| 1. Thorn - Eightball |
| 2. Spit - Eightball |
| 3. No Sellout - Eightball, Koncrete Kite |
| 4. Holla Back - Eightball, Carl Thomas |
| 5. Live This - Eightball |
| 6. Daddy - Eightball & MJG |
| 7. 4U - Eightball |
| 8. Slab Rider - Eightball |
| 9. Stop Playin' Games - Eightball, Puff Daddy |
| 10. Do You Really - Eightball & MJG |
| 11. 2Nite - Eightball, Koncrete Kite |
| 12. Witcha' Lookin *** - Eightball, Ludacris |
| 13. Stripes - Eightball |
| 14. Like Dat' - Eightball |
| 15. Don't 4Get - Dorasel, Eightball, |
Almost Famous,Eightball,Jcor Entertainment,Dirty South,Pop,Rap & Hip-Hop,Southern Rap
Average customer rating:
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Almost Famous
Various Artists - Soundtracks Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XR5G Release Date: 2000-09-12 |
Tracks:
- America - Simon and Garfunkel
- Sparks - The Who
- It Wouldn't Have Made Any Difference - Todd Rundgren
- I've Seen All Good People: Your Move - Yes
- Feel Flows - The Beach Boys
- Fever Dog - Stillwater
- Every Picture Tells A Story - Rod Stewart
- Mr. Farmer - The Seeds
- One Way Out - The Allman Brothers Band
- Simple Man - Lynyrd Skynyrd
- That's The Way - Led Zeppelin
- Tiny Dancer - Elton John
- Lucky Trumble - Nancy Wilson
- I'm Waiting For The Man - David Bowie
- The Wind - Cat Stevens
- Slip Away - Clarence Carter
- Something In The Air - Thunderclap Newman
Amazon.com
Writer-director Cameron Crowe (Jerry Maguire, Say Anything, Singles) was a teenager when Rolling Stone magazine sent him out to write cover stories in the 1970s. Nearly 30 years later, Crowe tells the tale in satisfying fashion and extensive detail with Almost Famous, accompanied by a soundtrack that accurately reflects the time of his trial by fire. Led Zeppelin have never before licensed a performance to a soundtrack, so "That's the Way" earns the distinction. A live version of Lou Reed's "Waiting for the Man" performed by David Bowie in 1972 typifies the emerging underground glam movement. Classic rock from Simon & Garfunkel, Rod Stewart, Elton John, and Yes fill things out. Cat Stevens's "The Wind" is rescued from the Timberland commercial. Nancy Wilson of Heart contributes the original score (one track, "Lucky Trumble," featured here) and a track by the fictitious hard-rock band Stillwater, whose "Fever Dog" sounds like a lost track from the hard-rock-guitar wars of the 1970s. Add in tracks by garage-rock faves the Seeds, soul strutter Clarence Carter, and Southern rockers Lynyrd Skynyrd and the Allman Brothers Band and you've got an expansive collection of tunes to sift through. More than 50 songs are featured in the film. Next question: when's volume 2? --Rob O'ConnorCustomer Reviews:
The Movie Made Me Want the CD.......2007-03-16
I love this movie and I love this soundtrack..........2007-02-24
One Of The Best Movie Sound Tracks, Evah.......2006-10-30
I really like this album because there are songs on it that you just don't hear on ordinary music stations...even the so called 'classic rock' stations. To hear the Seeds singing, Mr. Farmer, threw me back to the day when my cousin had the original 45 of the group. There is also the infamous group, Stillwater, the group which the movie is focused on. Stillwater wasn't actually a real group in the 70s, but the song that they played in the movie, 'Fever Dog' sounds like something pulled out from that crazy time. I think it was actually written by Peter Frampton who was practically rock 'n roll royalty in the mid 70s with his classic two album masterpiece, Frampton Comes Alive. Here's a shocker for you if you didn't already know this, parts of Frampton Comes Alive was done in the studio and the background of clapping and cheering was put in later. Sorry to bum you out...oh, and you know the tooth fairy, she doesn't exist, either...so take the tooth out from under your pillow. For godssakes, you're 39 years old....
But this record is no fairy tale, it's a real solid entry on my favorite movie soundtracks list. The first being from the movie, Singles, which was also, coincidentally enough, also by Cameron Crowe. For the most part, I tend to lean toward jazz and soul music, but I still love great rock 'n roll, and this compilation has everything from mellow Cat Stevens to the loud and racous the Who playing a little known instrumental called, Sparks, and it is all great stuff.
