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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: lovely music, but . . . . . Anna Magdalena Notebook-- a treasure trove of Baroque music Music for Bach's Katy Charming and beautiful Bach's wifes' collection of her favorite pieces

Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan Lorraine Hunt , and Nicholas McGegan Manufacturer: Harmonia Mundi Classical Express ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Musettes | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Hasse | Hasse, Johann Adolf | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Carl Philipp Emman. | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Hasse, Johann Adolf | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bach: Cantatas BWV 82 and 199 Lorraine Hunt Lieberson: Handel Arias Lorraine Hunt - Handel Arias Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto Peter Lieberson: Neruda Songs ASIN: B000056F7M Release Date: 2001-03-13

Tracks:

1. Allemande
2. Courante
3. Sarabande
4. Minuet I & II
5. Gigue
6. Aria: 'Bist Du Bei Mir', BWV 508 Stl - Lorraine Hung Lieberson
7. Aria: 'Willst Du Mein Herz Mir Schenken', BWV 518 - Lorraine Hung Lieberson
8. Solo Per Il Cembalo
9. Polonaise In G Minor
10. March In D Major
11. March In E Flat Major
12. Rondeau In B Flat Major
13. Chorale: 'Wer Nur Den Lieben Gott Lasst Walten', BWV 691
14. 'Goldberg' Variations: Aria, BWV 988
15. Recitative: 'Ich Habe Genug', BWV 82 - Lorraine Hung Lieberson
16. Aria: 'Schlummert Ein', BWV 82 - Lorraine Hung Lieberson
17. Aria: 'Gedenke Doch, Mein Geist', BWV 509 - Lorraine Hung Lieberson
18. Allemande
19. Courante
20. Sarabande
21. Prelude No. 1 In C Major, BWV 846
22. Polonaise In G Major
23. Polonaise In D Minor
24. Polonaise In G Minor
25. Polonaise In F Major
26. Two Minuets
27. Musette In A Major
28. 'Menuet Fait Par M. Bohm'
29. Minuet In G Major

Customer Reviews:

lovely music, but . . . . ........2007-07-03

No one doubts that Bach's music is beautiful, and so many of the pieces in this album, favorites of his second wife, are lovely. Here are my objection. First of all, nowhere on the outside of this CD does this indicate that these are only *highlights* of the Anna Magdelena notebook. Furthermore, many of the tracks (from French Suites #1 & #2, from the Well-Tempered Clavier, from the Goldberg Variations) are pieces I already own in high quality recording by virtuosi. This CD does not limit itself, say, to pieces that Bach composed originally for this collection; in other words, there is nothing scholarly about the pieces that were chosen for these highlights. Rather, it is essentially selling a "Bach's Greatest Hits" kind of CD under a more respectable name. For those whose classical collections consist primarily of "Greatest Hits" collections of various composers, you might as well toss in this CD. For the discriminating collector, though, interested in collecting serious works by Bach, this CD is entirely unworthy.

Anna Magdalena Notebook-- a treasure trove of Baroque music.......2006-03-20

This is music for contemplating number and time and not realize you are doing that. These pieces from Anna Magdalena Bach's notebook are a significant part of the history of western culture, and the music is brilliant, lucid, and passionate. Just as, I suppose, Bach's wife was. Played on harpsichord and clavichord, the work-- not all by Bach-- seems rigourously, mysteriously modern, and the anonymous "Musette in A Major" one could even say had in it the roots of ragtime piano. Last but not least, it's quite possible that Lorraine Hunt Lieberson can never be less than sublime.

Music for Bach's Katy.......2005-03-31

Luther had his Katy who supported him and the Reformation magnificently and faithfully. Bach who was real student and follower of Luther's, had his second wife, Anna Magdalena who was so much for him and his family and music.

Here great notebook of the music she enjoyed immensely so we can as well.

Especially fond of harpsichord music, this has marvelous selection of that, but fond of Rondeau in B-flat major. Minuet in G major is one of my favorites. New to me are the Arias, especially "Bist du bei mir" and ""Ich habe genug". If you're not conversant in German, do go on the website the liner notes provides and get the translation in English for these are marvelous testimonies of their faith in words and song.

Charming and beautiful.......2004-12-13

This CD is a collection of music from the notebook of Bach's wife, who was a singer. It includes dances, arias and other favorite songs. Most of the pieces range from peppy little dance tunes(like Musette in A Major) to delicate baroque airs (like Prelude no.1), all played on the harpsichord, clavichord or cello. The pieces that really stand out are the arias, sung beautifully by Lorraine Hunt Lieberson in German. Most are religious, but there is one that is a nice love song "Willst du mein Herz mir schenken." The website on the back of the liner notes has the lyrics for the arias and they are worth reading. Besides the fact that this is good music, it also provides interesting insight into Bach's life and family and the liner notes have some interesting information about Anna and her notebook. This is a charming collection of music that is a great and cheap addition to any classical music collection.

Bach's wifes' collection of her favorite pieces.......2001-06-10

Yes Music of JS Bach chosen by his wife who was a singer. This collection is a lovely and beautifully performed collection of harpicord and intimate pieces that were Anna's most cherished favorites composed by her husband. What a lovely addition to any chamber music lovers collection. It affords not only wonderful selections but a rare window into the behind the scenes aspect of Bachs life and the commanding role music played in his and his family's life. The performances range from delicate to sublime and are beautifully recorded. It is an amazing bargin to have such an esoteric collection of Bachs' work so well done and so cheap. My god run and get the whole series; I have and when I want a perfect day I just pile them in my CD and press the forward button. The result is a day of glorious music on a scale to be both background as well as a breathtakingly elegant listening experience.

