2000 S.C.

About the Artist
SC [Sheldon Buchanan (Product #3)] is an artist and a producer on the independent record label Products Of Tha Streets Entertainment (POTS) based in Chicago, Illinois. He encompasses the styles of hip hop, hardcore and club. He is extremely lyrical and outspoken and preaches the struggles associated with life on the streets. He has been with the label since it began operations in 1997.

Product Description
2000 S.C. is dressed with 15 extremely lyrical songs which are a soulful mix of club/party, playarism, gansgta and motivation. Overall, 2000 S.C. will make the listener dance, move and groove, think, wink and blink, reflect and respect this outstanding genre of music. Have a listen and enjoy…

2000 S.C.,S.C.,Products Of Tha Streets Entertainment

Average customer rating: clearing up confusion Muddy waters... In what way inferior? Certainly not much beauty in this Beast ! Bach at its Best

Switched-On Bach 2000 Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Computer | Electronic | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | New Age | Styles | Music Similar Items: Switched-On Bach By Request Switched-On Bach II Sonic Seasonings + [Enhanced CD] The Well-Tempered Synthesizer ASIN: B000003CYZ Release Date: 1992-05-22

Tracks:

1. Happy 25th, S-OB
2. Sinfonia In D major
3. Suite In D Major: Air on a G String
4. Two Part Inventions: In F Major
5. Two Part Inventions: In B-Flat Major
6. Two Part Inventions: In D Minor
7. Cantata No. 147: Jesu, Joy of Man's Desiring
8. The Well-Tempered Clavier: Prelude No. 7 In E-Flat Major
9. The Well-Tempered Clavier: Fugue No. 7 In E-Flat Major
10. The Well-Tempered Clavier: Prelude No. 2 In C Minor
11. The Well-Tempered Clavier: Fugue No. 2 In C Minor
12. Cantata No. 140: Wachet Auf
13. Brandenburg Concerto No. 3 In G Major: l. Allegro
14. Brandenburg Concerto No. 3 In G Major: ll. Adagio
15. Brandenburg Concerto No. 3 In G Major: lll. Allegro
16. Toccata & Fugue In D Minor

Customer Reviews:

clearing up confusion.......2006-10-19

I've read some confusion about Walter Carlos being the listed performer on Switched On Bach and Wendy Carlos being the performer on Switched On Bach 2000. Let me clear this up for anyone that might be confused or that won't consider the new 2000 version because of it not being Walter. They are both one in the same. In 1972, Walter Carlos underwent gender reassignment therapy. The last release to be credited to Walter Carlos was By Request (1975). The first release as Wendy was Switched-On Brandenburgs (1979). Carlos's first public appearance after her gender transition was in an interview in the May 1979 issue of Playboy magazine, a decision she would come to regret because of the unwelcome publicity it brought to her personal life. On her official site, her transition is discussed in an essay stating that she values her privacy on the subject.

Muddy waters..........2003-05-31

I was sorely disappointed in this "updated" recording of Bach. The music supposedly more true to the period is muddy and indistinct. I jumped for joy when the original Switched On Bach was released last year - that is the one to buy.

In what way inferior?.......2003-05-17

It's not inconceivable to me that someone who has spent a lifetime listening to a broad range of music could prefer Carlos's debut recording of Switched-On Bach to the collection, but from any objective viewpoint it IS indefensible. Not only has Carlos brought to bear a quarter century's booming tech innovation, but also a quarter century's musical experience from a unique vantage point atop the under-examined world of classical electronica.

A well-read friend of mine and musical omnivore was given the recent Wendy Carlos re-interpretation of Clockwork Orange to replace his lost Lp of the original soundtrack. His response was nearly ballistic. The original soundtrack to A Clockwork Orange was a dear old friend that had seen him through many a tough time, and he was intimately acquainted with every edge of every sine wave on it. And he missed those particulars so sorely, it was as though he'd been reacquainted with his high school sweetheart only to find she'd undergone reassignment surgery.

