| 1. Booty Shake |
| 2. Funky Stuff |
| 3. Rhythm |
| 4. Da-Da-Da-De |
| 5. Gucci Gumbo [Mega Mix] |
| 6. Gucci Man |
| 7. Pushin' |
| 8. Never Seen You Cry |
| 9. I Want Some |
| 10. Rub-A-Dub-Dub |
| 11. Project Girl |
| 12. Git Bizzy and Dance |
| 13. Gucci Bass (The Sequel) |
| 14. Special Thanxs |
| 15. Everybody's Talkin' |
| 16. Under the Boardwalk |
G4,Gucci Crew II,Hot Productions,Bass Music,Hip-Hop,Party Rap,Pop,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues
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The Best of Telemann
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TQOX Release Date: 2000-07-18 |
Tracks:
- Recorder Ste in a: Ov - Jiri Stivin/Capella Istropolitana/Richard Edlinger
- Recorder Ste in a: Les Plaisirs - Jiri Stivin/Capella Istropolitana/Richard Edlinger
- Recorder Ste in a: Air A L'Italienne - Jiri Stivin/Capella Istropolitana/Richard Edlinger
- Recorder Ste in a: Rejouissance - Jiri Stivin/Capella Istropolitana/Richard Edlinger
- Va Con in G: Largo - Ladislav Kyselak/Capella Istropolitana/Richard Edlinger
- Va Con in G: Allegro - Ladislav Kyselak/Capella Istropolitana/Richard Edlinger
- Tafelmusik I: Qt in G: Vivace - Moderato - Vivace - Orch Of The Golden Age
- Ov in C, 'Darmstadt': Harlequinade - Cologne CO/Helmut Muller-Bruhl
- Ov in C, 'Darmstadt': Sommeille - Cologne CO/Helmut Muller-Bruhl
- Ov in C, 'Darmstadt': Rondeau - Cologne CO/Helmut Muller-Bruhl
- Son No.5 in b, Op.2: Largo - American Baroque
- Son No.5 in b, Op.2: Vivace - American Baroque
- Ov in D, 'Darmstadt': Harlequinade - Cologne CO/Helmut Muller-Bruhl
- Tpt Con in D: Adagio - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
- Tpt Con in D: Allegro - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
- Tpt Con in D: Grave - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
- Tpt Con in D: Allegro - Niklas Eklund/Drottningholm Baroque Ens/Nils-Erik Sparf
- Ste La Changeante: Menuet I/Menuet II - Northern CO/Nicholas Ward
- Ste La Changeante: La Plaisanterie - Northern CO/Nicholas Ward
- Ste La Changeante: Hornpipe - Northern CO/Nicholas Ward
- Ste La Changeante: Avec Douceur - Northern CO/Nicholas Ward
- Ste La Changeante: Canarie - Northern CO/Nicholas Ward
- Tafelmusik II: Conclusio in D - Orch Of The Golden Age
Customer Reviews:
Pieces of Pieces--4.5 stars.......2007-06-05
Also, I'd recommend: Telemann: Viola Concerto; Don Quichotte; Hamburger Ebb und Flut /ASMF * Marriner and The Sensuous Baroque
A great baroque album by one of the masters of baroque composition.......2007-03-04
This album shows the true beauty of baroque by using instruments to their fullest potential. The baroque period was one of growth in knowledge of the arts and music theory played a large part in that knowledge.
Telemann, in my opinion, was one of the greatest baroque artists. I know that works such as Vivaldi's "The Four Seasons" and Handel's "Messiah" were the defining works of baroque, but Telemann used the smaller and more intimate groupings like chamber music. Even his orchestations were minimalized so as to accentuate the instrument on which he chose to focus.
Telemann was a master of the baroque age, if somewhat unsung, and I would recommend any of his albums, but this one has a special place for me as it was the first classical album that I bought in a now excessively large classical library.
A Great Introduction at a Great Price.......2004-12-06
Delightful Baroque Variety.......2003-12-23
What an enormous output this great German composer put out! From church music to chamber music, Telemann uses all the styles of his era, from Italian to French to German, he does them all execeptionally well with his own style of clarity and fluidity.
