Forever and a Day [Explicit Lyrics]

Forever and a Day [Explicit Lyrics]

Track Listings

1. Still Bangin' Screw - Lil' Flip,
2. Nothing but Love - Lil' Keke
3. Young and the Wood - Wood,
4. I Miss My Dog - Big Pokey, Chris Ward
5. Streets of Sin
6. What You Gonna Do - Ace Deuce,
7. Trying to Get My Life Together - 20-2-Life
8. What's Up - Botany Boyz
9. Bustin' on the Track
10. Jammin' Nothing but Screw - Al-D,
11. S.U.C. to the Finish - Grace, Trae, Trae
12. Under the Floor - Paul-Helmut Zrocke
13. You Made It Happen - H.A.W.K.
14. I Miss You - C-Note, C-Note
15. Watch What You Do - ESG

Forever and a Day,Screw Heads,Jcor Entertainment,Dirty South,Pop,Rap & Hip-Hop,Tribute Albums
A Day to Remember - Instrumental Music for Your Wedding Day
Average customer rating: 5 out of 5 stars
  • A Beautiful Wedding
  • Wonderful!
  • Good CD for Wedding
  • A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers
  • great choice!
 A Day to Remember - Instrumental Music for Your Wedding Day
O'Neill Brothers
Manufacturer: O'Neill Brothers
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Day to Remember vol II
  2. Classical Wedding
  3. 25 Wedding Favorites
  4. Heart Beats: Now & Forever - Timeless Wedding Songs
  5. I Will Be Here: 25 of Today's Best Wedding & Love Songs

ASIN: B000066RG3
Release Date: 2002-04-25

Tracks:

  1. Falling in Love - Tim and Ryan O'Neill
  2. Wachet Auf - J.S. Bach
  3. Air on a G String - J.S. Bach
  4. Air (from Water Music) - Handel
  5. Reminiscent Joy - Tim and Ryan O'Neill
  6. Canon in D - Pachelbel
  7. Jesu, Joy of Man's Desiring - J.S. Bach
  8. The Wedding Song (There is Love) - Stookey
  9. Ave Maria - Schubert
  10. I Will Be Here - Steven Curtis Chapman
  11. The Gift of Love (Water is Wide melody)
  12. Spring (from The Four Seasons) - Vivaldi
  13. Ode to Joy - Beethoven
  14. From This Moment On - Shania Twain
  15. The Way You Look Tonight - Kern
  16. Forever in Love - Kenny G

Album Description

After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.

It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance

Customer Reviews:

5 out of 5 stars A Beautiful Wedding.......2007-07-10

This CD made all the difference in our wedding celebration. The songs were simply beautiful. The CD was delivered promptly. I would definitely buy from this vendor again.

5 out of 5 stars Wonderful!.......2007-03-23

This is exactly what I was looking for for my wedding day. It's a beautiful cd, absolutely perfect.

5 out of 5 stars Good CD for Wedding.......2007-03-21

All great music for weddings. It really does have all the music I want to use!

5 out of 5 stars A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07

The music was just perfect for our wedding--not too formal, not too simple.

5 out of 5 stars great choice!.......2007-01-10

There are so many different songs to choose from on this cd and it's a great buy. whether you want to play it while eating dinner at the wedding, to walking down the isle, it's wonderful!!!!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Classic Julie Classic Broadway
Average customer rating: 4.5 out of 5 stars
  • 5 STARS AND THEN SOME !!
  • Pretty Sad,
  • I FELL IN LOVE WITH JULIE ALL OVER AGAIN
  • A Great Julie Andrews CD
  • Climbing Every Mountain with Mary Poppins
 Classic Julie Classic Broadway

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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  1. Broadway: The Music of Richard Rodgers
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ASIN: B00005KBBR
Release Date: 2001-06-19

Tracks:

  1. On A Clear Day
  2. A Cock-Eyed Optimist
  3. Hello, Young Lovers
  4. Here I'll Stay
  5. My Fair Lady Shuffle: Overture/Wouldn't It Be Loverly/Let A Woman/Just You Wait/Poor Professional...
  6. Getting To Know You
  7. Living In The Shadows
  8. Bewitched
  9. I Have Dreamed
  10. My Funny Valentine
  11. Camelot Suite: Camelot/The Simple Joys Of Maidenhood/How To Handle A Woman/If Ever I Would...
  12. Crazy World
  13. If I Loved You
  14. Edelweiss
  15. The Sound Of Music

Customer Reviews:

5 out of 5 stars 5 STARS AND THEN SOME !!.......2006-02-10

Oh Julie, the songs you sang on this CD are superb. I wish you could still give us that joy. If you can only sing in the low registers, give us jazz!! You can do it I just know you can!!

