It's About That Time

1. S.H.I.L.O

2. Ballers

3. Can You Handle It

4. All Night Long

5. It Don't Stop

6. Rollin'

7. Nice and Slow

8. It's About That Time

9. Guy Next Door

10. Holding You

11. Oh Yeah

12. You Don't Hear Me Though

13. Make Love to You

14. Change Gone Come

15. It's Too Late

16. So Wet

17. Coming Up

18. Best Kept Secret

19. Ballers [Remix] - Lil' Flip, Shilo

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Live at the Fillmore East (March 7, 1970): It's About That Time
Average customer rating:

Clarification Due

A furious barrage of free jazz and intense performances

The Lost Quintet Live - The Power & Dynamic is just AWESOME!

Miles Moves Forward

A Smokin' Performance

Live at the Fillmore East (March 7, 1970): It's About That Time
Miles Davis
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
Jazz Fusion | Jazz | Styles | Music
General | Live Albums | Jazz | Styles | Music
Pop Rock | Pop | Styles | Music
Jazz Funk | Funk | R&B | Styles | Music
Similar Items:

Dark Magus: Live At Carnegie Hall [2-CD SET]

Live-Evil

Black Beauty: Miles Davis at Fillmore West

Agharta

Pangaea

ASIN: B00005M0N2
Release Date: 2001-08-21

Tracks:

Directions
Spanish Key
Masqualero
It's About That Time/The Theme

Tracks:

Directions
Miles Runs The Voodoo Down
Bitches Brew
Spanish Key
It's About That Time/Willie Nelson

Amazon.com

Miles Davis took the stage of New York's Fillmore East with five other players on March 7, 1970. Leaning heavily on the soon-to-be-released Bitches Brew and looking back no further than 1962's "Masqualero," they rumbled, squawled, and stomped through two sets that might have surprised even fans of Davis's new rock-influenced sound. At times edgier than even the challenging Brew, the music was nonstop, polyrhythmic, and crashing while remaining groove-oriented. With Miles blowing one aggressive solo after another, saxophonist Wayne Shorter and drummer Jack DeJohnette rise to the moment while providing reminders of the angular sound of the '60s trio. While "Bitches Brew" itself appears in a drastically shortened but still relatively hushed treatment, the first of two versions of "It's About That Time" breaks away from In a Silent Way's midtempo meditation into full-tilt tumult. These 90 minutes capture Miles headed in the direction of Jack Johnson, stopping to give the rock audience a glimpse of himself working at another peak. --Rickey Wright

Customer Reviews:

Clarification Due.......2007-07-28

Firstly, this double cd IS scorching. The powers that be who didn't release this record for 31 years should be imprisoned for aural robbery.This is by far the best document of this band (including the grossman stuff) I think this is one of the farthest OUT playing Miles has just about ever done (along with the cellar door, agartha) For those reviewers on here who compare this set to Bitches Brew, you must understand this set is an entirely different beast. Bitches Brew was pieced together in the studio and the drumming is very different. Bitches Brew, while not being a "Live" take, had a much more patient feel to it. This music is set apart by Jack Dejohnette. He plays particularly loose on alot of the tracks and it makes the entire band float. Airto only adds to the polymetric, pulse driven energy music. For a while I was surprised at how incredibly loose the approach is, and on repeated listens it continues to gratify. Check out the DVD, Miles Daves:A Different Kind of Electric Blue (? title) on DVD for a set of this band at the Isle of White festival.

A furious barrage of free jazz and intense performances.......2006-09-07

This live March 7, 1970 release is burning hot and intense. Oddly enough, Miles was warming up for the Steve Miller Blues Band and Neil Young and the response from the audience is halfhearted and lukewarm. It seems likely that fans of the comparatively more straightforward material of those two bands were in no way shape or form prepared for this wild barrage of free jazz, jazz-rock, and unfettered experimentation. It's too bad too - this is easily the best set I have heard from this period of Miles (1969-1971) and reinforces in my mind the incalculable impact he had on music.

