "The Sprawl" has a certain immediacy, with bassist/vocalist Kim Gordon saying straigt out "does f**k you sound simple enough?" Heck, the closing "trilogy" of the album has all the power and intensity familiar to any classic rock fans, only with a live-wire buzzing and skree that comes from playing in one of Glenn Branca's guitar-army ensembles. Really, it's not so radical after all (for a taste of something far weirder, check out Twin Infinitives, which was released around the same time as DN by Royal Trux, a New York band friendly with Sonic Youth).

For us fan(atic)s, the real treat here is the second disc of this set, which features live versions of all the album's tracks, culled from the band's original tour supporting the album, albeit in a different order (SY has recently announced it will play "Daydream Nation" as part of a special show, presumably in the album's running order). These tracks, mostly of excellent sound quality, are shorter but sharper than the album versions. "Total Trash" is done as an instrumental (I could be wrong, but they seem to be quoting the early Pink Floyd's instrumental "Interstellar Overdrive" in one spot), preceded by another instrumental, "Totally Trashed," which toys around with electronics a bit. Mostly these are no-holds-barred performances that clearly draw on the band's love of hardcore punk and NYC No Wave (DNA, Teenage Jesus & the Jerks). I don't know how a non-fan would react, but for yours truly it's pure Sonic bliss.

Another great bonus on disc two is the inclusion of four cover songs, three of which were taken from now hard-to-find tribute albums (this was before that concept got beaten to death): "Within You Without You" (The Beatles), "Computer Age" (Neil Young) and "Electricity" (Captain Beefheart). There's also a version of Mudhoney's "Touch Me I'm Sick," with demented vocals from Kim, taken from a split 7" (as in vinyl, kids) that had the other band doing SY's "Halloween" on the reverse (alas, that version isn't included here). The Beatles cover in particular shows how the band could translate their sound into completely different realms--the original, of course, was played mostly with sitars.

Add all that to a package that includes ultra-Kool, and rare, pictures and an extensive essay by longtime SY friend Byron Coley, and you have a true Sonic feast. Like they did with the Goo Deluxe Edition and the Dirty (Deluxe Edition), Sonic Youth rewards fans and newcomers alike almost to the bursting point. Now let's hope they burn down the Rock n' Roll Hall of Fame before too long...

5 out of 5 stars HOLD UP. Daydream Nation Got Better?.......2007-06-13

Q: Sonic Youth is amazingness wrapped in pita bread?
A: Yes.

Q: Daydream Nation defined an entire generation of amazingness?
A: Yes.

Q: The new re-issue of Daydream Nation preserves the original amazingness while adding just enough ancillary material to make it that much more perfect?
A: Yes.

Q; Everyone should buy this new disc, regardless of whether they like Sonic Youth or not?
A: Yes.

Sweet.
Good News For People Who Love Bad News
Average customer rating: 4 out of 5 stars
  • One hit song does not a sell-out album/band make
  • "You wasted life, why wouldn't you waste death?"
  • I can't believe I heard this on the radio.
  • Even if you're an old school MM fan, listen to it with an open mind
  • Yet another masterpiece from Modest Mouse
Good News For People Who Love Bad News
Modest Mouse
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001M7P78
Release Date: 2004-04-06

Tracks:

  1. Horn Intro
  2. The World At Large
  3. Float On
  4. Ocean Breathes Salty
  5. Dig Your Grave
  6. Bury Me With It
  7. Dance Hall
  8. Bukowski
  9. This Devil's Workday
  10. The View
  11. Satin In A Coffin
  12. Interlude (Milo)
  13. Blame It On The Tetons
  14. Black Cadillacs
  15. One Chance
  16. The Good Times Are Killing Me

Amazon.com

It's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter Isaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This Is a Long Drive for Someone with Nothing to Think About and 1997's The Lonesome Crowded West. But on Good News for People Who Love Bad News, the frontman sounds like he's finally touching the earth, and the band--minus founding member and drummer Jeremiah Green--follows suit. A relaxed mood prevails, not so much in volume but in attitude. On the follow-up to the group's 2000 major label debut, The Moon & Antarctica, big sloppy melodies battle it out with brass on punky epics like "Float On" and "The Ocean Breathes Salty." The lyrics are simpler, the arrangements tamer, but the vitality remains. The prevailing mood is that Modest Mouse has pulled off something extraordinary here: a well-rounded, lovable record that doesn't sound anything like David Gray. --Aidin Vaziri

Customer Reviews:

4 out of 5 stars One hit song does not a sell-out album/band make.......2007-06-20

Yes, "Float On" was a smash hit. Yes, it's pretty poppy. But what about "3rd Planet" and "Gravity Rides Everything" from "The Moon and Antarctica"? To a (possibly much) lesser extent, what about "Heart Cooks Brain" from "TLCW" or "Dramamine" from "This is a Long Drive"? You see, MM have generally had more "mainstream-palatable" songs on their album, and just because this one was a hit, does not mean they sold out.
OK, you've heard that rant before, but not in such an *ahem* eloquent fashion. Now onto the review.
As usual, the hit is by no means the best song on the album. Other songs like "The World At Large", "Ocean Breathes Salty", "Bury Me With It", "Bukowski", "The View", and (ESPECIALLY) "The Good Times are Killing Me" (which, by the way, if you did not know, was remixed and tampered with by one of the best bands of all time, the Flaming Lips) not only give "Float On" a run for its money, they take the money and use it to buy cigars.
I mean, the fact that supposedly hardcore fans are nitpicking this great album because it has freakin' "Float On" on it more points out their own stupidity and narrow-mindedness than it does the band being sell outs.
So, in conclusion, if you want to keep your rather dubious "indie cred", do not buy this album. If you enjoy Modest Mouse as much as anyone should, however, than do.

5 out of 5 stars "You wasted life, why wouldn't you waste death?".......2007-04-19

I am becoming more and more of a fan of this kind of off-beat, different music. I guess I can't help myself. I liked the single "Float On" when I heard it a few years ago, but again, I didn't pursue the album until later. Good News is interesting because of its contrasting moods. The plucky guitars and catchy harmonies conflict with the cynical lyrics that attack religion and certain kinds of people. The vocals range from pleasant sounds in the background to aggressive, near shouting tirades. The singer isn't all that great at singing, but he's great at using his voice to convey any mood he wants.

"The World At Large" starts off the album about as happy as it gets, with flutes and meaningless vocals in the background. "Bury Me With It" is about as angry as the band gets musically, though not lyrically. That would be "Bukowski", which is completely pleasant musically. "The View" sounds like kind of like dance music. "Satin In a Coffin" uses prominent drums and older sounding instruments to create a very interesting sound. "The Good Times Are Killing Me" finishes off the album while perfectly illustrating the conflict of sound and message, and it's produced by The Flaming Lips, which is cool. Modest Mouse is a unique band, and a good one at that.

5 out of 5 stars I can't believe I heard this on the radio........2007-03-27

The first time "Float On" came across the radio I almost $#!? my pants. I fell in love with Modest Mouse after I heard "Dramamine". Not immediately, but after listening to the "Long Drive" record repeatedly, the band grew on me. And grew. And grew. Now 8 or 9 CD's later they're still growing on me. I'm glad they've found radio success and hope they are able to keep producing new music.

