Streets [CD-single] [Import]

Streets [CD-single] [Import]

Editorial Reviews

Product Description
"the Streets" Faetures a Driving Chorus from Crooner Nate Dogg, and a Remix with the Undeniable Talents of Snoop Dogg.

Streets,WC,Universal Int'l,Gangsta Rap,Pop,Rap & Hip-Hop,West Coast Rap
These Streets
Average customer rating: 4.5 out of 5 stars
  • fantastic
  • Paolo!
  • listening to live earth now!!
  • GREAT!
  • Nutini rocks!!!
These Streets
Paolo Nutini
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Undiscovered
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ASIN: B000LE1GVW
Release Date: 2007-01-30

Tracks:

  1. Jenny Don't Be Hasty
  2. Last Request
  3. Rewind
  4. Million Faces
  5. These Streets
  6. New Shoes
  7. White Lies
  8. Loving You
  9. Autumn
  10. Alloway Grove

From Amazon.co.uk

19-year old Scottish singer/songwriter Paolo Nutini sounds older than his years on his debut album, These Streets. It's not just his careworn, smooth-as-sandpaper voice, either (although, admittedly, it does help). It's more to do with the maturity of the lyrics, and the casual soulfulness of his delivery. "Last Request" is more the work of a vintage Motown singer than a teenager from Paisley, and it's to Nutini's credit that he carries it off with aplomb. And rather like the soul singers of previous generations, he manages to sing without a hint of hypocrisy about his own sexual exploits ("Jenny Don't Be Hasty") while also questioning his girlfriend's fidelity ("Alloway Grove"). It's the fact that he's so frank, and even a little bit naive, that he manages to get away with it. And though the stripped-down tunes on These Streets don't always immediately grab the listener (the title track, in particular), the songs where Nutini is accompanied by a full band often manage to evoke sunny-day American soul ("New Shoes", for example). This is a strong debut, and considering Paolo Nutini's tender years, bigger things can be expected of him in the future. --Ted Kord

Album Description

Debut album from Paolo Nutini.

Customer Reviews:

5 out of 5 stars fantastic.......2007-07-26

It's better than i anticipated and better than any review i had read about it.

3 out of 5 stars Paolo!.......2007-07-19

Love the New Shoes song, but the others are a bit slower and sound a little like Jeff Buckley. Not a bad thing, just not as upbeat as what I had expected. Good CD though.

5 out of 5 stars listening to live earth now!!.......2007-07-09

when i heard new shoes on tv, i knew i had to have this album. awesome!! and i'm listening to his performance on the Live Earth stage right now on my computer!

4 out of 5 stars GREAT!.......2007-06-27

I saw this guy on the Today show, then the Tonight show. Love his music - and I really hope he finds success. I like his style, like his writing, like his singing.

5 out of 5 stars Nutini rocks!!!.......2007-06-13

Think soul...think hot guitar riffs...think about amazing lyrics about relationships and life into just one album...there is only one person I can think of who can accomplish this and that is Paolo Nutini. I heard of Nutini a year before the album was released in the U.S. and I was amazed by what I heard. Songs like "Rewind" and "Allowgrove" are amazing. But it is the songs like "Jenny Don't Be Hasty", "New Shoes", and "Loving You" that make this album as hot as it is. Just one listen to it and its first track and you will be hooked. Nutini is the real "it" and his career will surely launch with his raw and true style; something that is very unique among todays industry. My personal favorites are "Jenny Don't Be Hasty" "Rewind" "New Shoes" and "Loving Me." Buy the album and you will see exactly what I mean.
Streets Of Fire: A Rock & Roll Fable (1984 Film)
Average customer rating: 4.5 out of 5 stars
  • Great Old Fashioned Fun
  • Brings back great memories...
  • Underestimated brilliance
  • Terrific Album
  • good sound for a good movie
Streets Of Fire: A Rock & Roll Fable (1984 Film)
Ry Cooder , Jim Steinman , and Dan Hartman
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Streets of Fire
  2. Eddie & The Cruisers - Soundtrack
  3. Eddie & the Cruisers 2: Eddie Lives!
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  5. Flashdance: Original Soundtrack From The Motion Picture

ASIN: B000002O1Q
Release Date: 1990-10-25

Tracks:

  1. Nowhere Fast
  2. Sorcerer
  3. Deeper And Deeper
  4. Countdown To Love
  5. One Bad Stud
  6. Tonight Is What It Means To Be Young
  7. Never Be You
  8. I Can Dream About You
  9. Hold That Snake
  10. Blue Shadows

Album Details

The Film Soundtrack that Acted as the Vehicle to Promote the Late Dan Hartman's Last Hit Single 'i Can Dream About You' as Well as the Fixx's 'deeper and Deeper', plus Tracks from Marilyn Martin, Greg Phillinganes, Maria Mckee, Ry Cooder, the Blasters and More.

