Almost Famous [Explicit Lyrics]

Almost Famous [Explicit Lyrics]

Track Listings

1. Thorn - Eightball
2. Spit - Eightball
3. No Sellout - Eightball, Koncrete Kite
4. Holla Back - Eightball, Carl Thomas
5. Live This - Eightball
6. Daddy - Eightball & MJG
7. 4U - Eightball
8. Slab Rider - Eightball
9. Stop Playin' Games - Eightball, Puff Daddy
10. Do You Really - Eightball & MJG
11. 2Nite - Eightball, Koncrete Kite
12. Witcha' Lookin *** - Eightball, Ludacris
13. Stripes - Eightball
14. Like Dat' - Eightball
15. Don't 4Get - Dorasel, Eightball,

Almost Famous,Eightball,Jcor Entertainment,Dirty South,Pop,Rap & Hip-Hop,Southern Rap
Almost Famous
Average customer rating: 4.5 out of 5 stars
  • The Movie Made Me Want the CD
  • I love this movie and I love this soundtrack...
  • One Of The Best Movie Sound Tracks, Evah
  • Stillwater CD
  • Stillwater
Almost Famous
Various Artists - Soundtracks
Manufacturer: Dreamworks
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Almost Famous
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  3. Elizabethtown - Volume 2
  4. Elizabethtown
  5. High Fidelity

ASIN: B00004XR5G
Release Date: 2000-09-12

Tracks:

  1. America - Simon and Garfunkel
  2. Sparks - The Who
  3. It Wouldn't Have Made Any Difference - Todd Rundgren
  4. I've Seen All Good People: Your Move - Yes
  5. Feel Flows - The Beach Boys
  6. Fever Dog - Stillwater
  7. Every Picture Tells A Story - Rod Stewart
  8. Mr. Farmer - The Seeds
  9. One Way Out - The Allman Brothers Band
  10. Simple Man - Lynyrd Skynyrd
  11. That's The Way - Led Zeppelin
  12. Tiny Dancer - Elton John
  13. Lucky Trumble - Nancy Wilson
  14. I'm Waiting For The Man - David Bowie
  15. The Wind - Cat Stevens
  16. Slip Away - Clarence Carter
  17. Something In The Air - Thunderclap Newman

Amazon.com

Writer-director Cameron Crowe (Jerry Maguire, Say Anything, Singles) was a teenager when Rolling Stone magazine sent him out to write cover stories in the 1970s. Nearly 30 years later, Crowe tells the tale in satisfying fashion and extensive detail with Almost Famous, accompanied by a soundtrack that accurately reflects the time of his trial by fire. Led Zeppelin have never before licensed a performance to a soundtrack, so "That's the Way" earns the distinction. A live version of Lou Reed's "Waiting for the Man" performed by David Bowie in 1972 typifies the emerging underground glam movement. Classic rock from Simon & Garfunkel, Rod Stewart, Elton John, and Yes fill things out. Cat Stevens's "The Wind" is rescued from the Timberland commercial. Nancy Wilson of Heart contributes the original score (one track, "Lucky Trumble," featured here) and a track by the fictitious hard-rock band Stillwater, whose "Fever Dog" sounds like a lost track from the hard-rock-guitar wars of the 1970s. Add in tracks by garage-rock faves the Seeds, soul strutter Clarence Carter, and Southern rockers Lynyrd Skynyrd and the Allman Brothers Band and you've got an expansive collection of tunes to sift through. More than 50 songs are featured in the film. Next question: when's volume 2? --Rob O'Connor

Customer Reviews:

5 out of 5 stars The Movie Made Me Want the CD.......2007-03-16

I bought this CD because I loved the music in the movie. I was not let down, just awesome.

4 out of 5 stars I love this movie and I love this soundtrack..........2007-02-24

but I wish, like many reviewers have already stated, that it contained some more of the wonderful music that was played in the film. Personally I would have been happy if Hendrix, Black Sabbath, and more Zeppelin were included! A two-disc soundtrack would have been awesome! With that said, the songs that are on here are fantastic!!! Among the others I really love simple man, fever dog, tiny dancer and something in the air! If you loved the movie, buy it! If you're into classic rock, buy it! If you've never seen the movie...you must! The heart of the movie IS the music!

