S.P.I.T.

1. Intro

2. Battles with Self (100% Freestyle) - Grimlock, , Supernatural

3. Who's the Greatest?

4. I'm a Fighter - Choklate, , Supernatural

5. Not That Way

6. Black Opera - Raekwon, , Supernatural

7. Show Down

8. Rise - Choklate, , Supernatural

9. Guess Who's Back

10. Whut's My Name

11. Children

12. Throw It Up

13. It Aint a Game - Choklate, , Supernatural

14. Off Top

15. Roll Up - B Real, , , Supernatural

16. Outro

Tracks:

I Love Lucy Theme - Wilbur Hatch
Dragnet - Ray Anthony
The Twilight Zone - Rod Open
Bonanza - Al Caiola & His Orchestra
The Andy Griffith Theme - Earle Hagen
The Ballad Of Jed Clampett - Earl Scruggs
The Addams Family (Main Theme) - Vic Mizzy
Munsters Theme - Jack Marshall
The Ballad Of Gilligan's Isle - Morton Stevens
Green Acres - Eddie Albert
Jeannie - Hugo Montenegro
Batman Theme - Neal Hefti
(Theme From) The Monkees - The Monkees
Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
Mannix - Lalo Schifrin
Hawaii Five-O - Mort Stevens & His Orchestra
Theme From The Brady Bunch - The Brady Bunch
Come On Get Happy - The Partridge Family
Those Were The Days - Carroll O'Connor
And Then There's Maude - Donny Hathaway
Good Times - Jim Gilstrap
Movin' On Up - Oren Waters
The Rockford Files - Mike Post
Them From S.W.A.T. - Rhythm Heritage
Happy Days - Pratt & McClain
Making Our Dreams Come True - Cyndi Grecco
Chico And The Man - Jose Feliciano
Welcome Back - John Sebastian
What's Happening!! - Henry Mancini
Barney Miller - Jack Elliott
Charlie's Angels - Jack Elliott
Love Boat Theme - Jack Jones
Angela (Theme From 'Taxi') - Bob James
It Takes Diff'rent Strokes - Gloria Loring
Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
Theme From Magnum, P.I. - Mike Post
The Theme From Hill Street Blues - Mike Post
Theme From Dynasty - Bill Conti
Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
Thank You For Being A Friend - Cynthia Fee

Album Description

TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.

Customer Reviews:

good memories for me and fun "new" songs for my children.......2007-06-27

We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.

memories.......2007-02-22

This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended

TV Theme Songs.......2007-01-13

This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.

TV themes.......2006-07-05

Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.

Deja Vu.......2006-02-17

Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Trumpet Concerto In E: 1. Allegro Con Spirito
Trumpet Concerto In E: 2. Andante
Trumpet Concerto In E: 3. Rondo
Trumpet Concerto In D: 1. Allegro Non Troppo
Trumpet Concerto In D: 2. Largo
Trumpet Concerto In D: 3. Vivace
Trumpet Concerto In D: 1. Allegro Non Troppo Presto
Trumpet Concerto In D: 2. Adagio
Trumpet Concerto In D: 3. Allegro Molto
Trumpet Concerto In E Flat, Hob. VIIIe:1: 1. Allegro
Trumpet Concerto In E Flat, Hob. VIIIe:1: 2. Andante
Trumpet Concerto In E Flat, Hob. VIIIe:1: 3. Allegro
Trumpet Concerto In D: 1. Allegro Moderato
Trumpet Concerto In D: 2. Andante
Trumpet Concerto In D: 3. Allegro

Tracks:

Trumpet Concerto In D: 1. Andante
Trumpet Concerto In D: 2. Allegro Moderato
Trumpet Concerto No. 1 In E Flat: 1. Allegro
Trumpet Concerto No. 1 In E Flat: 2. Adagio
Trumpet Concerto No. 1 In E Flat: 3. Vivace
Trumpet Concerto No. 1 In D: 1. Allegro
Trumpet Concerto No. 1 In D: 2. Adagio
Trumpet Concerto No. 1 In D: 3. Allegro
Trumpet Concerto No. 2 In C: 1. Adagio
Trumpet Concerto No. 2 In C: 2. Allegro Molto
Sonata In D For Trumpet, Two Violins And Continuo: 1. Grave
Sonata In D For Trumpet, Two Violins And Continuo: 2. Allegro
Sonata In D For Trumpet, Two Violins And Continuo: 3. Grave
Sonata In D For Trumpet, Two Violins And Continuo: 4. Allegro
Sonata In D For Trumpet, Two Violins And Continuo: 5. Allegro
Concerto In B Flat, Op. 7 No. 3: 1. Allegro
Concerto In B Flat, Op. 7 No. 3: 2. Adagio
Concerto In B Flat, Op. 7 No. 3: 3. Allegro
Adagio In G Minor
Trumpet Tune
Chorale Preludes: 'Erbarm Dich Mein, O Herre Gott' BWN 721
Chorale Preludes: 'Ich Ruf' Zu Dir, Herr Jesu Christ' BWV 639
Chorale Preludes: 'Herzlich Tut Mich Verlangen' BWV 727
Ave Maria

