For All Seasons [Explicit Lyrics]

1. Intro

2. Man's World

3. We Ain't Friends

4. Shit Like This

5. Ultimate High - Nas, Nature

6. Young Love

7. Go Ahead

8. Nature's Shine

9. Smoke

10. Remember

11. Talking That Shit

12. I Don't Give a Fuck

13. Don't Stop

Tracks:

Prde from Suite No. 1 in G Major for Cello, BWV 1007
II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
The Swan from Carnival of the Animals (Chamber Version)
Havanaise, Op. 83
Mtation from Tha
Liebesfreud Instrumental
Allegro ben ritmato e deciso from Three Preludes
Vocalise Vocal
IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104

Tracks:

Cristal
A lenda do caboclo
Chega de Saudade Live
Wapango Live
Libertango
Appalachia Waltz Solo Cello Version
Butterfly's Day Out
1B
Pickin' from Three Pieces for Solo Cello
Simple Gifts
The Mission
Gabriel's Oboe
The Falls Album Version
The Eternal Vow from Crouching Tiger, Hidden Dragon
The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
Chi passa per'sta strada
Mido Mountain (Chinese Traditional)
Mohini (Enchantment)
Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
Anything Goes Instrumental
I Could Have Danced All Night Extended version

Amazon.com

Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine

Customer Reviews:

pure genius.......2007-05-21

No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection

Another great Yo-Yo Disc.......2007-05-15

The set-up with the classical pieces on the first disc and the other on the second is excellent.

first disc great- second a flop.......2007-04-12

the first disc is awesome. the second disc is weird and boring.

Encore.......2007-03-31

Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.

The Versatile Yo-Yo Ma.......2007-03-29

I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Focus on the Recordings
This is a fantastic deal!
Excellent, Broad Selection
$70....when was this???
$70/40... you do the math.

Vivaldi: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Brilliant Classics | Amazon.com Label Stores | Stores | Music
Similar Items:

Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set)
Bach: Complete Works - 155 CD Box Set
Beethoven: The Masterworks (Box Set)
Handel: The Masterworks (Box Set)
Mendelssohn: The Masterworks [Box Set]

ASIN: B00062FLHY
Release Date: 2004-11-30

Customer Reviews:

Focus on the Recordings.......2007-07-23

I've made this small review of the Vivaldi Masterworks set because it is SO difficult to find a review of such a big collection.

The price is killer and you HAVE to buy it, but be warned: these are not the best recordings, you get what you pay for.

First of all, I'm not a Vivaldi expert, but I've heard his compositions throughout my life in so many different places and recordings and have a vague idea of how some have to be played. Secondly, I'm not a classical music connoisseur, but I love it and have over 300 discs of various composers and styles. Third, I know what a good audio recording should sound like and this will influence my critique of some discs in the collection. Finally, it's easy to get lost among all the tracks contained, so in some cases I will give you my favorite tracks in a disc.

I'm sorry, but I've only reached disc 20 of the box-set, as I listen to more this review will be expanded.

DISC 1:
Why would you use an AAD recording as a first impression for a 40 disc box-set and for the "Four Seasons", which is probably Vivaldi's best know work. The concertos are played enthusiastically, but lack any additional virtuosity to put it ahead of other much better recordings out there.

DISC 2:
Same as DISC 1, played and recorded by the same people.

DISC 3:
The pieces in this disc are VERY well played, nonetheless, you can hear heavy breathing from the soloist which can be a bit annoying.

DISC 4:
Very well performed as well, heavy breathing is less present.

DISC 5:
A very good recording, excellent execution by the hapsichord and good by the recorder.
Tracks 4, 6, 7 and the whole "La Notte" are extraordinary.

DISC 6:
Exquisitely recorded and performed by the Budapest Strings.

DISC 7:
Marvelous performance on the whole disc.
Tracks 22 & 24 are non-plus-ultra.

