25 to Life [Explicit Lyrics]

25 to Life [Explicit Lyrics]

Track Listings

1. 25 to Life
2. Westside
3. F**k Where Ya From - P$C, Young Jeezy
4. Do Ya Thing - P$C, Young Droop
5. Walk This Way - C-Lo, , P$C
6. I'm a King
7. Like a Movie
8. Lookin' Shife
9. Still I Luv Her - P$C, Young Droop
10. Coming Down
11. Mess It Up - P$C, Young Droop
12. Touch Something
13. Murder Game
14. Set It Out
15. #1 Crew

25 to Life,P$C,Atlantic / Wea,Gangsta Rap,Hardcore Rap,Pop,Rap & Hip-Hop,Southern Rap
Mendelssohn: Elijah
Average customer rating: 4.5 out of 5 stars
  • Wonderful, but not my first choice
  • THE BEST recording of the BEST oratorio ever...
  • Too bad there are so few recordings of Elijah
Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Franz Joseph Haydn: The Creation
  2. Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
  3. Mahler: Das Lied von der Erde
  4. Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
  5. Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

  1. Introduction: As God The Lord Of Israel Liveth
  2. Overture
  3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
  4. No.2: Lord! Bow Thine Ear To Our Prayer!
  5. No.3: Ye People, Rend Your Hearts
  6. No.4: If With All Your Hearts
  7. No.5: Yet Doth The Lord See It Not
  8. No.6: Elijah! Get Thee Hence
  9. No.7: For He Shall Give His Angels Charge Over Thee
  10. Recitative: Now Cherith's Brook Is Dried Up
  11. No.8: What Have I Do To Do With Thee?
  12. No.9: Blessed Are The Men Who Fear Him
  13. No.10: As God The Lord Of Sabaoth Liveth
  14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
  15. No.12: Call Him Louder, For He Is A God!
  16. No.13: Call Him Louder! He Heareth Not!
  17. No.14: Lord God Of Abraham, Isaac And Israel!
  18. No.15: Cast Thy Burden Upon The Lord
  19. No.16: O Thou, Who Makest Thine Angels Spirits
  20. No.17: Is Not His Word Like A Fire?
  21. No.18: Woe Unto Them Who Forsake Him!
  22. No.19: O Man Of God, Help Thy People!
  23. No.20: Thanks Be To God!

Tracks:

  1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
  2. No.22: Be Not Afraid, Saith God The Lord
  3. No.23: The Lord Hath Exalted Thee
  4. No.24: Woe To Him, He Shall Perish
  5. No.25: Man Of God, Now Let My Words Be Precious
  6. No.26: It Is Enough; O Lord Now Take My Life
  7. No.27: See, Now He Sleepeth
  8. No.28: Lift Thine Eyes To The Mountains
  9. No.29: He, Watching Over Israel, Slumbers Not
  10. No.30: Arise, Elijah, For Thou Hast A Long Journey
  11. No.31: O Rest In The Lord
  12. No.32: He That Shall Endure To The End, Shall Be Saved
  13. No.33: Night Falleth Round Me, O Lord!
  14. No.34: Behold! God The Lord Passed By!
  15. No.35: Above Him Stood The Seraphim
  16. No.36: Go, Return Upon Thy Way
  17. No.37: For The Mountains Shall Depart
  18. No.38: Then Did Elijah The Prophet Break Forth
  19. No.39: Then Shall The Righteous Shine Forth
  20. No.40: Behold, God Hath Sent Elijah
  21. No.41: But The Lord, From The North Hath Raised One
  22. No.41a: O Come Everyone That Thirsteth
  23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

4 out of 5 stars Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

5 out of 5 stars THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

4 out of 5 stars Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Rzewski Plays Rzewski: Piano Works 1975-1999
Average customer rating: 4.5 out of 5 stars
  • Excellent
  • Rzewski's 7 CD Compilation
  • incredible playing of works with mixed content/concept
Rzewski Plays Rzewski: Piano Works 1975-1999
Frederic Rzewski
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
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  2. Rzewski: The People United Will Never Be Defeated!
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  5. The Music of Elliott Carter Vol. 7; Boston Concerto, Cello Concerto, ASKO Concerto, Dialogues

ASIN: B00006JI9X
Release Date: 2002-09-24

Amazon.com

From his 1975 mega-variation set, The People United Will Never Be Defeated, to his eight-hour "novel for piano," The Road, Frederic Rzewski breathed new life, passion, and vitality into the long dormant composer-pianist tradition. Political and social issues provide a subtext from which Rzewski's musical imagination explodes with purposeful virtuosity, stylistic freedom, and high drama. He can conjure slow droplets of notes on a dark, still background ("A Life"), only to cram and compress a multitude of disparate popular themes within a larger, traditional framework (Sonata for Piano), or integrate music and spoken words to a level where they cannot exist without the other ("De Profundis"). Rzewski the composer provides Rzewski the pianist plenty of opportunity to display his ingenious improvisatory mettle: his cadenzas for "Mein Yingele, Which Side Are You On" particularly dazzle. There are, to be sure, other ways to play this music, such as Marc-André Hamelin's suavely proficient People United and Paul Jacobs's authoritative premiere recording of the North American Ballads. But the elemental force and personality defining Rzewski's pianism leave as indelible an imprint as his music. No lover of contemporary piano music should miss this important, superbly annotated release. --Jed Distler

Customer Reviews:

5 out of 5 stars Excellent.......2005-10-07

Rzewski is one of the greatest composers of our time.
Definately a must have!

3 out of 5 stars Rzewski's 7 CD Compilation.......2004-01-30

7 Discs of amazing piano performances from Rzewski, and this time around he's playing his own music. Highlights: First track off 1st CD: "North American Ballads (4) for piano, Nos 1-04", an excellent introduction to this compilation. Worth the money? ...Ahh, I dunno.. I hate giving my money away to loony liberals, but in this case, his music is brilliant so I found my purchase well worth it.

