| 1. Original Version |
| 2. So Solid Crew Remix |
| 3. All I Need Is You (Lp Version) |
Round & Round,Hi-Tek (Ft Jonell),Rawkus Entertainment,Rap
Average customer rating:
|
Lola versus Powerman and the Money-Go-Round, Part One
The Kinks Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KOW Release Date: 1990-10-25 |
Tracks:
- Introduction
- The Contenders
- Strangers
- Denmark Street
- Get Back In Line
- Lola
- Top Of The Pops
- The Moneygoround
- This Time Tomorrow
- A Long Way From Home
- Rats
- Apeman
- Powerman
- Got To Be Free
Amazon.com essential recording
The Kinks' 1970 effort was the penultimate creation in a five-year, six-album burst that ranks just a notch below the great sustained rock & roll eruptions of Bob Dylan, the Beatles, the Stones, and Elvis Costello. Of course, the linchpin to this collection is "Lola," Ray Davies's irresistibly vivid account of the charms of a seductive transvestite. Its daring (for the time) subject matter aside, "Lola" stands as one of the great singles of all time. Add to the list the almost as infectious "Apeman," a slew of funny, shrewd, alienated-rock-star screeds ("Top of the Tops," "The Moneyground," "Powerman"), and a couple of memorable contributions from Ray's brother, Dave ("Strangers," "Rats"), and you have the Kinks at their raucous, righteous, quirky quintessence. --Steven StolderCustomer Reviews:
Meta-Kinks.......2007-05-28
Now that I've given this album another chance, I can't seem to pry it from my CD player. Is this the Kinks' best album? Better than "Village Green Preservation Society?" "Muswell Hillbillies?" It might be. Musically, it's their biggest, boldest statement. Lola is like the seed of a pearl, the album being about the creation of a hit single, first the desperate climb to the top, in "The Contenders," "Denmark Street," "Get Back in Line," followed by the single itself, followed by all the things that followed; hitting "the Top of the Pops," inspiring "The Moneygoround," where people make money off "a song they've never heard," and then the life of being stars, represented by two of the disc's highlights, "This Time Tomorrow" and "A Long Way from Home" -- two of the prettiest melodies Ray Davies ever wrote. Then, finally the sometimes funny, sometimes angry struggle to break free of the commercial monster they've created, in "Apeman," "Powerman," and "Got to be Free." Woven into this narrative are two of Dave Davies' best Kink contributions, "Strangers" and "Rats," which don't fit the story line precisely, but capture its mood, "Strangers" especially.
See? It's an album with a hit single that's about the hit single. And by the end of it, they're running as far away from the hit single as they can. This is meta-fiction, 25 years ahead of its time. But it's not difficult. This album has a little of everything that makes the Kinks great: Beautiful melodies, savage rock riffs, music-hall-style satire, and lyrics both clever and heartfelt. A true treasure. Why didn't I hear it this way before?
Almost Perfect.......2007-05-05
Brilliant concept album.......2006-12-19
This is where Lola shows you who's boss........2006-11-30
Toppermost of the Poppermost.......2006-11-30
Average customer rating:
|
'Round About Midnight
Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B58W Release Date: 2001-04-17 |
Tracks:
- 'Round Midnight
- Ah-Leu-Cha
- All Of You
- Bye Bye Blackbird
- Tadd's Delight
- Dear Old Stockholm
- Two Bass Hit
- Little Melonae
- Budo
- Sweet Sue, Just You
Amazon.com