DISC 8:
Great performance too.
Suggested tracks: 7, 12, 15, 24

DISC 9:
To have an original baroque organ playing is a plus.
Solo strings are lacking in quality (for example: tracks 6 & 7).
Suggested tracks: 1, 4, 8, 15

DISC 10:
Despite being and ADD recording, the quality is fairly good. The cello is very well played.
Suggested tracks: 3, 4, 12
Excellent track: 13

DISC 11:
Same musical group and soloist as DISC 10. The contrabass is extremely distorted sometimes, and if you take into consideration that this is an ADD recording, it can get pretty bad. Some background noise is perceived.
Suggested tracks: 3, 6, 9

DISC 12:
The compositions are somewhat boring, either way the performance is plain decent.
Suggested tracks: 10, 12

DISC 13:
Good performance and sound quality.
Suggested tracks: 1, 4, 6, 7
Excellent track: 12

DISC 14:
Good performance and sound quality too.
Suggested tracks: 10, 14, 16
Excellent track: 5

DISC 15:
Badly mixed, the basoon is blocking the whole ensamble by being in the foreground.
The playing precision is lacking.
An AWEFUL thing about this recording is that you can hear the basson key-sticking with the instrument and the saliva. It's horrible.
Such a pity, the sound of the basson with other instruments can be pretty interesting.

DISC 16:
Violins sound a bit off tempo.
Suggested tracks: 4, 8

DISC 17:
Good sound quality and performance.
Suggested tracks: 1, 7, 9

DISC 18:
Despite being an old recording, it is a very welcome one.
The performance is very well above par. Tempo is fantastic.
The quality of the recording could have been better due to some string plucking that is heard and which can become bothersome.
These are some of Vivaldi's best know tunes.
Suggested tracks: 4, 6, 13
Excellent tracks: 1, 3

DISC 19:
Lively recording.
Track 6 is the same piece found in another disc in the collection, but with a better performance.

DISC 20:
By now you've heard all of this pieces before in the other discs. Nothing new here, nor better.

This is a fantastic deal!.......2007-02-25

If you are a fan at all of the Four Seasons you should love this music. I will admit right now that I am a classical music fan. I don't write or perform it. I am a novice listener. I have never taken any music lessons(though I am leaning in that direction) and certainly have not gone through any university music training. I started out in rock and roll but found classical as I got older and fell in love with it a few years ago.

With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are

The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance

This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!

If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me

So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion

Excellent, Broad Selection.......2007-01-25

This 40-cd collection affords me a rare pleasure almost daily: the thrill of hearing something new by Vivaldi. Despite my best efforts over the years, I've managed to miss hearing a lot of great works by the master. Listening to a single CD now and then, catching tunes on the radio... you can't possibly get a comprehensive understanding of Vivaldi's output that way.

But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.

Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.

$70....when was this???.......2006-11-25

Wish the cost was $70 now. Guess the record producer (or Amazon) got tired of making less than $2 per CD.

$70/40... you do the math........2006-04-07

No, I don't own this collection...yet. However, the price of the collection compels me to review it beforehand. Never have I seen such a complete collection of Vivaldi compositions at such an incredibly low price. At $1.75 dollars a CD, the record producer (Brilliant Classics) isn't making much of a profit. The compilation pulls some of its works from DG Achiv Produktion's vault (see Standage), such as the violin concertos, as well as from unknown producers (the Poland Philharmonic Chamber Orchestra is heavily featured). The collection is so complete that it is academic, and I would not be surprised if music libraries quickly emptied it from Amazon's shelves. The collection is simply worth it for the incredible price (English Concert's recording of the violin concertos cost nearly 30 bucks, and is exactly featured here). Overall, the price alone makes this collection exceptionally attractive, and the ensembles featured aren't bad either.

Average customer rating:

not their best, but still decent
Yuck - dull, uninspired
Superb recording
At best, an iffy transition album 2.5 stars
Exceptionally beautiful pop album

Song for All Seasons
Renaissance
Manufacturer: Wounded Bird Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Progressive Rock | Progressive | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Novella
Turn of the Cards
Scheherazade & Other Stories
Azure d'Or
Ashes Are Burning

ASIN: B00005A48J
Release Date: 2001-03-06

Tracks:

Opening Out
Day Of The Dreamer
Closer Than Yesterday
Kindness (At The End)
Back Home Once Again
She Is Love
Northern Lights
A Song For All Seasons

Album Description

Originally released in 1978, this is the U.S. CD debut with the original album cover artwork. 8 tracks including, 'Opening Out', 'Closer Than Yesterday' and 'She Is Love'. Standardjewel case. 2001 release.