5 out of 5 stars incredible playing of works with mixed content/concept.......2002-11-18

Rzewski said he never developed a style or musical language,but if you work your way through all seven disks here there is actually a musical language which emerges and a static dimension as well to Rzewski's creativity.
His music demands a strong subject, an inflammatory one if possible to get his improvisatory creative imagination in gear, as his celebrated solidarity exhibited in the "36 Variations" on the "The People United Will Never Be Defeated" which to my ears still remains the high point of all these disks. His musical language is magnetized around simple contrasts,timbral virtuosity and variations on the music materials he selects, as even the "North American Ballads" suggest,which also maintains a fascination over the years.Equally if not more timbrally fascinating are his "Four Pieces" which are not here.Rzewski I beleive is a composer like Stravinsky, he needs something to manipulate that is already formed in the real world,very postmodern in orientation and his music then never claims a magical dimension where moments can synergize amongst/between itself,themselves, as exhibited by his political brethren as Christian Wolff or Luigi Nono. He does however utilize the entire 20th Century piano vocabulary, but is always drawn toward a what we can refer to as Rzewski-esque chromaticism, a dovetailing of the fifth semitone interval, as: c-e-f#-b-Bb-f,something you may find in the piano music of Karol Syzmanowski. The "Fantasia" opening here is a good example of this,played with great passion and might also suggest the harmonic meaderings of Busoni.Also the 26 miniature variations on "Mayn Yingele" had an interesting subject dedicated to the memory of Kristallnacht, the desecration of synagoges in Germany,the story of a Jewish man working 18 hour days who never sees his son, only sleeping.The musical form of "miniature" is quite interesting,and one Rzewski knows quite well.
He has impressive TV miniature Operas entitled "Chains".
These miniature variations are followed with a Cadenza prior to Variation # 23, a procedure he is fond of, a summing up with a virtuoso recapitulative display.He does similar handlings in his Cardew disk on "We Sing For the Future".

There are some very low points I found in this piano music as the "Sonata" written in 1991, which has smatterings of glissandi Liberace like, and a stupid playfulness, that grows musically thin very quickly but is indeed disarming. The Agitato, the last movement begins with a low register uttering of "Taps".
Also the various four parts of "The Road", a work when complete will span some eight hours,all seemed arbitrary to me with the use of the voice to accentuate violent phrasings, and scouring the insides of the piano, with Cage-like tappings of the piano body.This wasn't exciting to say the least, and incredibly self-conscious.And I don't see what agenda is in place to transport the listener here to sustain such length.

Of course as I've mentioned Rzewski's creativity emanates from many places particulary the imagery of the Left, but was formed in his years with MEV the improvisatory ensemble in Rome,in the late Sixties, playing also with self-imposed American exiles, living on Fulbrights and Guggenheims. Rzewski for instance has been known to improvise cadenzas in his performances of Beethoven's "Hammerklavier Sonata", as well as in the early Sixties was the first to include the repertoire of the avant-garde of Stockhausen, Cage,Wolff and Boulez. Rzewski remains a unique example of radicalism in music with an affinity for the causes of the Left,but not so much as Cardew who was more an activist,founding a Marxist Party,nor not so academic bound as Christian Wolff,nor as deeply committed to European intellectual thought and high modernity,technology as Luigi Nono. But his music maintains an accessible directedness,with a high committment to lyricism.
His music also succeeds at times quite well in a dramatic situation as his 50 minute "Antigone-Legend", for Soprano Voice and Piano, or his chamber opera "The Invincible Persian Army"(1984).
25 to Life
Average customer rating: 4 out of 5 stars
  • Nothing Grand about this Hustle
  • Crown Him
  • This music perhaps kills brain cells just listening to.
  • sh*t is hot....
  • No Shame
25 to Life
P$C
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
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Southern RapSouthern Rap | Rap & Hip-Hop | Styles | Music
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  1. Certified
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  4. Ev'rybody Know Me
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ASIN: B0009FGWUS
Release Date: 2005-09-20

Tracks:

  1. Walk To Me -- feat. Ceelo
  2. Coming Down
  3. Fuck Where You From -- feat. Young Jeezy
  4. Characters
  5. Set It Out
  6. Murder Game
  7. Westside
  8. Like A Movie
  9. Still I Luv Her
  10. Party All The Time
  11. A Thug -- feat. Ciara
  12. Mess It Up
  13. I Hustle
  14. Doin' It

Album Description

The King of the South is back and this time with his crew The P$C. The P$C roots run deep-all the way bak to the schoolyards and street corners of their native Atlanta. The P$C debut album is titled 25 To Life. The title is significant because each member is 25 years old and as T.I. says "we Pimp Squad Click for life man."

Customer Reviews:

2 out of 5 stars Nothing Grand about this Hustle.......2006-09-26

Standout Tracks: 25 TO LIFE, WESTSIDE, F--K WHERE YOU FROM, DO YA THING, IM A KING, LIKE A MOVIE, MESS IT UP and #1 CREW. Filler: Walk this way(Worst girlie record ever made!), Lookin shife(WTF is shife?), Still I love her(Even with T.I this record still sucks), Coming down(this song is DEAD R.I.P.), Touch Something(nice beat weak record)Murder Game (T.I killed it though)and Set it Off(weak first single). Bottom Line: we already know that T.I is a great lyricist but even he cant hold up a GROUP album such as this. Mac Boney once in a blue moon will bust a decent rhyme but Young Dro and the rest of them forget about it! Surprisingly though they have two song without T.I that is good(25 to life and #1 crew) but they also have songs with T.I that suck(touch something, Still I love her , Set it out and Murder Game). T.I had the only good verse in Murder game causing it to be labled as filler. Even if you are a T.I fan I strongly recommend you to think before you buy this one.

