So Crazy

1. Radio Mix

2. Club Mix

3. Instrumental

Editorial Reviews

About the Artist
G.A.B. Currently known for his new single "Moment Of Truth" featuring Freeway

Product Description
Hip Hop club single

Tracks:

Matthaus-Passion
Johannes-Passion
Weihnachts-Oratorium
Juditha Triumphans
Messiah
Crudel Tiranno Amor
Die Schopfung
Orlando Paladino
7 Lieder
Le Nozze Di Figaro
Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
Misera! Dove Son! K369
18 Lieder
Frauenliebe Und- Leben
11 Lieder
20 Morike-Lieder

Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)

Average customer rating:

Great CD
Simply the Best
Inconsistent, but mostly excellent
"Celebration" is not strong enough a word
A maginificent evening, a magnificent album

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Side By Side By Sondheim (1976 Original London Cast)
Sondheim Evening: A Musical Tribute (1973 Concert Cast)
Send in the Clowns: The Ballads of Stephen Sondheim
Sondheim: A Celebration at Carnegie Hall / Liza Minnelli, Patti LuPone, Bernadette Peters, Glenn Close
Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
Evening Introduction--Bill Irwin
Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
Being Alive--Patti LuPone
Good Thing Going--The Tonics
Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
Anyone Can Whistle--Billy Stritch
Water Under the Bridge--Liza Minnellli, Billy Stritch
Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
Sooner or Later--Karen Ziemba
Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
Green Finch and Linnet Bird--Harolyn Blackwell
The Ballad of Booth--Patrick Cassidy, Victor Garber
Broadway Baby--Daisy Eagan
I Never Do Anything Twice--BETTY
With So Little to Be Sure Of--Jerry Hadley, Carolann Page
Not a Day Goes By--Bernadette Peters
Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
Send in the Clowns--Glenn Close
Old Friends--Liza Minnelli
Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

Tracks:

Everybody Says Don't
I Wonder What Became of Me?
The Eagle and Me
I Had Myself a True Love
Into the Woods / Giants in the Sky (Malcolm Gets)
Another Hundred People / So Many People (Malcolm Gets)
Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
Happiness
Loving You
You Could Drive a Person Crazy
Not A Day Goes By / Losing My Mind

Tracks:

Buds Won't Bud
I Got Lost in His Arms
West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
Move On (duet with Malcolm Gets)
Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
Ice Cream
Send in the Clowns
The Trolley Song
Not While I'm Around (duet with Malcolm Gets)
Anyone Can Whistle

Amazon.com's Best of 2001

Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

Customer Reviews:

Wow!.......2004-02-20

Having read the other reviews there is little more for me to add. I have been a Barbara Cook fan for a longtime and for me, this is one of her best concerts ever. I do, however, prefer the DVD. As with some other reviewers, I do not want to hear Malcolm Gets (as much as I like him) when I want to listen to Barbara. Her flawless interpretation of music is a hard act to follow for any singer! I managed to see this concert 4 times over a year and a half. Each time I saw her the voice was stronger and more assured (I would not have thought that possible). I can't help but think we will have the pleasure of hearing Ms Cook for many years to come. For those people who enjoyed his CD I strongly recommend purchasing the DVD. Barabara's rendition of So Many People is breathtaking (literally, I don't think I breathed once during the entire song). If you ever have opportunity to see her live - go! She has an ability to make you feel as if every song she sings and every word she speaks is directed to you alone. She can take a large venue and make it feel as intimate as your own living room. Having had the pleasure of meeting her I can say she is as youthful and pleasurable in person as she is in her performance.

Everyone Should Whistle.......2003-10-11

After being privileged to attend this concert, I had to own the CD. Once a lyric coloratura and the original Cunegonde in Bernstein's Candide, Ms. Cook has become (in her 70s) a true diva, blessed with a velvety, warm sound. Every note has meaning. Her high B-flat on "Ice Cream" is still the envy of any soprano today. Everyone should whistle after hearing the superb performances on this CD. Even better, though, is the experience of having been in the concert hall for the live performance. Brava, Ms. Cook!