My highlights for this record include Bukowski, Black Cadillacs, and Satin In A Coffin. If you truly love the band and aren't just in it for the image, you'll love this record. The whole album is great. Yes, even Float On.

5 out of 5 stars Even if you're an old school MM fan, listen to it with an open mind.......2007-03-12

This album is the worst Modest Mouse album, in my opinion, but it's still really great. That's the beauty of Modest Mouse.

What I love about Isaac Brock is that his music reveals a lot about who he is and what life has taught him. Good News for People Who Love Bad News is no exception.

The only track I don't like on this album is "Satin in a Coffin". After hearing a live recording, which I love, I can't stand to listen to the one on gnfpwlbn. It lacks passion and intensity.

5 out of 5 stars Yet another masterpiece from Modest Mouse.......2007-01-21

These guys have released so many great albums that the expectations are always incredibly high for their next one. And every time they release one, I listen to it, and I'm a bit disappointed, and I say to myself, "it's good, but it's not as great as the last ones."

Then I listen to it more, and it begins to grow on me, and soon I can't stop listening to it and I'm raving, "This is their greatest album!".

That's what happened to me with this one. Didn't blow me away at first. Now? I am like an addict. As soon as a song ends I need to hear it again immediately. And I can't stop listening to the album, and I don't want to listen to anything else....

I give it huge props, even though they diss my beloved Charles Bukowski.
Siamese Dream
Average customer rating: 5 out of 5 stars
  • Alternative rock masterpiece
  • Must have album!
  • An Alt-Rock Masterpiece
  • gorgeous!
  • an all time favorite
Siamese Dream
Smashing Pumpkins
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000WJZ
Release Date: 1993-07-27

Tracks:

  1. Cherub Rock
  2. Quiet
  3. Today
  4. Hummer
  5. Rocket
  6. Disarm
  7. Soma
  8. Geek U.S.A.
  9. Mayonaise
  10. Spaceboy
  11. Silverfuck
  12. Sweet Sweet
  13. Luna

Amazon.com essential recording

An introductory drum roll drops out and is replaced by a single suspended electric guitar, which is then paralleled by a snare, filled in with the bass, and--crash!--"Cherub Rock," the opening track, is enveloped in an explosion of metal guitar. So the journey begins. This album is pre-experimentation vintage Pumpkins. Produced by Butch Vig (Garbage, Sonic Youth, Nirvana's Nevermind), Siamese Dream is first about guitars. Lots and lots of guitars. A very close second is Jimmy Chamberlain's unquestionably excellent power drumming. Throughout each song, Billy Corgan delivers angsty lyrics in his signature breathy whine. "Disarm" is a nice intermission halfway though the album. As the title of the song suggests, it throws the listener into a different mood with its full string arrangements and radiant orchestral chimes. But then it is back to the aural masochism--a pain that rarely sounds so sweet. --Beth Bessmer

Customer Reviews:

5 out of 5 stars Alternative rock masterpiece.......2007-07-21

Siamese Dream (1993.) The second Smashing Pumpkins studio album.

INTRODUCTION:
With the advent of the alternative music movement in America, new bands were surfacing all across the country. Among them was Billy Corgan's band, the Smashing Pumpkins. The group had already gained a cult following of sorts after touring with other, more popular acts. Their following had increased further with the release of Gish, their first full-length studio album. Two years later, after numerous conflicts and hardships, including Corgan's depression and Jimmy Chamberlain's drug problem, the album was finally released.

OVERVIEW:
Siamese Dream was released in 1993. The band's second studio album featured the classic lineup of Billy Corgan on vocals and rhythm guitar, Jimmy Chamberlain on drums, James Iha on lead guitar, and D'arcy on bass. Guest musicians Eric Remschneider and David Ragsdale provide string arrangements and violin/cello for some tracks.

REVIEW:
Despite the sessions for this album being plagued with hardships coming from every corner of the band, the end product was more than worth it. Billy Corgan had written over fifty songs during the sessions, and was going to disband the group if the album was a failure. Fortunately, he didn't have to do that. Siamese Dream catapulted the band into the American mainstream, and scored even more hits than Gish. The band's sound here is much more mature and developed than on Gish, and this results in a stronger, more coherent album.

-Cherub Rock:
One of the biggest hits on the album, and of the band's career. This song beautifully combines a melodic, peaceful sound, with the hard and heavy rock of the band's early days. The fusion of these two styles results in an absolute masterpiece.

-Quiet:
It's called Quiet, but this song is anything but. This is straight-up, distortion-driven rock. James Iha's distortion-heavy rock guitar sound makes this yet another worthwhile tune. It would not have been out of place on Gish, the band's first album.

-Today:
One of the reasons so many people like the Smashing Pumpkins is for their ability to combine heavy and soft sounds alike. And that reason is why this song was such a big hit. Slow and melodic verses are combined with guitar-intensive choruses and interludes, making for yet another worthwhile track.

-Hummer:
Another fusion of melodic rock and the distortion-intensive material the band was so well known for in its infancy. The final two minutes are all melodic, abandoning the hard and heavy structure of the rest of the song. What results is another great track. While not as popular as some of the other songs on here, this one is no less excellent.

-Rocket:
With Corgan and Iha alike shelling out multiple guitar tracks, this song takes hold of your attention and never lets go. It's another one of the distortion-intensive tunes (clearly the band hadn't outgrown them yet), but the use of the multiple tracks and awesome melodies makes this one a stand-out.

-Disarm:
By far the biggest hit on the album, and definitely the most popular song the band ever recorded that didn't come from Mellon Collie. This isn't your average rock song - it's filled with classical-style melodies, including string sections courtesy of the guest musicians, and church bells chiming. The song doesn't rock hard at all, but it doesn't have to. The beautiful melodies on this song must be heard to be appreciated. Absolute masterpiece.

-Soma:
For the first half of this song, the band shows off their melodic rock side, and quite well. And then, come the second half, James Iha enters the picture, rocking out full force. This one is a fan favorite because it has the best of both musical worlds.

-Geek U.S.A.:
Despite its awkward title, this song rocks hard and never backs down - except for during a very brief, melodic interlude. Once again, Iha is on fire (this guy is such an underrated guitarist.) Awesome track that deserved more credit.

-Mayonaise:
Another distortion-intensive rocker. The band tries to fool you with a minute-or-so long melodic introduction, but catches you off guard with heavy riffs when you least expect it. This album is laden with underrated treasures, and this is one of them.

-Spaceboy:
Here the band takes a break from the rockers and tries something completely different. Acoustic guitars and orchestral backing instrumentation is the primary sound here. These deviations from the rest of the album make this one of the stand-out tracks, even if it wasn't one of the more popular ones on here.

-Silverf*ck:
This is an interesting song, because it's simultaneously the loudest and the quietest song on the album. The intro and outro parts rock hard, even harder than anything else on the album. But a lengthy interlude in the middle is extremely low-pitched - hell, it's even pretty difficult to hear unless you turn up your stereo full blast. But once again, they're nice melodies. Another good fusion of two musical extremes.

