Stan [CD-single] [Enhanced] [Import]

Product Description
Includes the radio mix of 'Guilty Conscience', the a cappella of 'Hazardous Youth', 'Get You Mad' featuring Sway & King Tech. Also features the enhanced 'director's cut' video for 'Stan'.

Stan,Eminem,Universal Int'l,Hardcore Rap,Hip-Hop,Pop,Rap & Hip-Hop

Average customer rating: It just doesn't get any better...... Every Collector's Must Have! Beautiful View fom Sugarloaf Mountain Riding at Full Throttle on Top of Bossa Nova!

Getz/Gilberto Stan Getz , Joao Gilberto , and Astrud Gilberto Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music Latin Pop | Latin Music | Styles | Music Bossa Nova | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Brazilian Jazz | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Jazz Samba Wave Time Out Kind of Blue Astrud Gilberto's Finest Hour ASIN: B0000047CX Release Date: 1997-05-20

Tracks:

1. The Girl From Ipanema
2. Doralice
3. Para Machuchar Meu Coracao
4. Desafinado (Off Key)
5. Corcovado (Quiet Nights Of Quiet Stars)
6. So Danco Samba
7. O Grande Amor
8. Vivo Sonhando (Dreamer)
9. The Girl From Ipanema - 45 RPM Issue
10. Corcovado (Quiet Nights Of Quiet Stars) - 45 RPM Issue

Amazon.com essential recording

Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist João Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of "Desafinado." Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's "cool" aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic. --Fernando Gonzalez

Customer Reviews:

It just doesn't get any better.............2007-06-30

....than this. Some very good albums may define a singer; some great ones, like "Tapestry" and "No Secrets", can define a whole generation. Here, we have an album so great we could use it to define "music".

There are conflicting stories as to how this recording, or, at least, Astrud Gilberto's part in it, came to be. At this distance in time, who cares? The late Stan Getz was said to be an unpleasant man. Who cares? He was, you see, a genius, who played the sax like nobody before, or since. Astrud Gilberto supports some political causes that I can't stand. Who cares? She's the prototype of a whole genre...another may be a little prettier, or have a little better voice, but Astrud is still "the original"; all others are copies. Music and politics shouldn't mix, anyway.

Here we have a collection of talent in one place not equaled till "The Blues Brothers". Besides Getz and Astrud, we have Antonio Carlos Jobim and Astrud's then husband, Joao. Great music, well played, and recorded to perfection. EVERYBODY needs at least one copy of this.

Every Collector's Must Have!.......2007-06-08

This is a classic if you don't have this you are missing out! Very relaxing.

Beautiful.......2007-05-22

This is a classic and worth its great reputation. No wonder it has remained popular for so many, many years. It is one of the few albums I enjoyed as a teenager and still enjoy 40 years later!

View fom Sugarloaf Mountain.......2007-03-14

Much has been said about this disc over the past nearly 45 years since it's recording and here at Amazon; mostly all positive here as the 136 reviews averaging five stars can testify to. I listened to this LP many years, off and on since it's original release and recently purchased the CD version so I may take it anywhere on my I-Pod. It goes without saying it is essential music. The understated vibe whispers classic. The pairing of Getz and Gilberto seems as natural and beautiful as sunsets on the beach on Rio de Janeiro. The soft sensual vocals of Joao and Astrud Gilberto pair well with the robust yet minimilist sax work Stan Getz to create an exquisite recording. The contribution by Antonio Carlos Jobim on piano cannot be overlooked as he helped create the total ambience. Soft romantic melodies results from the joining of these two forces in their respective fields to create the definitive bossa nova sound. The model for which bossa nova has been defined by is the quintessential "The Girl From Ipanema" features the famous duet by husband and wife Astrud and Joao Gilberto that is complimented by the cool tenor sax work by Getz twice on this disc;included is the 45rpm issue that was popular on the airwaves during the time period.It is ironic that Gilberto and Antonio Carlos Jobim did not want her to sing on what has become arguably one of the most recognized bossa nova songs ever recorded. The total recording is a reflection of a turbulent time in the world when peaceful music waft down from Sugarloaf mountain for the world to take notice and they have never stopped noticing. Maybe in our contemporay world of war and chaos we need more of the peaceful vibe of the bossa nova again. If you have never experienced this classic recording, check it out,it does still sound good after all these years. Recommended for jazz and Brazilian music enthusiasts.

Riding at Full Throttle on Top of Bossa Nova!.......2007-02-17

Bossa Nova started in Brazil in the late `50s. The "First Generation" included Antonio Carlos Jobim, Joao Gilberto and Vinicius de Moraes as their main artists. Their themes were composed focusing on "Love, Smiles & Flowers" and greatly influenced Latin America's music and even USA's jazz composers.

The present CD was recorded in 1963 when Bossa Nova was the "new thing" mixing with Jazz and conquering USA.
Three geniuses, Joao Gilberto (guitar and vocals), Stan Getz (tenor saxophone) and "Tom" Jobim (piano and composer of eight of the ten musical pieces in the CD) join and mix their efforts to give the audience an outstanding performance.
On top of all that Astrud Gilberto sang "Girl from Ipanema" (she had never before performed professionally) and became instantly a star.
Sebastiao Neto bass and Milton Banana drums complete the musical team.

"Girl from Ipanema" make you feel being at the wonderful Ipanema Beach surrounded by the loveliest girls in the world (believe me, I've been there). Astrud's voice is just unbelievable.
I recommend hearing, enjoying and comparing this song's version with the one recorded in 1967 by Sinatra and Jobim.
"Corcovado" aka "Quiet Nights of Quiet Stars" evokes those wonderful starred nights from Rio de Janeiro, with all their sensual appeal, hearing soft guitar music. Getz's saxophone phrasing is just from another world!
"Para Machucar Meu Coracao" ("To Hurt my Heart" authored by Ary Barroso) is the story of a love affaire gone sour. Joao Gilberto's voice is able to express heartrending pain.

This CD is one of the Top Popular Music in my personal selection, tied up with before mentioned Jobim-Sinatra. I recommend it warmly!
Reviewed by Max Yofre.

