Frank Real [Explicit Lyrics]

1. Intro

2. My After Life

3. Murder The Masses

4. Meet My Trunk

5. C.O.S.P.L.E. - C-Lo, , Frank Real

6. Show

7. Homicide Riders

8. Lost In The System

9. Hold Ya Down - Frank Real,

10. Cub 10-10 - Frank Real, , Yung Wun

11. Whatcha Wanna Do - Frank Real,

12. My World

13. Premeditated - Frank Real, Skinny Man

14. Tomorrow Never Came - Frank Real, , 2 Face

15. Love Ya To Death

16. Murder The Masses [Remix]

Frank Real,Frank Real,Dee Money,Hardcore Rap,Pop,Rap & Hip-Hop,Southern Rap

Average customer rating:

Diversity for the maturing Classic Rock audiophile

Hearing is believing

Real Live-F Marino and Mahogany Rush

Speachless

Amazing!

Real Live
Frank Marino & Mahogany Rush
Manufacturer: Just a Minute Record
ProductGroup: Music
Binding: Audio CD

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Frank Marino & Mahogany Rush Live

Double Live

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Living Out of Time: Live

Got Blooze

ASIN: B00063X3J6
Release Date: 2007-01-08

Tracks:

Voodoo Chile
...Something's Comin' Our Way (Excerpt)
He's Calling
Red House
Guitar Prelude to a Hero
...Stories of a Hero
Poppy
...She's Not There
...Crossroads
...She's Not There (Return)
...Poppy (Return)

Tracks:

Let There Be
...Strange Universe
...Ode to Creation
...Strange Universe
Rock and Roll Hall of Fame
...Ain't Dead Yet
...Slippin' and Slidin'
...Back to the Hall
...Two 'N' Four (Just Joshin')
Avalon
...Rumble 'N' Roll (For Pete's Sake)
...Jazzed a Moment
...Tales of the Unexpected
...Return to Avalon
Rattle of Sabres
Electric Reflections of War
...Aftermath
...the World Anthem
...A Prayer for Peace
Over the Rainbow
Try for Freedom

Customer Reviews:

Diversity for the maturing Classic Rock audiophile.......2007-07-16

I'm usually the last in line when it comes to live albums, and overly long performances with few lyrics and covers sound like bad ideas, too. But these guys pull it off with a nuanced, sublime style that just sounds oh so great!

You don't get a second chance to create a first impression, so start with "Red House" (Jimi Hendrix), where borrowing from jazzy George Benson ("On Broadway") brings the crowd to life for the first of many times.

It's not a bang-you-over-the-head albums, but it does get my highest recommendation for the maturing Classic Rock fan with adequate audio equipment - don't forget to set your equalizer to flat.

Hearing is believing.......2007-06-22

If you haven't been blown away be a great live album since the Allman Bros. at Filmore East, or Hendrix' Band of Gypsies, or even Santana's Moonflower then it's time you got this.

Just look at all the positive feedback below!

Real Live-F Marino and Mahogany Rush.......2007-05-12

Breathless!! That's how this recording leaves you. Like a master painter this group leaves deft touches on their musical canvas. There is no lover of classic rock that can sit through "Poppy" and not be moved. Both a homage to those who tread before them and an innovative guitar tour de force; this cut alone makes the disc worthwhile.

Speachless.......2007-05-09

I've never heard anything like this. A guitarscape of three dimensional presentation that is unforgettable. Frank makes his guitar speak like a living, breathing thing. It's as if his guitar is a part of his body. After listening to these CD's I had to just sit and wait until I could bring myself back from the mind trip that Frank had taken me. This rendition of "He's Calling" is astonishing. Simply astounding. You want entertainment? Well let me tell you, this is it. I said it before and I'll say it again. I've never heard anything like this.

