| 1. Intro 777 |
| 2. Todo Mi Corrillo |
| 3. Traga 777 [Remix] |
| 4. Madre No Llores |
| 5. Pay Back (Nyce Guy) |
| 6. Tu Papa |
| 7. I'm a Murdera (Como Tiemblan) |
| 8. Guarani |
| 9. Interlude |
| 10. Se Testigo [Remix] |
| 11. Pa' la Kalle |
| 12. Huellas en Mi Loceta (Ven My Gial) |
| 13. High Surfing |
| 14. Ira Callejera |
| 15. Potranca |
| 16. Reina Solo Una (Entre Uds. Y Yo) |
| 17. Dame Lo Que Tu Quieras |
Pa' la Kalle,Mexicano 777,Universal Latino,Latin,Latin Pop/Rock,Latin Rap,Rap & Hip-Hop,Underground Rap,United States of America,West Coast Rap
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The Godfather (1972 Film)
Nino Rota Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OG5 Release Date: 1991-03-26 |
Tracks:
- Main Title (The Godfather Waltz)
- I Have But One Heart - Johnny Farrow, Marty Symes
- The Pickup
- Connie's Wedding - Carmine Coppola
- The Halls Of Fear
- Sicilian Pastorale
- Love Them From The Godfather
- The Godfather Waltz
- Apollonia
- The New Godfather
- The Baptism
- The Godfather Finale
Amazon.com
When director Francis Ford Coppola turned novelist Mario Puzo's pulpy The Godfather into one of the greatest accomplishments of modern American cinema in 1972, one of his shrewdest decisions was to hand the scoring assignment to the great Italian film composer Nino Rota. Rota, who had built his reputation alongside Fellini (though he'd already scored some three dozen films in the previous 20 years), brought Neopolitan jazz stylings and a Sicilian melodic sensibilty (characterized perfectly by the main title's mournful solo trumpet, which has since become a cinematic icon) to a story of corruption and betrayal as American as, well, gnocchi. Listening to this masterful score one can't help but wonder what Rota, who died in 1979) might have accomplished had he begun working with Hollywood's resources a decade earlier. --Jerry McCulleyCustomer Reviews:
Listening music.......2007-03-29
Speak Softly Love ............2006-10-10
I would highly recommend purchasing this soundtrack along with that for 1988's Cinema Paradiso which has a Sicilian-inspired sound to it too. Both play upon the theme of love lost forever and leaving the country of its happenings as the only way to forget, as Toto was just as haunted by Elena as Michael with Apollonia.
Speak softly, love and hold me warm against your heart
I feel your words, the tender trembling moments start
We're in a world, our very own
Sharing a love that only few have ever known
Wine-colored days warmed by the sun
Deep velvet nights when we are one
Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die
My life is yours and all because
You came into my world with love so softly love
Wine-colored days warmed by the sun
Deep velvet nights when we are one
Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die
My life is yours and all becau-au-se
You came into my world with love so softly love
OUTSTANDING!!.......2006-07-07
Relive the film.......2005-10-06
Classic film score brings me back to ancestral roots.......2005-08-09
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Pippin (1972 Original Broadway Cast)
Stephen Schwartz Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YNGH Release Date: 2000-09-26 |
Tracks:
- Magic to Do
- I Guess I'll Miss the Man
- War Is a Science
- Glory
- Simple Joys
- No Time at All
- With You
- Spread a Little Sunshine
- Morning Glow
- On the Right Track
- Kind of Woman
- Extraordinary
- Love Song
- Corner of the Sky
- Finale
- I Guess I'll Miss the Man -- The Supremes (bonus track)
- Corner of the Sky -- The Jackson 5 (bonus track)
- Morning Glow -- Michael Jackson (bonus track)
Amazon.com essential recording
A young man graduates from college and wonders how to find real meaning in his life. What's an heir to the 9th-century Holy Roman Empire to do? If you're Pippin, son of Charlemagne, you decide to dabble in war, sex, and politics before finally finding love. When Bob Fosse directed the original Broadway production of Pippin in 1972, he transformed what had originally been a relatively innocent college project for composer-lyricist Stephen Schwartz into a burlesque filled with broad comedy, bawdy characters, and magical but dark situations. John Rubinstein (best known for his TV work and son of pianist Artur) plays the title character, and Ben Vereen kick-started his career (and won a Tony) as the narrator figure known as the Leading Player. Schwartz's combination of Godspell-like ensemble energy with various pop-rock styles makes for a snappy, tuneful score, including the soul-driven opener "Magic to Do," the soaring "Corner of the Sky," the lovely ballads "With You" and "Love Song," and the romping "No Time at All" (delivered with saucy conviction by The Beverly Hillbillies' Irene Ryan as Pippin's grandmother).While the original CD release was somewhat notorious for its lack of liner notes, the 2000 remastered release includes an essay on the show's creation, a detailed synopsis, and full lyrics, as well as three bonus tracks. Pippin was originally released on the Motown label, so some of its songs were cross-promoted by Motown stars: The Supremes deliver a conventional take on the gentle "I Guess I'll Miss the Man," the Jackson 5 deliver a blast of high-pop energy to "Corner of the Sky," and Michael Jackson solos on "Morning Glow." --David Horiuchi
Customer Reviews:
On the right track.......2006-12-01
Pippin cd.......2006-11-06
One Of a Kind.......2006-07-23
Welcome Surprise.......2006-07-11
Great songs, great grooves.......2006-02-23
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Cabaret: Original Soundtrack Recording (1972 Film)
Fred Ebb Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005KOH Release Date: 1996-11-19 |
Tracks:
- Wilkommen
- Mein Herr
- Maybe This Time
- Money , Money
- Two Ladies
- Sitting Pretty
- Tomorrow Belongs To Me
- Tiller Girls
- Heiraten ( Married )
- If You Could See Her
- Cabaret
- Finale
Amazon.com
Cheated out of playing nightclub canary Sally Bowles on Broadway in director Hal Price's Cabaret, Liza Minnelli nevertheless delivered an Oscar-winning star turn in Bob Fosse's cinematic reinvention of the show (which had the good sense to retain perverse imp Joel Grey from the stage production). Although the 1972 film discarded several songs from the original score, the new ones sound even better: Minnelli's breast-beating "Maybe This Time," the sultry "Mein Herr," and the salaciously satirical "Money, Money." By placing almost all the pertinent musical action on the stage of the decadent Kit Kit Club, the Kurt Weill-like compositional nuances and political underpinnings bask in the spotlight...that is, when Minnelli stops eclipsing it with her no-holds-barred performance. --Kurt B. ReighleyCustomer Reviews:
A Different Interpretation of Cabaret.......2006-07-31
Well, with all due respect, this is wrong. The reviewer probably got that idea by listening to Natasha Richardson sing "Cabaret" and believed that because Sally is crying, she must realize that she lost everything and that she is stuck in some god awful place. Well, the song "Cabaret" is really about Sally's desperate attempt to convince herself that everything is normal, that everything will remain the same. Sally is in deep denial and believes that her life will always be full of decadence, glitz, parties, and fun even as Germany falls under the control of the Nazi party.
