| 1. Breaks |
| 2. Hard Times |
| 3. Do the Do |
| 4. Take It to the Bridge |
| 5. Rockin' |
| 6. I Can't Take It No More |
| 7. Unity Party Jam |
| 8. Sunshine |
The Breaks,Kurtis Blow,Special Music,Hip-Hop,Old School Rap,R&B,Rap,Rap & Hip-Hop
Average customer rating:
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The Greatest Hits: Why Try Harder
Fatboy Slim Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FC2GBE Release Date: 2006-06-20 |
Tracks:
- Rockafeller Skank
- Praise You
- Brimful of Asha - Cornershop (Norman Cook remix)
- Weapon of Choice
- Gangster Trippin'
- I See You Baby - Groove Armada (Fatboy Slim Remix)
- Wonderful Night
- Right Here, Right Now
- Going Out Of My Head
- Sunset (Bird of Prey)
- Everybody Loves a Carnival
- Don't Let The Man Get You Down
- Demons
- Sho Nuff
- Slash Dot Dash
- Santa Cruz
- Champion Sound
- That Old Pair of Jeans
Album Description
The Greatest Hits: Why Try Harder brings together all the songs that made Fatboy Slim the biggest dance artist and DJ on the planet. This collection includes two brand new tracks "That Old Pair of Jeans" featuring vocalist Lateef of Blackalicious, and "Champion Sound," plus Fatboy Slim's two biggest selling remixes, Cornershop's "Brimful of Asha" and Groove Armada's "I See You Baby." The CD has every essential Fatboy Slim hit, featuring vocal contributions from Macy Gray, Bootsy Collins, Jim Morrison, Yvonne Elliman, and Five Man Electrical Band.Also available on July 18, 2006: "The Greatest Hits: Why Make Videos" DVD with all of Fatboy's genre defining and hilarious award winning videos.
Customer Reviews:
Great Best Of.......2007-03-13
Who IS Fatboy Slim?.......2007-01-12
Spectacular.......2006-11-29
Addictive.......2006-09-29
Why look harder?.......2006-09-14
As Matthew Blissmer said in his review, this is a GREAT CD to put on for friends that don't want to hear the (often excessively) long versions of each of the songs. I always ran into that problem... I loved the songs but they had awkward lead-in and lead-outs. In "Why Try Harder?", ALL the songs are beautifully edited, starting and stopping at exactly perfect times for the full effect of the song. No minute-long lead-out for "Going Out of My Head", and "Brimful of Asha" (one of my favorites) is cut perfectly down to size from the 7:30 full cut.
I can put this in a CD player and hit Shuffle and not be nervous about hitting an embarrassing song. They're all great.
If you're new to Fatboy Slim, or you've been following him for years, it doesn't matter, this is your CD. Clean up all those illegally-downloaded albums and mixes you were too hesitant to purchase, because this has it all in one neatly packaged, easily-purchasable CD! Time to pay your respects to the totally awesome Norman Cook in this totally awesome collection. Why look harder?
Average customer rating:
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The Fat of the Land
The Prodigy Manufacturer: Maverick ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002NFM Release Date: 1997-07-01 |
Tracks:
- Smack My Bitch Up
- Breathe
- Diesel Power
- Funky Shit
- Serial Thrilla
- Mindfields
- Narayan
- Firestarter
- Climbatize
- Fuel My Fire
Amazon.com essential recording
An album even the technophobic couldn't ignore, The Fat of the Land made Prodigy one of the first U.K. rave acts to infiltrate pop culture. Hard-core hip-hop-derived breakbeats, layers of unabashed (but creative) sampling, and meaningless shouted lyrics struck a chord beyond the electronic-music community. The inclusion of "Firestarter" and "Breathe" (both previously released hit singles) certainly aided the disc's widespread success, but it was the ferocity (and controversy) of "Smack My Bitch Up" that caught the world's attention. Guest Shahin Bada's Indian vocalizations convey the sense that dance music has come a long way from "Pump Up the Volume"! "Diesel Power," featuring Kool Keith, and "Funky Shit" set a wicked groove; the cover of L7's "Fuel My Fire" recalls the energy of the Sex Pistols. In fact, the dark aggression of The Fat of the Land bears closer resemblance to both rap and punk than the hedonism of techno. Leader Liam Howett simply gives up 10 solid songs with bombastic production values, transforming dance music into the art of noise. --Lisa LadouceurCustomer Reviews:
If the cover tells you anything, it does describe the album.......2007-07-08
Granted, I took off some points because this isn't perfect, and it won't catch you right always, but it is good, and if you are in the mood, you will sit through it quite easy. Even though it's definitly not an easy listen and won't always grab you (it's a mood thing), when you hit it, it hits big.