5 out of 5 stars One Of The Best Movie Sound Tracks, Evah.......2006-10-30

Cameron Crowe has great taste in music. Every movie that he has ever made, also has a great soundtrack to go with it and this is no exception. Basically, the movie Almost Famous was an autobiography of a young Cameron Crowe. When he was fifteen years old, he was already writing for Rolling Stone Magazine. Geesh, when I was fifteen I was just learning to write my name...

I really like this album because there are songs on it that you just don't hear on ordinary music stations...even the so called 'classic rock' stations. To hear the Seeds singing, Mr. Farmer, threw me back to the day when my cousin had the original 45 of the group. There is also the infamous group, Stillwater, the group which the movie is focused on. Stillwater wasn't actually a real group in the 70s, but the song that they played in the movie, 'Fever Dog' sounds like something pulled out from that crazy time. I think it was actually written by Peter Frampton who was practically rock 'n roll royalty in the mid 70s with his classic two album masterpiece, Frampton Comes Alive. Here's a shocker for you if you didn't already know this, parts of Frampton Comes Alive was done in the studio and the background of clapping and cheering was put in later. Sorry to bum you out...oh, and you know the tooth fairy, she doesn't exist, either...so take the tooth out from under your pillow. For godssakes, you're 39 years old....

But this record is no fairy tale, it's a real solid entry on my favorite movie soundtracks list. The first being from the movie, Singles, which was also, coincidentally enough, also by Cameron Crowe. For the most part, I tend to lean toward jazz and soul music, but I still love great rock 'n roll, and this compilation has everything from mellow Cat Stevens to the loud and racous the Who playing a little known instrumental called, Sparks, and it is all great stuff.

So, are you gonna get it or what? I'm done blabbering. I'm just waiting for Big Foot and the Loch Ness Monster and we're gonna go to lunch...

Peace and Blessings.

4 out of 5 stars Stillwater CD.......2006-08-12

In response to Str8upChevy, there is a 6 song Stillwater EP as part of the Almost Famous Untitled - Director's Cut DVD. It has all the songs they play in the movie plus a couple others.

4 out of 5 stars Stillwater.......2006-08-11

I now realize that Stillwater wasn't an actual band, but does anyone know who performed the songs that are considered to be "Stillwater" songs? As soon as I seen the movie, I immediatly came to the computer to look up the band Stillwater. That sound I heared from the songs they played in the movie are exactly what I love listening to, so to find out that it isn't even a real band.....that was depressing. I already have 90% of everything else in the movie, as that was what I grew up listening to, so it was nice to hear such great songs in one movie. I highly recommend this soundtrack to anyone that's reading these reviews. If anyone knows how to obtain more of the Stillwater tracks played in the movie, please let me know or post it here. Thanks!!
Honky Chateau
Average customer rating: 4.5 out of 5 stars
  • The Honky Cat breaks from the pack
  • Elton Goes Pop.
  • one of the best
  • elton john- honky chateau
  • Classic EEJ!
Honky Chateau
Elton John
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001EGE
Release Date: 1996-05-14

Tracks:

  1. Honky Cat
  2. Mellow
  3. I Think I'm Going To Kill Myself
  4. Susie (Dramas)
  5. Rocket Man (I Think It's Going To Be A Long, Long Time)
  6. Salvation
  7. Slave
  8. Amy
  9. Mona Lisas And Mad Hatters
  10. Hercules
  11. Slave (Alternate Version)

Amazon.com essential recording

By 1972, Elton John was already a rising star in America, although most casual listeners still identified him as part of the singer/songwriter explosion, thanks to the success of "Your Song" and "Levon." Honky Château changed all that, beginning with the success of "Honky Cat," a rousing New Orleans-ish R&B powerhouse that kicks off this terrific collection of songs. This was the album that first revealed John as a pure-pop craftsman, and he's all over the musical map on this set, moving from country-ish rock to blues-based rockers. But the best things here still might be two gorgeous ballads: "Mona Lisas & Mad Hatters" (displaying the young vocalist at his best) and the hit single "Rocket Man" (which had many rock fans debating which was the better space odyssey of the day--this or Bowie's). And lyricist Bernie Taupin was revealing a new, slightly darker side here via tunes like "I Think I'm Gonna Kill Myself." --Bill Holdship