The Viola Concerto is absolutely gorgeous, and it's a shame that this resonant, sensuous instrument doesn't not have a wider repertoire. Kyselak is marvelous in his phrasing and expressiveness.
The Recorder Concerto by Stivin is just delightful and exemplary of the fine liltiness of baroque. The Quartet in G Major from Tafelmusik I is admirably performed by the Orchestra of the Golden Age with passion and sensitivity.
The Overture in D and C Major, Darmstadt, is just exquisite. This is exciting music with great swellings and undertonings throughout.
I thoroughly enjoy baroque and this collection with its varying instrumental groupings highlighted and the variety of styles and genres is truly stimulating and relaxing to listen to. For the price, this is just an outstanding find.
Robert King and his Consort provide a fantastic recording catalog of such for us baroque lovers.
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Liszt: Works for Piano and Orchestra
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000BWTKK Release Date: 2003-11-04 |
Tracks:
- No.1 Ce Qu'On Entend Sur La Montagne After Hugo, S95
- No.2 Tasso: Lamento E Trionfo After Byron, S96
- No.3 Les Preludes After Lamartine, S97
- No.4 Orpheus, S98
Tracks:
- No.5 Prometheus, S99
- No.6 Mazeppa After Hugo, S100
- No.7 Festklange, S101
- No.8 Heroide Funebre, S102
- Mephisto Waltz No.2, S111
Tracks:
- No.9 Hungaria, S103
- No.10 Hamlet After Shakespeare, S104
- No.11 Hunnenschlacht After Kaulbach, S105
- No.12 Die Ideale After Schiller, S106
Tracks:
- Die Wiege
- Der Kampf Um's Dasein
- Zum Grabe (Die Wiege Des Zukunftigen Lebens)
- I: Faust
- II: Gretchen
- III: Mephistopheles Schlusschor/Final Chorus/Choeur Final: Alles Vergangliche Ist Nur Ein Gleichnis
Tracks:
- I: Der Nachtliche Zug
- II: Der Tanz In Der Dorfschenke (Mephisto Waltz No.1)
- I: Inferno
- II: Purgatorio
Tracks:
- Allegro Maestoso
- Quasi Adagio
- Allegretto Vivace - Allegro Animato
- Allegro Marziale Animato
- Adagio Sostenuto Assai
- Allegro Agitato Assai
- Allegro Moderato
- Allegro Deciso
- Marziale Un Poco Meno Allegro
- Allegro Animato
- Schubert: Wanderer-Fantasie, D760, S366
- Weber: Polonaise Brillante 'L'Hilarite', J268, S367
Tracks:
- Fantasie Uber Ungarische Volksmelodien, S123
- Fantasie Uber Motive Aus Beethovens 'Ruinen Von Athen', S122
- Grande Fantaisie Symphonique Sur Des Themes De 'Lelio' De Berlioz, S120
- Malediction, S121
- Totentanz, Paraphrase Uber 'Dies Irae', S126
Customer Reviews:
From a music lover, not a critic.......2007-04-10
Masur - Champion of Liszt.......2003-12-19
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Telemann: Flötenquartette (flute quartets)
Georg Philipp Telemann , and Verena Fischer Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007LYRAG Release Date: 2005-05-10 |
Tracks:
- I. Allegro
- II. Adagio
- III. Allegro
- I. Allegro
- II. Grave
- III. Allegro
- I. Adagio
- II. Allegro
- III. Largo
- IV. Allegro
- I. Affettuoso
- II. Allegro
- III. Adagio
- IV. Allegro Assai
- I. Adagio
- II. Allegro
- III. Adagio
- IV. Vivace
- I. Dolce
- II. Allegro
- III. Soave
- IV. Vivace
- I. Spirituoso
- II. Grave
- III. Allegro
- I. Vivace
- II. Andante
- III. Vivace
Customer Reviews:
Interesting............2006-01-27
One more thing which is just awesome, is the energy and intensity throughout this disc. The various players never lose focus, it seems.All of the tracks are exciting and I love them all.
This is a very different recording, but it definitely belongs in everyone's collection.