-Sweet Sweet:
Less than two minutes in length, this is the shortest song on the album. The instrumentation is all acoustic and classical flavored. It's an excellent melody, and the only weakness is its brevity.

-Luna:
The band closes out the album with another slow-paced, melodic tune that heavily implements classical instrumentation. It's another unique track, and definitely stands another solid one. Great closer.

OVERALL:
Overall this is a greatest album, one of the finest alternative rock albums to come out of the nineties. It's not quite the masterpiece Mellon Collie and the Infinite Sadness would be - while the band has began maturing, it's clear they're still not above the distortion-filled rock sound that filled their early days. If you're new to the Smashing Pumpkins and you're trying to decide which album or albums you want to purchase, I would recommend buying this one, along with Mellon Collie. Final verdict? VERY HIGHLY RECOMMENDED!

EDITION NOTES:
The Smashing Pumpkins albums have always remained popular and have always been readily available. And being one of their most popular, this one remains available at most major music retailers.

5 out of 5 stars Must have album!.......2007-07-11

This is, in my opinion, Smashing Pumpkins' best album. "Gish" and "Mellon Collie and Infinite Sadness" are also good, but this is their masterpiece. Still has a unique sound to me- imagine how unique it was then...

5 out of 5 stars An Alt-Rock Masterpiece.......2007-06-29

This album is so good, it puts a lump in my throat just thinking about it. Very rarely are there great "albums" released anymore, where from the first song to the last, the music is strong and artfully arranged to make one complete "book" of music. I love this album, I love this sound. To me, this captures the best of the Pumpkins - the driving guitar and drums. What is that signature Pumpkins distortion on the guitar? Amazing. There's another song out there right now that has a similar sound and screaming vocals. It's not the SP, but it sure sounds like them!

5 out of 5 stars gorgeous!.......2007-06-16

well this will be review 450 and i guess there aint much to say that hasnt been said at this point. so shut my mouth and strike the demons... yeah, you see i was only 4 when it came out and my sister who was only 8 had it new. the thing is i dont really remember much of it from when i was a kid. so skip some odd years later plus a shattered soul and you have me at 18, a diehard pumpkins fan of about only a year, and when i first heard sweet, sweet again it was instant nostalgia of heart warming bliss, like that song had never left my heart all those years. all in all it is the best sp album because it is the most flawless even though personally i find no flaws in any sp material. i will listen to these songs until my heart beat implodes, nothing short of that. the thing is that my taste in music is so big that i could kick it with most that love all good music, and still could not say there is anything in the history of music like the splash in "TODAY" after those opening chords of angel dust...nothing! billy better be playing most if not all of these songs on upcoming shows, hard to do when his songs list is extremely dense, still i'll prolly be the guy in the front wearing my zero tee yelling play SWEET SWEET!!!!!!!!!!!!!!!

5 out of 5 stars an all time favorite.......2007-05-19

Why do I keep losing this CD?! I've bought it about 6 times now and I love it every bit as much as I did back in Chicago when I first heard it, so many years ago. I love the Pumpkins, I love their ever changing sound. But this is one of those "top 5 stranded on a desert island" CDs for me, and I suspect it always will be. It's pure, raw, energetic Pumpkins at the very beginning of their long and glorious run...which is finally kicking up again soon. It's one of the few albums I own where I love every single song. A classic.
Baby 81
Average customer rating: 4.5 out of 5 stars
  • "Suicide," she said. "What happened to the revolution?"
  • Highly disappointing..
  • Superlative Rock and Roll Album....
  • B.R.M.C. is back in form - in fact, the best yet!
  • No Disappointment in Baby 81
Baby 81
Black Rebel Motorcycle Club
Manufacturer: Red Int / Red Ink
ProductGroup: Music
Binding: Audio CD

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  1. Icky Thump
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  4. Sky Blue Sky
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ASIN: B000NVIXPA
Release Date: 2007-05-01

Tracks:

  1. Took Out a Loan
  2. Berlin
  3. Weapon of Choice
  4. Window
  5. Cold Wind
  6. It's Not What You Wanted
  7. 666 Conducer
  8. All You Do is Talk
  9. Lien on Your Dreams
  10. Need Some Air
  11. Killing the Light
  12. American X
  13. Am I Only

Customer Reviews:

5 out of 5 stars "Suicide," she said. "What happened to the revolution?".......2007-07-14

This record is excellent from the first track to the last. So good I almost cried with joy after the first play-through.

3 out of 5 stars Highly disappointing.........2007-07-06

I had big expectations for this album; I love their style and 'Howl' even grew on me more and more as time went on, to where I think it might be their best work.

This album starts out strong: "Took Out A Loan" and "Berlin" (though you have to leave out the iffy lyrics, both songs have great grooves, like some of their best), "Weapon Of Choice" is where things start to go south. The song is a total return to form for the band, and is short and tight, but the chorus just sounds forced to my brain, even though it makes me want to pump my fist.

The Beatles-y "Window" I like, but it sorta derails the album. It's solidly written, but it's the first of bassist/singer Robert Been's contributions to the record that I just don't much dig, because it doesnt' seem to fit. Back to guitarist/singer Peter Hayes' great angsty track "Cold Wind", which fares much better, and encapsulates everything I like about the band. Then comes the string of songs that I inevitably have to skip--"All You Do Is Talk", "Lien On Your Dreams"; really sub-par stuff for a band like this. It gets better; "Need Some Air" and especially "Killing The Light" (the album's best track) bring the album back before the slightly dull "American X", which seems to strive for the vibe of the 'BRMC' album but falls short. It all ends with the slightly anti-climactic "Am I Only"--with it's endlessly repeating 2 chord structure, it's neither really good or bad, it's just there.

Believe me, I don't like to criticize a band I respect as highly as these guys. I just feel they can do better than 60% of this material. I'd hate to see them turn into the kind of band they railed against in "Whatever Happened To My Rock n' Roll?"

5 out of 5 stars Superlative Rock and Roll Album...........2007-06-30

I got into B.R.M.C. quite by accident, but what has drawn me to this band is the fact that smart, solid, unpretentious rock and roll is so hard to come by these days.

It seems far too many popular bands today toil either in the poppy and superficial, or the absurdly inaccessible and needlessly complex.

Given that dichotomy, Black Rebel drives it right down the middle of the fairway (an analogy the band would probably hate). "Baby 81" is smart enough to have meaning, but accessible enough to get heads moving and fists pumping.

For those about to rock, enjoy tracks like "Took Out A Loan", "Berlin", and "Lien On Your Dreams." Although slower tempo tracks like "All You Do Is Talk" and "Killing the Light" are also worth a listen.

The highlight tracks, however, are the first single ("Weapon of Choice") and, for many, the anthem of the album ("American X"). Both are simply brilliant: the former a concise and energetic three minutes and the latter a thundering nine-minute condemnation of the contemporary American mindset. Both act as musical genius and incisive social commentary, at the same time.

Content to share the role of frontman, both Peter Hayes and Robert Levon Been get the job done. Either could carry the show, but the alternating leadership with each song makes for an interesting texture to the album.

As with the rest of their catalog (four albums to date), this is highly, highly recommended.

