| 1. Different Me | |||
| 2. Gotta Tell Her | |||
| 3. Words | |||
| 4. More from You | |||
| 5. I'm Real | |||
| 6. Stranger Than Me | |||
| 7. (I'm Gonna Learn To) Live With It | |||
| 8. Nobody But Me | |||
| 9. Terminal State | |||
| 10. Fortune Teller | |||
| 11. Greatest Gift | |||
| 12. Lonesome Hearts | |||
| 13. Sally's Eyes | |||
| 14. No Way [*] | |||
| 15. 19 [*] | |||
| 16. Charlie Was a Good Boy [*] | |||
| 17. Teenage Fever [*] | |||
| 18. Go Where You Want to Go [*] | |||
| 19. Here Comes My Baby [*] | |||
| 20. My Life [*] | |||
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See all 21 tracks on this disc
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Different,The Dogs,Universal Int'l,France,Hip-Hop,New Wave,Pop,Post-Punk,Power Pop,Punk,Rock
Average customer rating:
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Horse of a Different Color
Big & Rich Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020H916 Release Date: 2004-05-04 |
Tracks:
- Rollin' (The Ballod Of Big & Rich)
- Wild West Show
- Big Time
- Kick My Ass
- Six Foot Town
- Holy Water
- Saved
- Real World
- Save A Horse (Ride A Cowboy)
- Drinkin' 'Bout You
- Love Train
- Dreadwood Mountain
- Live This Life
Amazon.com
Country music had no bigger story in 2004 than the rise of the Muzik Mafia, a renegade group of Music City misfits led by Big & Rich (Big Kenny Alphin and John Rich, the latter formerly of Lonestar) and Gretchen Wilson. Both acts shook up Nashville's lethargic, formulaic format--Wilson with her take-no-bull brand of redneck chic, and Big & Rich with their eclectic, wild-haired blend of honky-tonk, rock, rap, ballad, and western, the shoot-'em-up motif for their traveling circus, i.e., Wild West show. Their debut, Horse of a Different Color, which showcases the pair's unusual high-low vocal harmony, is both funny and irreverent ("Kick My Ass"), not to mention clever. (They sing "bad word" in place of a rhyming epithet.) Boasting "music without prejudice" in their self-mythologizing "Rollin' (The Ballad of Big & Rich)," they reference Charley Pride as "the man in black," and trot out country music's first African American rapper, Cowboy Troy. Yet race turns to "racy" in the duo's hit single "Save a Horse (Ride a Cowboy)," the disc's least interesting cut. The easy laugh and rapped stanzas overshadow the smarter lyrics on the rest of the record, which concerns itself not only with frontier justice, but, surprisingly, with old-time religion (Jesus, tolerance, and in a song about sexual abuse, "Holy Water"). Like many professional funny men, Big & Rich--accomplished songwriters and (now) producers--are dead serious beneath it all. Even if this horse opera of a novelty act doesn't last, look for them to shape much of what gallops out of Nashville for a good, long run. --Alanna NashCustomer Reviews:
Novelty Not country.......2007-07-05
YeeHaw!.......2007-06-06
From the opening lines of bringing you Country Music Without Prejudice until the final notes waft away, you will be enthralled with this album. This is one of the best albums in my music collection.
Big and Rich.......2007-02-20
What a fun CD!.......2007-01-09
Horse of a different colour-Big and Rich.......2007-01-05
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A Thousand Different Ways
Clay Aiken Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HA4AAO Release Date: 2006-09-19 |
Tracks:
- Right Here Waiting
- Lonely No More
- Without You
- Every Time You Go Away
- Sorry Seems To Be The Hardest Word
- When I See You Smile
- A Thousand Days
- Everything I Do (I Do It For You)
- Because You Loved Me
- I Want To Know What Love Is
- These Open Arms
- Here You Come Again
- Everything I Have
- Broken Wings
Amazon.com
A Thousand Different Ways, the follow-up to Clay Aiken's chart-burning debut Measure of a Man, trots out the kind of material a fleet-voiced former American Idol contestant can't help having a field day with: Aiken's version of Richard Marx's "Right Here Waiting" is bathed in a smoothness that renders it arguably better than the original; his step into Celine Dion's shoes for "Because You Loved Me" sees nary a stumble (no easy feat, considering it's a vocal obstacle course of a song); and his cover of Paul Young's '80s classic "Everytime You Go Away" comes across as a clean-sounding, much-needed update. More proof that Aiken ain't fakin' when it comes to being a stylish interpreter comes courtesy of his convincing carry-off of Dolly Parton's sweet "Here You Come Again," but where he'll earn the most merit points for this disc is with its four originals--"A Thousand Days" especially. Aiken has the kind of voice that makes listeners want to scoot close to the speaker. He may be a softy, but when it comes to trapping raw emotion in song, he's become a mop-topped man of steel. --Tammy La GorceAmazon.com
The project, Aiken's first outing since 2004, combines 10 cover versions of well-known songs from the '70s, '80s and '90s with four brand-new songs. The album is a follow-up to Aiken's debut set, "Measure of a Man," which debuted at No. 1 on the Billboard album chart and is certified triple-platinum, as well as the platinum-selling "Merry Christmas with Love," the best-selling holiday album of the 2004 season.