A must-have! Absolutely jaw-dropping.......2005-10-03
Sparkling repertoire performed with dazzling virtuosity.......2005-07-04
Baroque music -- "exciting"? Yes, quite! As an example, have a listen to the final movement of the A minor quartet (track 18). The runs and bouncing tunes jumping from oboe to recorder to violin should have you smiling by the halfway point. Which is not to say that this music is all about Allegro and Vivace -- there are Adagio and Largo movements as well, which the soloists similarly relish by settling comfortably into their serenity and repose. This is music that is surely as rewarding for the players as it is for the listener.
There is a variety of color in the selections and sequencing that keeps the ear from tiring, and recorded sound quality is first-rate. The sonority of the authentic instruments is not in any way distracting, in fact the tone and expression are easily on a level with any modern-instrument ensemble.
If you are a fan of effervescent baroque then you will certainly want this in your collection.
Reihard Goebel, the glory of Koln.......2005-07-03
that is then with no doubt Reinhard Goebel and his
Musica Antiqua Koln. Herr Goebel is an authority on
early chamber music performance, this is his 8th recording of music of Georg Philipp Telemann(1681-1767) Herr Goebel
has been devoting recordings of the works since 1979; thus making Telemann a favorite composer of this early music group.
Herr Goebel and his musicians are well at home with this repertoire. The works in this recording are of the Flotenquartette (Flute Quartets) by Telemann. The Flutes used here are two very popular during the baroque periods the "transverse" or "German" Flute and the "French Flute" or Recorder. This recording is truly a great recording, and the sound is so clear that it sounds like you're there with them in the recording studio...Great historic music at a very competitive price....Goebel, Telemann and Musica Antiqua, the million dollar team of early music......
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Telemann: Darmstadt Overtures (Suites)
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000038I7S Release Date: 2000-01-25 |
Tracks:
- Ov (Ste) in g, TWV 55 g4: Ov: Grave - Allegro - Grave
- Ov (Ste) in g, TWV 55 g4: Rondeau: Gayement
- Ov (Ste) in g, TWV 55 g4: Les Irresoluts
- Ov (Ste) in g, TWV 55 g4: Les Capricieuses
- Ov (Ste) in g, TWV 55 g4: Loure
- Ov (Ste) in g, TWV 55 g4: Gasconnade
- Ov (Ste) in g, TWV 55 g4: Menuet I/II
- Ov (Ste) in C, TWV 55 C6: Ov: Grave - Allegro - Grave
- Ov (Ste) in C, TWV 55 C6: Harlequinade
- Ov (Ste) in C, TWV 55 C6: Espangiol
- Ov (Ste) in C, TWV 55 C6: Bouree En Trompette
- Ov (Ste) in C, TWV 55 C6: Sommeille
- Ov (Ste) in C, TWV 55 C6: Rondeau
- Ov (Ste) in C, TWV 55 C6: Menuet I/II
- Ov (Ste) in C, TWV 55 C6: Gigue
- Ov (Ste) in C, TWV 55 D15: Ov: Grave - Allegro - Grave
- Ov (Ste) in D, TWV 55 D15: Menuet I/II
- Ov (Ste) in D, TWV 55 D15: Harlequinade
- Ov (Ste) in D, TWV 55 D15: Loure
- Ov (Ste) in D, TWV 55 D15: Rondeau
- Ov (Ste) in D, TWV 55 D15: Rejouissance
- Ov (Ste) in D, TWV 55 D15: Prld
- Ov (Ste) in D, TWV 55 D15: Gigue
Customer Reviews:
Counterpoint to stereotyped and outdated criticism by Behrens.......2007-01-28
In recent decades we've heard for the first time T's late choral orchestral works. These demonstrate startling originality and continuing innovation in form and style even in his 80's (e.g. Day of Judgment, around 1762).
I admit I had no high opinion of T. in my early music training. Little duets and chamber pieces suited for beginning recorder students were the only works I'd heard. A breakthrough for me came when the late great radio music host, Robert J. Lurtsema, at Boston's WGBH radio presented all availble recordings of Telemann compositions for the 300th anniversary of his birth in 1681.
I was astounded to her the variety and unique qualities in Telemann's compositions. Many times I was late to work because I couldn't bear to leave Lurtsema's Morning Pro Musica while he was playing a new Telemann work.