4 out of 5 stars Crown Him.......2006-06-14

As Someone else stated the album is good minus 4 songs.

P.S. To The Reviewer talkin that south is only winning because real coasts takin a break. booooooy stop. The Eastcoast need to step their f**king game up.

1 out of 5 stars This music perhaps kills brain cells just listening to........2006-03-26

The south is blowing up quickly but the reason is because the real niggaz just took a break (Westside, and Eastcoast) but when they come back there will be a war to claim who is king.

T.I. will be one of many Dirty South rappers who will battle to the end as a soldier to defend to title and I will be proud say he is the best. (Trap Muzik) proves it, how ever this album is a disapointment coming from someone who took the time to buy, and listen to it. Please run to the store and get Trap Muzik, and I'm Serious I recommented it to every Dirty South fan.

4 out of 5 stars sh*t is hot...........2006-02-18

its good.. PSC can hold their own.. still aint good as TI, but its all good.. they did they thing

5 out of 5 stars No Shame.......2006-01-17

This book helps toddlers put into context how they fit into the animal kingdom, and the natural things all animals do. It teaches them to be comfortable with - without shame - the move from being a diaper-clad baby to a big kid. The drawings are charming! I bought this book for a friends who runs a day care center and got a very positive reaction.
Moondog
Average customer rating: 5 out of 5 stars
  • 35 unmistakable tracks
  • Wonderful
  • The Different Drummer We Once Were
  • For those who love the music
  • Moondog
Moondog

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Traditional FolkTraditional Folk | Folk | Styles | Music
Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
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Vocal Jazz GeneralVocal Jazz General | Vocal Jazz | Jazz | Styles | Music
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MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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ASIN: B0000026QJ
Release Date: 1989-07-20

Tracks:

  1. Madrigals: Rounds And Canons: No. 12-Nero's Expedition
  2. Madrigals: Rounds And Canons: No. 13-No, The Wheel Was Never Invented
  3. Madrigals: Rounds And Canons: No. 14-With My Wealth
  4. Madrigals: Rounds And Canons: No. 15-This Student Of Life
  5. Madrigals: Rounds And Canons: No. 16-Some Trust All
  6. Madrigals: Rounds And Canons: No. 17-Wine, Woman And Song
  7. Madrigals: Rounds And Canons: No. 18-Sadness
  8. Madrigals: Rounds And Canons: No. 19-Maybe
  9. Madrigals: Rounds And Canons: No. 20-Each Today Is Yesterday's Tomorrow
  10. Madrigals: Rounds And Canons: No. 21-Imagine
  11. Madrigals: Rounds And Canons: No. 22-You The Vandal
  12. Madrigals: Rounds And Canons: No. 23-Trees Against The Sky
  13. Madrigals: Rounds And Canons: No. 24-Behold
  14. Madrigals: Rounds And Canons: No. 25-Sparrow
  15. Madrigals: Rounds And Canons: No. 26-Pastoral

Customer Reviews:

5 out of 5 stars 35 unmistakable tracks.......2005-02-24

You don't need to buy the double-disc "Moondog 1 & 2" to hear the two albums - all that music can also be heard on this (75 minute) single disc.
Even though the only cover art of this edition is the original front cover of the 1969 "Moondog" (no original back-cover thereof nor any art from the 1971 "Moondog II",) all 35 tracks are nicely crammed in here.
What's listed under "Listen to samples" on the amazon page are only the last 20 tracks of this CD and all titles are linked to the wrong tracks.

"Moondog I" (tracks 1-9) opens with "Theme" and "Stomping Ground" - two somewhat coherent pieces which a few years ago were made quite famous through the soundtrack of Coen Brothers' wonderful movie "The Big Lebowski." The album features a 50+ piece orchestra, which, among other greats, includes jazz veterans Don Butterfield (tuba) and Ron Carter (double bass.) In the list of personnel, Moondog is not credited for playing percussion, but the bass, which I assume is a misprint.
The beautiful Charlie Parker homage "Lament I: Bird's Lament" is here performed in its original form, but can also be found on the 1994 Moondog recording "Sax Pax For a Sax" on only saxes and percussion.
The orchestral performances on "Moondog I" aren't flawless, but should not be judged harshly because of the very personal, highly individual, and wonderfully eccentric form of compositions that they are. Budget, which is a very common issue when it comes to orchestral recordings, is another element that probably has not allowed much rehersing or many (if any) re-takes.

Before ordering this disc I knew that I'd love "Moondog I" since I'd heard most of it previously, but I was skeptical towards "Moondog II" because of some reviews I'd read of it. I was however curious, and listening to it when it had arrived was a very nice surprise.
Aside from performances by Louis "Moondog" Hardin (percussion, piano, vocals) and his daughter June (vocals,) "Moondog II" features 6 other musicians who, at different points throughout the album, play virginals, recorders, harpsichords, ancient organs, guitars, schom, viola de gamba, and troubadour harp. These instruments alone make a very individual sound, but the compositions (many of which are in 5/4 and 5/8) and the poetry make this the most wonderful group of rounds (short vocal canons) you've ever heard.

In my 700+ CD collection, this is among my favorites.

4 out of 5 stars Wonderful.......2004-01-26

Beautiful, quirky, fascinating. A combination of classical, jazz, and improv, this collection made me close my eyes and just feel the music. Interspersed with several of Hardin's two-line poems as punctuation, the musical pieces are truly a wonder.

5 out of 5 stars The Different Drummer We Once Were.......2004-01-05

I bought this album because of a memory, but the music stands up remarkably well to a more objective listening.