Every song on here does it's job, some songs are better than others, (I don't care too much for Fuel My Fire as much as the others), but it is damn _________ creative. And this album always seems to go up to your _________ face and scream out loud the name of the music. IT's another great electronic album, and best of all, it dosen't sound like totally generic ______ like Crazy Frog. It's intense, intense for electronic at least, not as much as some, but electronic music should be that way sometimes. Less (or none at all) words means you have to be more creative with the music, (there's more voices on Fat Of The Land than some electronic music), and that's what real electronic music is ________ all about.
More on the music. I should give you that the music isn't not punk, but a mix. Yeah, mixes are ________headaches, why group so many _______ genres? But it works here, and the music is big beat, electronic dance rave type music, with some rap hip-hop music. No, you won't find any poppy songs, this isn't poppy electronic music. It's the opposite, so you probally won't be too interested the very first time you listen.
It ain't exactly radio friendly music, at least in the U.S. (U.K. is where this kind of stuff is more possible, such as Fatboy Slim).
I wish I could give it nine, because I am having a blast, but I don't think it's quite at the mark, so it dosen't deserve it. But take my word, The Fat Of The Land is awesome. I can't wait to dive into the underground of electronic, but yeah, I'm not really there yet, but for the underground of electronic, you gotta know the big names first.
8.5/10
Prodigy.......2007-03-09
itsa classic.......2006-07-09
best rave album!!!.......2006-07-02
pulsating,hynoptic...
one of the greatest of electronic track i have ever listen to...just never tired listening to this track...
great car music!!!
other tracks are great to listen to(that is probably why these tracks like mindfields,smack my bitch up are movie soundtracks)
ultimately,this is prodigy's best album yet!!
must buy!!
Classic........2006-06-18
Normally I can't stick dance music, but I have fallen in love with this CD.
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Vegas
The Crystal Method Manufacturer: Fontana Geffen ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RBV Release Date: 1997-08-26 |
Tracks:
- Trip Like I Do
- Busy Child
- Cherry Twist
- High Roller
- Comin' Back
- Keep Hope Alive
- Vapor Trail
- She's My Pusher
- Jaded
- Bad Stone
Amazon.com
When Ken Jordan and Scott Kirkland started distributing homemade singles around Los Angeles at the beginning of the '90s, their bass-fortified, hard-rolling techno concoctions perked up the ears of industry impresarios and local scenesters alike. Vegas, their affectionately-titled major label debut, refines the formula. Thick with layers of pounding beats and rock dynamics, it takes the typical club fare and beefs it up with a uniquely western slant. The detectable influences range from the power chords of AC/DC to old school hip-hop patterns to the smooth melodies of Stevie Wonder. On blistering tracks like "Trip Like I Do" and "Keep Hope Alive," the Crystal Method confirm that America has become a force of contention in the electronica field. --Aidin VaziriCustomer Reviews:
Crystal Method !!!.......2007-07-18
Amazingly Jammin'.......2007-04-16
-Nicaro
Their Signature CD.......2007-01-12
What this reminds me of a little bit is the Fight Club soundtrack, although it's not as hard-edged as that work (from the Dust Brothers), with some funky beats and sounds perfectly mixed in at the right times. These guys are pretty talented and their studio skills are apparent. If you're going to buy one Crystal Method CD, based on everything I've heard and read, this is absolutely the one to get. Definitely recommended.
The Most Supernatural Album Ever Composed!!! A Jewel For Any Music Collection!!!.......2006-11-09
Based on the resounding effect of this album, I label it as the MOST SUPERNATURAL ALBUM EVER COMPOSED for this genre. Some CM fans complain that this album is too highly extolled and therefore praise one album over another. A true Crystal Method zealot wouldn't do that. Doing that defames the group as a whole. Although I own this Album, I own other ones by Crystal Method and they are also valued. Equally respecting all albums hightens the credibility of the artists. Whether anyone agrees with this fact or not, briefly think about how many times you've heard music by the Crystal Method featured in television ads, television shows, video games, and theme parks (about three tracks from this specific album is played as background music in the waiting lines @ Six Flags Magic Mountain). What does this tell us? The music by Crystal Method is highly recognized. Yet, based on the average music junky, when a word about Crystal Method is made, this Album "Vegas" is readily distinguished. This just happens to be the jewel among their many CDs.