Average customer rating: Swirling, beautiful bossa nova-jazz Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!! Old School I'd give it 6 stars if I could!!! Nostalgic; great memories, so easy to appreciate

Jazz Samba Stan Getz , and Charlie Byrd Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music General | International | Styles | Music Samba | Latin Music | International | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Brazilian Jazz | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Bossa Nova | Latin Music | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Getz/Gilberto Wave Stan Getz & The Oscar Peterson Trio: The Silver Collection Jazz Samba Encore! Francis Albert Sinatra & Antonio Carlos Jobim ASIN: B0000047CW Release Date: 1997-05-20

Tracks:

1. Desafinado
2. Samba Dees Days
3. O Pato
4. Samba Triste
5. Samba de Uma Nota So
6. E Luxo So
7. Bahia (aka Baia)
8. Daesafinado

Amazon.com essential recording

Guitarist Charlie Byrd was invited to travel and play in Brazil during a cultural goodwill tour sponsored by the Kennedy administration in 1961. He was completely enamoured by the music, and when he returned, he headed straight for the recording studio to make the now classic Jazz Samba. Collaborating with Stan Getz on tenor sax and backed by a band that included Gene Byrd (bass, guitar), Keter Betts (bass), and Buddy Deppenschmidt and Bill Reichenbach (drums), Byrd forged a new and brilliant sound. American record companies were to churn out hundreds of watered bossa-pop albums that have since given the style its lounge-addled image, but this album stands as a tribute to the vitality and adaptability of jazz. --Louis Gibson

Customer Reviews:

Swirling, beautiful bossa nova-jazz.......2007-07-30

Jazz is all about being evocative- the greatest examples of the genre have always been the ones that take the listener to another place, that have expressed emotions and ideas with uncanny accuracy. In essence, the best jazz recordings feel like they're coming from somewhere inside you, born out of your dreams and private thoughts and inner longings. Which, I guess, is why I'm so fond of Jazz Samba. The album's warm, lyrical tone instantly paints a portrait of some sun-splashed and utterly peaeful Brazilian beach, a hidden little paradise by a crystal ocean. But there's more to it than that. Jazz Samba's lush textures and instantly hypnotic imagery are downright theraputic. When you're stressed out, angry, or depressed, this is the ideal record to put on; the hypnotic, shuffling bass line that opens "Desafinado" casts a spell that isn't lifted until Getz's gorgeous, velvety solo at the end of "Bahia." The music radiates so much warmth and joy in the meantime, wiping away just about every single one of your worries and fears. It really is a neat trick. Of course, like any great piece of music, Jazz Samba is much more than music. Getz and Byrd make for a formidable team, bridging the gap between jazz's emotive cool and bossa nova's swinging sensuality with irresisitable finesse. The music is simultaneously dreamy and upbeat, hypnotic and energetic, beautiful and propulsive. Basically, it's a great album, and one that belongs in every jazz collection.

Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!!.......2007-06-19

Bossa nova music was created largely by Antonio Carlos Jobim and João Gilberto in the late 1950s and early 1960s. When Charlie Byrd and his trio heard it, they wanted to make a bossa nova album of their own. The result is this wonderful CD.

The CD track set opens with an extended version of "Desafinado." The guitar gets plenty of air time in bossa nova music; and Charlie Byrd's guitar solo stuns me with its beauty and sensitivity. "Desafinado" plays with a few key changes to enhance the quality of the number; and the percussion works very well, too.

"Samba Dees Days" picks up the tempo considerably; and this ought to brighten any party you play this at! Stan Getz plays tenor sax to perfection; and Buddy Deppenschmidt along with Bill Reichenbach play the drums very, very well. "Samba Triste" is the only truly mournful sounding samba on this album; the minor keys work very well as Stan's melancholy solo enhances the forlorn flavor to "Samba Triste."

"Samba De Uma Nota Só (One Note Samba)" exudes elegance and style; when you listen to this track the fusion of jazz and samba is very evident. "E Luxo Só" reverts to a faster tempo that really makes you want to get up and dance wherever you are; and "Bahia (Baía)" concludes the album with a silky elegance that is singularly beautiful.

There is one extra number. The bonus track is the 45 rpm issue of "Desafinado." Naturally, the shorter version of this number doesn't provide us with the luxurious meanderings of the full length track. Nevertheless, it interests the listener to hear what the band chose to include--and exclude--when, under time constraints, they had to deliver the number fast yet with all the brightness of the full rendition. You won't be disappointed.

The liner notes include the original liner notes by Dom Cerulli; and there are great black and white photos of the band members playing. John Litweiler contributes an informative essay about the creation of the album as well. The quality of the sound is excellent.

I highly recommend this CD for any fan of bossa nova music; and people who enjoy jazz with a samba twist will cherish this one for ages to come.

Old School.......2007-01-17

This CD was all I expected and more. It was soothing without being muzac, and there was plenty of latin for spice. I was raised with the old school style of jazz and this really fit the bill!

I'd give it 6 stars if I could!!!.......2006-09-16

Stan Getz is in this sax player's opinion the best jazz saxophone player that has ever been recorded. His sense of melody is superb. He hides his amazing technical prowess, makes it sound effortless, and never gets in the way of the melody. Nobody else even came close to his melodic improvisations.

I've worn out a few Jazz Samba LPs and now own it on CD. It's a timeless classic. It has perhaps the definitive version of "One Note Samba" on it. "Desifinado" "Bahia", "O Pato" also shine very brightly. In fact, there are no tracks on this CD that are less than superb.

Stan played a lot of different jazz styles, from Cool School to Post Bop to Bossa Nova. And although he is not from Brasil, Antonio Carlos Jobim wrote a Bossa tune honoring him because his "voice" fit the mood so perfectly. Of all the things Stan did a good job on, Bossa was perhaps his forte. And this album along with "Jazz Samba Encore" are two of his best Bossa albums ever.

I'd give it 6 stars in a 1 to 5 star rating system. It's a "desert island" disk.

Bob "Notes" Norton

Nostalgic; great memories, so easy to appreciate.......2006-08-12

A must piece of work in the latin genre to include in your collection; I've heard bits and pieces of these tracks throughout my life; it's about time I added all of them to my collection.

Average customer rating: Great - The Best of the Best "I'm Glad There Is You . . ." Great rythym section Herb Ellis & Ray Brown: Rhythm Machine Essential

Stan Getz & The Oscar Peterson Trio: The Silver Collection Stan Getz & The Oscar Peterson Trio Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Similar Items: Night Train Jazz Samba Getz/Gilberto Lester Young with Oscar Peterson Trio Oscar Peterson Plays The George Gershwin Songbook ASIN: B0000046ZJ Release Date: 1990-10-25

Tracks:

1. I Want To Be Happy
2. Pennies From Heaven
3. Ballad Medley: Bewitched, Bothered, And Bewildered/I Don't Know Why I Just Do/How Long Has This...
4. I'm Glad There Is You
5. Tour's End
6. I Was Doing All Right
7. Bronx Blues
8. Three Little Words
9. Detour Ahead
10. Sunday
11. Blues For Herky

Amazon.com

Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore with all its details intact. For all his fame as a virtuosic pianist, Peterson is an underrated accompanist. He complements a soloist with deft fills and unobtrusive propulsion, and the backgrounds he supplies here are as subtle as his solos are extroverted. The program is a good mix of standards and Getz originals, including the joyous "Tour's End," while the extended ballad medley could define jazz lyricism. There's also a brief but infectious version of Ellis's "Detour Ahead," the guitarist's early and highly successful foray into songwriting. --Stuart Broomer

Customer Reviews:

Great - The Best of the Best.......2007-01-27

There are so many superlatives about this album. The first thing one new to the Peterson trio may notice is the lack of drums. And yet, the trio swings so hard that it's very easy to forget. Getz's soft, gentle tone on sax makes a stark but highly effective foil to Peterson's high-energy keyboard acrobatics and staggering virtuosity. The bass and guitar hold everything together transparently, working together in perfect syncronization during the solos, to keep the energy at a proper pitch at all times, then peeling off to do their own magic when it's their turn to solo. The speedy opening cut, "I Want to Be Happy", constantly pops with surprises and new textures. Often, I'll play it twice in a row because it's so much fun to listen to. This album is top jazz musicians at the top of their game.