Customer Reviews:

not their best, but still decent.......2007-07-06

This is a step down from Renaissance's early work. Most of the songs are more pop-oriented. Still, a couple of songs stand out as good examples of the progressive genre, including the title track and the opening track. The best known track, "Northern Lights", is pure ear candy, but it is good listening just the same.

Yuck - dull, uninspired.......2007-06-15

Now I remember why I didn't fret when I lost the LP version of this disk. Renaissance has made terrific music, but this outing isn't among their better efforts. Everyone sounds out of energy and there's no overarching theme or unity of direction to tie things together. Check out the band's other fine disks.

Superb recording.......2006-11-25

Everything a Renaissance fan would expect. Annie Haslam couldn't be better and the excellent male vocals on "Kindness" and "She is Love" is an unexpected surprise. The title cut "Song for All Seasons" as well as "Day of the Dreamer" are Renaissance classics. This is an excellent recording, recommended for all. You don't have to be a Renaissance fan to enjoy this one.

At best, an iffy transition album 2.5 stars.......2004-07-21

With Novella, Renaissance were showing signs of wear. The old formula was still working well for them, but it was obvious that it wasn't working nearly as well as it had on the albums that preceded it, especially their high-water mark "Scheherezade And Other Stories." Sales were down, and something had to change, and fast.

It was becoming apparent that they weren't having a tremendous amount of commercial success, so they simplified their approach, used more synthesizers, and in what had to have been a crazed descision thinking that their fans would want a little variety and not hear Annie on a couple songs, they let Jon Camp sing a couple tunes.

For Renaissance, writing pop songs should not have been hard. The hearts of all of their epic pieces were basic, lovely pop songs with catchy, memorable vocal hooks. In short, songs that stick with you.

Unfortunately, part of the fat-trimming process of this album meant not only losing a lot of outside orchestration and instrumental complexity, but the memorable vocal melodies as well. Songs such as "Closer Than Yesterday" and "Back Home Once Again" have pleasant, enjoyable melodies. Despite this, they unfortunately go in one ear and out the other, lacking the coveted "hook" that will give you that magic hit. These are songs I've heard multiple times that I can't seem to remember much of as far as lyrics. "Kindness," the one tolerable Camp-sung tune on the album, once again has a nice structure musically but sticks with you like a small salad. Luckily, they hit it big time with "Northern Lights" which is without a doubt the best pop song the band ever wrote and coincidentally, gave them their first hit. Unlike the other songs on here, this one is near impossible to get out of your head once it's stuck there.

As far as the epics which bookend the album, the title track is one of their best. It has a great, driving instrumental opening and is one of their most bombastic and glorious tunes. I wish I could say the same for the "Opening Out/Day Of The Dreamer" suite, which are 2 tunes that should have been one. Neither one sounds like a fully developed song. Right when "Opening Out" sounds like it might take off somewhere, it totally dies on you. It hits you with a punch in the beginning and whimpily just kind of dies off. Melodies in this song are reprised generously in "Day Of The Dreamer" and I still can't figure out why. Maybe they couldn't come up with enough material to finish it? Who knows. Regardless, the first half of "Dreamer" is just fantastic, one of the most lighthearted, energetic, and euphoria-inducing sections of music in their catalog sure to send you into uncontrollable fits of joy. Unfortunately, this half of the suite suffers the same fate as the first half, and a little over halfway through you will be wishing it was over. Towards the end, they reprise the chorus of the first half of the song in a key that's way too low for Annie to deliver powerfully, which totaly kills any momentum the song was building up to that point (which wasn't much, but out of the dreary, slow middle section something really powerful would have been nice here.) In the end, it is just frustrating that they wasted so many marvelous sections of music on such a pointless, rambling mini-suite.

As far as "She Is Love," it is one of the ultimate low points of the Renaissance catalog and disgustingly sung by John Camp. It is almost as bad as the proceding Camp-sung track "Only Angels Have Wings" on Azure D'Or but not nearly as wretched as "Auto-Tech" from the Time Line album.