In 1955, Miles Davis signed on with jazz powerhouse Columbia Records. With alto and tenor saxophonists Cannonball Adderley and John Coltrane, drummer Philly Joe Jones, bassist Paul Chambers, and pianist Red Garland, Davis released 'Round About Midnight, which evinces even more clearly what a phenomenal unit Davis was nurturing. Stylistically, Midnight encompasses standards (or soon-to-be standards) such as "Dear Old Stockholm," "Bye-Bye Blackbird," Tadd Dameron's "Tadd's Delight," and Jackie McLean's forward-thinking composition "Little Melonae." Miles and company reprise "Budo" from the historic Birth of the Cool sessions. The standout track is Davis's Harmon-muted reading of Thelonious Monk's ballad, "'Round Midnight, which is still a Miles standard bearer. Three alternate takes round out the session: "Two Bass Hit" and "Sweet Sue" feature adventuresome solos by Coltrane that preview his masterpiece "Giant Steps." And Garland moves away from his Ahmad Jamal pianisms with his introspective ivory ticklings. If you want to hear the origins of post-bop modern jazz, this is it. --Eugene Holley Jr.Album Description
Part of the 'Master Sound Jazz Series'. Japanese reissue of the classic Columbia album originally released in 1955. DSD mastering. Packaged in a limited edition miniature LP sleeve. 10 tracks. 2000 release.Album Details
Dsd Digitally Remastered. Includes Four Tracks Not on the Original Recording.Customer Reviews:
awesome quintet...legendary recording.........2007-06-20
jazz and why it's hot.......2007-03-10
It's Miles at his best............2007-01-10
A Miles Davis Masterpiece (Review Based On Original Tracks Only).......2006-08-06
One last thing I'd like to comment on is the album's remaster. Up until a few days ago, I had only heard this album on a scratchy old vinyl. And while normally I don't really notice sound quality (except if it's painfully obvious), the remastering job for 'Round About Midnight is excellent.
The Beginning and the End.......2006-07-16
Average customer rating:
|
'Round Midnight
Linda Ronstadt , and Nelson Riddle & His Orchestra Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002H3S Release Date: 1990-10-25 |
Tracks:
- What's New
- I've Got A Crush On You
- Guess I'll Hang My Tears Out To Dry
- Crazy He Calls Me
- Someone To Watch Over Me
- I Don't Stand A Ghost Of A Chance With You
- What'll I Do
- Lover Man (Oh Where Can You Be)
- Good-bye
- When I Fall In Love
- Skylark
- It Never Entered My Mind
- Mean To Me
- When Your Lover Has Gone
- I'm A Fool To Want You
Tracks:
- You Took Advantage Of Me
- Sophisticated Lady
- Can't We Be Friends
- My Old Flame
- Falling In Love Again
- Lush Life
- When You Wish Upon A Star
- Bewitched, Bothered & Bewildered
- You Go To My Head
- But Not For Me
- My Funny Valentine
- I Get Along Without You Very Well
- Am I Blue
- I Love You For Sentimental Reasons
- Straighten Up & Fly Right
- Little Girl Blue
- 'Round Midnight
Customer Reviews:
'Round Midnight.......2007-07-28
Riddle Excellent, Ronstadt OK.......2007-02-06
Have heard much better (and much worse, Rod Stewart, c'mon...), Sinatra, Fitzgerald, Nat King Cole, Peggy Lee.
Most of her songs are sweet, pretty, but not much above what you'd hear with a good 1930's or 1940's "bird" out front of the big band.
Only the best will do.......2006-12-11
I have a hard time comparing her to any other standard singer, but if you want to hear the difference between her and the others just listen to her Christmas CD and that will explain it all. I am a huge Ella Fitzgerald fan and I have heard all the others, but I place Linda right up there in the top 10, if not the top 5, She can sing any type of music and is one of the very best harmony singers ever, just listen to the Trio album.
My favs (if I had to choose) are FUNNY VALENTINE, "ROUND MIDNIGHT, and of course the other title songs, but I love all the songs. It's not just one thing with Linda, it's the whole package, fans will know what I mean.