I try to keep this anecdote in mind when I read an unflattering review of S-OB 2000. I play music, and I know it in the way a dentist knows tooth enamel. I am as susceptible to a cherished smile as the next guy, but I do know teeth. Beautiful teeth.

Certainly not much beauty in this Beast !.......2003-05-05

I regret to review this album in a negative manner, since I respect the author as a great musical thinker and revolutionaire in synthesizing sounds (and composing music).
I would probably prefer the S-OB in its time, but the anniversary edition somehow eludes my liking.

I can agree, that Bach's music - which can be, when interpeted poorly, on a verge of kitch (for exmpl. various Airs and Adagios on "Best of Classics" or "Meditative Classics" and similar awful compilations) - is best performed by very skilled musicians that bring something fresh and meaningful to the music.

The plastic acoustic wrapping of S-OB 2000 doesn't help.

Wendy has shown her artistic potential in many other cases, most respectively in excellent Beauty in the Beast.
Why can't she continue to explore in that direction and do things of high artistic value - modern classical compositions - sort of electronic Ligeti or Stravinsky on trip or something like that?
I prefer her composition on S-OB 2000 , since that was produced with electronic instrument in mind, while Bach was thinking about organ, strings and harpsichord/klavier. The original tunings don't replace the natural timbre and microtonal variations that experienced players make conciously or unconciously while playing - we all heard about great violin virtuosos that achieved their original tone or sound by playing some notes a little flat to achieve the effect that Wendy is talking about.

Some of the music on S-OB 2000 doesn't sound TOO different from some keyboard demo with Bach's music to my ears - MIDI toccata or somethnig like that - sorry Wendy.

Wendy used the extraordinary tunings creatively in Beauty in the Beast and achieved masterful musical effect and experience of real creativity and musical magic. I admire her in-depth observation and recreation of elements of different ethnic music and orchestra, which show her great knowledge and real understanding of underlying matrix that constitutes music - she might be genial in that aspect, but I think she shouldn't waste her talent on things like S-OB 2000.

Bach at its Best.......2003-01-16

I love this CD. It was interpreted in such a unique way, it brought back the original flavor of how the music was played on hapsicord (sp?) back in the Baroque period. This interpretation really made the notes came alive. It was most enjoyable and it lifted your spirit as the music plays.

Average customer rating: Five Excellent Pianists and a Feast of Musical Delights! random sheeyat

Miami International Piano Festival of Discovery, 2000, Vol. 1 Manufacturer: Mip / Miami Int'l ProductGroup: Music Binding: Audio CD Polkas | Ballets & Dances | Classical | Styles | Music General | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Godowsky | Godowsky, Leopold | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Medtner | Medtner, Nikolai | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Scriabin, Alexander | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Scriabin, Alexander | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B00005R5L8 Release Date: 2001-10-23

Tracks:

1. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 1 - Piotr Anderszewski
2. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 2 - Piotr Anderszewski
3. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 3 - Piotr Anderszewski
4. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 4 - Piotr Anderszewski
5. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 5 - Piotr Anderszewski
6. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 6 - Piotr Anderszewski
7. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 7 - Piotr Anderszewski
8. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 8 - Piotr Anderszewski
9. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 9 - Piotr Anderszewski
10. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 10 - Piotr Anderszewski
11. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 11 - Piotr Anderszewski
12. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 10 - Piotr Anderszewski
13. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 13 - Piotr Anderszewski
14. Fourteen Bagatelles, Op.6: Bagatelle, Op. 6 No. 14 - Piotr Anderszewski
15. Prelude And Fugue In G-sharp Minor - Denis Burstein
16. Prelude And Fugue In G-sharp Minor - Denis Burstein
17. , Op.20 No.1 In B-Flat Minor: Fairy Tale, Op. 20 No. 1 In B-Flat Minor - Denis Burstein
18. Fairy Tale, Op.20 No.2 In B Minor: Fairy Tale, Op. 20 No. 2 In B Minor - Denis Burstein
19. Fairy Tale, Op.26 No.3 In F Minor: Fairy Tale, Op. 26 No. 3 In F Minor - Denis Burstein
20. Prelude Op.27 No.1 - Denis Burstein
21. Prelude Op.27 No.2 - Denis Burstein
22. Etude Op.42 No.4: Etude Op. 42 No. 4 - Denis Burstein
23. Liebesfreud - Denis Burstein