Customer Reviews:

4 out of 5 stars The Honky Cat breaks from the pack.......2007-06-12

The first three Elton John albums found many pegging him as a singer/songwriter, and the more straightforward songs among "Elton John," "Tumbleweed Connection" and "Madman Across the Water" were certainly easy to construe as such. But then came "Honky Chateau," where Elton's tentative steps into more rock territory found traction. Many of the trademarks of those early albums are still here (the naked emotionalism, the fascination with America's rural south), but he was also discovering the edge - like Jon Luc Ponty's violin solo on "Amy" -that concert goers had been buzzed with.

The first single, "Honky Cat," was the harbinger. Set more to a New Orleans piano roll than any previous song, it was poppier than any of his other singles. "Rocket Man" immediately raised the bar. Riding the same trail David Bowie and Major Tom did, "Rocket Man" followed a space oddity of an astronaut with job satisfaction issues; "It's just my job, five days a week." These two hits pushed Elton and lyricist Bernie Taupin off and away from their past labels and moved then onto a fast lane towards rock stardom. Throughout the other songs on the album, Elton's strength for melodies was in full bloom and his confidence was growing, while Bernie's words were as oblique as ever (which was one of his strongest suites).

That motion was also significantly aided by the codification of Elton's band. Stalwarts Nigel Olsson, Dee Murray and Davey Johnston sounded terrific here, recording as Elton's backing for the first time. They matched Elton's flair, making songs like "Mona Lisas and Mad Hatters" and "I Think I'm Gonna Kill Myself" spark. Gus Dudgeon obviously understood what Elton was aiming for and kept his production to a more minimal level than on the other albums. The result was the first Elton John album to reflect the personality that would come to dominate the public image of his showmanship. It also became the first of Elton's seven consecutive #1 albums.

4 out of 5 stars Elton Goes Pop........2007-04-24

I have the greatest admiration and affection for Elton John. He has tackled and conquered most styles of music with great success. HONKY CHATEAU is his fifth album, released in May 1972. I hope to review all his seventies albums and this is the first I drew "out of the hat".

After his two previous albums which were artistic, but not commercial triumphs, Elton went for the larger audience with HONKY CHATEAU and created a more pop orientated album, without sacrficing his artistic ideals. He started to shake off the obsession with the American Wild West and sang about more modern subjects. Americana is atill in evidence especially on HONKY CAT, SLAVE, MONA LISAS AND MAD HATTEERS and ROCKET MAN but it is more varied. Nothing wrong with that as I was getting tired of hearing about people labelled as "guns" in his previous albums. The seeds of what can be described as Elton's band, Nigel Olsson, Davey Johnstone and Dee Murray originated here and they were the core of musicians during Elton's golden period in the early and mid 70's. Even Ray Cooper plays on some tracks.

The cover is one of the most misleading I have seen. Who is that bearded, serious guy? Surely a better cover could have been deivsed. Anyway to the album itself. I would like to give it 4.5 stars but am not allowed by the rating system. Song titles are followed by the song time.

It kicks off with HONKY CAT (5.13). I haven't heard Elton having this much fun since he sang THE CAGE on his self-titled album which was three albums previous. This is a great song with great Taupin lyrics. Definitely one of my favourites.

Next is MELLOW (5.32). This one I can skip although most reviewrs consider it a highlight. I like the verse but not the chorus and it goes on too long. On of my peeves with artists is songs that go on longer than they should. This is one of them. Too many chorus repeats.

Song 3 is I THINK I"M GOING TO KILL MYSELF (3.34). This is very light-hearted and not to be taken seriously. Just listen to the arrangement! Honky-tonk piano, tap dancing and spoons. Sounds like a big spoof.

SUSIE (DRAMAS) (3.24). Another favourite and it is the first gutsy song on the album. The Dramas part escapes me and is not necessary. BLACK-EYED SUSIE would have been a better song title.