Customer Reviews:

Excellent value of a trumpet virtuouso in action.......2007-07-30

Both of these CDs are packed with 70+ minutes of some of the best trumpet pieces (not all are concertos, btw) played by one of our greatest living trumpeters, Hakan Hardenberger.

I can't think of any negatives to say about this package. It contains great compositions played by great musicians. The sound quality is also excellent.

Virtuosic Trumpet: Baroque And Classical Showcase.......2004-02-22

This album is an incredible showcase for the trumpet and the orchestra, in other words, the trumpet concerto. Hakan Hardenberger, the featured trumpet player, is highly talented and at the top of his game. Even the great jazz and classical trumpeter Winston Marsalis does'nt seem to reach the flights of fancy on the trumpet as does Hakan Hardenberger. Hardenberger masters the trumpet to perfection, capturing every nuance and every tone, from fortissimo fanfares to the softest pianissimo. On this compilation are the trumpet concerti of Baroque and Classical Era composers, among them Corelli and Albinoni and the Classical masters Franz Joseph Haydn and Leopold Mozart, Mozart's father. The sheer scale and magnetism of this music cannot be neglected. It is the greatest gathering of trumpet concerti ever made. The trumpet was perhaps the most fascinating instrument for Baroque composers. The trumpet produces grand, triumphant tones when played forte. It was an instrument that was displayed in ceremonial pomp- weddings, coronations and marches. The Baroque composers were sponsored by kings so they were expected to compose music for trumpet, which could be expressive not only as a fanfare for the king himself, but as an instrument of many dynamics. It can be played softly and slowly, which seems to create a nocturnal, reflective mood and staccato and fast-paced which made the music sound exciting and lively. In my opinion, it was the premier instrument of the Baroque Age.

The cd opens with the Trumpet Concerto In E Flat Major by Johann Hummel. This colorful piece is particularily impressive as it really explores the dynamic potential for the trumpet. It's third movement, the Rondo, is very exciting music, as it is played very fast and in a bouncy, dance-like manner. The Trumpet Concerto by Stamitz, Hertel and Richter are very stylish and must have been highly admired in the Baroque Era. The Trumpet concerto in E by Franz Joseph Haydn, who influenced Mozart, is beautiful, especially in its serenade-style andante second movement. In the last cd, Leopold Mozart's trumpet concerto is featured, and it's a good work. Perhaps his son Mozart greatly admired it, though Mozart did'nt really expand on trumpet concerti himself nor really ever showcased the instrument greatly. There are trumpet arrangements for the famous Albinoni Adagio in G, which on this version, sounds chilling, dark and dramatic. The cd concludes with trumpet versions of Bach's Organ Preludes and the Bach/Gounod Ave Maria.

superb playing.......2003-10-30

Hardenberger is indeed an extraordinary. The playing is right up there with the best of them. One thing unique to hardnberger is his ability to lock in ever note of every passage reguardless of register, speed, etc. In addition he playes with great character. The only reason i give hims less than 5 stars is because his lyricism, the most important thing, is surpassed by Maurice Andre and Phil Smith without questiong. especially after seing all of them live and buying their CDs. He is definitely among the greatests ever.

The Best Trumpeter in the Business.......2003-05-25

It's a rare treat for a reviewer when he can throw caution to the winds and go out on a limb for a musician. This is such an occasion for me. Hakan Hardenberger is a phenomenon. I think he is the Babe Ruth, the Wayne Gretzky, the Michael Jordan, the Vladimir Horowitz, the Jascha Heifetz of trumpet players.