The beats recorded on this album are unique and perfectly executed, the complexity of this music is obviously mastered by Ken Jordan and Scott Kirkland. Not one track on this CD is the same, yet each and every track is an astounding original creation that creates its own attitude and setting with its adrenaline breaks and beats. This CD is a MUST HAVE for any Crystal Method enthusiast and for anyone who enjoys a variety of music. This album has been nothing less than Supernatural, its force and influence is a Momentous event written in stone on the timeline of this genre.
Best Electronica CD Of The 20th Century.......2006-08-30
Average customer rating:
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This Binary Universe
BT Manufacturer: Digital Sound ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000G8OZ16 Release Date: 2006-08-29 |
Tracks:
- All That Makes Us Human Continues
- Dynamic Symmetry
- The Internal Locus
- 1.618
- See You On The Other Side
- The Antikythera Mechanism
- Good Morning Kaia
Tracks:
- All That Makes Us Human Continues [Music Video]
- Dynamic Symmetry [Music Video]
- The Internal Locus [Music Video]
- 1.618 [Music Video]
- See You On The Other Side [Music Video]
- The Antikythera Mechanism [Music Video]
- Good Morning Kaia [Music Video]
Product Description
1. All That Makes Us Human Continues
2. Dynamic Symmetry
3. The Internal Locus
4. 1.618
5. See You On The Other Side
6. The Antikythera Mechanism
7. Good Morning Kaia
Format: CD
Amazon.com
BT's This Binary Universe is really a follow-up to his 2004 soundtrack to Monster, a brilliant work of cinematic moods and ambient Americana. It was unjustly ignored by both the Oscars and the Grammys, where it should have at least been nominated for Best Surround Sound Recording. None of that has stopped Brian Transeau from going further down this path of expansive ambient electronica that takes him out of the techno-pop and trance direction he had been pursuing. This Binary Universe taps into BT's classical side, with expansive arrangements and intricate, albeit minimalist, thematic development. From the opening of "All That Makes Us Human Continues," BT reveals himself as a master of Eno-esque melancholy, as simple melodies evolve through an electro-orchestral instrumental palette. Lounge jazz with solos in the key of abstract, plaintive arpeggiated guitars, electro marches, minimalist hymns, and pastoral dreamscapes drive an album that seeks out joy and redemption, but not without traveling through the dark. The last track, "Good Morning Kaia," is a paean to his newborn daughter, and the most purely anthemic track on the disc. I suspect the real raison d'être of This Binary Universe is the accompanying 5:1 surround DVD. BT creates an immersive space that's less sonic pinball and more audio sculpture, often revealing different aspects of his music than in the stereo mix. Each song on the DVD has a unique video that includes antique robots, surreal landscape drawings, live action fantasies, and abstract designs. It's the best way to experience this music, but whether you watch the DVD or tune into the stereo CD, This Binary Universe may be the first ambient symphony of the 21st century. --John DilibertoCustomer Reviews:
Yea, the best of the best.......2007-06-30
Really enjoyed track 4 through 6. Even though those are only 3 songs, they are long and change to different styles in the middle. 6 is freaking awesome.
I wanted to give it 5 stars, but because I was expecting something else, I knocked off a star. Good job though.
Brilliant, just brilliant.......2007-06-07
If you like electronica in any way...strike that. If you think sound is kinda groovy, check this out. There will be something here for you.
Very good change for Mr. Transeau.......2007-06-01
On a side note, the reviewer who falsely credited BT with the score to the Matrix movies should check his/her facts first. The score was by Don Davis, a wonderful band named Juno Reactor, and contained songs by Paul Oakenfold, Rob Dougan, and several rock bands, but absolutely no BT songs were on the soundtracks to any of the 3 movies or the "Animatrix" short film collection, or any of the video games (so far).
This is a really interesting album, containing 7 ambient tracks that tend to follow the Concerto style of establishing a theme, varying the theme, then returning to it. Most of these songs follow this pattern in some shape or form. A major theme in here is youth, particularly infantile youth. I believe that Kaia is the name of his daughter, and supposedly he had her in his arms for many parts of this writing process. Many of the melodies are very beautiful in that infantile sort of way, giving you the impression that they are lullabies of sorts.
They are wonderfully crafted with an infinite amount of detail. There are subtle changes to almost every piece in every sequence. This is best enjoyed with headphones or in surround, as many other reviewers have noted.
The only parts that didn't fit well with me were the power chord sections of "Good Morning Kaia" which clashed with the rest of the album. The jazz section of "Dynamic Symmetry" also sounded quite robotic and lifeless. Jazz does not fit in well with the kind of perfection of sound that BT uses, at least in this attempt.