5 out of 5 stars B.R.M.C. is back in form - in fact, the best yet!.......2007-06-21

I was a big fan of BRMC's 1st cd, found the 2nd a little less exciting & "Howl" was just lost on me. When I heard this latest cd , I instantly loved it. In fact, I would say that I am enjoying it as much (if not more than) their 1st album. It seems as though they've perfected a laid-back, narcotized blues-based rock guitar sound. Their lyrics straddle a balance between melancholic disillusionment & individualistic defiance. Better still is the fact that the hooks are more infectious, but not at the expense of the unique sound that sets them apart from their contemporaries - the songs are catchy, but in no way do they sound like they've " sold out " to pop sensibilities. Comparisons to Jesus & Mary Chain are still fair, one song even sounds as if it could be a nod to the late Elliot Smith. Overall, the affect is hypnotic, driving & manages to scratch a certain rock n' roll itch that no other band seems able to reach. It's rock played loose, but solid... & for a basic "power trio" it's an amazingly "big" sound.

5 out of 5 stars No Disappointment in Baby 81.......2007-06-18

Baby 81 is absolutely the best cd release of 2007. BRMC's bluesy rock lifts and fills you. It's their well-crafted sound that transports you; their lyrics are uneven and could be improved, but you won't care. It's the group's music and craftsmanship that is the draw here. There's not a wasted cut on the entire play list.
Daydream Nation
Average customer rating: 4.5 out of 5 stars
  • Takes time but worth the wait
  • very good for the avant garde accepting folks
  • Excellent mais moins que les précédents
  • Loved It
  • Sonic Youth's Masterpiece: Daydream Nation
Daydream Nation
Sonic Youth
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Sister
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  5. EVOL

ASIN: B000003TAL
Release Date: 1993-11-23

Tracks:

  1. Teen Age Riot
  2. Silver Rocket
  3. The Sprawl
  4. 'Cross The Breeze
  5. Eric's Trip
  6. Total Trash
  7. Hey Joni
  8. Providence
  9. Candle
  10. Rain King
  11. Kissability
  12. Trilogy: A) The Wonder/B) Hyperstation/Z) Eliminator Jr.
  13. Trilogy: b) Hyperstation
  14. Trilogy: z) Eliminator Jr.

Amazon.com essential recording

The essential New York rock band of the post-punk era, Sonic Youth care as much about the quasi-symphonic, microtonal art-guitar music of composers like Rhys Chatham and Glenn Branca as they do about the rock-song form, and with Daydream Nation, they struck their greatest balance between the two. The songs hover gorgeously for extended lengths, letting guitarists Thurston Moore and Lee Ranaldo intertwine fragile tonalities as carefully as it's possible to do at wall-shaking volume, while Moore and bassist Kim Gordon's untutored voices disaffectedly intone words that flirt with pop stupidity, high-art eloquence, and urban cool. When they bear down and rock, they do it with a blurry intensity that finds gorgeousness at the heart of discord. --Douglas Wolk

Customer Reviews:

5 out of 5 stars Takes time but worth the wait.......2007-07-05

Yeh this album may take a while to get into for some but stick with it, it is well worth the wait. For me though I have to say teenage riot just hooked me from the off great track with a beautiful slow build up. This album doesnt realy hit you straight off but rather gets you by supprise. Realy dont know how I can describe this album as you can hear so many influences coming through from Black Flag to the Velvet Underground.

Buy this and give it a listen, then listen again. It will grow on you.

5 out of 5 stars very good for the avant garde accepting folks.......2007-06-14

sonic youth is not for everyone.they have a raw style which is anything but pretty and radio-freindly.with that said they're also one of the most inventive bands to come along in quite some time because of the risks they've taken and how they approach song composition.if you can stand a little noise from a band who are trying to sound beautiful in a much different way than most,give em a try and you shouldn't be dissapointed!

4 out of 5 stars Excellent mais moins que les précédents.......2007-05-30

Avec Daydream Nation, Sonic Youth se réinventent, ils adoptent un nouveau son... plus commercial. Bien sûr l'album est truffé de passage rappelant la sonorité organique et grafignée du trop bon vieux matériel (Confusion is Sex / Kill yr. idol, Evol, Bad moon Rising, Sister...) mélange d'humus automnal d'une forêt mixte et d'effluves pubères de crasse de plancher d'un squat frisquet où l'on se réchauffe en se blotissant entre amis sincères. Mais pour le reste, Sonic Youth nous amène dans des territoires beaucoup moins riches (c'est ce que mes trippes me disent...)Dans le matériel subséquent, j'aime bien Dirty, A Thousand Leaves et NYC Ghost & Flowers, si ça peut vous aider à savoir si vous devez considérer mon opinion ou pas. Je donne quand même 4 étoiles parce que c'est un album très excellent, seulement, c'est la fin du meilleur et le début du plus ordinaire. En ce sens, on peut le considérer comme un condensé de l'oeuvre de Sonic Youth.

5 out of 5 stars Loved It.......2007-04-17

I bought Daydream Nation after hearing the opening track (Teenage Riot) on the radio, I oynly really bought the album for that song, but as I soon found out the album is packed to the rim with songs that are just as good if not better then Teenage Riot. As many grunge albums are this is a grower, and I can see how many people would not like this album, but for me I loved this. It easily enters my Top 10 albums.

I believe that Sonic Youth are one of the most underated bands in the history of music and had they continued with this form (ie actually having a song structure) they could have been credited with starting Grunge instead of Nirvana who are incorrectly described as inventing grunge.

However f you enjoy Nirvana, Pearl Jam, The Replacements or anything grunge I advise you give this album a go.

5 out of 5 stars Sonic Youth's Masterpiece: Daydream Nation.......2007-04-02

This is INCREDIBLE work to say the least. An '80s Alterna-"indie"-Rock staple. Sonic Youth is MUCH MORE than your average experimental noise underground (at the time) Rock 'n' Roll band. Daydream Nation VAULTED Sonic Youth: Thurston Moore, Kim Gordon, Lee Ranaldo, & Steve Shelley to a NEW level of recognition as pioneers of Rock n Roll past and original trailblazers in a dawn of a new beginning. Basically the album that made Sonic Youth famous, while still being in N.Y.s indie music scene.
Originally released in 1988, Daydream Nation is Sonic Youth's sixth studio release, containing an album's worth of their coolest breezy, energetic songs and stretching Rock to far unreachable heights.
S.Y. brought their sound into the mainstream, influencing hundreds of bands including Nirvana. My Favorite songs on Daydream Nation: Opener "Teen Age Riot" - "Silver Rocket" - "The Sprawl" - 'Cross the Breeze" - "Hey Joni" - "Candle" -contains a reference to "Tonight's The Night"(1975) by Neil Young w/ line: "It's safe to say, Candle, TONIGHT'S the DAY -Candle, It's alright now candle, the wind's away-Candle. Never thought I'd see a dark sky falling....."
I sometimes wonder in what state "Alternative" music would be in without Sonic Youth. They changed and shifted the landscape's sound into a more radical, apocalyptic state. And who would of thought they would go on so many years, as of now 25+ & 18(+)-(there are a lot of side projects); albums or so, some are better than others and I own all studio albums.
In 1990 Sonic Youth released Goo (their 7th) their first for major-label DGC, to reach a wider more appreciative audience. And in 1991 Nirvana followed going to major label DGC and igniting the "grunge" movement in the mainstream. But, believe me Daydream Nation (NOT Goo) has GAINED my attention as well as thousands(+) more! One SERIOUS Record.
Another one of my ALL TIME favorites. It is also cited as making a vast array of "greatest albums of all time" lists(quoted from double album re-issue including live 2nd disc).
To me, this is the best 80s album I have ever heard and Sonic Youth's absolute Best.
The Moon & Antarctica
Average customer rating: 4.5 out of 5 stars
  • Nice music
  • Quintessential.
  • Modest... they shouldn't be!
  • prepare to be amazed...not by my review, but how amazing this album is
  • Excellence
The Moon & Antarctica
Modest Mouse
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001I2CDY
Release Date: 2004-03-09