"I'm Glad There Is You . . .".......2007-01-27

"This is one of the enjoyable recordings I've ever made. How refreshing is it to play with these pros." ~ Stan Getz ~

"This memorable session was Stan Getz and Oscar Peterson's first and only meeting in the recording studio as co-leaders. Stan Getz and Oscar Peterson Trio remains a most satisfying collaboration and is presented here - in its entirety - for the first time." ~ Nat Hentoff ~

Stan Getz with Oscar Peterson, Herb Ellis and Ray Brown? Yes, indeed, on this CD! The group will utterly delight you with their outstanding performances. While I tremendously enjoyed this CD in its entirety, the part I love most is the ballad medley, which the group perfectly performed. I believe this medley is the crowning glory of this album. It's so beautiful that I can just put track #3 on a repeat mode and forget the rest of the tracks! What a brilliant idea to do a medley of all these songs so meaningful to me. This medley alone is worth the price of the CD. The songs and its respective soloists are as follow.

"Bewitched, Bothered And Bewildered" - Stan Getz, tenor sax
"I Don't Know Why, I Just Do" - Herb Ellis, guitar
"How Long Has This Been Going On" - Oscar Peterson, piano
"I Can't Get Started" - Ray Brown, bass
"Polka Dots And Moonbeams" - Stan Getz, tenor sax

Also one of my favorites tunes here is "I'm Glad There Is You." Stan Getz's genius shows in every note of this superb and melodic track, and Herb Ellis plays his guitar in a very creative fashion. This is one of the most sublime and notable instrumental versions of all-time. It starts off artistically with Ellis' guitar then Getz joins in slightly overpowering Ellis' guitar to make the most enchanting mix of sax and guitar simultaneously, then comes that gorgeous "solo showdown" between Getz and Ellis. It's so beautiful! I listened to it with a few repeats.

Stan Getz can swing, too! Just listen closely to "I Want To Be Happy," "Pennies From Heaven," "Three Little Words" and his very own "Blues For Herky" and "Tour's End." He plays his favorite instrument effortlessly with ease, precision and virtuosic flair.

When jazz greats get together for a gig, the result is one fantastic album such as this.

An enjoyable musical journey.

Great rythym section.......2006-11-04

As a jazz guitar player, i personally love stan getz, and to hear him with ray brown, one of my favorite and greatest bass players ever. This was also the first i have listened to Herb Ellis play, his parts are a bit quiet but hey all guitarist were quiet until Charlie Christian. All in Four Really great musicians playing together, if you like this , check out russell malone, ray brown and monty alexander's Cd.

Herb Ellis & Ray Brown: Rhythm Machine.......2006-10-04

I love this recording, and all the other reviews have discussed the many reasons why it is so great. I just want to mention something that Herb Ellis said about playing with Ray Brown. Herb said that Ray's bass playing made him feel like he was being physically lifted up and carried along by some super-strong giant. Mr. Brown is the model of powerful swing - massive,deep tone, atomic sense of time. On this (and other) OPT recordings you can hear him lift-'n-carry the whole band.

Essential.......2006-08-09

This is hands-down, the best jazz album I've ever owned. Whether sitting in front of the speakers with eyes closed, absorbing every note, or using it as unobtrusive (but swingin') background music while I work, this album shines.

If you're an audio snob who expects every last KHz of treble to be there, you will be dissappoined. The audio quality is only on par with a good cassette tape, but the music more than makes up for it.

Average customer rating: Fun--but not great aaaaaaaaaaarrrrrrrrghhhhhhhhhhhhh! Disappointment would be an understatement Zzz... another set of hopes are smashed

Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys Various Artists Manufacturer: Anti ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music British Folk | Traditional British & Celtic Folk | Folk | Styles | Music Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music Scottish Folk | Traditional British & Celtic Folk | Folk | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Rock | Styles | Music General | Compilations | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Classic Maritime Music from Smithsonian Folkways Recordings The Harry Smith Project: The Anthology Of American Folk Music Revisited (2 CD/2 DVD BOX SET) American Sea Shanties and Songs Orphans [Fold-out Digipak with 24-page booklet] Shanties & Songs of the Sea ASIN: B000GGSMD0 Release Date: 2006-08-22

Tracks:

1. Cape Cod Girls - Baby Gramps
2. Mingulay Boat Song - Richard Thompson
3. My Son John - John C. Reilly
4. Fire Down Below - Nick Cave
5. Turkish Revelry - Loudon Wainwright III
6. Bully In The Alley - The Old Prunes
7. The Cruel Ship's Captain - Bryan Ferry
8. Dead Horse - Robin Holcomb
9. Spansih Ladies - Bill Frisell
10. High Barbary - Joseph Arthur
11. Haul Away Joe - Mark Anthony Thompson
12. Dan Dan - David Thomas
13. Blood Red Roses - Sting
14. Sally Brown - Teddy Thompson
15. Lowlands Away - Rufus Wainwright & Kate McGarrigle
16. Baltimore Whores - Gavin Friday
17. Rolling Sea - Eliza McCarthy
18. Haul On The Bowline - Bob Neuwirth
19. Dying Sailor to His Shipmates - Bono
20. Bonnie Portmore - Lucinda Williams
21. The Mermaid - Martin Carthy & the UK Group
22. Shenandoah - Richard Greene & Jack Shit
23. The Cry Of Man - Mary Margaret O'Hara

Tracks:

1. Boney - Jack Shit
2. Good Ship Venus - Loudon Wainwright III
3. Long Time Ago -White Magic
4. Pinery Boy - Nick Cave
5. Lowlands Low - Bryan Ferry w/Antony
6. One Spring Morning - Akron/Family
7. Hog Eye Man - Martin Carthy & Family
8. The Fiddler/A Drop Of Nelson's Blood - Ricky Jay & Richard Greene
9. Caroline and Her Young Sailor Bold - Andrea Corr
10. Fathom The Bowl - John C. Reilly
11. Drunken Sailor - Dave Thomas
12. Farewell Nancy - Ed Harcourt
13. Hanging Johnny - Stan Ridgway
14. Old Man of The Sea - Baby Gramps
15. Greenland Whale Fisheries - Van Dyke Parks
16. Shallow Brown - Sting
17. The Grey Funnel Line - Jolie Holland
18. A Drop of Nelson's Blood - Jarvis Cocker
19. Leave Her Johnny - Lou Reed
20. Little Boy Billy - Ralph Steadman