Then comes ROCKET MAN (4.41). One of Elton's biggest hits. Great tune, great vocal, great arrangement but some of the lyrics are lazy especially in Verses 3 and 4. "Mars ain't the kind of place to raise your kids. In fact it's cold as hell" are two wonderful lines but what follows "and there's no-one there to raise them if you did" doesn't make much sense". The next verse about "it's just my job five days a week, a rocket man" etc is also a letdown.

The next two songs: SALVATION (3.58) and SLAVE (4.20) are the two most dismissed songs by other reviewers. SALVATION is quit a nice song with a gospel feel to it but I think SLAVE is a highlight. It has a very laid back whimsical feel to it although the lyrics are on the angry side and it is rare on an Elton song that the keyboards take a back seat. Great acoustic guitar, country guitar and banjo all played by Davey Johnstone!

AMY (4.03) is probably the weirdest song on the album and one of Elton's most unique songs in that there is no tune!. You cannot sing or whistle it but that is why I like it. Very odd lyrics but I love the line "Amy you're the girl that wrecks my dreams". Aslo listen to the bizarre electric violin played by Jean-Luc Ponty!

MONA LISAS AND MAD HATTERS (5.00) gets the most praise and it does hit the nail on the head about New York City. My only problem is that it cries out for a third verse and not an amalgamation of Verses 1 + 2. I feel the song is over half-way through and it has nothing to say for the last two minutes. Sorry for going against the grain of thinking. But it is my one main gripe about Elton John in that some songs could be shorter. TINY DANCER, MY FATHER"S GUN, BENNIE AND THE JETS and SOMEONE SAVED MY LIFE TONIGHT are other examples.

Last song is HERCULES (5.20) which is a lot of fun and ends the album on a fun singalong note! Obscure lyrics again from Bernie. I can just about glean from the words that it is about a girl in love with a muscle boy but the words incorporate much more that I cannot fathom.

There is also a bonus track, a fast rocking version of SLAVE(2.51) which is worth listening to but the album version is much better.

5 out of 5 stars one of the best.......2007-03-15

Like most other reviewers have said this is a great album.
Although Rocket Man and Honky Cat were big singles, I actually prefer some of the album tracks. Mellow is a great gospel influenced track. Hercules is cracking rock 'n' roll song. Its a very happy album, and there isn't really a poor track on it.
For me probably only beaten by Tumbleweed and Yellow Brick Road. Its probably also a good buy for anyone new to Elton's music as well, as there isn't the darkness of some of the earlier albums (which are very good as well but more of an aquired taste), or the sometimes overly MOR later albums.

5 out of 5 stars elton john- honky chateau.......2007-01-19

got this one because of mona lisas and the madhatter. great song. what can you say elton does it agian.

5 out of 5 stars Classic EEJ!.......2007-01-12

Being a diehard Eltonite since '71, of CORSE I LOVE this LP (ok, CD)...
We begin with Honky Cat ("WHOO"!). Next: we "mellow" out with "Mellow".
1 of my all time faves is " I Think I'm Gonna Kill Myself!" as :1, it's a campy tongue in cheek number, & 2: at the time, I was in High School.
Enuff said! "Suzie (Dramas)" is next followed by my all time epic fave:
Rocket Man!!! Side 2 starts with "Salvation". Then "Slave"& rock out to
"Amy". Calming down with "Mona Lisas & Mad Hatters" & we conclude with (a cat named) "Hercules!" (EJ's middle name, as it were!) BOOGIE ON!!!
Almost Famous EP
Average customer rating: 2 out of 5 stars
  • 2 stars just because of the single......
Almost Famous EP
Yung Berg
Manufacturer: Epic
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QFAG1C
Release Date: 2007-07-24

Tracks:

  1. Sexy Lady
  2. Into It
  3. Where Do We Go
  4. Almost Famous
  5. Sexy Lady
  6. Painkiller

Customer Reviews:

2 out of 5 stars 2 stars just because of the single.............2007-07-31

First off, let me say this, and this is gonna make some people furious I am sure, but on some of these tracks the way Berg sounds, he reminds me of Lil Wayne. Seeing how I think that Lil Wayne is whack anyways, maybe it's not such a bad comparison. Some of the stuff he says is just like Lil Wayne in that he will say one line, and then follow up with something totally unrelated that doesn't even make sense, it just happens to rhyme.

