Check 1 2 [Import]

Product Description
First Album from the Japanese Breakbeats/Hip-hop/Funk Group. Will Include 15 Tracks.

Check 1 2,Mu-Stars,3d,Japanese,Rap

Average customer rating:

Roc Ya Body Mic Check 1, 2' M.V.P.'z Manufacturer: EMI/Positiva ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music 4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music 4-for-3 Rap & Hip-Hop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music ASIN: B0009S2GT6 Release Date: 2005-06-21

Tracks:

1. Roc Ya Body (Mic Check 1, 2) [the M.V. P Radio Edit]
2. Roc Ya Body (Mic Check 1, 2) [the M.V. P Club Mix]
3. Roc Ya Body (Mic Check 1, 2) [Robi-Rob's Roc da Jeep Vocal Club Mix]
4. Roc Ya Body (Mic Check 1, 2) [Robi-Rob's Boriqua Anthem Vocal Mix]
5. Roc Ya Body (Mic Check 1, 2) [DJ Zinc Vocal Mix]
6. Roc Ya Body (Mic Check 1, 2) [Jupiter Ace Vocal Mix]

Album Description

Far from your typical big dance tune, 'Roc Ya Body' combines dancehall, rap, Latin rhythms and housey percussion under the auspices of former C+C Music Factory frontman Robert Clivilles. Already an anthem in their native New York, 'Roc Ya Body' is picking up massive club and radio support, making this infectiously exotic tune a summer dance hit! The Radio Edit is backed with the Club Mix, Robi Rob's Rock Da Jeep Vocal Mix, Robi Rob's Boriqua Anthem Vocal Mix, DJ Zinc Vocal Mix, Jupiter Ace Vocal Mix and Standard Version. Positiva. 2005.

Average customer rating:

Hear The World Cry Craig McLachlan & Check 1-2 Manufacturer: Roadrunner ProductGroup: Music Binding: Audio CD ASIN: B000LXVXYI

Average customer rating:

Roc Ya Body Mic Check 1, 2' M.V.P.'z Manufacturer: EMI/Capitol ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music ASIN: B000B7I3SS

Tracks:

1. Roc Ya Body (Mic Check 1, 2) [the M.V. P Radio Edit]
2. Roc Ya Body (Mic Check 1, 2) [the M.V. P Club Mix]
3. Roc Ya Body (Mic Check 1, 2) [Robi-Rob's Roc da Jeep Vocal Club Mix]
4. Roc Ya Body (Mic Check 1, 2) [Robi-Rob's Boriqua Anthem Vocal Mix]
5. Roc Ya Body (Mic Check 1, 2) [DJ Zinc Vocal Mix]
6. Roc Ya Body (Mic Check 1, 2) [Jupiter Ace Vocal Mix]

Album Details

Mvp Stands for Most Valuable Players and this is their Super Sexy Debut Hit Single.

Average customer rating:

Everyday Craig McLachlan & Check 1-2 Manufacturer: Mdmc ProductGroup: Music Binding: Audio CD ASIN: B000LXYVVA

Average customer rating: Mind blowing stuff. Michelangeli: an everlasting and true living legend! CAN YOU MAKE OUT WHAT THEY ARE SAYING? Michelangeli searches for the Unknown A JEWEL!!!

Arturo Benedetti Michelangeli Plays Schumann, Chopin, Debussy & Mompou Manufacturer: Testament ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Michelangeli, Arturo Benedetti | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Arturo Benedetti Michelangeli plays Mozart, Chopin, Brahms, etc. (Box) [Germany] ASIN: B000003XKI Release Date: 1996-11-08

Tracks:

1. Faschingsschwank Aus Wien, Op.26: I. Allegro
2. Faschingsschwank Aus Wien, Op.26: II. Romanze
3. Faschingsschwank Aus Wien, Op.26: III. Scherzino
4. Faschingsschwank Aus Wien, Op.26: IV. Intermezzo
5. Faschingsschwank Aus Wien, Op.26: V. Finale
6. Carnaval, Op.9: 1. Preamble
7. Carnaval, Op.9: 2. Pierrot
8. Carnaval, Op.9: 3. Arlequin
9. Carnaval, Op.9: 4. Valse Noble
10. Carnaval, Op.9: 5. Eusebius
11. Carnaval, Op.9: 6. Florestan
12. Carnaval, Op.9: 7. Coquette
13. Carnaval, Op.9: 8. Replique
14. Carnaval, Op.9: 9. Papillons
15. Carnaval, Op.9: 10. A.S.C.H.-S.C.H.A. (Letters Dansantes)
16. Carnaval, Op.9: 11. Chiarina
17. Carnaval, Op.9: 12. Chopin
18. Carnaval, Op.9: 13. Estrella
19. Carnaval, Op.9: 14. Reconnaissance
20. Carnaval, Op.9: 15. Pantalon Et Colombine
21. Carnaval, Op.9: 16. Valse Allemande
22. Carnaval, Op.9: 17. Paganini
23. Carnaval, Op.9: 18. Aveu
24. Carnaval, Op.9: 19. Promenade
25. Carnaval, Op.9: 20. Pause
26. Carnaval, Op.9: 21. Marche Des 'Davidsbundler' Contre Les Philistins