Amazon.com

Johnny Depp and director Gore Verbinski hatched the idea for Rogue's Gallery while filming "Pirates of the Caribbean: Dead Man's Chest"--that idea being to cast genteel rock superstars like Bono, Lou Reed, Bryan Ferry, Andre Corr, and Sting to reinterpret gritty seafaring standards for an exhaustive 43-track double-disc set produced by Hal Wilner. Throw in a bunch of credible folk stars (Loudon Wainwright III, Richard Thompson), their offspring (Rufus, Teddy) and a string of other curious characters (Jarvis Cocker, Antony) and what results is one of the strangest compilations in recent memory, if not exactly the most historically authentic or, well, digestible. Nick Cave embraces the role just a little too hard on "Fire Down Below," while Ferry can't help but sound like he's singing for the cast of "The Love Boat," but cut through the chaff and there is some real bootie here: Bono's "Dying Sailor to His Shipmates," Jolie Holland's "The Grey Funnel Line" and "Boney" by a mysterious tramp called Jack Sh**, which must be some kind of anagram for Johnny Depp. --Aidin Vaziri

Album Description

While working on the two "Pirates Of The Carribean" films, Johnny Depp and director Gore Verbinski became fascinated with the lore and fable of the pirates and sailors who ran the high seas. Enter legendary producer Hal Wilner, who brings his knack for matching maverick musicians with extraordinary material. Artists on this double disc set include Bono, Sting, Nick Cave, Bryan Ferry, Lou Reed, Richard Thompson, Lucinda Williams, Jarvis Cocker of Pulp, and many more. "Rogue's Gallery" offers a look at the hardships, the horrors, the lusts and lurid depths, and the crystal beauty that led men to the sea in ships for hundreds of years.

Customer Reviews:

Fun--but not great.......2007-07-03

What a concept--a pirate song co-produced by Verbinski and Depp inspired by the "Pirates of the Carribean" series. It should be great and in places, it is. The big question I came away with is--who is Jack Sh**? That one definitely has me guessing.

I won't belabor the song content or the production value. I think the most notable reviews have got that down pat, although I'm not marking down as far as they have because I'm giving points for originality being a fan of Spike Jones and some other truly demented people.

One thing to note: this is not a CD you'd buy if you were looking for something to amuse your kids. Some of the content is very bawdy and Mom and Dad would have some serious 'splaining to do to the little pirates. There's both some language and some situations that are more twisted than a Hangman's knot.

aaaaaaaaaaarrrrrrrrghhhhhhhhhhhhh!.......2007-06-09

Some of the songs are quite good(mellow)others a little odd. Its what I expected, but not what you would expect.

Disappointment would be an understatement.......2007-06-04

It is not unusual to find sea shanties performed by not the greatest musicians or singers in the world. It is not unusual to find shanties sung by people who have difficulty keeping perfect pitch, or tempo. But at least they understand what the music is about, and sing it with heart and enthusiasm and a love for the genre.

Hal Wilner should stick to whatever genre it is that made him know enough to be approached by labels, because he clearly has no understanding, and less enthusiasm for *this* genre.

If you love lively music from the maritime era, you can only be bitterly disappointed by this collection. Out of 43 tracks, I found 15 that were salvageable. Sort of.

I've already tossed this onto the pile to go to the resale shop. It wasn't worthy the cost of shipping.

Zzz..........2007-04-04

I have to admit that I have no idea what kinds of music the pirates sang aboard their ships. I know it probably wasn't "yo ho, yo ho, a pirate's life for me," but I expected something different than this. I think my expectations have been colored by groups like The Pogues, Flogging Molly, The Tossers, and the Real McKenzies. I have an annual Pirate Party and I was hoping to find some good music here to get people in the mood for a treasure hunt or pirate liar's dice, but instead, the music on this CD is something I'd put on if the party went on too long and I wanted to encourage people to leave. Some of it is actually awful and the rest is too slow and plodding to inject much energy into any situation.

I appreciate what was attempted here (contemporary artists paying homage to sea chanteys in the spirit of our romanticized version of the pirate era) but it just doesn't really work. The effect is similar to what would be achieved if the London Philharmonic Orchestra attempted to play rap "music" with Luciano Pavarotti rhymin' while flashing gang signs.

another set of hopes are smashed.......2007-03-29

the selection of titles attracted me. The quality of the arrangements, the voices, and the music---are all quite bad.

It is VERY sad that these same titles, could not have been produced for quality. They sound like a nightmare.

Average customer rating: awesome!!!! Only one decent song Stunningly good Score! Track 14 / Worth the price of the CD A few standout tracks, but difficult to recommend on the whole.

The Island Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Marches | Miscellaneous | Styles | Music General | Classical | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: Batman Begins The Island Mr. and Mrs. Smith King Kong Armageddon: The Original Motion Picture Score ASIN: B0009X766E Release Date: 2005-07-26

Tracks:

1. The Island Awaits You
2. Where Do These Tubes Go?
3. Sector 6
4. Starkweather
5. Agnate Ukuleles
6. You Have A Special Purpose In Life
7. Mass Vehicular Carnage
8. Renovatio
9. I'm Not Ready To Die
10. This Tongue Thing's Amazing
11. Mass Winnings
12. The Craziest Mess I've Ever Seen
13. Send In The Clones
14. My Name Is Lincoln
15. Blow

Amazon.com

After supplying something known as "additional music" to many films since the late 1990s, Steve Jablonsky seems to have become the go-to composer for director-producer Michael Bay. Jablonsky's score for Bay's sci-fi thriller The Island shows the influence of its producer, Hans Zimmer. "The Island Awaits You" sets up the mood, which is oddly muted for a movie directed by explosion-master Bay. Even a track titled "Mass Vehicular Carnage" is merely ominously low-key, oddly sounding like something by dank trip-hopper Tricky. Elsewhere, the electronic number "Starkweather" successfully creates a feeling of oppressive tension before integrating elements of the main theme. Unfortunately, in his effort to avoid big ka-booms, Jablonsky can be overly subdued; while nothing is jarring, nothing makes much of an impression either. Actually, there is one jarring thing on this CD, and it's the Prom Kings' nu metal/funk hybrid "Blow," tacked on at the end like an afterthought. --Elisabeth Vincentelli

Customer Reviews:

awesome!!!!.......2007-02-18

The brooding post modern industrial feel to the songs on this soundtrack give it a feel of epic proportions. I simplely love it!!!...dark,foreboding, and eerily brilliant on every track....thank you Mr. Jablonsky!