This EP starts off strong (if that is the appropriate word, it depends on how you feel about the single Sexy Lady) and then goes straight down the crapper and never looks back.

Just like almost all other new rappers, Yung Berg says absolutely nothing witty or original, on the song Almost Famous his verses would be comparable to Fabolous if he threw in some interesting metaphors/similies/analogies....but he does none of the above. Why Twista agreed to be on Where Do We Go is beyond me, why would you associate yourself with this clown? Doesn't really matter because even his verse is really generic and bland.

I thought maybe the remix would be good, but Jim Jones is whack as usual, Berg's new verse is just like the rest of his verses on the CD, nothing special, and the previous two makes Rich Boy's turn on the mic look like a highlight.

Even if you are someone that only pays attention to beats you can't give this EP much credit, the best are the Sexy Lady and Where Do We Go.....the last track, Painkiller, apparently isn't even a Yung Berg song but some R&B song by Nikki Flores. He drops a very forgettable verse, i don't even think its a full 16 bars. The beat on the song is average, but for me, as I get ready to throw on the new Common CD, an average beat isn't gonna save a darn thing, you gotta say somethin worth our time.

The best advice anyone can give Yung Berg is to pull this off the shelves and put Sexy Lady on his full CD in the fall - go back to the drawing board and think of something creative to say sohis debut doesn't bomb.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Almost Famous
Average customer rating: 5 out of 5 stars
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The Living Legends
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005UT74
Release Date: 2001-10-10

Tracks:

  1. Gotta Question For Ya
  2. Night Prowler feat. Slug
  3. That Looks Good
  4. Black Glass
  5. Rabbit Hole
  6. Common Ground feat. JC
  7. Flawless
  8. What Would I Be feat. N8 the GR8 and Krush
  9. Anything You Want
  10. Gift Wrap
  11. War Games
  12. Forces of Nature
  13. Osaka Tales
  14. Soap Boxn
  15. Not Here feat. Pep Love and Jo Wilkinson
  16. Nothing Less feat. Slug

Album Description

This highly anticipated release is the first official Living Legend crew album. Simply put, it is the hottest thing out. Features guest spots from Slug of Atmosphere

Customer Reviews:

5 out of 5 stars Absolutely Amazing.......2006-10-12

This is an amazing album. If you're into the underground hip hop scene, this is a must for your collection. With their amazingly talented, massively poetic lyrics and pulsating, electricfying beats, you can't help but constantly throw this disc on. You don't have to be into the scene to appreciate the art in this music. Your ears and mind will do the judging, concluding Living Legends in fact, as legends. This is one of, if not, the best album from these guys to date.

5 out of 5 stars Outstanding!.......2006-04-25



This is One great great great Album! Hella ill beats, even better lyrics and raps. These guys know how to rap and they do it with more confidence than ive ever heard.

Any head can get down to this awesome number. Buying is a must for any Hip Hop Realest! 5 Stars!

5 out of 5 stars One of the best from the Undaground........2006-01-20

Almost famous...an album the LL crew put together in 2001 is one of the best CD's of the underground rap scene. With funky beats and crazy emcees, this is a rap fans delight. These guys are the defintion of underground and they dont want to be in the limelight they just want to be heard in a legendary sort of way. Represent the Legends.

Top Trax:
#2 Night Prowler Feat. Slug, #8 What would I be, #11 War games, #12 Forces of Nature, and #16 Nothing Less Feat. Slug

5 out of 5 stars Classic release.......2005-02-08

All of the tracks on this album are excellent. The first track is nice because the members spit their battle verses. My favorite tracks on this album are Night Prowler, Black Glass, Osaka Tales, Forces of Nature, and Nothing Less. Not that the other tracks arent good, I just feel that people will still be singing those particular songs for years and years and years and years from now. Easily a hiphop classic album.