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Customer Reviews:
If you think the CD is fantastic...........2007-07-22
WOW!!.......2007-07-07
Clay does Covers and is AWESOME again!.......2007-07-06
I love Clay.......2007-07-03
Pretty good.......2007-06-16
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They Say I'm Different
Betty Davis Manufacturer: Light in the Attic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NQR7HK Release Date: 2007-05-15 |
Tracks:
- Shoo-B-Doop and Cop Him
- He Was A Big Freak
- Your Mama Wants Ya Back
- Don't Call Her No Tramp
- Git In There
- They Say I'm Different
- 70's Blues
- Special People
- He Was A Big Freak (PREVIOUSLY UNRELEASED BONUS TRACK)
- Don't Call Her No Tramp (PREVIOUSLY UNRELEASED BONUS TRACK)
- 70's Blues (PREVIOUSLY UNRELEASED BONUS TRACK)
Album Description
Featuring a futuristic cover predating David Bowie's science fiction funk, Betty Davis crafted an inspired second album, leading with "Shoo-B Doop and Cop Him" (later sampled by Ice Cube) and made up of classic cuts like "Don't Call Her No Tramp" and the mesmerizing punk soul of "He Was A Big Freak." This was the first album Betty produced entirely by herself and she really sharpened up her songs and performances for it.This 1974 masterpiece will finally receive a long-overdue proper reissue with Part Two of Oliver Wang's liner notes and an endless array of photos and archival material, plus a number of previously unreleased bonus tracks.
Album Description
For the first time, Betty's critically adored first two albums are being lovingly re-mastered from the original master tapes by Light In The Attic Records to sound as ferocious and revolutionary as they did when they first sprung on an unsuspecting world in the early `70s. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over the intensely strong but sensual funk of Betty Davis. One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of this R&B pioneer. Ms. Davis's unique story is unlike any other in popular music. Betty wrote the song 'Uptown' for the Chambers Brothers before marrying Miles Davis in the late `60s, influencing him with psychedelic rock, and introducing him to Jimi Hendrix -- personally inspiring the classic jazz-rock fusion album Bitches Brew. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. In 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Her 1974 sophomore album They Say I'm Different features a worthy-of-framing futuristic cover challenging David Bowie's science fiction funk with real rocking soul-fire, kicked off with the savagely sexual 'Shoo-B-Doop and Cop Him' (later sampled by Ice Cube). In addition to the restoration of the incredible original cover art, the albums feature compelling and heartbreaking liner notes written by author and respected soul music scholar Oliver Wang (O-Dub/Soul Sides) and include her second interview in decades, making these essential reissues for any soul or funk-rock collection.Customer Reviews:
Betty Davis?WHOA!!!!!!!!!!!.......2007-07-03
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A Different Light
Sherwood Manufacturer: Fontana Interscope ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N4R8NU Release Date: 2007-03-13 |
Tracks:
- Song In My Head
- The Best In Me
- Middle Of The Night
- For The Longest Time
- Home
- Alley Cat
- Give Up!
- Never Ready To Leave
- The Only Song
- Alive
- The Simple Life
- A Different Light
- I'm Asking Her To Stay
Customer Reviews:
Enjoyable Album, nice lyrics.......2007-07-15
Wow! .......2007-06-24
I haven't been this addicted since I started crack........2007-05-01
Alright, I guess it needs to be a bit less vague than that. You've got four guys playing guitar, bass, drums, and keyboard. It's a set up we've seen before, but few pull it off as well as this band. The synth reminds me of a less mentally unsable Motion City Soundtrack. The lyrical content is your typical "Boy loves girl, girl does not recipricate." The amazing thing is that while they write lyrics that sound like an old Dashboard Confessional album, the delivery ends up being very much on the hopeful side.
