1972 [Explicit Lyrics]

1972 [Explicit Lyrics]

Track Listings

1. Intro 777
2. Todo Mi Corrillo
3. Traga 777 [Remix]
4. Madre No Llores
5. Pay Back (Nyce Guy)
6. Tu Papa
7. I'm a Murdera (Como Tiemblan)
8. Guarani
9. Interlude
10. Se Testigo [Remix]
11. Pa' la Kalle
12. Huellas en Mi Loceta (Ven My Gial)
13. High Surfing
14. Ira Callejera
15. Potranca
16. Reina Solo Una (Entre Uds. Y Yo)
17. Dame Lo Que Tu Quieras

Pa' la Kalle,Mexicano 777,Universal Latino,Latin,Latin Pop/Rock,Latin Rap,Rap & Hip-Hop,Underground Rap,United States of America,West Coast Rap
The Godfather (1972 Film)
Average customer rating: 4 out of 5 stars
  • Listening music
  • Speak Softly Love .....
  • OUTSTANDING!!
  • Relive the film
  • Classic film score brings me back to ancestral roots
The Godfather (1972 Film)
Nino Rota
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Godfather Part II (1974 Film)
  2. The Godfather Part III: Music From The Original Motion Picture Soundtrack
  3. The Godfather: Trilogy 1, 2 & 3
  4. Doctor Zhivago: Original Motion Picture Soundtrack - The Deluxe Thirtieth Anniversary Edition
  5. Mob Hits - Music From and a Tribute to the Great Mob Movies

ASIN: B000002OG5
Release Date: 1991-03-26

Tracks:

  1. Main Title (The Godfather Waltz)
  2. I Have But One Heart - Johnny Farrow, Marty Symes
  3. The Pickup
  4. Connie's Wedding - Carmine Coppola
  5. The Halls Of Fear
  6. Sicilian Pastorale
  7. Love Them From The Godfather
  8. The Godfather Waltz
  9. Apollonia
  10. The New Godfather
  11. The Baptism
  12. The Godfather Finale

Amazon.com

When director Francis Ford Coppola turned novelist Mario Puzo's pulpy The Godfather into one of the greatest accomplishments of modern American cinema in 1972, one of his shrewdest decisions was to hand the scoring assignment to the great Italian film composer Nino Rota. Rota, who had built his reputation alongside Fellini (though he'd already scored some three dozen films in the previous 20 years), brought Neopolitan jazz stylings and a Sicilian melodic sensibilty (characterized perfectly by the main title's mournful solo trumpet, which has since become a cinematic icon) to a story of corruption and betrayal as American as, well, gnocchi. Listening to this masterful score one can't help but wonder what Rota, who died in 1979) might have accomplished had he begun working with Hollywood's resources a decade earlier. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Listening music.......2007-03-29

Just as the Godfather films are great so is the music. The music is enjoyable as well as relaxing. If you like just listening music I highly recommend this cd and the others to Godfather 2 and 3 films.

5 out of 5 stars Speak Softly Love ............2006-10-10

The soundtrack to Coppola's 1972 Godfather can bring you back to the period piece that made Brando, Pacino, and De Niro bona fide stars whose longevity is unquestionable. It's the Sicilian inspired love theme (written By Andy Williams) whose cords still provoke the film stills of Michael Corleone's wedding to his first wife Apollonia that takes your breath away. Whether instrumental or sung .... it's haunting strains are a vivid connection to the movie for anyone who has seen it. It is especially haunting because the music was played as a wedding song for Michael and Apollonia in Italy but NOT for Michael and Kay back in New York, which is telling given how Apollonia's memory seemed to cast a shadow long after her tragic death.

I would highly recommend purchasing this soundtrack along with that for 1988's Cinema Paradiso which has a Sicilian-inspired sound to it too. Both play upon the theme of love lost forever and leaving the country of its happenings as the only way to forget, as Toto was just as haunted by Elena as Michael with Apollonia.

Speak softly, love and hold me warm against your heart
I feel your words, the tender trembling moments start
We're in a world, our very own
Sharing a love that only few have ever known

Wine-colored days warmed by the sun
Deep velvet nights when we are one

Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die
My life is yours and all because
You came into my world with love so softly love

Wine-colored days warmed by the sun
Deep velvet nights when we are one

Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die
My life is yours and all becau-au-se
You came into my world with love so softly love


5 out of 5 stars OUTSTANDING!!.......2006-07-07

If you like the movies, you'll love this soundtrack! All of your favorite melodies just hit the spot!!

5 out of 5 stars Relive the film.......2005-10-06

To appreciate this soundtrack fully it is essential to have seen and enjoyed the film although the music is haunting in its own right. Yes, the CD is only just over an half hour in length but quantity is compensated for by quality. The music perfectly captures the moodiness of the film and its period. Buy this CD and you will not be disappointed. It is a low price to pay for owning a 'cut' of movie history - it will be timeless for you.

5 out of 5 stars Classic film score brings me back to ancestral roots.......2005-08-09

Last night my wife & I happened to watch The Godfather on Bravo and the music was the element that really captivated me. When I first saw this movie, I was 9 years old in 1972, on a family vacation, and my very conservative 2nd generation Italian-American parents, completely unaware of the subject matter of the film, thought this an excellent film for the family to watch... Yet, looking back, and feeling the loss of grandparents, great aunts and uncles, the diaspora across America of my first and second cousins, lost in the melting pot, the score for the Godfather reminds me of a time of my own innocence, of a time when large family gatherings were the norm, when every Sunday evening meant hour long haircuts by my 85 year old grandfather and delicious Italian meals cooked by my 70 year old great aunt. It took a long time to accept the loss of family as one by one that generation died off in the 1970's, to realize that life was not going to be a cocoon of large, warm, loving family relations. Yet, way back in 1972, this magnificent, mournful music presaged that tragic realization that life in America was no longer going to be so cozy for those who choose complete assimilation into the melting pot. The fictional Corleone family were Sicilian; my own were Neapolitan & Barese, but for anyone of southern Italian heritage, whether on the mainland or Sicily there is a chill of genetic resonance and recognition when you hear Rota's haunting mix of Neapolitan & Sicilian sounds and rhythms. It's the motherland calling, the soul yearning, ignorant of the original grievances that caused the rift that sent whole communities and solo immigrants to the shore of a new world that was often no warmer a welcome mat than the hidebound, superstitious and vendetta-plagued hilltop farming communities they sought to escape from. Tears of what...joy? or tears of sorrow demand to be exuded from my being when I hear this film score, crying for a warm, fuzzy fantasy of youth, yes, but one that did indeed contain the seeds of my being, and the cocoon of loving family that sheltered me in my growing years. Let me call these tears of joy and appreciation for Francis Ford Coppola and Nino Rota for awakening in me the dormant love of an ancient homeland with many faults, but big enough to give birth to those who gave life to me.
Pippin (1972 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • On the right track
  • Pippin cd
  • One Of a Kind
  • Welcome Surprise
  • Great songs, great grooves
Pippin (1972 Original Broadway Cast)
Stephen Schwartz
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Pippin
  2. Godspell (1971 Original Off-Off-Broadway Cast)
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  4. A Chorus Line (1975 Original Broadway Cast)
  5. Pippin: Vocal Selections

ASIN: B00004YNGH
Release Date: 2000-09-26

Tracks:

  1. Magic to Do
  2. I Guess I'll Miss the Man
  3. War Is a Science
  4. Glory
  5. Simple Joys
  6. No Time at All
  7. With You
  8. Spread a Little Sunshine
  9. Morning Glow
  10. On the Right Track
  11. Kind of Woman
  12. Extraordinary
  13. Love Song
  14. Corner of the Sky
  15. Finale
  16. I Guess I'll Miss the Man -- The Supremes (bonus track)
  17. Corner of the Sky -- The Jackson 5 (bonus track)
  18. Morning Glow -- Michael Jackson (bonus track)

Amazon.com essential recording

A young man graduates from college and wonders how to find real meaning in his life. What's an heir to the 9th-century Holy Roman Empire to do? If you're Pippin, son of Charlemagne, you decide to dabble in war, sex, and politics before finally finding love. When Bob Fosse directed the original Broadway production of Pippin in 1972, he transformed what had originally been a relatively innocent college project for composer-lyricist Stephen Schwartz into a burlesque filled with broad comedy, bawdy characters, and magical but dark situations. John Rubinstein (best known for his TV work and son of pianist Artur) plays the title character, and Ben Vereen kick-started his career (and won a Tony) as the narrator figure known as the Leading Player. Schwartz's combination of Godspell-like ensemble energy with various pop-rock styles makes for a snappy, tuneful score, including the soul-driven opener "Magic to Do," the soaring "Corner of the Sky," the lovely ballads "With You" and "Love Song," and the romping "No Time at All" (delivered with saucy conviction by The Beverly Hillbillies' Irene Ryan as Pippin's grandmother).