Tracks:

1. Images, Serie/Set II: II. Et La Lune Descend Sur Le Temple Qui Fut (Lent)
2. Images, Serie/Set II: I. Cloches A Travers Les Feuilles (Lent)
3. Images, Serie/Set I: II. Hommage A Rameau (Lent Et Grave)
4. Images, Serie/Set I: I. Reflets Dans L'eau (Andantino Molto)
5. Fant in f, Op.49
6. Ballade No.1 in g, Op.23
7. Cancion (From Cancion Y Danza No.6)
8. Valse in E flat, Op. Posth.
9. Rehearsal And Sound Check

Customer Reviews:

Mind blowing stuff........2006-02-25

This is a CD of real treasures, but the stand out track for me has to be Michelangeli's blistering rendition of Carnaval. As for so many other Schumann lovers, Carnaval has always held a special place for me - it was the first Schumann I ever heard (Rachmaninov performing) Rachmaninov's version is pretty stunning in its own way and (I guess because it was the first version of the piece I had heard) always provided the benchmark for all other pretenders.

Michelangeli, however, just takes the piece to a whole new level - getting right inside its deepest heart, wringing out every ounce of emotion and fully exploring its depth of feeling without ever stepping over the top - but please (as someone else here has rightly pointed out) do not confuse this with his comparitively disappointing 1970's studio version, the elusive genius obviously thrived best on public performance!

Everything else on this disc shines just as brightly and strongly. If you enjoy piano virtuosity of the highest order then you really should add this one to your collection if you haven't already.

Michelangeli: an everlasting and true living legend!.......2005-07-23

The exuberant pianism of Arturo Benedetti Michelangeli resides in his kaleidoscopic expressiveness. He owned a superb sense of tonal color, appropriate texture, accurate warmth, precise expansiveness and exquisite phrasing.
His whole approach every time he played a piece, was very similar to an architectural process. Like Furtwangler, he re-created a work, in search of its inner values.
This historic performance is an additional testimony that carves in relief his artistic integrity.
The Schumann's Carnival is played without self indulgent affection, he impressed the romanticism a major sign, a real statement of the greatness of the human condition and glorious sense of transcendence.
Go for this invaluable musical treasure without reserves.

CAN YOU MAKE OUT WHAT THEY ARE SAYING?.......2002-03-03

This pair of discs is slightly pricy ... but it contains something I had never thought to hear -- a half-hour of live rehearsal by Michelangeli with some asociates. Goodness, for 20 years he recorded next to nothing, he gave all of one interview that I know of, he cancelled about as many concerts as he gave, and here he is allowing this intimate close-up! ....

The first half of the concert is Schumann, Faschingsschwank and Carnaval. Faschingsschwank seems to me to suit him rather better than Carnaval, but let me make it clear to other disappointed owners of M's studio recording of Carnaval that this performance resembles that roughly as Snowhite resembles Carabosse -- it is n times livelier and more attractive, even if I still doubt that M is really a natural Schumann player as Horowitz so conspicuously was. And natural or not he is still a great player and this Reconnaissance is haunting and special beyond the ordinary. Faschingsschwank is the last thing he rehearses, and what struck me most was how on the night M turned up the power and volume in the popular tune 5 minutes or so into the first movement -- a really amazing collectors' piece for connoisseurs of his special tone-production. In general he seems more comfortable with it than with Carnaval and parts of it are as near to joyous as anything I have ever heard from this ultra-serious artist. The rest is Chopin Debussy and Mompou (the Mompou being the Cancion that M used to trot out now and again).
The Debussy Images are not terribly different from his studio recording, and music-lovers new to M's Debussy should not expect anything in the manner of Gieseking or Richter. This Debussy is big in tone, highly coloured, individual certainly but memorable in the extreme. Of Chopin we have the Fminor Fantasy, the G minor
Ballade and a waltz that I'm not sure I have ever heard before --it's not in my sets of the waltzes by Rubinstein and Lipatti. M's
playing of the waltz is simply wonderful, his G minor Ballade is not likely to be contentious -- rhapsodic and romantic but basically mainstream and I can't recall liking any other interpreter so well in this piece. I feel the same way about M's F minor Fantasy but I know that this is probably much more a personal view. The opening march is decidedly fast, the big tune is very inflected and there is a great deal of rubato. I swallow it whole, but some may well disagree. What is surely beyond disagreement is the whole feel of an utterly special occasion that marks this recital.