It was my first trip to New York City, and my father approached the wildly-dressed, tall and intiimidating figure standing on the corner of 56th St. and 7th Ave. They conversed in Norwegian long enough for me to draw nearer and realize the stranger represented no threat. In fact, I left with a book of hs canons, which remains in my collection of piano literature to this day.

I met Moondog once again--serendipitously, on Milwaukee's Wisconsin Avenue one day in the seventies. I have no idea how he got there or how he left, but this time I wanted to protect him from the insensitive pedestrians swirling around us and threatening our shared moment.

Moondog's music is as singular as he is, and offers a glimpse into his creative spirit. It begins with an idea and a form, not with an emotion or sentiment. Each piece is simple and brief, but not simplistic or fragmentary. He avoids any form of dissonance, even seventh chords and "blue" notes (flatted thirds). Music, like life, he seems to be saying, can be a straightforward, delighting adventure, providing one cherishes the quest itself above its so-called object and maintains a focused attention on the wonders of the present moment.

My only slight disappointment with this recording is that the madrigals, sung by Moondog and his daughter, are subjected to some studio effects that make them sound more artificial and commercial than they deserve to be.

5 out of 5 stars For those who love the music.......2003-11-29

It is simple, it is clear, it is wonderful! I don`t know what style is this. Some people call it `jazz`, but second disc is strongly attached to european madrigal canons. I think, if we listen really good music, we never asked about styles. I heard familiar tunes from Tchaikovsky to Resident`s Duck Stab. You must have this if you`re music lover. If you`re musician (who plays music, dont `have a job`) you must have it too. Listen once or twise, if you don`t like it, simply put it on the shelf. Properly time will come.
P.S. My favorite `I love you` and `Nero`s Expedition`

5 out of 5 stars Moondog.......2002-05-16

I was in the St. Thomas Boys Choir in the early 70's. We would walk to church for rehearsal, and pass Moondog, standing on the corner, usually by the ABC building. A couple of us would talk to him in our free time...he knew our names by our voices. We would listen to his poetry, and he seemed intigued by our choir, although he never heard us, I think. I got his album around this time, and have had it ever since. Fascinating pieces, very intricate, but also with "a hook"...that you find yourself humming along with. I heard he moved to Germany, where he wrote a nine hour canon. Overall, an amazing life story, and an incredible talent.
Enclosure Two: Harry Partch
Average customer rating: Not rated
    Enclosure Two: Harry Partch

    Manufacturer: INNOVA
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
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    ASIN: B000004AF9
    Release Date: 2000-12-06

    Tracks:

    1. I am Harry Partch - Harry Partch
    2. By the Rivers of Babylon - Harry Partch
    3. Texts and Music: A Wagnerian Wrestling Match - Harry Partch
    4. Ten Li Po Lyrics: 1 - A Dream - Harry Partch
    5. Ten Li Po Lyrics: 2 - An Encounter in the Field - Harry Partch
    6. Ten Li Po Lyrics: 3 - On Hearing the Flute - Harry Partch
    7. Ten Li Po Lyrics: 4 - The Intruder - Harry Partch
    8. Ten Li Po Lyrics: 5 - I am a Peach Tree - Harry Partch
    9. Ten Li Po Lyrics: 6 - With a Man of Leisure - Harry Partch
    10. Ten Li Po Lyrics: 7 - A Midnight Farewell - Harry Partch
    11. Ten Li Po Lyrics: 8 - Before the Cask of Wine - Harry Partch
    12. Ten Li Po Lyrics: 9 - On the Ship of Spicewood - Harry Partch
    13. Ten Li Po Lyrics: 10 - By the Great Wall - Harry Partch
    14. The Use of English in Serious Music - Harry Partch
    15. Barstow - Eight Hitch-Hiker's Inscriptions. . . - Harry Partch
    16. San Francisco - Newsboy Cries - Harry Partch
    17. Life is too precious to spend it with important people - Harry Partch
    18. U. S. Highball - A Musical Account of Slim's Transcontinental Hobo Trip - Harry Partch
    19. While my Heart Keeps Beating Time - Harry Partch
    20. San Francisco II - Harry Partch

    Tracks:

    1. I'm going to start right off by giving you some sounds - Harry Partch
    2. Two Settings from Joyce's Finnegan's Wake: 1 - Isobel - Harry Partch
    3. Two Settings from Joyce's Finnegan's Wake: 2 - Annah the Allmaziful - Harry Partch
    4. Dark Brother - Harry Partch
    5. A Quarter-Saw Section of Motivations and Intonations - 1 - Harry Partch
    6. A Quarter-Saw Section of Motivations and Intonations - 2 - Harry Partch
    7. A Quarter-Saw Section of Motivations and Intonations - 3 - Harry Partch
    8. A Quarter-Saw Section of Motivations and Intonations - 4 - Harry Partch
    9. A Quarter-Saw Section of Motivations and Intonations - 5 - Harry Partch
    10. A Quarter-Saw Section of Motivations and Intonations - 6 - Harry Partch
    11. A Quarter-Saw Section of Motivations and Intonations - 7 - Harry Partch
    12. A Quarter-Saw Section of Motivations and Intonations - 8 - Harry Partch
    13. A Quarter-Saw Section of Motivations and Intonations - 9 - Harry Partch
    14. A Quarter-Saw Section of Motivations and Intonations - 10 - Harry Partch
    15. A Quarter-Saw Section of Motivations and Intonations - 11 - Harry Partch
    16. A Quarter-Saw Section of Motivations and Intonations - 12 - Harry Partch
    17. A Quarter-Saw Section of Motivations and Intonations - 13 - Harry Partch
    18. A Quarter-Saw Section of Motivations and Intonations - 14 - Harry Partch
    19. A Quarter-Saw Section of Motivations and Intonations - 15 - Harry Partch
    20. A Quarter-Saw Section of Motivations and Intonations - 16 - Harry Partch
    21. A Quarter-Saw Section of Motivations and Intonations - 17 - Harry Partch
    22. A Quarter-Saw Section of Motivations and Intonations - 18 - Harry Partch
    23. A Quarter-Saw Section of Motivations and Intonations - 19 - Harry Partch