However, one must keep in mind that Liza's Sally Bowles and Natasha Richardson's Sally Bowles are two very different interpretations. Liza was almost a decade younger than Natasha Richardson when she played Sally Bowles (Liza was about 26 and Natasha was about 35 when they tackled the roles of Sally). Because of this Liza's Sally is more young and naive and when she is singing "Cabaret" she honestly does believe that everything will be okay. This does not leave the viewer with a happy feeling as one reviewer said, it leaves us feeling sad and a scared for Sally because we know what the future holds in store for her and for Germany.
However, Natasha Richardson's Sally is older and less naive. Because of this, when she sings "Cabaret" she has to make herself believe in what she is singing. She has to make herself believe that everything will return to normal and that she will continue living the way she does no matter what happens. That's the difference: Liza believes that everything will be okay, while Natasha has to tell herself that everything will be okay, even though deep down she knows that's probably not true.
Love this album.......2006-07-07
Viva La Diva.......2005-05-16
Every track on this disc, makes you wish you could actually go to a Cabaret and see girls kicking up their heels...like the Cabaret girls did in the film. Joel Grey is priceless as the Emcee, a role he created and played to perfection. He is every bit as sleazy as the character on broadway, and even more so because the performance shows how the rise of nazism affected what was going on inside of the cabaret, and that slimy weasel just smiled and welcomed it into the performances. Both broadway and film versions are perfect in their own right.
One reviewer seems perplexed by the track "Tomorrow Belongs To Me" and where it fits. Hitler youth were groomed as aryan perfection, and the youth encouraged patriotism (be it false or not) amongst the Germans at a time when they were coming out of a depression. It is creepy watching the scene in the film, and even hearing it on the soundtrack, as it does stand out...the youth were persuasive and doing what they had been brainwashed to do: convince and create a hate filled patriotism. What is even creepier, is that "Cabaret" is written by persons of Jewish faith, and modern right wing and nazi/aryan groups have adopted "Tomorrow Belongs To Me" to sing at their rallies, and even skinhead punk bands (such as Skrewdriver) have covered the song as a tribute to their "perfect race", funny how a song that fuels the fire of their hatred is written by 2 jewish people (something I think they have forgotten) who are obviously of an "inferior race" (according to what nazism preaches)...(whats wrong here, couldn't the continuing people of anti-semitism and "white power" write their own track? ooh how hypocrisy is pathetic!) judging by their last names, so listening to this track is extremely disturbing on many social levels for this very reason today as it is presented in the film.
The opening track "Wilkommen"...wow what a way to open a show and get the juices flowing, informing everyone present that leaving your troubles behind and tasting some burlesque is a fabulous idea...and why not kick up your heels?
"Mein Herr" is one of the best tracks on the soundtrack, and remembering the sexy Fosse choreography makes it even more enjoyable. Performed in the film, it is intimate as if you are seeing the show first row. Yes, it works.
"Maybe This Time" Yes, this is obviously a Liza signature. But it does reflect Sally's character and her feelings of hope, that someone will believe in her and perhaps even love her, and making her feel worthy.
"Two Ladies" is obviously priceless.
The album does shortchange you in the fact that you aren't seeing it performed, but it gives you something else: the ability to remember what was going on. Remember, Fosse created this format into a "Concept" musical, and if the film is to be called "Cabaret" then gosh darnit, shouldn't the music be represented there?
This is a timeless classic.
Huge Improvement from the Original Score.......2004-07-16
Legendary...........2004-03-30
Willkommen 5/5
The opening act brilliantly performed by the master of command, Joel Grey's performance is strange, gothic and weird but it always comes off strong and vital as Joel himself.
Mein Herr 5/5
Liza Minnelli's first song, it's ferious, fearless groundbreaking and stunning, it has a great beat and Liza shines both with voice and with her dancing act, the song perfectly represents what Sally Bowles is all about.
Maybe This Time 4.5/5
What many people didn't know is that Liza has actually been singing this song since 1964, nonthelss it's melancholic and Liza Minnelli's performance is vital, strong and it remains a Liza Minnelli classic...Maybe this time....who knows?........
Money, Money 5/5
A fine duet between Joel Grey and Liza Minnelli, the song is fun, quirky and sataric, both Joel and Liza are perfect, Joel's growling vocal perfectly suits Liza's crystal clear multi-faceted singing, one of the best songs on the album.