2 out of 5 stars Pretty Sad, .......2005-10-27

Hollywood veteran Julie Andrews has had a glorious career, but not without its downsides. Her legend is built on "The Sound of Music" and "Mary Poppins" and other glorious roles. Her abilities as a singer were never impressive or great, her voice often sounded weak, but she always knew how to sing around her very limited vocal range. On this collection she performs some of the greatest Broadway tunes ever written and even though she does a good job, her voice just doesn't hold up against many of these tunes. Her warmth is felt all over the album, in "Here I'll Stay" she wraps her gentle, but narrow, voice around it and in "My Funny Valentine" she sticks to the lower register of her voice. However, in the re-recording of her classic "Sound of Music" and in "On a Clear Day You Can See Forever" her voice fails her, it often sounds thin and airy and it's actually quite sad to listen to. When all is said and done Julie Andrews remains a great talent, and most of that talent is largely due to her amazing capability as a performer and her genuine warmth.

5 out of 5 stars I FELL IN LOVE WITH JULIE ALL OVER AGAIN.......2005-06-25

As a young kid growing up in the Philippines I remember my Dad playing his state-of-the-art Aiwa tape recorder back in the 60s and hearing Julie Andrews' voice - truly the voice of an angel! Now, hearing these songs again with adult ears I fell in love with her voice all over again !

5 out of 5 stars A Great Julie Andrews CD.......2002-01-27

If you are a fan of Dame Julie's and musicals, this is the cd for you. It is a compilation of songs from prevously released albums; The King and I, The Music of Richard Rodgers, Here I'll Stay, and Victor/Victoria, Original Broadway Cast Recording.
I found the material to be very well put together giving the listener selections from My Fair Lady, Camelot, The Sound of Music, Victor/Victoria and others. What more could you want?
As for Ms. Andrews, she is superb. There is simply no one like her. I have heard comments that prior to the infamous throat surgery she was unable to handle the difficult material and hit those high notes. This is just not true. All you have to do is listen to these songs recorded in the early 90's to know that she still had a marvelous voice. Lets hope that one day she will be able to sing and record again. If not, these may be her last recordings so treasure them.

The My Fair Lady suite is wonderful and Ms. Andrews definitely hit the high note at the end of "I Could Have Danced All Night".
Her version of "Edelweiss" and "The Sound of Music" are lovely.
Also worth listening to is "Living in the Shadows" written for the Broadway production of Victor/Victoria so you won't find it on the movie soundtrack. The lyrics are by Leslie Bricusse who also penned "Crazy World", which is another great selection on this cd.

Overall this is a cd worth having in your collection, so buy it today. Otherwise you are missing out.

5 out of 5 stars Climbing Every Mountain with Mary Poppins.......2002-01-22

Julie Andrews and her music have been an inspiration to me
every since I stepped into a theater and watched Mary Poppins
(many years ago). I admire her talent and her voice on this CD. I know it is not as clear a voice as she used to have but I still enjoy listening to her. I listen to this CD when I want a "pick me up" and am proud to have it as part of my collection.
On A Clear Day You Can See Forever (1970 Film)
Average customer rating: 3.5 out of 5 stars
  • A Great Movie
  • Barbra at her most comical
  • There is a great score in there somewhere...
  • Barbra is Worth the 12 Bucks
  • **THANK GOD FOR my iPOD** GOODBYE YVES!!
 On A Clear Day You Can See Forever (1970 Film)
Burton Lane , and Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. On a Clear Day You Can See Forever
  2. People
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ASIN: B0000029BJ
Release Date: 1993-10-19

Tracks:

  1. Hurry! It's Lovely Up Here
  2. Main Title- On A Clear Day (You Can See Forever )
  3. Love With All The Trimmings
  4. Melinda
  5. Go To Sleep
  6. He Isn't You
  7. What Did I Have That I Don't Have
  8. Come Back To Me
  9. On A Clear Day (You Can See Forever)
  10. On a Clear Day (You Can See Forever)(Reprise)

Customer Reviews:

5 out of 5 stars A Great Movie.......2007-01-12

This is one of my favorite Streisand movies and to see Jack Nichholson so young is always a treat. The acting, story and singing are fantastic. I'm so glad it came out on DVD and I LOVE the songs.