    Tracks:

    1. June 11, 1935 - Santa Rosa, California - H. PARTCH
    2. June 12 - Federal Shelter, Stockton - H. PARTCH
    3. June 13 - H. PARTCH
    4. June 14 - H. PARTCH
    5. June 16 - Huntington Ranch, San Joaquin - H. PARTCH
    6. June 17 - H. PARTCH
    7. July 4 - H. PARTCH
    8. July 14 - H. PARTCH
    9. July 16 - H. PARTCH
    10. July 19 - H. PARTCH
    11. July 20 - Heading north, between Sacramento and Redding (Later incorporated into The Wind) - H. PARTCH
    12. July 24 - Federal Shelter, Portland - H. PARTCH
    13. July 25 - Blue Ox Lodge, Seattle, Washington - H. PARTCH
    14. July 27 - H. PARTCH
    15. July 29 - H. PARTCH
    16. July 30 - H. PARTCH
    17. August 7 - Between Grants Pass and Klamath Falls, Oregon - H. PARTCH
    18. August 15 - H. PARTCH
    19. October 22 - Nearing Monterey (reworked in 1943 as The Letter) - H. PARTCH
    20. October 24 - Leaving Big Sur - H. PARTCH
    21. October 25 - Near Slate's Hot Springs (Now the Esalen Institute) - H. PARTCH
    22. October 26 - H. PARTCH
    23. October 27 - H. PARTCH
    24. October 28 - H. PARTCH
    25. October 29 - H. PARTCH
    26. October 30 - Big Creek - H. PARTCH
    27. November 12 - Santa Barbara - H. PARTCH
    28. November 14 - H. PARTCH
    29. November 15 - Leaving Santa Barbara - H. PARTCH
    30. November 16 - Ojai - H. PARTCH
    31. November 17 - H. PARTCH
    32. November 23 - Los Angeles - H. PARTCH
    33. November 28 - H. PARTCH
    34. December 4 - H. PARTCH
    35. December, 1935 - H. PARTCH
    36. Feburary 1, 1936 - San Bernardino - H. PARTCH

    Tracks:

    1. Yankee Doodle Birds - H. PARTCH
    2. Y.D. Fantasy - On the Words of an Early American Tune - H. PARTCH
    3. O Frabjous Day! - H. PARTCH
    4. You are charged with being guilty. Are you drunk or not drunk? - H. PARTCH
    5. Ring Around the Moon - A Dance Fantasm for Here - H. PARTCH
    6. Bless This Home - H. PARTCH
    7. Harrys Wake - H. PARTCH

    Amazon.com

    Enclosure 2, all four cds, is curated as a sprawling notebook filled with sounds and speech instead of sketches and words. Of any Partch recording extant, it gives the best picture of the man--as the curmudgeonly, extremely innovative misanthrope that he was, as the composer who was impossibly unlike anyone else before or since. The essence of Partch's music reflects the history of the world--from his particular perspective--the imaginings of ancient Greece to the influence of Chinese musical melodrama, all propelled by homemade instruments based on a 43-tone scale named things like the "Kithara" and the "Boo." These recordings also give the best sense of his philosophy of language in music. Lamenting the whole time how text in music had become detached from the language of everyday life, Partch ran music alongside newsboys' cries and hobos' diaries, following the forms, cadence, and dynamics of speech, rather than the other way around. From his juvenilia (a wonderful song he wrote at 18) to a 45-minute segment of his wake in 1974, the first steps towards exploring Partch's sparkling works fully are made here. --Robin Edgerton
    Still Reportin'
    Average customer rating: 5 out of 5 stars
    • A veteran's piece of perfection
    • The Best
    • Amazing.
    • Say what?
    • Another CLassic from rap's mahdi da foul G.O.D.
    Still Reportin'
    Tragedy Khadafi
    Manufacturer: 25 To Life Records/Solid Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rap & Hip-Hop | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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    1. Thug Matrix 2
    2. Thug Matrix
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    ASIN: B0000DIZR2
    Release Date: 2003-10-21

    Tracks:

    1. Still Reporting
    2. Neva Die Alone Pt. 2
    3. The Code
    4. Hood
    5. Hood Love
    6. The Message (Aura Check)
    7. Wake The Dead (Black Aura Skit)
    8. Walk Wit Me (911)
    9. U Make Me
    10. The Truth
    11. Fall Back
    12. Can't Figure
    13. Eloheem
    14. Crying On The Inside
    15. Bonus Track

    Amazon.com

    Unlike the growing legions of emcee's who boast about their `hood exploits--from behind the tinted windows of their new Lamborghini's--Tragedy has always come off as a credible slum correspondent. That's why he's Still Reportin (and his fake thug peers went back to their jobs as security guards at the neighborhood nightclub). Much like his old Intelligent Hoodlum persona, Tragedy can go from Dead Prez-ian politico with black nationalist leanings ("Walk Wit' Me (911)" to straight ruffian ("The Truth") quicker than a chart-topping emcee can launch a clothing line. On "Fall Back," the sonically-potent banger featuring fellow Queensbridge projects rep Havoc of Mobb Deep, it's clear that Tragedy takes pride in his rare ability to "praise Allah, even though I play with a nine." Rather than switch up his sound for the pop charts like fellow QB rebel Noreaga, he hunkers down and brings that same raw uncut sound, this time provided by a slew of burgeoning boardsmen like Scram Jones (peep the catchy vocal samples on "Neva Die Alone Pt. 2"). While it wouldn't have hurt to have a few Alchemist or Havoc beats sprinkled throughout, the last cut "Crying On The Inside"--a great introspective ode to his deceased mom--redeems those beat shortcomings. This is a great purchase for Capone-N-Noreaga, Mobb Deep, or Cormega fans. -- Dalton Higgins

