| 1. Bug (Electric Last Minute) |
| 2. Point of View Point |
| 3. Smoke |
| 4. Drop |
| 5. Another View Point |
| 6. Tone Twilight Zone |
| 7. Bird Watching at Inner Forest |
| 8. I Hate Hate |
| 9. Brazil |
| 10. Fly |
| 11. Nowhere |
Editorial Reviews
Point is the long-awaited full-length follow-up to Fantasma, and it does not disappoint. Cornelius--a.k.a. Japanese pop auteur and clothing designer Keigo Oyamada--thrilled the world with his '97 international debut, a breezy blend of electronica that melded the thick, soupy guitar feedback of My Bloody Valentine to the gorgeous harmonies of the Beach Boys, and fed it all through a peculiarly kitschy Japanese bubblegum pop filter. On Point, the crystal-clear "Smoke" weaves a tangle of jerky new wave guitar over clip-clopping electronic beats and the raw clatter of percussion, while the heavenly "Tone Twilight Zone" elegantly demonstrates that even the most ornate, maximal production can be imbued with calm. Perhaps the album's greatest success is the way that it presents ambient cliché--the gurgle of running water, the breaking of waves, the chirruping of crickets--as just another form of instrumentation. The precise rhythms and harmonies of this enchanting, psychedelic journey into stereophonic sound confirm Oyamada's studio mastery. No one on earth is making music quite like this. --Louis Pattison
Point,Cornelius,Matador Records,Alternative Pop/Rock,Bass,Drums,Guitar,Guitar (Acoustic),Harp,Indie Electronic,Indie Rock,Keyboards,Pop,Rock,Shibuya-Kei,Synthesizer,Vocals,Vocals (Background)
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Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001FLQ Release Date: 1990-10-25 |
Tracks:
- Overture
- Think Of Me
- Angel Of Music
- The Mirror (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night
- Prima Donna
- All I Ask Of You/Reprise
- Entr'acte
- Masquerade
- Wishing You Were Somehow Here Again
- The Point Of No Return
- Down Once More.../Track Down This Murderer
Amazon.com
Highlight versions of cast recordings are by definition a compromise, and this reduction of Andrew Lloyd Webber's Phantom of the Opera is no exception. Weighing in at 59 minutes, it's over 40 minutes shorter than the two-disc version, excising many musical scenes that convey the flow and impact of the show (which include, admittedly, a lot of patter and screaming). On the other hand, all the hits are here--"Think of Me," "Angel of Music," the title tune, "The Music of the Night," "All I Ask of You," "Masquerade," and "Wishing You Were Somehow Here Again"--and Michael Crawford and Sarah Brightman are still on hand to make their distinctive contributions to the original London cast. So if you're looking for a convenient, inexpensive single disc that will let you enjoy Lloyd Webber's scrumptious melodies without having to immerse yourself in the action, this just might be for you. --David HoriuchiCustomer Reviews:
Music of the Night????????.......2007-02-28
Great short version!.......2006-12-06
A long time favorite.......2006-08-26
The Best Recording of this Show Available.......2006-04-21
1)It has the original Broadway cast, the best.
2)It cuts out the more risqu? parts of the show (believe me, there are some), making it "appropriate for the whole family."
3)The entire CD is on one disc, so you can go through the show w/o switching discs.
4)The only song that the movie soundtrack has on it that this doesn't is "Learn to Be Lonely," which appears in the credits, and isn't really a great song anyways.
Great CD.......2006-03-14
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The Point! (Deluxe Packaging)
Harry Nilsson Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000077SX4 Release Date: 2002-11-19 |
Tracks:
- Everything's Got 'Em
- The Town (Narration)
- Me And My Arrow
- The Game (Narration)
- Poli High
- The Trial & Banishment (Narration)
- Think About Your Troubles
- The Pointed Man (Narration)
- Life Line
- The Birds (Narration)
- P.O.V. Waltz
- The Clearing In The Woods (Narration)
- Are You Sleeping?