For those who didn't download their Summer Ep for free back in June or May of last year, the only song that was not added to this album was "This Airplane is a Ribbon." That made me a bit sad because that is by far my favorite Sherwood song. "The Only Song" sounds the same to me. "Middle of the Night," "The Simple Life," and "I'm Asking Her to Stay" all sound a wee-bit different. Good different.
If I could pick out a list of stand out tracks I would. But they blend so easily that it's hard to say which ones are the best. I will say that my favorites are "Middle of the Night," "For the Longest Time," and "Alley Cat." The only song I dislike on this album is "The Best in Me," and dislike sounds like too strong of a word. There's nothing really wrong with it, but it irks me. I can't explain that. Anyway, I'd have to say that this album sound put Sherwood on the map. Is it their Everglow? Not quite. Maybe next record. But it's certainly one of my favorite of 2007.
Simply superb music.......2007-04-24
To put it simply, the music has a positive, upbeat sound and feel to it, unique and great to rock out to and sing along. It's the kind of music that you can feel in your body when you listen to it, giving you goosebumps it is so good. 5 out of 5. I'd give it a 6 if i could.
Stunning.......2007-04-22
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Reich: Different Trains, Electric Counterpoint / Kronos Quartet, Pat Metheny
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005IYU Release Date: 1990-10-25 |
Tracks:
- Different Trains: America - Before the War
- Different Trains: Europe - During The War
- Different Trains: After the War
- Electric Counterpoint: Fast
- Electric Counterpoint: Electric Counterpoint: Slow
- Electric Counterpoint: Fast
Amazon.com essential recording
Different Trains (1988) will probably go down in history as Reich's masterpiece. And deservedly so. Reich's phase-shifting minimalism is made dazzlingly entertaining in Different Trains, which is scored for string quartet and digitally sampled voices that repeat bits of speech concerning trains and Reich's experience with them growing up. The sinister part here is than some trains carried Jews to death camps. That's here as well. The Kronos Quartet has also never sounded better. Electric Counterpoint (1987) has one guitar--Pat Metheny in this case-- playing to 10 pre-recorded motifs, also on guitar. You absolutely need this. --Paul CookCustomer Reviews:
highly worthwhile.......2006-12-15
Excellent First Reich Disc.......2005-12-04
1. Holocaust themes in art are often ponderous... "Different Trains" ingeniously avoids all sorts of traps of that sort by starting us off, as it were, in the New World with technology and optimism. The darkness enters later and is all the more powerful for it. Now I think about it, this piece makes the disc a great gift for a precocious kid... if they like Pink Floyd or other broadly conceptual rock stuff they'll dig this.
2. The second "slow" movement of "Electric Counterpoint" is flat out gorgeous.
Spectacular Aural Imagery!!.......2005-05-12
Electric Counterpoint is, quite sadly, the overlooked portion of this CD for me. I am a huge Pat Metheny fan, but I look to his other CDs for his best work. I know it is my loss. . . .
Bottom Line: Whether or not you like Steve Reich and/or the Kronos Quartet, you need to give this CD a listen--it is a challenge and a delight.
not his best but worth a listen.......2004-02-28
The second work on the disc "Electric Counterpoint" almost seems as though it doesn't belong on the same disc but it's in my opinion the diamond in the rough. I have been a Pat Metheny fan long before Steve Reich and it's the main driving point in owning the disc, brilliant guitar playing.
The Fastest Train.......2004-02-18
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Different Class
Pulp Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001E8P Release Date: 1996-02-27 |
Tracks:
- Mis-shapes
- Pencil Skirt
- Common People
- I Spy
- Disco 2000
- Live Bed Show
- Something Changed
- Sorted For E's & Wizz
- F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.