    Customer Reviews:

    5 out of 5 stars A veteran's piece of perfection.......2007-04-07

    Tragedy Khadafi's fourth album is 2003's "Still Reportin'," and in my opinion, is possibly the most impressive release of his catalog. Tragedy Khadafi is the blueprint of a Queensbridge MC, and the way he tells sullen hood tales of struggle, crime, and incarceration while still remaining spiritual and philosophical bring to mind other hometown legends like Nas, Cormega, Capone-N-Noreaga, and Mobb Deep at times, while still establishing very much his own identity. The production and the way he always replaces "understand" with "overstand" keep this album firmly rooted in the QB. I think this album is head and shoulders above his previous album, 2000's Against All Odds, a good album in its own right. There is virtually no skip material here, and the production is miles better. This is a more personal effort, Tragedy goes deep and hits home on a few more tracks while still taking the time to tell great stories and make threats on other tracks. Guests are plentiful, and between his last album and this, he made amends with Capone-N-Noreaga, both of whom appear here. New listeners should know that listening to Khadafi can be a powerful experience, and he is a very dramatic and effective MC. "Still Reportin'" is in my mind among Tragedy Khadafi's finest work ever and is highly recommended.

    Khadafi lays it down on the excellent first song, the title track. Over nice production, he spits hard raps about where he's coming from and where he's headed. "Neva Die Alone Pt. 2" is possibly the album's best track, where he tells an excellent hood tale over truly chilling production. Mobb Deep's Havoc makes an excellent appearance for a collaboration on a Queensbridge anthem, "The Code." "Hood" featuring Christ Castro is another great song with a heavy, piano-laced beat and an anthemic quality to it. I also really like "Hood Love," a soft love song with more excellent production that doesn't sound corny at all, because Khadafi maintains his character through the song. The tough "The Message (Aura Check)" is fine Tragedy material, excellent east coast threats and bragadagio. Lyrically the best song is the amazing "Walk With Me (911)," an effective and angry response to September 11 and the injustices of life, with a very powerful chorus, an incredible song. Over a pumping horn fanfare, Tragedy, Capone, Littles, and singer V-12 make an awesome song out of "U Make Me," where the chorus provides a new take on a well-known Usher song. "The Truth" and "Fall Back" are both solid hardcore tracks, featuring Christ Castro and Havoc, respectively. "Can't Figure It Out" has upbeat and joyful production, with a soulful horn line and nice chorus. The short "Eloheem" precedes the very deep and personal "Crying on the Inside," where Khadafi deals with his mother's death and an incident where his infant son fell from a window, and how God helped him through both. The album ends with a "Fall Back" remix.

    It seems like Tragedy Khadafi is another rapper destined to remain underground, but albums like "Still Reportin'" are part of the reason he's such a legend there. This album is unfortunately out of print now, but should you come across it I highly recommend a purchase. Fans of New York and more specifically Queensbridge rap artists are sure to love "Still Reportin'."

    5 out of 5 stars The Best.......2006-05-05

    Tragedy Khadafi is one of the best M.Cs alive possibly THE BEST his verses are deep and his word play is put together so nice its almost hard to believe.Personally i cant think of another rapper with the skills he displays.Now as for his albums i cant choose one i like better than another thats like asking me which one of my kids i love better LOL.So all i can say is get them all.
    Yo Biggy was nice 2pac was nice but Tragedy is on another level.PEASE

    5 out of 5 stars Amazing........2005-11-08

    That's all I have to say after listening to this album. I never heard of Tragedy Khadafi until this album. I remember listening to this album in my friend's car and after listening to a couple of tracks. I definetly had to pick this up. If you don't have this album, I definetly recommend it.

    Tracks such as "Neva Die Alone Pt. 2", "Fall Back featuring Havoc, "Hood" and "The Message" shows Tragedy's lyrical presense and aggressive nature. The song "Walk Wit Me" (911) is one the best most compelling tracks that I've heard in a very long time. A very deep track featurning the vocals of V-12 has Tragedy going through certain issues of the typical black man. "U Make Me" is another banger featuring Capone, Littles and V-12. The song uses the structure of Usher's "U Make Me Wanna" to perfection. "Hood Love" is a song that explains Tragedy's love to a certain someone who has always held him down since Day 1. The album closes out with the inspirational track "Crying On The Inside" which closes the album off on a good note.

    I'm pretty sure many people haven't heard of Tragedy Khadafi but once you hear this album, you will feel his presence. "Still Reportin" is still in my CD player frequently.

    5 out of 5 stars Say what?.......2005-07-26

    If you don't own the CD, do yourself a favor and buy it today. Tragedy K. is queensbridges finest!!! Still Reportin takes you into the life of an "Intelligent Hoodlum". His hood naratives and sharp wordplay make this a must own!

    5 out of 5 stars Another CLassic from rap's mahdi da foul G.O.D........2005-03-24

    If you ain't heard of Tragedy then you ain't heard of one of the top 5 rappers out there in my opinion. This album , as well as his "Against All Odds' Are 2 of the top 25 rap albums I have, and I have over 650. This cat can spit true lyricism and he got the tight beats as well. He spits true gangsta, hustlin, and deep song like very few rappers can. Guests are on about half the songs on this album, and most are fellow QB affiliates. Production is great, Scram Jones does 5 songs, Booth does 3, Ben does 2, and Dart La, Sha Self, and Just One each do a song. It has 3 classics, 3 near classics, 2 ok songs, and the other 6 are good, so you don't need to skip any songs and if you do something is wrong with you. A must have rap album for fans of true hip-hop with real lyrics from a real cat who is one of the illest of all time!!!!