While the original CD release was somewhat notorious for its lack of liner notes, the 2000 remastered release includes an essay on the show's creation, a detailed synopsis, and full lyrics, as well as three bonus tracks. Pippin was originally released on the Motown label, so some of its songs were cross-promoted by Motown stars: The Supremes deliver a conventional take on the gentle "I Guess I'll Miss the Man," the Jackson 5 deliver a blast of high-pop energy to "Corner of the Sky," and Michael Jackson solos on "Morning Glow." --David Horiuchi

Customer Reviews:

4 out of 5 stars On the right track.......2006-12-01

Early, devilishly catchy and quite charming example of Stephen Schwartz's canny ability to mix theatrical and popular music styles, let down by John Rubinstein and Jill Clayburg's mawkish and vocally nervous interpretations of the lead roles, which are shamed all the more by Ben Vereen's masterful performance and a sterling effort on the part of the supporting cast and orchestra.

4 out of 5 stars Pippin cd.......2006-11-06

I got what I wanted. It is a good recording of an unusual show, Ben Vereen stands out.

4 out of 5 stars One Of a Kind.......2006-07-23

Saw Pippin on Broadway a couple times, and back then it was uncomparable. Fosse's staging, Vereen's performance, Tony Walton's sets and costumes and Schwartz's music were unique. It was a big old, dazzling carnival. Only wish I had seen Irene Ryan, but alas, she had passed away before I saw the show. Still, the CD preserves her performance as well as the rest of this highly imaginative and original piece. Skip the filmed version, somehow the magic got lost, while it is mildy diverting, it nonetheless, misses the impact of the live performance.

5 out of 5 stars Welcome Surprise.......2006-07-11

This CD was a welcome surprise. It contains all of the original 1972 cast of the hit Broadway Musical "Pippin" ! The words to each song are included and 3 bonus tracks including 2 of early Michael Jackson and another of the Supremes. The whole CD had been remastered. It was a nostalgia "trip" and current enough for today!

5 out of 5 stars Great songs, great grooves.......2006-02-23

PIPPIN has such a unique mix of 70's soul and Broadway show biz. It works every step of the way, though, with unbelievably catchy songs, great melodies, and toe-tapping grooves. The play may occasionally run thin on story framework, but it's got the best soundtrack of any musical.
Cabaret: Original Soundtrack Recording (1972 Film)
Average customer rating: 5 out of 5 stars
  • A Different Interpretation of Cabaret
  • Love this album
  • Viva La Diva
  • Huge Improvement from the Original Score
  • Legendary....
Cabaret: Original Soundtrack Recording (1972 Film)
Fred Ebb
Manufacturer: Hip-O Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Cabaret
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  4. Camelot (1960 Original Broadway Cast)
  5. Fiddler on the Roof (1964 Original Broadway Cast)

ASIN: B000005KOH
Release Date: 1996-11-19

Tracks:

  1. Wilkommen
  2. Mein Herr
  3. Maybe This Time
  4. Money , Money
  5. Two Ladies
  6. Sitting Pretty
  7. Tomorrow Belongs To Me
  8. Tiller Girls
  9. Heiraten ( Married )
  10. If You Could See Her
  11. Cabaret
  12. Finale

Amazon.com

Cheated out of playing nightclub canary Sally Bowles on Broadway in director Hal Price's Cabaret, Liza Minnelli nevertheless delivered an Oscar-winning star turn in Bob Fosse's cinematic reinvention of the show (which had the good sense to retain perverse imp Joel Grey from the stage production). Although the 1972 film discarded several songs from the original score, the new ones sound even better: Minnelli's breast-beating "Maybe This Time," the sultry "Mein Herr," and the salaciously satirical "Money, Money." By placing almost all the pertinent musical action on the stage of the decadent Kit Kit Club, the Kurt Weill-like compositional nuances and political underpinnings bask in the spotlight...that is, when Minnelli stops eclipsing it with her no-holds-barred performance. --Kurt B. Reighley

Customer Reviews:

5 out of 5 stars A Different Interpretation of Cabaret.......2006-07-31

It really bothered me that a review below stated that Liza Minnelli wasn't Sally Bowles and that the song "Cabaret" is about Sally being upset that she lost her true love and that its about Sally coming to the realization that she is stuck in the awful cabaret.

Well, with all due respect, this is wrong. The reviewer probably got that idea by listening to Natasha Richardson sing "Cabaret" and believed that because Sally is crying, she must realize that she lost everything and that she is stuck in some god awful place. Well, the song "Cabaret" is really about Sally's desperate attempt to convince herself that everything is normal, that everything will remain the same. Sally is in deep denial and believes that her life will always be full of decadence, glitz, parties, and fun even as Germany falls under the control of the Nazi party.

However, one must keep in mind that Liza's Sally Bowles and Natasha Richardson's Sally Bowles are two very different interpretations. Liza was almost a decade younger than Natasha Richardson when she played Sally Bowles (Liza was about 26 and Natasha was about 35 when they tackled the roles of Sally). Because of this Liza's Sally is more young and naive and when she is singing "Cabaret" she honestly does believe that everything will be okay. This does not leave the viewer with a happy feeling as one reviewer said, it leaves us feeling sad and a scared for Sally because we know what the future holds in store for her and for Germany.

However, Natasha Richardson's Sally is older and less naive. Because of this, when she sings "Cabaret" she has to make herself believe in what she is singing. She has to make herself believe that everything will return to normal and that she will continue living the way she does no matter what happens. That's the difference: Liza believes that everything will be okay, while Natasha has to tell herself that everything will be okay, even though deep down she knows that's probably not true.

5 out of 5 stars Love this album.......2006-07-07

Just got a new CD player for car and this is one of the first albums I had to have on CD. Now all I need is "Two Ladies".

5 out of 5 stars Viva La Diva.......2005-05-16

After reading all of the reviews where everyone blasts Liza Minnelli, and how this was a vehicle for her talents...I think they forget that she was originally desired for the role of Sally Bowles in the first place, and was considered too American. Yes, one cannot deny this is Judy Garland's daughter. Every actor/actress has one or two roles that define perfection...and in this case (as much as I hate to admit) this is Liza's. Ripping apart the "love triangle" and comparing it to the broadway musical, you are forgetting to the heart of this production in the first place: the stories written by Christopher Isherwood, and that is exactly what Fosse did in his desire to return to the original inspiration. Sexuality couldn't be mentioned in 1966 as something realistic or even a possibility. But blooming homosexuality/bisexuality was VERY prelevent in Weimar Berlin (it is even alluded to in the silent German classic: Pandora's Box, with Louise Brooks, which has modern cinema's first lesbian and remember, in Frankfurt there was a center for Studies on Human Sexuality that as early as 1925 said that homosexuality was natural...one of the first places to be destroyed by fascism and Hitler) and to me, that is why the story line and these songs work...it is realistic and also very true to Isherwood's stories. So if anything, blame the stage musical for glossing over the truth...not the film. Obvious critics also blast the cutting out of a lot of the original tracks, which again works because the story line has changed. Why include tracks of Sally's landlady singing about her love for a Jewish fruit vendor if it isn't even alluded to in the film?

Every track on this disc, makes you wish you could actually go to a Cabaret and see girls kicking up their heels...like the Cabaret girls did in the film. Joel Grey is priceless as the Emcee, a role he created and played to perfection. He is every bit as sleazy as the character on broadway, and even more so because the performance shows how the rise of nazism affected what was going on inside of the cabaret, and that slimy weasel just smiled and welcomed it into the performances. Both broadway and film versions are perfect in their own right.

One reviewer seems perplexed by the track "Tomorrow Belongs To Me" and where it fits. Hitler youth were groomed as aryan perfection, and the youth encouraged patriotism (be it false or not) amongst the Germans at a time when they were coming out of a depression. It is creepy watching the scene in the film, and even hearing it on the soundtrack, as it does stand out...the youth were persuasive and doing what they had been brainwashed to do: convince and create a hate filled patriotism. What is even creepier, is that "Cabaret" is written by persons of Jewish faith, and modern right wing and nazi/aryan groups have adopted "Tomorrow Belongs To Me" to sing at their rallies, and even skinhead punk bands (such as Skrewdriver) have covered the song as a tribute to their "perfect race", funny how a song that fuels the fire of their hatred is written by 2 jewish people (something I think they have forgotten) who are obviously of an "inferior race" (according to what nazism preaches)...(whats wrong here, couldn't the continuing people of anti-semitism and "white power" write their own track? ooh how hypocrisy is pathetic!) judging by their last names, so listening to this track is extremely disturbing on many social levels for this very reason today as it is presented in the film.

The opening track "Wilkommen"...wow what a way to open a show and get the juices flowing, informing everyone present that leaving your troubles behind and tasting some burlesque is a fabulous idea...and why not kick up your heels?