5 out of 5 stars LL!.......2004-10-29

I first heard this album when it came out back in '01 and it's still in rotation to this day. I love all the members of LL (especially Grouch, Murs, and Eligh) and their shows are awesome too.
Almost Famous
Average customer rating: 2.5 out of 5 stars
  • Unexpected!
  • THE MUSIC INDUSTRY AT ITS WORST!
  • I loved this album!
  • Almost is the word
  • Fun Album
Almost Famous
Lumidee
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

Contemporary BluesContemporary Blues | Blues | Styles | Music
Contemporary R&BContemporary R&B | R&B | Styles | Music
GeneralGeneral | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
4-for-3 Pop4-for-3 Pop | 4-for-3 Music | Stores | Music
4-for-3 R&B4-for-3 R&B | 4-for-3 Music | Stores | Music
4-for-3 Rap & Hip-Hop4-for-3 Rap & Hip-Hop | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
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  1. Unexpected
  2. Nina Sky
  3. Bittersweet [Limited Edition w/ Bonus DVD]
  4. The Way We Do It
  5. No Holding Back

ASIN: B00009V7SX
Release Date: 2003-06-24

Tracks:

  1. Almost Famous
  2. Honestly
  3. Crashin' A Party
  4. Never Leave You (Uh Oooh, Uh Oooh)
  5. For Keeps
  6. Go With Me
  7. Only For Your Good
  8. Suppose To Do
  9. Air To Breathe
  10. My Last Thug
  11. Break Away
  12. Me & You
  13. Uh Oooh Remix

Customer Reviews:

5 out of 5 stars Unexpected!.......2007-05-20

I heard her by accident LoL ... but she is so great i like it a lot i say this because when i don't like a cd or song i'm very strict and i say it at loud!! ... so i really recomend her cds!!

1 out of 5 stars THE MUSIC INDUSTRY AT ITS WORST!.......2007-05-17

I AM 52 YEARS OF AGE, IN THE SIXTIES I HAVE LISTEN TO THE BEST OF MOTOWN,TEMPTATIONS, SUPREMES, SMOKEY ROBINSON ETC..., IN THE 1970'S , THE BEST OF ROCK, LED ZEPPELIN, GRAND FUNK RAILROAD, THE BEST OF FUNK, JAMES BROWN, THE FUNKADELICS, IN THE 80'S CAMEO, THE GAP BAND, CONFUNKSION,..
I HAVE NEVER HEARD THE POOREST EXCUSE FOR AN ALBUM, IN ALL MY LIFE, THIS GIRL, DRONED ON AND ON POPULAR RADIO STATIONS ALL OVER THE COUNTRY, SHE HAS ABSOLUTELY NO TALENT WHAT SO EVER!!!!! IT WAS THE WORST LISTENING EXPERIENCE OF MY LIFE, IF SHE EVER CAME TO PITTSBURGH PA, WHERE I RESIDE, I WOULD PROTEST NON STOP UNTIL SHE WENT AWAY!! I DON'T KNOW WHAT SHE DID WITH WHO, TO GIVE HER ANY KIND OF RECORDING CONTRACT. SHE SHOULD BE BANNED AND SHUNNED

5 out of 5 stars I loved this album!.......2007-02-05

The only thing that was bad about Lumidee's album, was the fact that she did not get the proper promotion for it! Not every song on her album is a hit, but she has more hits then just the Uh-Oh song. People talk about her album like it's trash, but that's because she didn't get the air play she deserved on the radio. I bet that if everyone heard her songs on the radio, over and over again, like every other song, they would be singing a different tune! As for me, I actually listened to her album dispite her not getting any air time, and I liked it a lot. I still like it. She's got a nice voice, nice lyrics, and a good look. I'm always looking forward to more work from her! Like her song, She's like the wind. That song is hot too!

5 out of 5 stars Almost is the word.......2006-11-11

I think Lumidee had a good niche. A little off key but it worked for her. I only wish she had better promotions behind her. To quote her, "I got the whole world singin off key" She couldn't have been more right. She had us all singin "Uh ohh" Hope she finds her way back into the clubs.