I learned that Telemann was "the boss" in contemporary eyes in high baroque Germany. He was also an admirable man in many respects. He was a democrat by philosophy and the first in Germany to open the aristocratic collegium musica concerts to the public in Leipzig (while still a student). He was the first classical composer to incorporate authentic folk music (Polish Hanaka) in "concert music" - in much the same way Joseph Haydn later did with Hungarian gypsy music.
Next was discovery of Telemann's unlimited imagination in terms of concocting new forms and instrumental combinations, and harmonic and rhythmic variety. He was the first to develop the quartet form, and used it for a variety of instruments. T. played all the instruments of the then orchestra and exhibited an unmatched gift for exploiting instrumental sonorities - something one of the reviewers mentioned in her comments.
Thus, for example, in addition to the wild Polish folk dance n the last movement of the Concerto for Flute and Recorder in E, Telemann utilized and contrasted the special character of flute and recorder in this fine concerto. He was the first to capture the special qualities of the low register of the clarinet (chalumeau) in the dark and brooding opening of the Concerto for Two Clarinets, and even coupled two double basses with a piccolo in the solo instrument group for his "Cricket Symphony"
Comparisons with Bach? Early in his career Telemann rejected what he called formalism, e.g. the strict counterpoint which J.S. Bach developed to its highest level in music. Instead, he brought orchestral counterpoint, or simultaneous use of instrumental color and melodic interactions, to a level never before seen.
This is a feature that I find immediately distinguishes T. from other baroque composers, namely that in his hands, the orchestra, or different parts of it interact on even level with the soloists in concerti.
But there's a potential pitfall in contemporary authentic instrument performance of Telemann. He was a "pre"romantic, who revelled in emotions, mood, and subtle harmonic, melodic and rhythmic shifts. Performances that are too focused on stylistic issues and ornamentation can make Telemann sound like just any other baroque work. The recent trends to loosen up emotional expression in baroque performance promises to reveal new values in Telemann works that didn't come forth to full efect in the past decades. Incidentally, this is less of a problem with Bach works, because of the importance of his contrapuntal motives, as contrasted with shades of mood and emotion and dynamics in Telemann.
I realize that I may not reach many of the previous viewers - or even Behrens - with this commentary, but felt that I should try to create a better balance of information about a composer who has been regaining his proper appreciation in recent decades.
Snappy classical -- you will love this........2005-07-20
Sparkling Chamber Music.......2003-12-30
With lots of playfulness and color, these overtures or dances are just right for enjoyful baroque listening sessions. Just wonderful for a meal's background, or anytime.
The Cologne Chamber Orchestra plays with enthusiasm and sparkle, led by Helmut Muller-Bruhl.
Great Music at a Great Price.......2003-05-27
Absolutely Divine.......2001-10-11
I went ahead, closed my eyes and added this CD to my cart. Out of three other classical/baroque purchases, including the new Yo-Yo Ma, "Simply Baroque II" (which is beautiful), my breath was taken away at the first listen of this. I cannot express how stunning the arrangements are!
If you are looking for sweeping baroque suites that have an ability to catapult you into the world of baroque, this is for you. If you prefer more "traditional" classical style, stick with Vivaldi.