"Mein Herr" is one of the best tracks on the soundtrack, and remembering the sexy Fosse choreography makes it even more enjoyable. Performed in the film, it is intimate as if you are seeing the show first row. Yes, it works.

"Maybe This Time" Yes, this is obviously a Liza signature. But it does reflect Sally's character and her feelings of hope, that someone will believe in her and perhaps even love her, and making her feel worthy.

"Two Ladies" is obviously priceless.

The album does shortchange you in the fact that you aren't seeing it performed, but it gives you something else: the ability to remember what was going on. Remember, Fosse created this format into a "Concept" musical, and if the film is to be called "Cabaret" then gosh darnit, shouldn't the music be represented there?

This is a timeless classic.



5 out of 5 stars Huge Improvement from the Original Score.......2004-07-16

Even though "Cabaret" is DEFINATELY my favorite musical, I have to say the movie version is my favorite recording. Yes Lotte Lenya and Joel Grey were excellent in the original recording, there were some pretty so-so songs that didn't stand out as the ones on this soundtrack do. First of all, the movie version of "Cabaret" was NOT the Broadway version. The only songs taken from the original are "Wilkommen", "Money, Money", "Two Ladies", a translated version of "Married and the concluding title track. Two new Bob Fosse tunes are included which spruce up the score: the sultry "Mein Herr" and the unforgettable "Maybe This Time" performed FLAWLESSLY by Minnelli. Another original tune is the delightful yet disturbing "If You Could See Her" by Joel Grey. Overall as I said earlier this is my favorite recording as it's the best vocally. The instrumentals are also incredible and are an improvement over the Broadway. Granted, classics like "Don't Tell Mama", "So What" and "Perfectly Marvelous" were omitted, but who cares? Fosse, Minnelli and Grey make this show their own. "Cabaret" will always remain my favorite musical and the movie soundtrack my favorite recording. A+

5 out of 5 stars Legendary...........2004-03-30

This movie picked up 8 Academy awards, including a best actress award for Liza Minnelli and a best supporting actor for Joel Grey. We follow a night club singer called Sally Bowles (Liza Minnelli) who struggles to make a living as a performer in the 1930's Berlin under world war two. Sally seems happy and unsually bored until one day a man walks into her life...little did she know that the man would change her life forever as it seems...Life is a cabaret, old chum...come to the cabaret.

Willkommen 5/5
The opening act brilliantly performed by the master of command, Joel Grey's performance is strange, gothic and weird but it always comes off strong and vital as Joel himself.

Mein Herr 5/5
Liza Minnelli's first song, it's ferious, fearless groundbreaking and stunning, it has a great beat and Liza shines both with voice and with her dancing act, the song perfectly represents what Sally Bowles is all about.

Maybe This Time 4.5/5
What many people didn't know is that Liza has actually been singing this song since 1964, nonthelss it's melancholic and Liza Minnelli's performance is vital, strong and it remains a Liza Minnelli classic...Maybe this time....who knows?........

Money, Money 5/5
A fine duet between Joel Grey and Liza Minnelli, the song is fun, quirky and sataric, both Joel and Liza are perfect, Joel's growling vocal perfectly suits Liza's crystal clear multi-faceted singing, one of the best songs on the album.

Two Ladies 4.5/5
Another song performed solo by the ecclectric master of command, the fantastic Joel Grey. The song itself is fun, loving and very vulgar, but in a fun way. Joel Grey is outstanding and is obviously one of the biggest Broadway performers of out time...Two ladies...what a fantasy...??...

Sitting Pretty 4/5
A fine instrumental number, but what I don't understand is why Bob Fosse chose to leave out so many songs that is vital for the shows total running time...So What was a song that needed to be executed, Lotta Lenya's performance were ecclectric.

Tomorrow Belong To Me 2.5/5
This song gives me the shivers...it's strangely nationalized and it has a very scary mood and feeling about it, the one song that don't fit in with "Cabaret", it's strange and give me the shivers every time I hear it...how strange!!!...maybe not?..

Tiller Girls 4/5
Another instrumental song (the second and last) instrumental tune, again I still can't comprehend why there were so many vital songs cut out from this movie, but for anyone who hasn't seen the Lotta Lenya original Broadway production of Cabaret they won't miss a thing, I'm confounded. Still good though.

Heiraten (Married) 4.5/5
A great German song about the struggles of the married life, the song is beautifully performed, I can just imagine Marlene Dietrich, Zara Leander or Lenya performing this tune, it's simply great...same year Liza performed this song in english in her Tony award winning show called "Liza With A Z".

If You Could See Her 5/5
WoW this song really sturred something deep inside me, Joel is allegedly singing about his love for a jew and not the Orangutang his performing with, listen carefully and You'll the deeper message within the meaning of the song. Legendary.

Cabaret 5/5
WOW Liza Minnelli's classic act, her performance is forceful, prowess, ravingly stunning, legendary, shadowing, and one of the most memorable tunes ever performed by anyone, no wonder why Liza won a Academy award for best actress. Liza Minnelli is a legend and she truly deserves the title of one.

Finale 5/5
The ending song summons up the whole show, it's emotional and it will promtly remind You just how great Cabaret was, Liza Minnelli, Joel Grey, Michael York all performed with such a powerful and forceful energy that it will be remembered for a very long time, Cabaret was the last succesful musical movie, up until the release of the wonderful "Mounlin Rouge" and some years later "Chicago". A lost genre, it's truly sad.
Collection: 1947-1972
Average customer rating: 5 out of 5 stars
  • Great overview of an outstanding singer
  • great forgotten singer
  • The greatest male voice of his time
  • New to Me...But what a Treasure...
  • Hartmans one of the Greats!
Collection: 1947-1972
Johnny Hartman
Manufacturer: Hip-O Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. John Coltrane & Johnny Hartman
  2. Hartman for Lovers
  3. Unforgettable
  4. And I Thought About You
  5. The Bridges Of Madison County: Music From The Motion Picture

ASIN: B00000BKK5
Release Date: 1998-09-22

Tracks:

  1. I'll Never Smile Again
  2. I Let A Song Go Out Of My Heart
  3. Why Was I Born?
  4. I Should Care
  5. That Old Black Magic
  6. Close Your Eyes
  7. S'Posin'
  8. Goodbye
  9. September In The Rain
  10. Out Of The Night
  11. Worry Bird
  12. Wheel Of Fortune
  13. Wild
  14. Black Shadows
  15. I Feel Like Crying
  16. I See Your Face Before Me
  17. The End Of A Love Affair
  18. The World Was Mine
  19. Bye, Baby, Bye
  20. I Thought About You
  21. Mam'selle

Tracks:

  1. My One And Only Love
  2. Lush Life
  3. In The Wee Small Hours Of The Morning
  4. Don't You Know I Care
  5. Stairway To The Stairs
  6. My Ship
  7. The More I See You
  8. Almost Like Being In Love
  9. The Very Thought Of You
  10. Unforgettable
  11. If I Had You
  12. As You Desire Me
  13. When I Get The Time
  14. I Cover The Waterfront
  15. Fly Me To The Moon
  16. On A Clear Day (You Can See Forever)
  17. Shadow Of Your Smile

Customer Reviews:

5 out of 5 stars Great overview of an outstanding singer.......2006-11-23

Johnny Hartman was, no doubt, one of the most versatile singers of the twentieth century, a man whose warm, deep voice made him feel at home singing a varied range of songs, from pop to jazz to show tunes. He started out as a crooner in the late forties, somewhat influenced by Billy Eckstine but always with a style all his own, and his outstanding career ended in 1983, when he succumbed to lung cancer. In between those two dates, his highly personal voice was heard on stages all over the world, from the States to England to Australia to Japan, where he even recorded a couple of albums backed by Japanese sidemen.

Hartman's recorded legacy is one of the relatively unknown treasures of our time. Although he recorded for several labels over the years, in my opinion, his best work was done for Impulse Records in the early sixties, including an album with the legendary tenor saxophonist John Coltrane. Entitled simply "John Coltrane and Johnny Hartman" and released originally in 1963, it remains a masterpiece that everyone should own and cherish. Two songs from that album appear on this fantastic compilation, which is undoubtedly the most complete introduction to Hartman's work to date, featuring recordings that span 25 years, from 1947 to 1972.

Throughout the 38 tracks contained herein, we can hear how Hartman succeeds in singing very different types of songs with diverse kinds of accompaniment, making all songs his own. We can also witness Hartman's stylistic development, from his early years as a crooner up into his later efforts as a jazz singer - and one of the very best the world has ever known. If you don't own any other CDs by Hartman, then this is definitely where you should start to delve into his music. I am sure it will not be too long before you find yourself looking for other superb titles such as "I Just Dropped in to Say Hello," "The Voice That Is!," or his great collaboration with Coltrane.