Only one decent song.......2007-01-15

There's only one coherent actual song on this CD. The rest is just a collection of sound effects and short music bits. If you want that one song, the nice one at the very end, fine, but it's too bad there aren't more like it. I think they could have done better. I remember liking the movie soundtrack a lot - I don't think it translates very well to CD, though.

Stunningly good Score!.......2006-11-10

This is a hauntingly good score to a pretty darned good film, which for whatever whim of the masses was less than well received. I you like taiko drums, fast paced and wonderfully executed "world beat" music, this is definitely the score for you, I've played it again and again and it only gets better with each listening.

Track 14 / Worth the price of the CD.......2006-11-04

I agree with other reviewers here -- much of the music on the CD is simply supplemental to the film, is forgetable, nothing really stands out, there is a lack of melody. Only one track (# 14) "My Name is Lincoln" -- stands apart, offering a theme, melody, choir and resolution -- it is a signature bit of composing that, for me, is really worth the price of the CD.

A few standout tracks, but difficult to recommend on the whole........2006-10-27

I'm afraid to say that I find this CD somewhat difficult to recommend as a whole. Steve Jablonsky is a prodigiously talented composer with a bright future; as his score to 'Steamboy' and trailer music and additional themes for Pearl Harbor attests. And although Jablonsky has done his job well here - the Island score works splendidly in the film - on CD the persistent throbbing electronica and pervasive percussion comes off so harshly as to the point of being too abrasive for the listen to be enjoyable (and I'm a big fan of electronica!)

In comparison to something like Spy Game by Harry Gregson-Williams, which is a deep, subtle and nuanced electronic score, the Island is stark and aggressive, with much repetition, few discernable themes, and occasional sequences of outright garish and incoherent noise generated mostly by garbled electric guitars. With all this in mind, I feel the CD generally hovers around the two star mark.

However, there are a couple of BIG standout moments; namely 'The Island' theme itself; first featured on the opening track, and then later on track 10 and elsewhere, has a beautiful, haunting, ethereal quality to it, reminiscent of the opening minute of 'Injection' from the M:I-2 score. Similarly, 'This Tongue Thing's Amazing' and 'You Have a Special Purpose in Life' have long, stretches of warm orchestral music that are decidedly enjoyable and memorable.

Finally - and most importantly - the finale, 'My Name is Lincoln' is such a standout track that it deserves special attention. It's a warm, uplifting, inspiring theme which borrows heavily upon Gladiator's 'Now We Are Free', but with an epic choral backing which pushes it to even greater heights. It's incredible, probably one of my top 10 favourite film score tracks of all time, seriously.

If ever there was an album that you should consider purchasing as individual mp3 tracks, this one is it - a purchase of tracks 1, 2, 6, 10 and 14 will pretty much cover 95% of all the good bits.

Average customer rating:

The Searchers Manufacturer: El Records ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Pop Rock | Pop | Styles | Music Austria | Continental Europe | Europe | International | Styles | Music Soundtracks | Imports | Stores | Music Similar Items: Tiomkin: Red River Rio Grande: Original Motion Picture Soundtrack Rio Bravo (Two-Disc Ultimate Collector's Edition) John Wayne's Tribute to America How the West Was Won ASIN: B000P46PLY Release Date: 2007-05-28

Tracks:

1. Searchers/Main Title/The Searchers
2. Searchers/Ethan Returns
3. Searchers/Meet Martin
4. Searchers/Locket for Debbie
5. Searchers/Ethan and Aaron/The Searchers
6. Searchers/Goodbye Ethan
7. Searchers/Posse Rides
8. Searchers/Comanches/Edwards' Ranch at Sundown
9. Searchers/Debbie at the Tombstone
10. Searchers/Martin Dragging His Saddle/Burning Ranch
11. Searchers/The Searchers/Indian's Grave
12. Searchers/Ethan Joins the Posse
13. Searchers/The Searchers/Indians Surround the Posse/Death Chant/Indians
14. Searchers/Saddle Up/The Searchers
15. Searchers/No Bonfires
16. Searchers/Ethan Returns from Scouting
17. Searchers/Brad Dies/The Searchers
18. Searchers/Laurie and Martin
19. Searchers/Laurie and Martin Argue
20. Searchers/Ethan's Dummy Ruse
21. Searchers/News of Debbie
22. Searchers/Camp by the Lake
23. Searchers/Buffalo Herd/Buffalo Drums
24. Searchers/Assembly
25. Searchers/The Searchers/Cavalry Crosses the Snowfield
26. Searchers/Mose
27. Searchers/Cicatriz
28. Searchers/Scar's Teepee
29. Searchers/Debbie Refuses to Leave
30. Searchers/Arrow Hits Ethan/The Searchers
31. Searchers/Laurie Warns Martin
32. Searchers/Martin to the Rescue
33. Searchers/The Searchers/Martin Shoots Scar
34. Searchers/Attack on the Indian Village
35. Searchers/Reunion of Ethan and Debbie
36. Searchers/End Title/The Searchers
37. Searchers/The Searchers
38. Searchers (Ride Away)

Album Description

2007 UK reissue of Max Steiner's soundtrack to the John Ford film starring John Wayne. Hailed as a masterpiece - not only as Ford's greatest film and Wayne's finest acting performance, but as one of the greatest films ever made. Among the generation of film-makers, from Jean-Luc Godard to Martin Scorsese, Wim Wenders to George Lucas, The Searchers has become a sacred text. Presented here in its original form, Steiner's score for The Searchers evokes every last aspect of Ford's vision: its grandeur, its darkness, its passion and its romance. It is an integral part of one of the greatest movies of the 20th century. 39 tracks. El.

Album Details

Hailed as a Masterpiece - Not Only as John Ford's Greatest Film and John Wayne's Finest Acting Performance - but as One of the Greatest Films Ever Made. Among the Generation of Film-makers, from Jean-luc Godard to Martin Scorsese, Wim Wenders to George Lucas, "The Searchers" Has Become a Sacred Text. Its Influence on Quest Films as Diverse as "Taxi Driver" and "Paris, Texas" is Unmistakeable and Its Stark Visual Beauty also Established Standards of Cinematography that have Never Been Surpassed. Presented Here in Its Original Form, Max Steiner's Score for "The Searchers" Evokes Every Last Aspect of Ford's Vision: Its Grandeur, Its Darkness, Its Passion and Its Romance. It is an Integral Part of One of the Greatest Movies of the 20th Century.