Hardenberger is a Swedish trumpeter who made his first recording (Haydn, Hummel, Hertel, and Stamitz trumpet concertos, with the Academy of St. Martin in the Fields under Neville Marriner, on Philips) in 1986 when he was only 25 years old (in the cover photo of the original CD he looks like a boy). The first time I played this debut CD of his, my jaw dropped and I could hardly believe my ears. His playing was a revelation--absolutely stunning. I'd never heard trumpet playing to compare with it. In my opinion, with his first two CDs young Hardenberger not only moved into the top rank of trumpeters; he swept right past his competitors to the head of the class. I've compared a number of his baroque concerto performances, here and elsewhere, with those of other famous trumpeters, and he always comes out on top. I believe him to be in a league of his own. He has everything: virtuosity and technique to burn, dead-on intonation, clean trills, smooth legato, expressive shading, beauty of tone, brilliant high notes, enormous dynamic range. He is also a sound musician, with taste and a sense of style. His arsenal is complete and unassailable; there is no chink in his armor.

Everything that was on that debut CD is now in this Philips Duo set, which is a much better value, because it offers two generously filled CDs--72:55 and 78:27--for the price of one, adding most of the contents of two later Hardenberger CDs of baroque music for trumpet (the recordings here were made from 1986 through 1993). It's a good buy, and if you're going to own only one collection of baroque trumpet music, this is the one I'd recommend.

The trumpet has always been a difficult instrument to record and reproduce accurately. Here, although the consistently excellent digital recording presents Hardenberger very much front and center, it captures the timbre, "bite," and wide dynamic range of his trumpet with exemplary vividness and fidelity. On a top-quality playback system, he sounds like he's standing right between the speakers playing for you. And what playing it is! Not to be missed.

Hardenberger's second CD, of Telemann Trumpet Concertos, also accompanied by the ASMF, this time under Iona Brown, was recorded in 1987 (again on Philips). It too is marvelous, fully as impressive as his first CD, but unfortunately none of it is included in the Philips Duo reviewed here, so you have to acquire it separately. It's well worth it.

Long live the king!

Virtuosic... Incredible.......2001-08-06

You don't have to be a fan of the instrument in order to appreciate and become overwhelmed by the beauty, the splendor and acrobatics of the trumpet. In the Baroque era, it was a instrument for the royal treatment and heralded arrival of kings and war. The performances here are excellent- Hardenberger, I Musici and Neville Marriner and his orchestra deliver virtuosic renditions of Haydn's Trumpet Concerto in E flat, Hummel's, Hertel's, Molter's and Albinoni's concerti, as well as incredible arrangements of Ave Maria by Bach and Albinoni's Adagio.

Average customer rating:

Perfect Release of a two-fer
Finally "Alone" on CD!
Terrible sound and terrible packaging
JUDY AT HER BEST with SPECTACULAR SOUND!
Garland the Great

Judy in Love & Alone
Judy Garland
Manufacturer: S&P Records
ProductGroup: Music
Binding: Audio CD

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Miss Show Business/Judy
That's Entertainment!/I Could Go on Singing
The Best of the Capitol Masters: The London Sessions
The Letter
Live in Paris

ASIN: B0000641C8
Release Date: 2002-04-23

Tracks:

Zing! Went The Strings Of My Heart
I Can't Give You Anything But Love
This Is It
More Than You Know
I Am Loved
I Hadn't Anyone Till You
I Concentrate On You
I'm Confessin' (That I Love You)
Do I Love You?
Do It Again
Day In-Day Out
By Myself
Little Girl Blue
Me And My Shadow
Among My Souvenirs
I Gotta Right To Sing The Blues
I Get The Blues When It Rains
Mean To Me
How About Me
Just A Memory
Blue Prelude
Happy New Year
Then You've Never Been Blue (bonus track)

Customer Reviews:

Perfect Release of a two-fer.......2004-11-20

The person who wrote the review below is wrong : the "Alone" album was recorded and released in mono sound, in 1957. "Judy in Love" was Garland's first album recorded and released in stereo, in 1958.

The sound on this disc is spectacular. The original session tapes were used, for the best sound possible. It is glorious sound here, folks.

Pehaps the person that wrote the review below is thinking of the previous two-fer of "Judy in Love" from England, a few years back, paired with the "Judy" album. That CD sounded very flat and dry.

Get this new and improved disc, and you'll love it.

Finally "Alone" on CD!.......2003-10-01

I just received this Judy "double bill" and I can only say it's GREAT!! "Alone" was always one of my favorite Judy albums, and I am more than pleased to have it on CD now. The sound is not stereo, as another reviewer point out, but it never was recorded in stereo. I have the old vinyl, and that's mono too, but also pretty worn, after all these years. The liner notes actually are pretty good too. The original covers are reproduced, with the original liner notes reprinted, AND some fresh liner notes about this re-issue. There, you can read that the "alone" recordings are from 1957, and that "Judy in Love" is from 1958, and was her first stereo album for Capitol.