So, are you gonna get it or what? I'm done blabbering. I'm just waiting for Big Foot and the Loch Ness Monster and we're gonna go to lunch...
Peace and Blessings.
Stillwater CD.......2006-08-12
Stillwater.......2006-08-11
Average customer rating:
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Honky Chateau
Elton John Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001EGE Release Date: 1996-05-14 |
Tracks:
- Honky Cat
- Mellow
- I Think I'm Going To Kill Myself
- Susie (Dramas)
- Rocket Man (I Think It's Going To Be A Long, Long Time)
- Salvation
- Slave
- Amy
- Mona Lisas And Mad Hatters
- Hercules
- Slave (Alternate Version)
Amazon.com essential recording
By 1972, Elton John was already a rising star in America, although most casual listeners still identified him as part of the singer/songwriter explosion, thanks to the success of "Your Song" and "Levon." Honky Château changed all that, beginning with the success of "Honky Cat," a rousing New Orleans-ish R&B powerhouse that kicks off this terrific collection of songs. This was the album that first revealed John as a pure-pop craftsman, and he's all over the musical map on this set, moving from country-ish rock to blues-based rockers. But the best things here still might be two gorgeous ballads: "Mona Lisas & Mad Hatters" (displaying the young vocalist at his best) and the hit single "Rocket Man" (which had many rock fans debating which was the better space odyssey of the day--this or Bowie's). And lyricist Bernie Taupin was revealing a new, slightly darker side here via tunes like "I Think I'm Gonna Kill Myself." --Bill HoldshipCustomer Reviews:
The Honky Cat breaks from the pack.......2007-06-12
The first single, "Honky Cat," was the harbinger. Set more to a New Orleans piano roll than any previous song, it was poppier than any of his other singles. "Rocket Man" immediately raised the bar. Riding the same trail David Bowie and Major Tom did, "Rocket Man" followed a space oddity of an astronaut with job satisfaction issues; "It's just my job, five days a week." These two hits pushed Elton and lyricist Bernie Taupin off and away from their past labels and moved then onto a fast lane towards rock stardom. Throughout the other songs on the album, Elton's strength for melodies was in full bloom and his confidence was growing, while Bernie's words were as oblique as ever (which was one of his strongest suites).
That motion was also significantly aided by the codification of Elton's band. Stalwarts Nigel Olsson, Dee Murray and Davey Johnston sounded terrific here, recording as Elton's backing for the first time. They matched Elton's flair, making songs like "Mona Lisas and Mad Hatters" and "I Think I'm Gonna Kill Myself" spark. Gus Dudgeon obviously understood what Elton was aiming for and kept his production to a more minimal level than on the other albums. The result was the first Elton John album to reflect the personality that would come to dominate the public image of his showmanship. It also became the first of Elton's seven consecutive #1 albums.
Elton Goes Pop........2007-04-24
After his two previous albums which were artistic, but not commercial triumphs, Elton went for the larger audience with HONKY CHATEAU and created a more pop orientated album, without sacrficing his artistic ideals. He started to shake off the obsession with the American Wild West and sang about more modern subjects. Americana is atill in evidence especially on HONKY CAT, SLAVE, MONA LISAS AND MAD HATTEERS and ROCKET MAN but it is more varied. Nothing wrong with that as I was getting tired of hearing about people labelled as "guns" in his previous albums. The seeds of what can be described as Elton's band, Nigel Olsson, Davey Johnstone and Dee Murray originated here and they were the core of musicians during Elton's golden period in the early and mid 70's. Even Ray Cooper plays on some tracks.
The cover is one of the most misleading I have seen. Who is that bearded, serious guy? Surely a better cover could have been deivsed. Anyway to the album itself. I would like to give it 4.5 stars but am not allowed by the rating system. Song titles are followed by the song time.
It kicks off with HONKY CAT (5.13). I haven't heard Elton having this much fun since he sang THE CAGE on his self-titled album which was three albums previous. This is a great song with great Taupin lyrics. Definitely one of my favourites.
Next is MELLOW (5.32). This one I can skip although most reviewrs consider it a highlight. I like the verse but not the chorus and it goes on too long. On of my peeves with artists is songs that go on longer than they should. This is one of them. Too many chorus repeats.