5 out of 5 stars great forgotten singer.......2006-03-20

Johnny Hartman has an exceptional voice quality that litterally ranges from tenor to bass. He is known as a baritone but his smooth resonant bass is something better known singers such as frank Sinatra, Bing Crosby, Tonny Bennet, Vic Damone, and many others are lacking. Therefore based on range,ability to sing from loud to soft, Hartman is superior. He also has great breath control,I can't hear any annoying breaths after holding notes, which is amazing considering he smoked so many cigarettes. He always seems to sing with perfect pitch and can sing many styles of music with a resonating baritone. The stacato jazz is a waste of his talent; he is better with poignant ballads which show his true melodious lyrical presence and at times almost operatic sound. He can sing the songs of Frank Sinatra with more power to his voice and certainly more resonance. He also sings on key better than Sinatra and has a much broader range. It is a shame he hasn't received accolaides or praise for being one of the great popular singers of the 20th century.

5 out of 5 stars The greatest male voice of his time.......2006-01-13

This isn't necessarily a review on this disc, although it is great, as much as it is Johnny Hartman's entire body of work. His voice is unlike any other. No one, not even Frank, could turn a phrase like Johnny. It's so sad that he never really received his due while alive. He should've been as big as Sinatra or Nat King Cole. I advise picking up anything you can get your hands on by Hartman. His album w/ Coltrane is a good place to start. After listening to that though you'll find yourself admiring the voice and wanting to hear more of it. Get any of the Impulse recordings and this double disc set. They're all great!

5 out of 5 stars New to Me...But what a Treasure..........2004-11-05

As I am learning to appreciate more and more diversity in musical selections, from pop to opera, Johnny Hartman comes across as a melodic genius....every one who loves beautiful smooth classics will love Mr. Hartman!

5 out of 5 stars Hartmans one of the Greats!.......2002-12-31

Nice and easy on the ears for a change. The songs are all fine and mellow. because Hartman was black, he didn't get the attention that the white guys did, and he was a much better singer. buy this one and you will not regret it!
The Very Best Of Nina Simone, 1967-1972 : Sugar In My Bowl
Average customer rating: 5 out of 5 stars
  • She Touches Your Soul...
  • Favorite CDs of my collection
  • A great Artist
  • WOW!!
  • the most melodic voice ever
The Very Best Of Nina Simone, 1967-1972 : Sugar In My Bowl
Nina Simone
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
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  1. Nina: The Essential Nina Simone
  2. Anthology
  3. Feeling Good: The Very Best of Nina Simone
  4. The Blues
  5. The Best of Nina Simone

ASIN: B000009HRC
Release Date: 1998-07-28

Tracks:

  1. My Man's Gone Now
  2. Since I Fell For You
  3. I Want A Little Sugar In My Bowl
  4. Do I Move You (Version II)
  5. Blues For Mama
  6. Backlash Blues
  7. In The Dark
  8. Consummation
  9. Go To Hell
  10. I Wish I Knew How It Would Feel To Be Free
  11. Turning Point
  12. Turn Me On
  13. The Look Of Love
  14. To Love Somebody
  15. I Can't See Nobody
  16. In The Morning
  17. Do What You Gotta Do
  18. Ain't Got No - I Got Life
  19. Please Read Me
  20. Martin Luther King Suite: Sunday In Savannah
  21. Martin Luther King Suite: Why (The King Of Love Is Dead)
  22. Martin Luther King Suite: Mississippi Goddam

Tracks:

  1. I Think It's Going To Rain Today
  2. I Get Along Without You Very Well (Except Sometimes)
  3. Nobody's Fault But Mine
  4. Another Spring
  5. Compassion
  6. Seems I'm Never Tired Lovin' You
  7. I Shall Be Released
  8. To Be Young, Gifted And Black
  9. Just Like Tom Thumb's Blues
  10. Suzanne (Previously Unreleased)
  11. My Father/Dialog (Previously Unreleased)
  12. Jelly Roll (Previously Unreleased)
  13. Tell It Like It Is (Previously Unreleased)
  14. Mr. Bojangles
  15. Here Comes The Sun
  16. Ooh Child
  17. Poppies
  18. 22nd Century (Previously Unreleased)

Amazon.com essential recording

With characteristic willfulness, Nina Simone plunged into a range of songbooks and styles between 1966 and 1973, when she recorded nine LPs for RCA. This two-disc overview demonstrates just how unpredictable and headstrong the seething songstress was during a period that was tumultuous for Simone personally and for society in general. Top 40 covers ("Mr. Bojangles," "To Love Somebody") mix with rock (Dylan's "Just Like Tom Thumb's Blues," George Harrison's "Here Comes the Sun") and pop standards ("Since I Fell for You," "My Man's Gone Now"). An increasingly politicized perspective informed Simone's late-'60s work. Her friends included Black Power firebrands H. Rap Brown and Stokely Carmichael, and she made no attempt to disguise her militancy. "The King of Peace is dead. I ain't about to be nonviolent, honey!" she announces on this collection's "Martin Luther King Suite," which was recorded live one day after the civil rights leader's assassination. While a number of selections included here can also be found on RCA's two volumes of Essentials, this lovingly assembled survey (which includes five previously unreleased recordings) captures the High Priestess of Soul in all her unshackled glory. --Steven Stolder

Customer Reviews:

5 out of 5 stars She Touches Your Soul..........2006-06-20

I first heard Nina Simone in the movie "Point of No Return".. In it was Sugar In My Bowl and Here Comes the Sun. I was just blown away by how much emotion was put into each word, each note.. It's like she puts HERSELF into her singing- it's AMAZING. I am only 25, so I don't know all of the older music.. but Nina Simone really caught my attention. I can't think of any group or singer today that really captures the raw emotions in the songs like she does. I know this CD is a little costly, more than I would usually pay for a cd, but I LOVE it and I think it was well worth the price and more.

5 out of 5 stars Favorite CDs of my collection.......2003-09-19

This is the set of CDs you want in the car for long rides or on the radio while puttering around the house. Her voice is like warm brandy, something to soothe you after a long day.

5 out of 5 stars A great Artist.......2003-05-11

Nina Simone's 'I want some sugar in my bowl'is one of the greatest examples of how a song can transcend the musical element and become a political messanger, where the message becomes more thn the sum of its parts. There were better pianists that Nina Simone, and certainly prettier voices, but the selection in this CD show that there is no one with such an artistry. She basically invented what could be called the expressive bleat (with any other singer a major flaw). her cry is so direct, her sound so manly yet tender, this cd is a must.

5 out of 5 stars WOW!!.......2003-01-03

She's like an "April breeze". I first heard of her in a movie, "Point of No Return" which was a remake of some Brit film. Anywho, as soon as the movie was over, I ran to the computer to find out if "Nina Simone" was a real singer and not just a "prop" in a movie. Low and behold,,,found her!! Ordered her! Now, I listen to her very often and sit back and enjoy!

5 out of 5 stars the most melodic voice ever.......2002-06-08

I was not the biggest fan of blues but then I heard this
beautiful voice and I was converted and if you like blues
you will love this woman.Nina's voice is filled with felling
I almost cry when I hear strange fruit.Other songs like I
put a spell on you and black is the color of my true loves
hair make me feel like I'm part of a story and I love every second of it
Citizen Steely Dan: 1972-1980
Average customer rating: 5 out of 5 stars
  • Citizen Steely Dan: 1972-1980
  • Great for the novice Dan fan
  • 5-Stars? Of course!
  • Steely Dan's decade(1970-80).
  • an incredible collection
Citizen Steely Dan: 1972-1980
Steely Dan
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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  1. Everything Must Go
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  3. The Nightfly
  4. Kamakiriad
  5. Steely Dan: The Complete Guide To Their Music (Complete Guide to the Music of...)