Alongside Miles (trumpet) is a virtual who's who of the jazz rock scene: Chick Corea (Fender Rhodes electric piano); Jack DeJohnette (drums); Dave Holland (electric bass guitar and acoustic bass); Wayne Shorter (soprano and tenor saxophone); and Airto Moreira (percussion). These guys are all top shelf musicians and turn in some of the most "out there" performances I have ever heard. Chick Corea is especially wild and simply tears the electric piano up - the furious, free-form barrage with Dave Holland during the first set is simply unbelievable. Speaking of the bassist, I happen to like Dave Holland quite a lot - a lot more in fact than Motown bassist Mike Henderson (who played on the Live Evil album, 1971). Dave is a technically superior player and he truly interacts with the other players rather than just laying down an ostinato. Jack DeJohnette is also in top form and churns out a swirling mass of impenetrably dense rhythms, while Wayne Shorter cuts loose with furious torrents of notes that recall free jazzer Eric Dolphy at his most intense. Whew. Let us just say that the performances on this live recording are hot.

Tracks 1-4 comprise a 42 minute jam that holds your attention all the way through, while the second set provides more of the same. Musically, the pieces incorporate elements of free jazz, although some influences taken from James Brown and other soul/funk musicians can be heard as well - even though they really take a back seat to the free jazz and experimental jazz rock.

If you enjoyed this live album, you might also like Bitches Brew (1970); Live Evil (1971); A Tribute to Jack Johnson (1971); and On the Corner (1972). This is all simply amazing stuff and Miles was an extremely forward thinking musician. Very highly recommended.

The Lost Quintet Live - The Power & Dynamic is just AWESOME!.......2006-09-03

The playing on these two discs is masterful and intense. The Fillmore audience full of stoned teens and college students must have been taken aback by this sonic assault. There's some polite applause here and there but they must have been wondering "WTF was that?"

Holland and DeJohnette provide a punishing, pulsing, swinging foundation to the other players to improvise upon - Shorter and Miles go wild. As usual, I am not wild about Corea's distorted electric Fender Rhodes with that Ring Modulator gadget (not a particular good effect in my opinion but it must have been "trippy" at the time), but his playing is fabulous. I will say this disc is probably only for the die-hard Electric Miles collector. Some listeners are going to hate it because there's a lot of "free jazz" (in the Ornette Coleman sense of the expression) going on in here and the cacauphony will be a bit overwhelming at times. This is not a collection I can listen to at any ol' time and it certainly isn't "background music", but I am glad I purchased it.

Just because you like Bitches Brew, Big Fun, Jack Johnson, and On the Corner doesn't mean you are going to like this. The playing is very hot but it's also very free form in places. Some of it even reminds me of Holland and Corea's Circle - The Paris Concert with Anthony Braxton. Fidelity is a little muddy for bass and drums but don't let that put you off. Apparently, according to the Cellar Door Sessions booklet, the engineers were still trying to figure out how to record this band with this concert took place.