- Oblio's Return (Narration)
- Think About Your Troubles
- Life Line
- Down To The Valley
Amazon.com
Must everything have a point? That's the question posed by Harry Nilsson's 1971 pop parable of a well-rounded young boy named Oblio, from the Land of Point, who's cast apart from the community by those who resent his pointlessness. Conceived when the gifted singer-songwriter was on an acid trip, The Point! is a product of its time, what with its central theme (the hollowness of conformity) and ornate Beatles-era pop. But the message--presented in song and narration--and music are delivered with a grace and gentleness that elevates The Point far above most socially conscious '60s art. Produced as a made-for-TV movie in 1971, this audio version of the modest masterpiece will appeal to adult fans of the late singer. More to the point, however, it'll capture the fancy of thoughtful youngsters who'll empathize with the little boy who finds points where he's told there are none, and concludes, "If everything has a point, well then I must have one, too." --Steven StolderCustomer Reviews:
A timeless treat toward enlightenment.......2007-07-22
Amazing!!!.......2007-05-19
You Been Goofin' With the Bees?.......2006-08-11
This is arguably Nilsson's best set of songs. Every number is melodic, filled with wonderful "orchestral" arrangements, retaining the bounciness you want from Nilsson. His puzzling multi-tracked vocalizing never sounded better. Great period keyboards.
It is also one of the best soundtrack lps ever. Why? Not just the songs. The fantastic idea of having Harry himself read his story between each song works so well. And he's NOT reading the film script, but his own typed out version of the fable. (In other words, he's not reading Ringo's narration from the film) This makes for differences in story. For instance, in Harry's version, Oblio has no friends other than Arrow. In the film, he's pretty popular with all the townsfolk, except the Count's son. Harry's own double-tracked Rock Man is hilarious and Harry's voice for the Count is, of course, a bit like a Nazi in a WW2 film. You'd expect that.
The extra cuts are revealing of the creative process. The final one, "Down to the Valley" eventually became the superior song, "Everything's Got 'Em." The other two extra cuts feature radically different instrumentation choices, and different vocalizing.
The package includes two booklets:
The cd-sized comic book is difficult to read as others have said. Get out your magnifying glass.
The main booklet is thoroughly informative, revealing much interesting trivia, and includes a complete personnel listing. Four or five names should look familiar to fans of Pet Sounds!
Thank god for the point.......2006-05-26
Truly a gentle and unsung masterpiece!
A Blast from the Past.......2006-02-24
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The Turning Point
John Mayall Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R8FI Release Date: 2001-10-30 |
Tracks:
- The Laws Must Change
- Saw Mill Gulch Road
- I'm Gonna Fight For You J.B.
- So Hard To Share
- California
- Thoughts About Roxanne
- Room To Move
- Sleeping By Her Side
- Don't Waste My Time
- Can't Sleep This Night
Customer Reviews:
Brings back fond memories from the early seventies..........2007-05-13
Another one left behind...........2007-03-14
chiky-chiky what had us laughing and the mouth percussion put us over the
top. But as much as i loved this Album back then, hearing it alone is not the same. Invite some friends over each of you play what you like and include this one, too. Fans of the newest tween-age hotty will not be impressed-the more fool them. Fans of the Blues, and those who did not know they were, caught on to John Mayall and never left him behind. Catch
him here and all that he has done. This would be a good start. I left this behind and it was my loss and her gain. The CD is in the mail for me as we speak.
las leyes deben cambiar..TUS OIDOS NO!!!!!!!!!!.......2006-09-26
I Saw Mayall Live at the Fillmore.......2006-08-26
John Mayall's The Turning Point.......2006-08-12
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Point Of Know Return
Kansas Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y1M3 Release Date: 2002-02-12 |
Tracks:
- Point Of Know Return
- Paradox
- The Spider
- Portrait (He Knew)
- Closet Chronicles
- Lightning's Hand
- Dust In The Wind
- Sparks Of The Tempest
- Nobody's Home
- Hopelessly Human
- Sparks Of The Tempest (Live) (Bonus Track)
- Portrait (He Knew) (Remix) (Bonus Track)
Customer Reviews:
Great Cover.......2007-06-29
Kansas - The Band At The Top Of Their Game.......2007-06-20
Kansas of Topeka!!!!!!!!!!!.......2007-05-21
All we are is just,Dust In The Wind!!!!