- Underwear
- Monday Morning
- Bar Italia
Amazon.com
Like the Boomtown Rats fronted by Martin Amis. Classic Britpop. --Jeff BatemanCustomer Reviews:
I missed out on this years ago..........2007-04-20
The standout tracks are clearly (IMO) "Mis-Shapes", "Common People" and "I Spy". The music is rather jangly and at times has a distinctly dance-able beat. What won me over though were the lyrics. Jarvis Cocker manages to create a fantastic mental image to go along with his lyrics, which are alternately humorous and serious, occassionally silly ("Sorted for E's and Wizz") and vaguely malevolent ("I Spy"). Cocker's delivery is very basic - he doesn't have a lot of range, but he makes good use of his voice and some of the spoken parts of the songs send chills up my spine.
All in all, this is a great album. I wish that I'd given it a chance back in 1995.
One of the best albums of all time.......2006-12-08
I recently requested "Common People" at a club...and it remains an anthem of angst, brit pop, glam rock and a brillant screw-the-world perspective.
Alas, Pulp's follow-up albums were not able to come close to "Different Class". So disappointing. But it's not called a Magnum Opus for nothing. I hope frontman Jarvis Cocker's new solo album will provide some solace.
An essential recording........2006-10-24
I was looking for some music from the britpop era, (being a huge fan of Oasis, Blur, Coldplay, The Verve, etc) and a stumbled upon their greatest hits CD. I must say that the only track I really got into was "Disco 2000", the rest were OK, not great. Then, after a couple of spins of that CD (and listening to the lyrics) I started lo like them.
I got His N' Hers (I played it to death) and then this one... wow... I played three times in a row, it was an amazing experience. Jarvis Cocker knows how to create an atmosphere with each song.
Every song could have been a single, amazing lyrics (to me, this guy is one of the best lyricists in britain nowadays). The stories of typical day-life on working-class people from the UK is something that the casual listener can relate to.
I recommend this CD to everybody. It came out during the so-called britpop era (I love that genre, even though most of the bands are now defunct). I won't mention any particular track.
Get it right now, it's a piece of Britain's music history.
All around great stuff.......2006-09-14
Simply one of the finest albums you'll ever encounter.......2006-06-24
There are many musical highlights on the album, but what I find most remarkable is that there are several songs so good it makes the other songs seem bad in comparison, while one song in particular makes even the other great songs suffer in contrast. Fans will always differ on their favorites, but few will question that the album starts off strongly with "Mis-Shapes." "I Spy" is one of my favorites on the album along with "Disco 2000," which follows it. "Sorted for E's and Wizz" is another stunner. But seriously, all the songs on the disc are at least good, most are very good, and two or three are great. But the best of the bunch is unquestionably "Common People."
"Common People" is simply a great song on multiple levels. Musically it is incredibly compelling, one of those tunes that once you hear it you can't get it out of your head, with an upbeat tempo that makes you want to get up and dance around. But this would merely make it a good song; what makes it great is the story the song tells. An art school student is noticed by a fellow student, a rich girl from Greece, who declares to him that she wants to learn about what it is like to live as one of the common people. There is a definite sexual come on, as she says that she wants "to sleep with common people, like you." At this point you think you know where the song is going, to a nice if somewhat standard narrative of two people from different classes who have a romance despite it all. But the song instantly takes you in a different tangent. What follows is as extraordinary as it is unexpected. Our hero takes the girl to a supermarket and asks her to imagine being there with no money, a notion she laughs at. At this point the song turns very serious and dark, as he tears into her for her calloused desire to slum and make a game out of taking on a mode of life that is for others a fairly desperate affair. He tells her that if she is laying in a bed watching roaches on the wall she can just call her dad and her problems would be over, but to truly find out what it would be like to live like "common people" would mean learning what it means to have no choices, no outs, no control. He sings:
You will never understand
How it feels to live your life
With no meaning or control
So instead of the song of romance and love that we think we are getting at the beginning, we get an impassioned condemnation of anyone who would make light of the struggles of those who are less well off. I know of no other song like it. Pulp has done a number of really fine albums and a host of great songs, but this song has to go down as one of my all time favorites. It definitely goes onto my all time Top 40.
There are four Pulp albums that I think any serious music fan should own: HIS 'N' HERS, DIFFERENT CLASS, THIS IS HARDCORE, and WE LOVE LIFE. If one were bound and determined to own only one Pulp album, one might go with HITS, but this DIFFERENT CLASS is so good that I just can't imagine anyone not wanting this and others as well. Trust me: if you don't own this album you need to get it today. Your ears will thank you.