5 out of 5 stars Barbra at her most comical.......2005-08-21

I have been waiting for a great many years for this movie to finally be released on DVD format. My VHS copy is close to being worn out its been watched so many times. At last, one of Barbra Streisand's best and funniest movies can be seen cleaned up and in widescreen. Hallelujah! If you like her other comedies, you'll love this one where our girl plays a chain smoker with, as she puts it, no character, not even any characteristics. In her quest to quit smoking; a worthy undertaking in any age, our irritating heroine, turns to Psychiatry Lecturer/Hypnotist Dr Marc Chabot; played by Yves Montand and, in the process a previous life as Melinda Winifred Wayne Tentrees is uncovered in which she is a player in Regency society. She plays a woman with strong psychic gifts that whilst they are the making of her, through misuse, prove to be her downfall. The film is by turns funny, wistful and sad and ultimately expresses the feeling that in the end all things work out no matter how many lives you have lived to get there. With cameo roles from such great character actors as Irene Handl, Roy Kinnear and Jack Nicolson, this film is a treat and contains, to my mind, some of Miss Streisand's best songs especially; and I'm, a big softy here, "Love With All The Trimmings" and "He Isn't You". In addition , the film showcases Brighton's Royal Pavillion in all its glory as built by The Prince Regent, who later became King George IV; Kinnear. Take my advice, if you like Barbra Streisand, you cannot fail to love this film. Go on, BUY it, you know you want to.

2 out of 5 stars There is a great score in there somewhere..........2005-07-22

Between Yves Montand's rather impenetrable French accent and Barbra Streisand's incredibly self-indulgent, molasses-like readings, much of the charm and beauty of the Burton Lane-Alan Jay Lerner score is completely lost in this soundtrack from the 1970 film version of the Broadway musical. Nelson Riddle provides some swinging arrangements (Even the studio chorus enjoys itself while intoning the title song in the credit sequence), but perhaps this very treatment of the score was the stars' cue to provide lazy phrasing and unnecessary jazzups in their singing. Several of the songs from the Broadway score have been cut, the chief loss being the delightful "Wait Till We're Sixty Five." (Perhaps that was cut less because it was somewhat irrelevant to the main story than because it was sung not by Streisand or Montand but by Streisand's character's fiancee. And yet a Broadway regular of the 50s and 60s, Larry Blyden, plays the fiancee in the movie! Ah, Hollywood...) The ballad "She Wasn't You" has become "He Isn't You" (One of Streisand's better moments), and two songs have been added, "Love With All the Trimmings" and the delightful "Go to Sleep," in which Streisand fights with her own conscience over her attraction to Montand, the psychiatrist who's really interested in her past life as an English noblewoman. (Yeah, right!) Barbra does manage a few lovely tones in the final reprise of the title tune, but her sudden shift to over-the-top belt in the middle of the song is so ridiculous and ripe for parody that "Forbidden Broadway" had a field day with it. Listen to their version and you'll get the gist of her whole performance right there. Streisand fanatics probably won't care what she sounds like; those who actually want to hear the score are better off with the original Broadway cast recording with the delightful, energetic Barbara Harris and the wonderfully intense and wholly comprehensible John Cullum.

4 out of 5 stars Barbra is Worth the 12 Bucks.......2005-02-27

For those wondering whether to purchase the Streisand version or the original Broadway cast, I would say definitely get the Broadway cast. Barbra does not fail in the movie soundtrack in the slightest; however, the original has the better of male leads and also includes some of the songs cut from the movie (the same songs that have become my favorites!). Still, if you can manage, definitely get both...Barbra is always worth it!