Tracks:

  1. 3rd Planet
  2. Gravity Rides Everything
  3. Dark Center Of The Universe
  4. Perfect Disguise
  5. Tiny Cities Made Of Ashes
  6. A Different City
  7. The Cold Part
  8. Alone Down There
  9. The Stars Are Projectors
  10. Wild Packs Of Family Dogs
  11. Paper Thin Walls
  12. I Came As A Rat
  13. Lives
  14. Life Like Weeds
  15. What People Are Made Of
  16. 3rd Planet - BBC Radio 1 Session
  17. Perfect Disguise - BBC Radio 1 Session
  18. Custom Concern - Instrumental BBC Radio 1 Session
  19. Tiny Cities Made Of Ashes - BBC Radio 1 Session

Amazon.com

With their interstellar (really!) lyrics and angular song structures, Modest Mouse tend to defy their self-deprecating band name. In truth, the trio's got some lofty ambitions, and The Moon and Antarctica indulges their grand dreams with pristine production and a vivid sonic backdrop. It also dives deeply into their geographical obsessions--always with the same subjective twists that made The Lonesome Crowded West and This Is a Long Drive for Someone with Nothing to Think About such inspired wonders. Isaac Brock opens Moon with meditations on the universe's shape--all twisted into such a solipsistic tangle that they illuminate immediately how much these songs are about the mind as about the world. Rarely giving off the cage-jarring thickness of guitar rock, Moon's 15 tunes are shaped around vignettes of a disheveled head figuring out the rambling disconnections of postmodern society. Guitars wobble, Brock wails on vocals, and his band mates--Eric Judy and Jeremiah Green--help take each song away from any predictable formula and toward wherever they seem to want to go. This is a band as profoundly touched by suburbia as was writer Harold Brodkey. You can imagine Brock, Green, and Judy lying on wide-open lawns, philosophizing about the shape of the universe and coming up with lyric moments like this (sung to folky, spare acoustic guitar): "A wild pack of family dogs came running through the yard and as my own dog ran away I didn't say much of anything at all / A wild pack of family dogs came running through the yard as my little sister played; the dogs took her away, and I guess she was eaten up, okay." Replays of American Beauty, anyone? --Andrew Bartlett

Customer Reviews:

5 out of 5 stars Nice music.......2007-07-30

My daughter recommended this to me after I informed her I probably would not like any of the music she listened to. Boy I could not have been more wrong, this CD is very sweet and interesting, and I liked the songs as well as just the nice musical instruments being used. It is just kick back music but it still seems to feel like it is taking you somewhere. Absolutely beautiful to my ears and I am going to buy another Modest Mouse CD very soon.

5 out of 5 stars Quintessential. .......2007-03-27

If you think you'd be interested in listening to this band, buy this album first. Think of it as their version of the Beatles' "White Album". Or Metallica's "Black Album". Or Weezer's "Blue Album". Or Primus' "Brown Album". Okay, that one sucked. Regardless, there is not a bad track on this album.

From the moment Brock tells you what his only art is until you find out what people are made of, you will be floored. The album captures all of the charm and personality that their Up albums had. But the production, the musicianship, the songwriting, the lyrics, everything, absolutely every thing is on the next level.

5 out of 5 stars Modest... they shouldn't be!.......2007-02-10

This CD is better than their 'Good News' album. This one had next to no "hits" on it, and I liked more songs on this album than their other two I own! If you like odd-ball rockers and strangely hypnotic yelling and guitars, buy this album!

4 out of 5 stars prepare to be amazed...not by my review, but how amazing this album is.......2007-01-30

I remember the first time I heard Modest Mouse. I was moved by Isaac Brock's sense of timing and lyrical punches. I thought that nothing could ever top The Lonesome Crowded West (and to me still nothing has), but this record came pretty damn close. From the opening note on the first track, 3rd Planet, I could feel my my heart slowly begin to drift away...right into the sea of Brock's haunting voice. And every track takes you somewhere new until you realize that you're eventually not even on this planet anymore. I absolutely love this record, for personal reasons and because they truely do raise the bar with every record they produce. If you're a fan of Good News, you owe it to yourself to hear the roots of this amazing band

5 out of 5 stars Excellence.......2007-01-21

Others have said it already so many times...this is a monster of an album and Modest Mouse are exquisite.
At War with the Mystics
Average customer rating: 4 out of 5 stars
  • 3.5 stars... worth buying
  • Outstanding
  • my first flaming lips album - i'm impressed
  • 4 1/2 stars.
  • Only a fool believes that he is different....
At War with the Mystics
The Flaming Lips
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Show Your Bones
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ASIN: B000EGDNCW
Release Date: 2006-04-04

Tracks:

  1. The Yeah Yeah Yeah Song
  2. Free Radicals
  3. The Sound of Failure
  4. My Cosmic Autumn Rebellion
  5. Vein of Stars
  6. The Wizard Turns On...
  7. It Overtakes Me
  8. Mr. Ambulance Driver
  9. Haven't Got a Clue
  10. The W.A.N.D.
  11. W.A.N.D.
  12. Pompeii Am Gotterdammerung
  13. Goin' On

Amazon.com

After two expansive yet winsome epic albums like The Soft Bulletin and Yoshimi Battles the Pink Robots that dealt with the inevitability of death in the face of life, the Oklahoma City art provocateurs have abandoned the concept album approach and done an about face. They've returned to their earlier canon, channeling their messy psychedelica through a 70s funk scrim, and yet again figured out a way to elevate the ordinary to the sublime--even out-weirding Syd Barrett-era Pink Floyd on a track like "Pompeii," and precariously balancing out on the astral plane on "Wizard Turns On." And while you might be tempted to believe that this band is just about their cartoonish space bubbles on pink rabbits, it is at your own peril. At War With the Mystics is an intelligent and searing indictment of George W. Bush, his administration, suicide bombers, superficiality and undeserved stardom--branding them all sinners of similar stripe. A song like "Sound of Failure/It's Dark...Is it Always This Dark?" boldly calls out pop culture princesses Gwen Stefani and Britney Spears, but not without first giving them a wet kiss goodnight. "Free Radicals" is a precious soul romp that sounds like Prince in his prime, but instead was oddly inspired by a dream about Devendra Banhart, and is an sharp arrow aimed straight at the heart of would-be terrorists. Major domo and head Lip Wayne Coyne is a shrewd observer of human nature, and an even shrewder songwriter and this album stands as his greatest and most varied work yet. --Jaan Uhelszki

Album Description

Cosmic, consciousness-expanding and mind-shattering, At War With The Mystics, the highly anticipated follow-up to The Flaming Lips' Yoshimi Battles the Pink Robots brings together the expressiveness of recent albums with the heaviness, volume and intensity of the band's earlier work. At War With The Mystics is personal, political, psychedelic and powerful pop.

