| Disc: 1 | |||
|---|---|---|---|
| 1. Intro | |||
| 2. Too Long | |||
| 3. Play Like Us - Lil' Romeo, , | |||
| 4. True Love - Lil' Romeo, Solange | |||
| 5. Clap Your Hands - Lil' Romeo, | |||
| 6. Girlfriend and Boyfriend | |||
| 7. Bring It | |||
| 8. Wanna Grow Up | |||
| 9. Still Be There - Lil' Romeo, | |||
| 10. Commercial | |||
|
See all 19 tracks on this disc
| |||
| Disc: 2 | |||
| 1. Behind the Scenes Footage [DVD] | |||
| 2. Getting to Know Lil' Romeo [DVD] | |||
| 3. True Love [DVD] | |||
| 4. 2Way [DVD] | |||
Game Time,Lil' Romeo,No Limit / Pgd,Pop,Pop-Rap,Rap & Hip-Hop,Teen Pop
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The Legend of Zelda: Ocarina of Time
Koji Kondo Manufacturer: Japanese Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000058ABH Release Date: 2001-01-05 |
Tracks:
- Title Theme
- Battle
- Lost Woods
- Epona Song-Lon Lon Ranch
- Shop
- Zelda's Theme
- Middle Boss Battle
- Temple of Time
- Kotake & Koume's Theme
- Hyrule Field Main Theme
- Great Fairy's Fountain
- Last Battle
Album Description
Japan only. Original soundtrack.Album Details
Japanese Only Soundtrack to the Popular Computer Game!Customer Reviews:
Great soundtrack to one of the best & most important video games in video game history, but could of been much better!!!.......2007-03-28
Great music, bad price.......2007-03-22
However, you shouldn't pay $50 for it. If you go to a Japanese import site, like CDJapan, you can find it new for only $20! Amazon just can't compare. Just search for "zelda" and you should find it. ^_^
BUY THIS CD!!!!!!.......2007-01-12
Phenomenal.......2006-09-29
Best stuff ever--period........2006-08-31
Average customer rating:
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Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000088E7D Release Date: 2003-02-11 |
Tracks:
- "Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
- "Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
- "I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
- "All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
- "I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
- "Stars" (from Les Misirables by Boublil & Schvnberg)
- "All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
- "Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
- "Pretty Women" (from Sweeney Todd by Stephen Sondheim)
- "Aimer" (from Romio et Juliette by Presgurvic)
- "All the Wasted Time" (from Parade by J. Brown)
- "Seventy-Six Trombones" (from The Music Man by Willson)
- "How Could I Ever Know" (from The Secret Garden by Simon and Norman)
- "So In Love" (from Kiss Me Kate by Cole Porter)
- "Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)
Amazon.com
In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith EislerCustomer Reviews:
Delightful .......2006-07-24
A Master Class in Singing.......2006-06-20
Bryn is swell, but the bombast is annoying.......2006-05-03
It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.
I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.
The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.
Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18
BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11
Average customer rating:
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More George Wright At The Mighty Wurlitzer Organ Volume 3
Manufacturer: Legacy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002DDON Release Date: 1999-11-09 |
Customer Reviews:
Outstanding Organ Music.......2004-01-11
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In Session: Film Music Celebration
Robert Townson , Joel McNeely Jerry Goldsmith , and Royal Scottish National Orchestra Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ABOI Release Date: 2001-03-27 |
Tracks:
- 2001
- Rebecca
- Citizen Kane
- That Hamilton Woman
- Anna and the King of Siam
- Captain From Castille
- A Streetcar Named Desire
- Viva Zapata!
- The Trouble With Harry
- Peyton Place
- Vertigo
- The 7th Voyage of Sinbad
- The Twilight Zone
- Psycho
- The 3 Worlds of Gulliver
- Breakfast At Tiffany's
- To Kill A Mockingbird
- Marnie
- Hamlet
Tracks:
- The Agony and the Ecstasy
- The Sand Pebbles
- Who's Afraid of Virginia Woolf?