ASIN: B000002ORE
Release Date: 1993-12-14

Tracks:

  1. Do It Again
  2. Dirty Work
  3. Kings
  4. Midnite Cruiser
  5. Only A Fool Would Say That
  6. Reelin' In The Years
  7. Fire In The Hole
  8. Brooklyn (Owes The Charmer Under Me)
  9. Change of the Guard
  10. Turn That Heartbeat Over Again
  11. Bodhisattva
  12. Razor Boy
  13. The Boston Rag
  14. Your Gold Teeth
  15. Show Biz Kids
  16. My Old School

Tracks:

  1. King Of The World
  2. Pearl Of The Quarter
  3. Rikki Don't Lose That Number
  4. Night By Night
  5. Any Major Dude Will Tell You
  6. Barrytown
  7. East St. Louis Toodle-Do
  8. Parker's Band
  9. Through With Buzz
  10. Pretzel Logic
  11. With A Gun
  12. Charlie Freak
  13. Monkey In Your Soul
  14. Bodhisattva (Live)
  15. Black Friday
  16. Bad Sneakers
  17. Rose Darling
  18. Daddy Don't Live In That New York City No More
  19. Doctor Wu
  20. Everyone's GoneTo The Movies
  21. Chain Lightning

Tracks:

  1. Your Gold Teeth II
  2. Any World (That I'm Welcome To)
  3. Throw Back The Little Ones
  4. Kid Charlemagne
  5. The Caves Of Altamira
  6. Don't Take Me Alive
  7. Sign In Stranger
  8. The Fez
  9. Green Earrings
  10. Haitian Divorce
  11. Everything You Did
  12. The Royal Scam
  13. Here At The Western World
  14. Black Cow
  15. Aja
  16. Peg

Tracks:

  1. Deacon Blues
  2. Home At Last
  3. I Got The News
  4. Josie
  5. FM
  6. Babylon Sisters
  7. Hey Nineteen
  8. Glamour Profession
  9. Gaucho
  10. Time Out Of Mind
  11. My Rival
  12. Third World Man
  13. Everyone's Gone To The Movies (Demo)

Amazon.com

As should be expected, Steely Dan's four-disc box set isn't like all the other rectangular pop-music retrospectives/tombstones. Not for Messrs. Walter Becker and Donald Fagen the typically bloated, ego-jacking crate padded out with childhood recordings, suspect cassette demos, and broken-down session takes, annotated by candid snapshots purloined from some distant relative. Nope, this is simply Dan Mach 1's complete oeuvre, from the craft-conscious pop of Can't Buy a Thrill to the jazzy torpor of Gaucho, laid out chronologically and neatly compressed into four discs, with not even a handful of "bonus" cuts (a live recording of "Bodhisattva," a '71 demo of "Everyone's Gone to the Movies" with Flo and Eddie on the side, "Here at the Western World," a Royal Scam outtake, and their obligatory soundtrack cameo, "FM") to color outside the lines. The liner notes are suitably smart, even if they occasionally strain trying to stay astride of B&F's patent sardonicism. For the aspiring Steely Dan completist, a fine place to start. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Citizen Steely Dan: 1972-1980.......2007-05-09

Without doubt the definitive Steely Dan compilation of all time. Their new music notwithstanding, the depth of music included in this boxed set will transport you back to a nostalgic time when things seemd a bit more well defined. Great songs, great players, a great aquistion for all Steely Dan afficiandos!

5 out of 5 stars Great for the novice Dan fan.......2007-01-22

I bought a cassette (!) version of this box set back in 1993 when I was a sophomore in college. It was my introduction to Steely Dan (I was too young to remember them when they were originally recording). And I have to say, this may have been one of the single most important purchases of my life. It forever changed the way I listen to music. More than just turning me into a huge Dan fan, Becker and Fagen's music also paved my entry way into the world of jazz, too. I absolutely love their music.

I've since replaced this box set with the remastered versions of the original albums. But for the novice Dan fan who is looking to learn more, this is a great place to begin. As other reviewers have noted, it's unfortunate that the producers of this set had to rearrange the original album order of some of the songs in order to get everything onto four CDs, but that's a minor quibble. I also thought the enclosed booklet was pretty terrific, too. As I said, when I bought this I knew next to nothing about Steely Dan and with nowhere else to turn for information about the band (remember, I bought this in 1993--before the Web), the book served as a good primer for getting me up to speed on who they were and how they came to be.

Great music. Good value for the price.

5 out of 5 stars 5-Stars? Of course!.......2006-09-18

Five stars is an easy choice here; only in the 1970s could such a group have actually snuck the kinds of things into the charts that they managed to, and somehow prosper and influence others.

I won't rehash the well-explained contents of this box set; instead I'll throw out a few tangential observations. It may not have been quite as obvious at the time, but Steely Dan were one of very, very few successful rock bands to exist apart from really any prevailing movements in the history of rock. One could draw some variably vague connections to jazz, soul, pop, hippie-era rock, California 70s singer-songwriters, or even the kind of ironies that would later fluorish in the best of the post-punk generation (Elvis Costello, XTC, Talking Heads and Pavement were all very much spiritual descendants of Steely Dan, in many ways), but Steely Dan weren't exactly any of those things. But they scrupulously maintained a rather erudite ability to draw selectively from most or all of those things. Music geeks (of the best sort)...that's the expression I'm hunting for.

Becker and Fagen also weren't afraid to really get close to the edge with their sense of irony, or satire: there are any number of songs ("Kid Charlemagne" and "Everything You Did" both spring quickly to mind) aimed at a sort of character who might well be listening to a well-worn copy of 'Royal Scam' whilst the deal goes down, and they also didn't exclude themselves from the critiques, the debaucheries, or the damnations. To be able to do this and actually get away with it is a real indication of brilliance, either as songwriters, or perhaps as social commentators.

In any case, this is great and adventurous music through and through - the textured spaciousness of "Your Gold Teeth I," the cacophonous jazz riffs of "Parker's Band," the keyboard pyrotechnics of "Your Gold Teeth II" (apparently, 2 incomplete snipets of songs rearranged into one complete one), or "Deacon Blues" - a perfect creation, blending a Sinatra-worthy melody with production touches that would rival Pink Floyd (or Radiohead).

Socio-critical sonic architecture at its' finest.

-David Alston

4 out of 5 stars Steely Dan's decade(1970-80)........2006-08-04

This longbox contains their 1st 7 albums & you won't find rarities or early live stuff(see the Skynyrd's box for instance).
However,it remains an exceptional document of the band's musical intelligence.
With the possible exception of Lou Reed,rarely such songwriting ability has been so perfect,some of the songs the duo penned could be printed as novels,it's a brilliant job indeed...
Add the superior musicianship to those songwriting skills & you get STEELY DAN,the most subtle band the USA produced.

All the stuff here deserves a good 5 stars,i gave only 4 because some unedited or unofficial live stuff would have been greatly appreciated!

5 out of 5 stars an incredible collection.......2006-06-07

I have appreciated the music of Steely Dan for many years but unfortunately never owned any of their music. I received Citizen last March as a gift.I was blown away by this material. It is incredible. The selections cross many musical genres and every one is represented first class. Anyone who appreciates quality music needs to have this 4 CD set in their collection. There will be no regrets...............
Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972
Average customer rating: 4.5 out of 5 stars
  • Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972
  • The definitive overview of a seminal country-rock band
  • HOT BURRITOS!!!!
  • Breaking Up With The Flying Burrito Brothers
  • Great music: where country and rock first merged!
Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972
The Flying Burrito Brothers
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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  4. Live 1973
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ASIN: B00004ST4S
Release Date: 2000-04-18

Tracks:

  1. Christine's Tune (A.K.A. Devil In Disguise)
  2. Sin City
  3. Do Right Woman
  4. Dark End Of The Street
  5. My Uncle
  6. Wheels
  7. Juanita
  8. Hot Burrito #1
  9. Hot Burrito #2
  10. Do You Know How It Feels
  11. Hippie Boy
  12. The Train Song
  13. Lazy Days
  14. Image Of Me
  15. High Fashion Queen
  16. If You Gotta Go
  17. Man In The Fog
  18. Farther Along
  19. Older Guys
  20. Cody, Cody
  21. God's Own Singer
  22. Down In The Churchyard
  23. Wild Horses

Tracks:

  1. Six Days On The Road
  2. Close Up The Honky-Tonks
  3. Break My Mind
  4. Dim Lights
  5. Sing Me Back Home
  6. Tonight The Bottle Let Me Down
  7. To Love Somebody
  8. White Line Fever
  9. Colorado
  10. Hand To Mouth
  11. Tried So Hard
  12. Just Can't Be
  13. To Ramona
  14. Four Days Of Rain
  15. Can't You Hear Me Calling
  16. All Alone
  17. Why Are You Crying
  18. Here Tonight
  19. Ain't That A Lot Of Love
  20. Losing Game (Live)

Amazon.com essential recording

This overview of the heyday of the flagship band of 1970s country-rock illustrates why the genre became such a force in its time--and why it flagged as the decade progressed. Its ascent can be attributed to the vision and charisma of band cofounder Gram Parsons. Parsons's legend has grown to such a point that one must question its validity. Was he that crucial in shaping the genre? The answer is provided through the course of the first disc and a solid portion of the second in this smartly assembled double set. Parsons and partner Chris Hillman brought together influences ranging from Stax soul to the Everly Brothers to Hank Williams to create a sound that is inventive, inviting, clever, and a little weird. Parsons's two Burrito albums--1969's landmark The Gilded Palace of Sin and its patchwork follow-up, Burrito Deluxe--are here in their entirety, as are some Gram-era oddities. The handful of post-Parsons tracks that weigh down disc 2 augur country-rock's demise. Hillman and new recruit Rick Roberts create pleasant enough music that simply lacks the flair Parsons brought to nearly everything he recorded in his 26 years. --Steven Stolder

Customer Reviews:

4 out of 5 stars Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972.......2007-06-08

Came when promised & in excellent condition.

