What's My Name? [CD-single] [Explicit Lyrics]

1. What's My Name (Clean Radio Mix)

2. What's My Name (Clean Club Mix)

3. What's My Name (Explicit Club Mix)

4. What's My Name (LP Version)

5. What's My Name (Instrumental)

What's My Name?,Snoop Doggy Dogg,Interscope,G-Funk,Rap,West Coast Rap

Average customer rating: Breathtaking Solemnity

Russian Choral Music-Russian Easter Manufacturer: Melodiya ProductGroup: Music Binding: Audio CD Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music ASIN: B000001HC2 Release Date: 1996-03-26

Tracks:

1. The Laura's Bell-Ringing And Procession
2. The Easter Beginning (Moscow Tune)
3. The Easter Canon (Moscow Tune Of The Kiev Chant)
4. The Collect-Hymn Of Easter (Tune Of The Trinity-St. Sergius Laura)
5. The Ikos Of Easter (Valaam Tune)
6. The Angel Cried
7. The Exapostilarion Of Easter (Greek Chant)
8. The Canticles Of Easter (Tune Of The Zosima Hermitary)
9. Christ Is Risen
10. Come, O Ye People, Let Us Worship The Godhead In Three Persons (Tune Of The Trinity-St. Sergius Laura)
11. The Great Litany
12. Dogmatik, The 7th Tone (Znamenny Chant)
13. The Great Gradual: What God Is So Great As Our God (Moscow Tune)
14. The Stanza For The Assumption Of The Most Holy Birth-Giver Of God (Great Znamenny Chant)
15. Lord, Now Lettest Thou (Demestvenny Chant)
16. Praise Ye The Name Of The Lord (Kiev Chant)
17. The Exaltation Of Pentecost (Znammey Chant)
18. The Assembly Of The Angels (Znamenny Chant)
19. In That We Have Beheld The Resurrection Of Christ (Kiev Chant)
20. Chosen By The Lord Of Hosts
21. A Prayer To St Sergius
22. An Exaltation To St Sergius (Putevoi Chant)
23. The Lord Is My Light
24. Many Years (Tune Of The St Sophia Cathedral In Novgorod)

Customer Reviews:

Breathtaking Solemnity.......2001-01-25

I don't know a word of Russian language. I love serious choral music which is appropriate for worship. I am a choral singer. This recording and all the others in this rich series, hover over the listener and reverberate in the soul. The absence of the distractions of instruments is so subtle, one is well into the listening process before the realization that it is the human voice, and the human voice in agreement, which dares to approach the Throne of God. If these choral scholars are not devout Christians, they certainly fooled me. It is ethereal, robust, and earthy, all at the same time elevating in the transmission of devout worship. This is the music I use to meditate. This is the music I play in my ear as I drift off to sleep at night. I feel that this music and the music in the entire series is transcendant of culture and language. It probably is transcendant of sectarian or denominational belief. What a treasure they have revealed to these poor, simple ears!

Average customer rating: The Price Club A living legend not your daddy's old timey spiritual Immaculate Vocals of Leontyne Price Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Price, Leontyne | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music Gershwin, George | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Anonymous | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Leontyne Price: The Ultimate Collection Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan Amazing Grace: Jessye Norman Spirituals in Concert Spirituals ASIN: B000003FWE Release Date: 1997-01-14

Tracks:

1. Ev'ry Time I Feel The Spirit - Various Artists
2. Let Us Break Bread Together On Our Knees - Various Artists
3. His Name So Sweet - Various Artists
4. 'Roun' About The Mountain - Various Artists
5. Swing Low , Sweet Chariot - Various Artists
6. Sit Down, Servant - Various Artists
7. Were You There - Various Artists
8. He's Got The Whole World In His Hands - Various Artists
9. Deep River - Various Artists
10. Honor! Honor! - Various Artists
11. My Soul's Been Anchored In De Lord - Various Artists
12. On Ma Journey - Various Artists
13. A City Called Heaven - Various Artists
14. Ride On, King Jesus - Various Artists
15. I Wish I Knew How It Would Feel To Be Free - Various Artists
16. Sinner, Please Don't Let This Harvest Pass - Various Artists
17. Sweet Little Jesus Boy - Various Artists
18. There Is A Balm In Gilead - Various Artists
19. Let Us Cheer The Weary Traveler - Various Artists
20. Ev'ry Time I Feel The Spirit - Various Artists
21. My Way Is Cloudy - Various Artists
22. Nobody Knows The Touble I've Seen - Various Artists
23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

