| 1. Bazooka Tooth |
| 2. N.Y. Electric |
| 3. Easy |
| 4. No Jumper Cables |
| 5. Limelighters - Aesop Rock, Camp Lo |
| 6. Super Fluke |
| 7. Cook It Up - Aesop Rock, , Party Fun Action Committee |
| 8. Freeze |
| 9. We're Famous - Aesop Rock, El-P |
| 10. Babies With Guns |
| 11. Greatest Pac-Man Victory in History |
| 12. Frijoles |
| 13. 11:35 - Aesop Rock, Mr. Lif, |
| 14. Kill the Messenger |
| 15. Mars Attacks |
Editorial Reviews
Amazon.com
The MC Paul Barman-friendly raps flipped by Aesop on his acclaimed 2001 Labor Days release generally didnt register on most hip hop traditionalists scales. And Bazooka proves that hes even less interested in appeasing the boom bap crowd. On "Were Famous", Def Jux label head El-P and Aesop go after the, ahem, critics who might not view their futuro sound collages as legit hip hop. El-P raps "I laugh at critics claiming, 'Hip-hops over'/ F*** you, hip-hop just started." This being the first release where he handles the bulk of the production, Aesop intentionally goes all Def Jux, programming as many ultramodern found soundscapes on "NY Electric" and "The Greatest Pac-Man Victory Ever" (peep the sampled sounds from the classic video game) as is alienly possible. While his wordy and nearly incomprehensible verses on "Freeze" or "Mars Attacks" will either grate on the nerves or rate near genius, middling theyre not. Its just a shame that the lack of soul in his rotating rap deliveries tends to undermine his masterful storytelling capabilities (like, who else writes brilliantly random songs about goings on in their life at 11:35 P.M. on January 21st ("11:35")). Fabolous fans run for cover, this is extreme backpacker rap at its grimiest. --Dalton Higgins
Sure, it's a departure from his first two albums. On Tooth, Ace Rock has slowed his delivery just a little bit from 500 mph to, say, about 375. Some will argue that his lyrical content isn't as strong as it used to be - I disagree there. He's still just as poignant and witty as he's always been, IMO.
The other complaint about Tooth is that the musical direction has taken on the Definitive Jux persona 100%, meaning that everything is cut from the same cloth as the cold and emotionless wall of sound that El-P's Fantastic Damage made famous. This is due to the absence of Aesop's long-time producer/collaborator Blockhead; Aesop produced all but four of the tracks on this album, and while he did produce tracks before, leaving the bulk of the beat-making to Blockhead probably gave Ace Rock more time to focus on specific tracks, meaning the finished product sounded better.
Whatever the reason, Bazooka Tooth is a different animal entirely to the two albums before it. So, it's really unfair to compare here.
It's still great underground hip-hop, fitting for anyone who carries El-P or Rob Sonic in their CD collection.
The first 3 tracks are hot. "NY Electric," "Easy," and "No Jumper Cables" all start the album off with a bang after the short title track/intro.
"Limelighters," with a guest-feature from Camp Lo, was the first skip-worthy track to me; I didn't like it at all. It tried too hard to be commercial; the chorus was wack, straight up.
Next up, "Super Fluke." A lot of people say they don't like this one, but I did like it! It reminded me of Fantastic Damage (now a favorite of mine).
"Cook It Up", in which Aesop Rock actually tries on the pimp persona that's so hated in the underground. This is probably my favorite track, and it's the ONLY one produced by Blockhead.
Other faves are "Babies With Guns", "The Greatest Pac Man Victory Ever" (though it should be noted, Ace spends more time talking about LSD than Pac-Man), "11:35" featuring Mr. Lif (who I CAN'T STAND, but actually held his own in this one), and the brilliant closer, "Mars Attacks".
All in all, most of the album is pretty good, and definitely worth more of a listen than a lot of what's out there. It's just that it disappoints when compared to his earlier stuff. Of course, that's just due to Aesop's excellence; the guy arguably made two classics in a row - even HE couldn't keep up that trend.
For those who found this too "hard" to listen to, I won't fault you, like a lot of the musical snobs who listen to Ace Rock; music SHOULD be fun, not challenging.