Song 3 is I THINK I"M GOING TO KILL MYSELF (3.34). This is very light-hearted and not to be taken seriously. Just listen to the arrangement! Honky-tonk piano, tap dancing and spoons. Sounds like a big spoof.
SUSIE (DRAMAS) (3.24). Another favourite and it is the first gutsy song on the album. The Dramas part escapes me and is not necessary. BLACK-EYED SUSIE would have been a better song title.
Then comes ROCKET MAN (4.41). One of Elton's biggest hits. Great tune, great vocal, great arrangement but some of the lyrics are lazy especially in Verses 3 and 4. "Mars ain't the kind of place to raise your kids. In fact it's cold as hell" are two wonderful lines but what follows "and there's no-one there to raise them if you did" doesn't make much sense". The next verse about "it's just my job five days a week, a rocket man" etc is also a letdown.
The next two songs: SALVATION (3.58) and SLAVE (4.20) are the two most dismissed songs by other reviewers. SALVATION is quit a nice song with a gospel feel to it but I think SLAVE is a highlight. It has a very laid back whimsical feel to it although the lyrics are on the angry side and it is rare on an Elton song that the keyboards take a back seat. Great acoustic guitar, country guitar and banjo all played by Davey Johnstone!
AMY (4.03) is probably the weirdest song on the album and one of Elton's most unique songs in that there is no tune!. You cannot sing or whistle it but that is why I like it. Very odd lyrics but I love the line "Amy you're the girl that wrecks my dreams". Aslo listen to the bizarre electric violin played by Jean-Luc Ponty!
MONA LISAS AND MAD HATTERS (5.00) gets the most praise and it does hit the nail on the head about New York City. My only problem is that it cries out for a third verse and not an amalgamation of Verses 1 + 2. I feel the song is over half-way through and it has nothing to say for the last two minutes. Sorry for going against the grain of thinking. But it is my one main gripe about Elton John in that some songs could be shorter. TINY DANCER, MY FATHER"S GUN, BENNIE AND THE JETS and SOMEONE SAVED MY LIFE TONIGHT are other examples.
Last song is HERCULES (5.20) which is a lot of fun and ends the album on a fun singalong note! Obscure lyrics again from Bernie. I can just about glean from the words that it is about a girl in love with a muscle boy but the words incorporate much more that I cannot fathom.
There is also a bonus track, a fast rocking version of SLAVE(2.51) which is worth listening to but the album version is much better.
one of the best.......2007-03-15
Although Rocket Man and Honky Cat were big singles, I actually prefer some of the album tracks. Mellow is a great gospel influenced track. Hercules is cracking rock 'n' roll song. Its a very happy album, and there isn't really a poor track on it.
For me probably only beaten by Tumbleweed and Yellow Brick Road. Its probably also a good buy for anyone new to Elton's music as well, as there isn't the darkness of some of the earlier albums (which are very good as well but more of an aquired taste), or the sometimes overly MOR later albums.
elton john- honky chateau.......2007-01-19
Classic EEJ!.......2007-01-12
We begin with Honky Cat ("WHOO"!). Next: we "mellow" out with "Mellow".
1 of my all time faves is " I Think I'm Gonna Kill Myself!" as :1, it's a campy tongue in cheek number, & 2: at the time, I was in High School.
Enuff said! "Suzie (Dramas)" is next followed by my all time epic fave:
Rocket Man!!! Side 2 starts with "Salvation". Then "Slave"& rock out to
"Amy". Calming down with "Mona Lisas & Mad Hatters" & we conclude with (a cat named) "Hercules!" (EJ's middle name, as it were!) BOOGIE ON!!!
Average customer rating:
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Almost Famous EP
Yung Berg Manufacturer: Epic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QFAG1C Release Date: 2007-07-24 |
Tracks:
- Sexy Lady
- Into It
- Where Do We Go
- Almost Famous
- Sexy Lady
- Painkiller
Customer Reviews:
2 stars just because of the single.............2007-07-31
This EP starts off strong (if that is the appropriate word, it depends on how you feel about the single Sexy Lady) and then goes straight down the crapper and never looks back.