Average customer rating: Bella Bellisimo Very nice collection of Italian classical repertoire Beautiful

Bella Tuscany: Music Inspired by Tuscany Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Gabrieli, Giovanni | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Respighi | Respighi, Ottorino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Cincinnati Symphony Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Atlanta Symphony Orchestra | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Albinoni, Tomaso | ( A ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gabrieli, Giovanni | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mascagni, Pietro | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Puccini, Giacomo | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Respighi, Ottorino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Vivaldi, Antonio | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Atlanta Symphony Orchestra | ( A ) | Performers, A-Z | Classical Music Blowout | Stores | Music Cincinnati Symphony Orchestra | ( C ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Tuscany: A Romantic Journey Under the Tuscan Sun Provence: A Romantic Journey Dinner Classics: The Italian Album Dinner In Italy ASIN: B000294RMQ Release Date: 2004-06-22

Tracks:

1. O Mio Babino Caro - Erich Kunzel
2. Quando M'en Vo' - Erich Kunzel
3. Italiana - Jesus Lopez-Cobos
4. Danza Rustica - Jesus Lopez-Cobos
5. Sonate XIII - Empire Brass Quintet And Friends
6. Allegro - Yolanda Kondonassis
7. Allegro Non Molto - Yolanda Kondonassis
8. The Nightengale - Atlanta Symphony Orchestra
9. The Cuckoo - Atlanta Symphony Orchestra
10. Siciliana - Angel Romero
11. Che Gelida Manina - Fernando De La Mora
12. Humming Chorus - May Festival Chorus
13. Adagio - Angel Romero
14. Allegro - Paul Patterson
15. Di Provenza Il Mar, Il Suol - Erich Kunzel
16. Intermezzo Sinfonico - Erich Kunzel

Customer Reviews:

Bella Bellisimo.......2007-07-07

A wonderful compellation of Italian classical music. I love to hear it while I'm driving; it makes road rage disappear.

Very nice collection of Italian classical repertoire.......2007-01-11

Very enjoyable listening to this classical CD. I also highly recommend the CD of this series "LaBelle France Music Inspried by France".

Beautiful.......2007-01-09

I bought the CD after hearing it at a friend's home. It's quite different than the music I typically listen to; but it's quite lovely. It's very relaxing and reflective.

Average customer rating: Two tracks I really like Quantity Over Quality Mediocre One Hundred Greatest TV Themes Pretty close to original recordings

One Hundred Greatest TV Themes Manufacturer: Silva America ProductGroup: Music Binding: Audio CD All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: All-Time Top 100 TV Themes TV Land Presents: Favorite TV Theme Songs TV Guide: 50 All-Time Favorite TV Themes NBC: A Soundtrack of Must See TV Best of TV Quiz & Game Show Themes ASIN: B00005Y49F Release Date: 2002-08-27

Tracks:

1. The A-Team - Nic Raine
2. The Addams Family - Nic Raine
3. The Adventures Of Robinson Crusoe - Nic Raine
4. Airwolf - Derek Wadsworth
5. The Avengers - Mike Townend
6. Barnaby Jones - Jerry Goldsmith
7. Batman - Nic Raine
8. Battlestar Galactica - Nic Raine
9. Baywatch - Derek Wadsworth
10. Beverly Hills 90210 - Derek Wadsworth
11. Bewitched - Nic Raine
12. Between The Lines - Mark Ayres
13. The Bill - Nic Raine
14. Bonanza - The Philharmonia Orchestra
15. Brideshead Revisited - Derek Wadsworth
16. Buck Rogers In The 25th Century - Nic Raine
17. Burke's Law - Derek Wadsworth
18. Cagney And Lacey - Derek Wadsworth
19. Captain Scarlet And The Mysterons - Mark Ayres
20. Casualty - Mark Ayres
21. Cheers - Mark Ayres
22. Dallas - Nic Raine
23. Dangerman (Secret Agent) - Mike Townend
24. Doctor Who - Mark Ayres
25. Doctor Kildare - Jerry Goldsmith

Tracks:

1. Doogie Howser, M.D. - Derek Wadsworth
2. Dynasty - Nic Raine
3. The Equalizer - Derek Wadsworth
4. Falcon Crest - Derek Wadsworth
5. Fireball XL-5 - Derek Wadsworth
6. The Fugitive - Nic Raine
7. Hawaii 5-0 - Mike Townend
8. Hercules: The Legendary Journeys - Nic Raine
9. The High Chaparral - Nic Raine
10. Highway To Heaven - Derek Wadsworth
11. Hill Street Blues - Derek Wadsworth
12. The Hitchhikers Guide To The Galaxy - Mark Ayres
13. The Incredible Hulk - Derek Wadsworth
14. Jason King - Mike Townend
15. Jesus Of Nazareth - Paul Bateman
16. Joe 90 - Derek Wadsworth
17. Johnny Staccato - Derek Wadsworth
18. Knight Rider - Derek Wadsworth
19. Kojak - Mike Townend
20. L.A. Law - Derek Wadsworth
21. Land Of The Giants - Nic Raine
22. Little House On The Prairie - Derek Wadsworth
23. Lonesome Dove - Nic Raine
24. Lost In Space - Nic Raine
25. Lou Grant - Derek Wadsworth

Tracks:

1. Magnum, P.I. - Derek Wadsworth
2. A Man Called Ironside - Mike Townend
3. The Man From U.N.C.L.E. - Derek Wadsworth
4. M*A*S*H - Nic Raine
5. Miami Vice - Mark Ayres
6. Mike Hammer - Derek Wadsworth
7. Mission Impossible - Mike Townend
8. Monty Python's Flying Circus - Nic Raine
9. The Munsters - Derek Wadsworth
10. Murder She Wrote - Derek Wadsworth
11. Newhart - Derek Wadsworth
12. North And South - Derek Wadsworth
13. Northern Exposure - Derek Wadsworth
14. NYPD Blue - Mark Ayres
15. The Outer Limits - Nic Raine
16. Perry Mason - Mike Townend
17. The Persuaders - Mark Ayres
18. Peter Gunn - Mike Townend
19. Police Squad - Nic Raine
20. The Prisoner - Mike Townend
21. Quantum Leap - Derek Wadsworth
22. Randall And Hopkirk (Deceased) - Mike Townend
23. Red Dwarf - Mark Lambert
24. The Rockford Files - Mike Post
25. Roseanne - Dan Foliart

Tracks:

1. The Saint - Mike Townend
2. Seaquest DSV - Nic Raine
3. Space 1999 - Derek Wadsworth
4. Star Trek - Mike Townend
5. Star Trek: Deep Space Nine - Derek Wadsworth
6. Star Trek: Voyager - Nic Raine
7. St. Elsewhere - Derek Wadsworth
8. The Streets Of San Francisco - Nic Raine
9. Stingray - Barry Gray
10. Taxi - Derek Wadsworth
11. Thunderbirds - Derek Wadsworth
12. Thirty Something - Derek Wadsworth
13. The Time Tunnel - Nic Raine
14. Tinker, Tailor, Soldier, Spy - The Philharmonia Orchestra
15. The Twighlight Zone - Nic Raine
16. Twin Peaks - Derek Wadsworth
17. U.F.O. - Derek Wadsworth
18. The Virginian - Nic Raine
19. Voyage To The Bottom Of The Sea - Nic Raine
20. Wagon Train - Paul Bateman
21. The Waltons - Jerry Goldsmith
22. The Wild Wild West - Derek Wadsworth
23. Young Riders - John Debney
24. Xena: The Warrior Princess - Paul Bateman
25. The X-Files - Mark Ayres

Customer Reviews:

Two tracks I really like.......2007-07-21

The Mission Impossible theme is performed well.
The Fireball theme is actually much improved on this version. I prefer the orchestra and the vocals over the original.