4 out of 5 stars **THANK GOD FOR my iPOD** GOODBYE YVES!!.......2003-10-14

I've been transferring my music onto my new iPod and got to my Barbra collection(after seeing this great movie again last night;the period costumes by Cecel Beaton are breathtaking).so after over 30 years of listening to that painful voice of yves..he's gone with one click of a button.....he was so miscast it's pathetic!!!
!!I haven't listened to the original broadway music,but i will....after they chopped great songs from Chicago & Cabaret for the movie versions.it hurts me.not to say how the writers of this great music feel!!

BUT..Barbra's voice and her performance are golden!!!
On A Clear Day You Can See Forever: The Original Broadway Cast Recording
Average customer rating: 4.5 out of 5 stars
  • There's more to us then surgeons can remove...
  • CLEAR DAY is a great Broadway score.
  • Delightful score, enlivened by some first rate performances
  • A wonderful Boadway Show
  • A Few Interesting Tidbits
 On A Clear Day You Can See Forever: The Original Broadway Cast Recording
Alan Jay Lerner
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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ASIN: B000003F50
Release Date: 1993-05-11

Tracks:

  1. Overture
  2. Hurry! It's Lovely Up Here!
  3. Tosy And Cosh
  4. On A Clear Day (You Can See Forever)
  5. On The S.S. Bernard Cohn
  6. Don't Tamper With My Sister
  7. She Wasn't You
  8. Melinda
  9. When I'm Being Born Again
  10. What Did I Have That I Don't Have?
  11. Wait Till We're Sixty-Five
  12. Come Back To Me
  13. Finale

Customer Reviews:

5 out of 5 stars There's more to us then surgeons can remove..........2005-11-06

"On a clear day rise and look around you", that is the clarion call from Allan Jay Lerner, from his lyric and libretto of "On A Clear Day". Produced for the 65' 66' Broadway season this charming score remains one of my favorites, composed by Burton Lane and lyrics by the aforementioned Mr. Lerner. The team of Lane and Lerner had previously created "Brigadoon" and a few MGM musical scores. Then in the late fifties Mr Lerner who was on the lookout for a new collaborator, met Mr Lowe at The Lambs Club, and, well they owned Broadway for many a year. Lowe wanted to move back to Europe and enjoy the spoils of his life while Lerner kept going and enlisted Mr Lane to compose this exquisite score. Barbara Harris and John Cullum were the leads in this tale of past lives intersecting with present. The show had a modest run in part because the book was too muddled. I have heard that the book is being rewritten and there will be a revival. It certainly deserves it, lesser shows have been brought back to life while this has been sadly neglected. Meanwhile you can pick up the original cast recording and sing along...you can see forever more. A beautiful score, truely.

5 out of 5 stars CLEAR DAY is a great Broadway score........2004-12-18

When I first heard this score when the show came out in the mid-Sixties, I couldn't get enough of it. The great Barbara Harris was in her prime and she gave the material the kind of voice it deserved. (Unfortunately, Barbra Streisand and Yves Montand didn't do justice to the material. This is a musical with a number of interesting characters and not one that should focus on a STAR. In fact, when the DVD of the movie comes out, I want to add it to my collection if for no other reason than Montand singing the title song. How the French tongue and heavy accent virtually creams some of the lovely songs is enough to put this one in the "don't let this happen to you when casting a movie musical" category.) But the Broadway album captures the musicality of the score very well, considering the recording techniques in the Sixites were nothing like the digital quality today. So, the show isn't exactly My Fair Lady, but Burton Lane and Alan Jay Lerner could sure crank out great songs, and Clear Day is proof positive of that fact. And, if you're feeling down in the dumps, just listen to Barbara Harris sing "Hurry, It's Lovely Up Here!" I dare you to stay depressed after that one!

4 out of 5 stars Delightful score, enlivened by some first rate performances.......2004-03-02

After Fritz Loewe retired, Alan Jay Lerner tried to team with composer Richard Rodgers (who had recently lost Oscar Hammerstein to cancer.) It was a match seemingly made in heaven that quickly deteriorated, it is claimed, due to Lerner's erratic work habits. Lerner took the idea next to Burton Lane, a gifted and very under rated composer. Together they created an enjoyable score that never quite fit with Lerner's awkward book. Still, it's the score that is heard on the CD and for the most part, it is a total delight.