Customer Reviews:

4 out of 5 stars Great Old Fashioned Fun.......2007-06-27

Michael Pare & Willem Dafoe really bring back the old days with their hero versus villain story. Each time that I watch this movie, I am captured by the music as time passes quickly as I am on the edge of my seat awaiting the next move.

5 out of 5 stars Brings back great memories..........2007-06-08

I loved this movie back when it came out and I still do. Great music for those of us growing up in the 80's. Would recommend this to anyone wanting to reminisce. Diane Lane, Michael Pare, and Willem Dafoe are great. Hope you enjoy as much as I did.

5 out of 5 stars Underestimated brilliance.......2007-05-27

This CD is fantastic. The feel of the songs match the mood of the film. I invite you all to listen to it and tell me you don't get a feel good wave running through you. Quite simply ... exceptional

5 out of 5 stars Terrific Album.......2007-05-16

A very enjoyable album. The music is powerful, exciting and fun. It was a favorite when I watched the film and it has remained one for me.

4 out of 5 stars good sound for a good movie.......2007-05-13

Not enough appreciated by the public, still one hot action movie of the '80s.
Before These Crowded Streets
Average customer rating: 4.5 out of 5 stars
  • wow
  • fantastic.....
  • Rocky Roads
  • Not DMB's best album, but still good
  • I still love this album
Before These Crowded Streets
Dave Matthews Band
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Under the Table and Dreaming
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ASIN: B00000638Q
Release Date: 1998-04-28

Tracks:

  1. Pantala Naga Pampa
  2. Rapunzel
  3. The Last Stop
  4. Don't Drink The Water
  5. Stay (Wasting Time)
  6. Halloween
  7. The Stone
  8. Crush
  9. The Dreaming Tree
  10. Pig
  11. Spoon

Amazon.com

The Dave Matthews Band is moving its music forward incrementally. While Before These Crowded Streets offers more of the folky melodies and vaguely international rhythms that made this Charlottesville, Virginia, group a major record and concert draw, it also finds them adding subtle new colorings to the mix. Alanis Morissette guests on two cuts, "Spoon" and the disc's first single, "Don't Drink the Water"; banjo Bela Fleck steps in, too. Most intriguing, however, is the modernist string arrangement from the Kronos Quartet on the driving "Halloween." Matthewsat least partly fulfills his obvious hopes to lead something other than a jam band here; at the same time, Streets should keep his fans satisfied. --Rickey Wright

Customer Reviews:

5 out of 5 stars wow.......2007-06-09

this album is amazing. i have been a fan of dave matthews band for a long time, and i never got this cd. i was hooked on under the table and dreaming, but when i got this, it became my all-time favorite cd. this cd is very different from any other of theirs. it is much more dark, and seems to have more worldly influences, which is shown a lot in "the last stop". also, the band goes into a long jam session on almost every song, which is really fun to listen to. what has always amazed me about dmb, and especially shines in before these crowded streets, is that every member of the band is just as important as the other. i personally think that everyone else in the band are better musicians that dave himself. he is, although, an amazing songwriter. here's a review of each song:

1. Pantala Naga Pampa- this song isn't much of a song, but it's good for what it is. you can find it played at the end of the D&T version of "jimi thing".
2. Rapunzel- this song shows how tight the band is together. it's played in 5:4 time, which is really tough. the whole song is tasty, and the bridge is a 6:8 turnaround with a great violin part. great song.
3. The Last Stop- this song makes a very large use of a middle-eastern scale. that's what makes it sound really egyptian, and although i really appreciate the influence, it's probably my least favorite on the cd. it is still a good song.
4. Don't Drink The Water- i really like this song. i like the live version better, because i think it has more energy, but this version is very good as well. i love the passion that the lyrics show and how the music describes it.
5. Stay- great single, although it's almost 6 min long. it's very catchy and has a black female vocal group singing in it. i love the two jams that the band goes into. dave is very good at describing feelings in terms of music, this one being love.
6. Halloween- This song is very funny. It sounds like dave is singing like he's frankenstein's monster or something. Sometimes it gets on my nerves, but it's musically a great song. really funny to listen to.
7. The Stone- halloween fades into just violins and stuff and flows into the beginning of the stone. that makes for a great intro. then the guitar comes in, and it's a very good guitar riff. this is the most dark of all songs on the album. it also has the best of all guitar riffs on the cd in my opinion, the verse, chorus, and transition back to the verse. it has a very long, awesome jam at the end and fades. amazing song.
8. Crush- I think this is my favorite of all dmb songs. again, dave describes love in the form of music very well. this is just a feel good song. the jam at the end blows my mind. tim reynolds, leroi moore, and boyd tinsley are all soloing at once. even dave has a few funky chords in the jam himself, the closest thing to soloing i think i've ever heard from him. also one of the best live songs by dmb.
9. The Dreaming Tree- I love this song. It has a great story and just a great feel to it. A great bass line (not as great as in crush) carries the song through the verse.
10.Pig- this song has a great message to not waste days away, and that we take tomorrow for granted too much. musically, it's not as good as some dmb songs, but it's still good.
11. Spoon- This song is very jazzy, and has a guest female vocalist. i'm not sure, but i think she is the girl that plays with damien rice. it's a great finale to the whole album, a great way to end it all off.


Bottom line is, this cd is great. it's a lot different from other dmb albums, but if you're more of the listener that just cranks it up and listens to it instead of playing it in the background, this is probably the one cd by dmb that is most enjoyable when you have it really loud. you have to listen to this whole cd at one time to get the full effect. if you enjoy this, i recommend sunrise over sea by the john butler trio.

5 out of 5 stars fantastic............2007-03-27

It took me (almost) ten years to hear this great album! I can't believe I waited so long. The Dave Matthews Band has been a fixture at The Gorge at George concerts, in Washington, for several years now, and Dave, himself, was often seen down at Pike Place Market in my hometown of Seattle, Washington, playing acoustic sets for the public.....that was a few years ago. BEFORE THESE CROWDED STREETS features some of the finest and most eclectic cross-section of music genres I have heard on one album. It's hard to believe that this music was all done by one band. We hear ska, power metal, jazz, world and pop all stirred and then blended into a great musical smoothie.

Some of my favorite cuts include "Last Stop," which eerily illustrates what was to become of the relationship between the United States and the Middle East, only three years later, when 9/11 took place (chillingly prophetic), "Stay," which is an upbeat, fun, and calypso-inspired romp in the grass and makes you feel like the sun is shining even if you're listening to it in the pouring rain, "Crush," a beautiful jazzy love song, and "The Dreaming Tree," which is poetic, ponderous and devestating. There really isn't a "bad" song on here. Dave Matthews is a fantastic story teller and he wrote most of the songs himself. This album is an example of rock/crossover music at its best.....

4 out of 5 stars Rocky Roads.......2007-03-27

Dave made a name for himself crooning about things like love, lust, longing, and belonging with an opulent and mossy voice. His first two albums swam with sultry and complex arrangements, production values so riotous and rambunctious that they were almost too much to handle.

"Streets" marked a shift in his band's sexily sour and dreamily dour demeanor. There is still the classic romantic chaos ("Rapunzel" and "Stay") and the seeping wonderment of his melancholy moods ("Crush," "The Dreaming Tree," and "Spoon"), and as before it's done with meticulous attention to every chord and spark, every pluck and quaver.

Here, however, Dave has chosen also to get really, really angry. He saturates those moments with just as much technical skill as ever, but gone is the lyricism, replaced by Dave ripping resentful and revenge-hungry tirades out of his throat as if they have been sawed into shape with a cheese grater. I'm not saying he shouldn't be angry (his vendettas are against the rape and loss of cultures/land and also sometimes against things more difficult to pinpoint); I'm just saying he's more skilled at singing about love and bittersweet loss than he is at growling about drinking water and "Halloween."

4 out of 5 stars Not DMB's best album, but still good.......2007-03-15

There are some great songs on this album and some that are kind of strange. But, all in all, it's still Dave Matthews! It's still worth buying and listening to.