Quantity Over Quality.......2007-01-15

As a musician myself, I know too well that one of the most important ingredients in ANY performance (live or recorded) is passion. The recordings here generally lack the same passion and sheer drama of the originals. Much of the instrumentation has been reduced to a cheezy, thin, plastic synthesized replica. The performances are simply a watered-down lackluster version of the classic originals. If it were not for the sheer volume of tracks compiled here, I would have rated the comp only "one star".

Mediocre.......2006-05-17

The sound quality for this collection isn't much better than the samples offered by Amazon.

One Hundred Greatest TV Themes.......2005-08-06

I have watched almost all the shows that are on these 4 cd's. Many were made before I started watching TV. Most I've seen once or twice before.

Pretty close to original recordings.......2005-07-24

Definitely not as good as the originals. You'll probably notice the slight differences since it's stuff you saw and listened to every week or everyday in reruns growing up, but it's still an amazing collection.

Average customer rating: Great literature... but thats about it Essential listening. Captivating! Lofty music Slow down Maestro !

Beyond Chant: Mysteries Of The Renaissance Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Gibbons, Orlando | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lassus | Lassus, Orlando di(Lasso) | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sweelinck | Sweelinck, JanPieterszoon | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Voices Of Ascension: From Chant To Renaissance The Greatest Choral Music of Palestrina: Prince of Music Duruflé: Requiem Op.9/Messe Cum Jubilo,Op.11 Josquin Desprez: Motets & Chansons Mysteries Beyond: Songs and Chants in Praise of Mary ASIN: B0000006ZN Release Date: 1994-05-23

Tracks:

1. Sicut Cervus
2. Ave Maria
3. Justorum Animae
4. Jesu Rex admirabilis
5. Exultate Deo
6. Exultate Justi
7. Jesu,Dulcis Memoria
8. Ave Verum Corpus
9. Psalm 90
10. Psalm 96
11. Hodie Christus Natus Est
12. O Maria Virgo Pia
13. Tu Pauperum Refugium
14. O Sacrum Convivium
15. If Ye Love Me,Keep My Commandments
16. Hosanna To The Son Of David
17. O Quam Gloriosum
18. Selig sind die Toten
19. Heu Nos Miseros
20. Exaltabo Te
21. O Sing Joyfully
22. O Magnum Mysterium
23. Laudate Nomen
24. Cantate Domino

Amazon.com

Go right to the first track and prepare for one of the most masterful and stylish performances of Palestrina that you'll ever hear. It's not flashy music nor is the singing especially virtuosic, but the unified phrasing, ideal balance among sections, and overall ensemble technique is impressive, and Palestrina's little motet simply opens and displays itself like a beautiful flower. The rest of the program, which includes a variety of beautiful flowers from composers such as Josquin, Sweelinck, and Tallis, maintains the same standard. Anyone looking for an introduction to Renaissance sacred choral music will find much here to encourage further exploration--standards like Byrd's "Ave verum corpus" and Victoria's "O magnum mysterium"-- and lesser known tiny masterpieces such as Victoria's "Jesu, dulcis memoria." The Voices of Ascension ranks with the world's finest choirs, and this recording reflects both the highest standard of choral singing and the highest standard of choral composition during the Renaissance. --David Vernier

Customer Reviews:

Great literature... but thats about it.......2007-06-17

This cd was mildly dissapointing, to say the least. The literature is fantastic. Some of the greats are featured on here with some of their best works. No doubt a great taste of the Renaissance, especially for someone new to it. However, I'm sorry to say that the performance is second-rate, at best. Dennis Keene apparently is either unaware, or just simply understudied when it comes to the Renaissance. He shows an incredible lack of messa di voce, which was what drove the counterpoint of the Renaissance. His interpretations rob this music of its deeply personal purpose. I would suggest the Hilliard Ensemble over any ensemble for Renaissance literature, and find it dissapointing that so many people praise such emotionless, understudied Renaissance ensembels such as the Voices of Ascension, the Tallis Scholars, and the Oxford Camerata, just to name a few. Very good literature... But always pick the Hilliard Ensemble or Anthony Rooley's Consort of Musike when you have the option. It seems like Paul Hillier and Anthony Rooley are the only two true Renaissance scholars currently conducting ensembles.

Essential listening........2007-03-05

This was my first CD of Renaissance choral music, as it undoubtably has been for a great many people. It offers the best possible introduction to the genre for 2 main reasons: 1. No other CD of Renaissance choral music contains such a varied cross-section of early to late Renaissance sacred music styles. 2. The performance and recording quality are fabulous.

Keene uses a variety of different voicings and numbers of singers according to the needs of each particular piece, sometimes with only 2 on a part. The ensemble heard on this recording is a select professional core of The Voices Of Ascension, one of the best choral groups in the country. The voices are all very rich and resonant, and the intonation through the entire CD is unquestionably on par with the best in the world. The singing is, for the most part, completelly vibratoless and extremely smooth, which creates a gorgeous purity that allows this music to shine. However, it does become strident at times, which may put off some choral conductors who are strongly against straight-tone singing.

Of particularly high quality and beauty are the Viadana "Exultate Justi", Byrd's "Ave Verum Corpus", Tallis' "O Sacrum Convivium", and the Victoria and Sweelinck pieces. Another extraordinary track is Leonardo Leo's "Heu Nos Miseros", a late Baroque piece included because of its influence from earlier styles. It is a 9 part double choir piece full of extravigant dissonances and emotion, performed breathtakingly.