Just like almost all other new rappers, Yung Berg says absolutely nothing witty or original, on the song Almost Famous his verses would be comparable to Fabolous if he threw in some interesting metaphors/similies/analogies....but he does none of the above. Why Twista agreed to be on Where Do We Go is beyond me, why would you associate yourself with this clown? Doesn't really matter because even his verse is really generic and bland.
I thought maybe the remix would be good, but Jim Jones is whack as usual, Berg's new verse is just like the rest of his verses on the CD, nothing special, and the previous two makes Rich Boy's turn on the mic look like a highlight.
Even if you are someone that only pays attention to beats you can't give this EP much credit, the best are the Sexy Lady and Where Do We Go.....the last track, Painkiller, apparently isn't even a Yung Berg song but some R&B song by Nikki Flores. He drops a very forgettable verse, i don't even think its a full 16 bars. The beat on the song is average, but for me, as I get ready to throw on the new Common CD, an average beat isn't gonna save a darn thing, you gotta say somethin worth our time.
The best advice anyone can give Yung Berg is to pull this off the shelves and put Sexy Lady on his full CD in the fall - go back to the drawing board and think of something creative to say sohis debut doesn't bomb.
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Almost Famous
The Living Legends ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UT74 Release Date: 2001-10-10 |
Tracks:
- Gotta Question For Ya
- Night Prowler feat. Slug
- That Looks Good
- Black Glass
- Rabbit Hole
- Common Ground feat. JC
- Flawless
- What Would I Be feat. N8 the GR8 and Krush
- Anything You Want
- Gift Wrap
- War Games
- Forces of Nature
- Osaka Tales
- Soap Boxn
- Not Here feat. Pep Love and Jo Wilkinson
- Nothing Less feat. Slug
Album Description
This highly anticipated release is the first official Living Legend crew album. Simply put, it is the hottest thing out. Features guest spots from Slug of AtmosphereCustomer Reviews:
Absolutely Amazing.......2006-10-12
Outstanding!.......2006-04-25
This is One great great great Album! Hella ill beats, even better lyrics and raps. These guys know how to rap and they do it with more confidence than ive ever heard.
Any head can get down to this awesome number. Buying is a must for any Hip Hop Realest! 5 Stars!
One of the best from the Undaground........2006-01-20
Top Trax:
#2 Night Prowler Feat. Slug, #8 What would I be, #11 War games, #12 Forces of Nature, and #16 Nothing Less Feat. Slug
Classic release.......2005-02-08
LL!.......2004-10-29
Average customer rating:
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Almost Famous
Lumidee Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009V7SX Release Date: 2003-06-24 |
Tracks:
- Almost Famous
- Honestly
- Crashin' A Party
- Never Leave You (Uh Oooh, Uh Oooh)
- For Keeps
- Go With Me
- Only For Your Good
- Suppose To Do
- Air To Breathe
- My Last Thug
- Break Away
- Me & You
- Uh Oooh Remix
Customer Reviews:
Unexpected!.......2007-05-20
THE MUSIC INDUSTRY AT ITS WORST!.......2007-05-17
I HAVE NEVER HEARD THE POOREST EXCUSE FOR AN ALBUM, IN ALL MY LIFE, THIS GIRL, DRONED ON AND ON POPULAR RADIO STATIONS ALL OVER THE COUNTRY, SHE HAS ABSOLUTELY NO TALENT WHAT SO EVER!!!!! IT WAS THE WORST LISTENING EXPERIENCE OF MY LIFE, IF SHE EVER CAME TO PITTSBURGH PA, WHERE I RESIDE, I WOULD PROTEST NON STOP UNTIL SHE WENT AWAY!! I DON'T KNOW WHAT SHE DID WITH WHO, TO GIVE HER ANY KIND OF RECORDING CONTRACT. SHE SHOULD BE BANNED AND SHUNNED
I loved this album!.......2007-02-05
Almost is the word.......2006-11-11
Fun Album.......2006-05-11
Average customer rating:
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Almost Famous
8ball Manufacturer: Jcor Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RIM9 Release Date: 2001-11-20 |