All in all, a lot of stuff on here is pleasant enough to listen to, yet it struggles to hold your attention and comes across as unfocused and messy. It doesn't hold well together as an album, the better individual songs would fare much better on a homemade compilation disc. They would get the pop songwriting down a lot better on the next album, Azure D'Or (which has a handful of my favorite Renaissance tracks) yet their abilities to create complex music would wane even further. The beginning of the end for one of the great 70's prog acts. A recovery was never made.

Exceptionally beautiful pop album.......2004-01-01

This is the first Renaissance album I have heard and I am amazed of the beauty of this album. I have heard lots of pop albums and I think this is defenetively one of the best, if the best of all! Annie's voice is exceptionally beautiful, "classical" and all songs except last prog song are very good songs. It is a pity that this band is not too familiar to larger public nowadays although at least this album is a pop classic. I highly recommend this album to all who like melodic pop music.

Average customer rating:

Excellent But Obscure Modern Rock
Best Underdog Band of 2006?
Nu metal from Dave Ellefson?
Megadeth? Naw...
F5 doesn't get you Safe Mode with this CD

A Drug for All Seasons
F5
Manufacturer: Cleopatra
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Alternative Metal | Hard Rock & Metal | Styles | Music

General | Hard Rock & Metal | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

Slave to the System
Suckerpunch
Avarice and Absolution
10 Second Drop
For the Taken

ASIN: B000AE8FY4
Release Date: 2005-09-13

Tracks:

Faded
Dissidence
Fall To Me
A Drug For All Seasons
Bleeding
What I Am
Dying On The Vine
Hold Me Down
Defacing
X'd Out
Look You In The Eyes
Forte Sonata

Product Description

1. Faded
2. Dissidence
3. Fall To Me
4. A Drug For All Seasons
5. Bleeding
6. What I Am
7. Dying On The Vine
8. Hold Me Down
9. Defacing
10. X d Out
11. Look You In The Eyes
12. Forte Sonata

Format: CD

Customer Reviews:

Excellent But Obscure Modern Rock.......2007-03-24

F5 is probably one of the better modern rock/metal albums of the past few years, but was not much more than a blip on the music scene's radar. Most people (myself included) probably purchased this album to find out what erstwhile Megadeth bassist Dave Ellefson has been up to since quitting Megadeth, a band whose sound he had helped define since it's inception.

Unfortunately, Ellefson's playing is not only subdued on this album, but placed low in the mix. Fortunately, what this disc delivers is a solid platter of meat & potatoes modern rock/metal which is quite an enjoyable listen, with cool riffs, great vocals, and dynamic, grooving songs. I actually have found this album in heavy rotation lately. Sure, it's not exactly breaking ground, but it's not trying to. I found this album's sound somewhat like a combination of the guitar on James La Brie's solo project, "Elements Of Persuasion" and the vocal style of Filter. A cool album....check it out!

Best Underdog Band of 2006?.......2006-11-24

Chances are the only reason anyone's heard of this band is because they were wondering where 'the other Dave' went after his abrupt exit from Megadeth. This band retains a bit of MD's aggression, but is very modern, and the byword here is melody. With the possible exception of 'What I Am' (a quasi-Limp Bizkit rehash), every song here is a keeper - nothing earth-shattering, but very, very solid. Memorable choruses (lacking a bit of background vocals usually) and great musicianship. The album flows well, the vocalist/lyricist does a great job, and the whole thing just has a cool, driving, heavy vibe to it. Recommended for fans of Godsmack, Disturbed, Jon Corabi (Scream, Motley Crue), and Lynam. But with better songs. Can't wait to see what the future holds for these guys (hopefully some more exposure!).

