| 1. Double J & Haze Radio Edit |
| 2. Friscia & Lamboy Radio Edit |
| 3. Original Edit |
| 4. Double J & Haze Extended Mix |
| 5. Friscia & Lamboy Remix |
| 6. Original Extended Mix |
Nu Nu (Yeah Yeah),Fannypack,Tommy Boy,5"CD Singles,Club/Dance,Dance-Pop,Neo-Electro,Party Rap,Pop,Pop-Rap,Rap & Hip-Hop
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Nu Med
Balkan Beat Box Manufacturer: Jdub Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OZ2COI Release Date: 2007-05-15 |
Tracks:
- Keep 'Em Straight (Intro)
- Hermetico
- Habibi Min Zaman
- BBBeat
- Digital Monkey
- Balcasio
- Pachima
- Quand Est-ce Qu'on Arrive?
- Mexico City
- Delancey
- Joro Boro
- Gypsy Queens
- $20 For Boban
- Baharim (Outro)
Amazon.com
It seems impossible to avoid the fusion and clash of cultures in world music these days. Connectivity means it's all within your (everyone else's) reach. Here on their second album, Nu Med, Balkan Beat Box continue to play at the nexus of Eastern European, klezmer, Arabic, hip-hop, rock and electronic music. Headed by Israelis Tamir Muskat (drums, programming) and Ori Kaplan (saxophone), the band's sound is far from forced, easily summing up the musicians' lives in their homeland as well as their current experiences living in New York City. As with all great folk songs, the melodies are insistently catchy enough to get listeners to sing or hum along before the song ends. Highlights include the Saharan dancehall cut "Digital Monkey," the insistent "bbbeat," and the Dead Sea surf guitar sound of "Joro Boro," which features singer Dessislava Stefanova. Like the first album, this one is as fun as it is far reaching. --Tad HendricksonCustomer Reviews:
New "med!".......2007-07-12
Well, hopefully lots of people will. East European fusion music is moderately hot right now, with bands like Beirut and Gogol Bordello on the rise. But one of the best ones is Balkan Beat Box, whose second album "Nu Med" further polishes their ethnic hip-hop/rock sound -- it's just a thoroughly colourful, flavourful album.
It opens with a deliciously funky "Keep it Straight," which sounds like an Arabian market being invaded by hip-hop gypsy brass bands. It's followed by the deliciously colourful rap song "Hermetico," riddled with brass blats, handclaps, horses, and a voice telling us, "We're comin' straight through your ears, no complications... here we go, you better listen..."
They follow it with the exotic "Habibi Min Zaman," which sounds like a James Bond soundtrack in the Middle-East, and lead in to a bunch of even better songs: bootyshaking marches, sinuous rap, gypsy music wrapped in electrodance, folksy horn-rock, funky Balkan dance tunes, and colourful folk pop filled with yipping, yowling vocals.
If anything, "Nu Med" is even better than Balkan Beat Box's debut -- it's more polished and melodious, and more relaxed now that they have their sound down. But they don't change much musically, with the core of the music remaining the same: Middle-Eastern and East-European folk music, interwoven with modern dance, rock and hip-hop.
Musically it's a big hodgepodge -- you can hear some steely guitar buried under all the other sounds, which is the most normal part of it. Then you have nimble horns forming sinuous melodies and funky edges, solid drums, some colourful electronica, some accordion and some murmuring violins in "Mexico City," which is the one dud in the album. It's too sedate and mellow for the raucous overall sound.
But they also spice it up with samples and odd sounds -- babies laughing, horses neighing, a man calling out in another language. And in some songs, we get some very heavily accented rapping, usually pretty nonsensical: "I'm the digital monkey/supply the freakin' season with the rhythm that's funky/I come from Belize/but don't belong to no country..."
"Nu Med" takes what Balkan Beat Box had to begin with, and polishes it to gem status. Despite that one dud song, it's a wild, colourful festival ride, full of gypsy music and dance flavour.
This is a fantastic album!.......2007-07-09
the sequel might be better than the original.......2007-05-24
In this record, they've firmly established their groove and the sound here is a more complete package. (And more hilarious cover art: I'm a fan of the parachuting camels motif.) It's also more lyric-heavy than the first one, and filled with live snippets and clips of cheering crowds from tours past, adding to the infectious flavor of the record. At 14 tracks, it probably runs a couple numbers too long, but I'm hard-pressed to tell you which ones should have been cut, because they're all good. If you liked the original Balkan Beat Box, you will like this. And if you don't know BBB yet you can start with this record or the debut without missing out. But you're probably going to end up owning both, like me, because this is some of the most exciting and energetic music being made today.