Pam
Round Midnight.......2006-11-11
Linda deserves 10 stars on this one!.......2006-09-05
Average customer rating:
|
Golijov: Yiddishbbuk
St. Lawrence String Quartet , Todd Palmer , and Ying Quartet Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066SFP Release Date: 2007-01-08 |
Tracks:
- Last Round: Movido, urgente-Macho, cool and dangerous
- Last Round: Lentissimo
- Lullaby And Doina: Lullaby
- Lullaby And Doina: Doina
- Lullaby And Doina: Gallop
- Yiddishbbuk: I
- Yissishbbuk: II
- Yiddishbbuk: III
- The Dreams And Prayers Of Isaac The Blind: Prelude: Calmo, sospeso
- The Dreams And Prayers Of Isaac The Blind: Agitato-Con
- The Dreams And Prayers Of Isaac The Blind: Teneramente-Ruvido-Presto
- The Dreams And Prayers Of Isaac The Blind: Calmo, sospeso-Allegro
- The Dreams And Prayers Of Isaac The Blind: Postlude: Lento,
Amazon.com
This is an amazing recording. It will leave you drained of emotion and speechless with admiration. Osvaldo Golijov was born in Argentina in 1960. His Eastern Jewish family played and listened to music from classical to klezmer and tango. He lived briefly in Jerusalem, absorbing the musical traditions there, and came to America in 1986. His works encompass all the styles he has been exposed to, but except for "Last Round," a "sublimated tango" part raucous, part mournful (and written in homage to Piazzolla), this program represents Golijov's Jewish roots."Lullaby and Doina" incorporates Jewish and Gypsy themes, part slow and sad, part wild and motoric, with a radiant violin solo soaring above the woodwinds. "Yiddishbbuk," written for the St. Lawrence Quartet on Tanglewood's Fromm Commission, is inspired by a line from an apocryphal psalm: "No one sings as purely as those who are in the deepest hell...." Its first movement commemorates three children who perished in the Nazi concentration camp Terezin. Golijov evokes their anguish in music that is by turns wild, raucous, slashing, mysterious, eerie, and always heart-rending. Tremolos flutter up above aching dissonances, alternating with organlike, sustained chords; slides and crashes sound like strangled death cries. Isaac the Blind was a famous kabbalist rabbi and mystic. His "Dreams and Prayers," scored for string quartet and clarinet, are depicted in music that is calm, mysterious, meditative, and devout, but intermittently breaks into traditional dance tunes, and builds up to several tremendous climaxes. The clarinet speaks, sings, sobs, screams, and prays in true klezmer style. The playing is fabulous, the total effect mesmerizing, but the real miracle is that this young Canadian quartet and American clarinetist can identify so completely with a culture surely worlds away from their own. --Edith Eisler
Customer Reviews:
A Strange, Yet Lovely Piece.......2007-05-29
Start here- this is the convincing Golijov........2006-09-15
consistent, vibrant, true..........2005-04-15
As do the performers. The Ying and St. Lawrence Quartets have been playing and laughing and collaborating together for over a decade now and you hear the warmth of their relationship (MOST present on stage) in this work.
Oh, and Todd Palmer pretty much ROCKS, too. When I saw him and the St. Lawrence do this live a little over a year ago he sang and grunted his way through the piece's motley clarinet scoring with elegance, pathos, and humor. And the same vibe is as much in the recording as it was that night.
As boring as the rest of his opus.......2004-02-02
Extremely powerful........2002-08-27
Average customer rating:
|
Myths & Legends Of King Arthur & The Knights Of The Round Table
Rick Wakeman Manufacturer: Fontana a&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GBK Release Date: 1990-10-25 |
Tracks:
- Arthur
- Lady Of The Lake
- Guinevere
- Sir Lancelot And The Black Knight
- Merlin The Magician
- Sir Galahad
- The Last Battle
Customer Reviews:
Wonderful Concept Album.......2007-05-18
From this album I fell in love with the man's work.
Rick Wakeman's best.......2007-04-07
The only serious drawback - mediocre quality of recording.
Needs more blastbeats.......2006-12-01
ARTHUR* Intro track, starts with an "epic" (actually weak) voiceover and then the keys and attempts at bombast come in... I don't know if you've ever heard Bal Sagoth, but the overall corny epic feel of this album reminds me of their work. The synths that are trying to sound like horns work way better here than on stupid black metal albums, no doubt. The keys rule this album, the highlight of this track being the set of atomic cricket chirps heard around 4:50. There's also some cool clean guitar that sounds like someone held a mic within a few feel of an unaware James from Arsis noodling unplugged as a warm-up to his set. All around this is a rocking and powerful track.
LADY OF THE LAKE Total throwaway. Yes, vocals alone can be cool, but this forty-second choral-only track is a piece of poo compared to that amazing moment right before the final movement of Edge of Sanity's Crimson.