A fresh perspective..........2007-02-08
Kansas - whenever I used to hear the band's name it made me think of country rock. Of course I was familiar with the songs 'Carry On Wayward Son' (from the previous album Leftoverture) and 'Dust In the Wind', but those songs were the only thing I knew about Kansas music.
For those who may not know - Kansas is a PROGRESSIVE ROCK band - not country rock (although hints of southern style rock are incorporated into the music at times). This music is much more similar to the likes of Yes and Genesis than it is with bands like Lynyrd Skynyrd or The Allman Brothers. Crazy keyboard instrumentals, ambient sound effects, and offbeat drumming and guitar rythyms are throughout this great album.
The highlight point of the album for me is the awesome guitar leads of 'Lightning's Hand' leading directly into the mellow acoustic ballad 'Dust in the Wind' and then picking up again on the funky jazz rock song 'Sparks of the Tempest' - the diversity of these three songs for me sums up this album and what Kansas is about. An amazing album that I wish I had heard in its entirety years ago.
RECOMMENDATION: For younger readers - If you enjoyed this album then you should also check out 'The Lamb Lies Down On Broadway' by Genesis. I will be posting more reviews of older albums as time permits - see my profile for some recommendation lists and other stuff.
Better with age..........2007-01-28
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Working (Original 1978 Broadway Cast)
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LZSR Release Date: 2001-07-10 |
Tracks:
- All The Livelong Day (Schwartz)
- Lovin' Al (Grant)
- The Mason (Carnelia)
- Neat to Be a Newsboy (Schwarz)
- Nobody Tells Me How (Rodgers-Birkenhead)
- Un mejor Dia Vendra (Taylor-Daniele-Landers)
- Just A Housewife (Carnelia)
- Millwork (Taylor)
- If I Could've Been (Grant)
- Joe (Carnelia)
- It's an Art (Schwartz)
- Brother Trucker (Taylor)
- Fathers & Sons (Schwartz)
- Cleanin' Women (Grant)
- Something to Point To (Carnelia)
- I'm Just Movin' (Schwartz) (from the L.A. Theatre Works complete recording of the 1999 revised version)
- Hots Michael at the Piano (Carnelia) (previously unreleased demo recording performed by the composer)
- The Mason (Carnelia) (previously unreleased demo recording performed by the composer)
- Joe (Carnelia) (previously unreleased demo recording performed by the composer)
- Lovin' Al (Grant) (previously unreleased demo recording performed by the composer)
- Fathers & Sons (Schwartz) (performed by the composer)
Amazon.com
The original 1978 Broadway cast recording of Stephen Schwartz's Working has long been awaited on CD, and this great-sounding 2001 release proves it was worth the wait. Surely one of the more unlikely sources for a musical was Studs Terkel's 1972 book that compiled interviews of American working people discussing their jobs and what they liked and disliked about them. Schwartz transformed these interviews into a series of songs written by himself, Craig Carnelia, Mary Rodgers and Susan Birkenhead, Micki Grant, and pop singer James Taylor, and accordingly the variety of songs is as great as the variety of the workers featured. There's the lyric beauty of "The Mason," the rueful "Just a Housewife," the retiree's wry "Joe," the waitress's lilting "It's an Art," Taylor's pop-country "Brother Trucker," and the powerful emotion of "Fathers and Sons," realized by a compelling cast that features David Patrick Kelly, Joe Mantegna, Bob Gunton, and Lynne Thigpen, among others.Six bonus tracks include a new version of the grocery checker song written for the 1999 L.A. Theatreworks production, Carnelia and Grant performing their own songs (unfortunately, Grant's track comes from a poor-quality audio source), and Schwartz's moving performance of "Fathers and Sons" from 1999's The Stephen Schwartz Album. Also welcome are 2001 notes from Schwartz paired with 1978 notes from Terkel, and a detailed listing of the composers and performers of each song. Working was filmed for American Playhouse in 1982. --David Horiuchi
Customer Reviews:
An underrated musical.......2006-03-16
I saw this show done by my high school years ago, so maybe it holds a bit of nostalgia for me, but it is definitely worth checking out.