Tracks:
- Thorn
- Spit
- No Sellout
- Holla Back
- Live This
- Daddy
- 4U
- Slab Rider
- Stop Playin' Games
- Do You Really
- 2Nite (Don't Do It)
- Witcha' Lookin ***
- Stripes
- Like Dat'
- Don't 4Get
Customer Reviews:
Already Famous.......2006-10-25
Wut It Dew Fam.......2005-10-27
2nd solo is a decent one.......2005-09-02
#1 - 10 (CLASSIC - great beat)
#2 - 7.5
#3 - 8 (f/ Koncrete)
#4 - 8.5 (f/ Carl Thomas)
#5 - 9 (nice beat)
#6 - 7.5 (f/ MJG -- deeper song about their kids and being away alot)
#7 - 7 (f/ Cliche)
#8 - 5
#9 - 6 (f/ Puff Daddy)
#10 - 8 (f/ MJG)
#11 - 7.5 (f/ Koncrete)
#12 - 8.5 (f/ Ludacris -- nice beat)
#13 - 8.5
#14 - 7
#15 - 7 (f/ Dorasel & Thorough)
Primro Smith -- b. around 1971 -- Memphis, TN
check all my reviews
Eightball- Almost Famous.......2004-01-19
Tight CD..U should try it out.......2002-05-03
He perfectly displays his status on the song "No Sellout' which should be self explanatory. Keeping It real is this man's philosophy and once he hits stride he never stops. The production if I must say is EXCELLENT. This surprised me a little because most of the producers are basically no names. ( not for long though ) The guest rappers such as Ludacris and P. Diddy and Carl Thomas mostly just do the hooks making this a true solo venture. Eightball has a variety of topics to explain to the listener and he is a pretty good storyteller. Songs like Daddy, Slab Rider and Holla Back show these qualities. Stop Playin Games is the club banger and down south classic and Witcha Lookin Ass is a elbow throwing club song and is also tight.
Most people were blind to the fact that this album dropped last year and didn't sell well because of lack of promotion. It's all good though. I'm happy with Eightball being Almost Famous. This album will not disappoint his fans and people new to Eightball should checc it out for real though and witness why the South is on top.
Average customer rating: |
Almost Famous EP
Yung Berg Manufacturer: Epic ProductGroup: Music Binding: Audio CD ASIN: B000R7I3S2 Release Date: 2007-07-24 |
Tracks:
- Sexy Lady [Radio Edit]
- Into It [Clean Version]
- Where Do We Go [Clean Version] - Twista, Yung Berg
- Almost Famous [Clean Version]
- Sexy Lady [Clean Version][Mix] - Rich Boy, Yung Berg
- Painkiller - Nikki Flores, Yung Berg
- [CD-R Track]
Average customer rating: |
Sometimes in Bad Weather
Manufacturer: Almost Famous ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002RJB2Y |
Average customer rating: |
Almost Famous
8ball Manufacturer: 8 Ways Ent. ProductGroup: Music Binding: Audio CD ASIN: B000B5KQX0 Release Date: 2005-10-25 |
Tracks:
- Thorn
- Spit
- No Sellout
- Holla Back
- Live This
- Daddy
- 4U
- Slab Rider
- Stop Playin' Games
- Do You Really
- 2Nite (Don't Do It!)
- Witcha' Lookin ***
- Stripes
- Like Dat'
- Don't 4Get
Product Description
1. Thorn
2. Spit
3. No Sellout
4. Holla Back
5. Live This
6. Daddy
7. 4U
8. Slab Rider
9. Stop Playin’ Games
10. Do You Really
11. 2Nite (Don’t Do It!)
12. Witcha’ Looking’***
13. Stripes
14. Like Dat’
15. Don’t 4Get
Format: CD
Dance Music:
- AOI: Bionix [Explicit Lyrics]
- Bass Dimensions: Bass 2005
- Bass Party 2002 [Explicit Lyrics]
- Beauty and the Beat
- Better Way [Explicit Lyrics]
- Big Boi and Dre Present...Outkast [Explicit Lyrics]
- Bohemian Pimp Project [Explicit Lyrics]
- Bulletproof Wallets [Explicit Lyrics]
- Cappadonna Hits [Explicit Lyrics]
- Child of the Ghetto [Explicit Lyrics]
Dance Music
Freiberg Church Silbermann Organ
Blow for Me a Toot for You [Import]
R&B Music: 36 Shakin Soul Standards [Import]
electronicspartner.com Music: 20 Songs of Faith and Inspiration
Fritz Kreisler Unforgettable Records
Eyes That See in the Dark [Import]
Jazz Music: 'Round About Midnight
First Time Ever I Saw Your Face [Import] [Limited Edition] [Original recording remastered]