GUINEVERE Lame traditional piano wankery to start, almost too much to forgive after the last track already had me looking for a way out. There's a little respite from all sound, then the ballad crap comes in. It's almost saved by the sweet future synths goofing around in the background, but too lame, too late. There's the beloved/hated (just my personal preference on this particular birdsong) crow cackle in the left speaker around 2:00 - I don't think it's farfetched to say this is a not-too-subtle Dim Mak homage. Wakeman's delivery of the word "Guinevere" is almost as incomprehensible as Danzig's take on "Vampira" and much more giggle inducing. This track is all around same-y and something that a chick from another era would probably get down to. The best portion begins at 4:00 when the midget space worms present themselves from their gestation chamber and regale the gathered patrons with their mating song, weemp-whoomped out with joy and lechery in their native tongue. Though this is a track only for the die-hards, it goes out in class, using the "slowing the tape down" effect to gradually and quickly drop the pitch of the fruity chorus we just spent the whole song begging to quit imitating castratos.
SIR LANCELOT AND THE BLACK KNIGHT* Holy moly! This is cheese prog the way it's meant to be done! After the phenomenal and manly "FIGHT! FIGHT! FIGHT!" intro chant, the deliciously dextrous keys take turns with a fervent and testicled singer to craft a fetus-shredding verse. I can't even express how much how the "WHOOH" horn that accompanies the final beat of every sung line during the verses. This cataclysmic energy doesn't let up, all the way through a blazing keyboard solo that makes the wee space larva from the previous track cry to mommy. The best bits from earlier in the song are recycled, generating a medival prog epic that will stand the test of time.
MERLIN THE MAGICIAN Opens with some choral nonsense, this probably sounds cool if you are 5 or if you go to church. Much like The third track, just when the first bit of nonsense lets up, our optimism is punished with yet more nonsense. If I wanted to hear clean piano being played proficiently, I wouldn't have moved out of Mom's house (SHE HAS A PIANO AND I CAN PLAY IT SO EASY). Some three-dimensional sounds appear around 3:15 that attempt to save this slug of a song, but they're not really annihilating the faux-ivory-tickling we've heard in the previous two tracks, making this feel like a useless song built around a mediocre solo. Something so imcomprehensibly terrible that I cannot put it into words happens at 4:50; the only good thing I can say this fifty seconds of terror is that it sort of reminds me of a stage in Super Mario World. More volume-filling, mind-expanding laser solos make me smile towards the end, but my smile is shattered and I am plunged into irreparable depravity as the Mario-esque nonsense returns for a torturous reprise.
SIR GALAHAD I guess Wakeman has a boner for choral intros, but even if I'd had any sort of stiffness, these intros would act as an all too tight condom. After the requisite intro and mellow pre-song nonsense that is becoming a recurring motif, some more nonsense that was probably intended to cause booties to boogie appears, complelling my already flaccid member to desire a safe haven where it can be softened no more. This song is all over the place: not in the worst way possible, but in a way that I don't want to commit more than a few words to the attention-whoring chicanery. Basically, they build it up so you feel like some posers are about to be forcibly removed from the hall, but after the badical buildup, the posers are instead taken by the club owner into the VIP room where they wine and dine our collective sisters.
THE LAST BATTLE There was a smooth segue from the prior track into this nine-minute goliath, so I didn't notice the track change. Our sisters having such a blast and get wasted on champagne probably wasn't helping my focus, either. Not too much on this mediocre and paradoxically non-epic track that we haven't heard yet. Some vocal scat nonsense arrives at 2:47 in an obvious tribute to Katamari Damacy. This last track is clearly dedicated to nap-inducing rather than bombast; I say skip it.
Summary Some fun tracks, some duds, and many cool moments. Many less blastbeats than advertized.