Amazing!.......2007-04-13

if you were to take all of the following guitarists; hendrix, stevie ray, satriani, vai, malmsteen, clapton, roy buchanan, duane allman, tony macalpine, santana, frusciante, gary moore, eric johnson, et. al., and combined them into just one guitarist, the end result would be something very close to frank marino. beautiful melodies and gorgeous tone? it's here. psychadelic, overdriven, blues/rock on par with anything you've heard? it's on here. blistering, cutting edge guitar, in the same vein as vai, satch, etc.? it's here. the man simply encompasses all of it in a way that no other single guitarist, that i am aware of, does. this cd is incredible in its scope. parts of it will make the hair on your arms stand up. parts of it will touch you deep in your soul and may even move you to tears. there are other times when all you can do is shake your head in disbelief and laugh. amazingly gifted musician.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
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What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Big: The Musical (1996 Original Broadway Cast)
Average customer rating:

didn't work for rehearsals

Big for folks doing the Musical

It's Awesome, It's Amazing, It's BIG!!!!

a lost gem

Ungodly awful

Big: The Musical (1996 Original Broadway Cast)
Richard Maltby Jr.
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music
Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music
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General | Soundtracks | Styles | Music
The Decca Records Store | Specialty Stores | Music
Similar Items:

Big: The Musical

Baby (1983 Original Broadway Cast)

Nick & Nora (1990 Original Broadway Cast)

Curtains (2007 Original Broadway Cast)

Little Women The Musical (2005 Original Broadway Cast)

ASIN: B000005AY0
Release Date: 2001-09-25

Tracks:

Overture/Can't Wait
Talk To Her/Carnival/Zoltar Speaks
This Isn't Me
I Want To Go Home
The Time Of Your Life/Fun
Josh's Welcome/Here We Go Again
Do You Want To Play Games?/Stars, Stars, Stars
Cross The Line
It's Time
Stop, Time
The Nightmare
Dancing All The Time/I Want To Know
Coffee, Black
The Real Thing
One Special Man
When You're Big/Skateboard Ballet
I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale

Customer Reviews:

didn't work for rehearsals.......2007-03-22

I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.

Big for folks doing the Musical.......2006-03-20

If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.

Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.

It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22

My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.

"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.

All in all, this is a great album. Sample the songs and give it a try. This is a must have!!

a lost gem.......2004-10-14

i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.

Ungodly awful.......2004-06-19

BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.

Average customer rating:

Touching Silk

Touching Silk
Frank Steiner Jr.
Manufacturer: Real Music
ProductGroup: Music
Binding: Audio CD

General | New Age | Styles | Music

Meditation | New Age | Styles | Music
Similar Items:

I Ching Symphony
The Light Dance
Wave Hands Like Clouds
Colors of a New Dawn
Of the Marsh and the Moon

ASIN: B0002IQFWW
Release Date: 2004-07-20

Tracks:

Ajala
Indira's Chant
Rainbow
Beyond the Horizon
Bells of Himalaya
Lung ta
Roaming with the Whales
Touching Silk
Luna
Akash

Amazon.com

Frank Steiner, Jr. is a German composer, but he's shown a penchant for Asian tonalities in recent years. His I Ching Symphony was a surprisingly austere and affecting work, and he dips from that well once again with Touching Silk. Steiner is a gifted sound designer and player, who tends to drown his uncomplicated melodies and often striking instrumentation in honey-laden arrangements and Ray Conniff-esque voices. Playing most of the instruments himself, and most of them being keyboards or samples, Steiner mixes electronics, acoustic orchestral sounds, and traditional Chinese instruments. An electronic wind instrument effectively mimics a Chinese flute on "Indira Chant," and Chinese zithers ripple throughout his arrangements. But Steiner's simple pentatonic melodies have a trite, faux-ethnic ring. Touching Silk is an updating of Les Baxter-styled exoticism, but the results are less charming for their pretensions. --John Diliberto

Album Description

As in Frank Steiner, Jr.'s enormously successful I Ching Symphony, Touching Silk is a lavish production. Balanced with dynamic rhythms and exquisitely poetic passages, this is music on a grand scale, filled with exotic sounds spanning the horizon from east to west.

Touching Silk is a joyful cleanser, a break from our sometimes harsh world into one that is rich in fantasy and beauty.