Michelangeli searches for the Unknown.......2000-10-09

The Schumann Carnaval is gloriously rendered as the distubed genius, listening to the entire work is an exercise, a voyage in another realm.It is music we know Vivos,Waltzes,textures,butterflys,yet not really. This work can be painfully tedious,Schumann's voicings of chords and gestures can come to hover around a one-dimensionality,and Michelangeli knows this, he is with Schumann's disturbed out-of-place world, a world of fantasy perhaps. The frivolity, the lightness of this music is only a surface phenomenon,there are "wrong" notes throw in with sforzando emphasis,that halts the ongoing momentum,and mars the texture.Our thinking is halted as well,gaity is postponed. The hommage to Chopin for instance in A-flat major,rolling broken chords, is not Chopin at all,the real Chopin comes a few pieces after, like Chopin was placed on hold to hover someplace in the future. Schumann's melodic sense of the Chopin's use of the dissonant tones he loves to land on, in the Waltzes and Nocturnes in particular is not part of Schumann's melodic conceptual world,like an E-natural in A-flat major.So Schumann forces the musical argument,making these wrongful moments indeed even uglier.There is nothing festive in Schumann's Waltz time,it is a denial of the contentment of the world. This is not a pleasant situation. Michelangeli brings this demonic spirit to the Carnaval and makes this deeply compelling music,you forever sense his conviction to this music.

The Debussy as well searches for the phantasmagorical,the poetry in Debussy, Michelangeli,like Cortot I imagine, looked for the oddness,the un-normal,the trancendent aspects of the music. Which is why he plays Scarlatti so beautifully and clean and pristine for there was not the un-normal there,or it was hidden under the simplicity of direct contrapuntal releifs. Like sculptural cathedral objects hauntingly emitting themselves eternally from the safe confines of the granite block.

This is the music which confirms all the myths which had surrounded Michelangeli's career,his overgrown conceit,and mysteries,this disc confirms all the unbelievers to be wrong, Michelangeli searches for the unknown in this music.

A JEWEL!!!.......2000-03-05

These recordings are among the best of the Century. I am sure about that. Michelangeli is superb! One of the greatest pianists of all time. His Schumann is magnificent, romantic but with no excess, full of imagination, but loyal to composer's spirit. His Debussy is particularly good, helped by his intense virtuosity. Listen to the CDs and you will understand me. A jewel!

Average customer rating:

If We Were Angels Craig McLachlan & Check 1-2 Manufacturer: MDMC ProductGroup: Music Binding: Audio CD ASIN: B000LYB3BK

Average customer rating:

Check 1 2 Mu-Stars Manufacturer: 3d ProductGroup: Music Binding: Audio CD Japan | Far East & Asia | International | Styles | Music General | Rap & Hip-Hop | Styles | Music International | Imports | Stores | Music ASIN: B000BDJ2AK Release Date: 2005-11-21

Album Details

First Album from the Japanese Breakbeats/Hip-hop/Funk Group. Will Include 15 Tracks.

Average customer rating:

Anechoic Orchestral Music Recording Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD Polkas | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruckner | Bruckner, Anton | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Glinka | Glinka, Mikhail | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Test Recordings | Miscellaneous | Styles | Music General | Miscellaneous | Styles | Music General | Easy Listening | Pop | Styles | Music ASIN: B0000034M9 Release Date: 1995-12-12

Tracks:

1. I. Anechoic Recording Program: Le Nozze De Figaro: Overture
2. I. Anechoic Recording Program: 4th Mov. - Symphony No.3 In A Minor, Op.56 'Scottish', Bars 396-490
3. I. Anechoic Recording Program: L'Arlesienne, Suite No.2: Menuet, Bars 396-490
4. I. Anechoic Recording Program: Pizzicate-Polka
5. I. Anechoic Recording Program: Ruslan And Lyudmila
6. I. Anechoic Recording Program: La Traviata
7. I. Anechoic Recording Program: Symphony No.4 In E Flat 'Romantic', Bars 517-573
8. I. Anechoic Recording Program: Prelude A L'Apres-Midi D'un Faune, Bars 1-20
9. II. Anechoically Recorded Samples For Evaluation: No.6 - Water Music Suite, Bars 1-11
10. II. Anechoically Recorded Samples For Evaluation: Le Nozze Di Figaro, Bars 1-18II.
11. II. Anechoically Recorded Samples For Evaluation: Symphony No.9 In D Minor, Op.125 'Choral'...
12. II. Anechoically Recorded Samples For Evaluation: Symphony No.4 In E Minor, Op.98, Bars 354-362
13. II. Anechoically Recorded Samples For Evaluation: Symphony No.4 In E Flat Major 'Romantic'...
14. II. Anechoically Recorded Samples For Evaluation: Symphony No.4 In F Minor, Op.36, Bars 1-6
15. II. Anechoically Recorded Samples For Evaluation: Symphony No.5, Bars 1-3
16. II. Anechoically Recorded Samples For Evaluation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3
17. III. Samples Of Sound With Simulated Reverberation: Le Nozze Di Figaro: Overture, Bars 1-18...
18. III. Samples Of Sound With Simulated Reverberation: Le Nozze Di Figaro: Overture, Bars 1-18: B) Addi
19. III. Samples Of Sound With Simulated Reverberation: Le Nozze Di Figaro: Overture, Bars 1-18: C) Addi
20. III. Samples Of Sound With Simulated Reverberation: 1st Mov. - Symphony No.4 in E Flat Major 'Romant
21. III. Samples Of Sound With Simulated Reverberation: 1st Mov. - Symphony No.4 in E Flat Major 'Romant
22. III. Samples Of Sound With Simulated Reverberation: 1st Mov. - Symphony No.4 in E Flat Major 'Romant
23. III. Samples Of Sound With Simulated Reverberation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3: A)
24. III. Samples Of Sound With Simulated Reverberation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3: B)
25. III. Samples Of Sound With Simulated Reverberation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3: C)
26. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 1...
27. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 2. Timp
28. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 3. Timp+...
29. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 4. Timp.+...
30. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 5. Timp.+...
31. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 6. Timp.+...
32. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 7. Timp.+...
33. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 8. Timp.+...
34. IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 9...
35. V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: A)...
36. V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: B) Omni-direction
37. V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: C) Uni-directiona
38. V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: D) Multi-mike Set
39. V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: E) Multi-mike Set
40. V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: A) Omni-directional Sing
41. V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: B) Omni-directional Sing
42. V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: C) Uni-directional Singl
43. V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: D) Multi-mike Setup Reco
44. V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: E) Multi-mike Setup+Time
45. VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Sine Wave Channel Check
46. VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Sine Wave
47. VI. Test Signals For Measurment Of Room Acoustics: IkHz, 5Hz-22.05Hz Sweep
48. VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Toneburst (EIJ)
49. VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Toneburst (EIAJ)
50. VI. Test Signals For Measurment Of Room Acoustics: Impulse I (I Sample) 100ms+20% (Random) Cycle...
51. VI. Test Signals For Measurment Of Room Acoustics: Impulse II (I Sample) 4S+20% (Random) Cycle...
52. VI. Test Signals For Measurment Of Room Acoustics: Pulsive Signal (40ms) 7S+20% (Random) Cycle...
53. VI. Test Signals For Measurment Of Room Acoustics: White Noise Uniformly Distributed Noise In The...
54. L=25Hz, 31.5Hz, 40Hz @ -20b; R=31.5Hz @ -16db
55. L=52Hz, 63Hz, 80Hz @ -20; R=63Hz @ -16db
56. L=100Hz, 125Hz, 160Hz @ -20; R=125Hz @ -16db
57. L=200Hz, 250Hz, 160Hz, 315Hz @ -20db; R=250Hz @ -16db
58. L=400Hz, 500Hz, 630Hz @ -20db; R=500Hz @ -16db
59. L=800Hz, 1KHz, 1.25Hz @ -20db; R=1Khz
60. L=1.6KHz, 4KHz, 2.5KHz, 2.5KHz @ -20db; R=4KHz
61. L=3.15KHz, 4KHz, 5KHz @ -20db; R=4KHz @ -16db
62. L=6.3KHz, 8KHz, 10KHz, - @ -20db; R=8KHz @ -16db
63. L=12.5 KHz, 16KHz, - @ -20db; R=16KHz @ -16db
64. Pink Noise @ -14db

Dance Music:

1. Classic Composure [Explicit Lyrics]
2. Code of Loyalty
3. Crossing State Lines: Chopped and Screwed, Vol. 1 [Explicit Lyrics]
4. Crunk Hits [Clean]
5. Crunk Hits [Explicit Lyrics]
6. Eternal E [Explicit Lyrics] [Original recording remastered]
7. Feeding Einstein [Explicit Lyrics]
8. From Tha Ghetto 2 Da Cross
9. From the Ghetto [Explicit Lyrics]
10. From Thought to Finish

Dance Music

dance music

Dance Music

Feedback to the Future

Ravel, Ponce, Kreisler and others

Never Never Land

Go: Organic Orchestra 1

Mist King Urth

Oh! Happy Day [Import]

Mellow My Baby: Soothing Songs and Lullabies

Mahler: Symphony No.3/Kindertotenlieder

Once in a Blue Moon

One Singular Sensation

Juice [Import]

Music for Six Musicians

Life:Styles Kenny Dope [Import]

Newport Jazz Festival: Blues in the Night, Vol. 3

Our Kind Of Soul