"the Streets" Faetures a Driving Chorus from Crooner Nate Dogg, and a Remix with the Undeniable Talents of Snoop Dogg.
Streets,WC,Universal Int'l,Gangsta Rap,Pop,Rap & Hip-Hop,West Coast Rap
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These Streets
Paolo Nutini Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LE1GVW Release Date: 2007-01-30 |
Tracks:
- Jenny Don't Be Hasty
- Last Request
- Rewind
- Million Faces
- These Streets
- New Shoes
- White Lies
- Loving You
- Autumn
- Alloway Grove
From Amazon.co.uk
19-year old Scottish singer/songwriter Paolo Nutini sounds older than his years on his debut album, These Streets. It's not just his careworn, smooth-as-sandpaper voice, either (although, admittedly, it does help). It's more to do with the maturity of the lyrics, and the casual soulfulness of his delivery. "Last Request" is more the work of a vintage Motown singer than a teenager from Paisley, and it's to Nutini's credit that he carries it off with aplomb. And rather like the soul singers of previous generations, he manages to sing without a hint of hypocrisy about his own sexual exploits ("Jenny Don't Be Hasty") while also questioning his girlfriend's fidelity ("Alloway Grove"). It's the fact that he's so frank, and even a little bit naive, that he manages to get away with it. And though the stripped-down tunes on These Streets don't always immediately grab the listener (the title track, in particular), the songs where Nutini is accompanied by a full band often manage to evoke sunny-day American soul ("New Shoes", for example). This is a strong debut, and considering Paolo Nutini's tender years, bigger things can be expected of him in the future. --Ted KordAlbum Description
Debut album from Paolo Nutini.Customer Reviews:
fantastic.......2007-07-26
Paolo!.......2007-07-19
listening to live earth now!!.......2007-07-09
GREAT!.......2007-06-27
Nutini rocks!!!.......2007-06-13
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Streets Of Fire: A Rock & Roll Fable (1984 Film)
Ry Cooder , Jim Steinman , and Dan Hartman Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002O1Q Release Date: 1990-10-25 |
Tracks:
- Nowhere Fast
- Sorcerer
- Deeper And Deeper
- Countdown To Love
- One Bad Stud
- Tonight Is What It Means To Be Young
- Never Be You
- I Can Dream About You
- Hold That Snake
- Blue Shadows
Album Details
The Film Soundtrack that Acted as the Vehicle to Promote the Late Dan Hartman's Last Hit Single 'i Can Dream About You' as Well as the Fixx's 'deeper and Deeper', plus Tracks from Marilyn Martin, Greg Phillinganes, Maria Mckee, Ry Cooder, the Blasters and More.Customer Reviews:
Great Old Fashioned Fun.......2007-06-27
Brings back great memories..........2007-06-08
Underestimated brilliance.......2007-05-27
Terrific Album.......2007-05-16
good sound for a good movie.......2007-05-13
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Before These Crowded Streets
Dave Matthews Band Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000638Q Release Date: 1998-04-28 |
Tracks:
- Pantala Naga Pampa
- Rapunzel
- The Last Stop
- Don't Drink The Water
- Stay (Wasting Time)
- Halloween
- The Stone
- Crush
- The Dreaming Tree
- Pig
- Spoon
Amazon.com
The Dave Matthews Band is moving its music forward incrementally. While Before These Crowded Streets offers more of the folky melodies and vaguely international rhythms that made this Charlottesville, Virginia, group a major record and concert draw, it also finds them adding subtle new colorings to the mix. Alanis Morissette guests on two cuts, "Spoon" and the disc's first single, "Don't Drink the Water"; banjo Bela Fleck steps in, too. Most intriguing, however, is the modernist string arrangement from the Kronos Quartet on the driving "Halloween." Matthewsat least partly fulfills his obvious hopes to lead something other than a jam band here; at the same time, Streets should keep his fans satisfied. --Rickey WrightCustomer Reviews:
wow.......2007-06-09
1. Pantala Naga Pampa- this song isn't much of a song, but it's good for what it is. you can find it played at the end of the D&T version of "jimi thing".