So why is "alone" my favorite Judy album? Maybe simply because it was one of my first encounters with Judy, when I was 17 years old. I didn't realize at the time that the selection of songs is pretty unusual. It's not the repertoire she sang a lot in her live and TV shows. I love the mostly subdued pathos on this album, although she does belt it out occasionally, in her own inimitable way. The songs are about 'surviving on your own', and some times about finding your inner strength, in a bittersweet way. The album is not very cheerful, but it does make me feel good, in a sentimental way. The arrangements are very good, just right, in the 'proper' fifties style. The strings have a very warm quality, which wasn't always the case in those days. There is also a beautiful large choir singing in the background on some tracks.
Some of the songs are very unknown, which makes this album special too. Happy New Year, for instance, is a beautiful torch song, written over a very slow version of Old Lang Syne in minor key; a real gem of a song! Blue Prelude is also a great song, so don't be discouraged by the titles you may not know.
All in all, a 'must have' for any Judy fan, but also a wonderful introduction if you want to get acquainted with Judy's singing. "Judy in Love" is an excellent example of her warm joyful singing, while "Alone" gives you all those wonderful torch songs. A balanced package, with a passionate Judy in great voice!!

Terrible sound and terrible packaging.......2003-06-27

Let me rant. This CD has 2 albums on it. 1 is mono and the other stereo!? I have these albums on records and they are both stereo. I feel ripped off. Also, these albums do not sound anywhere like the records in quality. In fact, they sound very boring and lacking of any sort of life. Judy did very big, exciting production numbers and the sound on this CD makes them sound stale and dead. I returned this CD and demanded my money back. The store clerk said I wasn't the only one. Thumbs way down.

JUDY AT HER BEST with SPECTACULAR SOUND!.......2002-05-11

JUDY IN LOVE is perhaps Garland's greatest studio album. A superb collaboration with Judy in wonderful voice, and arranger Nelson Riddle at the top of his form. Inexplicably, this album is only now making its CD debut in the U.S. Capitol Records seemingly had no interest in releasing it themselves, so they've sublicensed it to S&P Records, who have done a terrific mixing and remastering job. Comparing the sound to a recent UK import is overwhelmingly impressive. The UK release sounds mediocre, and this new issue belies its having been recorded 44 years ago.
JUDY IN LOVE is paired with her monaural ballad album ALONE, which was arranged and conducted by Gordon Jenkins. The two albums together are a distinct contrast and yet only show the versatility and mastery of Garland. The highlight of the ALONE tracks is Jenkins' schmaltzy, yet irresistable I'VE GOT A RIGHT TO SING THE BLUES. ALONE was previously issued on CD by Capitol years ago, but has been long out of print, so this collection is a dream come true for Garland fans.

The 5 Star rating is for the recordings and the way they've been beautifully produced. It does not, however, represent a true rating for the package itself, which has been saddled with awful,
amateurish liner notes which are so poorly written that it's a blatant insult to Garland. What a shame the producers who took such care in creating such a great sounding album, didn't bring the same kind of excellence to the accompanying package. This should not detract anyone from buying this CD, but buyers looking for an interesting commentary on the legendary lady and these specific tracks will have to go elsewhere.

Garland the Great.......2002-05-02

A beautiful compilation of two classic, original "Judy" albums. These are two of the six studio albums she recorded for Capitol in the fifties, and these are probably the best. While Judy's vocal tone is not at its best on "Judy in Love", the song selections and her interprative genius make up for the slight vocal imperfections. "More Than You Know", "I Am Loved" and "By Myself" are absolute delights, and are clearly definitive versions of these songs. In addition, the ballads shine with passion and tenderness. "Alone" is mostly filled with similarly tender songs, and on this one Garland is in fine, full voice throughout. "Little Girl Blue" is a particular standout, and the addition of the never before released "Then You've Never Been Blue" is a special treat for fans and newcomers. Popular singing doesn't come any better than this.