5 out of 5 stars Fun Album.......2006-05-11

Lumidee's album may not be the deepest, but is a very fun listen. She has a good voice too!
Almost Famous
Average customer rating: 4.5 out of 5 stars
  • Already Famous
  • Wut It Dew Fam
  • 2nd solo is a decent one
  • Eightball- Almost Famous
  • Tight CD..U should try it out
Almost Famous
8ball
Manufacturer: Jcor Entertainment
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rap & Hip-Hop | Styles | Music
Southern RapSouthern Rap | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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  1. Space Age 4 Eva
  2. In Our Lifetime, Vol. 1
  3. On the Outside Looking In
  4. Living Legends
  5. Lost

ASIN: B00005RIM9
Release Date: 2001-11-20

Tracks:

  1. Thorn
  2. Spit
  3. No Sellout
  4. Holla Back
  5. Live This
  6. Daddy
  7. 4U
  8. Slab Rider
  9. Stop Playin' Games
  10. Do You Really
  11. 2Nite (Don't Do It)
  12. Witcha' Lookin ***
  13. Stripes
  14. Like Dat'
  15. Don't 4Get

Customer Reviews:

5 out of 5 stars Already Famous.......2006-10-25

I always saw the potential for greatness in 8-ball since his double album magnum opus Lost. With that album he proved that he was as nice as the best of them. He continues the effort with this one. Standout Tracks:THORN, SPIT, NO SELLOUT, HOLLA BACK, LIVE THIS, 4U, STOP PLAYING GAMES(good track but did it really need Puffy?), DO YOU REALLY(Vintage 8-ball & MJG track), 2NITE, WITCHA LOOKIN A**, STRIPES and DONT 4 GET(Good track but Eightball getting floored by Dorasel and Thorough is a cause of concern). Filler: Daddy(awful, tries to hard to be a tearjerker) Slad Rider(cheap knockoff of Jay-z Hard Knock Life. It even has kids singing on the hook. For shame!) and Like Dat(its never a good sign when a chick record bores you to tears). Bottom Line: Almost Famous is Eightball's best album next to Lost. Tight Production(some of the dopest beats were produced by Nitti. Go figure), Eightball flows smoothly from track to track and the guest appearances were just as grand as 8-ball. Cd collection material for any Eightball fan.

5 out of 5 stars Wut It Dew Fam.......2005-10-27

Man If you know whatI know about 8-Ball & MJG this cd is hard it got p-diddy Mr. MJG concrete and many more this cd is hot it's one of those cd that you go to add to your collection and that's real any way much love from the other side of the planet Tulsa Oklahoma stay up and keep grinding $$$$$.

4 out of 5 stars 2nd solo is a decent one.......2005-09-02

Eightball is back with his 2nd solo 3 years after his almost classic double disc "Lost". Not his best solo album, I hav eit at barely a 4 star album. You get what you excpect and have known 8ball to deliver for the past 10 years, nothing new but still solid. Packed with 15 songs, 1 is a classic, 2 I skip, 6 are ok, and the other 5 are good. Guests are rapping on about half the songs. Prodcuction is decent as well. Nitti does 7 songs, Corey Woodard does 5, Corline 6000 & DeWayne Martin do 2 and OOmp Camp does 1. A good album for his fans to pick up but still not his best work to date.

#1 - 10 (CLASSIC - great beat)
#2 - 7.5
#3 - 8 (f/ Koncrete)
#4 - 8.5 (f/ Carl Thomas)
#5 - 9 (nice beat)
#6 - 7.5 (f/ MJG -- deeper song about their kids and being away alot)
#7 - 7 (f/ Cliche)
#8 - 5
#9 - 6 (f/ Puff Daddy)
#10 - 8 (f/ MJG)
#11 - 7.5 (f/ Koncrete)
#12 - 8.5 (f/ Ludacris -- nice beat)
#13 - 8.5
#14 - 7
#15 - 7 (f/ Dorasel & Thorough)

Primro Smith -- b. around 1971 -- Memphis, TN
check all my reviews

3 out of 5 stars Eightball- Almost Famous.......2004-01-19

Eightball's second solo album "Almost Famous" (2001) is a good release. For years Eightball and MJG have being dropping slept on albums, so it does not surprise me that this is yet another one. Running in at fifteen tracks, appearances come from MJG, Carl Thomas, Koncrete Kite, Dorasel, Ludacris and P.Diddy. Eightball lays down a story of day by survival on the powerful opening track "Thorn", does a Rap/R & B collabo for the ladies with singer Carl Thomas on "Holla Back", talks about heaven and hell on "Live This" and addresses how business can effect his family situations on "Daddy". 8Ball goes deep when talking about the game, losing friends and delivering the message that things can get better on "4U". Eightball reps himself on the laidback "Slab Rider", and MJG drops in for "Do You Really". My favourite track on this one is the fastpaced "Stripes" a track which Eightball lyrically rips up, backed by a memorable beat. Thugged out "Don't 4get" closes things off. While I dont feel every track on this release, I liked a number and recommend "Almost Famous" for people who new to Eightball and longtime fans. 3.5.