4 out of 5 stars I still love this album.......2007-02-11

Ok first of all, I got into dMb in high school and have since then expanded my cd collection greatly, but I still keep coming back to this album and still enjoy listening to it to this day. This album is the quintessential dmb studio album in my opinion. It has the "listen to it all the way through" quality of 'under the table and dreaming' and the song writing quality of 'crash'. Personally, I enjoy bands like radiohead, smashing pumpkins, modest mouse, fugazi, the flaming lips, and the pixies...bands in my opinion who really put out albums that keep the listener entertained from beginning to end, and really give you alot to listen to. The thing about 'before these crowded streets' is that there is alot to listen to without bring things like keyboards and electronic effects into the mix. These guys are great musicians, and despite their frat boy following and mainstream success, this band still deserves your attention. This was the last studio album recorded with Steve Lillywhite as producer and although their recent albums have been some what disappointing, this album still has alot to offer (as does the band **here's hoping that their next album will be a return to something close to this album**). Albums like 'under the table and dreaming' and 'crash' are good too, but in my opinion this album is superior. This album is similar to 'under the table' but the songs have more diversity, and unlike 'crash' which in my opnion is just a collection of good songs, 'before these crowded streets' flows and actually takes you somewhere. If you enjoy this album, check out their live in Chicago cd.
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FQQ
    Release Date: 1994-08-16

    Tracks:

    1. Song of the Vagabonds
    2. I'm Falling in Love With Someone
    3. Streets of New York
    4. Neapolitan Love Song
    5. Desert Song/One Alone
    6. Every Day Is Ladies' Day with Me
    7. Donkey Serenade
    8. Softly, As in a Morning Sunrise
    9. Drinking Song
    10. When You're Away
    11. I Love to Go Swimmin' With Wimmin
    12. I Might Be Your Once-In-A-While
    13. Marianne
    14. Serenade
    15. Indian Summer
    16. When I Grow Too Old to Dream
    17. Gypsy Love Song
    18. Golden Days - Jerry Hadley, Mario Lanza
    While the City Sleeps, We Rule the Streets
    Average customer rating: 5 out of 5 stars
    • Awesome Album, Start to Finish
    • Beam me up Cobra Starship
    • G A B E gonna get you high!
    • Cobra starship rocks!
    • Cool sound
    While the City Sleeps, We Rule the Streets
    Cobra Starship
    Manufacturer: Decaydance
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000I2IS0E
    Release Date: 2006-10-10

    Tracks:

    1. Being From Jersey Means Never Having To Say You're Sorry
    2. Send My Love To The Dancefloor I'll See You In Hell (Hey Mister D.J.)
    3. The Church Of Hot Addiction
    4. The Kids Are All F***ed Up
    5. It's Warmer In The Basement
    6. Keep It Simple
    7. It's Amateur Night At The Appollo Creed!
    8. Bring It (Snakes On A Plane)
    9. The Ballad Of Big Poppa And Diamond Girl
    10. Pop-Punk Is Sooooo '05
    11. You Can't Be Missed If You Never Go Away

    Album Description

    The band burst onto the scene with the uber-catchy dance-pop-rock of "Snakes On A Plane (Bring It)" from the movie's soundtrack. This is their debut full-length. Produced by S*A*M, a.k.a. Sam Hollander (Method Man, The Sounds, Gym Class Heroes) and Sluggo, the alter ego of renowned session bassist Dave Katz (Roger Daltrey). Features special guests, such as members of Fall Out Boy, The Academy Is..., Gym Class Heroes, The Sounds, and 80's dance/pop group The Cover Girls.

    Customer Reviews:

    5 out of 5 stars Awesome Album, Start to Finish.......2007-06-27

    Highly Reccomended. It's got a blend of the 80s with a more contemporary feel and keeps yer head boppin along with the beat.

    5 out of 5 stars Beam me up Cobra Starship.......2007-06-05

    Saw this band on this years Honda Civic Tour. I originally went to see Fall Out Boy (of course!) and was totally taken over by Cobra Starship!
    I find their music original and fun.
    Favorite tracks are "Send My Love to the Dance Floor..." and "Keep it Simple".
    I would definitely recommend this album to anyone who is looking for something different.

    5 out of 5 stars G A B E gonna get you high!.......2007-05-21

    Cobra Startship's debut album will put you in such a great musical mood, you wont be able to help dancing with yourself!

    Gabe Saporta knows just want it takes to get the listener to really feel his songs and get you moving!