Captivating!.......2006-04-12

I was christened as a choral music fan once, as a college student, I heard the music of the Cambridge Singers. Inundated with classical music for years, how could I never have heard such music?! It was as if my musical senses were born anew: for it was with the same awe as a child encountering the world for the first time, that I discovered this novel and fascinating world of a cappella choral music. There were landmark discoveries along the way: Choir of Trinity College, Cambridge; Concordia Choir; St. Olaf Choir; the Dale Warland Singers; the Kansas City Chorale; Kantorei; the West Coast Mennonite Chamber Singers...and (as you expected!) I must end with the Voices of Ascension. The clarity of their pure voices can only be paralleled by the Choir of Trinity College, Cambridge. Chant haters, do not avoid this CD - you will find no chants here! Chants hold absolutely NO intrigue for me and I cannot endure listening to them for long periods of time. By contrast, this music, aptly named "Beyond Chant," truly does uncover hidden musical treasures of the Renaissance for those who would ordinarily avoid such music. The intricately woven a cappella harmonies are captivating and satisfying. I highly recommend this CD to all choral music fans.

Lofty music.......2005-10-14

Some of the earliest pieces of Christian music are the various kinds of chant. These hearken back to synagogue singing; there were various kinds of chant, including Gregorian, Old Roman, Mozarabic, Cistercian and Anglican chant. These tend toward the monophonic, singing with a single 'tune' or lone. They are generally without regular beats or set meters. However, in the Renaissance, monophonic chant grew into a polyphonic form, and this is one of the most glorious eras of music. (My shelves at home are filled with CDs of this sort.) Composers in this era include many represented on this disc - Palestrina, Desprez, Victoria, Lassus, Byrd, Gibbons and Tallis were some of the leading lights of the time. Lesser known but still glorious include Tye, Viadana, Sweelinck, Hassler, Batten and Schutz.

One of the interesting features of this disc is that it includes three pieces by Sweelinck, two psalm settings and 'Hodie Christus Natus Est'. (Sweelinck is very under-represented in recording and performance today). Some pieces are very well known - Byrd's 'Ave Verum Corpus' is perhaps one of the most familiar pieces from this period, as is Palestrina's 'Exultate Deo'. This is a collection that draws from the breadth of the Western Christian tradition of music from this time, with composers from Britain, Italy, the Netherlands, France, Germany, and Spain.

The composers here wrote liturgical music for Masses and other worship services, as well as other pieces - motets and other kinds of new music. This disc represents music that is two or three steps removed from plainsong and basic forms of chant - some are quite a bit distant. Viadana's composition for 'Exultate Justi', for example, was actually composed later, and despite being done in a more Renaissance style, shows decided influences of the Baroque (this might also be part of the performance of the Voices of the Ascension that gives this impression).

The Voices of Ascension, under the direction of Dennis Keene, grew out of the choir of the Church of the Ascension in New York City. Many of the singers are active soloists in addition to being part of this group (whose numbers vary, but often around 40). Keene is a conductor, organist and teacher (not an uncommon combination). Trained at Juilliard, he has led the Voices of Ascension through many outstanding recordings and performances.

This is a performance that is definitely uplifting, and a good collection of music in its breadth to introduce the glories of Renaissance polyphony to those who with little exposure to it. The recording quality is very good, and the choir is quite full and well suited for the music. Some have commented upon the tempo, but this was not a concern for me, and did not stand out as unusual or a problem upon listening (indeed, there were a few points at which I might wish for it to be a bit faster, rather than slower).

A collection that soars!

Slow down Maestro !.......2004-01-04

Another reviewer writing about another album by Dennis Keene wrote:

"Yet the performance is not the slowly flowing honey usually served up by, say, the Tallis Scholars (as good as that is). Particularly in the Gloria and Credo of the Mass, Dennis Keene deliberately de-emphasizes the rise and fall of the different voices' lines in favor of a more naturally speech-like declamation of the long Latin texts. This means a surprisingly fast tempo--and some rhythmic spring and syncopation one might not expect in Palestrina. Some (not all) of the motets get a similar treatment: it works well in joyous pieces like the Pentecost motet Dum complerentur, but listeners might miss that melodic rise and fall in some of the slower works. The singers of Voices of Ascension are quite skillful, and the slight edge in their tone helps make the different melodies unusually audible. Very worthwhile, but not your father's Palestrina."

As a matter of fact, I used to like this album quite much although it was certainly not my favorite. That was until I listened to Robert shaw's "O Magnum Mysterium", which is amedley of Renaissance, negro spiritual, Russian and Western contemporary religious music. I was struck by Shaw's profoundly spiritual interpretation of the pieces by Victoria and Tallis that are also recorded on "Beyond Chant".

From then on I could no longer listen to this cd without feeling feeling increasingly dissatisfied. I tried to find a precise reason and not being a music specialist I was quite at a loss until I found the review above. Maybe the quick tempo is the key to my dislike.

I definitely feel that Dennis Keene and his singers do not have the depth of the Robert Shaw Festival Singers although the booklet accompanying the cd claims that the audience was spellbound by their performance, which took place in a cathedral in New York.

You may have a more gratifying experience if you buy a cd by the Tallis Scholars, Robert Shaw ("O Magnum Mysterium"), Pomerium(see their wonderful "Book of Hours") or even by the French countertenors and baritones of the Organum Ensemble ("Missa Pange Lingua").

Average customer rating: Perfect Release of a two-fer Finally "Alone" on CD! Terrible sound and terrible packaging JUDY AT HER BEST with SPECTACULAR SOUND! Garland the Great

Judy in Love & Alone Judy Garland Manufacturer: S&P Records ProductGroup: Music Binding: Audio CD Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Miss Show Business/Judy That's Entertainment!/I Could Go on Singing The Best of the Capitol Masters: The London Sessions The Letter Live in Paris ASIN: B0000641C8 Release Date: 2002-04-23

Tracks:

1. Zing! Went The Strings Of My Heart
2. I Can't Give You Anything But Love
3. This Is It
4. More Than You Know
5. I Am Loved
6. I Hadn't Anyone Till You
7. I Concentrate On You
8. I'm Confessin' (That I Love You)
9. Do I Love You?
10. Do It Again
11. Day In-Day Out
12. By Myself
13. Little Girl Blue
14. Me And My Shadow
15. Among My Souvenirs
16. I Gotta Right To Sing The Blues
17. I Get The Blues When It Rains
18. Mean To Me
19. How About Me
20. Just A Memory
21. Blue Prelude
22. Happy New Year
23. Then You've Never Been Blue (bonus track)

Customer Reviews:

Perfect Release of a two-fer.......2004-11-20

The person who wrote the review below is wrong : the "Alone" album was recorded and released in mono sound, in 1957. "Judy in Love" was Garland's first album recorded and released in stereo, in 1958.