Miles Moves Forward.......2006-08-30

Miles Davis' 1969-1970 performances, which saw - or rather heard - the trumpeter fusing the eerily open-ended logic of BITCHES BREW with the screaming stagecraft of the then-burgeoning arena rock scene, represent one of the most exciting links in the solid gold chain of breakthroughs which was his singularly stellar career. Long unavailable in the US, these shows have hit the shelves in a big way over the past nine years as Columbia Records continues its hell-for-leather efforts to get every note Miles ever recorded for the label out to the public. Happily, IT'S ABOUT THAT TIME, like other releases from the same era, more than justifies such a policy.
With saxophonist Wayne Shorter here playing his final gig with Miles, TIME could easily get by on historic importance alone. But riding atop one of Davis' - indeed, one of jazz's - greatest rhythm sections (Chick Corea on electric piano and assorted bizarre circuitry, Dave Holland on bass guitar and Jack DeJohnette on drums and on fire), the two great blowers and composers are given no chance to rest on their laurels. Tunes from BREW and IN A SILENT WAY here coalesce into forty-five-minute suites of crashing, keening, thundering improvisational elan and fearlessly forward momentum. Whether this sort of thing is your cup of tea or not, it's impossible to dismiss; few if any acts in either the jazz or rock sphere could have offered a more powerful concert experience than this in what must surely rank as the absolute peak period for live music of any sort. Never once sinking into either the safety of convention or the lethargy of chaos, this version of the Miles Davis Quintet/Sextet was and remains a formidable unit.
And IT'S ABOUT THAT TIME is a formidable pair of discs. Whether it's the best way to hear Miles and Company at this juncture, however, is rather hard to say. I'd actually call the long-deleted Japan-only release 1969 MILES, recorded in Antibes a month before BITCHES BREW itself, a somewhat more interesting document, as it applies the scorched-earth logic of this band to a broader cross-section of Davis' repertoire, including such pre-electric classics as "'Round Midnight" and "Footprints." By the same token, Shorter's departure, regrettable as it may have been, didn't prevent his bandmates from continuing to jell and explore, with the result that BLACK BEAUTY, recorded a month after this set with Steve Grossman on soprano sax, seems to my ears to achieve the impossible by reaching an even more torrential level of intensity, if only in a few spots.
Nevertheless, with no other recording of this particular combo tackling this particular program currently available, IT'S ABOUT THAT TIME meets five-star criteria for both the sound and significance of its content. Miles forever!

A Smokin' Performance.......2006-06-08

There are numerous official and bootleg albums dating from the early electric phase of Miles Davis. But It's About That Time is the best that is currently available. The material features a band operating loud and proud, with the solos by Davis and Shorter nothing short of brilliant.

Looking back more than 35 years later, one can easily hear why jazz fans/critics were critical of Davis (in actuality, what else was new) while he took "fusion" into major rock venues, while opening for popular rock acts of the time.

The music is as thrilling to hear today as it certainly was live in 1970. The CD is an essential part of a collector's library who wants to hear Davis and his band tearing it up and get a real understanding in what fusion meant at its inception.

The John Adams Earbox: A 10-CD Retrospective

Average customer rating:

Moved to tears
Nonesuch delivers.Again
harmonia in excelsis
Our greatest living composer
Wonderful CD

The John Adams Earbox: A 10-CD Retrospective

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

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Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Minimal Techno | Techno | Dance & DJ | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music
Similar Items:

Steve Reich 1965-1995
John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
Naive & Sentimental Music
25 Years: Retrospective
Century Rolls

ASIN: B00001SID1
Release Date: 1999-10-19

Tracks:

Lollapalooza
John's Book Of Alleged Dances: Judah To Ocean
John's Book Of Alleged Dances: Toot Nipple
John's Book Of Alleged Dances: Dogjam
John's Book Of Alleged Dances: Pavane: She's So Fine
John's Book Of Alleged Dances: Rag The Bone
John's Book Of Alleged Dances: Habanera
John's Book Of Alleged Dances: Stubble Crotchet
John's Book Of Alleged Dances: Hammer & Chisel
John's Book Of Alleged Dances: Alligator Escalator
John's Book Of Alleged Dances: Standchen: The Little Serenade
John's Book Of Alleged Dances: Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Two Fanfares For Orchestra - Tromba Lontana
Two Fanfares For Orchestra - Short Ride In A Fast Machine
Common Tones In Simple Time
El Dorado - Part I. A Dream Of Gold
El Dorado - Part II. Soledades

Tracks:

Harmonielehre - Part I
Harmonielehre - Part II The Anfortas Wound
Harmonielehre - Part III Meister Eckhardt And Quackie
Violin Concerto - Part I
Violin Concerto - Part II Chaconne:
Violin Concerto - Part III Toccare

Tracks:

Chamber Sympony - Mongel Airs
Chamber Sympony - Aria With Walking Bass
Chamber Sympony
Hoodo Zephyr - Tundra
Hoodo Zephyr - Dissappointment Lake
Hoodo Zephyr - Hoodo Zephyr
Gnarly Buttons - The Perilous Shore
Gnarly Buttons - Hoe-Down (Mad Cow)
Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
A Sermon On Romance
Consuelo's Dream
Mike's Song About Arresting A Particular Individual
Tiffany's Solo
Song About The On-Site Altercation
Song About The Bad Boys And The News
Your Honor My Client He's A Young Black Man
Leila's Song; Alone (Again Or At Last)
Three Weeks And Still I'm Outta My Mind
Crushed By The Rock I Been Standing On
Dewain's Song Of Liberation And Surprise
!Este Pais! / This Country
One Last Look At The Angel In Your Eyes
Finale

Tracks:

Lollapalooza
John's Book Of Alleged Dances - Judah To Ocean
John's Book Of Alleged Dances - Toot Nipple
John's Book Of Alleged Dances - Dogjam
John's Book Of Alleged Dances - Pavane: She's So Fine
John's Book Of Alleged Dances - Rag The Bone
John's Book Of Alleged Dances - Habenera
John's Book Of Alleged Dances - Stubble Crotchet
John's Book Of Alleged Dances - Hammer & Chisel
John's Book Of Alleged Dances - Alligator Escalator
John's Book Of Alleged Dances - Standchen: The Little Serenade
John's Book Of Alleged Dances - Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Harmonium - Negative Love
Harmonium - Becuase I Could Not Stop For Death
Harmonium - Wild Nights
Shaker Loops - Shaking and Trambling
Shaker Loops - Hymning Slews
Shaker Loops - Loops and Verses
Shaker Loops - A Final Shaking

Tracks:

The Chairman Dances - Foxtrot For Orchestra
Grand Pianola Music - First Movement
Grand Pianola Music - Second Movement
Grand Pianola Music - Third Movement: On The Dominant Divide
Fearful Symmetries

Tracks:

Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China - Landing Of The Spirit Of '76
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China - Cheers
Nixon In China -
Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -

Tracks:

The Wound-Dresser
Christian Zeal And Activity
Five Songs - Thoreau
Five Songs - Down East
Five Songs - Cradle Song
Five Songs - At The River
Five Songs - Serenity
Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

Average customer rating:

A century of British art songs to delight those who love them

English Song

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

A Treasury of English Song
Favorite English Songs
Songs by Roger Quilter
Bryn Terfel - The Vagabond & other songs by Vaughan Williams, Butterworth, Finzi & Ireland
Silent Noon

ASIN: B0002JEG6I
Release Date: 2005-03-22

Tracks:

A Soft Day - Bernadette Greevy
Irish Skies - Bernadette Greevy
Cherry Ripe - Janice Watson
Mustard And Cress - Neal Davies
The Lily Of A Day - Janice Watson
Henry King - Neal Davies
Fain Would I Change That Note - Graham Johnson
In Summer-Time On Bredon - Christopher Maltman
The Lads In Their Hundreds - Christopher Maltman
Among The Rocks - Graham Johnson
It Was A Lover And His Lass - Anthony Rolfe Johnson
The Water Mill - Anthony Rolfe Johnson
On Wenlock Edge - Anthony Rolfe Johnson
The Call - Graham Johnson
Silent Noon - Graham Johnson
Now In These Fairylands - Philip Langridge
The Dream-City - Philip Langridge
Margrete's Cradle Song - Susan Gritton
The Heart Worships - Christopher Maltman
Take, O Those Lips Away - Anthony Rolfe Johnson
Now Sleeps The Crimson Petal - Graham Johnson
Love Calls Through The Summer Night - Anthony Rolfe Johnson
I Will Go With My Father A-Ploughing - Graham Johnson
The Rio Grande (Capstan Shanty) - Ian Partridge
Theodore, Or The Pirate King - Ian Partridge
A Long Time Ago (Hilliard's Shanty) - Ian Partridge
Oh Dear, What Can The Matter Be? - Bernadette Greevy