    My favorite tracks are Send my Love... The balland of Big Poppa... The Kids are all F'd up.

    If you are feeling Gabe's sound, be sure to check out some of his former band, Midtown's releases: Forget What you Know OR Living Well is the Best Revenge.

    Holla!

    5 out of 5 stars Cobra starship rocks!.......2007-04-09

    Dudes this album is sick all the way through!!! If you dig gabes voice and songs, you must check out all of his "midtown" albums!!! they are different, but evenly good!!!!

    5 out of 5 stars Cool sound.......2007-03-09

    Cobra starship has a nice up beat kind of dance beat to it. I really like the whole C.D. it is a nice addition to my collection
    Instruments of the Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Instruments of the Orchestra - Great Reference Material!
    • Beginner or Expert
    • Very Informative and Enjoyable
    • Frank's view
    • Excellent Intro for Those Not Familiar with the Orchestra
    Instruments of the Orchestra
    Various Artists
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Symphonies | Classical | Styles | Music
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    5. What to Listen for in Music

    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
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    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
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    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    A Grand Don't Come for Free
    Average customer rating: 4 out of 5 stars
    • A Real Musical Treat
    • Funny, fresh, different
    • Excellent CD transcends genre boundaries
    • Ain't that the truth
    • OK AMERICANS, TIME TO WAKE UP
    A Grand Don't Come for Free
    The Streets
    Manufacturer: Vice/Atlantic
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001XARU4
    Release Date: 2004-05-18

    Tracks:

    1. It Was Supposed To Be So Easy
    2. Could Well Be In
    3. Not Addicted
    4. Blinded By The Light
    5. I Wouldn't Have It Any Other Way
    6. Get Out Of My House
    7. Fit But You Know It
    8. Such A Twat
    9. What Is He Thinking
    10. Dry Your Eyes
    11. Empty Cans

    Amazon.com

    With beats that mix hip-hop, R&B, and UK garage, A Grand Don't Come For Free, like its impressive predecessor Original Pirate Material (2002), transforms the everyday and the mundane into the terms of an epic. British rapper Mike Skinner captures the simple details of a simple existence that inhabits the lower levels of the middle class. But whereas Original Pirate Material was more about everyday life on the streets, this follow-up is more about everyday life in the flat--mom's kitchen, my mate's living room, my girl's couch. The Streets has fallen in love, and his raps narrate the adventures and misadventures of this romance. In all, it is a concept album that places greater emphasis on storytelling rather than on the music, which is often spare with little or no enhancements. With some songs expressing the beauty of love and others expressing the pleasures of drugs, the Streets is still holding it down for the UK. --Charles Mudede

    Album Description

    Mike Skinner, the musical mastermind behind The Streets, once again melds hip-hop, dub, ska, UK garage beats, and his unique rhyme style to deliver a sound like nothing else. Instead of the snapshot imagery of the last album, "Original Pirate Material", "A Grand..." is one continuous narrative, following Skinner through a day of victories, defeats, and battles.

    Customer Reviews:

    5 out of 5 stars A Real Musical Treat.......2007-06-27

    This work is original and very good. I recommend it to anyone interested in unique talents like Streets. I have noticed a trend with English groups that represent a poetic sense coupled with a feel for Anglo hiphop.
    Dry your eyes mate!

    4 out of 5 stars Funny, fresh, different.......2007-04-05

    I like The Hardest Way album even better but A Grand is very good, too. Some songs made me laugh out loud and still I can't help but grin when I hear them. I appreciate it when an artist has a unique way of looking at everyday experiences and Mike certainly does that.

    5 out of 5 stars Excellent CD transcends genre boundaries .......2007-01-24

    The Streets, effectively rapper Mike Skinner's vehicle, come into their own on "A Grand Don't Come for Free". While Skinner's debut, "Original Pirate Material", got by on unique beats and Skinner's unusual delivery, "A Grand Don't Come For Free" works just as well on a song-by-song basis, but is also a surprisingly cohesive and moving concept album about relationships and friendship. The album tells the story of the beginning and end of a relationship, matched thematically by the loss and search for a thousand pounds. Sound dull?

    Quite simply, it isn't. Skinner's take on the mundane is both familiar and insightful. Highlights abound, from the humorous and catchy "Could Well Be In" to the heartbreaking (and only single) "Dry Your Eyes". Trying to characterize Skinner in a particular genre (hip-hop, garage, etc.) is useless - no CD in 2004 was as funny, melodic, or moving as "A Grand Don't Come for Free". No music lover should miss it.