Customer Reviews:

3 out of 5 stars 3.5 stars... worth buying.......2007-07-17

Reading some of the reviews, it seems I am not the only hardcore Lips fan to be disappointed by this album.

There are some good songs on this album. There are even a few great songs. This is more than can be said of most albums that came out last year, so they deserve credit for that. But in the grand scheme of the Lips' discography, I think this is their weakest record since "In A Priest Driven Ambulance," although I know I'm coming pretty close to making an apples-oranges comparison to that album, which was written a full 16 years before this one.

The songs "Vein Of Stars," "Mr. Ambulance Driver," and "Goin' On" are just fantastic. All of these songs have great music and some wonderful lyrics. On the other hand, the songs "It Overtakes Me," "Free Radicals," and "Haven't Got A Clue" are just plain bad. Annoying music paired with lyrics which read like bad 10th-grade poetry. The remaining songs are okay. I don't skip them, but then I don't skip too them either. This song is much more of a mixed bag compared to their last few albums, which have for the most part been either good or great from start to finish. It's at least worth buying.

5 out of 5 stars Outstanding.......2007-06-16

The Lips reinvented themselves again with this innovative masterpiece. A world without Wayne Coyne would be a dark place indeed.

4 out of 5 stars my first flaming lips album - i'm impressed.......2007-06-09

The music sounds experimental, political, and generally fresh (despite the pink floyd/classic rock influence) - i find this to be an enjoyable listen.. I am not quite up to par with those who consider it a masterpiece (but those people obviously have a connection with the band and their music.. whereas i am a helpless rookie).. I would consider it very artistic - yet with an edge that might be commercially driven (who can blame them).. very well done..

4 out of 5 stars 4 1/2 stars. .......2007-04-11

my brother and his wife & kids were over. we were all playing some darts in the basement. there was an accident. a dart struck my head. stuck right in it, in fact. stuck in deep. in some important artery or something. i tried pulling it out while everyone screamed, but i passed out before i could succeed. i came to in a hospital bed, alone and scared, and kind of disoriented. then from down the hospital corridor i heard some music. really good stuff. a nurse entered my room. "nurse," i said, "what's that music playing?" she smiled and replied, "oh, that's the new flaming lips cd." i smiled, too. i knew that everything was going to be okay.

5 out of 5 stars Only a fool believes that he is different...........2007-03-19

I admit, I was not too sure about this album when I first heard it. It struck me as, well "odd". This was my first foray into The Flaming Lips world, and as any Lips fan knows, their music is "different", yet the "same".
I had seen The Flaming Lips years ago on a Bonaroo tour(I Think..), and nevertheless I was not impressed. I was on a different kick then, in a different mind state, a different mood. I am a big believer that you find music( or rather music finds you) when it is your time to hear it. You may run into it before your time, but you will either not notice it, or you will not care for it.

Well, fast forward to 2007, I have established a great appreciation for the film "Baraka", which I had first viewed years ago on a trip to Alaska. Baraka is a very powerful movie that spans over 6 different continents, a beautiful portrayal of humanity and life, compared and contrasted between the beauty moments and the horror. Well, I recently rented Baraka again and was re-introduced into its splendor. While searching the internet for more Baraka information, I came across something called "At War with Baraka', which was a mish-mash of The Flaming Lips album "At War with the Mystics", and the flim Baraka (which has no spoken dialogue by the way). Someone had posted a web site showing this mish-mash. In my humble opinion I did not really find that they mashed well together (it is my belief that anything will go together if you want it too, and sure there were parts that fit, but it did not really fit together), but I sort of enjoyed the music. I picked up the album and gave it many, many listens. At first, it just did not click that well with me, I mean there were parts that I really enjoyed, namely the very psychedelic and atmospheric sections of songs, and the awesome "Sound of Failure/Its dark...". The ending theme, "Its dark.." is amazing in a creepy beautiful way, soft flute with atmosphere that really depicts darkness...which leads into "My Cosmic Autumn Rebellion", which is another amazing tripped out song with great electronics and atmosphere. And that is what caught me. It was the great amount of atmosphere, electronics and wizardry that The Flaming Lips bring to this album that hoooked me in. The whole album plays off as one experience. YOU MUST listen to this in full at first, to capture the whole picture, unless your some kind of savant who can catch the greatness right away. Either way, when you listen to the whole experience, its just wonderful and for me, I was able to gather a grasp of an overall message, not to mention a great listen. The electronic elements add so much to the music and provide such a great immersive world to jump into.

As far as what the lyrics refer to, or for that matter what the title refers to is anyones guess and each person who theorizes will only be suggesting their opinion, only a fool believes he is different....
One thing that is for sure, is that this album grows on you like some kind of nasty funky fungus. At first you will get annoyed by the lead singers voice (think Neil Young), and at first the whole experience may seem all too tripped out and "out there" for you. But stick with it, I guarantee that over a small amount of time, some repeated listens and some true attention to the detail of each song, and you will arrive at the place where you can truly appreciate this album.
Give it some time, check it out. Have an open mind. You will come to find that you enjoy this all too much.

Actually, the above statement is true for all of The Flaming Lips albums that I have had the pleasure to hear, especially "The Soft Bulletin".
Beyond
Average customer rating: 4.5 out of 5 stars
  • The return of Dinosaur Jr.
  • Beyond Expectations
  • Beyond belief
  • Lou Barlow Back for Beyond
  • Sounds Like What 'Green Mind'
Beyond
Dinosaur Jr.
Manufacturer: Fat Possum [Old]
ProductGroup: Music
Binding: Audio CD

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  1. Dinosaur Jr.: Live in the Middle East
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ASIN: B000OCZ9R8
Release Date: 2007-05-01

Tracks:

  1. Almost Ready
  2. Crumble
  3. Pick Me Up
  4. Back To Your Heart
  5. This Is All I Came To Do
  6. Been There All The Time
  7. It's Me
  8. We're Not Alone
  9. I Got Lost
  10. Lightning Bulb
  11. What If I Knew