Nu metal from Dave Ellefson?.......2006-03-07

This really caught me by surprise. I saw Ellefson was in the group and assumed it would have thrash/speed tendencies. Think again. This is pretty much a nu metal style album. There are some thrashy riffs at points but overall they stay away from old school metal.
These are mostly straight ahead rockers that don't stray too far from each other. Song 3 has a cool melodic intro and song 9 flirts with a brief metalcore breakdown in the middle. Vocally the singer is almost a cross of Mike Howe era Metal Church and Scott Stapp. Some of the guitars hearken to Creed's heavier stuff in fact. May be the first time I've thought Metal Church and Creed in the same music.
Though I'm not a huge nu metal fan I do like some of it, and the musicianship here is high quality. Except song 6. Edie Brickell? Don't do it!

Megadeth? Naw..........2005-12-22

In spite of the fact that Dave Ellefson, of Megadeth fame, is a force handling the low end of this group, it is NOT a Megadeth clone---which is good. This is a definite metal/hard rock group that goes its own direction---which is heavy and crunching or moderate and soothing---sometimes within the same song. The musicianship is solid, vocals on target, lyrics worthy of any thinking adult, production is well-thought out. This CD is good to run from first to last---no need to skip any tunes.

My only complaint is from a production standpoint; some of the pauses within songs sound too clipped, not naturally paused, but paused by manipulating the recording. Not sure what's up with that. It just sounds too chopped to have been naturally muted by player technique.

By the way, the Edie Brickell cover works very well in contrasting light and heavy. It is one of my favorites on the album.

F5 doesn't get you Safe Mode with this CD.......2005-11-18

Wonderful hard beat rock screams at you with this awesome CD by F5. This band has the hard rock out style that I love with smooth, electric, thrilling guitar rifts that encourage head banging at its best. Alternative and rough this music is just what I needed.

The Frontman has a excellent handle on his lyics, style and direction and does it with a flare in an exciting and unique voice.

Yep...I love this CD.

"What I am is what I am"

Average customer rating:

excellent entertainment
The Christmas I Love
A Christmas Collection That Is Just Plain Fun
Wonderful; marvellous
ABSOLUTELY WONDERFUL

The Christmas I Love
Andre Rieu , and Johann Strauss Orchestra
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Pop Instrumental & Easy Listening | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

Pop Instrumental & Easy Listening | Holiday Music | Special Features | Music
Similar Items:

Tuscany
At The Movies
The Homecoming
The Vienna I Love, Waltzes From My Heart
Romantic Moments

ASIN: B0000041OB
Release Date: 1997-10-21

Tracks:

O Daughter Of Zion
White Christmas
Sleigh Ride
From Heaven High I Come To You: Tomorrow's The Day Children/Gloria In Excelsis Deo...
Ave Maria
Transeamus
Softly Falls The Snow: Ring Out Little Bell/O Come Al Ye Faithful
Evening Prayer (From Hansel & Gretel)
Jingle Bells
Lullaby: O Sweet Child Jesus/Let Us Be Happy And Jolly
Mille Cherubini In Coro (Lullaby)
Christmas Rose
The Four Seasons: Winter: Largo
O Christmas Tree: The Little Drummer Boy/Lullaby
Every Year A New: Oh, How Joyfully/Never Have The Bells Sung More Sweetly
Dearest Believe Me
Come Little Children
The Christmas Concert: Pastorale
The Holy City
Silent Night

Customer Reviews:

excellent entertainment.......2007-01-20

I thoroughly enjoyed this Christmas DVD . I want to buy more of Andre Rieu.

The Christmas I Love.......2007-01-10

I was very pleased with the CD and would recommend it to everyone.

All of Andre Rieu's music is very enjoyable to listen to.

A Christmas Collection That Is Just Plain Fun.......2005-11-19

Sometimes I think the only person who is happy that Public television is financially challenged, other that certain legislators who believe that it is too liberal and the culmination of all that is evil, is Andre Rieu. Now don't get me wrong, this happy Dutch musician who models himself after Johan Straus is not a cruel or vindictive person. At least from what I can tell he's not, but let's face it. If PBS did not have financial woes, Andre Rieu, one of its favorite stars, would not have received the exposure he has, and his sales in the United States would probably be next to nothing. Of course for anyone who has ever seen one of his extravaganzas, we would be missing something enjoyable. He's musically sound and he knows how to entertain, and quiet frankly, though some classical purists may cringe at his name, I don't believe the composers whose music he uses are rolling in their graves because it's become popular once again.