    4 out of 5 stars Ain't that the truth.......2006-12-21

    Some of my friends really like it, some really don't. Good stories in the songs. I like it.

    5 out of 5 stars OK AMERICANS, TIME TO WAKE UP.......2006-11-21

    Reading Americans reviews of brittish albums really gets on my nerves. This is a great album and Americans need to understand one thing about Mike Skinner : HE'S NOT A RAPPER, so please stop saying he can't rap. Everybody on this side of the sea know that. And why do ye dismiss albums because ye find it hard to understand the accent? Thats just plain ignorance. Time for Americans to open their minds. I'm Irish and we have no trouble understanding any accent, whether it be brittish or american, but Americans seen to always have a hard time understanding people that are not american, I bet most americans wouldn't have a clue what I'm sayin if they heard me speak, I'm from Limerick in Ireland and any american that we meet we have to slow down our accent like we're talking to somebody that speaks a different language or a child.
    The Hardest Way to Make an Easy Living
    Average customer rating: 3.5 out of 5 stars
    • Jammin
    • As VIBE Magazine said, "Not on THESE streets"
    • ...dissapointed
    • Guys talking over a beat, great!
    • All right
    The Hardest Way to Make an Easy Living
    The Streets
    Manufacturer: Vice/Atlantic
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000EQ46KA
    Release Date: 2006-04-25

    Tracks:

    1. Pranging Out
    2. War Of The Sexes
    3. The Hardest Way To Make An Easy Living
    4. All Goes Out The Window
    5. Memento Mori
    6. Can't Con An Honest John
    7. When You Wasn't Famous
    8. Never Went To Church
    9. Hotel Expressionism
    10. Two Nations
    11. Fake Streets Hats

    Amazon.com

    On the Streets' third album, the conceit is that Mike Skinner's now a famous guy (and he indeed is in the UK--as he puts it, "I've sold 3 million and you've never heard of me"). So, instead of dissecting the stereotypes and prejudices of an average Joe, Skinner turns his keen eye for detail on himself, to his new life of easy drugs and easier girls, of trashing hotel rooms, and being bummed out when your record label does promotional stuff without telling you about it first. Sonically it's more polished and a tad faster, though the music's still stripped-down and tough, propelled by loud synth lines and minimal drums. Skinner's flow remains original and wonderfully sing-songy. And while it's cool to see him actually write about his current life instead of pretending he's still "street," the subject matter's a touch too similar to an anorexic debutante's diary entry to make for very compelling hip-hop. When he asks "How the hell am I supposed to be able to do a line in front of complete strangers/When I know they've all got camera[phone]s?," it's definitely tough to care too much, no matter how fun the music is. --Mike McGonigal

    Album Description

    The new Streets album The Hardest Way To Make An Easy Living, out April 25th, is a completely autobiographical record that covers everything that has happened to Mike over the past few years since he's become a well known figure in the UK. There's love, loss, scandal, violence, sex, drugs and a whole load of bad behavior and regret. This true story begins with the first single, "When You Wasn't Famous."

    Customer Reviews:

    5 out of 5 stars Jammin.......2007-04-05

    My first The Streets album. Funny, edgy, funky, poignant, cool, warm. Word art and music blended to taste. My taste.

    3 out of 5 stars As VIBE Magazine said, "Not on THESE streets".......2006-11-10

    A few years ago, there was an explosion of sorts concerning British artists broadening rap, like Dizzee Rascal and the Streets. I really couldn't get into it though; the thing that bothered me about Mike Skinner (yes, people, the Streets refers to ONE person) is that his material didn't sound like rap to me; it sounded more like spoken word. But he does sound more like a rapper on his latest offering, The Hardest Way to Make an Easy Living.

    But even though the production is on point, the songs as a whole aren't that accessible. And I'm not saying that because Mike's thick accent can make things incomprehensible to the average listener (although there's some truth to that; "War of the Sexes", anyone?); it's that most of the time I really don't understand what in the world he's talking about, which is especially the case with the album's opener, "Prangin Out".

    The few times where I COULD figure out what was going on, I wasn't too impressed. "Fake Streets Hats" has Mike complaining about supposedly pirated Streets merchandise (I say "supposedly" because it turns out that Mike's label distributed the hats), and "When You Wasn't Famous" is a been-there-done-that comparison of his private and public life. Speaking of that song, when Mike and friends try to sing the chorus sometimes, it's pretty nerve-racking (see "Two Nations").