Amazon.com

Since bassist Lou Barlow left Dinosaur Jr. in 1989, the band--whose last record was 1997's expansive Hand It Over--has largely become an alter-ego moniker for guitarist/vocalist J Mascis. But now the original trio (including drummer Emmett "Murph" Murphy) has reunited for the first time since Barlow's split, and the 11-song outcome makes one ask: Why did they wait so long? Mascis's thunderous "Almost Ready," featuring both his combustible guitar and weary vocals, is the perfect blast-off, allowing Murphy's backbeat to set a turbulent pace early, and while songs like "Been There All the Time" and the Neil Young accolade "This Is All I Came to Do" have Mascis as primed as ever, Barlow (whose '90s-era Sebadoh set the bar for lo-fi bands) reappears with two of the record's strongest tracks: the poppy "Lightning Bulb" and "Back to Your Heart," which recalls late-in-the-game Hüsker Dü. These 50 minutes of music are as cohesive as they are conquering, and whether the same can be said of the once-prickly relationship between Mascis and Barlow will ultimately decide if this is a one-off reunion or if the real Dinosaur Jr. is back for awhile. --Scott Holter

Customer Reviews:

4 out of 5 stars The return of Dinosaur Jr........2007-07-20

I bought a copy of Dinosaur Jr.'s Beyond album a few weeks ago with me being a hardcore fan for over 10 years and all the rave reviews I had heard about it it would have been sacrilege if I didn't buy it. What I had heard was that it was a return to form since Bug, the band's last album with the original line up in 1988. I'll have to say I've listened to this album alot and I'm even listning to it now as I'm writing and it took me about 10 listens to full apreciate this album. I bought this at the record store, put the cd in my car and drove home with it hearing most of the album on the drive home. It started off decent enough with the first two songs and then just got dull. I mean I thought this was pretty sub par for a Dinosaur Jr. album. When I was in high school I worshipped J Mascis and I still do but when I heard this I couldn't believe how stale it sounded. I even liked his first solo album post DinoJr, More Light, better then this. But me being the hardcore dinohead I am I kept listning to it and it wasn't until a few days ago on a very long drive I was listning to it I real.ly began to enjoy it. The opening song, Almost Ready, Starts off with a bang and is a great way to open the album. Sounds like a classic sino song to me. Crumble follows it and is also very excellent. Two favorites right there. Third song being Pick me Up which needed to grow on me but man I love it now especialy the solos on it and man does J solo on this album. Back To Your Heart is song number Four and the First of Two songs Lou Barlow wrote for Beyond. Me being the Lou Barlow hater I am I really don't care for this song. It's too mellow or something. Probably would have worked for a Sebadoh album but shouldn't be a Dinosaur Jr. song. Number Five is This Is All I Came to Do and the album gets back on track again. Another great writing from J. Been There All The Time is a nice catchy song that I like quite a bit. Next is It's Me which is probably the hardest song on here. Sounds very reminicent of Yeah We Know from Bug. We're not Alone might be my favorite from here but can't say for sure. Still listning to it and enjoying it. Now for a very embarrasing moment. Song Nine is I Got Lost and it is the absolute worst song on here. It's extreemly bland and boring and the shocking thing is it's a J song! I mean I can see Lou Barlow writing junk like this but not the masterful songsmoth of Mr. Mascis. Oh well every songwriter has a bad apple. Song number 10 is Lightning Bulb, the Second of the two Lou Barlow songs and believe it or not I actualy like it. It's a very good song and thik it fits with the album very well. One out of Two and bad for someone who's songwriting style I really can't stand. Then The finale of the album is What If I Knew. Which has a very similar guitar patern to Lightning Bulb as if it's just picking up from where it left off. So there's my review for Dinosaur Jr's 2007 reunion album Beyond. How would I rate it. I would say ****. The only album that this might surpass and it's a very heavy might is Without A Sound which was an album I also loved. Well there's my two cents anyway. Beyond is a very good album. I recomend you pick it up or download it from itunes or some software sharing program if you want.



Stephen

4 out of 5 stars Beyond Expectations.......2007-07-04

Mr Mascis, Barlow and Murph (original band lineup) are back to deliver this new incredible D Jr. album. Is a nice mixture of raging rock, ballads and country rock the only way this guys can do. I recommend the crushing opener "Almost Ready" and also for the first time on a D Jr. album is included a Barlow's song, the beautiful "Back to Your Heart". Definitely recommended for the non- or die hard D Jr. fan.

5 out of 5 stars Beyond belief.......2007-07-04

What can I say>?
Green Mind changed my life forever. It was *the* album to live by when I was in college, some 15+ years ago. It defined a thoughtful, angsty existence for a thinking, feeling American adolescent. And the drums, bass, vocals, guitar... they were all amazing. Honed to fuzzy sonic perfection. Mascis ranks near to Neal Young for literally being able to speak volumes with his guitar work. He just goes and goes and goes. The newer albums never lived up to the perfection of the classics, from the original "Dinosaur" to "Bug" and "You're Living All Over Me." But they all had 3 or 4 great songs that made them worth the while.
When I heard a new album was coming out, I was very skeptical to say the least.
Now I am in disbelief.
This new album, "Beyond," is amazing. Some of the best alt-rock songs recorded to date. And Barlow, who could be annoying and self-indulgent in the past, has actually performed some real winners.
This album is a gift to the music loving public.
I can't say enough good things about it.

4 out of 5 stars Lou Barlow Back for Beyond.......2007-06-29

To me, this is the best album Dinosaur Jr. has put out since 'Green Mind' in 1991. I probably am one of the few who didn't care for 'Where You Been'.
Of course those two albums didn't have the original Dinosaur lineup. By 1989 bassist Lou Barlow was kicked out of the band and that same year formed Sebadoh and later on Folk Implosion.
Only a couple of years ago Merge Records re-released the original Dinosaur classics (the first 3) and soon re-issued 'Green Mind' w/ three bonus tracks and 1993's 'Where You Been' (I only liked the opening song: "Out There").
Soon a whole new fanbase of Dinosaur Jr. sprouted and I do believe it helped ignite this reunion of the three original members: J, Lou & drummer Murph.
Yes! Lou Barlow is back and he writes/sings two of the eleven songs on 'Beyond' - "Back to Your Heart" and "Lightning Bulb" -which should bring a smile to any Dino-fan, that's followed the band since 1988's 'Bug'.
I haven't been a fan for that long, but I have been a devoted fan for about 12 years now, even when two of the worst Dinosaur Jr. albums were released 'Without A Sound' and 'Hand It Over'-

At the start of 'Beyond' from the opening chords of "Almost Ready" you just know Dinosaur Jr. are back with that fully charged noisy jangly bliss, they are known for!
Then on to two other near perfect Dino tracks, the swooning "Crumble" and the soaring "Pick Me Up".
As always exceptionally awesome guitar playing from J. Mascis. Yeah he's still got it! A highly under-rated guitarist that the mainstream should be taking notes from.
One of my favorite tracks is the In-your-face onslaught of "Been There All the Time" an instant classic for sure and just as good as most of the songs on my favorite Dinosaur Jr. album - 'Bug'.
I also really like J 's softest track on 'Beyond' the song "I Got Lost"-

Lets hope the original Dinosaur Jr. lineup is here to stay because this is the band's best in over 15 years.