Two Ladies 4.5/5
Another song performed solo by the ecclectric master of command, the fantastic Joel Grey. The song itself is fun, loving and very vulgar, but in a fun way. Joel Grey is outstanding and is obviously one of the biggest Broadway performers of out time...Two ladies...what a fantasy...??...
Sitting Pretty 4/5
A fine instrumental number, but what I don't understand is why Bob Fosse chose to leave out so many songs that is vital for the shows total running time...So What was a song that needed to be executed, Lotta Lenya's performance were ecclectric.
Tomorrow Belong To Me 2.5/5
This song gives me the shivers...it's strangely nationalized and it has a very scary mood and feeling about it, the one song that don't fit in with "Cabaret", it's strange and give me the shivers every time I hear it...how strange!!!...maybe not?..
Tiller Girls 4/5
Another instrumental song (the second and last) instrumental tune, again I still can't comprehend why there were so many vital songs cut out from this movie, but for anyone who hasn't seen the Lotta Lenya original Broadway production of Cabaret they won't miss a thing, I'm confounded. Still good though.
Heiraten (Married) 4.5/5
A great German song about the struggles of the married life, the song is beautifully performed, I can just imagine Marlene Dietrich, Zara Leander or Lenya performing this tune, it's simply great...same year Liza performed this song in english in her Tony award winning show called "Liza With A Z".
If You Could See Her 5/5
WoW this song really sturred something deep inside me, Joel is allegedly singing about his love for a jew and not the Orangutang his performing with, listen carefully and You'll the deeper message within the meaning of the song. Legendary.
Cabaret 5/5
WOW Liza Minnelli's classic act, her performance is forceful, prowess, ravingly stunning, legendary, shadowing, and one of the most memorable tunes ever performed by anyone, no wonder why Liza won a Academy award for best actress. Liza Minnelli is a legend and she truly deserves the title of one.
Finale 5/5
The ending song summons up the whole show, it's emotional and it will promtly remind You just how great Cabaret was, Liza Minnelli, Joel Grey, Michael York all performed with such a powerful and forceful energy that it will be remembered for a very long time, Cabaret was the last succesful musical movie, up until the release of the wonderful "Mounlin Rouge" and some years later "Chicago". A lost genre, it's truly sad.
Average customer rating:
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Collection: 1947-1972
Johnny Hartman Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000BKK5 Release Date: 1998-09-22 |
Tracks:
- I'll Never Smile Again
- I Let A Song Go Out Of My Heart
- Why Was I Born?
- I Should Care
- That Old Black Magic
- Close Your Eyes
- S'Posin'
- Goodbye
- September In The Rain
- Out Of The Night
- Worry Bird
- Wheel Of Fortune
- Wild
- Black Shadows
- I Feel Like Crying
- I See Your Face Before Me
- The End Of A Love Affair
- The World Was Mine
- Bye, Baby, Bye
- I Thought About You
- Mam'selle
Tracks:
- My One And Only Love
- Lush Life
- In The Wee Small Hours Of The Morning
- Don't You Know I Care
- Stairway To The Stairs
- My Ship
- The More I See You
- Almost Like Being In Love
- The Very Thought Of You
- Unforgettable
- If I Had You
- As You Desire Me
- When I Get The Time
- I Cover The Waterfront
- Fly Me To The Moon
- On A Clear Day (You Can See Forever)
- Shadow Of Your Smile
Customer Reviews:
Great overview of an outstanding singer.......2006-11-23
Hartman's recorded legacy is one of the relatively unknown treasures of our time. Although he recorded for several labels over the years, in my opinion, his best work was done for Impulse Records in the early sixties, including an album with the legendary tenor saxophonist John Coltrane. Entitled simply "John Coltrane and Johnny Hartman" and released originally in 1963, it remains a masterpiece that everyone should own and cherish. Two songs from that album appear on this fantastic compilation, which is undoubtedly the most complete introduction to Hartman's work to date, featuring recordings that span 25 years, from 1947 to 1972.
Throughout the 38 tracks contained herein, we can hear how Hartman succeeds in singing very different types of songs with diverse kinds of accompaniment, making all songs his own. We can also witness Hartman's stylistic development, from his early years as a crooner up into his later efforts as a jazz singer - and one of the very best the world has ever known. If you don't own any other CDs by Hartman, then this is definitely where you should start to delve into his music. I am sure it will not be too long before you find yourself looking for other superb titles such as "I Just Dropped in to Say Hello," "The Voice That Is!," or his great collaboration with Coltrane.