Average customer rating: Proudly and Resolutely Canadian Song Excellent/Album not really my thing What can I say Stan Rogers Rocks Right on

Northwest Passage Stan Rogers Manufacturer: Fogarty's Cove ProductGroup: Music Binding: Audio CD General | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Folk | Indie Music | Stores | Music Folk | Imports | Stores | Music Similar Items: Fogarty's Cove Between the Breaks...Live! Home in Halifax From Fresh Water Turnaround ASIN: B000003BTZ Release Date: 2007-01-08

Tracks:

1. Northwest Passage
2. The Field Behind The Plow
3. Night Guard
4. Working Joe
5. You Can't Stay Here
6. The Idiot
7. Lies
8. Canol Road
9. Free In The Harbour
10. California

Customer Reviews:

Proudly and Resolutely Canadian.......2007-01-28

First off, Stan Rogers has not been served well by the cover art for his recordings which misleadingly spin your mind into the direction of some 1950s time capsule. To have tradition in mind is not misplaced, and Roger's work certainly observes traditions. But he shouldn't be regarded as something unearthed from an archelogical site. This is definitely my favourite from the Rogers' catalogue, and I remember the pangs of sadness at the news of his early death. 'Northwest Passage' is a perennial winner; that big voice in premium fettle. There's a healthy choice of Roger's writing on show, the ballads, the shanty feel, the domestic observations of,'Lies' a very beautiful and tender thing. It seems the baritone register finds it harder to crack the pop idiom, and I can think of other fine voices(David Wiffen and Joe South spring to mind) that don't get the reach they deserve.'California' is another song I find on my lips when the spirit(Rogers') moves me. All in all, a great disc. If machismo writer of mid-western sagas, Jim Harrison, were singer/songwriter, he'd be of the Stan Rogers cut. Try that for size!

Song Excellent/Album not really my thing.......2007-01-10

To be honest I bought this for the song Northwest Passage only. I had heard it around 12 years ago played in a bar whilst I was in Canada. Finally managed to find it and bought it from the Amazon US site which turned out to be cheaper than Amazon UK even taking account of postage to UK! Anyway, my family may have connections with John Franklin the explorer who is mentioned in the song hence the reason I bought it.

I like the song Northwest Passage a lot and I'd give it 5 out 5. The other notable song is The Field Behind The Plow but to be honest, the rest of the album is a bit too Country and Western for me.

What can I say.......2007-01-10

What can I say - Stan Rogers is the best, and this is a terrific album. A definite must for any Stan junkie.

Stan Rogers Rocks.......2006-07-10

I first heard the song "The Northwest Passage" back in the early nineties on public radio, but I missed out on the artist and album identification. After over a decade of searching, I finally tracked down the source of that song on Amazon. I bought this album for that one song, but was pleasantly surprised to find the other songs on the album were excellent folk songs too. Most heartily recommended for any folk music afficionado.

Right on.......2006-03-05

This is an awesome CD. Stan Rogers has a great voice, I love the Celtic-inflected instrumentals, and his ballads speak authentically to working-class Canadian life.

Average customer rating: Buy this! Excellent Get carried away..... A classic masterpiece Only SACD's capture the original master tape sound

Getz Gilberto Stan Getz , and Joao Gilberto Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Latin Pop | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Getz/Gilberto Time Out Kind of Blue Brothers in Arms Love Supreme ASIN: B00006L6YG Release Date: 2002-10-29

Customer Reviews:

Buy this!.......2007-06-17

This is not only a pillar of Brazilian/American Jazz fusion, it a pillar of all great music in general. Play this for a romatic date & you will both be getting lucky that night guaranteed. So sensual, mesmorizing, just a flat out stunning piece of work.

Excellent.......2007-04-16

Nothing more to say but that the Gets-Gilberto duet is irrepetible. Try to get the volume I as well. It's a jewel....

Get carried away..... .......2007-03-05

Most people born in the last century have heard " The Girl from Ipanema". However, those uninitiated to jazz may have missed the total recording that launched the cabana classic. The sum total is better than its parts.

Even a language barrier is not a problem. My Spanish was not good enough to comprehend the whole recording, but it floats along to a degree that I could plug some lyrical parts and still be transfixed by the melodies. All serious jazz fans should have this as a part of their collection, and any interested in exploring couldn't go wrong by giving this a try.

A classic masterpiece.......2006-09-12

I am a very big fan of Stan Getz. I think is tone is superb and this album captures him at his best. One time Stan Getz said, "He never played a note he didn't mean." This spirit is exemplified in this album.

While the sound quality might not be as good as vinyl as the reviewer below points out, the quality here is still very good. The recording is romantic and the way it was recorded captures the intimacy of the moment.

If you are a Stan Getz fan, this is a must own recording. This is a very sensuous album and the vocals are excellent. I wouldn't hesitate to buy this for anyone who is a fan of Stan Getz.

Only SACD's capture the original master tape sound.......2005-06-09

I'm sorry, friends, after twenty years of listening, buying hundreds of CD's and an improved stereo I now know CD's don't have enough bits. They don't capture all the sound that was in the original vinyl recordings. 44k and 2 to the 14th power was NOT enough samples (bits). Like looking at an old newspaper picture made out of large dots, it's not like a photo. Like a primitive digital print without enough pixels. Poor resolution.

With 4 times as many bits (increments) in the x direction and 2 to the 8th power more bits (increments) in the Y direction, this SACD is the only format which really captures the sound of the original LP or master tape. You cannot hear the difference between this and the LP. It's the real thing.

If you thought CD's sound harsh, or bass-thin, not like a concert, well, you were right!

Beyond that, this album is the second best selling Jazz album of all time, behind Miles Davis "Kind of Blue".

Yeah it's really that good!

Average customer rating: found an olde classic "Stan Freberg Here..." The Right Intro To Stan "The Man" Freberg Stan Freberg-In A Class By Himself Stan Freberg is almost as funny as he thinks he is

The Very Best of Stan Freberg Stan Freberg Manufacturer: Collectables ProductGroup: Music Binding: Audio CD General | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music Spoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music General | Miscellaneous | Styles | Music General | Comedy | Miscellaneous | Styles | Music Classic Comedy | Comedy | Miscellaneous | Styles | Music Novelty Music | Comedic Music | Comedy | Miscellaneous | Styles | Music General | Comedic Music | Comedy | Miscellaneous | Styles | Music Comedy & Spoken Word | Miscellaneous | Indie Music | Stores | Music Similar Items: Stan Freberg Presents The United States Of America, Vol. 1, The Early Years, And Vol. 2, The Middle Years My Son, The Greatest: The Best Of Allan Sherman Spike Jones - Greatest Hits Stan Freberg - Greatest Hits Songs & More Songs By Tom Lehrer ASIN: B00000AF8G Release Date: 1998-08-11

Tracks:

1. John & Marsha
2. I've Got You Under My Skin
3. That's My Boy
4. Try
5. The World Is Waiting For The Sunrise
6. St. George And The Dragonet
7. Little Blue Riding Hood
8. Christmas Dragnet (Yulenet) Part 1
9. Christmas Dragnet (Yulenet) Part 2
10. C'est Si Bon (It's So Good)
11. A Dear John & Marsha Letter
12. Sh-Boom
13. The Yellow Rose Of Texas
14. The Great Pretender
15. Heartbreak Hotel
16. Rock Island Line
17. Banana Boat (Day-O)
18. Tele-Vee-Shun
19. Wun'erful, Wun'erful! (Side Uh-One)
20. Wun'erful, Wun'erful! (Side Uh-Two)
21. Green Christmas

Customer Reviews:

found an olde classic.......2006-11-03

I have always liked olde time radio broadcasts and like Allan Sherman; Stan Freeburg is one of the masters in the field.