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Telemann: Paris Quartets 1-12
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029XP Release Date: 1997-09-30 |
Tracks:
- Quadri: Grave - Allegro
- Quadri: Largo
- Quadri: Presto
- Quadri: Largo
- Quadri: Allegro
- Quadri: Allegro
- Quadri: Affettuoso
- Quadri: Vivace
- Quadri: Soave
- Quadri: Allegro
- Quadri: Andante
- Quadri: Vivace
- Quadri: Andante
- Quadri: Allegro
- Quadri: Largo
- Quadri: Allegro
- Quadri: Prde. Viternent
- Quadri: Rigaudon
- Quadri: Air
- Quadri: Replique
- Quadri: Menuet I - Menuet II
- Quadri: Gigue
- Quadri: Prde. Gaiement
- Quadri: Air. Modment
- Quadri: Ruissance
- Quadri: Courante
- Quadri: Passepied
Tracks:
- Nouveaux Quatuors En Six Suites (Paris 1738): Prde. Vivement
- Nouveaux Quatuors En Six Suites (Paris 1738): Tendrement
- Nouveaux Quatuors En Six Suites (Paris 1738): Vite
- Nouveaux Quatuors En Six Suites (Paris 1738): Gaiement
- Nouveaux Quatuors En Six Suites (Paris 1738): Modment
- Nouveaux Quatuors En Six Suites (Paris 1738): Vite
- Nouveaux Quatuors En Six Suites (Paris 1738): Allement
- Nouveaux Quatuors En Six Suites (Paris 1738): Flatteusement
- Nouveaux Quatuors En Six Suites (Paris 1738): Lrement
- Nouveaux Quatuors En Six Suites (Paris 1738): Un peu vivement
- Nouveaux Quatuors En Six Suites (Paris 1738): Vite
- Nouveaux Quatuors En Six Suites (Paris 1738): Coulant
- Nouveaux Quatuors En Six Suites (Paris 1738): Prelude. Un peu vivement
- Nouveaux Quatuors En Six Suites (Paris 1738): Lrement
- Nouveaux Quatuors En Six Suites (Paris 1738): Gracieusement
- Nouveaux Quatuors En Six Suites (Paris 1738): Vite
- Nouveaux Quatuors En Six Suites (Paris 1738): Mod
- Nouveaux Quatuors En Six Suites (Paris 1738): Gai
- Nouveaux Quatuors En Six Suites (Paris 1738): Lentement - Vite
Tracks:
- Nouveaux Quatuors En Six Suites (Paris 1738): Prde. Vivement - Flatteusement
- Nouveaux Quatuors En Six Suites (Paris 1738): Coulant
- Nouveaux Quatuors En Six Suites (Paris 1738): Gai
- Nouveaux Quatuors En Six Suites (Paris 1738): Vite
- Nouveaux Quatuors En Six Suites (Paris 1738): Triste
- Nouveaux Quatuors En Six Suites (Paris 1738): Menuet. Mod
- Nouveaux Quatuors En Six Suites (Paris 1738): No.11: Cinqui Quatuor - Prde. Vivement
- Nouveaux Quatuors En Six Suites (Paris 1738): Gai
- Nouveaux Quatuors En Six Suites (Paris 1738): Mod
- Nouveaux Quatuors En Six Suites (Paris 1738): Mod
- Nouveaux Quatuors En Six Suites (Paris 1738): Pas vite
- No.11: Cinqui Quatuor: Un peu gai
- Nouveaux Quatuors En Six Suites (Paris 1738): Prde. discron - trvite
- Nouveaux Quatuors En Six Suites (Paris 1738): Gai
- Nouveaux Quatuors En Six Suites (Paris 1738): Vite
- Nouveaux Quatuors En Six Suites (Paris 1738): Gracieusement
- Nouveaux Quatuors En Six Suites (Paris 1738): Distrait
- Nouveaux Quatuors En Six Suites (Paris 1738): Mod
Customer Reviews:
No need to look any further.......2005-12-03
Telemann wrote a lot of very good chamber music, but these quartets show him at his best. They are full of wonderful melodies, and some amazing rhythmic quirks. If Telemann had not been so prolific, these works would be considered absolute masterpieces on the order of the Brandenburg Concertos of Bach. They are that good.
Masterful recording of Telemann's Quartets........2001-07-13
Spirited baroque chamber music.......2000-07-13
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Franz Liszt: Complete Tone Poems, Vol. 2
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000417T Release Date: 1994-02-15 |
Tracks:
- Complete Tone Poems: Heroide funebre (Heldenklage) - Liszt
- Complete Tone Poems: Hungaria - Liszt
- Complete Tone Poems: Hamlet - Liszt
Tracks:
- Complete Tone Poems: Hunnenschlacht - F. Liszt
- Complete Tone Poems: Die Ideale - F. Liszt
- Complete Tone Poems: Von der Wiege bis zum Grabe - F. Liszt
- Complete Tone Poems: Mephisto Waltz No. 1 - F. Liszt
Amazon.com
Liszt's tone poems are "respected" more than loved. It's kind of easy to see why--the thematic material is not always distinguished, and the orchestration--however interesting and experimental--is often just plain screechy. But maybe that's part of the point. As the inventor of the "symphonic poem," Liszt was trying to create a piece of symphonic length and continuity based on the transformation of just one or two themes. Sometimes it works, and sometimes it doesn't, but the results are seldom dull. Bernard Haitink's performances are very musical, and they are attractively recorded. --David HurwitzCustomer Reviews:
la colleccion mas espectacular II.......2004-11-30
Son muy pocas palabras para describir 6 poemas sinfonicos, La batalla de los hunos es soberbia, Heroide funebre y Hungaria y lo mas expresivo de la tradicion hungara, Die ideale, hamlet y de la cuna a la tumba son sencillamente sorprendentes, Haitink ademas grabo y se incluye en este CD el vals mefisto N°1, asi se convierte en una coleccion imperdible.