    #1 - 9.5 (good beat)
    #2 - 10 (CLASSIC w/ great beat)
    #3 - 9 (f/ havoc & littles)
    #4 - 10 (another CLASSIC -- f/ christ castro -- good beat)
    #5 - 7.5 (deeper song f/ Rashida)
    #6 - 8
    #8 - 7.5 (deeper song f/ V-12)
    #9 - 9.5 (great song -- f/ littles, capone & V-12)
    #10 - 8.5 (F/ Christ castro)
    #11 - 9 (f/ havoc)
    #12 - 9.5 (f/ v-12)
    #13 - 8 (almost 2 minutes straight, no hook)
    #14 - 10 (Classic DEEP song about his dead moms and his son who almost died)
    #15 - 9 (f/ havoc & Scram Jones -- same as #11 w/ a verse by Scram on this one)

    Percy L. Coles --- Queensbridge, NY
    check all my reviews
    Thug Matrix 2
    Average customer rating: 4.5 out of 5 stars
    • "The King of Queensbridge!!"
    • the essence of real Hip Hop
    Thug Matrix 2
    Tragedy Khadafi
    Manufacturer: 25 to Life Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rap & Hip-Hop | Styles | Music
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    1. Blood Ballads
    2. The Most Notorious
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    ASIN: B000FEBVBI
    Release Date: 2006-05-09

    Tracks:

    1. What's Poppin' ft. HAVOC
    2. Throw Back - Prod. by SCRAM JONES
    3. All Hood ft. TRIFE of THEODORE UNIT
    4. Grand Groove
    5. Get Back ft. AMMO & PRODIGY
    6. Calm Down ft. NAS & NOREAGA
    7. L.A. L.A. ft. CNN & MOBB DEEP
    8. The Seige ft. DMX, MIC GERONIMO,
    9. Triborough ft. CAPONE-N-NOREAGA, CAM'RON, MA$E & CARDAN
    10. T.O.N.Y. ft. CAPONE-N-NOREAGA
    11. 9.11 ft. V-12
    12. The Wait
    13. Unconditional Love
    14. We Do This Here
    15. U Make Me ft. LITTLES & CAPONE
    16. Grand Groove (Bonus Mix)
    17. L.A. L.A. (MARLEY MARL Kuwait Mix)

    Product Description

    Tragedy began his career in the late 80s as a teenage emcee hailing from the infamous Queensbridge projects, the same houses that would also birth Nas, Mobb Deep, Capone N’ Noreaga (whom Tragedy put on and mentored) and Cormega. He initially worked and recorded with QB producer/DJ/legend Marley Marl under the moniker Intelligent Hoodlum. Since the days of “Juice Crew All-Stars”, Tragedy has held it down as one of the most lyrical, consistent and versatile artists in the game. He possesses the ability to drop science, wisdom, knowledge and mathematics with a street gangster perspective and ghetto swagger and at the same time sound eloquent. His self-titled 1990 debut was full of political commentary and heady messages in tracks such as “Arrest The President” and “Black And Proud.” He came back in 1993 with the incredible singles “Grand Groove” and “The Posse (Shoot Em Up)” from the film of the same name. Those records foreshadowed the commercially ignored “Saga Of A Hoodlum”. “The Foul Moc-D” continued to record throughout the 90s, scoring massive underground hits with “Thug Paradise” and “L.A. L.A.”, the latter of which introduced the world to Capone-N-Noreaga. He produced and rhymed on CNN’s stellar 1997 debut “The War Report” before severing ties with the duo. Tragedy’s third album, “Against All Odds”, was scheduled to drop in 1999, but label politics stifled the release. In 2001 he released “Thug Matrix” independently, followed by “Still Reporting” (Solid Records) in 2003 to critical acclaim and praise. 2006 sees Trag releasing “Thug Matrix 2”, a collection of his finest works, exclusives and freestyles and new joints in a whole new package! Joining Tragedy on this retrospective is Nas, Mobb Deep, Capone N’ Noreaga, Jadakiss, Styles P, DMX, Cam’Ron, Ma$e and more... plus production from Havoc, Alchemist, Scram Jones, Marley Marl. Queensbridge Stand Up! 25 2 Life!

    Album Description

    Tragedy began his career in the late '80s as a teenage MC hailing from the infamous Queensbridge projects, the same houses that would also birth Nas, Mobb Deep, Capone N' Noreaga (whom Tragedy put on and mentored) and Cormega. He initially worked and recorded with QB producer/DJ/legend Marley Marl under the moniker Intelligent Hoodlum. Since the days of Juice Crew All-Stars, Tragedy has held it down as one of the most lyrical, consistent and versatile artists in the game. He possesses the ability to drop science, wisdom, knowledge and mathematics with a street gangster perspective and ghetto swagger and at the same time sound eloquent. 2006 sees Trag releasing Thug Matrix 2, a collection of his finest works, exclusives and freestyles and new joints in a whole new package! Joining Tragedy on this retrospective is Nas, Mobb Deep, Capone N' Noreaga, Jadakiss, Styles P, DMX, Cam'Ron, Ma$e and more... plus production from Havoc, Alchemist, Scram Jones, Marley Marl. Queensbridge Stand Up! 25 2 Life!

    Customer Reviews:

    4 out of 5 stars "The King of Queensbridge!!".......2006-10-24

    The Foul Mahdi takes us down memory lane through the project hallways of "The Bridge" with this CD compilation. Tragedy has been holding down the fort since the 80's alongside DJ Hot Day, The Juice Crew, Mobb Deep, C-N-N, etc. His repertoire is no joke! Even on Nas's early flow, Trag's style was so evident. this is a journey through the cracked-out, back streets of Queensbridge and how this brother represented from the 90's to the double 0's. Welcome to the Thug Matrix, 'nuff said!