4 out of 5 stars Tight CD..U should try it out.......2002-05-03

Is being Almost Famous better than being Famous? Well maybe. For Eightball ( and his partner MJG) they have always been known with the underground southern heads and have gotten critically acclaimed albums such as On Top Of The World and Coming Out Hard. They have the respect of everyone in the industry but for some reason they haven't quite blown up. On one end I want them to blow up and get money and live lavish and get the respect they deserve but on the other hand while they are still underground their head won't get too big and they will continually pump out the quality music. Eightball walks the thin line between Famous and Not famous carefully and making sure not to slip and fall off into the abyss of mediocrity.

He perfectly displays his status on the song "No Sellout' which should be self explanatory. Keeping It real is this man's philosophy and once he hits stride he never stops. The production if I must say is EXCELLENT. This surprised me a little because most of the producers are basically no names. ( not for long though ) The guest rappers such as Ludacris and P. Diddy and Carl Thomas mostly just do the hooks making this a true solo venture. Eightball has a variety of topics to explain to the listener and he is a pretty good storyteller. Songs like Daddy, Slab Rider and Holla Back show these qualities. Stop Playin Games is the club banger and down south classic and Witcha Lookin Ass is a elbow throwing club song and is also tight.

Most people were blind to the fact that this album dropped last year and didn't sell well because of lack of promotion. It's all good though. I'm happy with Eightball being Almost Famous. This album will not disappoint his fans and people new to Eightball should checc it out for real though and witness why the South is on top.
Almost Famous EP
Average customer rating: Not rated
    Almost Famous EP
    Yung Berg
    Manufacturer: Epic
    ProductGroup: Music
    Binding: Audio CD

    Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
    GeneralGeneral | Rap & Hip-Hop | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
    ASIN: B000R7I3S2
    Release Date: 2007-07-24

    Tracks:

    1. Sexy Lady [Radio Edit]
    2. Into It [Clean Version]
    3. Where Do We Go [Clean Version] - Twista, Yung Berg
    4. Almost Famous [Clean Version]
    5. Sexy Lady [Clean Version][Mix] - Rich Boy, Yung Berg
    6. Painkiller - Nikki Flores, Yung Berg
    7. [CD-R Track]
    Sometimes in Bad Weather
    Average customer rating: Not rated
      Sometimes in Bad Weather

      Manufacturer: Almost Famous
      ProductGroup: Music
      Binding: Audio CD
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      ASIN: B0002RJB2Y
      Almost Famous
      Average customer rating: Not rated
        Almost Famous
        8ball
        Manufacturer: 8 Ways Ent.
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Rap & Hip-Hop | Styles | Music
        Southern RapSouthern Rap | Rap & Hip-Hop | Styles | Music
        Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
        ASIN: B000B5KQX0
        Release Date: 2005-10-25

        Tracks:

        1. Thorn
        2. Spit
        3. No Sellout
        4. Holla Back
        5. Live This
        6. Daddy
        7. 4U
        8. Slab Rider
        9. Stop Playin' Games
        10. Do You Really
        11. 2Nite (Don't Do It!)
        12. Witcha' Lookin ***
        13. Stripes
        14. Like Dat'
        15. Don't 4Get

        Product Description

        1. Thorn
        2. Spit
        3. No Sellout
        4. Holla Back
        5. Live This
        6. Daddy
        7. 4U
        8. Slab Rider
        9. Stop Playin’ Games
        10. Do You Really
        11. 2Nite (Don’t Do It!)
        12. Witcha’ Looking’***
        13. Stripes
        14. Like Dat’
        15. Don’t 4Get


        Format: CD

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        10. Child of the Ghetto [Explicit Lyrics]

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