Customer Reviews:

Touching Silk.......2004-08-07

Touching Silk is one of the best cds I have heard in a long time! If you are looking for new age music combined with other influences this is one is for you!

Average customer rating:

Sheri Petta - who would a thunk?
great music and "match"
Smooth Renditions
Beautiful Fresh New Voice
Magical!

this is why
Sherry Petta
Manufacturer: Sherry Petta Music
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

General | Jazz | Indie Music | Stores | Music
Similar Items:

What Love Is
Surrender
Last First Kiss
Taking a Chance on Love
Renee Olstead

ASIN: B000BUWE7G
Release Date: 2005-10-12

Tracks:

If I Had You
Until The Real Thing Comes Along
I Wish You Love
Falling For You
Teach Me Tonight
Fools Rush In
Let Me Love You
Summer Wind
Watch What Happens
Everybody Loves Somebody
Waiting
You Don't Know Me
Blue Ain't Just A Color

Product Description

Sherry Petta sings popular standards and three originals soon to be favorites. Enjoy her textured velvet vocals on songs that will keep music in your heart. Tracks include Waiting, You Don't Know Me, If I Had You, Fools Rush In, Until the Real Thing Comes Along, Summer Wind, and more.

Customer Reviews:

Sheri Petta - who would a thunk?.......2007-02-17

I heard a cut from Sheri Petta and enjoyed it so I ordered her only album and have played it over and over. She is gifted with a silky smooth syrupy voice - a torch singer with soul and perfect pitch - a real find.

great music and "match".......2007-01-08

I believe Sherry has a beautiful voice, and her music is quite entertaining and enjoyable. I would like to hear and learn more...

FrankCaruana (from hotmail)

Smooth Renditions.......2006-03-20

A superb CD. Silky voiced, smooth renditions of classic numbers excellently produced with very professional backing. Well worth a listen.

Beautiful Fresh New Voice.......2006-01-22

Sherry Petta's music resonates with a fresh new sound. Her voice is clear and clean...reminds me of listening to jazz in a hot club, but without any smoky haze... a contemporary sound for today. I have given Sherry's CD as a gift to many friends and they all enjoy listening to it over and over again. The lilt in Sherry's voice is just charming. Buy this CD today for hours of listening pleasure.

Magical!.......2006-01-18

You must buy this CD. While visiting Arizona recently, I heard a song from this CD on the radio. I figured the singer was some famous person, and then I heard the DJ say it was from an "upcoming star". Well he was right. This woman can sing! All of the songs put you in a calm, relaxing, and "feel good" state of mind. In short, Sherry Petta's music is magical! I highly recommend it.

Average customer rating:

An under-sung keyboard great
Classic Harris
"soul, blues, jazz and the groove - spells Gene Harris"
One of the Best
gene harris et. al. at the top of their games

It's the Real Soul
Gene Harris & Frank Wess
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Modern Postbebop | Jazz | Styles | Music

General | Live Albums | Jazz | Styles | Music

Soul-Jazz & Boogaloo | Jazz | Styles | Music
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Black and Blue
Like a Lover
Funky Gene's
Down Home Blues
The Best of the Concord Years

ASIN: B0000006PH
Release Date: 1996-03-26

Tracks:

Summertime
You Don't Know Me
Lady Be Good
Straight, No Chaser
Menage A Bleu
My Funny Valentine
Estoril Soul
That's All

Customer Reviews:

An under-sung keyboard great.......2006-11-12

blues-infused jazz piano. May not be Oscar Peterson, but could play side-by-side.

Classic Harris.......2005-07-19

This is the artists that my family takes along on road trips. Now my children MUST have Gene Harris for the road. His interpretation and the "tags" on his selections are both driving and mellow. He's still hip with my 20 something kids!

"soul, blues, jazz and the groove - spells Gene Harris".......2001-03-02

There are few happier sounds in jazz than hearing pianist Gene Harris get into a soulful groove. Famous in the '60s for leading the "Three Sounds", Harris spent a period in the late '70s out of the limelight, returned as a member of the Ray Brown Trio and has been leading his own exciting groups since hooking up with Concord in the mid '80s. His joyous blend of jazz, soul, blues and groove music is impossible to dislike - or forget!