The sound on this disc is spectacular. The original session tapes were used, for the best sound possible. It is glorious sound here, folks.

Pehaps the person that wrote the review below is thinking of the previous two-fer of "Judy in Love" from England, a few years back, paired with the "Judy" album. That CD sounded very flat and dry.

Get this new and improved disc, and you'll love it.

Finally "Alone" on CD!.......2003-10-01

I just received this Judy "double bill" and I can only say it's GREAT!! "Alone" was always one of my favorite Judy albums, and I am more than pleased to have it on CD now. The sound is not stereo, as another reviewer point out, but it never was recorded in stereo. I have the old vinyl, and that's mono too, but also pretty worn, after all these years. The liner notes actually are pretty good too. The original covers are reproduced, with the original liner notes reprinted, AND some fresh liner notes about this re-issue. There, you can read that the "alone" recordings are from 1957, and that "Judy in Love" is from 1958, and was her first stereo album for Capitol.

So why is "alone" my favorite Judy album? Maybe simply because it was one of my first encounters with Judy, when I was 17 years old. I didn't realize at the time that the selection of songs is pretty unusual. It's not the repertoire she sang a lot in her live and TV shows. I love the mostly subdued pathos on this album, although she does belt it out occasionally, in her own inimitable way. The songs are about 'surviving on your own', and some times about finding your inner strength, in a bittersweet way. The album is not very cheerful, but it does make me feel good, in a sentimental way. The arrangements are very good, just right, in the 'proper' fifties style. The strings have a very warm quality, which wasn't always the case in those days. There is also a beautiful large choir singing in the background on some tracks.
Some of the songs are very unknown, which makes this album special too. Happy New Year, for instance, is a beautiful torch song, written over a very slow version of Old Lang Syne in minor key; a real gem of a song! Blue Prelude is also a great song, so don't be discouraged by the titles you may not know.
All in all, a 'must have' for any Judy fan, but also a wonderful introduction if you want to get acquainted with Judy's singing. "Judy in Love" is an excellent example of her warm joyful singing, while "Alone" gives you all those wonderful torch songs. A balanced package, with a passionate Judy in great voice!!

Terrible sound and terrible packaging.......2003-06-27

Let me rant. This CD has 2 albums on it. 1 is mono and the other stereo!? I have these albums on records and they are both stereo. I feel ripped off. Also, these albums do not sound anywhere like the records in quality. In fact, they sound very boring and lacking of any sort of life. Judy did very big, exciting production numbers and the sound on this CD makes them sound stale and dead. I returned this CD and demanded my money back. The store clerk said I wasn't the only one. Thumbs way down.

JUDY AT HER BEST with SPECTACULAR SOUND!.......2002-05-11

JUDY IN LOVE is perhaps Garland's greatest studio album. A superb collaboration with Judy in wonderful voice, and arranger Nelson Riddle at the top of his form. Inexplicably, this album is only now making its CD debut in the U.S. Capitol Records seemingly had no interest in releasing it themselves, so they've sublicensed it to S&P Records, who have done a terrific mixing and remastering job. Comparing the sound to a recent UK import is overwhelmingly impressive. The UK release sounds mediocre, and this new issue belies its having been recorded 44 years ago.
JUDY IN LOVE is paired with her monaural ballad album ALONE, which was arranged and conducted by Gordon Jenkins. The two albums together are a distinct contrast and yet only show the versatility and mastery of Garland. The highlight of the ALONE tracks is Jenkins' schmaltzy, yet irresistable I'VE GOT A RIGHT TO SING THE BLUES. ALONE was previously issued on CD by Capitol years ago, but has been long out of print, so this collection is a dream come true for Garland fans.

The 5 Star rating is for the recordings and the way they've been beautifully produced. It does not, however, represent a true rating for the package itself, which has been saddled with awful,
amateurish liner notes which are so poorly written that it's a blatant insult to Garland. What a shame the producers who took such care in creating such a great sounding album, didn't bring the same kind of excellence to the accompanying package. This should not detract anyone from buying this CD, but buyers looking for an interesting commentary on the legendary lady and these specific tracks will have to go elsewhere.

Garland the Great.......2002-05-02

A beautiful compilation of two classic, original "Judy" albums. These are two of the six studio albums she recorded for Capitol in the fifties, and these are probably the best. While Judy's vocal tone is not at its best on "Judy in Love", the song selections and her interprative genius make up for the slight vocal imperfections. "More Than You Know", "I Am Loved" and "By Myself" are absolute delights, and are clearly definitive versions of these songs. In addition, the ballads shine with passion and tenderness. "Alone" is mostly filled with similarly tender songs, and on this one Garland is in fine, full voice throughout. "Little Girl Blue" is a particular standout, and the addition of the never before released "Then You've Never Been Blue" is a special treat for fans and newcomers. Popular singing doesn't come any better than this.

Average customer rating: another winner from Naxos awesome value -- 5+ stars

Discover Early Music Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dufay | Dufay, Guillaume | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gesualdo | Gesualdo, Carlo | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Hildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lassus | Lassus, Orlando di(Lasso) | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Obrecht | Obrecht, Jacob | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Taverner | Taverner, John | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Chansons | Vocal Non-Opera | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Lieder | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music General | Instructional | Miscellaneous | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dufay, Guillaume | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gesualdo, Carlo | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Hildegard of Bingen | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Lassus, Orlando di(Lasso) | ( L ) | Composers, A-Z | Classical Music Blowout | Stores | Music Obrecht, Jacob | ( O ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tallis, Thomas | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Taverner, John | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Discover Music of the Baroque Era Discover Music of the 20th Century Discover Music of the Classical Era Discover: Music of the Romantic Era The World of Early Music ASIN: B000B6N6BI Release Date: 2005-11-01

Tracks:

1. Antiphona Post Evangelium - In Dulci Jubilo
2. Versus Alleluiatici: Adorabo - Nova Schola Gregoriana
3. Ordo Virtutum: Procession - Oxford Camerata
4. Viderunt Omnes - Tonus Peregrinus
5. Fines Terre Salutare Dei Nostri Jubilate Deo Omnis Terra (Plainchant) - Tonus Peregrinus
6. Notum Fecit - Tonus Peregrinus
7. Dominus - Tonus Peregrinus
8. Salutare Suum Ante Conspectum Gentium Revelavit - Tonus Peregrinus
9. Justitiam Suam (Plainchant) - Tonus Peregrinus
10. Gaudete Christus Est Natus - Oxford Camerata
11. Cantiga De Santa Maria - Michael Posch
12. Exiit Diluculo - Unicorn Ensemble
13. Humils Forfaitz - Michael Posch
14. Adieu Ces Bons Vins De Lannoys - Michael Posch
15. Non Avra Ma'Pieta Questa Mia Donna - Michael Posch
16. Non Ara May Pieta Questa Mia Dona - Michael Posch
17. Veni Creator - Tonus Peregrinus
18. D'Ung Aultre Amer - Capilla Flamenca
19. Alleluya - Capilla Flamenca
20. El Grillo - Shirley Rumsey
21. El Grillo - Capilla Flamenca
22. Missa 'La Sol Fa Re Mi': Kyrie - Capilla Flamenca
23. Le Chant Des Oiseaux - The Scholars Of London
24. Passe & Medio/Den Iersten Gaillarde - Capilla Flamenca
25. Den III Ronde, Den VI Ronde-Les Quatre Branles - Convivium Musicum Gothenburgense
26. Gaillarde I, II, III - Convivium Musicum Gothenburgense

Tracks:

1. In Nomine - Rose Consort Of Viols
2. In Nomine No.20 - Rose Consort Of Viols
3. Spem In Alium - Oxford Camerata
4. Sanctus - Oxford Camerata
5. Du Fond De Ma Pensee - Christine Morel
6. The King Of Denmark's Galiard - Rose Consort Of Viols
7. Flow, My Tears - Dorothy Linell
8. Greiner Zancker - Ensemble Villanella
9. Stat ('Tsaat) Ein Meskin - Ensemble Villanella
10. Tiento - Shirley Rumsey
11. Tribulationem Et Dolorem - Oxford Camerata
12. Lagrime Di San Pietro: 'Il Magnanimo Pietro' - Bo Holten
13. Missa 'Susanne Un Jour': Kyrie - Oxford Camerata
14. Beau Le Crystal - The Scholars Of London
15. Missa 'O Magnum Mysterium': O Magnum Mysterium - Oxford Camerata
16. Missa 'Papae Marcelli': Kyrie - Oxford Camerata

Customer Reviews:

another winner from Naxos.......2007-02-21

This is another winning compilation from Naxos. My only comment is to provide a heads-up regarding the track list in the booklet. CD 1 puts the Leonin "Viderunt Omnes" on six tracks, while the booklet leaves room for only one. Thus, add five to booklet tracks five through 21 for CD1 to get them to match. (I.e., where the booklet says tracks 15 and 16 are two versions of Josquin's "El Grillo," your CD player will show them to be tracks 20 and 21.) With luck this will be corrected in later printings.

Also, I would have liked the booklet to include the words, but perhaps that is an inducement to get particular CDs from Naxos.

As for the music itself--breadth of selection, musicianship, sound quality, all are excellent. A great collection!

awesome value -- 5+ stars.......2006-07-15

I'm really enthusiastic about these CDs and booklet. I've had it for a few weeks now, in which I've explored Medieval and Renaissance music much more deeply than this little book and CD set. Yet I'm very glad I started with these.

The selection of composers gives an excellent, broad sweep across several centuries.

But the booklet contains one of the most informative essays I've found about early music, and I've spent a few dozen dollars buying books. If the booklet were separated from the CDs, it alone would be worth more than $10.

In short, if you're interested in exploring early music, this really is one of the best places to start; the best place that I know of. I'm sure, at any rate, that you can't beat the value.

Average customer rating: Susan Graham is a True Recitalist

Susan Graham at Carnegie Hall Manufacturer: Warner Classics ProductGroup: Music Binding: Audio CD All Works by Berg | Berg, Alban | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn) Susan Graham - Mozart & Gluck Arias ~ Il tenero momento Artist Portrait: Susan Graham Susan Graham ~ Berlioz - Les nuits d'été Poèmes de l'Amour ASIN: B0000AOVT4 Release Date: 2003-10-07

Tracks:

1. Zigeunerlieder, Op.103
2. Zigeunerlieder, Op.103
3. Zigeunerlieder, Op.103
4. Zigeunerlieder, Op.103
5. Zigeunerlieder, Op.103
6. Zigeunerlieder, Op.103
7. Zigeunerlieder, Op.103
8. Zigeunerlieder, Op.103
9. Proses Lyriques
10. Proses Lyriques
11. Proses Lyriques
12. Proses Lyriques
13. Seven Early Songs
14. Seven Early Songs
15. Seven Early Songs
16. Seven Early Songs
17. Seven Early Songs
18. Seven Early Songs
19. Seven Early Songs
20. Quatre Poemes De Guillaume Appollinaire
21. Quatre Poemes De Guillaume Appollinaire
22. Quatre Poemes De Guillaume Appollinaire
23. Quatre Poemes De Guillaume Appollinaire
24. Vois-Tu, Je M'en Veux (Les P'tites Michu)
25. J'ai Deux Amants (L'amour Masque)
26. C'est Ca La Vie, C'est Ca L'amour (Toi C'est Moi)
27. A Chloris
28. Fantoches
29. Liebst Du Um Schonheit (Ruckertlieder)
30. Sexy Lady

Amazon.com

Susan Graham has firmly established herself as one of our leading mezzos in opera and recital. Her voice, infinitely varied, perfectly focused, and produced, has the mellow glow of burnished bronze, but at the top she narrows her vibrato to give it a brighter, more intense quality. This live recording of her Carnegie Hall concert last April combines total vocal control with the spontaneity and excitement of a performance--complete with audience reactions--and displays her stylistic versatility, her charm, expressiveness, and communicative projection to brilliant advantage. The program features two German song cycles and several groups from her signature French repertoire. Brahms' "Gypsy Songs," one of his numerous Hungarian-influenced compositions, use texts derived from Hungarian folksongs and deal essentially with love and yearning. Graham captures all their changing moods, from melancholy to exuberance, making the last one soar ecstatically, but sometimes loses their simplicity in mannerisms and over-inflection. Alban Berg's "Seven Early Songs" on texts by various poets, written long before he became an atonalist, are super-romantic, amorous, dramatic; only the two final ones harbor hints of his future style. They are sung with rapturous inwardness. Four songs by Debussy on his own descriptive, pensive verses are calm, dreamy, mellow, caressing; four by Poulenc on poems of Apollinaire are satirical parodies; one is a bravura patter-song. Two songs by André Messager and one by Moises Simons, taken from their operettas, are basically cabaret songs and grand fun; they give Graham a fine opportunity to show the lighter side of her artistry. The encores include a serious song by Reynaldo Hahn, a humorous one by Debussy, Mahler's "Liebst du um Schönheit," a love song he wrote for his wife, and the first performance of a song written for Susan Graham by Ben Moore: a hilarious spoof on the fate of a mezzo condemned to sing trouser roles--with quotes from them--when she longs to be a "Sexy Lady." --Edith Eisler