2. Rapunzel- this song shows how tight the band is together. it's played in 5:4 time, which is really tough. the whole song is tasty, and the bridge is a 6:8 turnaround with a great violin part. great song.
3. The Last Stop- this song makes a very large use of a middle-eastern scale. that's what makes it sound really egyptian, and although i really appreciate the influence, it's probably my least favorite on the cd. it is still a good song.
4. Don't Drink The Water- i really like this song. i like the live version better, because i think it has more energy, but this version is very good as well. i love the passion that the lyrics show and how the music describes it.
5. Stay- great single, although it's almost 6 min long. it's very catchy and has a black female vocal group singing in it. i love the two jams that the band goes into. dave is very good at describing feelings in terms of music, this one being love.
6. Halloween- This song is very funny. It sounds like dave is singing like he's frankenstein's monster or something. Sometimes it gets on my nerves, but it's musically a great song. really funny to listen to.
7. The Stone- halloween fades into just violins and stuff and flows into the beginning of the stone. that makes for a great intro. then the guitar comes in, and it's a very good guitar riff. this is the most dark of all songs on the album. it also has the best of all guitar riffs on the cd in my opinion, the verse, chorus, and transition back to the verse. it has a very long, awesome jam at the end and fades. amazing song.
8. Crush- I think this is my favorite of all dmb songs. again, dave describes love in the form of music very well. this is just a feel good song. the jam at the end blows my mind. tim reynolds, leroi moore, and boyd tinsley are all soloing at once. even dave has a few funky chords in the jam himself, the closest thing to soloing i think i've ever heard from him. also one of the best live songs by dmb.
9. The Dreaming Tree- I love this song. It has a great story and just a great feel to it. A great bass line (not as great as in crush) carries the song through the verse.
10.Pig- this song has a great message to not waste days away, and that we take tomorrow for granted too much. musically, it's not as good as some dmb songs, but it's still good.
11. Spoon- This song is very jazzy, and has a guest female vocalist. i'm not sure, but i think she is the girl that plays with damien rice. it's a great finale to the whole album, a great way to end it all off.
Bottom line is, this cd is great. it's a lot different from other dmb albums, but if you're more of the listener that just cranks it up and listens to it instead of playing it in the background, this is probably the one cd by dmb that is most enjoyable when you have it really loud. you have to listen to this whole cd at one time to get the full effect. if you enjoy this, i recommend sunrise over sea by the john butler trio.
fantastic............2007-03-27
Some of my favorite cuts include "Last Stop," which eerily illustrates what was to become of the relationship between the United States and the Middle East, only three years later, when 9/11 took place (chillingly prophetic), "Stay," which is an upbeat, fun, and calypso-inspired romp in the grass and makes you feel like the sun is shining even if you're listening to it in the pouring rain, "Crush," a beautiful jazzy love song, and "The Dreaming Tree," which is poetic, ponderous and devestating. There really isn't a "bad" song on here. Dave Matthews is a fantastic story teller and he wrote most of the songs himself. This album is an example of rock/crossover music at its best.....
Rocky Roads.......2007-03-27
"Streets" marked a shift in his band's sexily sour and dreamily dour demeanor. There is still the classic romantic chaos ("Rapunzel" and "Stay") and the seeping wonderment of his melancholy moods ("Crush," "The Dreaming Tree," and "Spoon"), and as before it's done with meticulous attention to every chord and spark, every pluck and quaver.
Here, however, Dave has chosen also to get really, really angry. He saturates those moments with just as much technical skill as ever, but gone is the lyricism, replaced by Dave ripping resentful and revenge-hungry tirades out of his throat as if they have been sawed into shape with a cheese grater. I'm not saying he shouldn't be angry (his vendettas are against the rape and loss of cultures/land and also sometimes against things more difficult to pinpoint); I'm just saying he's more skilled at singing about love and bittersweet loss than he is at growling about drinking water and "Halloween."