For those who want to get into Aesop Rock and Def Jux, and think that this will kill both birds with the same stone, think again. Instead, shell out an extra 12 bucks and buy "Labor Days", which chronicled Ace at his hungriest, and El-P's "Fantastic Damage", as El-P is more experienced when tinkering with this futuristic. They're the best starting points for those trying to get into the underground. Most people will have to work up to this.
type lyrics, his rhymes are over analytical in a good way. this cd is a type of creation you would only hear coming out of the def jux crew, and any copiers of the style does it in severe mediocrity. aesop, who is one of the main originators of this style, comes again with some lyrics for that brain! bazzoka tooth, being a new type of endevore, takes his float and labor days style and adds something new to the mix, leaving the fans wanting more! i extremely recomend you buy this album along with the daylight ep, float, labor days, fast cars, AND IF YOU CAN FIND IT! music for earthworms and appleseed.
remember, F@#$ TRAIN BUFFERS
The MC Paul Barman-friendly raps flipped by Aesop on his acclaimed 2001 Labor Days release generally didnt register on most hip hop traditionalists scales. And Bazooka proves that hes even less interested in appeasing the boom bap crowd. On "Were Famous", Def Jux label head El-P and Aesop go after the, ahem, critics who might not view their futuro sound collages as legit hip hop. El-P raps "I laugh at critics claiming, 'Hip-hops over'/ F*** you, hip-hop just started." This being the first release where he handles the bulk of the production, Aesop intentionally goes all Def Jux, programming as many ultramodern found soundscapes on "NY Electric" and "The Greatest Pac-Man Victory Ever" (peep the sampled sounds from the classic video game) as is alienly possible. While his wordy and nearly incomprehensible verses on "Freeze" or "Mars Attacks" will either grate on the nerves or rate near genius, middling theyre not. Its just a shame that the lack of soul in his rotating rap deliveries tends to undermine his masterful storytelling capabilities (like, who else writes brilliantly random songs about goings on in their life at 11:35 P.M. on January 21st ("11:35")). Fabolous fans run for cover, this is extreme backpacker rap at its grimiest. --Dalton Higgins
Bazooka Tooth,Aesop Rock,Definitive Jux,Pop,Rap & Hip-Hop,Underground Rap
Average customer rating:
|
Bazooka Tooth
Aesop Rock Manufacturer: Definitive Jux ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AWULB Release Date: 2003-09-23 |
Tracks:
- Bazooka Tooth
- NY Electric
- Easy
- No Jumper Cables
- Limelighter
- Super Fluke
- Cook It Up
- Freeze
- We're Famous
- Babies With Guns
- The Greatest Pac-Man Victory Ever
- Frijoles
- 11:35
- Kill The Messenger
- Mars Attacks
Amazon.com
The MC Paul Barman-friendly raps flipped by Aesop on his acclaimed 2001 Labor Days release generally didn't register on most hip hop traditionalists scales. And Bazooka proves that he's even less interested in appeasing the boom bap crowd. On "We're Famous", Def Jux label head El-P and Aesop go after the, ahem, critics who might not view their futuro sound collages as legit hip hop. El-P raps "I laugh at critics claiming, 'Hip-hop's over'/ F*** you, hip-hop just started." This being the first release where he handles the bulk of the production, Aesop intentionally goes all Def Jux, programming as many ultramodern found soundscapes on "NY Electric" and "The Greatest Pac-Man Victory Ever" (peep the sampled sounds from the classic video game) as is alienly possible. While his wordy and nearly incomprehensible verses on "Freeze" or "Mars Attacks" will either grate on the nerves or rate near genius, middling they're not. It's just a shame that the lack of soul in his rotating rap deliveries tends to undermine his masterful storytelling capabilities (like, who else writes brilliantly random songs about goings on in their life at 11:35 P.M. on January 21st ("11:35")). Fabolous fans run for cover, this is extreme backpacker rap at its grimiest. --Dalton HigginsCustomer Reviews:
Schweet.......2007-06-14
Are you kiddin me??.......2006-03-04
Not His Best, But Better Than Most (Hard Work, Though).......2005-10-03
Sure, it's a departure from his first two albums. On Tooth, Ace Rock has slowed his delivery just a little bit from 500 mph to, say, about 375. Some will argue that his lyrical content isn't as strong as it used to be - I disagree there. He's still just as poignant and witty as he's always been, IMO.