Baroque for Beauty Sleep: Sweet Dreams for Beautiful Dreamers

Average customer rating:

beauty sleep
Baroque Music: A Prelude To Sleep
Baroque to Comfort and Sleep By
Guys! Don't be put-off by the cover art!
Mellow, but not sleepy

Baroque for Beauty Sleep: Sweet Dreams for Beautiful Dreamers

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away
Bach at Bedtime: Lullabies for the Still of the Night
Tchaikovsky At Tea Time: A Refreshing Blend For Body And Spirit
Beethoven for Book Lovers: An Intimate Companion for Reading
Bach for Breakfast

ASIN: B00000DBVH
Release Date: 1998-10-20

Tracks:

Ancient Airs And Dances For Lute, Suite III: Italiana
The Four Seasons: Winter (Largo)
Oboe d'amore Concerto In A: Affettuoso
Sonata No. 2 In E-flat For Flute & Harp, BWV 1031: Siciliano
Concerto In D, RV 93 For Four Guitars: Largo
Ancient Airs And Dances For Lute, Suite III: Siciliana
Giazotto: Adagio
L'estro armonico - Op. 3, Concerto No. 5 in A, RV 519: Largo
Suite In A minor For Recorder, Strings & Continuo: Air a l'Italien
Concerto In D: Andante
Sonata In E
Concerto Grosso No. 12 In B Minor, Op. 6: Larghetto e piano
Oboe Concerto In D Minor: Adagio
Flute Concerto No. 2 In G Minor, Op. 10 ('La notte'), RV 439: Largo
Oboe Concerto No. 2 In B-Flat: Andante
Concerto Grosso No. 8 In G Minor, Op. 6 ('Christmas'): Pastorale: Largo
Flute Concerto No. 2 In G Minor, RV 439, Op. 10 ('La notte'): Il sonno, Largo
L'estro armonico, Op. 3 - Concerto No. 11 In D Minor, RV 565: Largo e spiccato
Concerto In E ('L'amoroso', RV 271): Allegro
Nulla in mundo pax, RV 630

Customer Reviews:

beauty sleep.......2007-05-30

This music is perfect for bed time.
Beautiful classic music that lulls you to sleep.

Baroque Music: A Prelude To Sleep.......2004-05-30

This album is from the popular series "Set Your Life To Music"
series. The theme for this one is "Baroque For Beauty Sleep" which seems to be a companion to "Baroque For Bathtime". Baroque music, especially the slower movements in many concertos, are exquisite nocturnal pieces that ease the transition from being awake to falling asleep. The beautiful, elegant, slow, graceful music of many of these pieces will definately relax you and even help you fall asleep. It's therapeutic. There are so many reasons one can buy this album. It can help you relax and soothe you, as already mentioned, and it can be played in the background of a message therapy session. It can serve as music for a romantic evening or dinner. And lastly, it hits the spot after a long day and you're ready to visit the world of dreams.

Respighi's Ancient Airs and Dances, scored for lute and other Baroque period instruments, is the newest piece on the album. Respighi, a modern composer, was delving into neoclassic music and deliberately evoking the Baroque Era. It works wonderfully.
Naturally, no Baroque album is complete without Vivaldi's Four Seasons. Here is the Largo from "Winter" only it is played on panpipes by the New Age artist Zamfir. The sound is hauntingly beautiful. There is a sonata for flute and harp by Bach, the biggest name in the period and Vivaldi's "L'Estro Armonico" as well as Telemann's Suite in A for Recorder. One particular piece I enjoy and think you will too is the melodic and elegant Concerto Grosso No. 12 by Handel, the slow movement Larghetto E Piano. It is sheer tonal beauty. There is more concertos by Vivaldi, whose use of the flute is always very reflective and dreamy and even a solo aria from a motet of his, the soprano Elly Ameling sings "Nulla In Mundo Pax", a lyrical-coloratura showcase which crowns and concludes this gorgeous album.

Baroque to Comfort and Sleep By.......2004-02-16

Baroque is such a wide and wonderful musical discovery for us modern types. It is soothing and quieting to the soul, and in this case for the body as well.

Whether used as lullaby inducing or just listening pleasure and relaxation, this is nice collection. Including wide array of instruments: strings, flute, panpipes, oboe, flute, harp, guitar, recorder, piano, and voice --- this is truly enjoyable.

There is wide array of baroque composers as well --- Rephighi, Vivaldi, Bach, Albinoini, Telemann, and more.

Great price, great variety, great addition to your CD collection.

Guys! Don't be put-off by the cover art!.......2002-03-20

I commend the compilers for creating such a wonderful CD. The music is quite mellow, especially the pieces that are preformed by Zamfir, the famous panpipist. That whimsical woodwind gives a rustic, almost mythical feel the piece of music. You almost feel like you are in Arcadia awaiting a lecture by Chiron!