- Born Free
- Fahrenheit 451
- Patton
- Tora! Tora! Tora!
- Jaws
- Midway
- Superman: The Movie
- Star Trek: The Motion Picture
- Somewhere In Time
- Body Heat
- Out of Africa
- Platoon
- Star Wars: Shadows of the Empire
- Taras Bulba
- Agony and the Ecstacy (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
- Sand Pebbles (Overture) - Jerry Goldsmith, Royal Scottish National Orchestra
- Who's Afraid of Virginia Woolf? (Moon and Main Title) - Jerry Goldsmith, National Philharmonic Orchestra
- Playtime [Born Free Dub Mix II] - Royal Scottish National Orchestra, Frederic Talgorn
- Road [From Fahrenheit 451] - Joel McNeely, Royal Scottish National Orchestra, Seattle Symphony Orchestra
- Patton (Entr'acte) - Jerry Goldsmith, Royal Scottish National Orchestra
- Tora! Tora! Tora! (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
- Man Against Beast - Joel McNeely, Royal Scottish National Orchestra
- Midway (Main Title and End Title) - Royal Scottish National Orchestra, Rick Wentworth
- Superman The Movie (Love Theme) - John Debney, Royal Scottish National Orchestra
- Enterprise [Star Trek: The Motion Picture] - Jerry Goldsmith, Royal Scottish National Orchestra
- Somewhere in Time (Theme) - John Debney, Royal Scottish National Orchestra
- Body Heat (Main Title) - The London Symphony Orchestra, Joel McNeely
- Out of Africa (Main Title) - Joel McNeely, Royal Scottish National Orchestra
- Platoon (Theme) - Georges Delerue
- Shadows of the Empire (Xizor's Theme) [Star Wars] - Joel McNeely, Royal Scottish National Orchestra
- Ride of the Cossacks [Taras Bulba] - Cliff Eidelman, Seattle Symphony Orchestra
Customer Reviews:
Varèse Sarabande à son meilleur!.......2003-04-17
A copy in every household . . ........2003-02-09
A sampler feat. some of the greatest film scores in history........2001-09-06
"the man behind Varese Sarabande ~ Robert Townson".......2001-04-06
For those of us who buy each album ~ people who work to create them ~ the artwork ~ musicians ~ and a list of some of the most talented composers and conductors ~ John Barry, Elmer Bernstein, John Debney, Georges Delerue, Cliff Eidelman, Jerry Goldsmith, Bernard Herrmann, Michael Lang, Henry Mancini, Joel McNeely, Alfred Newman, Alex North, Miklos Rozsa, Dimitri Shostakovich, Frederic Talgorn, Franz Waxman, Rick Wentworth and John Williams ~ and as always the sound quality and performances by the Royal Scottish National Orchestra, Seattle Symphony Orchestra, London Symphony Orchestra and National Philharmonic Orchestra is dynamically flawless and simply superb.
This economically priced 2-CD-Set ~ pure film score sampling ~ is worth it's weight in gold. One should not have a favorite from this vast collection, but if asked ~ it would be "TO KILL A MOCKINGBIRD" (1962) composer Elmer Bernstein took it to the limit and beyond, the story-line, cast and score was the perfect marriage.
A big, big thank you to ~ Matthew Joseph Peak (cover/session photography) ~ Jonathan Allen, Geoff Foster, Bernie Kirsh, Mike Ross, Mike Sheady and Al Swanson (recording engineers) ~ Rich Breen (mastering engineer) ~ and for the extensive 28 page liner-note booklet featuring "behind the scenes" memories of these past 500 albums, may we look forward to future classics on the next 500 CD's from producer...ROBERT TOWNSON!
Total Time: Disc One 71:20 on 19 Tracks & Disc Two 71:24 on 17 Tracks...Varese Sarabande 302 066 225 2...(2001)
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Fox Sports Presents: Game Time!
Various Artists Manufacturer: Priority Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001R3O9 Release Date: 1999-09-28 |
Tracks:
- Fox Sports Presents Game Time (TP2K Mix) - Fox Sports Presents Game Time!