Un CD doble, precio economico, la mejor calidad, la mejor interpretación una seleccion no disponible en otro lado, imperdible.
Rounding up from a 4.5.......2004-09-07
As I stated in my review of the first set, these are difficult to understand completely because of the general literary and cultural illiteracy that plagues America, particularly the youth. All the poems have a literary inspiration - Hamlet, Orpheus, Faust, the "Hero" of German Literature. Listening to these without knowing the story or person behind it is like eating wonderful without knowing what it is.
"More 'respected' than loved"? Here's to respect!!.......2003-01-22
Part Two of a great Liszt Tone Poem cycle from Haitink.......2002-12-08
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Telemann: Overtures, Sonatas & Concertos
Manufacturer: MD&G Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000U1NLA Release Date: 2004-01-20 |
Tracks:
- Adagio
- (Allegro)
- Andante
- Allegro
- Allegretto
- Allegro
- Andante
- Tempo Di Minuet
- Ouverture
- Les Plaisirs
- Angloise
- La Badinerie Italienne
- Loure
- Menuet I/II
- Courante
- Le Batelage
- Allegro
- Adagio
- Allegro
- Largo
- Allegro
- Andante
- Presto
Average customer rating: |
Act Three
G4 Manufacturer: Sony / Bmg Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JFXTAY Release Date: 2006-12-04 |
Tracks:
- Volare
- Somebody to Love
- Danny Boy
- O Sole Mio
- Amazing Grace
- No Matter What - Stephen Gately
- I Don't Like Mondays
- Crazy
- Cavatina
- Toreador
- Old and Wise
- We'll Meet Again
- Silent Night [*]
Album Description
2006 album from the original X-Factor success story with co-production from Graham Stack [Rod Stewart, Ronan Keating, Kylie Minogue] and Nigel Wright [Barbara Streisand, Madonna] and includes their unique take on the classics 'Danny Boy', 'Amazing Grace', 'I Don't Like Mondays', 'We'll Meet Again' plus the Bonus Track 'Silent Night'. Sony.
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Telemann: Sonatas Corellisantes & Canonic Duos
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000A5E Release Date: 1994-07-26 |
Tracks:
- Sonate Corellisante No. 1 In F Major: I. Largo
- Sonate Corellisante No. 1 In F Major: II. Presto
- Sonate Corellisante No. 1 In F Major: III. Dolce
- Sonate Corellisante No. 1 In F Major: IV. Grave
- Sonate Corellisante No. 1 In F Major: V. Allegro
- Sonate Corellisante No. 2 In A Major: I. Largo
- Sonate Corellisante No. 2 In G Major: II. Allemanda. presto
- Sonate Corellisante No. 2 In A Major: III. Sarabanda, grave
- Sonate Corellisante No. 2 In A Major: IV. Corrente, vivace
- Canonic Duo No. 1 In G Major: I. Vivace
- Canonic Duo No.1 In G Major: II. Adagio
- Canonic Duo No. 1 In G Major: III. Allegro
- Sonate Corellisante No. 3 In B Minor: I. Grave
- Sonate Corellisante No. 3 In B Minor: II. Vivace
- Sonate Corellisante No. 3 In B Minor: III. Adagio e staccato
- Sonate Corellisante No. 3 In B Minor: IV. Allegro assai
- Sonate Corellisante No. 3 In B Minor: V. Soave
- Sonate Corellisante No. 3 In B Minor: VI. Presto
- Canonic Duo No. 2 In G Minor: I. Presto
- Canonic Duo No. 2 In G Minor: II. Largo
- Canonic Duo No. 2 In G Minor: III. Vivace
- Sonate Corellisante No. 4 In E Major: I. Andante
- Sonate Corellisante No. 4 In E Major: II. Allemanda, allegro
- Sonate Corellisante No. 4 In E Major: III. Largo
- Sonate Corellisante No. 4 In E Major: IV. Giga, allegro
- Canonic Duo No. 3 In D Major: I. Spirituoso
- Canonic Duo No. 3 In D Major: II. Larghetto
- Canonic Duo No. 3 In D Major: III. Allegro assai
- Sonate Corellisante No. 5 In G Minor: I. Grave
- Sonate Corellisante No. 5 In G Minor: II. Vivace
- Sonate Corellisante No. 5 In G Minor: III. Presto
- Sonate Corellisante No. 5 In G Minor: IV. Grave
- Sonate Corellisante No. 5 In G Minor: V. Vivace
- Canonic Duo No. 4 In D Minor: I. Vivace ma moderato
- Canonic Duo No. 4 In D Minor: II. Piacevole, non largo
- Canonic Duo No. 4 In D Minor: III. Presto
- Sonate Corellisante No. 6 In D Major: I. Pastorale, moderato
- Sonate Corellisante No. 6 In D Major: II. Corrente, vivace
- Sonate Corellisante No. 6 In D Major: III. Gavotta, allegro
- Sonate Corellisante No. 6 In D Major: IV. Grave