Not DMB's best album, but still good.......2007-03-15
I still love this album.......2007-02-11
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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FQQ Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
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While the City Sleeps, We Rule the Streets
Cobra Starship Manufacturer: Decaydance ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2IS0E Release Date: 2006-10-10 |
Tracks:
- Being From Jersey Means Never Having To Say You're Sorry
- Send My Love To The Dancefloor I'll See You In Hell (Hey Mister D.J.)
- The Church Of Hot Addiction
- The Kids Are All F***ed Up
- It's Warmer In The Basement
- Keep It Simple
- It's Amateur Night At The Appollo Creed!
- Bring It (Snakes On A Plane)
- The Ballad Of Big Poppa And Diamond Girl
- Pop-Punk Is Sooooo '05
- You Can't Be Missed If You Never Go Away
Album Description
The band burst onto the scene with the uber-catchy dance-pop-rock of "Snakes On A Plane (Bring It)" from the movie's soundtrack. This is their debut full-length. Produced by S*A*M, a.k.a. Sam Hollander (Method Man, The Sounds, Gym Class Heroes) and Sluggo, the alter ego of renowned session bassist Dave Katz (Roger Daltrey). Features special guests, such as members of Fall Out Boy, The Academy Is..., Gym Class Heroes, The Sounds, and 80's dance/pop group The Cover Girls.Customer Reviews:
Awesome Album, Start to Finish.......2007-06-27
Beam me up Cobra Starship.......2007-06-05
I find their music original and fun.
Favorite tracks are "Send My Love to the Dance Floor..." and "Keep it Simple".
I would definitely recommend this album to anyone who is looking for something different.
G A B E gonna get you high!.......2007-05-21
Gabe Saporta knows just want it takes to get the listener to really feel his songs and get you moving!
My favorite tracks are Send my Love... The balland of Big Poppa... The Kids are all F'd up.
If you are feeling Gabe's sound, be sure to check out some of his former band, Midtown's releases: Forget What you Know OR Living Well is the Best Revenge.
Holla!
Cobra starship rocks!.......2007-04-09
Cool sound.......2007-03-09
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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A Grand Don't Come for Free
The Streets Manufacturer: Vice/Atlantic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001XARU4 Release Date: 2004-05-18 |
Tracks:
- It Was Supposed To Be So Easy
- Could Well Be In
- Not Addicted
- Blinded By The Light
- I Wouldn't Have It Any Other Way
- Get Out Of My House
- Fit But You Know It
- Such A Twat
- What Is He Thinking
- Dry Your Eyes
- Empty Cans
Amazon.com
With beats that mix hip-hop, R&B, and UK garage, A Grand Don't Come For Free, like its impressive predecessor Original Pirate Material (2002), transforms the everyday and the mundane into the terms of an epic. British rapper Mike Skinner captures the simple details of a simple existence that inhabits the lower levels of the middle class. But whereas Original Pirate Material was more about everyday life on the streets, this follow-up is more about everyday life in the flat--mom's kitchen, my mate's living room, my girl's couch. The Streets has fallen in love, and his raps narrate the adventures and misadventures of this romance. In all, it is a concept album that places greater emphasis on storytelling rather than on the music, which is often spare with little or no enhancements. With some songs expressing the beauty of love and others expressing the pleasures of drugs, the Streets is still holding it down for the UK. --Charles MudedeAlbum Description
Mike Skinner, the musical mastermind behind The Streets, once again melds hip-hop, dub, ska, UK garage beats, and his unique rhyme style to deliver a sound like nothing else. Instead of the snapshot imagery of the last album, "Original Pirate Material", "A Grand..." is one continuous narrative, following Skinner through a day of victories, defeats, and battles.Customer Reviews:
A Real Musical Treat.......2007-06-27
Dry your eyes mate!