great forgotten singer.......2006-03-20
The greatest male voice of his time.......2006-01-13
New to Me...But what a Treasure..........2004-11-05
Hartmans one of the Greats!.......2002-12-31
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The Very Best Of Nina Simone, 1967-1972 : Sugar In My Bowl
Nina Simone Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009HRC Release Date: 1998-07-28 |
Tracks:
- My Man's Gone Now
- Since I Fell For You
- I Want A Little Sugar In My Bowl
- Do I Move You (Version II)
- Blues For Mama
- Backlash Blues
- In The Dark
- Consummation
- Go To Hell
- I Wish I Knew How It Would Feel To Be Free
- Turning Point
- Turn Me On
- The Look Of Love
- To Love Somebody
- I Can't See Nobody
- In The Morning
- Do What You Gotta Do
- Ain't Got No - I Got Life
- Please Read Me
- Martin Luther King Suite: Sunday In Savannah
- Martin Luther King Suite: Why (The King Of Love Is Dead)
- Martin Luther King Suite: Mississippi Goddam
Tracks:
- I Think It's Going To Rain Today
- I Get Along Without You Very Well (Except Sometimes)
- Nobody's Fault But Mine
- Another Spring
- Compassion
- Seems I'm Never Tired Lovin' You
- I Shall Be Released
- To Be Young, Gifted And Black
- Just Like Tom Thumb's Blues
- Suzanne (Previously Unreleased)
- My Father/Dialog (Previously Unreleased)
- Jelly Roll (Previously Unreleased)
- Tell It Like It Is (Previously Unreleased)
- Mr. Bojangles
- Here Comes The Sun
- Ooh Child
- Poppies
- 22nd Century (Previously Unreleased)
Amazon.com essential recording
With characteristic willfulness, Nina Simone plunged into a range of songbooks and styles between 1966 and 1973, when she recorded nine LPs for RCA. This two-disc overview demonstrates just how unpredictable and headstrong the seething songstress was during a period that was tumultuous for Simone personally and for society in general. Top 40 covers ("Mr. Bojangles," "To Love Somebody") mix with rock (Dylan's "Just Like Tom Thumb's Blues," George Harrison's "Here Comes the Sun") and pop standards ("Since I Fell for You," "My Man's Gone Now"). An increasingly politicized perspective informed Simone's late-'60s work. Her friends included Black Power firebrands H. Rap Brown and Stokely Carmichael, and she made no attempt to disguise her militancy. "The King of Peace is dead. I ain't about to be nonviolent, honey!" she announces on this collection's "Martin Luther King Suite," which was recorded live one day after the civil rights leader's assassination. While a number of selections included here can also be found on RCA's two volumes of Essentials, this lovingly assembled survey (which includes five previously unreleased recordings) captures the High Priestess of Soul in all her unshackled glory. --Steven StolderCustomer Reviews:
She Touches Your Soul..........2006-06-20
Favorite CDs of my collection.......2003-09-19
A great Artist.......2003-05-11
WOW!!.......2003-01-03
the most melodic voice ever.......2002-06-08
beautiful voice and I was converted and if you like blues
you will love this woman.Nina's voice is filled with felling
I almost cry when I hear strange fruit.Other songs like I
put a spell on you and black is the color of my true loves
hair make me feel like I'm part of a story and I love every second of it
Average customer rating:
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Citizen Steely Dan: 1972-1980
Steely Dan Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ORE Release Date: 1993-12-14 |
Tracks:
- Do It Again
- Dirty Work
- Kings
- Midnite Cruiser
- Only A Fool Would Say That
- Reelin' In The Years
- Fire In The Hole
- Brooklyn (Owes The Charmer Under Me)
- Change of the Guard
- Turn That Heartbeat Over Again
- Bodhisattva
- Razor Boy
- The Boston Rag
- Your Gold Teeth
- Show Biz Kids
- My Old School
Tracks:
- King Of The World
- Pearl Of The Quarter
- Rikki Don't Lose That Number
- Night By Night
- Any Major Dude Will Tell You
- Barrytown
- East St. Louis Toodle-Do
- Parker's Band
- Through With Buzz
- Pretzel Logic
- With A Gun
- Charlie Freak
- Monkey In Your Soul
- Bodhisattva (Live)
- Black Friday
- Bad Sneakers
- Rose Darling
- Daddy Don't Live In That New York City No More
- Doctor Wu
- Everyone's GoneTo The Movies
- Chain Lightning
Tracks:
- Your Gold Teeth II
- Any World (That I'm Welcome To)
- Throw Back The Little Ones
- Kid Charlemagne
- The Caves Of Altamira
- Don't Take Me Alive
- Sign In Stranger
- The Fez
- Green Earrings
- Haitian Divorce
- Everything You Did
- The Royal Scam
- Here At The Western World
- Black Cow
- Aja
- Peg
Tracks:
- Deacon Blues
- Home At Last
- I Got The News
- Josie
- FM
- Babylon Sisters
- Hey Nineteen
- Glamour Profession
- Gaucho
- Time Out Of Mind
- My Rival
- Third World Man
- Everyone's Gone To The Movies (Demo)
Amazon.com
As should be expected, Steely Dan's four-disc box set isn't like all the other rectangular pop-music retrospectives/tombstones. Not for Messrs. Walter Becker and Donald Fagen the typically bloated, ego-jacking crate padded out with childhood recordings, suspect cassette demos, and broken-down session takes, annotated by candid snapshots purloined from some distant relative. Nope, this is simply Dan Mach 1's complete oeuvre, from the craft-conscious pop of Can't Buy a Thrill to the jazzy torpor of Gaucho, laid out chronologically and neatly compressed into four discs, with not even a handful of "bonus" cuts (a live recording of "Bodhisattva," a '71 demo of "Everyone's Gone to the Movies" with Flo and Eddie on the side, "Here at the Western World," a Royal Scam outtake, and their obligatory soundtrack cameo, "FM") to color outside the lines. The liner notes are suitably smart, even if they occasionally strain trying to stay astride of B&F's patent sardonicism. For the aspiring Steely Dan completist, a fine place to start. --Jerry McCulleyCustomer Reviews:
Citizen Steely Dan: 1972-1980.......2007-05-09
Great for the novice Dan fan.......2007-01-22
I've since replaced this box set with the remastered versions of the original albums. But for the novice Dan fan who is looking to learn more, this is a great place to begin. As other reviewers have noted, it's unfortunate that the producers of this set had to rearrange the original album order of some of the songs in order to get everything onto four CDs, but that's a minor quibble. I also thought the enclosed booklet was pretty terrific, too. As I said, when I bought this I knew next to nothing about Steely Dan and with nowhere else to turn for information about the band (remember, I bought this in 1993--before the Web), the book served as a good primer for getting me up to speed on who they were and how they came to be.
Great music. Good value for the price.