An amazing intro to the body of work of a true master.......2003-06-16

When I first bought tickets for the 'Mostly Sondheim' show on tour (in San Francisco) I figured it couldn't be too bad. Besides, I had only been exposed to a few of his songs (Anyone Can Whistle, Losing My Mind...) and had only seen "A Little Night Music". On the way out of the theater I immediately picked up this recording of the program. It is truly amazing. I immediately began listening to it and have barely put it down in the last few months. Furthermore, my Sondheim CD collection increased in size from an unflattering zero to five (and it's still growing)! This is an amazing introduction to the works of Stephen Sondheim, who is now my favorite modern musical composer). Buy this now if you don't already have it!

Beautiful, moving concert.......2003-04-13

This is a wonderful CD set with a great selection of songs. I do want to express a slight reservation, however. Barbara Cook has been one of my favorite singers for a number of years and the way her voice defies time is extraordinary -- for her to be singing with such bright, beautiful tone in her mid-70s with no wobble or beat in the voice is an amazing achievment.

I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.

So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!

... and I love Barbara Cook.......2003-02-11

This recording is a disappointment for me. It is not her best work, and Malcolm Gets is uninspired. My biggest complaint however is the engineering of the recording. Throughout the speaking was to soft, the singing volumes uneven, and the applause deafening. I will be passing this CD on to friends, and will later donate it to my local library.

Average customer rating:

Comedian Harmonists

Definitive Collection

Manufacturer: Arena Records UK
ProductGroup: Music
Binding: Audio CD

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The Comedian Harmonists
The Harmonists
Comedian Harmonists
Auf Wiederseh'n
Finest Selection of: Comedian Harmonists

ASIN: B0000648OR
Release Date: 2001-11-02

Tracks:

Wenn Ich Vergnn
Uch Wollt' Ich W Ein Huhn
Veronika, Der Lenz Ist Da
Bin Kein Hauptmann, Bin Kein Gros Tier
Ein Freund, Ein Guter Freund
Creol Love Call
Bist Nicht Die Erste
Baccarole
Der Sch Blauen Donau
Quant il Pleut
Ein Bisschen Leichtsinn Kann Nicht Schaden
Ich Hab' Fh 'Nen Blumentopf Bestellt
Jetzt Trinken Wir Noch Eins
Ist Die Liebe Der Matrosen
Liebling, Mein Herz L Dich Gr
Irgendwo Auf Der Welt
Ali Baba
Maria Marie
Auf Dem Heuboden
Liebesleid
Tout le Jour
Wir Sind Von Kopf Bis FuAuf Liebe Eingestellt
So Ein KuKommt Von Allein
Musketier Marsch
Mein Kleiner, Graktus

Tracks:

Hoppla, Jetzt Komm'ich
Kannst du Pfeifen, Johanna
Tea for Two
In Der Bar Zum Krokodil
Eine Kleine Frsweise
Eins, Zwei, Drei, Vier Glh Bin Ich Nur Mit Dir
Die Liebe Kommt, Die Liebe Geht
Heute Nacht Oder Nie
Hallo, Was Machst du Heut' Daisy
Ich Khre Hand Madame
Auf Wiedersehen Mein Frein, Auf Wiedersehen Mein Herr
Kleiner Mann, Was Nun
Hein Spielt Abends So Schuf Dem Schifferklavier
Mein Lieber Schatz Bist du Aus Spanien
Onkel Bumba Aus Kalumba
Perpetuum Mobile
Leb' Wohl Gute Reise [Farewell, Have a Good Journey]
Wenn Die Sonja Russisch Tanzt
Morgen MuIch Fort Von Hier
Wenn Der Wind Weht er das Meer
Puppenhochzeit
Was Dein Roter Mund Im Fr Sagt
Es Fein Anderer Weg Zur Seligkeit
SchLisa, Ssa
Wochenend und Sonnenschein
Auf Wiedersch'n My Dear

Customer Reviews:

Comedian Harmonists.......2003-05-23

A wonderful Selection of great Harmonies and Novelty Tunes by this Relatively Unknown Group in America , This terrific German Group is a must for anyone that enjoys Good Harmony and just Plain Vocal Fun with Sounds and Lyrics. Highly Recommended and Enjoyable.