- Sonate Corellisante No. 6 In D Major: V. Vivace
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Telemann:Darmstadt Overtures
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SMK Release Date: 1994-04-05 |
Tracks:
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4: Ov (Grave-Allegro-Grave)
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4: Rondeau (Gayement)
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4:Les Irresoluts (a discretion)
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4:Les Capricieux
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4:Loure
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4:Gasconnade
- Ov in g for 3 ob, bn, 2 vn, va and bass bc, TWV 55: g 4:Menuet I alternativement Menuet II
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Ov (Grave-Allegro-Allegro)
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Harlequinade
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Espagnol
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Bouree en Trompette
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Sommeille
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Rondeau
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: MenuetI alternativement Menuett II
- Ov in C for 3 ob, 2 vn, va, and bass bc, TWV 55: C 6: Gigue
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Ov (Grave-Allegro-Grave)
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Menuet I alternativement Menuet II
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Gavotte
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Courante
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Air
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Loure
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Hornpipe
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Canaries
- Ov in d for 3 ob, bn, 2 vn, va and bass bc, TWV 55: d 3: Gigue
Tracks:
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Ov
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Prld (Tres vite)
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Gigue
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Menuet I-Menuet II
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Harlequinade
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Loure
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Rondeau
- Ov in D for 3 ob, 2 vn, va and bass bc, TWV 55: D 15: Rejouissance
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Ov
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Les Plaisirs
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Air a l'Italien
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Menuet l Alternativement Menuet II
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Rejouissance
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Passepied I/II
- Ov in a for solo recorder, 2 vn, va and bc, TWV 55: a 2: Polonaise
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Ov
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Menuet I alternativement Menuett II
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Rondeau
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Sarabande
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Passepied
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Plainte
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Allemande
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Chaconne
- Ov in f for 2 vn, va, 2 recorders and bc, TWV 55: f 1: Gigue
Dance Music:
- H II [Import]
- Hip Hop Assasins [Import]
- Houston Hard Hitters, Vol. 4 [Clean]
- L' Esprit du Sound [Import]
- Last Night a DJ Killed My Dog [CD-single]
- Lawz of Life [Explicit Lyrics]
- Live on Lenox Ave. [Explicit Lyrics] [Live]
- Living Lavish Down South: Screwed & Chopped [Explicit Lyrics]
- Lonely at the Top [Explicit Lyrics]
- Long Overdue [Explicit Lyrics]
Dance Music
Hot Barbeque [Original recording remastered] [Import]
Complete Clyde Mccoy on Columbia
Jean/Bridge Over Troubled Water
Honegger: The Chamber Music, Disc 3
Jazz Music: A True Trombone Master
Mercy: Th' One Drop E' Remixes & Out Takes [Import]
Encuentro de Dos Gigantes, Vol. 2
Rachmaninov: Complete Operas (Aleko, The Miserly Knight, Francesca di Rimini)