Customer Reviews:

Susan Graham is a True Recitalist.......2004-12-16

Though not usually one for true live recordings that include audience applause and response, SUSAN GRAHAM AT CARNEGIE HALL works well on every level. Not only is she in top form (as is her collaborator Malcolm Martineau at he piano) vocally and interpretatively, she demonstrates here an obvious rapport with her audience that is magical.

The repertoire here could not be more varied - and successful in every portion of this recital. Graham's voice has that ability to move from her usual mezzo soprano range into the lyric/spinto range with the greatest of ease. The Brahms 'Zigeunerlieder' are full of zest and sparkle. The Debussy 'Proses lyriques' are sensually liquid and Graham's French diction is as perfect as it gets: the Poulenc cycle feels so very natural for all its underlying difficulties. The too rarely heard Berg 'Sieben fruhe Lieder' are elegant and involved and the Messanger and Simons highlight Graham's ease of strolling through unknown works, making them sound so familiar.

Encores are included and for once "thank goodness!" Susan Graham has a special affinity for Reynaldo Hahn and she has mad 'A Chloris' her very own. For the Mahlerites she offers 'Liebst du um Schonheit' (including a comment to the audience) and a Debussy song and a witty ditty written for her by Ben Moore - just for fun.

The audience fortunate enough to have been present during this live recording on April 14, 2003 have now a living memento. For the rest of us that magic is fully contained on this very special recording. Grady Harp, December 2004

Average customer rating: great pianist!!!! Yesterday Francois would be celebrating his eighty-two anniversary

Debussy & Ravel: Piano Works - Samson Francois (6 CD's) Samson Francois , Claude Debussy , and Maurice Ravel Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music Pavanes | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Chopin: Piano Works, Vol. 3 Debussy, Ravel: Orchestral Works Beethoven - The Complete String Quartets / Alban Berg Quartet Liszt: Works for Piano and Orchestra Clara Haskil: Philips Recordings, 1951-1960 ASIN: B0002RUAEM Release Date: 2004-11-02

Tracks:

1. 1. Danseuses De Delphes
2. 2. Voiles
3. 3. Le Vent Dans La Plaine
4. 4. Les Sons Et Les Parfums Tournent Dans L'Air Du Soir
5. 5. Les Collines D'Anacapri
6. 6. Des Pas Sur La Neige
7. 7. Ce Qu'a Vu Le Vent D'Ouest
8. 8. La Fille Aux Cheveux De Lin
9. 9. La Serenade Interrompue
10. 10. La Cathedrale Engloutie
11. 11. Danse De Puck
12. 12. Minstrels
13. 1. Brouillards
14. 2. Feuilles Mortes
15. 3. La Puerta Del Vino
16. 4. Les Fees Sont D'Exquises Danseuses
17. 5. Bruyeres
18. 6. General Lavine (Eccentric)
19. 7. La Terrasse Des Audiences Au Clair De Lune
20. 8. Ondine
21. 9. Hommage A S. Pickwick Esq. P.P.M.P.C.
22. 10. Canope
23. 12. Feux D'Artifice

Tracks:

1. 1. Reflets Dans L'eau
2. 2. Hommage A Rameau
3. 3. Mouvement
4. 1. Cloches A Travers Les Feuilles
5. 2. Et La Lune Descend Sur Le Temple Qui Fut
6. 3. Poissons D'or
7. Reverie
8. 1. Andantino
9. 2. Allegretto Scherzando
10. La Plus Que Lente, Valse
11. 1. Pour Les Degres Chromatiques
12. 2. Pour Les Agrements
13. 4. Pour Les Sonorites Opposees
14. 5. Pour Les Arpeges Composes
15. 6. Pour Les Accords
16. Masques
17. L'Isle Joyeuse
18. Berceuse Heroique

Tracks:

1. 1. Doctor Gradus Ad Parnassum
2. 2. Jimbo's Lullaby
3. 3. Serenade For The Doll
4. 4. The Snow Is Dancing
5. 5. The Little Shepherd
6. 6. Golliwogg's Cake-Walk
7. 1. Pagodes
8. 2. La Soiree Dans Grenade
9. 3. Jardins Sous La Pluie
10. 1. Prelude
11. 2. Menuet
12. 3. Clair De Lune
13. 4. Passepied
14. 1. Prelude
15. 2. Sarabande
16. 3. Toccata

Tracks:

1. 1. Allegramente
2. 2. Adagio Assai
3. 3. Presto
4. Lento/Allegro
5. 1. Pavane De La Belle Au Bois Dormant - Pierre Barbizet
6. 2. Petit Poucet - Pierre Barbizet
7. 3. Laideronnette, Imperatrice Des Pagodes - Pierre Barbizet
8. 4. Les Entretiens De La Belle Et De La Bete - Pierre Barbizet
9. 5. Le Jardin Feerique - Pierre Barbizet

Tracks:

1. Pavane Pour Une Infante Defunte
2. 1. Modere, Tres Franc
3. 2. Assez Lent
4. 3. Modere
5. 4. Assez Anime
6. 5. Presque Lent
7. 6. Vif
8. 7. Moins Vif
9. 8. Epilogue: Lent
10. Prelude
11. Jeux D'Eau
12. Menuet Sur Le Nom D'Haydn
13. 1. Noctuelles
14. 2. Oiseaux Tristes
15. 3. Une barque Sur L'Ocean
16. 4. Alborada Del Gracioso
17. 5. La Vallee Des Cloches
18. Emmanuel Chabrier (Paraphrase Sur Un Air De Gounod)
19. Borodine

Tracks:

1. 1. Ondine
2. 2. Le Gibet
3. 3. Scarbo
4. 1. Modere
5. 2. Mouvement De Menuet
6. 3. Anime
7. 1. Prelude
8. 2. Fugue
9. 3. Forlane
10. 4. Riguadon
11. 5. Menuet
12. 6. Toccata
13. Menuet Antique

Customer Reviews:

great pianist!!!!.......2007-02-16

samson was one of the greatest pianists of the 20th century his debussy was sublime and his color palete to impresionism is unsurpassed. could someone tell me if these recordings of his debussy are the stereo ones

Yesterday Francois would be celebrating his eighty-two anniversary .......2006-05-19

Samson Francois figure has evidenced slow but increasing enhancement through the years. His notable pianism, aristocratic approach and refined phrasing are some of his virtues.