Of all his concerts and CDs, I enjoy THE CHRISTMAS I LOVE the most. The jitterbug version of "Jingle Bells" shows that an old tune can produce new tricks. His arrangement of "The Holy City" (a.k.a. "Jerusalem") is almost as moving as when it is performed with a vocalist. The recording has a number of medleys that include favorites from all over Europe show how Christmas has such an international flair. For me, however, this album provides true variety. Many of the carols are not familiar to Americans, so we hear something different yet also authentic to the holiday season.

I'm surprised that there have not been other Rieu Christmas discs. He's an original musician and a consummate showman, so I'm sure there's more he could do with holiday music, but maybe he knows he has a classic with this collection and it will stand the test of time.

Wonderful; marvellous.......2000-09-30

Andre Rieu proves again he is the best of the best! I bought this CD in october 1997, a few weeks before Andre's concert In Quebec city. In this CD, you'll find all the classics of Christmas. They are well played because Andre and his orchestra know how to bring us the atmosphere of Christmas. The desing of the CD is well done. If you,re looking for good music, please try this CD You'll enjoy it. If you have the occasion to see his Christmas concert on TV, watch it. It's very beautiful.

This his not the first CD made by Andre. In 1992, he released "Spielt Die Schonten Weihnachtslieder".

ABSOLUTELY WONDERFUL.......1999-08-18

Another wonderful Andre Rieu CD. All the Rieu recordings and videos are a breath of fresh air - a joy to the soul.

Average customer rating:

christmas music
Relaxing it is.
Here's Your Chance to Hear the Masters and Masterpieces of Christmas Music in Superb Sound

The Ultimate Relaxation Christmas Album

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

The Decca Records Store | Specialty Stores | Music

General Christmas | Holiday Music | Special Features | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
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The Ultimate Relaxation Christmas Album 2
Christmas Adagios
A Christmas Festival
A Festival of Carols in Brass
Joy to the World - Eugene Ormandy, Philadelphia Orchestra

ASIN: B00006LHWN
Release Date: 2002-10-15

Tracks:

Christmas Bells - Mantovani & His Orchestra
O Holy Night - Mantovani & His Orchestra
Have Yourself A Merry Little Christmas - Ronnie Aldrich And His Two Pianos
White Christmas - Mantovani & His Orchestra
The Christmas Waltz - Ronnie Aldrich And His Two Pianos
Winter Wonderland - Ronnie Aldrich And His Two Pianos
Mary's Boy Child - Mantovani & His Orchestra
The Christmas Song - Ronnie Aldrich And His Two Pianos
Adeste Fideles - Mantovani & His Orchetra
The Golden Carol (What Child Is This?) - Frank Chacksfield And His Orchestra
Coventry Carol - David Willcocks
Away In A Manger - Frank Chacksfield And His Orchestra
In Dulci Jubilo - David Willcocks
Jesu, Joy Of Man's Desiring - Stuttgart Chamber Orchestra
Es Ist Ein Ros Entsprungen - Georg Ratzinger
Ave Maria - Arthur Grumiaux
O Tannenbaum - Vienna Boys' Choir
Winter (Largo From Concerto No.4 In F Minor, RV297 'The Four Seasons') - Sir Neville Marriner
Hark! The Herald Angels Sing - Mantovani & His Orchestra
I Saw Three Ships - Mantovani & His Orchestra
Sinfonia From Christmas Oratorio, BWV 248 - Sir Neville Marriner
Silent Night, Holy Night - Mantovani & His Orchestra

Customer Reviews:

christmas music.......2007-01-14

this was a very nice cd for quiet listening, but it did not inspire any emotional feelings.

Relaxing it is........2007-01-09

This music could be played at any Dentist or Doctor's office just to take the edge off. It's not a masterpiece, but it is relaxing.