5 out of 5 stars The definitive overview of a seminal country-rock band.......2006-10-28

The "Gilded Palace of Sin" was a landmark country-rock LP that, in 1969, brought out all the best qualities of Gram Parsons as singer, composer and interpreter. His cronies were utmost professionals; their personal involvement and innovative musical contribution to Gram Parsons' vision heightened his achievements. Kudos - in particular - to Chris Hillman for his vocals, songwriting and guitar playing contributions, as well as to Sneeky Pete Kleinow who was always devising new ways to make his steel guitar soar and sing. A ***** album is ever there was one!

After the 11 songs from the first LP, this compilation includes a single A-side titled "The Train Song" which never did anything for me. I wonder who chose to let the Burritos be coproduced by Johnny Guitar Watson?
Rating: no rating !!

The follow-up LP, "Burrito Deluxe" appeared within 15 months of the first and, at the time, I found it to be a major let down. Although definitely a lesser work, I have grown more appreciative of it as its actual strenghts have grown on me.
The LP was pleasant and well above average, but after the magnificence of "Gilded Palace of Sin", it suffered by comparison. Also, I cannot help but feel that there was less drive, less enthusiasm from everybody involved. My favourite track is the "cover" of the Stones' "Wild Horses" (which could actually have been co-composed by Parsons). Other favourites are "Cody, Cody" and "Lazy Days". I would rate this album *** ½.

The second CD begins with seven tracks that first appeared on "Farther Along", "Close up the Honky Tonks" and Gram Parsons' "Sleepless Nights".
These tracks seem to be work-in-progress of country covers; they are rather well recorded but they sound average and rather perfunctory to me when compared with the songs recorded by the original artists. I do not think that these recordings would have been released at the time had Parsons not perished most tragically and so young. Rating : **.

Tracks 8 - 17 were released on the Flying Burrito Brothers' third, eponymous LP. This is the second line-up from the band, with Rick Roberts "replacing" Gram Parsons. Well, Parsons could not really be "replaced" but Hillman obviously did not want to remain the sole leader/singer/songwriter of the band. Rick Roberts was a good singer and a good writer to boot. While the music on this record leans more towards the West Coast / singer-songwriter scene than towards Parson's vision, I must say that I have liked this 1971 LP at first listen. The album is chock-full of good songs, well sung and well arranged. The well-known Haggard cover "White Line Fever" is really superior to the Parsons sung "demo" covers of two Merle Haggard's tunes placed at the beginning of this CD. Colorado, Four Days of Rain, All alone, ... are among my favourites but there really is no dud track on this album. I rate it *****. This does not mean that I find it as good (and certainly not as influential) as the "Gilded Palace of Sin" but it very good in its own sweet way. I would say that this LP holds its ground when compared with favourites of mine such as "Pickin' Up The Pieces" (Poco) or, well, the first LP by The Eagles. It is also a splendid opportunity to appreciate Hillman's characteristically exquisite bass guitar playing one more time. Sneeky Pete Kleinow also shines throughout while Leadon ... well Leadon is always good on whatever stringed instrument happens to lay around.

Track # 18 is a version of Gene Clark's "Here Tonight" (covered and sung by Hillman on the third album) and recorded by Clark himself with the Flying Burrito Records (and also much earlier on his very first solo Columbia LP). I prefer Clark's rendition to Hillman's but I wonder why this take appeared on "Close Up The Honky Tonks" because it has much more of a polished Byrds / LA sound. Anyway, it's pretty good to have around. I rate this track *****.

The last two tracks were recorded live for the fourth LP titled "Last of The Flying Burrito brothers" which I duly bought upon release. Although less lethargic than the tracks from "Close Up the Honky Tonks", they are not that remarkable either. I would rate this, their fourth album for A&M, ** ½.

It should be pointed out that the sound of this CD is very, very good. The booklet is also informative, including quotes from Chris Hillman.

This compilation is THE definitive overview of the Flying Burrito Brothers' oeuvre!

4 out of 5 stars HOT BURRITOS!!!!.......2005-08-02

I agree with the previous reviewer who said that this collection is almost too complete. What you have here is the Burrito's first 3 studio albums, and several non-album tracks. It is a beautiful set, but much of it is sub-par, unfortunately.

Here are some of the upsides to this collection: You get what is (ironically) the only American release of their seminal debut on compact disc, The Gilded Palace of Sin. You're typically going to pay twice what you would for this whole set just to get the import of this album alone. So it's safe to say that this set is a definite "best value". While I feel like The Gilded Palace of Sin is the only album you really need by the Burritos, you do get to hear their version of the Stone's classic Wild Horses, which ws actually released before the stones version, oddly enough. The packaging is really nice, with several unreleased photos of the band, and stories and reflections from surviving members.

Some downsides to the collection: in my estimation, this set is roughly 2/3 filler. They just didn't capture that dynamite sound after The Gilded Palace of Sin. Sure, they had a few shining moments, even after Gram's departure, but I don't find myself straying too far past the first dozen or so tracks of disc 1 on a regular basis.

It is sad and ironic that this is the only CD version of The Gilded Palace of Sin available domestically. This great slab of Classic Americana has been an import only for years! Why, I do not know. You just listen to it, and you get the imagery of riding a huge motorcycle through a desert highway...leather jacket with the tassles...boots...a walrus moustache, and not a care in the world.

The bottom line: if you're looking to save money, and don't mind a considerable amount of filler, buy this set. If you have the money to spare, and don't want the filler, splurge a little and get the import of Gilded Palace. Either way, you simply cannot afford to let this album, in one format or another, pass you by. Go out right now and buy this!!

4 out of 5 stars Breaking Up With The Flying Burrito Brothers.......2005-03-06

The Flying Burrito Brothers represented some of Gram Parsons' finest music. Five of the tracks here are absolutely sublime, and four of them kick off this 2-CD set. The first four tunes on Disc 1 alone are nearly worth the cost of this album. They're literally about as good as the Gram Parsons experience gets. The Everly-drenched harmonies shine especially on "Christine's Tune" and "Sin City", the pedal steel guitar gives the music a psychedelic boost, and Gram's sensitivity to songs of torment and loss really come out.

Long ago, I was embroiled in a difficult relationship that causes the occasional wound even today. In the midst of that emotional tempest, Gram Parsons was the guy I kept turning to, and not always for the healthiest reasons. His voice was so lonely and laced with sadness, as if it were my own. I listened to his music not to heal, but to wallow. I knew my pain would get no better, yet I was going to keep going back to her for more abuse -- so I knew I was a pretty sad sack. Yet there was something so beautiful about the relationship that I didn't want it to end.

That relationship is the main reason I couldn't listen to "Hot Burrito #1" for years. It bore a pit right in my stomach and ceased any kind of meaningful activity as I just listened to the song. Listen to the lyrics and you'll know what I mean. Parsons cuts right to the heart of the painful beauty with his voice and his interpretation, and to have such emotional depth of feeling at such a young age is pretty astonishing.

However, it was a momentum he had trouble sustaining with this band. The last half of Disc 1 is decidedly below the sky-high bar raised with the first half, with the exception of "Wild Horses". By the end of Disc 2, which covers the output of the Burritos with Rick Roberts, they sounded like an bad Eagles knockoff instead of a top Eagles influencer. In their early days, the Burritos were just like the Eagles, only good.

However, I knew I was coming out the other side of my bad relationship and would be OK when I didn't need to listen to this (and other CDs) nearly every day, just so I could further torture myself with thoughts of her. It seemed disloyal to say goodbye to the Burritos, so I did it slowly, but gradually it came out of my stereo and back on the shelf. Occasionally I'll pull it out and give it a listen for old-times' sake, but it doesn't bring back the old feelings the way it used to. In a weird sense, it almost diminishes the quality of the album a bit.

Bottom line, this CD set will kill you softly if you're going through a tough breakup. Unlike "Blood On The Tracks", which achieves the same effect through Dylan's lyrics, Hot Burritos is purely visceral, with painful, sorrow-filled emotion. But there aren't enough of these tunes to sustain this entire album.