Wonderful Lesser Known Gem.......2005-12-26
Keep Working!!!.......2004-06-12
What makes Working so special is that anyone can relate to the lyrics, they are powerful, beautiful, touching, and extremely real. Anyone who has ever worked a day in their life will feel the lyrics hit close to home. Whether you're a housewife, a valet parker, a fireman, a millworker, a teacher, a cleaning woman, or even a hooker, this musical has a place for you, no matter what job you do.The emotion, sincerity, and love expressed in the songs are amazing, and they are all extremely unique and a pure joy to listen to.
All the songs are fantastic but the stand-outs have to be "All the Live Long Day," "Just a Housewife," "If I Could've Been," "It's An Art," "Father's and Sons," "Cleaning Women," and "Something to Point to." I also have a soft spot for "Brother Trucker" and "I'm Just Movin" from the 1999 revival, which I am so grateful is included in this CD. This is a terrific, feel-great album everyone should listen to. Give Working a chance, it's worth it.
a good, if obscure CD.......2003-09-26
off the beaten path.......2003-07-10
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Match Point
Various Artists Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BU0C7K Release Date: 2005-12-20 |
Tracks:
- 'Mal Reggendo All'aspro Assalto' From 'Il Trovatore'
- 'Un Di, Felice' From 'La Traviata'
- 'Mia Piccirella' From 'Salvatore Rosa'
- 'Gualtier Malde!...Caro Nome' From 'Rigoletto'
- 'Mi Par D'udir Ancora' From I Pescatori Di Perle'
- 'Arresta ... Quali Sguardi!' From 'Guillaume Tell'
- 'O Figli, O Figli Miei!' From 'Macbeth'
- 'Desdemona Rea, Si, Per Ciel' From 'Otello'
- 'Una Furtiva Lagrima' From L'elisir D'amore'
Album Description
Match Point tells the story of social-status climber Chris, a modest tennis instructor. His marriage to Chloe gains him comfort and prestige in society, but his passion leads his astray into the arms of his soon-to-be sister-in-law, the very sexy American, Nola. In Match Point, which deals with luck, ambition and guilt, writer/director Woody Allen draws on the talent of actors Jonathan Rhys-Meyers, Emily Mortimer, and in the role of Nola, Scarlett Johannson.Customer Reviews:
Music that calms me.......2007-02-08
Interesting Choices.......2007-01-05
Great for non experts.......2006-10-05
On-Point.......2006-05-12
For Those so Engrossed by the Film, Here are the Excerpts that Molded It.......2006-04-28
Woody Allen created his character Chris as a lover of opera and integrated that love for opera into the family of wealth he 'enters'. The story is so well written and Allen is so well versed in opera that his selections for excerpts greatly added to the depth of the film.
Here are the old recordings of Enrico Caruso singing arias from 'Il Trovatore', 'Salvator Rosa', 'Les Pecheurs de perles', 'Macbeth', and 'L'elisir d'amore'. In addition to these are excerpts from contemporary singers performing arias form 'La Traviata' (performed by Monika Krause and Georg Tichy), 'Rigoletto' (sung by Alida Ferrarini with Alexander Rahbari conducting), 'William Tell' and 'Otello' (performed by Igor Morozov and Janez Lotric with Johannes Wildner conducting the Slovak Radio Symphony Orchestra). Probably copyright laws prevented the use of the 'live performances' at Covent Garden we heard in the film with very fine young singers, here substituted with Slovak recording artists. But the mood is still there.