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This Binary Universe
BT Manufacturer: Digital Sound ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000G8OZ16 Release Date: 2006-08-29 |
Tracks:
- All That Makes Us Human Continues
- Dynamic Symmetry
- The Internal Locus
- 1.618
- See You On The Other Side
- The Antikythera Mechanism
- Good Morning Kaia
Tracks:
- All That Makes Us Human Continues [Music Video]
- Dynamic Symmetry [Music Video]
- The Internal Locus [Music Video]
- 1.618 [Music Video]
- See You On The Other Side [Music Video]
- The Antikythera Mechanism [Music Video]
- Good Morning Kaia [Music Video]
Product Description
1. All That Makes Us Human Continues
2. Dynamic Symmetry
3. The Internal Locus
4. 1.618
5. See You On The Other Side
6. The Antikythera Mechanism
7. Good Morning Kaia
Format: CD
Amazon.com
BT's This Binary Universe is really a follow-up to his 2004 soundtrack to Monster, a brilliant work of cinematic moods and ambient Americana. It was unjustly ignored by both the Oscars and the Grammys, where it should have at least been nominated for Best Surround Sound Recording. None of that has stopped Brian Transeau from going further down this path of expansive ambient electronica that takes him out of the techno-pop and trance direction he had been pursuing. This Binary Universe taps into BT's classical side, with expansive arrangements and intricate, albeit minimalist, thematic development. From the opening of "All That Makes Us Human Continues," BT reveals himself as a master of Eno-esque melancholy, as simple melodies evolve through an electro-orchestral instrumental palette. Lounge jazz with solos in the key of abstract, plaintive arpeggiated guitars, electro marches, minimalist hymns, and pastoral dreamscapes drive an album that seeks out joy and redemption, but not without traveling through the dark. The last track, "Good Morning Kaia," is a paean to his newborn daughter, and the most purely anthemic track on the disc. I suspect the real raison d'être of This Binary Universe is the accompanying 5:1 surround DVD. BT creates an immersive space that's less sonic pinball and more audio sculpture, often revealing different aspects of his music than in the stereo mix. Each song on the DVD has a unique video that includes antique robots, surreal landscape drawings, live action fantasies, and abstract designs. It's the best way to experience this music, but whether you watch the DVD or tune into the stereo CD, This Binary Universe may be the first ambient symphony of the 21st century. --John DilibertoCustomer Reviews:
Yea, the best of the best.......2007-06-30
Really enjoyed track 4 through 6. Even though those are only 3 songs, they are long and change to different styles in the middle. 6 is freaking awesome.
I wanted to give it 5 stars, but because I was expecting something else, I knocked off a star. Good job though.
Brilliant, just brilliant.......2007-06-07
If you like electronica in any way...strike that. If you think sound is kinda groovy, check this out. There will be something here for you.
Very good change for Mr. Transeau.......2007-06-01
On a side note, the reviewer who falsely credited BT with the score to the Matrix movies should check his/her facts first. The score was by Don Davis, a wonderful band named Juno Reactor, and contained songs by Paul Oakenfold, Rob Dougan, and several rock bands, but absolutely no BT songs were on the soundtracks to any of the 3 movies or the "Animatrix" short film collection, or any of the video games (so far).
This is a really interesting album, containing 7 ambient tracks that tend to follow the Concerto style of establishing a theme, varying the theme, then returning to it. Most of these songs follow this pattern in some shape or form. A major theme in here is youth, particularly infantile youth. I believe that Kaia is the name of his daughter, and supposedly he had her in his arms for many parts of this writing process. Many of the melodies are very beautiful in that infantile sort of way, giving you the impression that they are lullabies of sorts.
They are wonderfully crafted with an infinite amount of detail. There are subtle changes to almost every piece in every sequence. This is best enjoyed with headphones or in surround, as many other reviewers have noted.
The only parts that didn't fit well with me were the power chord sections of "Good Morning Kaia" which clashed with the rest of the album. The jazz section of "Dynamic Symmetry" also sounded quite robotic and lifeless. Jazz does not fit in well with the kind of perfection of sound that BT uses, at least in this attempt.