Tracks:

1. Sonata In G Minor K. 8, L. 488 - Kemal Gekic
2. Sonata In F Minor, K 519, L. 475 - Kemal Gekic
3. Etude No.2 In E-flat Major - Kemal Gekic
4. Sonata No.1 in D Minor Op. 28: Sonata No.1 in D Minor Op. 28: Allegro Moderato - Kemal Gekic
5. Vocalise - Ilya Itin
6. Polka - Ilya Itin
7. Prelude Op. 23 No. 1 In F-sharp Minor - Ilya Itin
8. Prelude Op. 32 No. 6 In F Minor - Ilya Itin
9. Prelude Op. 32 No.7 In F Major - Ilya Itin
10. Prelude Op.23 No. 10 In G-flat Major - Ilya Itin
11. Prelude Op. 23 No. 7 In C Minor - Ilya Itin
12. Prelude Op. 32 No. 13 In D-flat Major - Ilya Itin
13. Studies On Etudes Of F. Chopin: Etude Op. 10 No. 2 'Ignis Fautuus' - Francesco Libetta
14. Studies On Etudes Of F. Chopin: Etude Op. 25 No. 2 - Francesco Libetta
15. Studies On Etudes Of F. Chopin: Etude Op. 25 No. 9 'Badinage' - Francesco Libetta
16. La Soiree Dans Grenade - Francesco Libetta
17. Etude In Form Of A Waltz - Francesco Libetta
18. Grande Sonate Op. 33: Grande Sonate Op. 33: First Movement - Francesco Libetta

Customer Reviews:

Five Excellent Pianists and a Feast of Musical Delights!.......2005-12-29

The Miami International Piano Festival of Discovery is well named: this two CD set offers fresh young talent in a variety of music played with all the drama of a competition. It is very well recorded and contains some truly magical moments.

There are five pianists represented here and their choices of competition entries in many ways helps define their abilities and musicality. Piotr Anderszewski offers the Bartok Opus 6 Bagatelles, electing to explore all 14 of these little pieces to keep with the unity of Bartok's conception. They are models of clean definitive performances. Denis Burstein on the other hand selects various works by Scriabin, Rachmaninov, Medtner, and Taneyev showing his penchant for the obscure as well as the well known. Kemal Gekic programs Scarlatti with Liszt and Rachmaninov and offers valid stances on each. Ilya Itin opts of an all Rachmaninov collection from the lovely 'Vocalize' through six of the Preludes. Francesco Libetta closes with paraphrases on Chopin by Godowsky and works by Debussy, Saint-Saens and Alkan.

Of interest the pianist who has become most popular with the public since this 2000 year competition is Piotr Anderszewski, but from the experience of listening to the entire group, one would expect more will come from the other four, too! A delightful set of recordings. Grady Harp, December 05

random sheeyat.......2005-04-27

hahaha, diz CCD haz some random hardcore sheeeeeeeyat from da LIB

tiz tru says:
INSANE HARDCORE MIND CONTROL tech

Average customer rating: Bach is priceless Buy the works you like.... Poor Bach A Treasure Trove 147 out of 153 ain't bad!

Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set) Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Allemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Heinichen | Heinichen, Johann David | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Canons | Forms & Genres | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Canzones | Sonatas | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music Passacaglias | Variations | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music ASIN: B00001IV8B Release Date: 1999-09-14

Tracks:

1. Wie schon leuchtet der Morgenstern
2. Du Wahrer Gottes und Marien Sohn
3. Erfuellet, ihr himmlischen goettlichen Flammen
4. Ein irdscher Glanz, wein leiblich Licht
5. Unser Mund und Ton der Saiten
6. Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
7. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
8. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
9. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
10. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
11. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
12. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
13. Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
14. Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
15. Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
16. Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
17. Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
18. Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger

Tracks:

1. Ich elender Mensch, wer wird mich erloesen
2. O Schmerz, o Elend, so mich trifft
3. Solls ja so sein
4. Ach lege das Sodom der suendlichen Glieder
5. Hier aber tut des Heilands Hand
6. Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
7. Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
8. Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
9. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
10. Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
11. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
12. Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
13. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
14. Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
15. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
16. Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
17. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
18. Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
19. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber

Tracks:

1. (Caro) Was Gott tut, das ist wohlgetan
2. (Alto, Tenore) Was Gott tut, das ist wohlgetan
3. (Soprano) Was Gott tut, das ist wohlgetan
4. (Basso) Was Gott tut, das ist wohlgetan
5. (Alto) Was Gott tut, das ist wohlgetan
6. Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
7. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
8. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
9. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
10. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
11. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
12. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
13. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
14. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
15. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
16. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
17. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
18. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
19. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
20. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

1. Sinfonia
2. Nach dir, Herr, verlanget mich
3. Doch bin und bleibe ich vergnuegt
4. Leite mich in deiner Wahrheit
5. Zedern muessen von den Winden
6. Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
7. Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
8. Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
9. Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
10. Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
11. Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
12. Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
13. Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
14. Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
15. Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
16. Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
17. Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
18. Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
19. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
20. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
21. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
22. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
23. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
24. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
25. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
26. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
27. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden

Tracks:

1. Die Zeit, die Tag und Jahre macht
2. Auf, Sterbliche, lasset ein Jauchzen ertoenen
3. So bald, als dir die Sternen hold
4. Es streiten, es siegen die kuenftigen Zeiten
5. Bedenke nur, begluecktes Land
6. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
7. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
8. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
9. Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
10. Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
11. Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
12. Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
13. Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
14. Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
15. Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
16. Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens

Tracks:

1. Kyrie eleison
2. Christe eleison
3. Kyrie eleison
4. Gloria in excelsis Deo
5. Laudamus te
6. Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
7. Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
8. Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
9. Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
10. Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
11. Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner

Tracks:

1. Singet dem Herrn ein neres Lied
2. Der Geist hilft unser Schwachheit auf
3. Komm, Jesu, komm
4. Jesu, meine Freude
5. Fuerchte dich nicht, ich bin bei dir
6. Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall

Tracks:

1. Fantasia et Fuga in g BWV 542
2. Fuga in g BWV 578
3. Canzona in d BWV 588
4. Praeludium et Fuga in h BWV 544
5. Praeludium et Fuga in a BWV 543
6. Fant in c, BWV 562 - Ton Koopman
7. Prld Et Fuga in C, BWV 531 - Ton Koopman
8. Fant in G, BWV 572 - Ton Koopman
9. Fant in C, BWV 570 - Ton Koopman
10. Passacaglia in c, BWV 582 - Ton Koopman

Tracks:

1. Inventio 1 BWV 772
2. Inventio 2 BWV 773
3. Inventio 3 BWV 774
4. Inventio 4 BWV 775
5. Inventio 5 BWV 776
6. Inventio 6 in E, BWV 777 - Zuzana Ruzickova
7. Inventio 7 in e, BWV 778 - Zuzana Ruzickova
8. Inventio 8 in F, BWV 779 - Zuzana Ruzickova
9. Inventio 9 in f, BWV 780 - Zuzana Ruzickova
10. Inventio 10 in G, BWV 781 - Zuzana Ruzickova
11. Inventio 11 in g, BWV 782 - Zuzana Ruzickova
12. Inventio 12 in A, BWV 783 - Zuzana Ruzickova
13. Inventio 13 in a, BWV 784 - Zuzana Ruzickova
14. Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
15. Inventio 15 in b, BWV 786 - Zuzana Ruzickova
16. Sinf 1 in C, BWV 787 - Zuzana Ruzickova
17. Sinf 2 in c, BWV 788 - Zuzana Ruzickova
18. Sinf 3 in D, BWV 789 - Zuzana Ruzickova
19. Sinf 4 in d, BWV 790 - Zuzana Ruzickova
20. Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
21. Sinf 6 in E, BWV 792 - Zuzana Ruzickova
22. Sinf 7 in e, BWV 793 - Zuzana Ruzickova
23. Sinf 8 in F, BWV 794 - Zuzana Ruzickova
24. Sinf 9 in f, BWV 795 - Zuzana Ruzickova
25. Sinf 10 in G, BWV 796 - Zuzana Ruzickova
26. Sinf 11 in g, BWV 797 - Zuzana Ruzickova
27. Sinf 12 in A, BWV 798 - Zuzana Ruzickova
28. Sinf 13 in a, BWV 799 - Zuzana Ruzickova
29. Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
30. Sinf 15 in b, BWV 801 - Zuzana Ruzickova

Tracks:

1. Prelude and Fugue in A minor: Praeludium
2. Prelude and Fugue in A minor: Fuga
3. Prelude and Fughetta in E minor: Praeludium
4. Prelude and Fughetta in E minor: Fuga
5. Prelude in G major BWV 902a
6. Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
7. Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
8. Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
9. Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
10. Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
11. Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
12. Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
13. Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
14. Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
15. Prld in E, BWV 937 - Zuzana Ruzickova
16. Prld in C, BWV 939 - Zuzana Ruzickova
17. Prld in d, BWV 940 - Zuzana Ruzickova
18. Applicatio in C, BWV 994 - Zuzana Ruzickova

Tracks:

1. Suite in G minor BWV 995: Prelude
2. Suite in G minor BWV 995: Allemande
3. Suite in G minor BWV 995: Courante
4. Suite in G minor BWV 995: Sarabande
5. Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
6. Ste in g, BWV 995: Gigue - Luca Pianca
7. Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
8. Ste in e, BWV 996: Allemande - Michele Barchi
9. Ste in e, BWV 996: Courante - Michele Barchi
10. Ste in e, BWV 996: Sarabande - Michele Barchi
11. Ste in e, BWV 996: Bourree - Michele Barchi
12. Ste in e, BWV 996: Gigue - Michele Barchi
13. Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
14. Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
15. Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
16. Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca

Tracks:

1. Concerto for two violins BWV 1043: Vivace
2. Concerto for two violins BWV 1043: Largo, ma non tanto
3. Concerto for two violins BWV 1043: Allegro
4. Concerto BWV 1042: Allegro
5. Concerto BWV 1042: Adagio
6. Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
7. Con in a, BWV 1041: Allegro - Alice Harnoncourt
8. Con in a, BWV 1041: Andante - Alice Harnoncourt
9. Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
10. Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
11. Con in g, BWV 1056R: Largo - Alice Harnoncourt
12. Con in g, BWV 1056R: Presto - Alice Harnoncourt
13. Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
14. Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
15. Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May

Album Description

Volume 1, 15 Discs
Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt

Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt

Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt

Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt

Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Customer Reviews:

Bach is priceless.......2006-11-10

I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.

Buy the works you like...........2006-01-11

If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.

Poor Bach.......2005-11-26

In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."

I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.

The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)

Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?

If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.

A Treasure Trove.......2004-03-07

This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.

147 out of 153 ain't bad!.......2001-04-29

Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.

If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.

In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!

I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].

The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.

We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.

It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.

If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.