The other complaint about Tooth is that the musical direction has taken on the Definitive Jux persona 100%, meaning that everything is cut from the same cloth as the cold and emotionless wall of sound that El-P's Fantastic Damage made famous. This is due to the absence of Aesop's long-time producer/collaborator Blockhead; Aesop produced all but four of the tracks on this album, and while he did produce tracks before, leaving the bulk of the beat-making to Blockhead probably gave Ace Rock more time to focus on specific tracks, meaning the finished product sounded better.
Whatever the reason, Bazooka Tooth is a different animal entirely to the two albums before it. So, it's really unfair to compare here.
It's still great underground hip-hop, fitting for anyone who carries El-P or Rob Sonic in their CD collection.
The first 3 tracks are hot. "NY Electric," "Easy," and "No Jumper Cables" all start the album off with a bang after the short title track/intro.
"Limelighters," with a guest-feature from Camp Lo, was the first skip-worthy track to me; I didn't like it at all. It tried too hard to be commercial; the chorus was wack, straight up.
Next up, "Super Fluke." A lot of people say they don't like this one, but I did like it! It reminded me of Fantastic Damage (now a favorite of mine).
"Cook It Up", in which Aesop Rock actually tries on the pimp persona that's so hated in the underground. This is probably my favorite track, and it's the ONLY one produced by Blockhead.
Other faves are "Babies With Guns", "The Greatest Pac Man Victory Ever" (though it should be noted, Ace spends more time talking about LSD than Pac-Man), "11:35" featuring Mr. Lif (who I CAN'T STAND, but actually held his own in this one), and the brilliant closer, "Mars Attacks".
All in all, most of the album is pretty good, and definitely worth more of a listen than a lot of what's out there. It's just that it disappoints when compared to his earlier stuff. Of course, that's just due to Aesop's excellence; the guy arguably made two classics in a row - even HE couldn't keep up that trend.
For those who found this too "hard" to listen to, I won't fault you, like a lot of the musical snobs who listen to Ace Rock; music SHOULD be fun, not challenging.
For those who want to get into Aesop Rock and Def Jux, and think that this will kill both birds with the same stone, think again. Instead, shell out an extra 12 bucks and buy "Labor Days", which chronicled Ace at his hungriest, and El-P's "Fantastic Damage", as El-P is more experienced when tinkering with this futuristic. They're the best starting points for those trying to get into the underground. Most people will have to work up to this.
Different than Labor Days, but great in its own way........2005-06-21
another masterpeice.......2005-06-17
type lyrics, his rhymes are over analytical in a good way. this cd is a type of creation you would only hear coming out of the def jux crew, and any copiers of the style does it in severe mediocrity. aesop, who is one of the main originators of this style, comes again with some lyrics for that brain! bazzoka tooth, being a new type of endevore, takes his float and labor days style and adds something new to the mix, leaving the fans wanting more! i extremely recomend you buy this album along with the daylight ep, float, labor days, fast cars, AND IF YOU CAN FIND IT! music for earthworms and appleseed.
remember, F@#$ TRAIN BUFFERS
Average customer rating: |
Bazooka Tooth
Aesop Rock Manufacturer: Definitive Jux ProductGroup: Music Binding: Audio CD ASIN: B000159EXI Release Date: 2004-01-27 |
Tracks:
- Bazooka Tooth
- N.Y. Electric/Hunter Interlude
- Easy
- No Jumper Cables
- Limelighters/Flunkadelic Interlude - Aesop Rock, Camp Lo
- Super Fluke
- Cook It Up - Aesop Rock,
- Freeze/Honeycomb Interlude
- We're Famous - Aesop Rock, El-P
- Babies With Guns
- Greatest Pac-Man Victory in History
- Frijoles
- 11:35/Ketamine U.S.A. Interlude - Aesop Rock, Mr. Lif
- Kill the Messenger
- Mars Attacks
Dance Music:
- Beatz in My Lifetime, Vol. 1.0
- Best of Mr. Shadow 2002 [Explicit Lyrics]
- Broamz, Chrome and Redbones
- Chicano Ballerz [Explicit Lyrics]
- Chicano Thugz [Explicit Lyrics]
- Chunky [Explicit Lyrics]
- Culture Shock [Explicit Lyrics]
- Destiny [Import]
- Eastside [Explicit Lyrics]
- Escape from Alcatraz
Dance Music
On the Road: Camden, NJ 11-27-04 [Limited Edition] [Live]