Tracks:

The Grenadier - Richard Edgar-Wilson
The Young Lover - Richard Edgar-Wilson
Betty And Johnny - Richard Edgar-Wilson
Rise Up And Reach The Stars - Richard Edgar-Wilson
The Bells - Nik Hancock-Child
Ann's Cradle Song - Nik Hancock-Child
As I Lay In The Early Sun - Nik Hancock-Child
The Cherry Tree - Nik Hancock-Child
Dusk - Nik Hancock-Child
Peter Warlock's Fancy - John Constable
The Frostbound Wood - John Constable
Chopcherry - John Constable
A Sad Song - John Constable
Rutterkin - John Constable
Bethlehem Down - John Constable
Wapping Old Stairs - Felicity Lott
Long Steel Grass - Martyn Hill
Tango-Pasodoble - Martyn Hill
Popular Song - Martyn Hill
Beatriz's Song - Felicity Lott
Lay Your Sleeping Head, My Love - Philip Langridge
Early One Morning - Felicity Lott
The Foggy, Foggy View - Philip Langridge
Now The Leaves Are Falling Fast - Philip Langridge
Tell Me The Truth About Love - Della Jones
The Choirmaster's Burial - Philip Langridge

Customer Reviews:

A century of British art songs to delight those who love them.......2006-06-26

These 53 songs have been collected by Naxos from their extensive acquisitions from Collins Classics, and perhaps other British sources now out of business. There's a steady cottage industry, year after year, producing the typical English art song, which is usually based on folk songs, but even in more modern idioms is profuondly conservative and nostaligic. Half these songs, not to mention half the composers, are totally unknown to American audiences, but the familiar names of Vaughan Williams and Britten represent high quality, and the lesser lights, such as Warlock and Quilter, are mainstays in this repertoire.

I'd challenge all but the most addicted listener to make it through more than ten songs at a sitting, and many of these pieces are tepid, offering comfort rather than inspiration. The singers are among the best, but Graham Johnson and Steuart Beford, who do most of the accompaniments, are lackluster. I know that won't be a popular comment, yet if you compare any of these songs with rendiitons done by Janet Baker, John Shirley-quirk, and most recently Bryn Terfel and Ian Bostridge, you immediately notice how much more intensity and drama is pesent than htis colleciton reveals.

DRG 25th Anniversary Show Stopping Performances

Average customer rating:

Great compilation
A disappointment

DRG 25th Anniversary Show Stopping Performances

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Movie Scores | Soundtracks | Styles | Music

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Similar Items:

Barbara Cook at the Met with Special Guests
Curtains (2007 Original Broadway Cast)
ABC (Adler, Bock, Coleman)
110 in the Shade (2007 Broadway Revival Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005Q6IN
Release Date: 2001-10-23

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)

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You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)
Cole Porter , Ethel Merman , and Fred Astaire
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

Nostalgia | Miscellaneous | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music
Similar Items:

You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 1 - Wake Up & Dream (1916-1929)
You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 3 - High Society (1948-1956)
Cole Sings Porter
Frank Sinatra Sings the Select Cole Porter
Sinatra Sings Cole Porter

ASIN: B00006JTGP
Release Date: 2002-10-22

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Singers of Imperial Russia, Vol. 4

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Russia | Far East & Asia | International | Styles | Music

General | International | Styles | Music

General | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B000000WMO
Release Date: 1993-11-15

Tracks:

Queen of Spades/Act 3. What Is Our Life? - Aleksandr Mikhajlovich Davydov
Juive/Act 4. Rachel, Quand du Seigneur - Aleksandr Mikhajlovich Davydov
Segreto - Aleksandr Mikhajlovich Davydov
Donkey and the Nightingale - Fable - Aleksandr Mikhajlovich Davydov
Africana/Act 4. O Paradis - Aleksandr Mikhajlovich Davydov
Night ("Why Do I Love Thee, Night?"), Op. 6 No. 9 - Aleksandr Mikhajlovich Davydov
A: Celeste A (Act 1) - Aleksandr Mikhajlovich Davydov
Peurs de Perles/Act 1. Je Crois Entendre Encore - Aleksandr Mikhajlovich Davydov
Cavalleria Rusticana/O Lola, Tu Ch'hai di Latti (Siciliana) - Aleksandr Mikhajlovich Davydov
Leave Me! (Gypsy Song) - Aleksandr Mikhajlovich Davydov
Dubrovsky: O Give Me Oblivion - Aleksandr Mikhajlovich Davydov
Queen of Spades/Act 1. Forgive Me, Bright Celestial Vision - Aleksandr Mikhajlovich Davydov
Carmen/Act 4. C'est Toi? C'est Moi! - Aleksandr Mikhajlovich Davydov, Evgenija Ivanovna Zbrueva
In the Wild North - Aleksandr Mikhajlovich Davydov, Vladimir Kastorsky, Maria Michailova
She Was Yours - Aleksandr Vladimirovich Bogdanovich
Far off, Far Off - Aleksandr Vladimirovich Bogdanovich
Demon: On Desire's Soft Fleeting Wing - Aleksandr Vladimirovich Bogdanovich
Rusalka: Unwillingly to These Sad Shores, Prince's Cavatina (Act 1) - Aleksandr Vladimirovich Bogdanovich
Eugene Onegin: Whither, Whither (Act 2) - Aleksandr Vladimirovich Bogdanovich
Ruslan and Ljudmila/Act 1. There Is a Distant Country - Aleksandr Vladimirovich Bogdanovich
Princesse Lointaine: Love Is a Delightful Dream - Aleksandr Vladimirovich Bogdanovich
Little Slippers/Does the Maiden Hear? - Aleksandr Vladimirovich Bogdanovich
What Happiness! - Aleksandr Vladimirovich Bogdanovich

Tracks:

Faust: Ah! Je Ris de Me Voir Si Belle en Ce Miroir (Jewel Song) - Antonia Vasil'evna Nezhdanova
Traviata: Ah, Fors' Lui.../Follie, Follie...Sempre Libera (Pt. 2) - Antonia Vasil'evna Nezhdanova
Peurs de Perles: Comme Autrefois - Antonia Vasil'evna Nezhdanova
Dobrynja Nikitich: Zabava's Aria - Antonia Vasil'evna Nezhdanova
Romet Juliette: Je Veux Vivre Dans Ce R - Antonia Vasil'evna Nezhdanova
Perle du Brl: Charmant Oiseau - Antonia Vasil'evna Nezhdanova
Harold: Hush Thee, Dear One, Slumber Well (Adele's Cradle Song) - Antonia Vasil'evna Nezhdanova
Ruslan and Ljudmila: Ah, Thou My Fate - Antonia Vasil'evna Nezhdanova
Snade ("Sing, Smile, Slumber") - Antonia Vasil'evna Nezhdanova
Sadko: Sleep Went Along the River (Cradle Song) - Antonia Vasil'evna Nezhdanova
Life for the Tsar: It Is Not for That That I Grieve - Antonia Vasil'evna Nezhdanova
Peurs de Perles: Brahma, Grand Dieu - Antonia Vasil'evna Nezhdanova
Bolero ("O My Dear, Charming One") - Antonia Vasil'evna Nezhdanova
Snow Maiden/With Friends to Gather Berries - Antonia Vasil'evna Nezhdanova
Huguenots: O Beau Pays de la Touraine - Antonia Vasil'evna Nezhdanova
Mireille/O Lre Hirondell
Fra Diavolo/Quel Bonheur! - Antonia Vasil'evna Nezhdanova
Golden Cockerel/Hail to Thee, Sun! - Antonia Vasil'evna Nezhdanova
Tsar's Bride/Act 4. Mad Scene. Look There, Above Your Head - Antonia Vasil'evna Nezhdanova
Barbiere Di Siviglia: Una Voce Poco Fa - Antonia Vasil'evna Nezhdanova
Serenata ("Vola, O Serenata") - Antonia Vasil'evna Nezhdanova
I Vespri Siciliani: MercDilette Amiche - Antonia Vasil'evna Nezhdanova
How Fair This Spot, Op. 21 No. 7 (Rachmaninov); the Rose and the ... - Antonia Vasil'evna Nezhdanova