Major highlights are the orchestral sections in "The Antikythera Mechanism", which are booming and powerful, and get torn apart cleverly by his editing. The other is the core of the song "1.618" (a BRAVE title for a song, I might add), which is this gorgeous hook at a walking pace that you could loop and listen to for 20 minutes.
Overall, wonderful sculpting and a dizzying array of effects make the replay value on this music through the roof. A bit more work on the last track and a little more life in the short jazz section would've made it near perfect.
OMFG.......2007-05-16
Amazing!.......2007-05-14
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God's Property From Kirk Franklin's Nu Nation
Kirk Franklin Manufacturer: Gospocentric ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001Y37 Release Date: 1997-05-27 |
Tracks:
- Stomp (Remix)
- My Life Is In Your Hands
- It's Rainin'
- More Than I Can Bear
- Up Above My Head
- Love
- Sweet Spirit
- Faith
- You Are The Only
- So Good
- The Storm Is Over Now
- Stomp (Original Mix)
- He Will Take The Pain Away
Customer Reviews:
Inspiring and energetic.......2007-07-17
Luv it luv it luv it.......2007-06-27
stompin'kirkfranklinfan.......2007-03-01
*IF YOU LOVE TO SING, AND YOU LOVE GOSPEL.............2006-07-14
K.O.'d.......2006-05-11
Kirk F have popped that belief.
My jaw is on the ground.
The trademark tight harmonic vocals and complex beautifully resolving arrangements
( with one foot firmly standing in traditional form and the other
in more meaningful idiomatic R&B stylings ) have withstood the rigors of the sterile production studio and delivered.
It's rare to be satisfied - moved by 4 out of 12 cuts on a CD let alone 10 or 11.
I've always settled for 4 and been grateful...
this CD is golden.
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Global Underground: Mexico City
Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P7V5V6 Release Date: 2007-06-19 |
Tracks:
- Faze Action - In The Trees (Carl Craig C2 Remix #1)
- Revl9n - Walking Machine (SebastiAn Remix)
- Etienne De Crecy - F***
- Kim - Wet N Wild (Midnight Juggernauts Mix)
- Mr Oizo - Half An Edit
- Adam Freeland - Silverlake Pills
- Kim - By The Time They Reach You (Bagraiders Mix)
- Jape - Floating (Alex Metric Remix)
- Beauty School - Disco Sux (Stone Lions Mix)
- Oliver Huntemann - 37°
- Justice - Phantom
- Minimal Compact - Deadly Weapons (Optimo Mix)
- DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
- Phones - Sharpen The Knives
- Trabant - The One (Para One Remix)
- Kavinsky - Testarossa (SebastiAn Remix)
- Evil 9 - Happy Ending
Tracks:
- Spacemen 3 - Ecstasy Symphony
- My My - Butterflies & Zebras
- Lee Jones - There Comes A Time (Prins Thomas Miks)
- Justus Kohncke - Advance
- 120 days - Come Out, Come Down, Fade Out, Be Gone
- Gui Boratto - Terminal
- Holden - Lump
- Cobblestone Jazz - Dump Truck
- Silversun Pickups - Lazy Eye
- Substance & Vainqueur - Immersion
- Fujiya & Miyagi - Ankle Injuries
- Andrew Weatherall - Feathers
- B-Movie - Nowhere Girl (Adam Freeland Mix)
- Mylo - Paris 400 (Aswefall Remix)
- Adam Freeland - Self Indulgent Ending
Customer Reviews:
Not up to Snuff.......2007-07-30
Worst Global Underground Ever.......2007-07-28
A welcome change.......2007-07-08
Anyways, I'm not even sure how the hell to classify the first CD, as it's an energetic frenzied mix of electro, breaks, acid, and guitars. If you're familiar with Ed Banger's catalogue, then you'll have a good idea of what Adam Freeland's going for, as SebastiAn, Justice, and DJ Mehdi all make appearances here. From the moment the CD starts, the energy hardly lets up and Freeland flies through some absolutely sick cuts. A few tracks and sequences that stand out especially are "F**k," "Floating," and "Signatune" leading up to the devastating "Sharpen the Knives." Definitely not for the faint of heart.
The second CD, although less intense, is much more varied. The first three tracks are hypnotic and fairly subdued before building up to a track by 120 Days, a band whose sound reminds me of Kasabian if they went a more psychedelic route. From there Freeland goes through some techy minimal into a downright weird track by James Holden before getting back to a more conventional rock sound with Silversun Pickups (!), which took me by surprise. Many of these groups/bands would be more familiar to indie rock fans than progressive heads, but that doesn't mean there's a drop in quality here. Freeland continues this sound until the mix comes to a distorted fuzzed-out close.