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A Different Kind of Pain
Cold Manufacturer: Lava ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A3DFZO Release Date: 2005-08-30 |
Tracks:
- Back Home
- Feel It In Your Heart
- Anatomy Of A Tidal Wave
- A Different Kind of Pain
- Another Pill
- Happens All The Time
- When Heaven's Not Far Away
- God's Song
- When Angel's Fly Away
- Tell Me Why
- Ocean
Album Description
"For Cold, music is..." Scooter pauses. "It's real. It's medicine. It's therapy. And I think anybody, no matter what age you are, can be affected by it." A Different Kind of Pain was recorded at Bearsville Studios in upsate New York and produced by Michael "Elvis" Baskette. The slow, driving chorus on songs like "Ocean," and "A Different Kind of Pain" belies the strife within the lyrics; and Baskette has handled it deftly.Customer Reviews:
I was amazed with this album.......2007-07-20
Excellent gota have it kinda cd.......2007-07-04
love the cd and i beleive most true rockers will agree. thanks guys for the great work, keep it up.
For anyone else this would be good but..........2007-06-21
Hit or miss.......2007-06-12
All in all, not a horrible album, but I wouldn't consider it to be good.
a good kind of pain........2007-04-12
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Twin Sons of Different Mothers
Dan Fogelberg , and Tim Weisberg Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025D3 Release Date: 1990-10-25 |
Tracks:
- Twins Theme
- Intimidation
- Lazy Susan
- Guitar Etude No. 3
- Tell Me To My Face
- Hurtwood Alley
- Lahaina Luna
- Paris Nocturne
- Since You've Asked
- The Power Of Gold
Customer Reviews:
Beautiful Album that's a Pure Pleasure to Own........2007-05-21
True, you hear several tracks from this wonderful collaberation in the halls of shopping centers and on very light stations, but I also find it easy to listen to in the car and quite romantic all at once. Weisberg's flute is a major attraction for yours truly, and Fogelberg's acoustic guitar playing compliment's his style perfectly. Best tracks are breezy "Lazy Susan," exotic Brazilian "Guitar Etude No.3," haunting "Paris Nocturne," a lovely remake of the old Judy Collins song, "Since You've Asked," and the powerful, wonderfully pretentious "Power of Gold."
If you like your music to be muzak from time to time, I definitely recommend this disc to take the edge off a lousy day or just because you're mellow. Good stuff from two talented musicians whose styles really aren't that far apart in the first place.
Twin Sons of Different Mothers.......2006-11-04
i want "Night Rider!" released on CD.......2006-09-30
NOTICE THIS!.......2006-02-06
Great job, Sony Music (Japan)!
easy listening at it's best.......2006-01-16
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The Different Story (World of Lust and Crime)
Peter Schilling Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002H78 Release Date: 1990-10-25 |
Tracks:
- The Different Story (World Of Lust And Crime)
- Major Tom (Coming Home)
- The Noah Plan
- City Of Night (Berlin)
- Lone Survivor
- Terra Titanic (Lost To The Sea)
- Zone 804
- The Hurricane (Hammers On The Shore)
- (Let's Play) U.S.A
Customer Reviews:
Not what I expected........2007-07-26
Bought This For One Song.......2007-06-27
The Different Story (World of Lust and Crime)..........2007-06-02
Five stars!
Overlooked but excellent.......2007-02-11
EXCELLENT!.......2005-11-27
I'm a huge fan of Peter Schilling and I was very happy to have ordered this CD because I have played it so much because it's such a great CD! I love the songs from start to finish and I hope to buy his 1999 German greatest hits album to go along w/ this one!
Thank you Mr. Schilling for making such great music!
Dance Music:
- Dope Money [Explicit Lyrics]
- Down South Compilation: Down in Tha Dirty - Sliced and Slowed [Explicit Lyrics]
- Fish Outta Water Remixes [Enhanced]
- Fish Outta Water Remixes [Enhanced]
- Food on Tha Table [Explicit Lyrics]
- Ghetto Musick [CD-single] [Import]
- God vs. Satan [Explicit Lyrics]
- Greatest Joints Dos [Explicit Lyrics]
- Hi-Tek [Explicit Lyrics]
- Holy Wrath
Dance Music
Miles From Our Home [Edited Version] [Clean]
Mando Michelin Brazilian Project: Live at the Action [Live]