5 out of 5 stars Sounds Like What 'Green Mind'.......2007-06-26

would have been had Lou not left the band after 'Bug'. Not much else to say...brilliant!
The Soft Bulletin
Average customer rating: 4.5 out of 5 stars
  • um...it's the flaming lips! what do you expect!?
  • flips
  • I about wet myself
  • We interrupt your regular music for this important Bulletin
  • It all comes together
The Soft Bulletin
The Flaming Lips
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JC6C
Release Date: 1999-06-22

Tracks:

  1. Race For The Prize (Remix)
  2. A Spoonful Weighs A Ton
  3. The Spark That Bled
  4. The Spiderbite Song
  5. Buggin' (Remix)
  6. What Is The Light?
  7. The Observer
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  9. Suddenly Everything Has Changed
  10. The Gash
  11. Feeling Yourself Disintegrate
  12. Sleeping On The Roof
  13. Race For The Prize
  14. Waitin' For A Superman (Remix)

Amazon.com's Best of 1999

The crazed genius of the Lips comes to full flower on the sonically massive and majestic The Soft Bulletin. Head Lip Wayne Coyne compounds the band's penchant for psychedelic freak-outs with a symphonic extravaganza. The result is nothing short of magnificent, not only the best rock album of the year, but among the best recordings of the decade. In 30 years, your grandkids are going to think you're pretty damned cool for having The Soft Bulletin in your collection. --Tod Nelson

Amazon.com essential recording

The Flaming Lips' particular and peculiar genius comes to full fruition on the stupendous The Soft Bulletin. Anyone who had the gumption to actually listen to Zaireeka, a song cycle that could only be heard by playing four CDs at the exact same time on different stereos, knows that head Lip Wayne Coyne and his Oklahoma City brethren had it in them. That album, along with the Lips' Parking Lot Experiments, offered proof that Coyne wasn't playing by the same rules as everyone else. He was growing up and away from the splenetic psychedelic freak-outs of earlier albums and emerging as a first-rate composer--perhaps the first alt-rock star to earn such status.

The Soft Bulletin is absolutely colossal, a testament to their position as the vanguard of a movement that includes Spiritualized's Ladies and Gentlemen We Are Floating in Space, Mercury Rev's Deserter's Songs, and Olivia Tremor Control's Black Foliage. As with those albums, Bulletin shares a love of cosmic, vaguely psychedelic pop and a closet full of pet sounds. But the Flaming Lips only uses these as a launch pad for rocketing into ethereal sonic space. Although Bulletin steps back from Zaireeka's over-the-top indulgence, it manages to be symphonic, bombastic, outrageous, and damned catchy--while still oozing the band's unique weirdness. The sound is massive and complex; gongs, harps, grand piano, bells, pipe organ, strings, oboes, choral harmonies, and, strangely, very, very little guitar squall all merge into one wall--no, wall of sound doesn't do it justice. It's a cliff of sound, propelled by drummer Steven Drozd's tremendous pounding. On top of it all, Coyne's sweet but ravaged voice yields tender lyrics that tag a catalog of Lips stalwarts, such as insects, spirituality, and superheroes. One imagines Coyne in front of a full orchestra, urging them to keep up as he sings, "Ooh, those bugs / buzzing 'round..." on "Buggin." But the Lips orchestrated the entire album in their studio, sometimes manipulating more than 200 separate tracks to achieve Bulletin's vast symphonic excess. Each song is a rare gem. "A Spoonful Weighs a Ton" sounds like a collusion of Bach and Tricky. "The Spark That Bled" infuses a fey, Belle and Sebastian-esque ditty with Led Zeppelin-like funky swagger. "The Spiderbite Song" is a shotgun wedding between a tender piano ballad and the industrial noise of things falling apart. "The Gash" is just too singular to adequately describe.

It'll be interesting to hear what the Lips do next. If The Soft Bulletin is any indication at all, they can do anything they please. And we can't possibly imagine what it will sound like. --Tod Nelson

Customer Reviews:

5 out of 5 stars um...it's the flaming lips! what do you expect!?.......2007-07-25

As a long-time fan of the lips, this album is totally awesome. can't say much more.

5 out of 5 stars flips.......2007-06-21

if you are a lips fan, this is a must have. less experimenting and more rocking

5 out of 5 stars I about wet myself.......2007-06-20

when I first heard this album. The remixes are horrible (the drums are too compressed, or something, so it sounds really wimpy), but this is a MASTERPIECE. Easily the best thing the Lips ever did, and with a catalogue of excellency like theirs, that's saying something. "Race for the Prize", "A Spoonful Weighs A Ton", "The Spark that Bled", "Feeling Yourself Disintegrate"...any ONE of those songs could make a so-so album excellent, but this album has ALL OF 'EM, and so much more. This marks a point where the Lips became a bit more serious, but for the better. And the sound is MASSIVE. Thundering drums, big melodic bass, mellow guitar, lots of keyboards and sound effects, and ragged but endearing vocals all coalesce into something so huge, it's amazing it could all be contained within an album. But it can. And in a way that has to be heard to be believed. If you don't have this, BUY IT BUY IT BUY IT BUY IT! You will LOVE it, I promise.

5 out of 5 stars We interrupt your regular music for this important Bulletin.......2007-04-11

We all knew Wayne Coyne and The Flaming Lips were an incredibly ambitious lot, but I don't think we all understood just how much so until "The Soft Bulletin." Unbelievably broad in its sonic palette, "The Soft Bulletin" sculpts sound with orchestral flourishes, beautiful choirs and catchy melodies, to the point that it's almost cinematic. Even the CD's foldout card hints at the wide-screen aspirations, with the credits laid out like a movie advertisement. Yet in their own quirky way, most of the songs here are perfectly executed pop ditties that would have been big hits in a parallel universe. The universe that demands that all music sounds best on headphones or in surround sound instead of the typical one-dimensional sound stage most records are so unimaginatively presented in.

At least someone must have thought so. Both "Waiting For A Superman" and "Race For The Prize" got tweaked for the CD in hopes of expanded success. Wayne Coyne is simply too eclectic for that, as his musings on love, death and the meaning of it all meld into a CD that resists being taken apart. (Much like vintage Pink Floyd albums.) While it took "Yoshimi Battles the Pink Robots" to get them a greater commercial realm, "The Soft Bulletin" is the album that brought the Lips their CD to make everyone drop their jaws in awe. In that aspect, it meets my critereon for five stars in that everyone who heard this CD tried to make their music match it.

5 out of 5 stars It all comes together.......2007-02-24

This is a unique, wonderful, and completely absorbing album. Admittedly, it's not for everyone; I can appreciate the negative reviews, many of which fall into the "doesn't work for me" category. I liked Yoshimi..., though I didn't love it, and actually hadn't heard this album until after hearing that one. Since Soft Bulletin was supposed to be similar, and highly regarded, I though I'd check it out. Good thing I did, since I quickly realized that it puts Yoshimi to shame. While it's fun, and weird, and sonically first-rate, it's the attention to detail, and Dave Fridmann's top-notch production, that really won me over. The melodies, together with Wayne Coyne's quivering, high pitched vocals, create a soaring, floaty feeling. Yet at the same time, many of the songs have heavy, rumbling bass tracks that keep them firmly rooted on the ground. This creates a real sense of balance, and contributes to the album's overriding theme of hopefulness, and optimism for the future, combined with acceptance of mortality and its limits. Overall, a mature, accomplished album, by mature, accomplished musicians.

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