    I really think Mike could have done a better job than this; it almost feels like he just wanted to put SOMEthing out because now that Lady Sovereign is getting some mainstream love, he's like, "Hey, remember ME?" Let's hope he perfects his craft; maybe then it won't be so hard to make an easy living.

    Anthony Rupert

    3 out of 5 stars ...dissapointed.......2006-10-21

    The first two albums The Streets put out blew me away. Original Pirate Material was fresh and abstract while A Grand Don't Come For Free was full of heart-felt tracks that I couldn't help but love. It seems with this album, Mike Skinner got lazy. The music, while catchy, is hardly original and the lyrics... aren't even in the same league as the first two albums. When You Wasn't Famous, the first single is just alright. I actually prefer the Professor Green remix. This album is mostly filler, with a few good tracks like Never Went To Church. Overall, I do like this album, it just doesn't compare to the first two.

    1 out of 5 stars Guys talking over a beat, great!.......2006-08-13

    This is a joke right?! I honestly thought this group was a hiphop parody group at first because I figured nobody could be that bad on purpose. These British rappers are hiliarous, they basically talk over a beat and it doesn't even rhyme half the time. I got given this cd for free and I still want some money back!

    4 out of 5 stars All right.......2006-06-11

    It's the third chapter for Mike Skinner, the biggest pop star from the UK. Almost every album has been a number one if I remember right. The last album was a concept album. This album is more about the spoils of success. It's less unfocused than the previous two. "War of The Sexes" reminds me of some of the songs on the first album. Some immediate favorites are "When You Wasn't Famous" and "Hotel Expressionism." The first is about the pitfalls of become a well known act. The second is about? Not sure. Maybe about destroying hotels? "Never Went To Church" explores to two great European narcotics: alcohol and Christianity. It has a tune that is like "Let It Be" by the Beatles. We always need a record to put on and smoke weed to. Here it is! The summer looks good.
    "Do I Make You Proud" / "Takin' It To The Streets"
    Average customer rating: 4.5 out of 5 stars
    • The best vocal performance ever?
    • Taylor Hicks,, do i make you proud.
    • Music by Taylor Hicks is pure joy~this was just a teaser~
    • Do I Make You Proud
    • Congratulations!
    "Do I Make You Proud" / "Takin' It To The Streets"
    Taylor Hicks
    Manufacturer: J-Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000FMR4T8
    Release Date: 2006-06-13

    Tracks:

    1. Do I Make You Proud
    2. Takin' It To The Streets

    Customer Reviews:

    5 out of 5 stars The best vocal performance ever?.......2007-06-20

    I have listened to over 10,000 songs in my lifetime and I will go ahead and say it. This is the best vocal performance in the history of recorded sound. I'm a little creeped out by the look he's giving me on the cover, but when I hear these songs, I climb to the tallest hill in Nebraska and sing songs from my favorite musicals like Chippy. I am numbed by the sheer perfection of this. Go Taylor, woo hoo!!

    5 out of 5 stars Taylor Hicks,, do i make you proud........2007-04-07

    My Son really loves this song,,, It's now on his MP4

    5 out of 5 stars Music by Taylor Hicks is pure joy~this was just a teaser~.......2007-03-20

    His first full length album which was released in December and titled TAYLOR HICKS, is outstanding...we've given over 15 copies as gifts and the feedback has been wonderful...highly recommended for people of all ages.

    5 out of 5 stars Do I Make You Proud.......2007-01-19

    Taylor Hicks made this song popular on American Idol when he became number l. It is a very good recording, and a collector's item as far as I am concerned.