This original cast recording (starring the wonderful Barbara Harris and in his first starring role the equally wonderful John Cullum) comes with a good set of notes by Ken Madelbaum and a detailed synopsis to take you through the story song by song.

5 out of 5 stars A wonderful Boadway Show.......2003-07-20

I was one of the people lucky enough to see this show on Broadway and loved it. The music on the CD is wonderful. I was not impressed with the liner notes because they tell of Alan Jay Lerner's problems producing the show instead of giving the listener an idea of the plot. William Daniel is interested in climbing in the corporate world so he sends his fiancee, Daisy, to a Psychiatrist to help her stop smoking. The Psychiatrist is John Cullum. While he is hynotizing her to stop smoking, she goes into a past life where she was Melinda, a refined but put upon young woman. During the past sequences, the music is beautiful. I was especially impressed with Clifford David who sings on a bare stage. I expected him to have a big career. The news gets out so a millionaire comes to the Doctor to find out how he can leave his money to himself when he is born again. William Daniel is trying to explain to Daisy that though they are in their 20's, life will be sweet after he retires. John Collum is in love with Melinda which upsets Daisy, but he finally decides they are are the same woman and wants her. In the Finale they get together. I hope this brief summary helps someone who is listening to the gorgeous Burton Lane music and clever Alan Jay Lerner lyrics enjoy the CD more.

4 out of 5 stars A Few Interesting Tidbits.......2002-12-24

I loved this album when it was out in vinyl, and saw the road show version with John Raitt. The reviews on Amazon.com capture the essence of the show. It had an interesting pre-Broadway history. Louis Jordan actually was the male lead in the show and left during it's out of town run. John Cullum who took over having played a supporting role in "Camelot" for Alan Jay Lerner, and was a durable replacement, who went on to many leading roles in musicals including the current "Urinetown" in NYC. Secondly "On a Clear Day" was produced by Robert Goulet and his partner Norman Rosemont, who had the ROGO Productions partnership. Mr. Goulet of course rose to stardom while performing in "Camelot",
and for years did road show versions of "On A Clear Day". He even included two numbers from the show on his terrific "On Broadway" album (available on CD) that was released the same year as the show.
Harem World Tour: Live from Las Vegas
Average customer rating: 4 out of 5 stars
  • AMAZING! She is so much better live!
  • AMAZING! She is so much better live!
  • Inspiring, Beautiful and The Sweetest Voice!
  • astounding performance
  • Great, of course
 Harem World Tour: Live from Las Vegas
Sarah Brightman
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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  1. Sarah Brightman - Live from Las Vegas
  2. Harem
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  4. Eden (US Release - 16 tracks)
  5. Fly

ASIN: B0002VYPCG
Release Date: 2004-09-28

Tracks:

  1. Kama Sutra
  2. Harem Overture (Cancao do Mar)
  3. It's a Beautiful Day
  4. Dust in the Wind
  5. Who Wants to Live Forever
  6. Anytime, Anywhere
  7. La Luna
  8. Nessun Dorma
  9. The War Is Over
  10. Free
  11. A Whiter Shade of Pale
  12. The Phantom of the Opera Suite
  13. WIshing You Were Somehow Here Again
  14. Time To Say Goodbye
  15. Question of Honor
  16. Snow on the Sahara (Bonus studio track)

Amazon.com

While the sales of Sarah Brightman's ambitious, Middle Eastern-themed 2003 album Harem may have fallen short of its predecessor, the veteran UK chanteuse's popularity as a live performer has only mushroomed. This live recording of her ambitious, sold-out Harem World Tour engagement at Las Vegas' MGM Grand Arena is testament to that appeal, begging the question: Will Brightman become the Grateful Dead of classical crossover? Indeed, abetted by the rich sonic textures of longtime producer/collaborator Frank Peterson, the worldbeat conceits of her recent studio recordings are folded into a larger, even more expansive live vision here. Brightman's overt dramatic instincts and oft-chaemeleonic vocal abilities drive a slate of material that stretches from the Arabian Nights/Madame Butterflypastiche of Harem's seductive "It's A Beautiful Day" through surprisingly effective classical/rock reinventions of Kansas' "Dust in the Wind" and The Moody Blues' chestnut "Nights in White Satin" to expected classical bowings "Nessun Dorma" and the obligatory nod to "Phantom of the Opera" Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Classics
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

5 out of 5 stars AMAZING! She is so much better live!.......2006-12-02

This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.

ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.

5 out of 5 stars AMAZING! She is so much better live!.......2006-12-02

This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.

ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.

5 out of 5 stars Inspiring, Beautiful and The Sweetest Voice!.......2005-08-21

What an album, absolutly beautiful!
We, the fans of this great artist finelly have in our hands a live album, and it's amazing:
-The voice is totaly live, she sang about 24 complete songs in the show, but the album only contains 15.
-Snow In The Sahara is a lovely song.

If you have the chase of get this alubum, don't doubt and get it; It wond disapoint you!

5 out of 5 stars astounding performance.......2005-06-07

an impeccable concert experience that successfully elevates the album to majestic heights. I had long been a fan of Dead Can Dance and the unparalleled work of Lisa Gerrard. When Sarah Brightman ventured into these Middle Eastern sounds on the Harem disc, I thought it was too derivative of the Dead Can Dance sounds (there is even a sample used on one of SB's songs that had previously been used within DCD).

However, experiencing this epic and intensely mystical concert compelled me to realize the individual and unique glory of Sarah Brightman. Also, this concert is so phenomenally entertaining at many levels that I couldn't help but fall absolutely in love with the special magic of Sarah Brightman. Obviously, the expansive Middle Eastern milieu can accommodate more than one angelic vocalist!

I now consider Lisa Gerrard and Sarah Brightman to be geniuses who both warrant goddess status in the pantheon of lyrical greats. To see either one of them perform live is surely one of the most powerful and memorable sensory experiences one could ever have!

4 out of 5 stars Great, of course.......2005-03-18

Sarah's voice and style are terrific, as usual. However, I have to say that her version of Anggun's "Snow on the Sahara" is fairly bland, especially compared to the original Anggun version. Sarah has the chops but lacks soul on this great song. Everything els here is very nice.
Fennell Conducts Hands Across the Sea
Average customer rating: 5 out of 5 stars
  • happy music
  • Vintage march collection for connoisseurs
 Fennell Conducts Hands Across the Sea

Manufacturer: Mercury
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000057M6
Release Date: 1994-02-15

Tracks:

  1. Hands Across The Sea
  2. Father Of Victory
  3. The Golden Ear
  4. Old Comrades
  5. March, Op. 99
  6. Valdres March
  7. Inglesina
  8. Knightsbridge March
  9. The U.S. Field Artillery
  10. The Thunderer
  11. Washington Post
  12. King Cotton
  13. El Capitan
  14. The Stars And Stripes Forever
  15. American Patrol
  16. On The Mall
  17. Lights Out
  18. Barnum And Bailey's Favorite
  19. Colonel Bogey
  20. The Billboard

Customer Reviews:

5 out of 5 stars happy music.......2006-08-29

I could't offer a technical critique of this c.d,instead I'll attempt to describe the enjoyment it gave me.Imagine you're sitting in your car listening to the radio,not terribly enthusiastic about getting out to start work.You become aware there's a bright ,cheerful sounding tune being played-vaguely familiar,I find myself tapping out the beat and humming along-what's this called then?Then we get to the part I can identify-DAH-DAHdeDAHdeDAH-DAH-DAH-Oh,of course,it's the music they used in "The Hunters",oh the memories that brought back.That tune got me out of the car ,through the day's turmoil,and when I woke up the next morning at 3a.m.,it was still going throgh my head!Okay,log onto Amazon,click,click,all I've gotta do now is contain my impatience .The C.D. duly arrived,suffice it to say it exceeded all my expectations regarding quality and content and has become one of my favourites.