Average customer rating:

Excellent performer
A unique project
Gershwin historical, manic, perfect, archival
Definative

Authentic George Gershwin, Vol. 1-4

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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George Gershwin: His Life and Work

ASIN: B0001Z2RSC
Release Date: 2004-08-24

Tracks:

Swanee
Come To the Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-bum-Bo
Nobody But You
Limehouse Nights
Drifting Along With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Concerto In F

Tracks:

Sweet And Low-Down (I)
That Certain Feeling (I)
Looking For A Boy
When Do We Dance?
Sweet And Low-Down (II)
That Certain Feeling (II)
Irish Waltz
Do, Do, Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
Meadow Serenade
My One And Only
'S Wonderful/Funny Face
He Loves And She Loves
An American In Paris
Liza
Strike Up The Band
Embraceable You
I Got Rhythm (I)
I Got Rhythm (II)

Tracks:

Of Thee I Sing
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Overture
Isn't It A Pity?
Variations On 'I Got Rhythm'
I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
III. Fugue: Murder Of Crown, Act III Scene 1
IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Tracks:

Girl Crazy Overture
French Ballet Class
Dance Of The Waves
Slap That Bass
Walking The Dog
I've Got Beginner's Luck
They All Laughed
They Can't Take That Away From Me
Shall We Dance
By Strauss
I Can't Be Bothered Now
The Jolly Tar And The Milkmaid (1st Version)
Put Me To The Test
The Jolly Tar And The Milkmaid (2nd Version)
Stiff Upper Lip
A Foggy day (In London Town)
Nice Work If You Can Get It
Things Are Looking Up
I Was Doing All Right
Love Walked In

Customer Reviews:

Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

Average customer rating:

Broadway: America's Music 1935-2005

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Letters from Iwo Jima (Two-Disc Special Edition)

ASIN: B000B8I93Q
Release Date: 2005-10-18

Tracks:

Oh What a Beautiful Mornin'
Summertime
I Could Write a Book
It Never Entered My Mind
I Can Cook Too
Make It Another Old Fashioned, Please
If I Loved You
My Heart Belongs to Daddy
Thou Swell
I Left My Heart at the Stage Door Canteen
There's No Business Like Show Business
South American Way

Tracks:

Shall We Dance
Ohio
Luck Be a Lady
Mack the Knife
There's a Small Hotel
Once in Love with Amy
Yodel Blues
Lazy Afternoon
There Must Be Somethin' Better Than Love
You're Just in Love
Now Is the Time

Tracks:

Impossible Dream
Love Makes the World Go 'Round
Try to Remember
Put on a Happy Face
I Say Hello
Happiness
She Loves Me
What Kind of Fool Am I?
Shy
Consider Yourself
Poor Little Person

Tracks:

Magic to Do
They're Playing My Song
I Don't Know How to Love Him
I Won't Send Roses
Good Morning Starshine
Don't Cry for Me, Argentina
Hard Candy Christmas
Diamonds Are a Girl's Best Friend
Won't You Charleston with Me?
Applause

Tracks:

Phantom of the Opera
Memory
On My Own
Muddy Water
How Could I Ever Know
American Dream
I Know Him So Well
Dr. Jazz
Me and My Girl
Suddenly Seymour

Tracks:

Mamma Mia!
Popular
Seasons of Love
Oh, the Thinks You Can Think
Whatever Lola Wants
Crazy
How Deep Is Your Love
Stars
People Like Us
I Go to Rio

Average customer rating:

The BEST Gershwin/Porter album
Glowing Coles of Porter...

Fennell Conducts Porter & Gershwin

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Byron Janis: Prokofiev; Rachmaninov...(Recorded By Mercury On Location In Moscow)

ASIN: B0000057LZ
Release Date: 1993-02-16

Tracks:

Blow, Gabriel, Blow
So In Love
It's All Right With Me
Ridin' High
In the Still of the Night
Begin the Beguine
Night and Day
My Heart Belongs To Daddy
Anything Goes
I've Got You Under My Skin
It's De-lovely
You'd Be So Nice To Come Home To
I Got Rhythm
Love Is Sweeping The Country
Love Walked In
'S Wonderful
Bidin' My Time
Oh, Lady, Be Good
Fascinating Rhythm
Liza
Embraceable You
The Man I Love
Someone To Watch Over Me
But Not For Me

Customer Reviews:

The BEST Gershwin/Porter album.......2004-02-11

Perhaps I'm romanticizing, but this was THE cd I listened to in high school. The arrangements are absolutely captivating; building new material over the original themes while referencing them so purely. I couldn't imagine a better use of your money than purchasing this album, it will bring you years of joy!