1. Holy, Holy, Holy - Leontyne Price
2. Lead, Kindly Light - Leontyne Price
3. Blessed Assurance - Leontyne Price
4. Ave Maria - Leontyne Price
5. What A Friend We Have In Jesus - Leontyne Price
6. Amazing Grace - Leontyne Price
7. The Lord's Prayer - Leontyne Price
8. Pass Me Not, O Gentle Savior - Leontyne Price
9. The Church's One Foundation - Leontyne Price
10. Bless This House - Leontyne Price
11. I Need Thee Every Hour - Leontyne Price
12. Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
13. I Wonder As I Wander - Leontyne Price
14. Ave Maria - Leontyne Price
15. Porgy And Bess: Summertime - Leontyne Price
16. America The Beautiful - Leontyne Price
17. Lift Ev'ry Voice And Sing - Leontyne Price
18. A Mighty Fortress Is Our God - Leontyne Price
19. Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating: "Lord, How Come Me Here" WOW! uhm......yeah right!! scadalise my name Broadway takes on the spiritual ...

Spirituals in Concert Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Amazing Grace: Jessye Norman The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson Kathleen Battle & Christopher Parkening ~ Pleasures of Their Company The Best of Kathleen Battle ASIN: B000001GDC Release Date: 1991-03-08

Tracks:

1. In That Great Getting Up Morning
2. Sinner, Please Don't Let This Harvest Pass
3. Over My Head/ Lil' David
4. Oh, What A Beautiful City
5. Lord, How Come Me Here
6. I Believe I'll Go Back Home-Lordy, Won't You Help Me
7. Ride On, King Jesus
8. Swing Low, Sweet Chariot-Ride Up In The Chariot
9. You Can Tell The World
10. Scandalize My Name
11. Great Day
12. Oh, Glory
13. Calvary-They Crucified My Lord
14. Talk About A Child
15. Gospel Train
16. My God Is So High
17. There Is A Balm In Gilead
18. He's Got The Whole World In His Hand

Customer Reviews:

"Lord, How Come Me Here".......2007-06-18

I must add, to the praises above, that Kathleen Battle's "Lord, How Come Me Here" is the best "quick" explanation of the long-lasting effects of slavery that I can think of. The line, "They sold my children away," says it all.

And the VERY funny "Scandelize My Name" is also worth the price of the total album!

Alinde O'Malley

WOW!.......2007-03-22

You know, after owning both the CD and VHS of this performance, and having been coached by Sylvia Olden Lee herself, it is no wonder why spiritual mean so much to me. And these two ladies bare their souls and bring these masterpieces to life! WOW!!!

uhm......yeah right!!.......2006-06-21

Clearly you are mistaken. I don't know who that guy is-the person below recommended-but there is NO COMPARISON to JESSYE NORMAN AND KATHLEEN BATTLE!!!! Jessye Norman herself has *30* HONARY DOCTRATES from places like Harvard, Juliard, Yale, Cambridge....I mean HELLO!!!! That guy had no where near the ease, the musicality or even the breath support as these two veterans show!! It is a beautiful CD though it came out in 1991 and I HIGHLY recommend it.

scadalise my name.......2004-10-29

this isn't that good specially after hearing William Warfeild sing it. You can find him at www.wlym.com

Broadway takes on the spiritual ..........2004-01-29

... takes it on and puts it on the canvas by the end of the first round.

I'm going to be the dissenting voice here: thank goodness I signed this disk out of the public library 'cause I'm sure not going to listen to it twice.

There is nothing wrong with the performances. Jessye Norman and Kathleen Battle sing beautifully, and there's no problem with the pick-up orchestra under James Levine.