5 out of 5 stars Vintage march collection for connoisseurs.......2000-05-26

It seems like the heyday for recorded march collections was the early stereo era. The classic Mercury recordings by Fennell and the Eastman Wind Ensemble dating from that time no doubt contribute to that impression. In this collection, they demonstrate the seriousness with which they approach this repertoire by unearthing some lesser known (at least in the US) pieces to go along with the usual Sousa-esque fare. However, there is no sense that they scraped the bottom of the barrel: all of these marches are first rate. Even the less familiar marches will have you humming along in no time, so infectious are they. These performers bring their usual gutsy exuberance and the necessary polish, too. The sound is on the bold side so turn the volume down a bit for this one.
20th Century Masters - The Millennium Collection: The Best of Arthur Fiedler
Average customer rating: Not rated
    		20th Century Masters - The Millennium Collection: The Best of Arthur Fiedler

    Manufacturer: Hip-O Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0009AJKAW
    Release Date: 2005-05-10

    Tracks:

    1. Alfie
    2. Look of Love
    3. Sound of Silence
    4. This Guy's in Love With You
    5. I'll Never Fall in Love Again
    6. Scarborough Fair
    7. Love Theme from Romeo and Juliet
    8. Love Theme from the Godfather
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    12. Night and Day
    13. Entertainer
    14. Stars and Stripes Forever
    Michael Feinstein with the Israel Philharmonic Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Musical Wit in an Orchestral Setting
    • A Cabaret Singer Grows Up
    • This cd is about average, it could have been better
    • Fabulously Fantastic!
    • Michael has done it again
    		 Michael Feinstein with the Israel Philharmonic Orchestra
    Michael Feinstein , and Israel Philharmonic Orchestra
    Manufacturer: Concord Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005Q6LL
    Release Date: 2002-05-07

    Tracks:

    1. The Folks Who Live On The Hill
    2. The Best Is Yet To Come
    3. Guess I'll Hang My Tears Out to Dry
    4. By Myself
    5. Spring Will Be A Little Late This Year
    6. Stormy Weather
    7. Laura
    8. On A Clear Day (You Can See Forever)
    9. Love Is Here To Stay
    10. How Deep is The Ocean?
    11. Somewhere
    12. I Won't Send Roses

    Amazon.com

    If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.

    While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley

    Customer Reviews:

    5 out of 5 stars Musical Wit in an Orchestral Setting.......2004-01-04

    The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings. Feinstein, who I consider as the leading proponent in reviving the American Popular Song standards to its unfettered glory is backed by a philharmonic orchestra in this album with the musical direction of conductor Alan Broadbent. And yes, he sang some songs that were sung in sparse and acoustic settings in his previous albums. As usual, just like any cabaret singer who never really sings the same song twice (listen to the grand old dames of cabaret like Julie Wilson and Mabel Mercer), Feinstein delights in the varied ways he can see a song in different contexts. Having said that, I thought he was a bit overly cautious in exploring his rich bari-tenor (sorry for this oxymoron but that is the word to apply to his voice) in soaring the vocal lines of Kern's The Folks Who Live on the Hill. Other than that, he was at his wittiest and conversational (not to mention just plain beautiful) voice when singing I Won't Send Roses and he can revisit the Bernstein/Sondheim Somewhere without evoking the famous version of uber diva Barbra Streisand. If you like good crooning vocals in a grand and orchestral setting, this is the album to listen or give as a gift -- you/they won't regret it.

    4 out of 5 stars A Cabaret Singer Grows Up.......2003-03-14

    "Extraordinary how potent cheap music is." -Noel Coward

    Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.

    Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.

    2 out of 5 stars This cd is about average, it could have been better.......2002-08-18

    First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain!

    I know it is hard to always be creative. There are just so many ideas to go around and then you have to start duplicating others. This is known as copying what others have done.

    For this cd I felt like some of the arrangements were too long. For example, Laura as it was performed hear is a six minute song. It really should have been done in two minutes. I'm an engineer and I edited this version of Laura to run two minutes and it is just perfect. Sometimes less is really more. Also, I felt that some of the other songs didn't really have top notch arrangements attached to them. If the arrangements would have been better I whould have had no choice but to bring out the 5 star rating for this project.

    To talk a little bit about the voice of Michael is my pleasure. His voice seems to be getting better with age. I have always liked Michael's voice and will continue to do so.

    I will give this cd a favorable recommendation!