If you still do not know about this legendary artist, no itý s the time for you to convince by yourself about the supreme level occupied by him.

When he left us in 1970 at his 46, he had so much to give. The musical world remained legitimately orphan and much more vile since his premature death.

But, fortunately his legacy will live among us, every time you listen any record you acquire of this peerless musician.

His Ravel is loaded not only of notable, sensual and asserive expressiveness. If you know about some other performance able to equal his Gaspard de la nuit, please, be my guest.

His Debussy is sober, eloquent with Impresionist flair and sublime musicality.

A true artistic and a fundamental treasure in your collection.

Average customer rating: not to great Not so bad, 100 tunes for 4$ You get what you pay for. Now I know why there were no song samples to listen to ...

100 Favorite Patriotic Songs Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by MacDowell | MacDowell, Edward | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Smith, John Stafford | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: America's Favorite Patriotic Songs United We Stand: Songs for America American Pride: Sixteen Stirring Patriotic Themes America's Bugle Calls Patriotic Country ASIN: B0000A1HT8 Release Date: 2003-08-12

Tracks:

1. America the Beautiful
2. All Quiet on the Potomac Tonight
3. Ballad of the Green Berets
4. On Top of Old Smokey
5. Coyote Warrior
6. Semper Fidelis
7. Breeze from Alabama
8. Onward Christian Soldiers
9. Come Where My Love Lies Dreaming
10. Patriot
11. Sweet Betsy from Pike
12. Marines' Hymn
13. America Is
14. When Johnny Comes Marchin' Home
15. Happy the Soldier
16. American Trilogy
17. Home Sweet Home
18. Washington Post March
19. Enraptured I Gaze
20. Jeannie With the Light Brown Hair
21. Yellow Rose of Texas
22. Over There
23. Simple Gifts
24. Liberty Bell
25. Star Spangled Banner

Tracks:

1. God Bless the USA
2. Yankee Doodle Dandy
3. Katy Cruel
4. I Vow to Thee My Country
5. King Cotton
6. Beautiful Dreamer
7. America
8. American Patrol
9. Mine Eyes Have Seen the Beauty
10. Mohican Dream
11. Red, White and Blue
12. Some Folks
13. Liberty Song
14. Pomp and Circumstance
15. Hail to the Chief
16. Bennington Rifles
17. Peace on the Battlefield
18. I've Been Working on the Railroad
19. Under the Double Eagle
20. Red River Valley
21. My Country 'Tis of Thee
22. Camptown Races
23. Wild Blue Yonder
24. Hands Across the Sea
25. Fanfare for the Common Man

Tracks:

1. Stars and Stripes Forever
2. Living in America
3. Home on the Range
4. Old Colony Times
5. Clementine
6. Invincible Eagle
7. Ring Ring de Banjo
8. Yankee Doodle
9. Largo from "The New World"
10. To a Wild Rose
11. Hail Columbia
12. Alexander's Ragtime Band
13. Gettysburg
14. Carry Me Back to Old Virginny
15. Capitan
16. Prairie Daughter
17. Little Brown Jug
18. Marching Through Georgia
19. Entertainer
20. Steamboat Around the Bend
21. Revolutionary Tea
22. Cassions Keep Rollin' Along
23. Johnny Has Gone for a Soldier
24. Amazing Grace
25. Grand Old Flag

Tracks:

1. God Bless America
2. National Emblem
3. Soldier, Soldier Won't You Marry Me
4. Anchors Away
5. Oh, Susannah
6. Tramp, Tramp, Tramp
7. Toast
8. Dixie
9. St. Louis Blues
10. Appalachian Spring
11. Bonnie Blue Flag
12. Old Hundreth
13. Swanee River
14. Battle Cry of Freedom
15. U. S Field Artillery
16. Sidewalks of New York
17. Chester
18. Auld Lang Syne
19. Kingdom Come
20. My Old Kentucky Home
21. Hail to the Spirit of Liberty
22. Battle Hymn of the Republic
23. Shenandoah
24. Abraham's Daughter
25. This Land Is Your Land

Customer Reviews:

not to great.......2007-04-04

We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.

Not so bad, 100 tunes for 4$.......2005-06-22

I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.

You get what you pay for........2004-07-04

You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.

Now I know why there were no song samples to listen to ..........2004-07-04

I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.

Dance Music:

1. People Person [Explicit Lyrics]
2. Put You on the Game [CD-single] [Import]
3. Right Place, Right Time
4. Right Thurr [CD-single] [Import]
5. Saturday Night Ballin'
6. Screwed Up Inc. Presents: Underground Houston, Vol. 2 [Explicit Lyrics]
7. Screwed Up Texas Presents: Knock, Vol. 1 [Explicit Lyrics]
8. Sides [Import]
9. Sneakacydal [Explicit Lyrics]
10. Sol Power

Dance Music

dance music

Dance Music

The New Favourites of Brinsley Schwarz [Import]

Brahms: Piano Concerto No. 2 / Four Piano Pieces, Op. 119

Birdland V.2 [Import]

Tribute to Kiss: Kissin' Time [Import]

Big Sound of Johnny & the Hurr [Extra tracks] [Import]

Boss [Explicit Lyrics]

Crazy Dance

Cantos Aztecas [Live]

Bob Wills' Texas Playboys Band Recorded Live May 21, 2000 [Live]

Clasicos Latinos [Import]

Canadiana Suite [Import] [Limited Edition]

Come Away With Me: Norah Jones on Saxophone [Import]

Can't Say Goodbye, Pt. 2 [CD-single] [Enhanced] [Import]

Shaking Off the Weirdness

Movement in Still Life