Here's Your Chance to Hear the Masters and Masterpieces of Christmas Music in Superb Sound.......2006-01-08

Decca has come out with the "Ultimate" Series of albums, ranging from Opera Divas to Tango, from Patriotic to Relaxing Classical. I ordered this album last fall from a high school student in my neighborhood going door to door raising funds for her hockey team. I had no idea what the Christmas music was, I just wanted something relaxing. When it arrived in the mail I was delighted to hear favorites from my youth - Annunzio P. Mantovani, Frank Chacksfield (remember him?), and Ronnie Aldrich - all remastered in terrific sound! The liner notes are fun to read, providing a story for each carol and song. This generous album of 22 tracks runs a total time of 63:25, providing holiday ambience from Thanksgiving through New Years Day.

Average customer rating:

Great CD!!
Favorite Moravian chorales from childhood.

Music For All Seasons

Manufacturer: Crystal Records
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
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Lost Music of Early America: Music of the Moravians
Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)

ASIN: B000003J2Z
Release Date: 1995-02-01

Tracks:

Three Chorales: O Lord In Me Fulfill - O Deepest Grief - What Splendid Rays
Three Sonatas: Largo, Allegro, Scherzo
Three Sonatas: Largo, Allegro, Allegro
Three Sonatas: Adagio, Allegro, Scherzo
Communion Hymn
Moravian Funeral Chorales: Passion Chorale - Sleep Thy Last Sleep - Passion Chorale
The Liturgical Year: Advent - Come Thou Long Expected Jesus - Once He Came In Blessing
The Liturgical Year: Christmas - All My Heart This Night Rejoices
The Liturgical Year: Passion Week - Go To Dark Gethsemane
The Liturgical Year: Easter - Sleepers Wake - I Give Thee Thanks Unfeigned
The Liturgical Year: All Saints Day - The Thousand Times Ten Thousand
Moravian Chorale Cycle
Hosanna
O Come, Immanuel; All the World Gives Praises; How Shall I Meet My Saviour
Ave Maria
To Us A Child Is Born This Night - Break Forth O Beauteous Heavenly - Once He Came In Blessing
To Us A Child Is Born
O Come All Ye Faithful - Angels We Have Heard On High - Hark The Herald Angels Sing
Hosanna
Prague, 7th C.; Ride On In Majesty; Go To Dark Gethsemane
Crucifixus
Solemn Intrata
Christians Dismiss Your Fear; The Day Of Resurrection; Jesus Christ Is Risen Today; Lyra Davidica
Christ Unto Us Has Left An Example

Customer Reviews:

Great CD!!.......2003-08-07

This is a must for all trombonists and music historians!! The sound of these groups is just amazing! Nowhere else can you get a sound like you do with the instruments that these trombonists use. Where else can you hear a contrabass, bass, tenor, alto, soprano, and sopranino trombones all together? A great CD for a historical reference on the trombone also...tromobone chiors are one of the oldest forms of music, and THE oldest perfoming groups in the USA are the Moravian trombone choirs. This CD gives us a rare look into the past of how trombones were commonly used in centuries past, and how the tradition continues today.

Favorite Moravian chorales from childhood........1999-11-20

Trombone choirs! I love them. Everytime I hear this recording, I see again the church of my childhood and the trombone choir standing out in the snow near the front steps playing Christmas chorales during the hour before the Christmas Eve service. Why were they out there a full hour before the service? If you wanted a seat, you had to arrive an hour early, because late comers sat in folding chairs in the cloakrooms, or stood in the back. That church was filled to brimming only on Christmas Eve, because music lovers came from miles away to hear traditional Moravian Christmas music, and where else could one possibly hear it? Some of it is on this recording. The words sung to track 8 are "All my heart this night rejoices...", and that sense of anticipation and pleasure is exactly what Moravians feel as they enjoy a night of great music, sung mostly by the people in the pews, not just the choirs. It's all here. The great songs from Advent, Lent, songs of repentance, forgiveness, joy, for baptising babies and burying old people. When you hear track 19, Hosanna, think of a room full of singers on Palm Sunday, echoing back and forth to each other, the little girls and women singing back to the boys and men. My only criticism is that there are perhaps too many songs in minor keys grouped together. They evoke too much sadness and start to sound like endless dirges. The musical interpretation and masterful rendering of the chorales is absolutely delightful, not only for us who hold all the words in our heads and are singing along, but also for those who will assign their own meaning to the music.