    5 out of 5 stars the essence of real Hip Hop.......2006-06-26

    Tragedy is a legend in this Hip Hop Game whose resume goes back to his membership in Hip Hop's Original supergroup, the Juice Crew (which included membership by Big Daddy Kane and Kool G Rap). This CD here is a retrospective on some of his best work from the 90's and early 2000's. Thank God for people like Tragedy!
    Sure on This Shining Night: 20th-Century Romantic Songs of America
    Average customer rating: 4 out of 5 stars
    • A Spectrum of Romance in American Musical Composition
    • a rare gem of a CD
    Sure on This Shining Night: 20th-Century Romantic Songs of America

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

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    1. Songs from the Labyrinth (Music by John Dowland)

    ASIN: B000002ZYW
    Release Date: 1997-04-10

    Tracks:

    1. The Children
    2. The Year's At The Spring
    3. When Stars Are In The Quiet Skies
    4. Orpheus With His Lute
    5. Rose Marie
    6. Ives
    7. Song To The Witch Of The Cloisters
    8. Sure On This Shining Night
    9. Sigh No More, Ladies
    10. Come Away, Death
    11. On Hearing 'The Last Rose Of Summer'
    12. Echo
    13. If I Could Tell You
    14. The Collection
    15. The Lord's Prayer
    16. Nature, The Gentlest Mother
    17. The Tiger
    18. Never More Will The Wind
    19. Little Elegy
    20. One Alone
    21. Do Not Go, My Love
    22. To A Stranger
    23. When I Have Sung My Songs
    24. These, My Ophelia
    25. An Old Song Re-sung
    26. Ah! Sweet Mystery Of Life
    27. June Night
    28. Triolet

    Customer Reviews:

    5 out of 5 stars A Spectrum of Romance in American Musical Composition.......2006-01-15

    Often American music is thought to be jaunty, combative, or tragic in content, especially when it comes to songs/lieder for the classical repertoire. This engaging CD takes umbrage with that misconception and in presenting some twenty-eight songs by various composers clearly identifies the romantic side of American composers.

    Here are songs well known and not so well known by familiar and not so familiar composers, and in the hands of tenor Robert White and pianist Samuel Sanders they all come across as important. Included are rarities by composers such as Amy Beach, Theodor Chanler, Isabelle Firestone, Eric Ewazen, Albert Hay Malotte, Marc Marder, John Musto and Richard Hageman, with popular composers Rudolf Friml and Sigmund Romberg, along with the greats: Ives, Schuman, Hindemith, Barber, Thomson, Korngold, Copland. Rorem, Bolcom, Corigliano, and Griffes. It is a huge spectrum of work and while some are less successful than other, they all are given respectful and loving renditions by White and Sanders. It is great fun to hear Firestone's famous 'If I could tell you' that opened the Voice of Firestone for so many years along side Samuel Barber's gorgeous 'Sure on this shining night' and Aaron Copland's settings of Emily Dickinson's poems.

    This a rare treat for connoisseurs of lieder and for lovers of beautiful songs. Recommended. Grady Harp, January 06

    3 out of 5 stars a rare gem of a CD.......2002-07-08

    Sure On This Shining Night is not my usual musical cup of tea...yet, it has become one of my favorite CDs. This collection of American Romantic songs has burrowed its way into my heart.

    There is a universality to the longing involved in Romanticism. These songs capture this feeling perfectly. From the first song to the last, these songs do one thing perfectly: evoke an emotional response.

    This is due in no short measure to the wonderful performance Robert White gives. Rather than being merely technically accurate, White actually gives each of these songs a life of their own. He achieves this effect by getting inside not only the words, but the feelings involved.

    Some of the highlights for me are: the lovely and memorable "Rose Marie," Ewazen's setting of Blake's "The Tiger," a moving version of "The Lord's Prayer" and the haunting "Never More Will the Wind."

    Samuel Sanders is a worthy musical companion to White. His playing is reciprocally lovely and introspective. The notes are extensive and informative as well.

    Even though it may be an acquired taste in our postmodern age, I give Sure On This Shining Night my full recommendation.
    A Life in Music, Box 3 (Box Set)
    Average customer rating: Not rated
      A Life in Music, Box 3 (Box Set)

      Manufacturer: Sony
      ProductGroup: Music
      Binding: Audio CD

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      1. A Life in Music, Box 1 (Box Set)

      ASIN: B000002B6S
      Release Date: 1995-12-05

      Dance Music:

      1. A Penny For Your Thoughts [Explicit Lyrics]
      2. Ain't No Love [Explicit Lyrics]
      3. AKA RJ Block
      4. Andsoitissaid [Explicit Lyrics]
      5. Arabian Hump
      6. Back in the Days [Explicit Lyrics]
      7. Back to the Old School: Sugarhill Club Classics III
      8. Backstreet Life [Explicit Lyrics]
      9. Bay 2 L.a. [Import]
      10. Belly Dancer [CD-single] [Enhanced] [Import]

      Dance Music

      dance music

      Dance Music

      War Child: Hope [Import]

      Classical Love Songs

      Essential Collection [Import]

      Why Try To Change Me Now?

      Sacred Love [Enhanced] [Extra tracks] [Import]

      Emotional

      Dragonfly Summer

      Donizetti: Gianni di Parigi / Serra, Morino, Cillario

      Crescent Moon

      Clifford Brown

      Big Heart [Live] [Import]

      Earthlights

      Bachatas de la Gran Manzana

      Classical Indian Sitar & Surbahar Ragas

      Bobby Hackett - Hello Louis/Plays Tony Bennett's Greatest Hits