Tracks:

Life for the Tsar/Act 3. Quartet. The Rose That Blooms - Andrej Labinsky, Maria Michailova, Galina Ivanovna Nikitina, Lev Sibirjakov
Night (Folksong) - Lev Sibirjakov
Boris Godunov/Act 1. In the Town of Kazan - Lev Sibirjakov
Life for the Tsar: What About a Wedding? (Act 1) - Lev Sibirjakov
Oh, If Mother Volga - Lev Sibirjakov
Why Was I Born? (Convict's Song) - Lev Sibirjakov
Askold's Tomb: In Olden Days Our Forefathers Lived - Lev Sibirjakov
Sonnambula/Act 1. VI Ravviso, O Luoghi Ameni - Lev Sibirjakov
Midnight Review - Lev Sibirjakov
Demon/Prologue. Accurs World - Lev Sibirjakov
Seafarers - Lev Sibirjakov, Eugene Witting
Elegy ("When, My Soul") - Aleksandr Dormidontovich Aleksandrovich, Lev Sibirjakov
lian Harps - Nikolaj Artem'evich Shevelev
Merchant Kalashnikov/The Merchant's Aria - Nikolaj Artem'evich Shevelev
Halka: Aria of Janusz - Nikolaj Artem'evich Shevelev
Enchantress/Act 2. Aria. Ah, The Image of That Enchantress! - Nikolaj Artem'evich Shevelev
Tear Trembles, Op. 6 No. 4 - Nikolaj Artem'evich Shevelev
Queen of Spades: I Love You, Dear (Eletsky's Aria, Act 2) - Nikolaj Artem'evich Shevelev
Louder Than the Song of the Lark, Op. 43 No. 1 - Nikolaj Artem'evich Shevelev
Demon/Act 2. O'er the Airy Ocean - Nikolaj Artem'evich Shevelev
Askold's Tomb: In Olden Days Our Forefathers Lived - Nikolaj Artem'evich Shevelev
Song of Triumphant Love/Arioso. O Pure Creature - Nikolaj Artem'evich Shevelev
Eugene Onegin: Should I Decide on Domesticity (Act 1) - Nikolaj Artem'evich Shevelev
Demon/Act 2. Do Not Weep, Child - Nikolaj Artem'evich Shevelev
Festival During the Plague/Hymn. When Powerful Winter, Like a Vigilant
Captive in the Caucasus/Aria - Nikolaj Artem'evich Shevelev

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It's About Time
The Nevels Sisters
Manufacturer: The Nevels Sisters
ProductGroup: Music
Binding: Audio CD

General | Christian & Gospel | Styles | Music

Gospel | Christian & Gospel | Styles | Music
ASIN: B000CAKRO2
Release Date: 2005-11-01

Tracks:

Just When You Think
Clap Your Hands
Alright
No Time to Lose
Conqueror
God's Pain
Company
Miracle
Must Be Love
Show Me Your Will
Fly Away
Mommy & Daddy

It's About That Time...live in Montreux 1969

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It's About That Time...live in Montreux 1969

Manufacturer: Jazz Door
ProductGroup: Music
Binding: Audio CD
ASIN: B000EJWEAQ

Product Description

The Miles Davis Group Live at Montreux in 1969. Tunes: Directions, Miles Runs The Voodoo Down, Milestones, Footprints, Round About Midnight, It's About That Time, Sanctuary/The Theme. Featuring Davis, Shorter, Corea, Holland and DeJohnette. German Import.