5 out of 5 stars Great music: where country and rock first merged!.......2005-02-10

What distinguishes this from the earlier Farther Along collection is the inclusion of their third album - in its entirety - and Hillman's music really seems to have matured on that one. I like the earlier stuff too, but having never heard the third album prior to purchasing this one, I was really impressed by it. "Can't You Hear Me Calling," and "Tried So Hard" are two of the best they ever recorded, and their version of "White Line Fever" is better than Merle's. The first two albums are also here, plus more. Great musicianship and music indeed! If psychedelic cowboy music is your thing, you won't find better than this.
Superfly (1972 Film)
Average customer rating: 5 out of 5 stars
  • Classic funk / Urban street guide
  • A classic soundtrack album
  • Superfly
  • Curtis Mayfield's Triumph
  • Curtis,please come back....
Superfly (1972 Film)
Curtis Mayfield
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
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ASIN: B00000JFV9
Release Date: 1999-07-20

Tracks:

  1. Little Child Runnin' Wild
  2. Pusherman
  3. Freddie's Dead
  4. Junkie Chase (Instrumental)
  5. Give Me Your Love (Love Song)
  6. Eddie You Should Know Better
  7. No Thing On Me (Cocaine Song)
  8. Think (Instrumental)
  9. Superfly
  10. Superfly Theme: Freddie's Dead (Single Mix)
  11. Superfly (Single Mix)

Amazon.com

The term "classic" is tossed about a lot these days, and when it's being used to describe everything from Coke to a Janet Jackson CD, the term is shady. But take my word that the 1972 soundtrack to the blaxploitation film Superfly is a true classic. Why? Because 25 years after its release, the songs still ring true and sound fresh. A morality tale set to funky grooves and plaintive vocals, Superfly is the zenith of Mayfield's socially aware songwriting, recounting the highs and lows of the thug life and the no-win ghetto game of hustling. It's hard to believe, but a doom-filled ode to screwing up ("Freddie's Dead") was actually a big hit during the Nixon years. Truth be told, the record sounds as good, if not better, today and should be in everyone's collection. --Amy Linden

Customer Reviews:

5 out of 5 stars Classic funk / Urban street guide.......2007-04-03

Its amazing that this 35 year old sound track still resonates to todays modern living, the lyrics have as much impact as it did then. Eventhough Mr. Mayfield sings and preaches of a terrible condition this record leaves you feeling good to know that you havebeen exposed to such a great piece of work. What I also found to be interesting is that this form of music is not lost you can find this present day street knowledge in the sounds of some the Neo soul artist music. They have been able to transend this into a down to the bone funky back beat that borrows from hip hop, jazz and r&b so seek and ye shall find the message still being preached.

5 out of 5 stars A classic soundtrack album.......2007-02-09

A must have album to an unforgettable film. Curtis Mayfield's Superfly soundtrack embodies to me what was going on in the 1970s. I was born in 1982, so when I listen to this album, I am amazed at how much it also seemed to intertwine with what was happening in the 1980s. The songs that make that point would be "Little Child, Running Wild, Pusherman, Freddie's Dead, Eddie,(You should've known better), and Superfly". The soundtrack is timeless.

4 out of 5 stars Superfly.......2007-01-05

What a great sounding cd. The movie was a long time ago but the distinct voice of Curtis Mayfield is profound and unmatched to this day.

5 out of 5 stars Curtis Mayfield's Triumph.......2006-04-29

God Bless you, Curtis Mayfield.

Okay, so I'm a 41 year old white male, big deal...you think I know nothing about soul...about funk...about groove? Think again. I grew up on this kind of stuff and I still find myself going back to it again and again not out of pure nostalgia, but because to me, it's "real music".

Curtis Mayfield was a genius. It seems like everytime you turn around now somebody who hasn't even paid his/her dues is being called a genius or a diva which is kind of a sad commentary, because those people that they are calling geniuses cannot even hold a candle to Curtis Mayfield. You think Snoop Dog is going to hold up to the test of time? You really think in 30 years you're gonna pull out your Eminem Cds and tell your grandkids, "Oh, yeah...now that was music..." I don't think so...

Mr. Mayfield struck a true chord with this recording. Without being obscene or vulgar he captured the sorrows, the joys, the ups, and the downs of not just people who lived on the city streets, but the everyday ups and downs of just being human and to me, that's a triumph in itself.

I love this CD. You really have to sit and be with it and just allow it to seep into your psyche and know that what affects one affects the whole and what affects the whole affects the one. That's empathy. That's pathos. That's soul. That's life.

God Bless you, Curtis Mayfield...thank you for all you left behind.

4 out of 5 stars Curtis,please come back...........2006-03-10

Going by today's definition of "music"-anything goes,particularly
if it's loaded with 'mf'type language.Obviously,this was evidenced at the 2006 Oscars,which demonstrated how badly Curtis Mayfield's 'Superfly' is missed;at least the lyrics are clean.And particularly, if the Oscars are going to be awarded to outright [junk],Mayfield should be awarded a posthumous Oscar for 'Superfly.'
Kicks! The Anthology 1963-1972
Average customer rating: 5 out of 5 stars
  • Nice collection!
  • Paul Revere & the Raiders - Anthology CD
  • Great!
  • Great CD
  • Great! But often overlooked.
Kicks! The Anthology 1963-1972
Paul Revere & the Raiders
Manufacturer: Raven [Australia]
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
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ASIN: B0009OUBCO
Release Date: 2005-07-04

Tracks:

  1. Louie Louie - Raiders, Paul Revere
  2. Steppin' Out - Raiders, Paul Revere
  3. Just Like Me - Raiders, Paul Revere
  4. Kicks - Raiders, Paul Revere
  5. Action - Raiders, Paul Revere
  6. Hungry - Raiders, Paul Revere
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  8. Louie, Go Home - Raiders, Paul Revere
  9. Ballad of a Useless Man - Raiders, Paul Revere
  10. Great Airplane Strike - Raiders, Paul Revere
  11. Good Thing - Raiders, Paul Revere
  12. Why? Why? Why? (Is It So Hard) - Raiders, Paul Revere
  13. Louise - Raiders, Paul Revere
  14. Him or Me - What's It Gonna Be? - Mark Lindsay, Raiders, Paul Revere
  15. Mo'reen - Mark Lindsay, Raiders, Paul Revere
  16. Gone - Movin' On - Mark Lindsay, Raiders, Paul Revere
  17. Tighter - Mark Lindsay, Raiders, Paul Revere
  18. I Had a Dream - Mark Lindsay, Raiders, Paul Revere
  19. Ups and Downs - Mark Lindsay, Raiders, Paul Revere
  20. Peace of Mind - Mark Lindsay, Raiders, Paul Revere
  21. Too Much Talk - Mark Lindsay, Raiders, Paul Revere
  22. Cinderella Sunshine - Mark Lindsay, Raiders, Paul Revere
  23. Don't Take It So Hard - Mark Lindsay, Raiders, Paul Revere
  24. Mr. Sun, Mr. Moon - Mark Lindsay, Raiders, Paul Revere
  25. Let Me! - Mark Lindsay, Raiders, Paul Revere
  26. Just Seventeen - Raiders
  27. Indian Reservation - Raiders
  28. Birds of a Feather - Raiders
  29. Country Wine - Raiders
  30. Powder Blue Mercedes Queen - Raiders

Customer Reviews:

3 out of 5 stars Nice collection!.......2007-05-21

As I mentioned in other reviews, I'm not into the greatest hits thing. I bought this cd because I love one of their songs (Cherokee People). I could not find the original album with that song anywhere else. This compilation is just OK.

5 out of 5 stars Paul Revere & the Raiders - Anthology CD.......2007-04-12

Definitive collection of all the hits of Paul Revere and the Raiders.

5 out of 5 stars Great!.......2007-02-16

The product I ordered was really worth the money. I enjoy music, especially old classic rock. I have been looking in all the music shops for this particular CD. So,when I found it, I was so excited. I had to order it. It is just like the original album. I really enjoy listening to this one.
Anna Benson

5 out of 5 stars Great CD.......2007-01-16

Apparently Paul Revere & the Raiders went through member changes before I became familiar with them as a young teen, watching them on TV, and some of the Raiders I knew were not the original members, but this CD has all the great Raiders songs that I remember and then some. If you like Paul Revere & the Raiders, you'll like this CD, and you get a lot of songs on this one.

5 out of 5 stars Great! But often overlooked........2007-01-06

If you like great 60's rock and roll you'll be delighted with this collection. I was pleasently surprised to hear material I'd not heard before and it sounded as fresh today as their music sounded to me in the 60's. The weakest tune IMHO is the first one "Louie Louie". I suppose it had to be included but it gets much better from that point on and really jams! When you need a positive mood change just through this on and remember!
The Anthology: 1947-1972
Average customer rating: 5 out of 5 stars
  • The Definitive Starting place for Any Muddy Waters Collection....
  • A really good Muddy compilation
  • This is the blues right here
  • Great anthology
  • Muddy's best
The Anthology: 1947-1972
Muddy Waters
Manufacturer: Chess
ProductGroup: Music
Binding: Audio CD

Chicago BluesChicago Blues | Blues | Styles | Music
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ASIN: B00005NHLY
Release Date: 2001-08-28

Tracks:

  1. Gypsy Woman
  2. I Can't Be Satisfied
  3. I Feel Like Going Home
  4. Train Fare Home Blues
  5. Mean Red Spider
  6. Standin' Here Tremblin'
  7. You Gonna Need My Help
  8. Little Geneva
  9. Rollin' & Tumblin,' Part One
  10. Rollin' Stone
  11. Walkin' Blues
  12. Louisiana Blues
  13. Long Distance Call
  14. Honey Bee
  15. Country Boy
  16. She Moves Me
  17. Still A Fool
  18. Stuff You Gotta Watch
  19. Who's Gonna Be Your Sweet Man When I'm Gone
  20. Standin' Around Cryin'
  21. Baby Please Don't Go
  22. (I'm Your) Hoochie Coochie Man
  23. I Just Want To Make Love To You
  24. I'm Ready
  25. Young Fashioned Ways
  26. I Want To Be Loved