Clearly the people who went out and bought this before doing any sort of research (are they familiar at all with Freeland's track record??) or sampling have themselves to blame. I suggest that anyone else who is curious about this release would sample some of these tracks before making a decision. It's not the best GU mix by a long shot, but it's way more fresh and exciting than a lot of releases lately.
freeland rules.......2007-07-07
Thank goodness something new is coming out of GU.......2007-07-04
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Stay a While
Jay Soto Manufacturer: Nu Groove Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OCZ9Z0 Release Date: 2007-05-29 |
Tracks:
- Stay A While
- Just Like That
- Make It Happen
- Love Has Found A Way
- Slammin'
- Grooveland
- Midnight Drive
- Daydreamin'
- Holding On
- Send One Your Love
- City Slicker
- Jaywalking
Customer Reviews:
Keep your eye on this guy!.......2007-07-12
The Good News: If you put together an album with one or two killer new tracks from each of those guys, this is what it might sound like. I know it's hard to believe, but Stay a While is *that* good.
Stay a While (a title which is just bad grammar and not clever) is filled to the brim with that golden, dripping smooth jazz guitar that is so sweet, you swear it gives you a high. There isn't a single track on here you'll want to skip. And when, from practically out of nowhere, Jeffrey Osborne shows up on track 8, it's a welcome surprise.
After an outing like this, Jay will almost certainly join the pantheon of Smooth Jazz Guitar greats. And once he does settle on a signature tone (likely the next time around) that he can own, watch out!
A Must Have CD!!!!!.......2007-07-03
Dwight Sirls
Recording Artist
This Should Be Your Summer Cruise CD.......2007-06-11
Smoothjazz.com Review.......2007-05-30
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Global Underground: Mexico City
Adam Freeland Manufacturer: Global Underground ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P7V5UW Release Date: 2007-06-19 |
Tracks:
- Faze Action - In The Trees (Carl Craig C2 Remix #1)
- Revl9n - Walking Machine (SebastiAn Remix)
- Etienne De Crecy - F***
- Kim - Wet N Wild (Midnight Juggernauts Mix)
- Mr Oizo - Half An Edit
- Adam Freeland - Silverlake Pills
- Kim - By The Time They Reach You (Bagraiders Mix)
- Jape - Floating (Alex Metric Remix)
- Beauty School - Disco Sux (Stone Lions Mix)
- Oliver Huntemann - 37°
- Justice - Phantom
- Minimal Compact - Deadly Weapons (Optimo Mix)
- DJ Mehdi - Signatune (Thomas Bangalter Edit)/ Spank Rock - Bump (Switch Remix)
- Phones - Sharpen The Knives
- Trabant - The One (Para One Remix)
- Kavinsky - Testarossa (SebastiAn Remix)
- Evil 9 - Happy Ending
Tracks:
- Spacemen 3 - Ecstasy Symphony
- My My - Butterflies & Zebras
- Lee Jones - There Comes A Time (Prins Thomas Miks)
- Justus Kohncke - Advance
- 120 days - Come Out, Come Down, Fade Out, Be Gone
- Gui Boratto - Terminal
- Holden - Lump
- Cobblestone Jazz - Dump Truck
- Silversun Pickups - Lazy Eye
- Substance & Vainqueur - Immersion
- Fujiya & Miyagi - Ankle Injuries
- Andrew Weatherall - Feathers
- B-Movie - Nowhere Girl (Adam Freeland Mix)
- Mylo - Paris 400 (Aswefall Remix)
- Adam Freeland - Self Indulgent Ending
Customer Reviews:
Definitely different, but just plain (throwback word) RAD........2007-07-31
I haven't heard anything from Adam Freeland before this but I will definitely check out more of his stuff now. I think the negative reviews are from people who are disappointed that this album is a 180 from the norm, but if you know not to expect the norm, then get ready for a great experience! This probably should have been released under something other than the "Global Underground" series, like a NU-Breed or something, but the GU people must have wanted to get this guy some exposure, and rightfully so.
Again, different than your usual GU, but one that must be heard, just know what to expect.