Major highlights are the orchestral sections in "The Antikythera Mechanism", which are booming and powerful, and get torn apart cleverly by his editing. The other is the core of the song "1.618" (a BRAVE title for a song, I might add), which is this gorgeous hook at a walking pace that you could loop and listen to for 20 minutes.
Overall, wonderful sculpting and a dizzying array of effects make the replay value on this music through the roof. A bit more work on the last track and a little more life in the short jazz section would've made it near perfect.
OMFG.......2007-05-16
Amazing!.......2007-05-14
Average customer rating:
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Decade
Rabbit in the Moon (CD & DVD) Manufacturer: South Beat Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NQR82O Release Date: 2007-07-10 |
Tracks:
- Time Bomb
- Diamond Dust
- Alphatron
- Omegatron
- Deeper
- Metropolis
- Star Shine
- Let's Dance
- Dubassex
- O.B.E.
- Decade
Album Description
Rabbit In The Moon have established an enormous fan base with the release of their 12-inch singles, remix work, and exploration in live performance. With their world renowned remixes for Smashing Pumpkins, Depeche Mode, Sarah McLachlan, Garbage, and countless others, it's no wonder they have the world eagerly awaiting the release of their first full-length CD/DVD. Their style of electronic music is timeless, but to truly understand this group is to see and hear them live. This 80+ minute DVD takes you behind the scenes and in front of thousands of screaming fans at one of their live festival performances, shot in Hi-Def with a 5.1 Surround Sound mix.Customer Reviews:
Excellent for the casual listener.......2007-07-29
Long Awaited, and a Fantastic DVD.......2007-07-16
As others have noted, RITM is best experienced as a live act. The music is brought to life through the larger-than-life, kabuki theater-like performance and vocalizations of Bunny (Steve Eachon). Perhaps RITM are destined to become the Grateful Dead of modern Techno, as every show is different, and devoted fans follow their shows, and see them again and again, noting the slight changes to the mixes and song selections, and the ever evolving and exciting Bunny Experience.
With that in mind, it is only natural that they would include a DVD that included some of their live material, along with new and creative original video along with the CD.
The quality of the video and audio on this package is flawless and very entertaining for old and new Rabbit fans. One can only hope that they gather momentum from this release to tour heavily, and release another album of completely new material within the next 18 months. The newer material also has more vocals by Bunny, which I find to be an excellent trend which they should continue to develop in their music and live shows.
A great release from a the legendary RITM!.......2007-07-13
but is a classic and couldn't be excluded) but then there's a brand new mix of O.B.E. that, correct me if I'm wrong, has never been released before. (And I own the original Phases O.B.E. 12" record). I love the new mix of that song, and I think it's a great album, even though every single song doesn't thrill me. But even with this CD, some of the older RITM songs that I never really liked much before, like Dubbasex for example, listened carefully and given them another chance, and found they are actually very subtle and beautiful songs.
There is more newer material on the album than some reviewers let on, in fact well over half of it is new. There are a few ommissions, IMO, for example I would have liked to see "Electro Accupuncture" on this CD, but then again that has been released before on a CD, still I think it would have fit in well here though as well. I love the DVD the most, because it reminds me why I've been such a huge fan for so many years, with probably about 7 shows under my belt. To all the fans out there, buy this album! Show your support! Remember the old Zen Festial 96-97 shows, with Bunny, in his disco-ball suit, being lowered by a cable from the ceiling! remember how you felt at those times. They have earned our suport! To those folks new to the electronica genre, this is a good glimpse into understanding the engima that is Rabbit in the Moon... RITM so much more than can possible be described in one album, album review, DVD, magazine article, or antyhing else. There's a whole history and culture behind these guys'one-of-a-kind stlye of performance art, and I think this release captures the essence of it almost as best you could with the amount of material provided. Buy it for the DVD, but then take the audio CD, put in in your car stereo, put on track 8, and crank it up!
Great yet lacking.......2007-07-12
Finally!.......2007-07-12
I am pleased to witness this finally see the light of day. The music sounds great with a pair of headphones, and the DVD only makes it better.