This soundtrack recording makes for nice reminiscing about a fine film while adding a bit of flavor to the usual classical music collection! Grady Harp, April 06
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Rodgers: More Victory at Sea
Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F8B Release Date: 1992-08-11 |
Tracks:
- More Victory At Sea: Allies On The March
- More Victory At Sea: Voyage Into Fate
- More Victory At Sea: Peleliu
- More Victory At Sea: The Sound Of Victory
- More Victory At Sea: Rings Around Rabaul
- More Victory At Sea: Full Fathom Five
- More Victory At Sea: The Turkey Shoot
- More Victory At Sea: Ships That Pass
- More Victory At Sea: Two If By Sea
- More Victory At Sea: The Turning Point
- More Victory At Sea: Symphonic Scenario
Customer Reviews:
Yes, it is THAT bad.......2007-06-08
More victory at sea.......2007-03-26
Victory At Sea.......2007-03-09
More Victory at Sea.......2007-01-04
Victory at Sea Volumes 1 and 2.......2006-12-14
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Le Pas Du Chat Noir
Anouar Brahem Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXHT Release Date: 2002-08-27 |
Tracks:
- Le Pas Du Chat Noir
- De Tout Ton Coeur
- Leila Au Pays Du Carrousel
- Pique-nique A Nagpur
- C'est Ailleurs
- Toi Qui Sait
- L'arbre Qui Voit
- Un Point Bleu
- Les Ailes Du Bourak
- Rue Du Depart
- Leila Au Pays Du Carrousel, Var.
- Deja La Nuit
Amazon.com
The Tunisian oud master Anouar Brahem has chosen to work in a trio setting this time out, accompanied by Francois Couturier on piano and Jean-Louis Matinier on accordion. Brahem states in the liner notes that these pieces were actually composed on the piano, emerging while he was taking a much-needed short break from his primary instrument. While Pas de Chat Noir ("The Black Cat's Footsteps") is a change of pace, it is a not a terribly remote detour. Brahem is still in his favorite space, exploring the power of implication, and the other players are in synch with his vision. All three participants sound muted, relating to one another in parallels rather than in a heated dialogue. The result is a spacious, romantic pastiche of Farid El-Atrache, Astor Piazzolla, Keith Jarrett, 19th- and 20th-century French impressionists (especially Eric Satie), plus shades of every strung-out, enervated, after-hours nightclub jam that ever was. --Christina RodenCustomer Reviews:
Lovely.......2007-05-20
truly unique.......2007-05-19
absolutely essential (FJB/O!-music 2006).......2006-11-26
In the notes to the CD, Brahem is quotes as saying that after recording his THIMAR album, the resulting physical and artistic exhaustion caused him to set aside his oud for a while - something he said he had never before done. Turning his musical ideas and expression to his piano, Brahem created the pieces recorded here. When he took these ideas into the studio (and taking his oud along with him), along with colleagues François Coutourier (piano) and Jean-Louis Matinier (accordion), his ideas were brought beautifully to fruition. The result is one of the most beautiful recordings I have ever heard.
The pieces having been written on the piano, that instrument takes the lead - but the oud and the accordion have a lot to say as well, and their voices blend effortlessly with that of the keyboard. Brahem is a master not only at composition and performing, but, in his arrangements, and in the very choosing of his accompanying musicians, shows a brilliance that is breathtaking. Through the various groupings that he has assembled on his recordings, he endows his music with a strength and scope that is stunning - it takes on a life of its own, and grows far beyond whatever boundaries smaller minds might employ to contain it by definition.
This is 'world music' in the deepest, spiritual sense of the phrase - political frontiers are vanquished and erased, while cultures are honored, respected and mingled.
Brahem's last album, ASTRAKAN CAFÉ, alluded to this meeting and convergence of styles - with each successive release, Brahem furthers his cause (and that of the open-minded, eager-to-explore listener). Each and every track included here is an absolute gem. Approach this album with an open mind and ear, and marvel at the journey on which you are to be led.
This is an absolutely essential recording.