5-Stars? Of course!.......2006-09-18
I won't rehash the well-explained contents of this box set; instead I'll throw out a few tangential observations. It may not have been quite as obvious at the time, but Steely Dan were one of very, very few successful rock bands to exist apart from really any prevailing movements in the history of rock. One could draw some variably vague connections to jazz, soul, pop, hippie-era rock, California 70s singer-songwriters, or even the kind of ironies that would later fluorish in the best of the post-punk generation (Elvis Costello, XTC, Talking Heads and Pavement were all very much spiritual descendants of Steely Dan, in many ways), but Steely Dan weren't exactly any of those things. But they scrupulously maintained a rather erudite ability to draw selectively from most or all of those things. Music geeks (of the best sort)...that's the expression I'm hunting for.
Becker and Fagen also weren't afraid to really get close to the edge with their sense of irony, or satire: there are any number of songs ("Kid Charlemagne" and "Everything You Did" both spring quickly to mind) aimed at a sort of character who might well be listening to a well-worn copy of 'Royal Scam' whilst the deal goes down, and they also didn't exclude themselves from the critiques, the debaucheries, or the damnations. To be able to do this and actually get away with it is a real indication of brilliance, either as songwriters, or perhaps as social commentators.
In any case, this is great and adventurous music through and through - the textured spaciousness of "Your Gold Teeth I," the cacophonous jazz riffs of "Parker's Band," the keyboard pyrotechnics of "Your Gold Teeth II" (apparently, 2 incomplete snipets of songs rearranged into one complete one), or "Deacon Blues" - a perfect creation, blending a Sinatra-worthy melody with production touches that would rival Pink Floyd (or Radiohead).
Socio-critical sonic architecture at its' finest.
-David Alston
Steely Dan's decade(1970-80)........2006-08-04
However,it remains an exceptional document of the band's musical intelligence.
With the possible exception of Lou Reed,rarely such songwriting ability has been so perfect,some of the songs the duo penned could be printed as novels,it's a brilliant job indeed...
Add the superior musicianship to those songwriting skills & you get STEELY DAN,the most subtle band the USA produced.
All the stuff here deserves a good 5 stars,i gave only 4 because some unedited or unofficial live stuff would have been greatly appreciated!
an incredible collection.......2006-06-07
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Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972
The Flying Burrito Brothers Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004ST4S Release Date: 2000-04-18 |
Tracks:
- Christine's Tune (A.K.A. Devil In Disguise)
- Sin City
- Do Right Woman
- Dark End Of The Street
- My Uncle
- Wheels
- Juanita
- Hot Burrito #1
- Hot Burrito #2
- Do You Know How It Feels
- Hippie Boy
- The Train Song
- Lazy Days
- Image Of Me
- High Fashion Queen
- If You Gotta Go
- Man In The Fog
- Farther Along
- Older Guys
- Cody, Cody
- God's Own Singer
- Down In The Churchyard
- Wild Horses
Tracks:
- Six Days On The Road
- Close Up The Honky-Tonks
- Break My Mind
- Dim Lights
- Sing Me Back Home
- Tonight The Bottle Let Me Down
- To Love Somebody
- White Line Fever
- Colorado
- Hand To Mouth
- Tried So Hard
- Just Can't Be
- To Ramona
- Four Days Of Rain
- Can't You Hear Me Calling
- All Alone
- Why Are You Crying
- Here Tonight
- Ain't That A Lot Of Love
- Losing Game (Live)
Amazon.com essential recording
This overview of the heyday of the flagship band of 1970s country-rock illustrates why the genre became such a force in its time--and why it flagged as the decade progressed. Its ascent can be attributed to the vision and charisma of band cofounder Gram Parsons. Parsons's legend has grown to such a point that one must question its validity. Was he that crucial in shaping the genre? The answer is provided through the course of the first disc and a solid portion of the second in this smartly assembled double set. Parsons and partner Chris Hillman brought together influences ranging from Stax soul to the Everly Brothers to Hank Williams to create a sound that is inventive, inviting, clever, and a little weird. Parsons's two Burrito albums--1969's landmark The Gilded Palace of Sin and its patchwork follow-up, Burrito Deluxe--are here in their entirety, as are some Gram-era oddities. The handful of post-Parsons tracks that weigh down disc 2 augur country-rock's demise. Hillman and new recruit Rick Roberts create pleasant enough music that simply lacks the flair Parsons brought to nearly everything he recorded in his 26 years. --Steven StolderCustomer Reviews:
Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972.......2007-06-08
The definitive overview of a seminal country-rock band.......2006-10-28
After the 11 songs from the first LP, this compilation includes a single A-side titled "The Train Song" which never did anything for me. I wonder who chose to let the Burritos be coproduced by Johnny Guitar Watson?
Rating: no rating !!
The follow-up LP, "Burrito Deluxe" appeared within 15 months of the first and, at the time, I found it to be a major let down. Although definitely a lesser work, I have grown more appreciative of it as its actual strenghts have grown on me.
The LP was pleasant and well above average, but after the magnificence of "Gilded Palace of Sin", it suffered by comparison. Also, I cannot help but feel that there was less drive, less enthusiasm from everybody involved. My favourite track is the "cover" of the Stones' "Wild Horses" (which could actually have been co-composed by Parsons). Other favourites are "Cody, Cody" and "Lazy Days". I would rate this album *** ½.
The second CD begins with seven tracks that first appeared on "Farther Along", "Close up the Honky Tonks" and Gram Parsons' "Sleepless Nights".
These tracks seem to be work-in-progress of country covers; they are rather well recorded but they sound average and rather perfunctory to me when compared with the songs recorded by the original artists. I do not think that these recordings would have been released at the time had Parsons not perished most tragically and so young. Rating : **.