Opening track gives you behind-the-scenes-insight to this great jazz pianist - Harris is completely spellbinding with everything on the table, he shines brighter than any artist to sit at the keyboard. Playing from the heart - God-given-talent who just wants to make people happy.

Hats off to - Concord, John Burke and Allen Farnham (producers) for this trip down memory lane with America's original music - JAZZ...and the "ambassador of the keyboard" - GENE HARRIS!

Total Time: 64:11 on 8 Tracks...Concord Jazz CCD-4692...(1996)

One of the Best.......2000-11-10

With a collection of several hundred jazz CD's (and a good number of old records too), this is the best that I have come accross. It fits with any mood and adds to any environment.

gene harris et. al. at the top of their games.......2000-01-09

hard to believe i am the first to review this album. this is a gem from the opening number summertime, certainly to some a hackney piece yet listen to this group groove. frank wess on flute and later on tenor sax joins in during this live performance. i recommend this album to anyone who enjoys good jazz piano with an ENSEMBLE and i have put ensemble in caps to emphasize their solid performance as a group. just buy this cd.

DRG 25th Anniversary Show Stopping Performances

Average customer rating:

Great compilation
A disappointment

DRG 25th Anniversary Show Stopping Performances

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

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Barbara Cook at the Met with Special Guests
Curtains (2007 Original Broadway Cast)
ABC (Adler, Bock, Coleman)
110 in the Shade (2007 Broadway Revival Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005Q6IN
Release Date: 2001-10-23

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

The Real Complete Columbia Years V-Discs

Average customer rating:

The Real Complete Columbia Years V-Discs
Frank Sinatra
Manufacturer: Jazz Factory
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music
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Complete Recordings
Sinatra in Hollywood 1940-1964
The Columbia Years (1943-1952): The Complete Recordings
Learn to Croon
Sinatra: Vegas (Box Set, 4CD/1DVD)

ASIN: B00009ZV5U
Release Date: 2003-11-25

Tracks:

I Only Have Eyes for You [From Dames] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
Kiss Me Again [From Mademoiselle Modiste] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
(There'll Be A) Hot Time in the Town of Berlin - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
Music Stopped [From Higher and Higher] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
I Couldn't Sleep a Wink Last Night [From Higher and Higher] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
Way You Look Tonight [From Swing Time] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
I'll Be Around - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
You've Got a Hold on Me [from What's Up?/Coco] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
Lovely Way to Spend an Evening [From Higher and Higher] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
(I Got a Woman Crazy for Me) She's Funny That Way - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
Speak Low [From One Touch of Venus] - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
Close to You - Frank Sinatra, Axel Stordahl & His Orchestra, Bobby Tucker
My Shining Hour [From The Sky's the Limit]
Long Ago (And Far Away) [From Cover Girl]
Some Other Time [From Step Lively]
Come Out, Come Out, Wherever You Are [From Step Lively]
Put Your Dreams Away (For Another Day)
And Then You Kissed Me [From Step Lively]
All the Things You Are [From Very Warm for May]
All of Me [From Careless Lady]
Nancy (With the Laughing Face)
Mighty Lak' a Rose
Falling in Love With Love [From the Boys from Syracuse]
Cradle Song (Brahms' Lullaby)
I'll Follow My Secret Heart [From Conversation Piece]

Tracks:

Someone to Watch Over Me
There's No You
Let Me Love You Tonight
Just Close Your Eyes
If You Are But a Dream [From Rubenstein's Romance]
Saturday Night (Is the Loneliest Night in the Week)
I Begged Her [From Anchors Aweigh]
What Makes the Sunset? [From Anchors Aweigh]
Charm of You [From Anchors Aweigh]
When Your Lover Has Gone
None But the Lonely Heart
Ol' Man River [From Show Boat]
Over the Rainbow [From The Wizard of Oz] - Ken Lane Singers, Frank Sinatra, Axel Stordahl & His Orchestra
You'll Never Walk Alone [From Carousel] - Ken Lane Singers, Frank Sinatra, Axel Stordahl & His Orchestra
Stars in Your Eyes - Xavier Cugat, Frank Sinatra
My Shawl - Xavier Cugat, Frank Sinatra
Someone to Watch Over Me [From Oh, Kay!]
You Go to My Head
These Foolish Things
I Don't Know Why (I Just Do) [From Faithful in My Fashion]
Homesick, That's All - Dinah Shore, Frank Sinatra, Axel Stordahl & His Orchestra
Night Is Young and You're So Beautiful [From and on We Go] - Dinah Shore, Frank Sinatra, Axel Stordahl & His Orchestra
Aren't You Glad You're You [From the Bells of St. Mary's] - Dinah Shore, Frank Sinatra, Axel Stordahl & His Orchestra
You Brought a New Kind of Love to Me [From the Big Pond] - Dinah Shore, Frank Sinatra, Axel Stordahl & His Orchestra

Tracks:

I'll Never Smile Again - Tommy Dorsey, The Pied Pipers, Frank Sinatra, Axel Stordahl & His Orchestra
Without a Song [From Great Day!] - Tommy Dorsey, The Pied Pipers, Frank Sinatra, Axel Stordahl & His Orchestra
Oh! What It Seemed to Be - Tommy Dorsey, The Pied Pipers, Frank Sinatra, Axel Stordahl & His Orchestra
Old School Teacher - Frank Sinatra
White Christmas [From Holiday Inn White Christmas] - Frank Sinatra, Axel Stordahl & His Orchestra,
My Romance [From Jumbo]
Song Is You [From Music in the Air] - Bob Hope, Frank Sinatra, Axel Stordahl & His Orchestra
Should I (Reveal) [From Lord Byron of Broadway] - The Pied Pipers, Frank Sinatra, Axel Stordahl & His Orchestra
Oh Bess, Oh Where's My Bess? [From Porgy and Bess]
Sililoquy [From Carousel]
I Fall in Love With You Ev'ry Day
They Say It's Wonderful [From Annie Get Your Gun]
You Are Too Beautiful [From Hallelujah, I'm a Burn]
Come Rain or Come Shine [From St. Louis Woman]
One for My Baby (And One More for the Road) [From The Sky's the Limit]
Stormy Weather [From Cotton Club Express of 1933]
Sunflower - Frank Sinatra,
If You Are But a Dream [*] - Frank Sinatra
Strange Music [From Song of Norway][*] - Frank Sinatra
Cradle Song (Brahms' Lullaby) [*] - Frank Sinatra
Dick Haymes, Dick Todd and Como [*] - Frank Sinatra
Don't Forget Tonight, Tomorrow [#][*] - The Pied Pipers, Frank Sinatra, Axel Stordahl & His Orchestra
Was the Last Time I Saw You (The Last Time) [#][*] - The Pied Pipers, Frank Sinatra, Axel Stordahl & His Orchestra

Album Description

Full title - Real Complete Columbia Years V-Discs. 2003 compilation includes four transcription discs pressed for Armed Forces Radio Service but not released on V-Disc & two previously unreleased V-Discs (now all on 3 CDs). 72 tracks carefully remastered in 24-bit. Includes both classic & contemporary material, live concerts & studio recordings. Standard double jewel case housed in a slipcase. Jazz Factory.

Average customer rating:

A bargain collection of showtunes

Golden Greats: Greatest Broadway Hits

Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00005USEJ
Release Date: 2002-02-26

Tracks:

Ouverture - Orchestra
Something Wonderfull - Dorothy Sarnoff
Doin' What Comes Natur'lly - Ethel Merman
Life Upon the Wicked Stage - Colette Lyons
So in Love - Patricia Morison
You'll Never Walk Alone - Jan Clayton, Christine Johnson
Bill - Carol Bruce
Hello, Young Lovers - Gertrude Lawrence
Bloody Mary - Male Chorus
I Can't Say No - Celeste Holm
This Was a Real Nice Clambake - Jan Clayton,
Oklahoma! - Alfred Drake
Sue Me - Vivian Blaine, Sam Levene
Woman Is a Sometime Thing - Edward Matthews
Some Enchanted Evening - Ezio Pinza,
I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
It Ain't Necessarily So - Lawrence Tibbett
Make Believe - Jan Clayton
Wonderful Guy - Mary Martin
They Say It's Wonderful - Ethel Merman
When the Children Are Asleep - Jean Darling, Eric Mattson
More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
Puzzlement - Yul Brynner
I Got Lost in His Arms - Ethel Merman

Tracks:

Overture...Summertime - Anne Brown
Why Can't You Behave? - Lisa Kirk, Harold Lang
Can't Help Lovin' Dat Man - Carol Bruce
There's No Business Like Show Business - Chorus
If I Were a Bell - Isabel Bigley
People Will Say That We're in Love - Alfred Drake, Joan Roberts
Bess, You Is My Woman Now - Anne Brown
Luck Be a Lady Tonight - Robert Alda
Shall I Tell You What I Think of You? - Gertrude Lawrence
Girl That I Marry - Ray Middleton
Nobody Else But Me - Jan Clayton
Carousel Waltz - Orchestra
Dites-Moi - Barbara Luna
Ol' Man River - Kenneth Spencer
Summertime
Many a New Day - Joan Roberts
Blow High, Blow Low - Murvyn Vye
It Takes a Long Pull to Get There - Edward Matthews
You've Got to Be Carefully Taught - Billy Tabbert
We Open in Venice - Alfred Drake
I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
I've Never Been in Love Before - Robert Alda
Tom, Dick or Harry - Lisa Kirk
I Whistle a Happy Tune - Gertrude Lawrence

Tracks:

New York, New York - Lynn Murray, Lynn Murray
Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
Bewitched, Bothered and Bewildered - Vivienne Segal
Beat out Dat Rhythm on a Drum - June Hawkins
How Are Things in Glocca Morra? - Ella Logan
Old Devil Moon - Ella Logan
South American Way - Carmen Miranda
September Song - Walter Huston
This Is the Army, Mister Jones - Irving Berlin
Takin' a Chance on Love - Ethel Waters
My Heart Belongs to Daddy - Mary Martin
Anything Goes - Jeanne Aubert & The Four Admirals
You're the Top - Jeanne Aubert & The Four Admirals
I Get a Kick Out of You - Ethel Merman
Night and Day - Fred Astaire
I Got Rhythm - Red Nichols & His Orchestra
Someone to Watch Over Me - Gertrude Lawrence
Fascinatin' Rhythm - Adele Astaire, Fred Astaire
Strike Up the Band - Red Nichols & His Orchestra
Makin' Whoopee - Eddie Cantor
Heatwave - Ethel Waters
Easter Parade - Clifton Webb
She Didn't Say Yes - Peggy Wood
I've Told Every Little Star - Mary Ellis
Johnny One Note - Lynn Murray, Lynn Murray

Album Description

Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.

Album Details

3 CD set

Customer Reviews:

A bargain collection of showtunes.......2005-08-19

This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.

The Warner Collection, Vol. 1: Her Bright Smile Haunts Me Still

Average customer rating:

Essential Addition To Any Collection

The Warner Collection, Vol. 1: Her Bright Smile Haunts Me Still
Various Artists
Manufacturer: Appleseed Records
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

General | Compilations | Folk | Styles | Music

General | Folk | Indie Music | Stores | Music
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Warner Collection, Vol. 2: Nothing Seems Better to Me - The Music of Frank Proffitt and North Carolina
My Name Is Buddy

ASIN: B00004SBZK
Release Date: 2000-04-25

Tracks:

House Carpenter - Rebecca King Jones
I Went to See My Molly - Lee Monroe Presnell
River of Life - Buna Hicks
Babies in the Wood - Dorothy Howard
I Dropped the Baby - Dorothy Howard
Solas Market - Edith Perrin
Wakes in the Morning - Edith Perrin
Where Did You Get That Hat? - Edith Perrin
Mail Day Blues - J. B. Sutton
Nobody Knows - Sue Thomas
Gilgarrah Mountain (Whiskey in the Jar) - Lena Bourne Fish
Somebody's Waiting for Me - Charles K. "Tink" Tillett
Bony on the Isle of St. Helena - Charles K. "Tink" Tillett
Come Love Come - Eleazar Tillett
Hey, Get Along Josie - Tom Smith
Days of '49 - "Yankee" John Galusha
Springfield Mountain - "Yankee" John Galusha
Jolly Thrasher - Eleazar Tillett
Chimbly Sweep - Rebecca King Jones
Barbara Allen - R.K. Jones
Mohawk Chant, War Chant - Louis Solomon
Lowland Low - Frank Proffitt (TITLE CORRECTION)
Skin and Bones - anonymous
Two Little Blackbirds - Elda Blackwood
Uncle Ned - Elda Blackwood
Tommy - Martha Midgett
Hold My Hand Lord Jesus - Sue Thomas
Jolly Roving Tar - Lena Bourne Fish
Castle by the Sea - Lena Bourne Fish
Farewell to Old Bedford - Lee Monroe Presnell
Sometimes I'm in This Country - Lee Monroe Presnell
Top of Mount Zion - Buna Hicks
A Poor Wayfaring Pilgrim - Linzy Hicks
Been to the East - Steve Meekins
Lass of Glenshee - "Yankee" John Galusha
Irish 69th - "Yankee" John Galusha
The Cumberland & The Merrimac - "Yankee" John Galusha
Lonesome Valley - Curt Mann
Grandmama's Advice - Mrs. Wolf
Kiss Me, Oh, I Like It - Edith Perrin
When I Die - Edith Perrin
Young Beham - Roby Monroe Hicks
Poor Ellen Smith - Homer Cornett
Palms of Victory - Linzy Hicks
Her Bright Smile Haunts Me Still - Eleazar Tillett & Martha Etheridge
Let's Make a Date - Eleazar Tillett & Martha Etheridge

Amazon.com

Field recordings are an interesting concept: they are historical documents intended to preserve the folklore of their indigenous regions, but they can also be enjoyed as songs to be heard. If they are too polished or "professional" sounding, they may lose their archaic, authentic charm. On the other hand, who wants to hear amateur singers if they can't carry a tune, much less do so with any kind of emotional power? What makes this collection so rewarding is the precarious balance it finds. Amateur musicologists Anne and Frank Warner collected these field recordings across the Atlantic Coast states from 1940 through 1966. There are English, Scottish, and Irish folk songs, blues, spirituals, ballads, work songs, and chants of all types included--none of them intended for commercial release and all of them featuring singers to whom music was a family tradition or a community event or perhaps even an innate power. Many of these songs have become well known since they were recorded--some, such as "Tom Dooley," were basically discovered through the Warners' field work--but it's the lesser-known numbers that really hit home: "shudder stories" sung to scare young children, comic minstrel songs, sea chanteys, and more. The snippets of conversations prove that the Warners respected these people greatly and reveled in their genuineness. For fans of Alan Lomax's fieldwork, this set will be a treasured discovery. --Marc Greilsamer

Customer Reviews:

Essential Addition To Any Collection.......2000-06-16

This is the first time that material from the Anne and Frank Warner collection has been easily available to the listening public. The Warners collected songs and tunes from singers and players in the Carolina's, New York and New England starting in the 1930's, and the body of material that they brought to the world through their relationships with these tradition bearers forms an important basic framework of folk history. Long hidden away in the Library of Congress, it is at last available for all to enjoy and learn from. Here is where you'll find the original version of "Tom Dooley" (shared by Frank Proffitt) and pure mountain versions of "Whiskey in the Jar" and "Barbara Allen" as well as priceless interview segments with Proffitt and others. These selections were exquisitely chosen, and beautifully remastered and recorded. Whether you have a passing aquaintaince or a deep love of vernacular folk music, put this CD into your collection today.

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