Mediterranean Music.......2006-11-03
excellent music.......2006-03-23
Average customer rating:
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Point #1
Chevelle Manufacturer: Word Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IP2T Release Date: 1999-05-04 |
Tracks:
- Open
- Point #1
- Prove To You
- Mia
- Skeptic
- Anticipation
- Dos
- Long
- Blank Earth
- Sma
- Peer
Amazon.com
The 11 tracks of Chevelle's Point #1 pour out more passion in 42 minutes than most people will experience in an entire year. It is an album that will brand you. Not because of offense or unashamed shock tactics, but because the emotion offered batters into the soul and causes it to shudder in resonance with the writhing of the music. Applying simple and poetic reasoning, Pete Loeffler's lyrics exhibit the tension between life's paramount questions and heaven's inscrutable answers. The dualistic nature of his vocals (reminiscent of Tool's Maynard James Keenen) displays a trembling meekness that often abandons itself to full-throated roars of aggression. This meticulously rhythmic debut carries the fingerprints of Steve Albini's recording genius. The production is just raw enough to preserve the unfeigned vexation from which it was born, yet clean enough for each lashing expression to communicate its full fervor. Dynamics crest and fall as the storm-tossed melodies cut through a raging sea of edgy guitar and undulating drums. Leaving a curiously enjoyable lack of resolution, the weight of these songs beckons the listener to repeat play. It gets better every time. --Israel ButtonCustomer Reviews:
First albums are always the best.......2007-07-26
A Great Start.......2006-11-13
1. Open - 10/10
2. Point #1 - 10/10
3. Prove To You - 8.5/10
4. Mia - 9/10
5. Skeptic - 10/10
6. Anticipation 9/10
7. Dos - 8.5/10
8. Long - 8.5/10
9. Blank Earth - 9.5/10
10. Sma - 8.5/10
11. Peer - 9.5/10
Overall: 91% A-
This thing probably deserves 4.5 stars but since you cant do that on amazon it's going to show up as 5. It's an overall solid release with plenty of good tracks. Basically no bad points throughout this cd. It's slightly different than modern Chevelle as it is less commercial but it is good. If you like bands like Tool or Breaking Benjamin you might like this. Hey, even if you enjoy modern Chevelle this is worth checking out.
Mixed.......2006-11-09
A passionate debut.......2006-04-29
Chevelle is supposedly a Christian band, but that doesn't really come through in the lyrics at all. Their faith might provide them with a little more emotion in the music, which is good, but it's not really that big of an aspect. The first track is an interesting two minute instrumental intro that leads into the awesome title track, which combines the band's skill at writing very listenable hard rock with the great, soothing vocals the singer provides. The next few songs are above average, adequate rock, but the next great song is the six and a half minute "Dos." It starts off quite, but it builds up over time into an explosive, passionate climax, and has more emotion in it than most songs you hear these days. "Long" is another song that starts off slow before exploding. The band does that a lot. "Peer" is a strong closing track, again, starting off quiet and ending with a burst of high energy power.
This is a good rock album, its only problem is that too few of the songs stand out. The few I mentioned are really good, and the rest are solid too, you just have some trouble remembering them all as their own thing, preventing this from being great.
They are NOT a christian band, people!.......2005-07-13
Now that that's out of the way, this is a great cd. It's more rock-esque and there is a raw and quality about the tracks which may have helped their later cds.
Dance Music:
- Potential
- Roll Wit Me [CD-single]
- Ryde or Die, Vol. 3: In the "R" We Trust [Explicit Lyrics]
- Ryde or Die, Vol. 3: In the "R" We Trust [Explicit Lyrics]
- Spiritual Minded
- Spiritual Minded [Import]
- Stand Clear [CD-single] [Enhanced] [Import]
- Stillmatic [Explicit Lyrics]
- Stoned Raiders [Explicit Lyrics]
- Stoned Raiders [Explicit Lyrics]
Dance Music
Unmistakably Lou/When You Hear Lou, You've Heard It All [Import]