Funny, fresh, different.......2007-04-05
Excellent CD transcends genre boundaries .......2007-01-24
Quite simply, it isn't. Skinner's take on the mundane is both familiar and insightful. Highlights abound, from the humorous and catchy "Could Well Be In" to the heartbreaking (and only single) "Dry Your Eyes". Trying to characterize Skinner in a particular genre (hip-hop, garage, etc.) is useless - no CD in 2004 was as funny, melodic, or moving as "A Grand Don't Come for Free". No music lover should miss it.
Ain't that the truth.......2006-12-21
OK AMERICANS, TIME TO WAKE UP.......2006-11-21
Average customer rating:
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The Hardest Way to Make an Easy Living
The Streets Manufacturer: Vice/Atlantic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EQ46KA Release Date: 2006-04-25 |
Tracks:
- Pranging Out
- War Of The Sexes
- The Hardest Way To Make An Easy Living
- All Goes Out The Window
- Memento Mori
- Can't Con An Honest John
- When You Wasn't Famous
- Never Went To Church
- Hotel Expressionism
- Two Nations
- Fake Streets Hats
Amazon.com
On the Streets' third album, the conceit is that Mike Skinner's now a famous guy (and he indeed is in the UK--as he puts it, "I've sold 3 million and you've never heard of me"). So, instead of dissecting the stereotypes and prejudices of an average Joe, Skinner turns his keen eye for detail on himself, to his new life of easy drugs and easier girls, of trashing hotel rooms, and being bummed out when your record label does promotional stuff without telling you about it first. Sonically it's more polished and a tad faster, though the music's still stripped-down and tough, propelled by loud synth lines and minimal drums. Skinner's flow remains original and wonderfully sing-songy. And while it's cool to see him actually write about his current life instead of pretending he's still "street," the subject matter's a touch too similar to an anorexic debutante's diary entry to make for very compelling hip-hop. When he asks "How the hell am I supposed to be able to do a line in front of complete strangers/When I know they've all got camera[phone]s?," it's definitely tough to care too much, no matter how fun the music is. --Mike McGonigalAlbum Description
The new Streets album The Hardest Way To Make An Easy Living, out April 25th, is a completely autobiographical record that covers everything that has happened to Mike over the past few years since he's become a well known figure in the UK. There's love, loss, scandal, violence, sex, drugs and a whole load of bad behavior and regret. This true story begins with the first single, "When You Wasn't Famous."Customer Reviews:
Jammin.......2007-04-05
As VIBE Magazine said, "Not on THESE streets".......2006-11-10
But even though the production is on point, the songs as a whole aren't that accessible. And I'm not saying that because Mike's thick accent can make things incomprehensible to the average listener (although there's some truth to that; "War of the Sexes", anyone?); it's that most of the time I really don't understand what in the world he's talking about, which is especially the case with the album's opener, "Prangin Out".
The few times where I COULD figure out what was going on, I wasn't too impressed. "Fake Streets Hats" has Mike complaining about supposedly pirated Streets merchandise (I say "supposedly" because it turns out that Mike's label distributed the hats), and "When You Wasn't Famous" is a been-there-done-that comparison of his private and public life. Speaking of that song, when Mike and friends try to sing the chorus sometimes, it's pretty nerve-racking (see "Two Nations").
I really think Mike could have done a better job than this; it almost feels like he just wanted to put SOMEthing out because now that Lady Sovereign is getting some mainstream love, he's like, "Hey, remember ME?" Let's hope he perfects his craft; maybe then it won't be so hard to make an easy living.
Anthony Rupert
...dissapointed.......2006-10-21
Guys talking over a beat, great!.......2006-08-13
All right.......2006-06-11
Average customer rating:
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"Do I Make You Proud" / "Takin' It To The Streets"
Taylor Hicks Manufacturer: J-Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FMR4T8 Release Date: 2006-06-13 |
Tracks:
- Do I Make You Proud
- Takin' It To The Streets
Customer Reviews:
The best vocal performance ever?.......2007-06-20
Taylor Hicks,, do i make you proud........2007-04-07
Music by Taylor Hicks is pure joy~this was just a teaser~.......2007-03-20
Do I Make You Proud.......2007-01-19
Congratulations!.......2007-01-18
Average customer rating:
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Original Pirate Material
The Streets Manufacturer: Vice/Atlantic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006L88F Release Date: 2002-10-22 |
Tracks:
- Turn the Page
- Has It Come to This?