Average customer rating: |
& Harold Budd - Before The Day Breaks
Robin Guthrie , and Harold Budd Manufacturer: Darla ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P6R6K6 Release Date: 2007-07-16 |
Tracks:
- How Close Your Soul
- Formless Path
- Minute, A Day, No More
- She Is My Weakness
- Outside, Silence
- Hidden Message
- I Returned Her Glance
- My Monochrome Vision
- Turn on the Moon
Amazon.com
It's been more than 20 years since pianist Harold Budd's first full collaboration with guitarist Robin Guthrie's former group, the Cocteau Twins, on The Moon and the Melodies. Primed by their atmospheric collaboration on the score to Mysterious Skin, they pick up where they left off, sans the voice of Elizabeth Fraser, on a pair of matched CDs, After the Night Falls and Before the Day Breaks. Guthrie lays down his signature deep-echo guitar arpeggios and shimmering electric glissandos while Budd drops piano notes, each placed with the elegance and thought of a Zen garden. The latter, whose 2005 retirement appears to have been greatly exaggerated, has lately been stripping away the electronics and making an introspective solo piano music, often born from melodic fragments and languid improvisations. It's nice to hear them framed by Guthrie in an electric gossamer where melodies flutter like tattered cobwebs in the echoing wind. So it's not surprising that some tracks have a tendency to vaporize. Songs with a bit of grounding like "Seven Thousand Sunny Years," with its spare rhythm track and refracting guitars, tend to hold up a little better, while "My Monochrome Vision" just wanders into the drone zone. Of the two albums, After the Night Falls is more structured and formed, although Budd and Guthrie do wait until the last track of Before the Day Breaks to unleash a welcome slice of contrasting aggression with "Turn on the Moon." Totaling 81 minutes between them, I'm not sure why the albums couldn't have been condensed into a single disc, making a tighter, less diffuse statement. Yet both have more than enough moments of sublime melancholy and deep ruminations to provide a soundtrack for that long lonesome film in your mind. --John Diliberto
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Balance 011
Manufacturer: EQ Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NI3F1U Release Date: 2007-04-24 |
Tracks:
- Voom Voom - Vampire Song
- Rich Medina ft. Sy Smith - Can't Hold Back (King Britt Instrumental mix)
- Bioground - Late Summer Nights
- Wamdue Project - Home Planet
- Hypnos - Red Light
- Mitsu - Serene
- Acca - Rain (Gravity Dub)
- Delgui - Highlights (Charles Webster mix)
- Julien Jabre - War
- Tiger Stripes - Amphytrion
- Kinka - Burnin'
- Robag Wruhme - KTB (Ruhig Brauner mix)
- Vernell Long & Hebegebe - I Go Now (Awaaz mix)
- David Holmes - 69 Police (New Alluminists Soixants-Neuf Dub)
- Heroes For Hire - Our House Music
- Nightriders - Getaway
- Tom Novy - Unexpected (Instrumental Edit)
Tracks:
- Alexander Kowalski ft. Joris Voorn - She's Worth It
- Francois K - Time And Space
- Tamara's World - Trampoline (Akabu mix)
- Timewriter - Booty Song (Ian Pooley mix)
- Dusk and Prayd - Playing With Fire (Elextroworld mix)
- Elektrochemie LK - Lay Here
- KLMNT - Zouin (Tiger Stripes mix)
- Schwab - DJs In A Row (Tom Middleton mix)
- Lissat and Voltax - Footlovers (Da Fresh mix)
- 16 Bit Lolitas - Difficult If Not Impossible
- Jordan Rivera and Ferry Nice - Africando (Shik Stylko mix)
- Klement Bonelli - Ethna (D'Malicious mix)
- Marnix - Fire (Jamie Anderson mix)
- Subtech - A Beat Like This
- Michell - Need To Know
- Humate - Curious
Album Description
EQ Recordings continues the tradition of premium quality electronic music with its next edition of the Balance series, a top choice for discerning music lovers who have a taste for cutting-edge music mixed by the world's best, but not always recognized, DJs. On Balance 011, Canadian DJ/producer Luke Fair works his magic, grabbing listeners with his diverse music and taking us on a funky, tripped-out journey featuring tracks and remixes from Charles Webster, Humate, Timewriter, Francois K, Ian Pooley, Joey Negro and more. Fair has carved quite a reputation as a producer and passionately experimental DJ. His music can be described as groovy, funky, housey and techy all at the same time.Customer Reviews:
Hear It........2007-06-14
Incredibly there's more than one style of house music in this one, but it still sounded like a whole (You would say this is the job of any dj, but it doesn't always happens this way). The upgrades made to the tracks and layered sounds fit flawlessly. For the sake of your electronic Knowledge. Don't Think it, just hear it.
This CD is ridiculous.......2007-04-28
Hottest House mix of the year!.......2007-04-25
Funk.... groove... soul... House..........2007-04-24
He could not have preached a truth more profound had his hand been on a Bible when he made the statement.