The problem, and it's huge, is the conception of the show and the musical arrangements. To make the video marketable, I suppose, the producers decided that the concert had to be big: big names, big arrangements, big effects. So we have eighteen spirituals given the musical theatre treatment, with a philharmonic chorus providing chain-gang sound effects, big brass, and big percussion -- including a chinese gong. A chinese gong in a spiritual??? Spare me! Almost every track turns out sounding like either a curtain-raiser or a big, end-of-act production number with cute and predictable modulations between some of the stanzas and the sort of curly-cue orchestral ornamentation typical of Broadway shows.

And you know what? It all kills the spirituals stone dead. The spiritual is one of those musical forms where less is more and very little is best of all. That's how they started, after all. That's how and why they worked for their original audiences, and that's why they were powerful enough to make the transition from folk song to art song. If you want to hear Battle sing spirituals that are irresistible, listen to the set on her Salzburg recital CD, also with Levine (ASIN B00000E31B). There, the music speaks for itself and speaks with a strength and a beauty that the tracks on this disk never approach.

Average customer rating: Just heavenly

Lay Aside All Earthly Cares: Orthodox Choral Works in English Manufacturer: Cappella Romana ProductGroup: Music Binding: Audio CD Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: The Fall of Constantinople When Augustus Reigned: Christmas Music from the Byzantine Tradition Metropolitan Museum of Art: Music of Byzantium Thirsting For God in a Land of Shallow Wells The Glory Of Byzantium ASIN: B000AXWHE4 Release Date: 2005-09-13

Tracks:

1. Bless the Lord, O my soul
2. O gladsome Light
3. Lord, now let Thy servant
4. Rejoice, Virgin Theotokos
5. Praise the Name of the Lord
6. The Great Doxology, No.1
7. Bless the Lord, O my soul
8. The Second Antiphon
9. Only begotten Son
10. Holy God, No.2
11. Alleluia, No.1
12. Cherubic Hymn (Special melody: The thief beheld)
13. A mercy of peace
14. It is truly meet
15. Our Father / One is holy / Praise the Lord, No.1
16. Praise the Lord from the heavens, No.2
17. I will receive the cup, No.2
18. Their proclamation has gone out, No.2
19. Rejoice in the Lord
20. Receive the Body of Christ, No.1,2,1
21. Blessed be the name of the Lord
22. Psalm
23. All of creation
24. Troparion for the Sunday of Orthodoxy
25. Let my prayer arise
26. Now the Powers of heaven
27. Taste and see
28. Thy bridal chamber
29. The wise thief, No.2
30. The wise thief, No.3
31. Let all mortal flesh
32. What shall we call you, Mary

Customer Reviews:

Just heavenly.......2007-01-30

An extraordinary, original collection of vocal music that defies categorization. An inspiring pleasure to own.

Average customer rating: An opera that deserves consideration by a major company Soaring majesty! a favorite opera with an old and inconsistent performance

Robert Ward: The Crucible Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Floyd: Of Mice and Men Zwilich: Symphony No. 1 / Celebration / Prologue & Variations Dominick Argento: From the Diary of Virginia Woolf Melinda Wagner: Concerto for Flute, Strings, and Percussion; Poul Ruders: Concerto in Pieces (Purcell Variations) Notturno: Music by Donald Martino ASIN: B0000049L5 Release Date: 2006-10-24

Tracks:

1. Act l: Beginning - Gloria Wynder/Joyce Ebert/Patricia Brooks/Naomi Farr/Paul Ukena/Maurice Stern
2. Act l: 'Gently, Sirs, Gently' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Spiro Malas/Joyce Ebert
3. Act l: 'Jesus, My Consolation' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Joyce Ebert/Patricia Brooks
4. Act l: 'For Much In the World' - Joyce Ebert.John Macurdy/Naomi Farr/Eunice Alberts/Patricia Brooks/Gloria Wynder/Spiro Malas...
5. Act l: 'Oh, How Many Times Mr. Parris' - Gloria Wynder/Naomi Farr/John Macurdy
6. Act l: 'Jesus, My Consolation' - Gloria Wynder/Naomi Farr/John Macurdy/Patricia Brooks
7. Act II: Beginning - Frances Bible/Chester Ludgin
8. Act II: 'I've Forgotten Abigail' - Chester Ludgin/Frances Bible
9. Act II: 'But, Oh, The Dreams' - Frances Bible/Chester Ludgin/Nancy Foster
10. Act II: 'For Sarah Good Confessed' - Nancy Foster/Chester Ludgin/Frances Bible/John Macurdy/Richard Krause
11. Act II: 'You Will Go To That Court' - Chester Ludgin/Nancy Foster