    5 out of 5 stars Congratulations!.......2007-01-18

    From the sound of this CD.... TAYLOR HICKS will definately capture the heart and soul of many people turned off by music today! Its great to hear real music again!
    Original Pirate Material
    Average customer rating: 4 out of 5 stars
    • Sardonic, Clever, Hip, Original
    • original.. that's for sure
    • instantly a favorite!!!!
    • Classic
    • I don't even listen to rap and I still give it 4 stars
    Original Pirate Material
    The Streets
    Manufacturer: Vice/Atlantic
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00006L88F
    Release Date: 2002-10-22

    Tracks:

    1. Turn the Page
    2. Has It Come to This?
    3. Let's Push Things Forward
    4. Sharp darts
    5. Same Old Thing
    6. Geezers Need Excitement
    7. It's Too Late
    8. Too Much Brandy
    9. Don't Mug Yourself
    10. Who Got the Funk?
    11. The Irony of It All
    12. Weak Becomes Heroes
    13. Who Dares Wins
    14. Stay Positive

    Amazon.com

    In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis Pattison

    Album Description

    2002 debut is enhanced with the videos of 'Weak Become Heroes' and 'Let's Push Things Forward'. The album is nominated for this year's Mercury Prize, alongside luminaries David Bowie and Doves and was certified Gold in the UK. Vice.

    Customer Reviews:

    5 out of 5 stars Sardonic, Clever, Hip, Original.......2007-07-31

    I first discovered this record in early 2003 and was immediately impressed. The lyrics and arrangements ooze a sort of snarly confidence, and the wordplay is really clever and memorable.

    The Streets' two subsequent albums haven't lived up to the potential seen here on "Original Pirate Material," as Skinner's lazy/arrogant outlook on life became more annoying than charming, and the music seemed less inspired overall. But this record stands alone as a modern classic.

    5 out of 5 stars original.. that's for sure.......2006-10-24

    let's get one thing clear.. this is not rap. i don't really know how to classify it, but it's not rap. mike skinner rhymes over unique beats and to be honest, it sounds good. his rhymes are abstract and takes you all over the place. he talks about birds, geezers, clubs, and drugs among many things, but does so in a way i've never heard before. this album sounds amazing considering he recorded it in his bedroom. if you're looking for something new and an english accent doesn't bother you, check out the streets! just as good as this album is The Street's follow-up, A Grand Don't Come For Free.

    tracks worth checking out:
    Turn The Page (best opening song on any album i've ever heard)
    Too Much Brandy
    Don't Mug Yourself
    It's Too Late
    Irony Of It All (weed vs. alchohol)
    Stay Positive (a description of himself during a heroine addiction)

    5 out of 5 stars instantly a favorite!!!!.......2006-06-13

    for whatever reasons i panned his latest album....mike skinner, by virtue of this debut album> enters genius-status...hall-of-famer and all in 4 listens of my first day ever hearing this obvious classic.
    a heady blend of comic one-off, day-to-day musings, and some very basic earthy (am i allowed to say?) wisdom......this thing grabs you from beginning to end and never lets go.
    every track rocks unique and sneeky brilliant....even sexy at times...bare yet clever and the words flow non-stop effortlessness without the pomp and bragadassiho of so much rap.
    it's hard to believe i enjoyed a true hip-hop album as much as this.
    this one's gonna rock my senses for some time to come.
    an absolute must for any collection of what is cool and modern...even if you're not.
    : )

    mcc>

    5 out of 5 stars Classic.......2005-11-02

    Ok here's the scoop. Mike Skinner has done something wonderful to the UK Garage scene. He has dropped an album that is appealing to absolutely everyone who can get their hands on it. It doesn't matter where you are in the world, your feeling his stuff, this man is the truth!!
    'Turn the Page' starts the album off with a bang, and it just gets better from there. The next 2 songs, 'Has It Come To This?' and 'Let's Push Things Forward' deliver a kind of laid back attitude to rapping, almost so that the songs sound like spoken words. The rest of the album is like this also, but it truly does fit well. 'It's Too Late' and 'Weak Become Heroes' are the kind of tracks that draw emotion from deep inside the listener, whether they are liking the music or not, and 'Stay Positive' delivers advice on life and how to deal with it. The only porr track is 'Sharp Darts', which is barely 2 minutes, which doesn't detract from the album at all. Incredible.
    Definitely buy this CD, throw money at Mike Skinner for creating such brilliane!

    4 out of 5 stars I don't even listen to rap and I still give it 4 stars.......2005-10-29

    My buddy had played me a couple of tracks from this CD a year or two ago, and it had stayed with me ever since. So I finally sought out this album.

    There must be something about the American rap "style" that is an instant turn-off; maybe it's all the bling-in-your-face attitude. Ugh. But the poetic eloquence here--the meaning behind these words--seems somehow to hit home.

    "Turn the page" is freakin brilliant, no matter what you call it; rap, poetry, music, whatever.

    I'm not saying every track is a masterpiece, but when something is obviously special it deserves special attenton.

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