- It's All About The Benjamins (Rock Remix) - Puff Daddy
- I Am The Bullgod - Kid Rock
- We Will Rock You - Snoop Dog
- Song #2 - Blur
- Breathe - The Prodigy
- Bow Down (Rock Is Dead Mix) - Westside Connection
- Make Em Say Uhh! - Master P
- (Interlude) - John Madden
- Walkin' On The Sun - Smash Mouth
- Fly - Sugar Ray
- Bailamos - Enrique Iglesias
- Super Bow Sundae - Ozomatli
- (Interlude) - Terry Bradshaw
- In The Zone (Ken Griffey Jr. Theme) - Ice Cube
- Renegade Master (Fatboy Slim Old Skool Edit) - Wildchild
- Bodyrock - Moby
- Who Dat - JT Money
- Stomp To My Beat - JS-16
- Busy Child - Crystal Method
- Ready To Go - Republica
- Fox Sports Football Theme - Fox Sports Presents Game Time!
- Keep On Dancin' (Let's Go) (Fox Sports Highlight Reel) - Perpetual Motion
Amazon.com
Fox's sports department is celebrated (critics would say derided) for the giddy, high-energy attitude it brings to its productions. Aside from commentators who act like they're sitting on whoopee cushions, music plays the biggest role in setting the wired mood for Fox's NFL broadcasts. This set collects some Fox pregame favorites--you know, the kind of stuff that accompanies footage of a big hit or breakaway run. Here, alternative rockers (Blur, Smash Mouth), mix with hip-hoppers (Master P, Snoop Dogg), and electronica aces (Moby, Crystal Method), with jock analysts John Madden and Terry Bradshaw turning up in interludes. For pigskin devotees, Game Time is more fun than a forearm shiver. --Steven StolderCustomer Reviews:
GET PUMPED!!!!.......2001-01-11
One Hell of a CD.......2000-04-17
Big Variety of Different Music.......2000-01-17
BOOM! Tough actin' Tinactin!.......1999-11-22
BOOM! Tough actin' Tinactin!.......1999-11-22
Average customer rating:
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Andrew Lloyd Webber: Now & Forever
Various Artists Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R5UJ Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and DanceDisc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
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Price of Persia: The Sands of Time
Original Game Soundtrack Manufacturer: Columbia ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002ZEZMM Release Date: 2005-01-04 |
Tracks:
- Welcome To Persia
- Introducing The Prince
- Call To Arms
- Prelude Fight
- A Dagger Is Found
- A Princess Is Stolen
- Behold The Sands Of Time
- Start Running
- Discover The Royal Chambers
- Dreamtime
- A Question Of Trust
- Father Is That You?
- Attack Of The Sand Griffins
- Don't Enter The Light
- Enter Teh Royal Palace
- A Long Way Up
- A Vision
- Royal Baths
- A Bad Dream
- Chaos In The Zoo
- Lost In The Zoo
- Lost In The Crypts
- Farah Enlightens The Prince
- A Brief Oasis
- Awake
- Trouble In The Barracks
- Library
- Prince Hesitates...
- Tower Of Dawn
- Farah Persikes
- At What Cost
- Reverse The Sands Of Time
- Battle Begins
- Vizier Must Die
- Finish The Vizier
- Farewell Princess
- Time Only Knows
Customer Reviews:
The Sands Of Time provide an excellent soundtrack.......2005-12-23
If you've played UBI-SOFT's remake of Jordan Mechner's Prince of Persia series, THE SANDS OF TIME, you'll know that aside from the charming characters Princess Farah and The Prince himself, the game's big drawer were the beautifully designed castles and enviorments of Ancient Persian and Indian kingdoms, the intense fights (zero boss battles save one), and the puzzles that made the gears in your head turn. But of course, its hard not to forget the music that set the atmosphere for each battle or cinematic throughout the game.