This is the most colorful house release I have heard in quite a while; possibly ever. Disc one begins with sensible track sequences like Voom Voom's "Vampire Song," Rich Medina Feat. Sy Smith's "Can't Hold Back (King Britt Mix)" & Bioground's "Smooth Summer Nights"; with this three-song-sequence, I found what is rare in most EDM sets -the instantaneous feeling that the mix is liable to outshine others of its kind with ease. Luke Fair spins an airy, funky and wholly danceable first set with the delectable influence of jazz. Sounding nothing like his "electro-disco fiasco" on OS_3, the aura brings to mind images of radiant multi-colored disco balls spinning from the ceiling of a vibrant night club. Though the whole first disc is enticingly consistent, Luke seems to have developed a knack for inserting absolutely perfect three-track sequences which segue into different styles of house, while still maintaining the mix's deep and saturated color. Further examples are found in Julien Jabre's "War," Tiger Stripes' "Amphytrion" & Kinka's "Burnin'." The mood thus far has been so consistently uplifting and beat-reliant that this section of tracks was a surprise... a pleasant one, because the last section of disc one contains arguably the best selection of tracks on the first disc. To cite examples, David Holmes' "69 Police" and Heroes for Hire's "Our House Music" shine like sapphire gems. My favorite track on the disc is the sixteenth track, "Gateway" by Nightriders, whose shimmering saxophone chords bring undeserved pleasure to my ears. Closing with Tom Novy's "Unexpected" (a fitting title, for this track deviates from the melody set forth by Nightriders in many ways), I cannot help but suggest that disc one of Balance 011 achieves the status of the most addictive and most superb house album I have ever heard.
That is not to say that disc two bears no merit by comparison. On the contrary, it should be argued that the second disc is just as good as the first; such a statement may be too bold in lieu of the first disc's astonishing composition, though. The second disc ups the ante with a sense of housey "grittiness," which is in sync with Luke Fair's personal description of the album: "The mood of this mix will capture the sound of an entire night at a club, a full set from open to close." Beginning with the same eerie and sexy bass grooves as did "Vampire Song", "She's Worth It" slyly breaks through the initial ambient barriers into infectiously throbbing house. Luke finally nails the electro-house vibe he went for with earlier releases that ended up falling short when the adds Francois K.'s "Time and Space." Undulating synthesizers ensnare the headspace of the listener; by the second track of disc two, there simply is no going back, folks.
The drop of Timewriter's "Booty Song" illustrates the late-night club atmosphere being fully realized. The liveliest moments of disc two can be found between tracks four and twelve; some particular highlights include "Playing with Fire," "DJ's In a Row," "Footlover" by Lissat & Voltax, yet another astounding 16 Bit Lolitas track "Difficult If Not Impossible," and finally Klement Bonelli's "Ethna (12th Floor Mix)." And with such a provocative title, one would expect Marnix's "FIRE!" to continue the uptempo set forth by so many of the mid-disc tracks; in actuality, it marks the beginning of the slide into downtempo and piano layered tracks suitable for catching one's breath after such an intense ride into previously unexplored dimensions of house grandeur. "Need To Know"'s wailing synths mourn the closure of this fantastic set; it is a jubilant mourning - the final recognition of what has transpired during this sonic journey. Humate's "Curious" is precisely that; a curiously uptempo song at first, finally relenting to the early morning hours with surprisingly articulate and enjoyable piano chords.
Within the last forty seconds, the echoic female vocals usher out the second disc of what is perhaps the liveliest, most colorful, most purposeful and most addictive progressive House release in YEARS. Luke Fair's name has arisen in other locations in the world of EDM; he commandeered the third installment of Bedrock's Original Series (a marginal success at best) and decently collaborated with Desyn Masiello on Yoshitoshi's "In House We Trust Volume 3." Even his superb live set with James Zabiela at the WMC Delta Heavy Boat Party in 2004 firmly cemented his name in the scene. In my mind, however, Balance 011 is undeniably Luke's best effort yet and will likely go down as the best house release of 2007, despite being so early into the year. To say that Luke Fair fares well would be a gross understatement. I challenge anyone to drop the headphones or mute the subwoofers in the midst of this incredible album. Perhaps the best (house) Balance release to date, Luke Fair is one disco ball doesn't stop spinning until the brilliant colors have blinded the listener with the ecstasy of genuinely sensational house music that connects the world.