Average customer rating:

Switched-On Bach 2000 Manufacturer: East Side Digital ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Computer | Electronic | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | New Age | Styles | Music Similar Items: Rediscovering Lost Scores, Vol. 1 Rediscovering Lost Scores, Vol. 2 Secrets of Synthesis By Request A Clockwork Orange: Wendy Carlos's Complete Original Score ASIN: B00067RER4 Release Date: 2004-11-09

Average customer rating: Might be hard to find, but... Jolly "old" St. Nik-Harnoncourt and his elves Review Bach 2000 in a nutshell. An Intro To The Complete Bach Edition Bach 2000 Sampler

Bach 2000: The Complete Bach Edition - Sampler Ton Koopman , Nikolaus Harnoncourt , Thomas Zehetmair , Robin Gritton , Luca Pianca , Klaus Mertens , Jap Ter Linden , Andreas Staier , Frans Burggen , and Leopold Stastny Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs Under $7 | Fantasies | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Fantasies | Classical | Today's Deals in Music | Formats | Music CDs Under $7 | Fugues | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Fugues | Classical | Today's Deals in Music | Formats | Music ASIN: B00000K2WE Release Date: 1999-08-24

Tracks:

1. Toccata And Fugue In D Minor BWV 565
2. Cantata BWV 147: Jesus bleibet meine Freude
3. Orchestral Suite No. 3 In D Minor BWV 1068: Air
4. Violin Concerto In A Minor BWV 1041: Allegro
5. Partita III In E Major BWV 1006: Preludio
6. An Wasserflussen Babylon BWV 267
7. Gib dich zufrieden und sei stille BWV 315
8. St. John Passion BWV 245: Aria (Alto): Es ist vollbracht
9. Suite In C Minor BWV 997: Preludio
10. Schemelli Songs: Jesu, Jesu, du bist mein BWV 470
11. St. Matthew Passion BWV 244, Final Chorus: Chorus (1, 2): Wir setzen uns mit Tranen nieder
12. Fantasia On A Rondo In C Minor BWV 918
13. Trio Sonata In G Major BWV 1039: Presto
14. Brandenburg Concerto No. 3 In G Major BWV 1048: Allegro
15. Suite In E Minor BWV 996 - Aufs Lauten Werk: Courante
16. Mass In B Minor BWV 232: III. Sanctus
17. Concerto For Two Harpsichords In C Minor BWV 1060: Allegro
18. Christmas Oratorio BWV 248: Jauchzet, frohlocket

Amazon.com

J.S. Bach's fascination with numbers has been taken over by the music world at large as--in alignment with the new millennium--it prepares to commemorate the 250th anniversary of the composer's death, which occurred in July 1750. Though his passing marked the sunset of one of the most glorious eras in music, awareness of the value of Bach's enormous legacy has never been more widespread than in our own time. As evidence, just take the spectrum of recordings scheduled to honor the Bach anniversary. This sampler offers a glimpse of the most ambitious of them all: Teldec's Bach 2000 box set, a 153-CD mountain of music consisting of the composer's entire output of over 1,000 works. The majority of these recordings have been previously released over the last several decades in various guises, but for the first time they are being gathered into a unified edition. Its guiding spirit is Nikolaus Harnoncourt, one of the pioneers of the revolution in historical performance practice, and he is similarly represented in 8 of the sampler's 18 selections. Among the other artists to savor here--and at beguiling length in the full set--are Harnoncourt's early-music ally Gustav Leonhardt, eloquent violinist Thomas Zehetmair, Il Giardino Armonico, and organist Ton Koopman (in a majestically architectural account of the D Minor Toccata and Fugue). And even though at 77 minutes this is just 1/150th of the whole Bach, you don't need to do the math to be swept away in pleasure. --Thomas May

Customer Reviews:

Might be hard to find, but..........2004-02-03

This is a great and relatively inexpensive introduction to the world of Bach. If you know nothing about Bach, the tunes on this disc will wake you up to just how influential and necessary he is in the history of classical music. "It all started with Bach" is not too extreme a position to take, especially if you follow up this recording with a listen to the complete Mass in B Minor, or the St.Matthew Passion or St.John's Passion, or some of his Cantatas. You'll suddenly realize that you've been listening to Bach your entire life.