Tracks 8 - 17 were released on the Flying Burrito Brothers' third, eponymous LP. This is the second line-up from the band, with Rick Roberts "replacing" Gram Parsons. Well, Parsons could not really be "replaced" but Hillman obviously did not want to remain the sole leader/singer/songwriter of the band. Rick Roberts was a good singer and a good writer to boot. While the music on this record leans more towards the West Coast / singer-songwriter scene than towards Parson's vision, I must say that I have liked this 1971 LP at first listen. The album is chock-full of good songs, well sung and well arranged. The well-known Haggard cover "White Line Fever" is really superior to the Parsons sung "demo" covers of two Merle Haggard's tunes placed at the beginning of this CD. Colorado, Four Days of Rain, All alone, ... are among my favourites but there really is no dud track on this album. I rate it *****. This does not mean that I find it as good (and certainly not as influential) as the "Gilded Palace of Sin" but it very good in its own sweet way. I would say that this LP holds its ground when compared with favourites of mine such as "Pickin' Up The Pieces" (Poco) or, well, the first LP by The Eagles. It is also a splendid opportunity to appreciate Hillman's characteristically exquisite bass guitar playing one more time. Sneeky Pete Kleinow also shines throughout while Leadon ... well Leadon is always good on whatever stringed instrument happens to lay around.
Track # 18 is a version of Gene Clark's "Here Tonight" (covered and sung by Hillman on the third album) and recorded by Clark himself with the Flying Burrito Records (and also much earlier on his very first solo Columbia LP). I prefer Clark's rendition to Hillman's but I wonder why this take appeared on "Close Up The Honky Tonks" because it has much more of a polished Byrds / LA sound. Anyway, it's pretty good to have around. I rate this track *****.
The last two tracks were recorded live for the fourth LP titled "Last of The Flying Burrito brothers" which I duly bought upon release. Although less lethargic than the tracks from "Close Up the Honky Tonks", they are not that remarkable either. I would rate this, their fourth album for A&M, ** ½.
It should be pointed out that the sound of this CD is very, very good. The booklet is also informative, including quotes from Chris Hillman.
This compilation is THE definitive overview of the Flying Burrito Brothers' oeuvre!
HOT BURRITOS!!!!.......2005-08-02
Here are some of the upsides to this collection: You get what is (ironically) the only American release of their seminal debut on compact disc, The Gilded Palace of Sin. You're typically going to pay twice what you would for this whole set just to get the import of this album alone. So it's safe to say that this set is a definite "best value". While I feel like The Gilded Palace of Sin is the only album you really need by the Burritos, you do get to hear their version of the Stone's classic Wild Horses, which ws actually released before the stones version, oddly enough. The packaging is really nice, with several unreleased photos of the band, and stories and reflections from surviving members.
Some downsides to the collection: in my estimation, this set is roughly 2/3 filler. They just didn't capture that dynamite sound after The Gilded Palace of Sin. Sure, they had a few shining moments, even after Gram's departure, but I don't find myself straying too far past the first dozen or so tracks of disc 1 on a regular basis.
It is sad and ironic that this is the only CD version of The Gilded Palace of Sin available domestically. This great slab of Classic Americana has been an import only for years! Why, I do not know. You just listen to it, and you get the imagery of riding a huge motorcycle through a desert highway...leather jacket with the tassles...boots...a walrus moustache, and not a care in the world.
The bottom line: if you're looking to save money, and don't mind a considerable amount of filler, buy this set. If you have the money to spare, and don't want the filler, splurge a little and get the import of Gilded Palace. Either way, you simply cannot afford to let this album, in one format or another, pass you by. Go out right now and buy this!!
Breaking Up With The Flying Burrito Brothers.......2005-03-06
Long ago, I was embroiled in a difficult relationship that causes the occasional wound even today. In the midst of that emotional tempest, Gram Parsons was the guy I kept turning to, and not always for the healthiest reasons. His voice was so lonely and laced with sadness, as if it were my own. I listened to his music not to heal, but to wallow. I knew my pain would get no better, yet I was going to keep going back to her for more abuse -- so I knew I was a pretty sad sack. Yet there was something so beautiful about the relationship that I didn't want it to end.
That relationship is the main reason I couldn't listen to "Hot Burrito #1" for years. It bore a pit right in my stomach and ceased any kind of meaningful activity as I just listened to the song. Listen to the lyrics and you'll know what I mean. Parsons cuts right to the heart of the painful beauty with his voice and his interpretation, and to have such emotional depth of feeling at such a young age is pretty astonishing.
However, it was a momentum he had trouble sustaining with this band. The last half of Disc 1 is decidedly below the sky-high bar raised with the first half, with the exception of "Wild Horses". By the end of Disc 2, which covers the output of the Burritos with Rick Roberts, they sounded like an bad Eagles knockoff instead of a top Eagles influencer. In their early days, the Burritos were just like the Eagles, only good.
However, I knew I was coming out the other side of my bad relationship and would be OK when I didn't need to listen to this (and other CDs) nearly every day, just so I could further torture myself with thoughts of her. It seemed disloyal to say goodbye to the Burritos, so I did it slowly, but gradually it came out of my stereo and back on the shelf. Occasionally I'll pull it out and give it a listen for old-times' sake, but it doesn't bring back the old feelings the way it used to. In a weird sense, it almost diminishes the quality of the album a bit.
Bottom line, this CD set will kill you softly if you're going through a tough breakup. Unlike "Blood On The Tracks", which achieves the same effect through Dylan's lyrics, Hot Burritos is purely visceral, with painful, sorrow-filled emotion. But there aren't enough of these tunes to sustain this entire album.