The music as a stand alone is a true treat for the ears; You can picture the battles fought in whatever way and the cinematic scenes as the music plays on your radio or computer. Composer Stewart Chatwood provides and excellent soundtrack to the game with varying string instruments, sitar electric gituars along with the meserizing Arabian vocals of Maryeem Tollra and others playing in sync with most of the battle or cinmatic themes on the soundtrack that define each track. The CD is over fifty minutes long which and should please anyone who like a soundtrack that isn't too long.
However, like with most videogame soundtracks, this Japanese IMPORT for The Sands of Time is riddled with thirty to fifty six minute tracks inbetween two to three minute songs, which may disappoint the listener a great deal. Another letdown with the SOT - OST is the price tag coming along with the CD itself.
The $49.99 price tag is bound to get higher with the cost of shipping and handling, so this will defiantly make some people weary of purchasing. There is also 15 (the 16th being a comerical song titled "A scratch in time" performed by DJ-Melo-D) tracks from the game itself availble for downloading on the internet.
If that still doesn't please your purse, a page on SoundtrackNet describes an "Prince of Persia: The Official Trilogy Soundtrack" CD which combines several tracks of music from all three 2003-2005 Prince of Persia games --The Sands Of Time, Warrior Within and the recently released The Two Trones--- for a estimated consumer friendly price of only $13.00 wherever it is sold.
If the Import Tax price doesn't bother you, "The Prince of Persia - Sands Of Time OST" from Japan will be a surprisingly enjoyable buy for those who don't mind the thirty second cinematic tracks and looped battle theme music. Others will have to look elsewhere.
The best battle themes of the game are downloadble internet titled battle themes:
1): Introduction (The Start Menu theme) 5/5
2): The 1st Battle (Prince battles through Indian palace) 5/5
3): The 2nd Battle (Prince Battles through ruins of Azad palace) 5/5
4): The Baths Fight (The Prince Battles sand creatures in the baths of Azad) 4/5
5): The Halls Of Learning (Farah and the Prince enter the grand library) 4/5
6): The Prison Introduction/The Prison (The Prince battles through the Underground Prison) 5/5
7): The [Fight]-Courtyard/Elevator battle (The Prince reunites with Farah during a strenous battle in the Courtyard and battles sand creatures on the elevator in the Tower of Dawn) 5/5
8): The Magic Cavern (The Prince dreams of a fantasic oasis with Farah) 4/5
7): The Final Fight (The Prince Battles the Vizier after the sands are reclaimed in the Hourglass) 4/5
8): Time Only Knows (The melancholy ending theme to the Sands Of Time) 5/5
The Father - (The Prince discovers his father is transformed into a sand creature) 3/5
The Azad Zoo (The Prince and Farah Navagate through the Azad Zoo) - 3/5
The Bridge Battle (The Prince and Farah Battle sand creatures on the bridge after leaving the baths) 3/5
The Fight II (The same as "The Bridge Battle" only longer) - 3/5
[ACTUAL SOUNDTRACK LISTING]:
1) Welcome to Persia
2) Introducing the Prince
3) Call to Arms
4) Prelude Fight
5) A Dagger is Found
6) A Princess is Stolen
7) Behold the Sands of Time
8) Start Running
9) Discover the Royal Chambers
10) Dreamtime
11) A Question of Trust
12) Father is that You?
13) Attack of the Sand Griffins
14) Don't Enter the Light
15) Enter the Royal Palace
16) A Long Way Up
17) A Vision
18) The Royal Baths
19) A Bad Dream
20) Chaos in the Zoo
21) Lost in the Crypts
22) Farah Enlightens the Prince
23) A Brief Oasis
24) Awake
25) Trouble in the Barracks
26) The Library
27) The Prince Hesitates...