This disc may now be hard to find because it was probably meant for limited release as a "teaser" for the Bach 2000 bajillion disc set. Nonetheless, if you can get it it's a good buy, especially since the accompanying booklet includes biographical info and other tidbits. Be warned, though, the world of Bach's music is enormous and may take over your life (not to mention the physical hazard of being crushed by the Bach 2000 boxed set).

Jolly "old" St. Nik-Harnoncourt and his elves.......2001-06-20

At first I was a bit dissapointed when I ripped off the plastic wrapping, because it bothers me to have a disc without the standard jewl case. I am a bit familar with Ton Koopman, but the Toccata and Fugue wasn't "da bomb" for two reasons: He uses the same registration, I will pardon him if the design of the organ would not let you change stops in a hurry. His ornamentation is a bit exagerated, and amusing to the point of obserdady (pardon the spelling, or typing)but, nevertheless it is a good recording, and wonderful playing. Cantata 147 was played at a rather fast tempo (about 92). The lute harpsichord peice seems to technically be a bad recording. Track #18's pauken part is so loud you the listener can barely hear the trompetes and floten. All in all I am quite pleased that I own this CD and it is a good highlight of Bach's works. I must say that I probably won't buy the Teldec complete set, but you never know!

Review.......2001-04-24

I didn't have enough money to buy the 151 CD set, but I did have enough to buy the sampler. This CD probably has the best version of "Toccata and Fuge in D minor" that I've ever heard. One can literally feel each chord flowing through their veins. My other favories are "Suite in C minor" and "Trio Sonata in G major". Well worth the [discounted] price, and a good introduction to Bach's music.

Bach 2000 in a nutshell........2000-09-27

For the price, this is worth the money just for a "Best of Bach" sampler CD (that's why I originally bought it.) and it sounds nice, and it's Bach. What is more to be said?

However, as stated in the liner notes, the performances were created with the intention to sound the way scholers believe that they would have sounded in Bach's time. So, this means not only period instruments, but also these works sound much different that the Bach most of us are accustomed to hearing.

Personally, I prefer the modern sound of bach over the hardcore baroque - the works here sound a bit more restrained than the Bach that many of us have come to know and love. I for one prefer the more modern Bach that artists such as Glenn Gould, Virgil Fox and others have presented to us.

This is worth a listen, though, and if you are considering purchasing some or all of the Bach 2000 CDs, you definitely should sample this CD first to determine if the set is for you.

An Intro To The Complete Bach Edition Bach 2000 Sampler.......2000-08-05

I think it is an excellent introduction to Bach. Although I have always liked him, I've never purchased recordings of his work(s). I have to admit- it has me looking for more recordings. Nice- and the recordings are crisp and clear (even on my old player). I recommend it highly!

Average customer rating:

Bach 2000 Light (Without Sacred Cantatas) Various Conductors , Various Performers , and Various Ensembles Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Allemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Heinichen | Heinichen, Johann David | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Canons | Forms & Genres | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Canzones | Sonatas | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music Passacaglias | Variations | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B00001IV8C Release Date: 1999-09-21

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For\ the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May --This text refers to the complete edition of this title

Album Description

Volume 1, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 2, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 3, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 4, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 5, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 6, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 7, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 8, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Average customer rating:

Souljahz. Creating. Underground. Music. Sober 2000 & N-Jektion Manufacturer: S.C.U.M. Life ProductGroup: Music Binding: Audio CD ASIN: B000PLORGM

Product Description

13 Tracks. Alternate Title: S.C.U.M. Life

Average customer rating:

Emil Gilels: The Early Recordings (1934-1938) Manufacturer: Grammofono 2000 ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Godowsky | Godowsky, Leopold | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rameau | Rameau, Jean Philippe | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Gilels, Emil | ( G ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music ASIN: B000003UH8 Release Date: 1996-01-23

Tracks:

1. Giga
2. Pieces De Clavecin: Le Rapped Des Oiseaux
3. Spanische Romanze
4. Toccata Op.7
5. Duetto Lied Ohne Worte Op.38 No.3
6. Traumeswirren Fantasiestucke In Callots Manier Op.12 No.7
7. 'The Love For Three Oranges': March
8. Ballade In G Minor Op.23 No.1
9. 'Etudes D'Apres Paganini': Etude No.5 In E 'La Chasse'
10. Hungarian Rhapsody No. 9 In E Flat Major 'Carnival In Pest'

Average customer rating:

Klingon 2000 S.P.O.C.K. Manufacturer: SSC ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | CD Singles | Pop | Styles | Music Dance Pop | Compilations | Dance & DJ | Styles | Music ASIN: B00004ZU0I

Tracks:

1. Klingon 2000 [Radio Mix]
2. Klingon 2000 [Danny B's Worf Club mix]
3. Klingon 2000 [Art of Motion mix]
4. Klingon 2000 [Danny B's Phaser House Cut]
5. Klingon 2000 [Warp 2 mix]
6. Klingon 2000 [Mox Epoques Federation mix]
7. Star Pilot on Channel K [Biomekkanik remix]

Average customer rating:

Josef Hofmann, Legendary Pianist Manufacturer: Grammofono 2000 ProductGroup: Music Binding: Audio CD Gavottes | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00000JBG5 Release Date: 1999-06-15

Tracks:

1. Piano Duet D733: Marche Militaire No. 1 In D
2. 12 Lieder (Schubert) Piano Transcription S558: Der Erlkonig, No. 4
3. 'Song Without Words' Book 1: Jagerlied Op. 19 No. 3
4. 'Songs Without Words' Book 5: Fruhlingslied Op. 62 No. 6
5. Polonaise in A Op. 40 No. 1
6. Nocturne In E Flat, Op. 9 No. 1 Larghetto
7. Valse In E Minor Op. posth
8. Liebestraum No. 3 In A Flat
9. Fantasiestucke Op. 12 No. 3 'Warum?'
10. Valse caprice In E Flat
11. Miscellaneous Pieces In 9 Books, Op. 93, Book 9 No.7
12. Valse Op. 64 No. 2 In C Sharp Minor
13. Impromptu No. 1 Op. 29 In A Flat
14. Gavotte
15. Sonata For Piano No. 14 In C Sharp Minor 'Moonlight' Op. 27 No. 2: Adagio sostenuto (l Movement)
16. Lyric Pieces, Book 3 Op. 43: Papillon, Op. 43 No. 1
17. Spinnerlied 'The Bee's Wedding', Op. 67 No. 4
18. Grande Valse Brillante Op. 34 No. 1 In A Flat
19. Fantaisie-Impromtu No. 1 Op. 66 In C Sharp Minor
20. Berceuse In D Flat Op. 57
21. Murmures de la foret, Etude de Concert No. 1

Dance Music:

1. 24 Deep
2. 707 Ridaz [Explicit Lyrics]
3. After the Storm
4. Appearances: Book 1
5. Back Stabbers [Explicit Lyrics]
6. Bad as I Wanna B [Explicit Lyrics]
7. Blazin Hip Hop & R&B V.3 [Import]
8. Bound [Explicit Lyrics]
9. Breathing Lessons
10. Brown Royal Kingpins

Dance Music

dance music

Dance Music

E.P. Collection [Import]

Quartet Opus 30

Nuits de La Fondation Maeght, Vol. 1 [Live]

King Brilliant [Import]

More Better Different

In the Jungle [Import]

Michael English

Matousek: Chamber Music

Mood Country

Molomix

Miles & Monk at Newport [Original recording remastered] [Import]

Passport Control [Import]

Massive, Vol. 2: Biggest Hits of Dance & Urban [Explicit Lyrics] [Import]

New Blues Hits

Live Scenes From New York