Tracks:

  1. My Eyes (Keep Me In Trouble)
  2. Mannish Boy
  3. Sugar Sweet
  4. Trouble No More
  5. Forty Days And Forty Nights
  6. Just To Be With You
  7. Don't Go No Farther
  8. Diamonds At Your Feet
  9. I Love The Life I Live (I Live The Life I Love)
  10. Got My Mojo Working
  11. Rock Me
  12. Look What You've Done
  13. She's Nineteen Years Old
  14. Close To You
  15. Walking Thru The Park
  16. Take The Bitter With The Sweet
  17. I Feel So Good (Live)
  18. You Shook Me
  19. My Home Is In The Delta
  20. Good Morning Little Schoolgirl
  21. The Same Thing
  22. You Can't Lose What You Ain't Never Had
  23. All Aboard (Fathers And Sons)
  24. Can't Get No Grindin'

Amazon.com

Muddy Waters should need no introduction. Not only did he provide a name for the world's greatest rock & roll band, but he also created the Chicago electric blues sound that's dominated the genre since he first hit the windy city in the late 1940s. His bands also featured what would become a who's who of electric blues: Little Walter, Jimmy Rogers, Otis Spann, James Cotton, Junior Wells, Buddy Guy, and the list goes on. The Anthology covers Waters's most important period: his first years at Chess through the late 1960s. All his best-known songs are featured in their definitive versions, providing the perfect introduction to a blues master who doesn't need one. --Mike Johnson

Customer Reviews:

5 out of 5 stars The Definitive Starting place for Any Muddy Waters Collection...........2006-06-22

Arguably one of the most important Blues guitarist, to ever pick up a guitar....Muddy Waters has seen his profile have something of a re-evaluation, over the last few years, as bands with a heavy blues-influence (such as "The White Stripes", "The Black Keys" "Jon Spencer blues Explosion".....and even classic established bands like "Led Zeppelin" & "The Rolling Stones" ), have seen a rise...in the amount of people reacquainting or indeed seeking about the original sources of these artists that influenced such bands.

Trading in a wide style of blues (Electric Blues, Slide Guitar, R&B, Delta Blues & Blues Revival....it's safe to say that if it's Blues that your after, Muddy Waters was a necessary required listening. This 2 Disk Anthology is probably without doubt the best one-stop purchase for anyone (Casual or otherwise), curious with the guitarist's prolific work. There is simply so much worthwhile material here, that it's one of those collections that cherry picks through pretty much Muddy Waters entire career, and for an artist that started recording from the 40's - 80's, it's a collection that is breathtaking in scope, track selection, sequencing and even the actual mastering of the disk is superb. Sometimes you'll find with blues recordings, that because the actual quality of the original recordings were anything less than stellar, that the CD format, sometimes merely highlights the recordings technical shortcomings. Well...not in this instance, because the label seems to have taken the time and effort to put together a disk that impresses greatly with the sound quality. And coupled with some of the most popular Muddy waters recordings ("Mannish Boy", I Can't Be Statifised", "Rollin And Tumblin Pt 1", "Louisianan Blues", "(I'm Your) Hoochie Choochie Man", "Just to Be with You", "Got Me Mojo Working", "Can't Get No Grindin"). If it's a popular or highly regarded regarded Muddy Waters track, that there's a likely chance that it'll feature on this Anthology.

The only thing that could possibly make you not consider picking up this amazing anthology, is due to the higher price (due to it being a anthology) or that you're a very causal listener, that wouldn't want to have so much material to digest. If you are the latter, then you'd be wrong....you can never have enough Muddy Waters, and if there two things that will hit home, when you buy this release is (1) The man, sure can play the guitar...and (2) you'll be surprised, how truly amazing it is, listening to this anthology in chunks...as it quickly grabs hold of you, and refuses to let go. Such is the brilliance of this Anthology, that it'll possibly, urge you to seek out similar blues artists (Howlin Wolf, B.B. King, Buddy Guy, Albert King, Magic Sam...etc). And the highlight exactly why so many acts today, are looking back at artists such as these, for inspiration. Truly amazing!!!

5 out of 5 stars A really good Muddy compilation.......2006-06-17

The 50 songs included that date from 1947 to 1972 are first rate songs from Muddy's prime. They're not the only worthwile Muddy by a long stretch though: He did some good work prior to 1947, there were many more good songs in the 1947 to 1972 period, and he did some really good work after 1972 as well. To do a really thorough Muddy compilation, I think you'd need at least 4 discs but these 2 discs with 50 songs total do a great job of highlighting Muddy at his prime. The liner notes are excellent and are a great source of information also.
I had the chance of seeing Muddy live in concert as opening act for the Allman Brothers in the mid 1970's. Before seeing him, I knew some of his big hits and I knew he was a great influence on Allmans, Stones, Led Zeppelin and many top rock bands. After seeing him live, I became a much bigger fan as did many of the people who saw him in that period. Muddy deserves every bit of critical respect he enjoys today and these 2 discs are an excellent document of why.

5 out of 5 stars This is the blues right here.......2006-02-08

Muddy Waters is one of the greatest blues singers of all time, if not the greatest. His classic 1950s tracks had a profound influence on music as we know it today, particularly rock and roll. If your music collection has no Muddy Waters, then there's a huge hole that needs to be filled. If you really want to get into this classic music, Muddy Waters' Anthology is a great place to start. I personally don't own it. I have the two Chess collections His Best: 1947-1955 and His Best: 1956-1964, both of which are excellent. However The Anthology would be a much better choice because it has nearly everything that's on those two CDs, plus many more songs that aren't on them. Particularly from the early years, there are many more songs here that aren't on 1947-1955. Anthology has 50 songs total, and the two His Best collections combined have 40, so you get ten more songs with Anthology. Those additional tracks may not exactly be classics, the most essential stuff is contained on the His Best collections, however any Muddy Waters music is worth hearing and the more, the better.

Muddy's early songs are mostly raw and stripped down. Muddy plays an awesome slide guitar which is all over the early stuff. There's very little harmonica and also no bass and very little percussion. The songs are significantly less melodic than the later stuff. It's simply electrified delta blues. Then the stuff later has a more prominent rhythm section and the songs tend to be more catchy and not quite as raw. Unfortunately, Muddy's slide guitar also disappears for the most part as Jimmy Rogers takes over guitar duties. However, the great Little Walter plays an excellent harmonica on many of the tracks which is always a welcome addition.

If you're looking for a first Muddy Waters purchase, here you go. This is a great place to start, but not a great place to stop. Once you get a taste of Muddy, chances are you'll want more. After the essentials, I would recommend picking up Hard Again (1977), At Newport (1960), Fathers and Sons (1969), and I'm Ready (1978).

5 out of 5 stars Great anthology.......2005-05-06

If you don't want to get to get the 3 CD Chess box as a Muddy collection of Chess recorded numbers, get this one. The track selection is great, I'm especially glad to see 19 pre 1954 Muddy numbers which I especially like because of Muddy;s slide playing. The next few tracks have less prominent guitar, but arre somewhat more catchy and Muddy's voice got better , so I won't argue. You even get two live acoustic tracks -My home is in the Delta and Good morning little schoolgirls, as well as some latter day numbers, especially from number 17 on the second disc onward. Get it it's worth it.

5 out of 5 stars Muddy's best.......2004-02-23

This is a comprehensive two disc set of the man who defined Chicago blues. Muddy Waters started out in the Delta working as a guitar playing farm hand but moved to Chicago in the 40's, where he took his delta styled playing and plugged in to make a new music that was loud, raucous, and yet retained the subtleties of the Delta. His powerful voice and his slippery slide-guitar influenced the rock and roll generation of Jimi Hendrix and the Rolling Stones, who took both their name and their hit "Satisfaction" from Muddy.

Dance Music:

  1. 1973: Recon [Enhanced]
  2. 1973: Recon [Enhanced]
  3. 3rd Coast Heat Vol. 2
  4. A.D.I.D.A.S./Rap Is Dead [CD-single]
  5. Alabama
  6. Alabama Is My Home
  7. All Eyez on Me [DualDisc] [Enhanced] [Explicit Lyrics]
  8. Anthology [Import]
  9. Balance
  10. Banged Out

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Oakes: Music for Midi Trombone

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Going Home [Import]

November 1, 2002 Las Vegas, NV: On the Road [Live]

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Magical Earth

Lebendige Vergangenheit: Margarete Matzenauer

Legendary [Import]

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Mosaic Select: Dave Liebman & Richie Beirach [Live]

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