Tracks:

1. Act III: Beginning - Patricia Brooks/Chester Ludgin
2. Act III: In The Courtroom - Richard Krause
3. Act III: 'Open Thou, My Lips, O Lord' - Jack DeLon/Richard Krause/Paul Ukena/Maurice Stern/Joyce Ebert
4. Act III: 'These Girls Never Saw A Spirit' - Chester Ludgin/Joyce Ebert/Paul Ukena/Nancy Foster/Patricia Brooks/Jack DeLon/New York City Opr...
5. Act III: 'No, No, It Is A Natural Lie To Tell' - John Macurdy/Jack DeLon/Patricia Brooks/Nancy Foster
6. Act IV: Beginning - Gloria Wynder//Richard Krause/Patricia Brooks
7. Act IV: 'But Sir, You Stir Rebellion' - John Macurdy/Jack DeLon/Joyce Ebert/Frances Bible
8. Act IV: 'What Word Of The Children - Chester Ludgin/Frances Bible/John Macurdy/Joyce Ebert/Paul Ukena/Jack DeLon/Eunice Alberts
9. Act IV: 'God Does Not Need My Name' - Chester Ludgin/Jack DeLon/Joyce Ebert/John MacurdyEurnice Alberts/Frances Bible.

Customer Reviews:

An opera that deserves consideration by a major company.......2003-10-04

I became familiar with this recording of the "The Crucible" back in the 60's when it was available on the old CRI label. It was an exciting piece then and it remains one now. It has been a puzzle to me why such an opera has not been taken up and presented regularly by major companies. The music is appealing--and frequently more than that; the drama is potent and never fails to captivate; it offers wonderful opportunites to a cast of singing actors. So what's the problem?! Granted some of the liberties taken with the Arthur Miller text render certain moments dramatically unclear and the Gershwinesque strains that accompany the slave Tituba's character are certainly a mistake. Still, the work as a whole is an exciting one. Hightlights abound, with the whole of the last act being especially moving.

This is still the only recording available and, overall, it is excellent. The leads perfectly embody the roles of John and Elizabeth Proctor, while the balance of the cast, a few vocal duds notwithstanding, competently fill in the many character roles.

The CD sound is very good and far superior to my old vinyl disks.

If you've never heard "The Crucible," give this recording a chance. It is well worth your time.

Soaring majesty!.......2001-12-19

This performance is a gem. Just the soaring majesty of Frances Bible is well worth the experience. What a sadly underrated artist. The final duet with Bible and Ludgin is a lesson in passionate, searing drama and full-out singing.

a favorite opera with an old and inconsistent performance.......1999-03-23

I had the privilege of being part of a cast of this opera at Indiana University of Pennsylvania in the late 70's, directed by the avuncular Herbert Wildeboor (since deceased). I've always loved the 7/8 hymn at the end of the first act. However, this performance is very uneven, including generally unfortunate singing by female leads, and bad acting (at least) by the person singing Reverend Parris. Reverend Hale and John Proctor are consistently good. And the orchestra parts, very demanding, are well handled. It astounds me that there is no new recording in all these years. I've since seen it done in Pittsburgh and know it's being done somewhere on the West Coast. While Mr. Ward's music is considered cliche by some, I prefer it much to, for example, Moore's Ballad of Baby Doe. Perhaps my affection for it is due to having the opportunity to perform it.

Average customer rating: Historically important choral music, wonderfully performed!