Great music: where country and rock first merged!.......2005-02-10
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Superfly (1972 Film)
Curtis Mayfield Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JFV9 Release Date: 1999-07-20 |
Tracks:
- Little Child Runnin' Wild
- Pusherman
- Freddie's Dead
- Junkie Chase (Instrumental)
- Give Me Your Love (Love Song)
- Eddie You Should Know Better
- No Thing On Me (Cocaine Song)
- Think (Instrumental)
- Superfly
- Superfly Theme: Freddie's Dead (Single Mix)
- Superfly (Single Mix)
Amazon.com
The term "classic" is tossed about a lot these days, and when it's being used to describe everything from Coke to a Janet Jackson CD, the term is shady. But take my word that the 1972 soundtrack to the blaxploitation film Superfly is a true classic. Why? Because 25 years after its release, the songs still ring true and sound fresh. A morality tale set to funky grooves and plaintive vocals, Superfly is the zenith of Mayfield's socially aware songwriting, recounting the highs and lows of the thug life and the no-win ghetto game of hustling. It's hard to believe, but a doom-filled ode to screwing up ("Freddie's Dead") was actually a big hit during the Nixon years. Truth be told, the record sounds as good, if not better, today and should be in everyone's collection. --Amy LindenCustomer Reviews:
Classic funk / Urban street guide.......2007-04-03
A classic soundtrack album.......2007-02-09
Superfly.......2007-01-05
Curtis Mayfield's Triumph.......2006-04-29
Okay, so I'm a 41 year old white male, big deal...you think I know nothing about soul...about funk...about groove? Think again. I grew up on this kind of stuff and I still find myself going back to it again and again not out of pure nostalgia, but because to me, it's "real music".
Curtis Mayfield was a genius. It seems like everytime you turn around now somebody who hasn't even paid his/her dues is being called a genius or a diva which is kind of a sad commentary, because those people that they are calling geniuses cannot even hold a candle to Curtis Mayfield. You think Snoop Dog is going to hold up to the test of time? You really think in 30 years you're gonna pull out your Eminem Cds and tell your grandkids, "Oh, yeah...now that was music..." I don't think so...
Mr. Mayfield struck a true chord with this recording. Without being obscene or vulgar he captured the sorrows, the joys, the ups, and the downs of not just people who lived on the city streets, but the everyday ups and downs of just being human and to me, that's a triumph in itself.
I love this CD. You really have to sit and be with it and just allow it to seep into your psyche and know that what affects one affects the whole and what affects the whole affects the one. That's empathy. That's pathos. That's soul. That's life.
God Bless you, Curtis Mayfield...thank you for all you left behind.
Curtis,please come back...........2006-03-10
if it's loaded with 'mf'type language.Obviously,this was evidenced at the 2006 Oscars,which demonstrated how badly Curtis Mayfield's 'Superfly' is missed;at least the lyrics are clean.And particularly, if the Oscars are going to be awarded to outright [junk],Mayfield should be awarded a posthumous Oscar for 'Superfly.'
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Kicks! The Anthology 1963-1972
Paul Revere & the Raiders Manufacturer: Raven [Australia] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009OUBCO Release Date: 2005-07-04 |
Tracks:
- Louie Louie - Raiders, Paul Revere
- Steppin' Out - Raiders, Paul Revere
- Just Like Me - Raiders, Paul Revere
- Kicks - Raiders, Paul Revere
- Action - Raiders, Paul Revere
- Hungry - Raiders, Paul Revere
- I'm Not Your Stepping Stone - Raiders, Paul Revere
- Louie, Go Home - Raiders, Paul Revere
- Ballad of a Useless Man - Raiders, Paul Revere
- Great Airplane Strike - Raiders, Paul Revere
- Good Thing - Raiders, Paul Revere
- Why? Why? Why? (Is It So Hard) - Raiders, Paul Revere
- Louise - Raiders, Paul Revere
- Him or Me - What's It Gonna Be? - Mark Lindsay, Raiders, Paul Revere
- Mo'reen - Mark Lindsay, Raiders, Paul Revere
- Gone - Movin' On - Mark Lindsay, Raiders, Paul Revere
- Tighter - Mark Lindsay, Raiders, Paul Revere
- I Had a Dream - Mark Lindsay, Raiders, Paul Revere
- Ups and Downs - Mark Lindsay, Raiders, Paul Revere
- Peace of Mind - Mark Lindsay, Raiders, Paul Revere
- Too Much Talk - Mark Lindsay, Raiders, Paul Revere
- Cinderella Sunshine - Mark Lindsay, Raiders, Paul Revere
- Don't Take It So Hard - Mark Lindsay, Raiders, Paul Revere
- Mr. Sun, Mr. Moon - Mark Lindsay, Raiders, Paul Revere
- Let Me! - Mark Lindsay, Raiders, Paul Revere
- Just Seventeen - Raiders
- Indian Reservation - Raiders
- Birds of a Feather - Raiders
- Country Wine - Raiders
- Powder Blue Mercedes Queen - Raiders
Customer Reviews:
Nice collection!.......2007-05-21
Paul Revere & the Raiders - Anthology CD.......2007-04-12
Great!.......2007-02-16
Anna Benson
Great CD.......2007-01-16
Great! But often overlooked........2007-01-06
Average customer rating:
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The Anthology: 1947-1972
Muddy Waters Manufacturer: Chess ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NHLY Release Date: 2001-08-28 |
Tracks:
- Gypsy Woman
- I Can't Be Satisfied
- I Feel Like Going Home
- Train Fare Home Blues
- Mean Red Spider
- Standin' Here Tremblin'
- You Gonna Need My Help
- Little Geneva
- Rollin' & Tumblin,' Part One
- Rollin' Stone
- Walkin' Blues
- Louisiana Blues
- Long Distance Call
- Honey Bee
- Country Boy
- She Moves Me
- Still A Fool
- Stuff You Gotta Watch
- Who's Gonna Be Your Sweet Man When I'm Gone
- Standin' Around Cryin'
- Baby Please Don't Go
- (I'm Your) Hoochie Coochie Man
- I Just Want To Make Love To You
- I'm Ready
- Young Fashioned Ways
- I Want To Be Loved
Tracks:
- My Eyes (Keep Me In Trouble)