There is a good cross sampling of various Baroque pieces and Baroque artists. The variety is the spice that makes this CD worth buying and listening to over and over again. This CD also works well on shuffle, which remakes it into a brand new album.

There are a lot of oboes and string on this disc, and being a former oboist, I am electrified as I hear that instruments mellow honk!

Guys! Don't be put off by the cover-this is a good disc. Good for the mind, heart, and soul!

Mellow, but not sleepy.......2002-02-02

I don't know how to sum this one up. It is mellow, but you can't meditate to it. It's more upbeat than I would normally prefer to sleep to, but it works all the same. The music is performed so beautifully that I almost want to stay up and listen.

Tracks:

The Four Seasons: Concerto No. 1 In E Major 'Spring,' I. Allegro
Overture No. 3 BWV 1068: Air
Water Music: Alla Hornpipe
Orpheus and Eurrdice: Dance Of The Blessed Spirits
Piano Sonata In A Major K. 331: Alla turca
Symphonie No. 3: Allegretto
String Serenade: Waltz
Foreign Countries And People op. 15 No. 1
Flute Concerto No. 1 In G Major, K. 313: Rondo. Tempo di Minuett
Piano Concerto No. 2 In F Minor Op. 21: Larghetto
Quintet In A Major 'Trout': Theme & Variations
Waltz In A Flat Major
Impromptu In G Flat Major D 899,3
Sinfonia concertante In E Flat Major K 364: Presto

Tracks:

Voices Of Spring Waltz Op. 410
Serenade Op. 3 No. 5
Songs Without Words In E Major Op. 19,1
Horn Concerto No. 3 In E Flat Major K. 447: Allegro
Fausts Verdammnis: Dances Of The Sylphes
Flute Concerto In G minor
Salomon: Arrival Of The Queen Of Sheba
Piano Concerto No. 23 In A Major K 488: Andante
Holberg Suite Op. 40: Prelude
Carmen: Intermezzo
String Serenade op. 22: Tempo di valse
Impromptu In B Flat Major D 935 No. 3
I Love You Op. 5 No. 3
Roses From The South, Waltz Op. 388

Tracks:

Peer Gynt: Morning
The Tales Of Hoffmann: Barcarole
Melody In F, Op. 3 Nr. 1
The Nutcracker: Waltz Of The Flowers
Standchen
Etude In G Sharp Minor 'La Campanella'
Peer Gynt: Anitras Dance
Moment Musical D 780 No. 3
Canon In D
Overture No. 2: Menuet & Badinerie
Piano Concerto No. 21 In C Major: Andante
Carmen: Seguedille
'Songs without Words': The Venetian Gondola
Eugen Onegin: Waltz
Romance For Violin And Orchestra In G major Op. 26

Tracks:

Die Fledermaus: Overture
Peer Gynt: Solveig's Song
Waltz No. 1 Op. 18 In E flat major 'Grande Valse brillante'
Lullaby
L'Arlesienne: Intermezzo
The Seasons Op. 37b: Barcarole
A Midsummer Night's Dream: Fairies' March
Clarinet Concerto In A Major K 622: Adagio
The Sleeping Beauty: Waltz
La Traviata: Prelude
Carmen, Suite No. 2: Chanson du Toreador
Happy Farmer
Menuet
On The Beautiful Blue Danube, Waltz Op. 314

Tracks:

A Little Night Music K 525: Allegro
Sonata No. 2 In E Major BWV 1031: Siciliano
Op. 11 No. 5: Menuet
Songs Without Words: Duetto
The Nutcracker: Dance of the Toy Flutes
Fruhlingslied (Spring Song)
Waldszenen: Abschied
Mandolin Concerto: Allegro
Music For The Royal Fireworks: La paix: Largo alla Siciliana
Brandenburg Concerto No. 3: Allegro
Waltz In B Minor Op. 69 No. 2
Romance Op. 5
Impromptu In A Flat Major D 935 Nr. 2
Tales from the Vienna Woods, Waltz Op. 325

Tracks:

Ave Maria
Humoresque Op. 101
Sleeping Beautiful: Panorama
Impromptu In E Flat Major, D899 No. 2
Melancholy
Waltz Op. 54,1
Nocturne In B Major Op. 9 No. 3
Caro mio ben
PARTITA IN D FLAT MAJOR: Pastorale
An den Fruhling
The Sleeping Beauty: Pas de quatre, Adagio
Rosamunde - Ballet In G Major
Piano Concerto No. 3 In C Minor Op. 37: Largo
Emperor Waltz, op. 437