Witness: What a Mighty God - Spirituals and Gospels for Chorus James Bohn , Michael Jorgenson , Steve Burger , Gordon Johnson , Jay Young , Michael Abels , Dale Adelmann , Harry T. (Henry) Burleigh , Brazeal W. Dennard , Adolphus Hailstork , Jester Hairston , Jack Halloran , Robert A. Harris , Moses Hogan , Sanford Moore , Robert Scholz , Richard Smallwood , William Henry Smith , Andre Thomas , Philip Brunelle , Sigrid Johnson , Joe Pulice , Robert Commodore , Charles Kemper , Yolanda Williams , Brian Link , Vocal Essence , and VocalEssence Ensemble Singers Manufacturer: Clarion ProductGroup: Music Binding: Audio CD General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Gospel | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music Similar Items: Negro Spirituals - Derek Lee Ragin, Moses Hogan, Moses Hogan Ev'ry Time I Feel the Spirit: Spirituals Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition Trouble I'Ve Seen: Eighteen Spirituals--Moses Hogan Chorale Give Me Jesus | Spirituals by Barbara Hendricks and The Moses Hogan Singers ASIN: B0001FVEPE Release Date: 2004-02-10

Tracks:

1. Witness: Jack Halloran
2. Hush! Somebodys CallinMy Name: Arranged by Brazeal W. Dennard
3. Death Is Gonna Lay His Cold Icy Hands on Me: Arranged by Andrhomas
4. Walk Together, Children: Arranged by William Henry Smith
5. Were You There?: Arranged by Robert Scholz
6. Elijah Rock: Arranged by Moses Hogan
7. This Train: Arranged by Sanford Moore
8. Jesus, Lover of My Soul: Music by J.S. Bach; text by Charles Wesley, Arranged by Richard Smallwood
9. My Lord,What a Mornin : Arranged by Harry T. Burleigh
10. Go Down, Moses : Arranged by Robert A. Harris
11. In Dat Great GittinUp Mornin: Arranged by Jester Hairston
12. Crucifixion: Adolphus Hailstork
13. Go Where I Send Thee:Arranged by Andrhomas
14. Swing Low, Sweet Chariot: Arranged by Dale Adelmann
15. Go,Tell It on the Mountain: Arranged by Sanford Moore
16. What a Mighty God : Arranged by Michael Abels

Album Description

Stirring spirituals and rousing gospel melodies sung by the superb voices of VocalEssence conducted by the renowned conductor Philip Brunelle, joined by vocal jazz ensemble Moore by Four.

Customer Reviews:

Historically important choral music, wonderfully performed!.......2004-05-25

For over 10 years, The VocalEssence Ensemble Singers and Chorus (conducted by Philip Brunelle) has presented an enduring series of concerts showcasing the talents of trailblazing African American composers. Now this wealth of music is available outside the concert hall through a series of recordings called WITNESS.

WHAT A MIGHTY GOD presents 20th Century choral arrangements of music from the African American spiritual tradition rooted in spirituals and gospels, including Harry T. Burleigh's "My Lord, What a Mornin'" (1929), "Walk Together Children" (William Henry Smith, 1937) and more contemporary composers like Sanford Moore's "Go Tell It On The Mountain" (1993.)

There are excellent notes about the genre, however, in light of the historical significance of this music I'm surprised and disappointed to find no biographical information about the composers, not even birth and/or death dates, with this CD. I feel this is a crucial component in an "outreach" project like this, especially since most of these composers are not well known. Still I highly recommend it for the music alone.

The other three CDs are available as single titles, or in the boxed set THE WITNESS COLLECTION which includes:

WHAT A MIGHTY GOD: Spirituals and Gospels for Chorus
DANCE LIKE THE WIND: Music of Today's Black Composers
GOT THE SAINT LOUIS BLUES: Classical Music in the Jazz Age
SKYWARD MY PEOPLE ROSE: Music of William Grant Still

Average customer rating: Beautiful Show

Wings (1995 Studio Cast) Arthur Perlman Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Swingtime Canteen: The Star-Spangled Musical Hit! (1997 Original Cast Members) Curtains (2007 Original Broadway Cast) At Home Abroad (1935 Broadway Cast) - Dietz & Schwartz Legally Blonde (2007 Original Broadway Cast) My Life with Albertine (2003 Original Off-Broadway Cast) ASIN: B000003FZ2 Release Date: 1996-08-13