    5 out of 5 stars Fabulously Fantastic!.......2002-07-21

    Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! His interpretations and stylings are beyond compare and trust you will not be disappointed with this recording!! Feinstein is simply fabulously fantastic!

    5 out of 5 stars Michael has done it again.......2002-07-12

    S'Wonderful, S'Marvelous.

    If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. His new cd is absolutely magnificent, these are the only words to describe it.

    Somewhere, By Myself, Stormy Weather and the rest of the songs are beyond compare. Do yourself a big, big favour and don't miss out on this cd; you'll love it.
    Broadway Divas
    Average customer rating: 4 out of 5 stars
    • Broadway Divas
    • Love the choices
    • coulda been a contender
    • Two words: Julia Murney
    		 Broadway Divas
    Liza Minnelli , Mandy Patinkin , Bernadette Peters , Mary Martin , Patti LuPone , Jeanne Lehman , Mark Jacoby , Madeline Kahn , Marin Mazzie , Barbara Cook , Angela Lansbury , and Julia Murney
    Manufacturer: RCA Victor Broadway
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005LN5V
    Release Date: 2001-08-07

    Tracks:

    1. I Got The Sun In The Morning - Ethel Merman
    2. Sing Happy - Liza Minnelli
    3. Mean To Me - Nell Carter
    4. Children And Art - Bernadette Peters
    5. Before I Kiss The World Goodbye - Mary Martin
    6. Being Alive - Patti LuPone
    7. Monotonous - Eartha Kitt
    8. Shy - Sarah Jessica Parker
    9. All That Jazz - Bebe Neuwirth
    10. Raise The Roof - Julia Murney
    11. Getting Married Today - MADELINE KAHN
    12. Back To Before - Marin Mazzie
    13. Losing My Mind - Barbara Cook
    14. What Did I Have That I Don't Have? - Barbara Harris
    15. Everything's Coming Up Roses - Angela Lansbury

    Customer Reviews:

    5 out of 5 stars Broadway Divas.......2007-01-22

    Wonderful selection of classic singers and songs. Special favorites are Ethel Merman and Barbara Cook.

    5 out of 5 stars Love the choices.......2006-08-11

    This is great. Anything with Ethel, Bernadette, Barbara (both of them), Mary, and Marin is beyond words. Any one of them by themselves is awesome but these ladies together are mind blowing. All of the women sound amazing but they made a mistake on the list of songs and composers. "Raise the Roof" sung by Julia Murney (I love her)was written by Andrew Lippa, not LaChusia.

    2 out of 5 stars coulda been a contender.......2006-03-15

    The divas are indeed divine, but the choice of music sung left me wondering why, with so many other great music selection contenders.

    5 out of 5 stars Two words: Julia Murney.......2001-09-03

    OK, so it sounds crazy to review an album with Ethel Merman and Bernadette Peters on it and not mention them. But...tough. I've read enough about them to know how good they are.


    Buy this album as a token of love to the producer who had the cajones to put Julia Murney on an album celebrating the last 100 years of Broadway divas.

    Because SHE is one of the greatest voices of the decade!

    Dance Music:

    1. Funcrusher Plus
    2. Get Down or Lay Down [Enhanced] [Explicit Lyrics]
    3. Get It Up [CD-single] [Import]
    4. Greatest Hits [Explicit Lyrics] [Import]
    5. Here Now/Talk with Force [CD-single] [Limited Edition] [Import]
    6. I Am L.V. [CD-single]
    7. Ice Cold Game [Explicit Lyrics]
    8. Jagged Little Thrill [Import]
    9. Latin Active, Vol. 2 [Explicit Lyrics]
    10. Let Me Blow Ya Mind [CD-single] [Import]

    Dance Music

    dance music

    Dance Music

    Harakka Bialoibokku [Import]

    One Piano, Four Hands

    Journeys of the Heart

    From This Moment

    Still Unrepentant [Import]

    Ohio Players

    It's All Right With Me

    Leoncavallo: Pagliacci/Mascagni: Cavalleria Rusticana

    Like It Was a Drum

    Major Step

    Mean What You Say

    Lo Mejor en Trios

    Grandes Favoritas

    Steinway Sessions 1991

    Quand Refleuriront Les Lilas Blancs