- Let's Push Things Forward
- Sharp darts
- Same Old Thing
- Geezers Need Excitement
- It's Too Late
- Too Much Brandy
- Don't Mug Yourself
- Who Got the Funk?
- The Irony of It All
- Weak Becomes Heroes
- Who Dares Wins
- Stay Positive
Amazon.com
In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis PattisonAlbum Description
2002 debut is enhanced with the videos of 'Weak Become Heroes' and 'Let's Push Things Forward'. The album is nominated for this year's Mercury Prize, alongside luminaries David Bowie and Doves and was certified Gold in the UK. Vice.Customer Reviews:
Sardonic, Clever, Hip, Original.......2007-07-31
The Streets' two subsequent albums haven't lived up to the potential seen here on "Original Pirate Material," as Skinner's lazy/arrogant outlook on life became more annoying than charming, and the music seemed less inspired overall. But this record stands alone as a modern classic.
original.. that's for sure.......2006-10-24
tracks worth checking out:
Turn The Page (best opening song on any album i've ever heard)
Too Much Brandy
Don't Mug Yourself
It's Too Late
Irony Of It All (weed vs. alchohol)
Stay Positive (a description of himself during a heroine addiction)
instantly a favorite!!!!.......2006-06-13
a heady blend of comic one-off, day-to-day musings, and some very basic earthy (am i allowed to say?) wisdom......this thing grabs you from beginning to end and never lets go.
every track rocks unique and sneeky brilliant....even sexy at times...bare yet clever and the words flow non-stop effortlessness without the pomp and bragadassiho of so much rap.
it's hard to believe i enjoyed a true hip-hop album as much as this.
this one's gonna rock my senses for some time to come.
an absolute must for any collection of what is cool and modern...even if you're not.
: )
mcc>
Classic.......2005-11-02
'Turn the Page' starts the album off with a bang, and it just gets better from there. The next 2 songs, 'Has It Come To This?' and 'Let's Push Things Forward' deliver a kind of laid back attitude to rapping, almost so that the songs sound like spoken words. The rest of the album is like this also, but it truly does fit well. 'It's Too Late' and 'Weak Become Heroes' are the kind of tracks that draw emotion from deep inside the listener, whether they are liking the music or not, and 'Stay Positive' delivers advice on life and how to deal with it. The only porr track is 'Sharp Darts', which is barely 2 minutes, which doesn't detract from the album at all. Incredible.
Definitely buy this CD, throw money at Mike Skinner for creating such brilliane!
I don't even listen to rap and I still give it 4 stars.......2005-10-29
There must be something about the American rap "style" that is an instant turn-off; maybe it's all the bling-in-your-face attitude. Ugh. But the poetic eloquence here--the meaning behind these words--seems somehow to hit home.
"Turn the page" is freakin brilliant, no matter what you call it; rap, poetry, music, whatever.
I'm not saying every track is a masterpiece, but when something is obviously special it deserves special attenton.
Dance Music:
- Strictly Hip-Hop Reggae Fusion
- That's Right [CD-single]
- The Best of Mac Dre [Explicit Lyrics]
- The Best of the Sugarhill Gang [Import]
- The Best of the Sugarhill Gang [Import]
- The Birth [Explicit Lyrics]
- The Breaks
- The Home-Girl [Explicit Lyrics]
- The Sounds of Science [Limited Edition] [Import]
- True Confessions
Dance Music
Archives: Best of 1988-1997 [Import]
Die Gartnerin Aus Liebe - Wunderlich
Diana [Original recording remastered]
Debussy: Isle joyeuse L106; Images inedites, L. 87
Everything Must Change [Import]