- Mannish Boy
- Sugar Sweet
- Trouble No More
- Forty Days And Forty Nights
- Just To Be With You
- Don't Go No Farther
- Diamonds At Your Feet
- I Love The Life I Live (I Live The Life I Love)
- Got My Mojo Working
- Rock Me
- Look What You've Done
- She's Nineteen Years Old
- Close To You
- Walking Thru The Park
- Take The Bitter With The Sweet
- I Feel So Good (Live)
- You Shook Me
- My Home Is In The Delta
- Good Morning Little Schoolgirl
- The Same Thing
- You Can't Lose What You Ain't Never Had
- All Aboard (Fathers And Sons)
- Can't Get No Grindin'
Amazon.com
Muddy Waters should need no introduction. Not only did he provide a name for the world's greatest rock & roll band, but he also created the Chicago electric blues sound that's dominated the genre since he first hit the windy city in the late 1940s. His bands also featured what would become a who's who of electric blues: Little Walter, Jimmy Rogers, Otis Spann, James Cotton, Junior Wells, Buddy Guy, and the list goes on. The Anthology covers Waters's most important period: his first years at Chess through the late 1960s. All his best-known songs are featured in their definitive versions, providing the perfect introduction to a blues master who doesn't need one. --Mike JohnsonCustomer Reviews:
The Definitive Starting place for Any Muddy Waters Collection...........2006-06-22
Trading in a wide style of blues (Electric Blues, Slide Guitar, R&B, Delta Blues & Blues Revival....it's safe to say that if it's Blues that your after, Muddy Waters was a necessary required listening. This 2 Disk Anthology is probably without doubt the best one-stop purchase for anyone (Casual or otherwise), curious with the guitarist's prolific work. There is simply so much worthwhile material here, that it's one of those collections that cherry picks through pretty much Muddy Waters entire career, and for an artist that started recording from the 40's - 80's, it's a collection that is breathtaking in scope, track selection, sequencing and even the actual mastering of the disk is superb. Sometimes you'll find with blues recordings, that because the actual quality of the original recordings were anything less than stellar, that the CD format, sometimes merely highlights the recordings technical shortcomings. Well...not in this instance, because the label seems to have taken the time and effort to put together a disk that impresses greatly with the sound quality. And coupled with some of the most popular Muddy waters recordings ("Mannish Boy", I Can't Be Statifised", "Rollin And Tumblin Pt 1", "Louisianan Blues", "(I'm Your) Hoochie Choochie Man", "Just to Be with You", "Got Me Mojo Working", "Can't Get No Grindin"). If it's a popular or highly regarded regarded Muddy Waters track, that there's a likely chance that it'll feature on this Anthology.
The only thing that could possibly make you not consider picking up this amazing anthology, is due to the higher price (due to it being a anthology) or that you're a very causal listener, that wouldn't want to have so much material to digest. If you are the latter, then you'd be wrong....you can never have enough Muddy Waters, and if there two things that will hit home, when you buy this release is (1) The man, sure can play the guitar...and (2) you'll be surprised, how truly amazing it is, listening to this anthology in chunks...as it quickly grabs hold of you, and refuses to let go. Such is the brilliance of this Anthology, that it'll possibly, urge you to seek out similar blues artists (Howlin Wolf, B.B. King, Buddy Guy, Albert King, Magic Sam...etc). And the highlight exactly why so many acts today, are looking back at artists such as these, for inspiration. Truly amazing!!!
A really good Muddy compilation.......2006-06-17
I had the chance of seeing Muddy live in concert as opening act for the Allman Brothers in the mid 1970's. Before seeing him, I knew some of his big hits and I knew he was a great influence on Allmans, Stones, Led Zeppelin and many top rock bands. After seeing him live, I became a much bigger fan as did many of the people who saw him in that period. Muddy deserves every bit of critical respect he enjoys today and these 2 discs are an excellent document of why.
This is the blues right here.......2006-02-08
Muddy's early songs are mostly raw and stripped down. Muddy plays an awesome slide guitar which is all over the early stuff. There's very little harmonica and also no bass and very little percussion. The songs are significantly less melodic than the later stuff. It's simply electrified delta blues. Then the stuff later has a more prominent rhythm section and the songs tend to be more catchy and not quite as raw. Unfortunately, Muddy's slide guitar also disappears for the most part as Jimmy Rogers takes over guitar duties. However, the great Little Walter plays an excellent harmonica on many of the tracks which is always a welcome addition.
If you're looking for a first Muddy Waters purchase, here you go. This is a great place to start, but not a great place to stop. Once you get a taste of Muddy, chances are you'll want more. After the essentials, I would recommend picking up Hard Again (1977), At Newport (1960), Fathers and Sons (1969), and I'm Ready (1978).
Great anthology.......2005-05-06
Muddy's best.......2004-02-23
Dance Music:
- 1973: Recon [Enhanced]
- 1973: Recon [Enhanced]
- 3rd Coast Heat Vol. 2
- A.D.I.D.A.S./Rap Is Dead [CD-single]
- Alabama
- Alabama Is My Home
- All Eyez on Me [DualDisc] [Enhanced] [Explicit Lyrics]
- Anthology [Import]
- Balance
- Banged Out
Dance Music
Oakes: Music for Midi Trombone
November 1, 2002 Las Vegas, NV: On the Road [Live]
Lebendige Vergangenheit: Margarete Matzenauer
La Camisa Negra Pt.2 [CD-single] [Import]
Mosaic Select: Dave Liebman & Richie Beirach [Live]
20th Century Masters - The Millennium Collection: The Best of Jimi Hendrix