Tracks:

1. The New Daredevils of the Air/Catastrophe - Leo Daignault/Linda Stephens
2. The Hospital/Globidge - William Brown/Ora Jones/Linda Stephens
3. Wait-Stop-Hold-Cut - Linda Stephens
4. My Name Then... - Ora Jones/Linda Stephens/William Brown
5. All in All - Linda Stephens
6. Let Me Call You Sweetheart - Dominic Cortese
7. Makey Your Naming Powers - William Brown/Ora Jones/Linda Stephens
8. I'll Come Back to That - Linda Stephens/Hollis Resnik
9. Let Me Call You Sweetheart #2 - Hollis Resnik/Linda Stephens
10. I'll Come Back to That #2 - Linda Stephens
11. Yum, Yummy, Yum - Ora Jones/Linda Stephens
12. I'll Come Back to That #3 - Linda Stephens/William Brown
13. Tither - William Brown/Linda Stephens/Ora Jones
14. All in All #2/I Don't Trust Him - Linda Stephens
15. Malacats - Linda Stephens
16. Needle - Linda Stephens
17. Interlude-Wings Theme - Linda Stephens/Hollis Resnik
18. Out on the Wing - Linda Stephens/Hollis Resnik
19. Out on the Wing #2 - Linda Stephens/Hollis Resnik
20. I Wonder What's Inside - Linda Stephens/Russ Thacker/Hollis Resnik
21. Let Me Call You Sweetheart/Therapy Scene - Hollis Resnik/William Brown/Linda Stephens/Russ Thacker/Ora Jones
22. A Recipe for Cheesecake - Russ Thacker/Hollis Resnik and Patients
23. Like the Clouds - Linda Stephens
24. Brownie Scene - Russ Thacker/Linda Stephens
25. Record Player Scene - Hollis Resnik/Linda Stephens
26. The New Daredevils of the Air/Preparing for Flight - Leo Daignault/Linda Stephens
27. Winter Scene I - Hollis Resnik/Linda Stephens
28. Snow - Linda Stephens/Hollis Resnik
29. Winter Scene II - Linda Stephens/Hollis Resnik
30. Wings - Linda Stephens

Customer Reviews:

Beautiful Show.......2006-12-17

I have not seen this show, but after listening to it the whole way through, I want to very badly. The story is heartbreaking, and the music lends itself so well. At times it can be very spooky almost scary, and then other times as simplisticly beautiful as one could hope for. The music and lyrics are a bit repetitious, but this soundtrack tells the whole story. You can visualize everything going on. Its wonderful. I would suggest this to broadway collectors and just listners alike. Its also one that might be good for those who listen to books on tape, because you really do get the whole story, and it is stunningly beautiful. Favorite Song: "I Wonder What's Inside"

Average customer rating:

R.A.B. vol. 2 [CD & DVD] 28 Tracks Plus 6 Short political short films that you just have to see... Favorite Son - Green Day (unreleased) / Let Them Eat War - Bad Religion / Unity - Operation Ivy / Necrotism: Decanting the Insalubrious (Cyborg Midnight) Part 7 - The Lawrence Arms (unreleased) , We Got the Power - Dropkick Murphys (rare) / Drunken Lullabies - Flogging Molly / Doomsday Breach - Only Crime / Gas Chamber - Foo Fighters (rare) , Status Pools - Lagwagon (unreleased) / What You Say - Sugarcult / 7 Years Down - Rancid / Off With Your Head - Sleater-Kinney (rare) , Scream Out - The Unseen (unreleased) / Violins - Yellowcard (unreleased) / Like Sprewells on a Wheelchair - Dillinger Four (unreleased) / Chesterfield King live - Jawbreaker (unreleased) , Born Free live - Bouncing Souls (unreleased) / No Hope live - Mad Caddies (unreleased) / Kids Today - The Dwarves (unreleased) / Can't Wait to Quit - Sick of It All (rare) , Comforting Lie - No Doubt / State of Fear - Useless ID (unreleased) / I'm Thinking - Autopilot Off (unreleased) / My Star - The International Noise Conspiracy (unreleased) , and Time's Up - Donots (unreleased) / Kill the Night - Hot Water Music (unreleased) / You're Gonna Die - Thought Riot / Fields of Agony acoustic - No Use For a Name (unreleased) ProductGroup: Music Binding: Audio CD Short Sleeves | Sleeve Length Browse (feature_browse-bin) | Refinements | Apparel ASIN: B000QXKUWE

Average customer rating: An Interesting Collection of Russian Tenor Arias Another Naxos winner.