Glowing Coles of Porter..........2004-01-15

I can only comment on the Porter half of this recording, as I own it on original vinyl. It's a mono copy, but you wouldn't know it. As usual, excellent engineering from Mercury, who set standards in the early 60's that still count (IMHO) as best practice.

Frederick Fennell is right at home in the warmth of these beautifully wrought Ray Wright orchestrations. As he should be; Wright's day job was orchestrating for Radio City Music Hall. The sound is lush, the dynamics amazing, the performance spot on. It gets four stars only because I can't justify five, not having heard the Gershwin half.

Tracks:

Oklahoma: Oh, What A Beautiful Morning
Seven Brides For Seven Brothers: Bless Your Beautiful Hide
Seven Brides For Seven Brothers: When Your In Love
Kiss Me Kate: Where Is The Life That Late I Led?
Annie Get Your Gun: The Girl That I Marry
Annie Get Your Gun: My Defences Are Down
Annie Get Your Gun: Anything You Can Do
Annie Get Your Gun: They Say It's Wonderful
Pagan Love Song: Why Is Love So Crazy?
Gordon MacRae Film Medley: Look For The Silver Lining: Time On My Hands/Tea For Two...
Showboat: Make Believe
Carousel: If I Loved You
Carousel: Soliloquy
Carousel: You'll Never Walk Alone
Rose Marie: Rose Marie
Kismet: Stranger In Paradise
Lovely To Look At: Lovely To Look At
Oklahoma!: The Surrey With The Fringe On Top
Oklahoma!: Oklahoma!

Customer Reviews:

Jason Howard does the Hollywood musical--and very well!!.......2000-10-30

This is an amazing CD. I recommend it especially for those who love Hollywood and Broadway musicals of the 1940's and 50's like "Oklahoma", "Annie Get Your Gun" and "Seven Brides for Seven Brothers". Jason Howard is a wonderfully talented baritone whose singing rivals that of Howard Keel and Gordon MacRae, whose songs he sings on this disc. Every song is well done, and sung with appropriate feeling. Though recorded in a studio, you'd think that "Anything You Can Do," from "Annie Get Your Gun" was from a live theatrical performance, there is so much zest in the interaction between Howard and his female partner. The selections from "Seven Brides for Seven Brothers" are particularly welcome, as they are seldom recorded. I can't praise this disc enough!

Marilyn Horne - I Will Breathe A Mountain ~ Songs of Barber, Bernstein & Bolcom / Martin Katz, Tokyo String Quartet

Average customer rating:

Exceptionally moving
Horne brings these wonderful masterpieces to life!

Marilyn Horne - I Will Breathe A Mountain ~ Songs of Barber, Bernstein & Bolcom / Martin Katz, Tokyo String Quartet
Samuel Barber , William Bolcom , Leonard Bernstein , Marilyn Horne , Martin Katz , Tokyo String Quartet , Kikuei Ikeda , Kazuhide Isomura , Peter Oundijian , and Sadao Harada
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Horne, Marilyn | Divas | Opera & Vocal | Styles | Music

Tracks:

The Daisies, Op. 2 No. 1
A Nun Takes The Veil, Op. 13 No. 1
Bessie Bobtail, Op. 2 No. 3
The Secrets Of The Old, Op. 13 No. 2
Sure On This Shining Night, Op. 13 No. 3
Barber: I Hear An Army, Op. 10 No. 3
Dover Beach, Op. 3
I Will Breathe A Mountain: Pity Me Not Because The Light Of Day
I Will Breathe A Mountain: How To Swing Those Obbligatos Around
I Will Breathe A Mountain: The Crazy Woman
I Will Breathe A Mountain: Just Once
I Will Breathe A Mountain: Never More Will The Wind
I Will Breathe A Mountain: The Sage
I Will Breathe A Mountain: O To Be A Dragon
I Will Breathe A Mountain: The Bustle In A House
I Will Breathe A Mountain: I Saw Eternity
I Will Breathe A Mountain: Night Practice
I Will Breathe A Mountain: The Fish
My House
So Pretty
Greeting
Take Care Of This House
Rabbit At Top Speed
Sonnet: What Lips My Lips Have Kissed
Nachspiel
Dream With Me