A Legendary Progressive Rock Album.......2006-06-29
master piece.......2006-04-07
Average customer rating:
|
Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
|
Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
|
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SK7 Release Date: 1992-10-20 |
Tracks:
- Opening Solo Violin
- Jeanie With The Light Brown Hair
- Hard Times Come Again No More
- The Voice Of Bygone Days
- Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
- Open Thy Lattice, Love (1844)
- Beautiful Dreamer (1864)
- That's What's The Matter
- Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
- Molly! Do You Love Me? (1850)
- Sweetly She Sleeps, My Alice Fair (1851)
- Comrades, Fill No Glass For Me (1855)
- Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
- My Wife Is A Most Knowing Woman (1863)
- Gentle Annie (1856)
- Linger In Blissful Repose (1858)
- Ah! May The Red Rose Live Alway (1850)
Customer Reviews:
It's Dreamy.......2007-01-10
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).
The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.
Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.
I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.
If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."
If you love good music, and you have heart which can be stirred, and you love your country, this is for you.
I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.
I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.
My Favorite Composer of all time.......2006-08-20
I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour
but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..
An American classic from Hampson that brings smiles and tears.......2006-07-17
In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.
OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.
It's simply lovely.......2004-12-14
This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
Average customer rating:
|
Slow Motion Addict
Carina Round Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F3UAF2 Release Date: 2007-06-05 |
Tracks:
- Stolen Car
- How Many Times
- Gravity Lies
- Ready To Confess
- Want More
- Take The Money
- Down Slow
- Come To You
- Slow Motion Addict
- January Heart
- The Disconnection
- The City
Customer Reviews:
A great voice with songwriting to back it up.......2007-07-07
The album starts off with a bang on "Stolen Cars" one of the albums best songs. It features an insanely catchy chorus showcases Carina's use of hard/soft dynamics. This song is followed by the still upbeat "How Many Times" which is another great song. After that is "Gravity Lies" and "Ready to Confess" which still keep the energy up. While "Gravity" one the best songs lyrically here goes back to the loud/soft dynamic, "Ready to Confess" is just an all out rocker. This followed by one of my favorites, "I Want More" it is a fun, well written song. It begins with one of the best lines on the album:"It's not me/I'm representing someone who died during the conversation" The vocals are very emotional here.
Track #6 is an album highlight. "Take the Money" is a sarcastic examination of the music industry and selling out. A very catchy, clever , well written song.
After this the album slows down a little. "Down Slow" is a good enough song but doesn't stick out like all the other songs. However, it is followed by the remarkable "Come to You" Carina's voice on the choruses just soars, and the multi tracking on the verses just makes for a beautiful song. A real pleasure to listen to. The title track is next, and is another great song,well sung, eventually fading into two minutes plus of lovely guitar drone. Instrumentally, this song is one of the more impressive here.
"January Heart" is a gorgeous slow ballad, followed by another,"The Disconnection", which was the title of her second album. The strings on this track make it stand out, but it is overshadowed by the two tracks surrounding it. Closing everything out is the masterful, slowly building "The City" which culminates in Multi-tracking of Carina's voice singing us out. It's a beautiful sound.
Overall, this album puts other female singer-songwriters and singer-songwriters in general to shame. Carina's voice is a thing of beauty that deserves to be heard by all. Normally I don't like when the faster and slower material is separated so clearly as it is on this album but in this case it works well. I would highly recommend this to pop music fans, singer-songwriter fans, or just fans of good music in general. No doubt will rate as one of 2007's best albums.
Average customer rating:
|
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
Please buy it.
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Dance Music:
- Scienz of Life/Yikes [CD-single]
- Smash Sumthin/Let's Get Dirty (I Can't G [CD-single] [Import]
- Souls of a Silent City
- Soundbombing [Explicit Lyrics]
- Southern Hostility (Chopped & Screwed) [Explicit Lyrics]
- Southern Hostility (Chopped & Screwed) [Explicit Lyrics]
- Steady Ballin & Top Billin [Explicit Lyrics]
- Steel Gangstaz [Explicit Lyrics]
- Texas Ballin' (Chopped & Screwed) [Explicit Lyrics]
- Texas Ballin' [Explicit Lyrics]
Dance Music
Something to Remember Me By [Import]
Sym 92 Oxford & Sym 103 Drum Roll
Rarum, Vol. 14: Selected Recordings [Original recording remastered]
Unleash the Dragon, Vol. 1 & 2 [CD-single] [Import]
The Complete, Vol. 3 [Box set]