Russian Opera Arias Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Russian Opera Arias 2 ASIN: B00005UO8J Release Date: 2002-04-16

Tracks:

1. Overture
2. Hermann's Arioso (Act I) I Do Not Know Her Name
3. Hermann's Arioso (Act I) Forgive Me, Heavenly Creature
4. Hermann's Arioso (Act III) What Is Our Life? A Game!
5. Overture
6. Levko's Aria (Act I) The Sun Is Low
7. Levko's Recitative & Song (Act III) Sleep, My Beauty
8. Waltz (Act II)
9. Lensky's Aria (Act I) I Love You, Olga
10. Polonaise (Act III)
11. Lensky's Aria (Act II, Scene 2) Where, O Where Have You Gone?
12. Ecossaise (Act III)
13. Gopak
14. Grit'sko's Song (Act I) Why, O Heart, Do You Sob And Groan?
15. Overture
16. Song Of The Off-Stage Singer My Heart Quivers

Customer Reviews:

An Interesting Collection of Russian Tenor Arias.......2005-09-19

When people think of the great tenors, the name Vladimir Grishko does not come as quickly to mind as say, Placido Domingo or Franco Corelli and a disc with arias from Mussorgsky's SOROCHINTSY FAIR or Rimsky Korsakov's May Night may not be as tantalizing as a disc with arias from AIDA, LA BOHEME, or FAUST. While I do not expect that this disc from Naxos will steer people away from the tried and true favorites, it will certainly show people the beauty of Russian opera. It will also introduce many people to a tenor who performs some beautiful arias from a type of opera known primarily for its great bass roles.

Two of the sets of arias are from Tchaikovsky's well known QUEEN OF SPADES and EUGENE ONEGIN. Grishko does a particularly fine job with the three arias from QUEEN OF SPADES, displaying the lyrical quality of his voice. He does a good job with the ONEGIN arias as well. Since the other operas with arias are not all that familiar to most non-Russian listeners (including me), it is hard to say whether he does an exceptional job or his interpretations are on the mark, but it is safe to assume that with the beauty of his voice, his pace and control, and overall delivery of the pieces that he does them justice as well. An added bonus to this disc are the orchestral excerpts including the well known Waltz and Polonaise from ONEGIN and the familiar Gopak from SOROCHINTSY FAIR, as well as lesser known works such as Arensky's overture to DREAM ON THE VOLGA and Rimsky Korsakov's overture to MAY NIGHT.

This disc will be a great addition to any opera recording library and fans of great tenors may discover a new rising star. Since he is young and his voice is in excellent shape, he may also be a name we hear with critical acclaim in the future.

Another Naxos winner........2002-06-06

Serious music lovers with half an ear will be aware that Russian is one of the most suitable languages for singing. They'll also be aware that not many CDs come to hand which provide opportunities to hear it. All the more welcome therefore is this issue, from the adventurous and widely-distributed Naxos label, of a collection of tenor arias and orchestral excerpts from Russian operas.

The tenor arias are allocated to Vladimir Grishko, a Ukrainian tenor whose career seems to date from several prize winning appearances he made in competitions in 1989. He enunciates beautifully, his voice is free of wobble, and the tone is free and open throughout the whole range. All the orchestral forces are Russian and the orchestral items are conducted by Theodore Kuchar, who secures wider dynamic extremes that are usually heard in the popular Tchaikovsky, Rimsky-Korsakov and Mussorgsky items.

A final word of praises is for the format of this CD. Juxtaposing orchestral and vocal excerpts from the selected Russian operas makes for 67 minutes of varied and well-programmed listening.