Tracks:

Harp Concerto In B Flat Major: Andante allegro
Oboe Concerto In D Minor: Adagio
Flute Concerto In F Major, Op. 10 'La Tempesta di Mare': Presto
Piano Sonata No. 8 In C Minor Op. 13 'Pathetique': Adagio cantabile
Horn Concerto In E Flat Major K 495: Rondo. Allegro vivace
Poeme Op. 41 No. 6
Wilhelm Tell: Soldier's Dance
Liebestraum No. 3 In A flat Major
Violin Romance No. 2
Flute Concerto In E Minor: Rondo
Intermezzo In E Flat Major Op. 117,1
Carmen: Habenera
Symphony No. 3 'Scottish': Vivace non troppo
Vienna Bonbons: Waltz Op. 307

Tracks:

Symphony No. 40 In G Minor K. 550: Molto Allegro
Preghiera - Mozarianna Suite: Ave Verum
Arietta Op. 12,1
Concerto BWV 1056: Arioso
The Four Seasons: Concerto Nr. 3 Autumn: Allegro
Des Abends (Evening)
Holberg Suite Op. 40: Gavotte
Melancholy Galliard
Flute Concerto No. 2 In D Major K. 314: Rondo. Allegretto
Spinning Song
Orchestral Suite No. 3: Valse Melancolique
Flute Quartet K. 285a: Tempo di Minuetto
Moment Musical In A Flat Major, D 780 No. 2
Piano Concerto No. 9 In E Flat Major K 271 'Jeunehomme': Rondo - Presto

Tracks:

String Serenade: Moderato
Traumerei Op. 15
Ave Maria
Cello Concerto No. 2 In D Major: Allegro
Minuet In D Minor
Suite No. 1: Marche Miniature
A Midsummer Night's Dream: Notturno
Mazurka In D Major Op. 33 No. 2
Divertimento K 251: Andantino
On Wings Of A Song
Carmen: Nocturne
Melody
Sonata In C Major BWV 1033: Allegro
Symphony No. 1 In G Minor 'Winter Dreams': Adagio cantabile
Sound Of The Spheres, Waltz Op. 235

Tracks:

The Marriage Of Figaro: Overture
Sonata In C sharp Minor Op. 27,2 'Moonlight Sonata': Adagio sostenuto
German Dance No. 1
Nocturne In C Sharp Minor Op.posth.
Haffner Serenade: Minuet
Septet In E Flat Major Op. 20: Tempo di Minuetto
Symphony No. 4 Italian: Andante con moto
Prelude In D Flat Major Op. 28, No. 15 'Rain Drops'
'3 Small Pieces': Impromptu
'The Nutcracker': March
Romance In E Flat Major Op. 44
Piano Sonata No. 16 In C Major 'Sonata facile': Allegro
'The Nutcracker': Scene No. 10
Enjoy Your Life Waltz, Op. 340

Average customer rating:

Only thing wrong is the title... Good classical collection!

Candlelight Favorites (25)

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
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Sentimental Favorites (25)
25 Romantic Classics
25 Classical Favorites
Symphony (25) Favorites
25 Concerto Favorites

ASIN: B0000058IB
Release Date: 1996-08-20

Tracks:

The Entertainer - Roger Shields
Nutcracker Suite (Chocolate) - Pyotr Il'yich Tchaikovsky
Water Music (Original No. 18) - George Frideric Handel
Concerto For 2 Oboes & Strings In D Minor, Op. 42 No. 2 (I. Largo) - A. Caroldi
Concerto For 4 Pianos In A Minor BWV 1065 (III. Allegro) - Bracha Eden
Symphony In G Major, K. 45a 'Lambacher - Sinfonie' (II. Andante) - Wolfgang Amadeus Mozart
Trumpet Concerto In C (IV. Allegro) - Edward H. Tarr
Enigma Variations, Op. 36 (Beginning) - Sir Edward Elgar
Op. 289: Persian March - Johann Strauss II
Barcarolle - Susan Jolles
Concerto In D For Trumpet, 2 Oboes, Strings & Continuo (II. Largo) - Heinz Zickler
Prelude No. 6, Op. 28 - Walter Klien
Violin Concerto No. 1 In A Minor BWV 1041 (I. Allegro) - Susanne Lautenbacher
Suite For 2 Trumpets, 2 Oboes & Strings (II. Largo) - Heinz Zickler
Serenade No. 4 In D Major, K. 203 - Oscar Ravina
Violin Concerto No. 2 In B Minor, Op. 7 'La Campanella (II. Adagio) - Jean-Jacques Kantorow
Pictures At An Exhibition (I. Promenade) - Modest Mussorgsky
Variation On A Waltz By Diabelli, D. 718 - Peter Frankl
Water Music (Original No. 15) - George Frideric Handel
Le Coucou - Werner Simons
Plaisir D'Amore - Susan Jolles
Caucasian Sketches (IV. Procession Of The Sardar) - Mikhail Mikhaylovich Ippolitov-Ivanov
Salu D'Amour (Love's Greeting) - Sir Edward Elgar
Symphony No. 39 In F Major (II. Andantino) - Michael Haydn
Cello Concerto No. 2 In D Major, Hob VIIb/2 (II. Adagio) - Laszlo Varga