"Stan Freberg Here...".......2003-12-31

this CD contains 21 hilarious singles from Stan Freberg, the original music satirist decades before "Weird Al" came along. technically a satirist, Freberg didn't parody pop songs like Weird Al...Freberg tore them apart!! Called a hater of rock music by the '50s generation, Freberg nonetheless poked fun at what he seen as mediocre music being passed off as brilliant pieces of music. however, it all started for him musically with "John and Marsha", a satire on soap operas, in 1951. prior to this, Freberg was half of the puppet show "Time for Beany" with voice legend Daws Butler, who also played a huge part in Freberg's recording career too. Freberg was "Cecil" and "Dishonest John" while Butler was "Beany" and "Captain Huffenpuff". This show ran from 1949-1954. but...prior to that puppet show, Freberg was a teenage voice actor on Warner Brothers cartoons along side Mel Blanc. Freberg is the one who uttered the immortal phrase: "which way did he go, George? which way did he go?" in several cartoons spoofing "Of Mice and Men" characters Lenny and George.but, getting back to this CD. Freberg's recording career started with "john and marsha" in which Stan simply says the two people's names over and over in different emotions. somehow it's funny! don't ask me to over-analyze it! Freberg's stock in trade was satire of course. His wicked take on Johnny Ray on the song "Try" (a parody on Johnny's song, "Cry") is unreal! The Stan Freberg/Daws Butler/June Foray classics are here, too: "St. George and the Dragonet", "Little Blue Riding Hood", and "Christmas Dragnet". On "Heartbreak Hotel" we hear Freberg tackle Elvis and fight with the echo-chamber. On "Yellow Rose of Texas" Freberg delivers a southern dialogue...and is constantly bickering with the snare drummer. "C'est Ci Bon" is hilarious too. His mis-understood single, "Green Christmas", features Daws Butler and Marvin Miller as Bob Cratchit and Crass. Freberg is Scrooge of the advertising world. some critics said that Freberg was nuts for writing and recording a single that roasted his "other job" (Freberg wrote and produced comedy commercials for TV and radio in addition to his recording career and cartoon work). Country singers Ferlin Huskey and Jean Sheppard had a pop hit, "A Dear John Letter", but in Freberg's hands it became "A Dear John and Marsha Letter". His hatred for R&B is showcased on "Sh-Boom". Lawrence Welk doesn't escape Freberg neither and here we have the classic "Wun'nerful, Wun'nerful" which on the original '45 RPM single it was broken into Side Uh-One and Side Uh-Two. Stan Freberg remained a prominent figure in advertising well into the late '80s. In 1990 he started a 5 minute radio commentary called "Stan Freberg Here" that ran until 1998. Old-Time radio also used Freberg's famed voice as host of "When Radio Was" from 1991-1999, still being heard in countless re-runs everynight on AM radio. Freberg's recent project was supplying the voice to that screetching oddball Pete Puma in a cameo role in the recent Looney Tunes movie.

The Right Intro To Stan "The Man" Freberg.......2001-09-20

Stanley Victor Freberg's brilliance was summerized by Stephen Holden, music critic of the NY Times, who noted that Freberg's parodies were more than just of passing fads, but were superb self-contained radio comedies. The twenty-one tracks on this compilation serve up some of the best of his work during the 1950s.

Born in 1926 as the son of Baptist minister Victor Freberg, Stan first entered show business with his uncle, Raymond Freberg, whose stage act was as Conray the Magician. "Radio was my first library," Freberg has said, as he grew up during the audio medium's golden age and thus became enamored of the effect sound created. After graduation from Alhambra High School, Stan hopped a bus to Hollywood and set up a voice audition with Warner Brothers in 1944. Termite Terrace's legendary directors, Chuck Jones, Robert McKimson, and Isadore "Friz" Freleng hired Freberg on the spot and he started work alongside the equally legendary Mel Blanc.

Soon Stan was branching out more and more, doing cartoon voice work for the majority of the studios as well as a steady diet of work on radio. The Army then beckoned, and after his discharge in 1947 he was contacted by ex-Warners director Bob Clampett, for a puppet TV series he was developing. This became "Beany and Cecil" and became an all-time TV classic.

Then in 1951 he released "John and Marsha," a two-word satire of soap operas that became an instant classic. His career in musical satire thus launched, he compiled more such satires.

Among his best are his "Dragnet" parodies. In "St. George an the Dragonet" Freberg uses June Foray as a near-devoured maiden and Daws Butler (with whom he'd worked during "Beany & Cecil") as the dragon (voiced as a typical Dragnet heavy) and also the skipper of the woods' homicide division.

On "Little Blue Riding Hood" Freberg takes on the famed fairy tale as Sgt. Wednesday, with Little Blue and her grandma running a "goodies" ring - his use of the term "goodies" makes the listener genuinely take the term as police jargon for illicit substances.

Capitol made Freberg do one more Dragnet parody, the brilliant two-parter "Yulenet." Sgt. Wednesday and his partner, Frank Jones, interrogate Grudge, a non-believer in Santa Claus (as well as a non-believer in the Easter Bunny or Columbus - or Cleveland or Cincinatti, though he can't make up his mind about Toledo) who leaves Frank quite shaken and Joe determined to prove Santa's bona-fides.

The greatest strength of Freberg's Dragnet parodies is their attention to the show's detail - Daws Butler, who co-wrote "Yulenet," voices Frank, and perfectly captures the mannerisms Ben Alexander imbued in the character in his time on the real "Dragnet," while Freberg not only parodies the monaural delivery of Jack Webb, he also rattles off believable spoofs of the arcane numerical jargon used by police in reporting crimes - most brilliantly at the track's beginning. "Yulenet's" other enduring quality is its good-natured approach - the ending is believably happy, so much so that comes across as a legitimate "Dragnet" episode rather than just a parody. The real Sgt. Friday couldn't have done it better himself.

Music parodies continued for Freberg, and his funniest was "Banana Boat," his savaging of the embarassing Harry Belafonte hit "Day-O." Freberg exaggerates the song's absurd title and ludicrous lyrics, and the foolishness of the whole enterprise is displayed by the interruptions of Peter Leeds, a friend of Stan's from his radio days, who plays a too-hip bongo player who forces Stan to leave the studio repeatedly to sing.