Average customer rating: English is an asset and a drawback You Will Love Opera After Hearing Carmen In English A wholly credible "Carmen" -- finally! I love Carmen!

Carmen (Sung in English) Bizet , Bardon , Gavin , Plazas , Magee , and Parry Manufacturer: Chandos ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Classical | Styles | Music Similar Items: Mozart: The Magic Flute The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English] Verdi: La Traviata Mozart: The Marriage of Figaro Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry ASIN: B00007JGRN Release Date: 2003-03-11

Tracks:

1. Prelude
2. In The Plaza
3. Just Look At That Delicious Morsel
4. Here Come Our New Soldier Boys
5. Jose! There Was A Girl Here Looking For You Just Now
6. Off With You Old Soldier Boys
7. Corporal! Sir!
8. We Have Heard The Bell Summon Us To Meet Here
9. Ah, Just Look!
10. But Why Hasn't She Come, Our Carmencita?
11. Love's A Bird Wild As Any Rebel
12. Carmen! We Will Follow You High And Low!
13. The Cheek Of It!
14. Give Me News Of My Mother!
15. Your Dear Mother And I Were Leaving Church This Morning
16. I See My Mother's Face!
17. Wait A Moment - I'm Going To Read The Letter
18. Come And Help
19. So, Corporal: Tell Me What Happened
20. Well, Carmencita: What Do You Have To Say For Yourself?
21. Where Are You Taking Me?
22. There's An Old Bar In The City
23. Careful - It's Lieutenant!
24. Entr'acte
25. From Far Away Mysterious Sounds
26. Bravo, Bravo! More! Keep Dancing!
27. Hurrah! Hurrah! The Torero!
28. Who's That? It's Escamillo, The Bullfighter From Granada
29. Hurrah! Hurrah! The Torero!
30. You're Most Kind
31. We'll Come With You, Senor Torero
32. Toreador, Be Ready!
33. At Last! We Got Rid Of Them As Quickly As We Could
34. There's A Little Job That We're Starting!
35. Being In Love Is Not A Reason

Tracks:

1. To Bid You Welcome To Our Bar
2. La La La La La La La La...
3. Back To Camp!... Go At Once!
4. That Flow'r You Threw To Me I Treasured
5. No, It's Not Love At All!
6. Hello! Carmen!
7. Lieutenant Fair, It's True
8. The Sky Above The Open Road
9. Entr'acte
10. Keep Going, Dear Old Friend, Kep Going!
11. Right! Let's Stop For A While
12. Shuffle! Cut Them!
13. In Vain You Would Avoid The Bitter Things They're Saying
14. You're Back!
15. As For That Man, It Should Be Easy!
16. Is This The Place?
17. I Say That There's Nothing To Fear
18. It's Him! I'm Sure It's Him Over There!
19. Escamillo Is My Name, And I Come From Granada
20. She Had A Lover Here
21. Hola! Hola! Jose!
22. You Should Take Care, Carmen
23. Alas! Jose, Your Mother Is Ill
24. Entr'acte
25. A Few Cuartos! A Few Cuartos!
26. Here They Come! Here They Come!
27. If You Love Me, Carmen
28. It's You! It's Me!
29. Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.

Dance Music:

1. Whoa! [CD-single] [Import]
2. Whut? Thee Album
3. You Nasty [Explicit Lyrics]
4. Zoolife [Explicit Lyrics]
5. 5th Dog Let Loose [Explicit Lyrics]
6. 681 [Explicit Lyrics]
7. A J-1: Revelation
8. Ackin' Badd [Explicit Lyrics]
9. Adonis [Explicit Lyrics]
10. Anybody Cou Die [Explicit Lyrics]

Dance Music

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Terrorbird

Bach: A La Maniera Italiana

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The Original Ellington Suite [Original recording remastered]

Live Lunch [Live]

Baby Come to Me: The Best of Regina Belle

Andy Williams Live-Christmas Treasures [Live]

Alfredo Catalani: Complete Piano Music/"Impressioni" (10)

A Restful Sense of Urgency

Catwalk

Ask Me Now

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16 Exitos con Mariachi

Rubinstein Collection, Vol. 73

Portuguese Folk Music