28) The Tower of Dawn
29) Farah Perishes
30) At What Cost
31) Reverse the Sands of Time
32) The Battle Begins
33) The Vizier Must Die
34) Finish the Vizier
35) Farewell Princess
36) TIME ONLY KNOWS -------- [a 4 out of 5]
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The Legend of Zelda: Ocarina of Time - Rearranged Album
Koji Kondo , Emiko Shiratori , and Moka Manufacturer: Tokum ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000058AB6 Release Date: 2001-01-05 |
Tracks:
- Title Theme
- Battle
- Lost Woods
- Epona Song-Lon Lon Ranch
- Shop
- Zelda's Theme
- Middle Boss Battle
- Temple of Time
- Kotake & Koume's Theme
- Hyrule Field Main Theme
- Great Fairy's Fountain
- Last Battle
Album Description
Full title - legend of Zelda - Ocarina Of Time (re-arranged). 12 tracks composed by Koji Kondo, arranged & performed by Moka. Japan only.Customer Reviews:
Mixed Feelings.......2006-01-15
Expands on underappreciated tunes. In a great way........2004-10-29
1 - Title theme - takes a sleepy, kinda boring music (that I always skipped in the game, anyway) and gives it a beat. It makes it much more interesting than it was. 8 out of 10.
2 - Battle - an interesting choice for sure. Usually, the battle theme, while ever-present, isn't something you'd pay attention to. It's more of a warning about nearby enemies than a full-fledged music track - or at least it seems that way in the game. Here it's greatly expanded (again with the techno beat treatment) and becomes a tune you might expect to hear in, say, a sub-boss fight. Another 8.
3 - Lost Woods - while this tune can be hyper-annoying in the game (especially if you happen to forget the way in the Lost Woods and end up spending hours there...like me...), in non-repeating doses it's quite good. In fact, this would be an excellent track if not for the annoying yelping noise (what IS that?) towards the end of the track, when it repeats the beginning - only with yelps. 7 out of 10.
4 - Shop - here's where this CD shines. It takes a simple tune and repeats it about 4 times, using different instruments. A simple recipe for success - this song is entirely fun to listen to, and the tune is deep enough that it doesn't get boring. My favorite is the part that sounds like an electric organ - and of course the end part repeats the opening, only somehow better. More climactic. This song is pure fun. 10 out of 10.
5 - Epona's Song - Hm, Amazon missed this one in their track listing. The music isn't anything to write home about - just the sleepy ranch music that sounds much like the game's. What makes this song really interesting is that it's actually sung - with lyrics, which the games have never done (the most speechlike thing I've heard in a Zelda game was "Oy!" in the Wind Waker). And it's good! Probably best if you can understand the Japanese lyrics, but another reviewer did us all the favor of posting a translation. It suits the game, and sounds great overall - especially that part towards the end where - what are those, bagpipes or something? - join in with the aforementioned "ranch" music. At least an 8 out of 10, though I may be underranking this one.
6 - Zelda's theme - I wasn't going to say much about this track, but I just listened to it again, and it's better than I remember. The main part sounds exactly like the game's ocarina, and the outstanding backup makes this an ultimate version of the game's most important theme music. 9 out of 10. Doesn't make 10 because it doesn't do anything really unique with the music - just does it really well.
7 - Middle Boss battle - I wish the regular boss battle had been remixed, too, but I'll make do. That being said, this is excellent, and keeps up the pattern of taking rather forgettable music excellent. I'll give it an 8, because 9's and 10's have to be special. Still good, though.
8 - Temple of Time - the background vocals are great, but the main one (to the actual tune of the Song of Time - you know, C-Down, A, C-Up, repeat) doesn't do it for me - it sounds too much like the game's...that is, it doesn't sound like real people. You can tell by the change from note to note (though when the notes are held, they sound convincing). Ignore that, and it's fine - did I mention the background vocals are fantastic? 6 out of 10.
9 - Kotake and Koume's theme - good overall, but this track commits the almost criminal offense of not including the original's opening music - the one that accompanies the two witches laughing. How could they miss that!? Still, the rest of the rendition is excellent and blah blah blah, but without that opener, I'd have preferred something like the Gerudo theme instead. 7 out of 10.