"Nothing but Noise"........People listen to the CD!!!! Its a GREAT Mix .......2007-07-12
a refreshing departure from GU's excellent progressive pedigree.......2007-07-10
"This is noisy and awful! I've been a fan of GU ever since the series existed and this is nothing like what they play!"
Yea okay. If this was a Seaman release--or Digweed--then sure, be angry. It would be a complete disaster of sound. You got hooked by the expectation of heavily layered, ethereal progressive house and got edgy, punchy electronica. Complain--people will listen.
But if you have been following Adam Freeland around, or electronic music in general for that matter, you'd know that he's not a progressive house DJ. In fact, he isn't even a house DJ. Known for his blistering breaks and genre-defying sets, Adam has slowly progressed (pardon the pun) towards the French and Australian labels (Ed Banger and Modular come to mind), pushing the boundary between house, electronica, and rock.
To me, the combination is sublime. I love every minute of this release (I'll give the other reviewer some slack since the revl9n track IS a bit weird). If you like artists like SebastiAn, Busy P, Digitalism, The Bagraiders, Ajax, and other "new electro" stars, then pick up this album. If you are a diehard fan of groovy, deep progressive house, then this album shouldn't have even attracted you in the first place.
A real dancer in my book.
Two CD's of noise.......2007-07-07
Fits in perfect.......2007-07-06
Average customer rating:
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Poolside
Nu Shooz Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002IJ9 Release Date: 1990-10-25 |
Tracks:
- Lost Your Number
- I Can't Wait
- Don't Let Me Be the One
- Goin' Thru The Motions
- You Put Me In A Trance
- Point Of No Return
- Secret Message
- Don't You Be Afraid
Customer Reviews:
Classic Disco Dance Music.......2007-06-19
Good debut, awesome power singles! .......2007-06-11
listen to this by the pool.......2007-06-06
Nu Shooz a little scuffed.......2006-01-19
This is a good, not great disc, thanks to their monster hit "I Can't Wait", and its even better follow-up "Point of No Return". The rest of the songs are pleasantly forgettable. Some of the lyrics are downright cringe inducing ("Put a dollar in your cup/when I saw that you were blind"?!? Hey, thanks for the help, Val...) and Valerie Day's nasal vocals can get on one's nerves, though.
Sometimes I swear this is a concept album about communication as the telephone gets mentioned in almost every single song...
"I Cant Wait".......2005-11-04
I Cant Wait continues to be licensed to compilation after compilation - still earning the outfit royalties many years after the original release.
Average customer rating:
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The Nu Nation Project
Kirk Franklin Manufacturer: Zomba ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TSOT Release Date: 2001-10-25 |
Tracks:
- Interlude: The Verdict
- Revolution - Kirk Franklin, Rodney Jenkins
- Lean on Me - Mary J. Blige, Bono, , Kirk Franklin, Kirk Franklin & the Family, R. Kelly, Crystal Lewis,
- Something About the Name Jesus
- Riverside
- He Loves Me
- Gonna Be a Lovely Day - Kirk Franklin, Skip Scarborough, Bill Withers
- Praise Joint [Remix]
- Hold Me Now
- You Are
- Interlude: The Car (Stomp)
- If You've Been Delivered
- Smile Again
- Love [Remix]
- My Desire
- Blessing in the Storm
- I Can
Customer Reviews:
A little disappointed.......2006-08-31
A CLASSIC.......2005-10-07
How inspirational!.......2005-09-01
Kirk and Nu NAtion went up to another level with this disc. The anointing was definitely on them from GOD. This CD touched so many saints and sinners alike. It is an ultimate testimony.
Revolution,Riverside, and If you've been delivered are stand up and dance/shout joints.
Meanwhile Hold me NOw, Lean On me, and Jesus You are still keep me spellbound. I can relate to these three songs very well.
There isn't any song here that I don't like or still know the words in exact memory.
Favs: Hold me nOw, Jesus You Are, My Desire, Riverside, He loves me, and Something about the name.
Kirk and Nu Nation created a certified gospel classic!