Customer Reviews:

Only thing wrong is the title... Good classical collection!.......2003-10-13

I've pondered the title of this fine classical collection for quite some time (far longer than is warranted, to be sure), and I've yet to come to a conclusion as to why this album is called CANDLELIGHT FAVORITES. While some selections are solemn (Enigma Variations), romantic (Variations on a Waltz), and intense (Concerto for 2 Oboes), far more pieces are bright (Water Music) and even whimsical (The Entertainer). Though it didn't exactly set the mood I was anticipating, this album will by no means be collecting dust on my shelf.

This collection surpasses many classical variety albums in its overall quality, regardless of the excellent price. The performances of the respective pieces are excellent as is the audio engineering, which is crisp and clear. What suprised me most, after a couple listens, was how well the widely varied pieces fit together as an album. The selections cross time from the early Baroque period into the 20th century, and they all have a certain continuity. This gives the album added value, as you'd have to purchase many albums to have the wide range of music represented here. CANDLELIGHT FAVORITES gives a mixture of instantly recognizable tunes with some "deeper cuts". It's essentially a classical "mix tape" of sorts, and it works well for both background and purposeful listening.

So excuse the cheesy cover design and the slight title misnomer, and you've got a very affordable and welcome addition to your classic music collection. CANDLELIGHT FAVORITES comes recommended for those seeking a good, varied classical album.

S.P.I.T.
Average customer rating:

Underground even for underground - but don't sleep

A Breath of Fresh Air

REAL HIP-HOP

Supernatural is more original than ever !!

S.P.I.T.
Supernatural
Manufacturer: Up Above Records
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music
Pop Rap | Rap & Hip-Hop | Styles | Music
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The Lost Freestyle Files

100% Juice

Back 2 Basics

All Bets Off

Wake Up Show: Freestyles, Vol. 7

ASIN: B000BAX5AQ
Release Date: 2005-11-15

Tracks:

Intro
Battles with Self (100% Freestyle) - Grimlock, , Supernatural
Who's the Greatest?
I'm a Fighter - Choklate, , Supernatural
Not That Way
Black Opera - Raekwon, , Supernatural
Show Down
Rise - Choklate, , Supernatural
Guess Who's Back
Whut's My Name
Children
Throw It Up
It Ain't a Game - Choklate, , Supernatural
Off Top
Roll Up - B Real, , , Supernatural
Outro

Customer Reviews:

Underground even for underground - but don't sleep.......2006-06-19

4.5 STARS
I've only recently been exposed to Supernatural, so take into account while reading this review that I'm not deeply familiar with his work, flow, history, etc... etc... But I can say that this album, S.P.I.T. is a beautiful work of art. His lyrics are impressively well put together. His songs are cohesive, and while every verse rhymes at all the appropriate times, it's easy to forget that he's rapping and simply get lost in his stories. Songs such as "Rise" and "Not That Way" are heartwarmingly inspirational, conscience, and clever. While his flow may not be quite as effortless as the likes of Phonte (of Little Brother and Foreign Exchange,) it certainly isn't forced. To sum up Supernatural's flow in a word, it would be "laid-back." He keeps it consistently low-key, letting his easy-going melodies and lyrics take center stage. His hook is simply his words, like the old-school artists of years ago, not his beats or sampling or energy. He lets it all ride on simply what is being said, and he succeeds where any mainstream artist would fail. If you took away the club-bangin beats and wild-man screams of Lil John's mainstream hits, noone would ever listen to him, because what he makes isn't poetry or music. I