10 - Hyrule Field - wonderful. Simply wonderful. The original was good, but not all that memorable (I remember people lamenting the lack of the usual Zelda overworld theme), but this changes all that. Takes the original and makes it spectacular. The violins, the saxophone at the end (don't quote me on that, I know squat about music) - beautiful. 10, no question. Also gets my vote for "Best on CD".
11 - Great Fairy's Fountain - it's all right, but I can't think of anything to really recommend it with. It's hardly any different from the game's, to be honest. And despite being classic Zelda, it's kind of boring at this length. I would've preferred a more ambitious attempt on a different track, like say the Forest Temple music (with lots of drums) or maybe a long version of the Bolero of Fire (personal favorites of mine). 5 out of 10 - I usually skip this one.
12 - Last Battle - I won't be as generous as some with this one, but I can't deny that it's an excellent rendition. Would've been perfect for the game itself - it's climactic, epic, and tense, just like a final battle should be. The only reason I don't score it higher is because, for a actual standalone music track, it's really long and doesn't really go anywhere - it remains fairly constant, without especially building up to anything. It's best as background music when you're doing something else (maybe fighting off evil sorceror beasts). 8 out of 10.
Overall, on my personal scale (not an average), I'll give this CD a 9 out of 10. The Hyrule Field and Shop tunes make everything worthwhile, and despite my saying that, it's not like they're really compensating for anything bad to start with. Some tracks are very similar to the originals, others less so, but they're excellent, all in all. Highly recommended for Zelda fans, especially those that appreciate techno/dance music, since they're more likely to share my tastes.
A few great tracks, but most of them...aren't.......2003-12-02
There are a few songs of noteworthy concern. The Lon-Lon Ranch has Japanese vocals in it, providing an interesting experience. I didn't really like it, but some people might. The Temple of Time is completely vocal(no words, just sounds and wordless chanting), but you can tell that it is just a bunch of recorded sounds edited together rather than people singing, and it ends up sounding very tacky.
The Great Fairy's Fountain is ok, but sounds very similar to the original track.
There are only three songs that I like on this cd, and I consider them to be excellent pieces. The Hyrule Main Theme captures the adventurous and upbeat spirit of the original and successfuly takes it in a new direction, adding some light jazz, percussion, and string instruments. Very fun to listen to. Zelda's Theme(track 6) is a slow, beautiful arrangement of the Song of Time, played by an actual ocarina and backed up by soft chimes and violins. The Last Battle theme is unarguably the best song on here, capturing the intensity and tension of the last battle with Ganon while at the same time expanding on the original theme.
If you can buy a used copy on here or ebay, those 3 songs are worth it. But don't pay full price for this cd. It isn't worth it.
BEST GAME MUSIC CD EVER.......2003-10-28
Don't miss out on this awesome CD!!.......2001-05-13
I can hardly describe just how well MOKA's variations compliment Kondo's fantastic compositions, while still managing to stay surprisingly true to the originals. At first the music is slightly alienating because it initially seems so different from the original music, but the more you listen to it, the better and better it sounds! These remixes are unforgettable and will quickly end up among your favorites. Listen with headphones and it's like hearing it for the first time all over again. Reeeeally nice....
The lyrics to Epona's Song are printed (in Japanese) in the enclosed booklet. Here is the elaborated English translation:
Epona, Epona (Epona, Epona)
Come close (Sobanioide)
Together the two of us (Futari de ireba)
Won't be sad (Kanashi ku nankanai)
So I say (Dakara)
Epona (Epona)
Come here, come to me (Koko ni ite)
You are the one (Omae dakeba)
I will protect (Mama deageru)
This is the way I remember it (Koshite iru to omoidasu)
That day's dawn (Ano hino yoake)
The moon was going down (Tsuki ga shizu mi)
The sun was coming up (Taiyou to)
And then you were born (Omae ga umaneta)
Epona, Epona (Epona, Epona)
Come close (Sobanioide)
Together the two of us (Futari de ireba)
Won't be sad (Kanashikunankanai)
So I say (Dakara)
Epona (Epona)
Come here (Koko ni ite)
My song (Watashi no uta wa)
Listen to it (Kiiteite ne)
This is how I remember it (Koushiteiruto omoidasu)
Back in the day (Ano kudano koto)
I think that for your sake my mother (Omae no tameni kaasan ga)
Made this song (Yukuta kono uta)
Tu lu lu, tu lu lu
Tu lu lu lu lu
Together the two of us (Futari de ireba)
Won't be sad (Kanashi ku nankanai)
Tu lu lu, tu lu lu
Tu lu lu lu lu
Don't forget (Wasurenaidene)
This song (Kono uta)
This song (Kono uta)
The only downfall I can think of to this album is that Malon sounds a little too old--but certainly nothing that'd cause it to lose any stars. I highly, highly recommend adding this CD to your collection. You'll be glad you did!