Excellent Album.......2005-03-25
Praise GOD, I love this cd!!.......2004-12-13
1. Interlude: The Verdict---I for one really don't like interludes
2. Revolution- 9/10
3. Lean on Me -10/10
4. Something About the Name Jesus-10/10
5. Riverside-11/10!!! Listen to the song and you'll know why!
6. He Loves Me-9/10
7. Gonna Be a Lovely Day-8/10
8. Praise Joint [Remix]-8/10
9. Hold Me Now-8/10
10. You Are-7/10--for reasons, I cannot discuss here
11. Interlude: The Car (Stomp-see above about interludes
12. If You've Been Delivered-8/10
13. Smile Again-9/10
14. Love [Remix]
15. My Desire--this song is AWESOME because my main man Fred Hammond is featured on it 10/10
16. Blessing in the Storm
17. I Can
Average customer rating:
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Edda - An Icelandic Saga - Myths From Medieval Iceland / Sequentia
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IFOM Release Date: 1999-05-18 |
Tracks:
- Myths From Medieval Iceland: Leikr elds ok isa (The Song Of Fire And Ice)
- Myths From Medieval Iceland: Veit ek at ek hekk (Odinn's Rune-verses)
- Myths From Medieval Iceland: Hliods bid ek allar (The Prophecy Of The Seeress)
- Myths From Medieval Iceland: Vreidr var pa Ving-Porr (The Tale Of Prymr)
- Myths From Medieval Iceland: Nu erum komnar (The Song Of The Mill)
- Myths From Medieval Iceland: Baldrs minni (In Memory Of Baldr)
- Myths From Medieval Iceland: Senn voru aesir allir a pingi (Baldr's Dreams)
- Myths From Medieval Iceland: Pat man hon folkvig (The Prophecy Of The Seeress)
- Myths From Medieval Iceland: Ragnarok (The End Of The Gods)
- Myths From Medieval Iceland: A fellr austan um eitrdala (The Prophecy Of The Seeress)
Amazon.com
Sequentia here performs a miracle of musical restoration, bringing to vibrant life medieval Icelandic texts about gods and heroes inhabiting a mythic past. Drawing on oral traditions and informed scholarly speculations about long-dead performing styles, they have come up with a hypnotic disc that startles with its power and beauties. The songs and recitations are interwoven with captivating fiddle tunes, and the singers wrench surprising emotions from the old texts. The late Barbara Thornton shines in her solos and duets, and Benjamin Bagby's mesmerizing chanting, recitation, and singing brings us as close as we're likely to get to sitting at the feet of the bards of old. An extraordinary disc that shouldn't be missed. --Dan DavisCustomer Reviews:
Sings to my DNA.......2007-02-17
Pretty Good.......2007-02-01
But there are also a lot of weak moments. I can't say that there is anything interesting in the instrumentals, which are fortunately few and far between. The Tale of Thrym is ok the first time through, but loses it's appeal very quickly. Odin's Rune Verses lack emotion compared to the rest of the pieces.
I also found the Italian Opera style singing a bit imposing. The rolling of the r's is sometime distracting, and I wondered the first time I heard it if that's what the language really sounds like. Of course, this is my first exposure to Icelandic, so I really couldn't tell you if its right or wrong, but the male singers do it much more than the females. Perhaps it just comes from their background as opera singers.
Overall, this is a good thing to have if you're at all interested in Norse/Icelandic/Viking mythology. If you're not, I think you can skip it.
For the Nordic Soul, an echo across time..........2006-10-23
Medieval Latin? Music.......2006-10-14
A great tool for learning as well as the musical enjoyment.......2006-07-11
I bought this CD because the only foreign language I really retain is from foreign music. The lyrics are decently clear for learning. I didn't expect the insert book to have Icelandic lyrics, but it has that and a translation. There is a summary on each of the poems also.
The music is a bit simple, but the real art is in the song. The singing could even go without instrumentation. The album is 76:52 minutes long.
Dance Music:
- O.G. Ron C. Of Swishahouse Presents Southern's Finest [Explicit Lyrics]
- Pain Is Love [Explicit Lyrics]
- Pity the Fool: Experiments in Therapy Behind the Mask of Music While Handing Out Dummys
- Problem Solvaz [Explicit Lyrics]
- Re-Entry [Explicit Lyrics]
- Release Hell On My Call
- Savage Tactics [Explicit Lyrics]
- Separated at Birth [EP] [Import]
- Severe My Lifestyle [Explicit Lyrics]
- Sippin' Pints of Slow Movement [Explicit Lyrics]
Dance Music
Now More Than Ever [Explicit Lyrics]
Schubert: Works For Piano & Violin
The Solar Myth Approach, Vol. 1
The O'Jays Live in London [Live] [Import]
The Lass with the Delicate Air [Import]
The Kingston Trio/...From the "Hungry i"
Ravel: Piano Concertos; De Falla: Nights in the Gardens of Spain