Amazon.com

Though Horne is audibly at the end of her long and rich career, she did a good deed for American music with this disc, which consists of songs by Samuel Barber, Leonard Bernstein, and a new song cycle by William Bolcom, from which the disc takes its title. Horne's voice has a quiver, a lack of center, almost as if it refuses to stop singing Rossini (Horne's lifelong specialty). However, it's worth buying for the Bolcom cycle, which is one of his best vocal works, typically an eclectic, natural outgrowth of Bernstein's style with Horne gamely employing a wide range of vocal techniques with more eloquence than one could hope for. --David Patrick Stearns

Customer Reviews:

Exceptionally moving.......2003-10-16

This is AMERICAN SONGS at their most moving and emotional best, not to mention with great melody. Unlike a lot of American song literature (not broadway type, but "serious classical art songs"), these songs are actually quite beautiful, melodic, and can touch the heart of the listener easily. There is no strain to enjoy them. There is a bit of "sameness" between them, which is my only complaint about this recording; one piece starts to sound like another, especially if you are not listening carefully while listening. Even then, it is still very lovely.

It has been mentioned that Horne is now far past her prime, and that may be, but even far past her prime she is far better than most singers half her age. There is still vibrancy, life, and depth to her voice. It communicates on a very deep level. Martin Katz, her life long accompanist, is, as usual, a revelation as an accompanist. Unlike people think, the accompanist just doesn't play in the background, he is a very vital part of making a performance work. Accompaning singers is a very new art form, and many performers of earlier ages simply had very bad accompanist. With Gerald Moore we started to have people who knew how to support the singer, actually adding to the performance giving it depth and helping the singer shine. Now we are so used to good accompanist, and are so accustomed to their high level of performance, it is very easy to forget what they add.

Katz knows Horne well, and is fully aware of when she is having troubles supporting a phrase, or when she is in best voice. He gives so much to her awesome performance through his very sensitive way of playing this music.

I would recommend this for anyone to buy: fans of modern art songs, fans of Marilyn Horne, and simply fans of good singing.

Horne brings these wonderful masterpieces to life!.......1999-07-17

Throughout the Barber, Bolcom and Bernstein, Marilyn Horne uses her ability to combine technical definition with artistic movement and expansion. Having had the opportunity to see her perform this literature live was an emotionally elevating experience. The way Horne and Katz have reworked a few of the Berstein pieces brings new life and perspectuve to these already wonderful pieces. I highly recommend this recording for the casual classical listener, as well as, for the student that enjoys learning from a master through their art.

Average customer rating:

Best of Shearing AND Kings Singers

Get Happy

Manufacturer: EMI / Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

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General | Broadway & Vocalists | Styles | Music

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ASIN: B000002RS1
Release Date: 1991-08-16

Tracks:

Sweet And Low-Down
The Half-Of-It-Dearie Blues
The Real American Folk Song
Any Place I Hang My Hat
III. Wind
I Got Rhythm
Out Of This World
Over The Rainbow
One For My Baby
Oh, I Can't Sit Down
But Not For Me
It Ain't Neccessarily So
It's A New World
Get Happy
When The Sun Comes Out
My Shining Hour
Lullyaby Of Birdland

Customer Reviews:

Best of Shearing AND Kings Singers.......2002-05-26

This is a fantastic recording. There are interesting arrangements from some of the best popular music arrangers, including Richard Rodney Bennett, Paul Hart and Daryl Runswick, not to mention Shearing's great new 5/4 version of his best-loved song Lullaby of Birdland, which begins with a jazz version of Brahms' Lullaby.

The Kings Singers are in fine form, with their flawless intonation and meticulous attention to creating a great sound.

Each track features just the sextet, Shearing and a double bass (played by Neil Swainson), except for One For My Baby, which adds John Harle on saxophone. That track is one of the three terrific Daryl Runswick arrangements included on the album.

Other stand-outs are:

The-Half-of-It-Dearie Blues, which sounds very similar to their much earlier version of it, i.e. sensitive and sensuous.
Gershwin's The Real American Folk Song (is a rag)
Daryl Runswick's interpretations of I Got Rhythm and Anyplace I Hang My Hat
Over the Rainbow

It is worth getting Amazon to hunt for this album for you: it is one of the very best of many fine albums the performers have made. Getting them together for this disc was a first-class idea.

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