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Game Time (Bonus Dvd)
Lil Romeo Manufacturer: No Limit / Pgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066SGX Release Date: 2002-12-17 |
Tracks:
- Intro
- Too Long
- Play Like Us
- True Love
- Clap Your Hands
- Girlfriend And Boyfriend
- Bring It
- Wanna Grow Up
- Still Be There
- Commerical
- Feel Like Dancing
- Richie Rich
- My Biz
- Throw Em Up
- We In There
- Where They At 2
- Make U Dance
- 2 Way
- We Can Make It Right
Customer Reviews:
Lame Rhymes is more like it!.......2005-11-25
Earlier review explained my sons favs.......2004-12-23
Yes, the 2nd best CD evuh, better than Powerballin!!!!!!.......2004-12-23
LITTLE ONE LOVES IT!.......2004-12-02
The most sarcastic review ever........2004-11-07
And that's why you should buy.
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The Man from U.N.C.L.E., Vol. 3
Manufacturer: Film Score Monthly ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SSQ8O Release Date: 2005-01-11 |
Tracks:
- First Season Main Title [Revised/Extended]
- Jerry Goldsmith Medley: The Deadly Games Affair/The Vulcan ...
- Quadripartite Affair
- Double Affair, Suite No. 2
- Belly Laughs
- Finny Foot Affair
- Fiddlesticks Affair, Suite No. 2
- Yellow Scarf Affair
- Meet Mr. Solo
- Spy With My Face
- Discotheque Affair, Suite No. 2
- Nowhere Affair
- U.N.C.L.E. A Go Go
- Bat Cave Affair
- One of Our Spies Is Missing
- Monks of St. Thomas Affair, Suite No. 2
- Spy in the Green Hat
- Gerald Fried Medley: The Foreign Legion Affair/The Apple a Day Affair
- Karate Killers
- Richard Shores Medley: The Summit-Five Affair/The "J" for Judas Affair
Tracks:
- Girl from U.N.C.L.E. Main Title
- Dog-Gone Affair
- Prisoner of Zalamar Affair
- Mother Muffin Affair
- Mata Hari Affair
- Montori Device Affair
- Horns-of-the-Dilemma Affair
- Girl from U.N.C.L.E. (End Title)
- Deadly Quest Affair: Teaser
- Deadly Quest Affair: Act 1
- Deadly Quest Affair: Act 2
- Deadly Quest Affair: Act 3
- Deadly Quest Affair: Act 4
Dance Music:
- Gangsta Hits
- Gotta Lot of Booty [Explicit Lyrics]
- Grit & Grind [Explicit Lyrics]
- Happy Hour [CD-single]
- Hidden Stash [Explicit Lyrics]
- How To Be A Player: Soundtrack [Explicit Lyrics] [Soundtrack]
- In My Lifetime Vol. 1 [Explicit Lyrics]
- It's a Hustler's World
- It's the Incredible [CD-single] [Import]
- Just 4 Speakin Up
Dance Music
Mozart: Violin Sonatas Nos. 378-380
Seven, Come Eleven [Enhanced] [Live]
Stereo Soundclash: Punk House, Breaks & Electro Disco [Import]