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Push the Button
The Chemical Brothers Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006V6TK8 Release Date: 2005-01-25 |
Tracks:
- Galvanize
- The Boxer
- Believe
- Hold Tight London
- Come Inside
- The Big Jump
- Left Right
- Close Your Eyes
- Shake Bounce Break
- Marvo Ging
- Surface To Air
Amazon.com
If it wasn't for the revolutionary artwork, it would be easy to suspect that the Chemical Brothers were parodying their roles as electronic musicians with that album title. After all, people have accused the genre of sounding redundant for years. But while contemporaries like the Prodigy and Fatboy Slim fall by the wayside, on their fifth studio album Tom Rowlands and Ed Simons sound positively reinvigorated, as the dreamy textures of 2002's Come With Us give way to a set of sharper, more focused songs, from the politically charged "Left Right" to the wide-screen "Close Your Eyes." It's epic stuff, particularly when A Tribe Called Quest rapper Q-Tip magically appears to give lead-off track "Galvanize" a vintage hip-hop kick. But because this is as much about the future as the past, the British duo also recruits Kele Okereke of underground punk-funk stars Bloc Party and the London vocal group The Magic Numbers to help push things forward. --Aidin VaziriCustomer Reviews:
Musicians.......2007-05-18
All My People March.......2007-02-21
Galvanize is a classic merging of pop sensibilities with an infectious, signature rhythm. Boxer is pure 1970s funk, but the sonic overload of Come Inside & The Big Jump - the layers of sounds merge into a clubland tour-de-force - demonstrates how an ambitious electronic vision can be accomplished in the studio.
Believe & Hold Tight London pack solid grooves, while Surface To Air would arguably be the top choice on a CD not packed with so many solid cuts.
But it's Left Right that propels Push The Button. If you have any concern at all with the perverse drama of the world stage, the song will make you sit down & think. And that means The Chemical Brothers ultimately did push the right button.
rather disappointing.......2007-01-03
Their best work.......2006-10-24
Excellent Chemical Brothers Album!.......2006-10-10
I've been a fan for years and am always pleased with their offerings.
I've turned some of my younger professors on to the Chems as music to code to. Launch your developer, pop in the CD, or launch iTunes and code on.
This has almost replaced Surrender as my favorite Chemical Brothers' album.
Average customer rating:
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Global Underground: Mexico City
Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P7V5V6 Release Date: 2007-06-19 |
Tracks:
- Faze Action - In The Trees (Carl Craig C2 Remix #1)
- Revl9n - Walking Machine (SebastiAn Remix)
- Etienne De Crecy - F***
- Kim - Wet N Wild (Midnight Juggernauts Mix)
- Mr Oizo - Half An Edit
- Adam Freeland - Silverlake Pills
- Kim - By The Time They Reach You (Bagraiders Mix)
- Jape - Floating (Alex Metric Remix)
- Beauty School - Disco Sux (Stone Lions Mix)
- Oliver Huntemann - 37°
- Justice - Phantom
- Minimal Compact - Deadly Weapons (Optimo Mix)
- DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
- Phones - Sharpen The Knives
- Trabant - The One (Para One Remix)
- Kavinsky - Testarossa (SebastiAn Remix)
- Evil 9 - Happy Ending
Tracks:
- Spacemen 3 - Ecstasy Symphony
- My My - Butterflies & Zebras
- Lee Jones - There Comes A Time (Prins Thomas Miks)
- Justus Kohncke - Advance
- 120 days - Come Out, Come Down, Fade Out, Be Gone
- Gui Boratto - Terminal
- Holden - Lump
- Cobblestone Jazz - Dump Truck
- Silversun Pickups - Lazy Eye
- Substance & Vainqueur - Immersion
- Fujiya & Miyagi - Ankle Injuries
- Andrew Weatherall - Feathers
- B-Movie - Nowhere Girl (Adam Freeland Mix)
- Mylo - Paris 400 (Aswefall Remix)
- Adam Freeland - Self Indulgent Ending
Customer Reviews:
Not up to Snuff.......2007-07-30
Worst Global Underground Ever.......2007-07-28
A welcome change.......2007-07-08
Anyways, I'm not even sure how the hell to classify the first CD, as it's an energetic frenzied mix of electro, breaks, acid, and guitars. If you're familiar with Ed Banger's catalogue, then you'll have a good idea of what Adam Freeland's going for, as SebastiAn, Justice, and DJ Mehdi all make appearances here. From the moment the CD starts, the energy hardly lets up and Freeland flies through some absolutely sick cuts. A few tracks and sequences that stand out especially are "F**k," "Floating," and "Signatune" leading up to the devastating "Sharpen the Knives." Definitely not for the faint of heart.