"Banana Boat" was Leeds' third track with Stan - the first was Stan's take-off on "Great Pretender," followed by Freberg's "skiffle band" parody, a send-up of Lonnie Donegan's "Rock Island Line" and the common folk song trait of backgrounding the song's story more than necessary before going into the actual number.

The calypso form of "Day O" is then used in one of Freberg's tracks that is among his funniest and at the same time one of his most serious. "Tele-Vee-Shun" rips into circa-1957 television and with its terrific jokes and puns makes a serious point about the downside of the medium. There is a caustic nature to this parody that is used to greater effect on his controversial 1958 skewering of Christmas commercialization, "Green Chri$tma$," qualities reflecting his birth as a Baptist minister's son.

While by no means a complete compilation of Freberg's work, this CD is the right place to start in appreciating his work.

Stan Freberg-In A Class By Himself.......2000-11-06

Stan Freberg is the best satirist of all time-His thought provoking sketches & song parodies have made him a hit throughout the English speaking world-This CD is nothing short of spectacular-My favorite cuts are "St.George & The Dragonet","John & Marsha",& "Green Christmas"-For those who are unfamiliar with Freberg's work,this CD is a great place to start.

Stan Freberg is almost as funny as he thinks he is.......2000-05-28

This is a reissue of the excellent Capitol Collectors Series CD from a decade ago. Kudos to Collectables for bringing this back. Stan Freberg can be described as the Weird Al Yankovic of the 50's and 60's. Of course, the man is much more than just a recording artist, but these comedy sketches and parodies are classics and these recordings form a large part of Freberg's legacy. The most dated and least funny tracks on this CD are still funny. The most funny are hysterical. The Dragnet skits never get old, and send ups of Mitch Miller, Les Paul/Mary Ford and the Lawrence Welk TV show are dead on and fall down funny. Green Christmas is in a category all by itself and should be a Yuletide tradition for everyone. This is a great compilation and contains most of his best known work. Those of you who are looking for The Old Payola Roll Blues (perhaps the funniest thing he ever did), Point of Order and The Lone Psychiatrist should veer toward the Tip Of The Freberg box set. But if you're just wanting an introduction to this comic genius, this is the best starting place.

Average customer rating: terrific Meditative music Superb shakuhachi music Perfect Tai Chi Music! An Eckhart recommendation Excellent!

Shakuhachi Meditation Music Stan Richardson Manufacturer: Gemini Sun Records ProductGroup: Music Binding: Audio CD Japan | Far East & Asia | International | Styles | Music General | International | Styles | Music General | New Age | Styles | Music Meditation | New Age | Styles | Music General | New Age | Indie Music | Stores | Music Meditation Music | New Age | Indie Music | Stores | Music Similar Items: Shakuhachi - The Japanese Flute Lullaby For The Moon : Japanese Music For Koto And Shakuhachi Sanctuary: Music from a Zen Garden Eastwind: Japanese Shakuhachi Music Moon on the Water ASIN: B0000037AE Release Date: 1998-02-24

Tracks:

1. Empty Bell
2. Choshi Or Shirabe
3. Empty Sky
4. Murasaki Reibo
5. Buddha Or Satsu
6. Yoshi Ya
7. Three Valleys

Tracks:

1. Reed Fence
2. Shin Kyorei
3. Tsuru No Sugomori
4. Shika No Tone
5. Offering
6. Wind In The Pines

Customer Reviews:

terrific Meditative music.......2007-03-17

Great album. Easy to get lost in the mood. The best of the three shakuhachi albums I own.

Superb shakuhachi music.......2006-11-14

For some reason I was put off by the negative reviews (that reason is I hate spending $20 on a CD I only listen to once, which tends to be the case if it's an average CD), so I waited until a cheaper copy popped up.

I have to say I really like this CD. I'm no expert in the genre, I just know what I like and I love the mellow sounds of the shakuhachi flute and have been on the lookout for good recordings over a long period of time. I'm a big Riley Lee fan and have many of his recordings and this is probably just as good as any of them and also the work of Kazu Matsui.

There's another flautist, Manose, who I heard live in concert recently. He's from South Africa and his live performance was stunning. In particular, he did a performance with Deva Premal and Miten that he made up as he was going along which was jawdropping beautiful and probably sold him dozens of CDs on that night. It's hard to find all of his CDs here on Amazon (and some are better than others, check out Suskera and Dhyana Aman) he's worth checking out. Also, if you havent got Riley Lee in your collection, you're in for a real treat.

This music is perfect for relaxing, I would imagine meditation also if you like background music for your meditation and for a massage therapist (or other worker in the healing or other fields that requires soothing background music).

As another reviewer said, you're getting 140 plus minutes of excellent music for $10. I'd say that's a great deal.

Highly recommended.

Perfect Tai Chi Music!.......2006-11-04

I use this CD when I'm teaching class, and it's perfect. The music is soft and doesn't have a familiar melody to distract students. It's very soothing, and very asian.

An Eckhart recommendation.......2006-09-03

I am a huge fan of Eckhart Tolle. He has this music playing as the opening to some of his live talks. I have seen this on video. He has this music recommeded on his website.

This music is hauntingly beautiful , as another reviewer said, without alot of overlay to get caught up in.

Perfect for unwinding, playing in the background to make any activity a meditation.

Love it.

Excellent!.......2006-07-27

I am no expert in the music of the Shakuhachi, but I thoroughly enjoy this CD. I find the music to be relaxing and peaceful, though I'm not sure if people actually 'meditate' to this type of music (if I remember correctly, the performance of the music is more of a meditation exercise than the listening, but I'm no expert in meditation either). The pace is slow, and the music can easily set the tone for a nice relaxing afternoon, or for winding down at the end of the day. If that's what you're looking for, this CD may be for you.

Dance Music:

1. Straight from Tha Kitchen [Explicit Lyrics]
2. Strech
3. Street Money [Explicit Lyrics]
4. STRUGGLERS
5. Swisha House Mix [Explicit Lyrics]
6. Tale of Five Cities
7. Tell It Like It Is
8. Tha 2nd Chapter [Explicit Lyrics]
9. The Professor and The Mutant [Explicit Lyrics]
10. The Realest [Explicit Lyrics]

Dance Music

dance music

Dance Music

Past Perfect Future Tense [Import]

Tchaikovsky: The Piano Concertos

The Book of Tells

Only for the Pure of Heart

Out of Tune

The Best of the Softones

Swingin' on a Star

Symphonies 6,7 & ,8

Sub Urban Poet: the Lawyer Songs

The Sorcerer

The Keith Ingham New York 9, Vol. 1

The Best of the Bobby Fuller Four

Street Buzz del Reggaeton [Explicit Lyrics]

Passions: Baroque & Renaissonce Duets

Live at Glen Miller Cafe 1