The second CD, although less intense, is much more varied. The first three tracks are hypnotic and fairly subdued before building up to a track by 120 Days, a band whose sound reminds me of Kasabian if they went a more psychedelic route. From there Freeland goes through some techy minimal into a downright weird track by James Holden before getting back to a more conventional rock sound with Silversun Pickups (!), which took me by surprise. Many of these groups/bands would be more familiar to indie rock fans than progressive heads, but that doesn't mean there's a drop in quality here. Freeland continues this sound until the mix comes to a distorted fuzzed-out close.
Clearly the people who went out and bought this before doing any sort of research (are they familiar at all with Freeland's track record??) or sampling have themselves to blame. I suggest that anyone else who is curious about this release would sample some of these tracks before making a decision. It's not the best GU mix by a long shot, but it's way more fresh and exciting than a lot of releases lately.
freeland rules.......2007-07-07
Thank goodness something new is coming out of GU.......2007-07-04
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Singles 93-03
The Chemical Brothers Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C7PSI Release Date: 2003-09-30 |
Tracks:
- Song To The Siren
- Chemical Beats
- Leave Home
- Setting Sun
- Block Rockin' Beats
- The Private Psychedelic Reel
- Hey Boy Hey Girl
- Let Forever Be
- Out Of Control
- Star Guitar
- The Test
- Get Yourself High (with k-os)
- The Golden Path (with The Flaming Lips)
Tracks:
- Not Another Drugstore (Planet Nine Mix)
- The Duke
- If You Kling to Me I'll Klong To You
- Otter Rock
- Morning Lemon
- Galaxy Bounce (Original Version)
- Loops Of Fury
- Delik
- Elektrobank (Live From The Roxy: NYC '96)
- Under The Influence (Mix 2)
- Piku Playground (Live)
Amazon.com
To remain relevant after a decade in the music industry is rare indeed; for a dance act, it's virtually unique. Singles 93-03 ably demonstrates how the Chemical Brothers have managed it. Having first carved a reputation as DJs the Dust Brothers in the early 1990s, the two history graduates narrowly avoided calling themselves the London Dust Explosion before spearheading big beat, becoming a huge live draw, collaborating with Noel Gallagher and having Glastonbury Festival founder Michael Eavis play "Hey Boy, Hey Girl" at his wedding. It's been 10 years of fun, frolics, and gigantean left-field beats for Ed Simmons and Tom Rowland and, as this faultless singles collection testifies, continual reinvention.From the seething siren, pounding breaks, breathy vocals and spellbinding post-acid electronica of album opener "Song to the Siren" to the ingenious collaboration with the Flaming Lips, "The Golden Path," Tom 'n' Ed have somehow managed to carve tracks that appeal equally to radio, clubs, and the live arena. Alongside the cement-cracking bass of "Leave Home" and "Block Rockin' Beats" comes the high-inducing sonic debauchery of "The Private Psychedelic Reel" and dancefloor filler "Star Guitar," to name but a few of the many highlights. Ingenious, boundary-baffling stuff, this compilation offers a hypnotic historical tour of one of the most creative careers in dance music. --Christopher Barrett
Customer Reviews:
Prime Compilation.......2006-07-13
Great delivery great product.......2006-03-02
More than Just a Dance Band.......2005-09-24
Get it while you can!!.......2005-01-06
I'd never heard of the Chemical Brothers.......2004-10-20
And now it's love.
For casual listeners of electronica/dance music, there is plenty in this compilation to make it worth the price. Star Guitar is the kind of music you want to play when you're racing down a dark highway on your way into the city, Get Yourself High is head-bop fantastic and both Loops of Fury and Chemical Beats sounds like they should have made it onto a Matrix soundtrack.
In short, this is a great compilation for the Johnny-come-lately Chemical Brothers fan.
Dance Music:
- The Home-Girl [Explicit Lyrics]
- The Sounds of Science [Limited Edition] [Import]
- True Confessions
- Turn It Up [CD-single] [Explicit Lyrics]
- Two * Eleven
- Vinyl Combat [Explicit Lyrics]
- What's Really Goin' On [Import]
- What's That Noise?
- Where Ya Goin Wo?
- Wide Open [Explicit Lyrics]
Dance Music
Idle Moments [Import] [Limited Edition] [Original recording remastered]
Good Rockin' Tonight: 28 Original Rock 'N' Roll Hits [Import]
Elmo in Grouchland [Soundtrack]
George Frideric Handel: Concerti grossi, Op. 6, Nos. 9 - 12
Freddy Gardner and His Golden Tone Saxophone