Bass Computer

Bass Computer

Track Listings

1. Activate
2. Time to Jam
3. Bass By Numbers
4. Scratchin' Megabass Mix
5. D.P.E.
6. Computer Love
7. Bass Computer
8. P.E.B. 500
9. Don't Stop the Music
10. Techno Bass Beats
11. Power Bass Ultra Mix
12. Bassgasm
13. Bad Bass Mix
14. Euromusik
15. I Like the Boom
16. Outerbass Mix
17. Tech'in Slow n' Low [#]

Bass Computer,Techmaster P.E.B.,Newtown Records,Bass Music,Pop,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues
Instruments of the Orchestra
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 Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. Study of Orchestration, Third Edition
  5. What to Listen for in Music

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Average customer rating: 4.5 out of 5 stars
  • Superb with just one reservation
  • Go ahead, test your intelligence...
  • The definitive recordings.
  • Sound Splitting Music
  • An aural knockout
 Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

OctetsOctets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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GeneralGeneral | Classical | Styles | Music
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The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales
  2. Penderecki: Anaklasis; Threnody; etc.
  3. György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet
  4. Xenakis: Orchestral Works & Chamber Music
  5. Anton Webern: Complete Works, Opp. 1-31

ASIN: B00000AFR8
Release Date: 1998-09-15

Tracks:

  1. Tuning Up
  2. Amques (Original Version)
  3. Po ectronique
  4. Arcana
  5. Nocturnal
  6. Un Grand Sommeil Noir (Orchestral Version)

Tracks:

  1. Un Grand Sommeil Noir (Original Version)
  2. Offrandes: Chanson de laut
  3. Offrandes: La Croix du Sud
  4. Hyperprism
  5. Octandre: Assez lent
  6. Octandre: Trvif et nerveux
  7. Octandre: Grave - Animt jubilatoire
  8. Intales
  9. Ecuatorial
  10. Ionisation
  11. Density 21.5
  12. Drts: 1st Episode
  13. Drts: 1st interpolation of organized sound
  14. Drts: 2nd episode
  15. Drts: 2nd interpolation
  16. Drts: 3rd episode
  17. Drts: 3rd interpolation
  18. Drts: 4th episode
  19. Dance for Burgess

Amazon.com essential recording

For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton

Customer Reviews:

5 out of 5 stars Superb with just one reservation.......2006-11-10

This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present version is the more clearly heard textures of its huge sound palette; the resonant and often humerous interplay between them, and its dramatic sweep as it was presented on a sparcely documented stereo mix that first appeared on a Columbia Records LP, later reissued on a CD, now out of print. That one is surely more like an actual performance, presumably mixed to re-create as well as possible then what it might have sounded like over its four hundred loudspeakers in the Philips Pavillion. I hope there will be further reissues. To me the CBS version's drama and energy are more like that of the performances of the other pieces in this wonderful Complete Works set. -Curt Wittig

5 out of 5 stars Go ahead, test your intelligence..........2006-06-18

Frank Zappa used to play Varese to test the intelligence of his friends, and most of them used to look at him like he was "out of his f---ing mind" as he put it. As a major Zappa fan, I bought this compliation, and I love every minute of it. This 2 CD set contains all of Varese's work (needless to say, Edgar wasn't very prolific). You really hear Varese's influence in Zappa's work. Some favorite pieces are Deserts, Poem Electronique, and Un Grand Sommeil Noir (Original Version). Varese's music reminds me of universes being created, in all their violence, beauty, and glory. Instruments crashing down upon one another. This music is reminiscent of Zappa's Weasels Ripped My Flesh and his orchestral work especially. Varese is one of the great American composers, like Aaron Copland, John Cage, and Conlon Nancarrow. Superb....




5 out of 5 stars The definitive recordings........2005-11-09

Riccardo Chailly once said Varèse was going to be the Brahms of the XXI Century. I really don't know if he will be right or wrong, specially because of the very conservative auditoriums we have all around the world, but it should be this way, as the french composer has died too many years ago and his music should be understood but most of the public. It's sad to know that composers, like the own Mahler said, use to be years, decades, even centuries in advance to the general public .

Anyway, it's very important for the popular knowledge of this composers to have recordings like this, in which everything works perfectly as if it was a clock. After many years having some good recordings conducted by Boulez (Sony) and Nagano (Erato) mainly, we have now the possibility of listening one of the most musical and technical orchestra & baton of this time: The Concertgebouworkest and Riccado Chailly.

Most of the versions in this 2CDs set are the best I know, specially the orchestral works, played with conviction and precision by the Concertgebouworkest, an orchestra that had some problems with Mr.Chailly when they begin to play this, for them, `rare' music. The way Arcana sounds its incredible, full of power, mistery and perfection, the performing of Ameriques is breathtaking and I can only compare it with the truly outstanding version by Pierre Boulez with the CSO for DG. Deserts is a new dimension in Chailly's hands, really terrible and full of dark emotions.

Of course, there are little things that could be a bit better, like the Spanish sung in Ecuatorial, better sung in Nagano's version, but generally the performing is marvellous and the instrumental and ondes Martenot's playing in this piece is perfect in Chailly's version.

The ASKO Ensemble versions are outstanding too, showing a very modern Varèse. The performing of Ionisation, that great jewel, listened with a good Hi-Fi system is a experience not to be lost.

The recordings are very good, not outstanding, as it sounds like distant sometimes, but clear and with good definition, of course better with good electronics.

Booklet and presentation of the box is marvellous too; as it has to be in real event in recorded music in the last decades.

4 out of 5 stars Sound Splitting Music.......2002-06-25

First, let me state that I am a long-time Varese fanatic. I first heard Ionisation live at a contemporary music concert in my town when I was 12, and I was hooked. I immediately bought the old Robert Craft double album on Columbia and played it until there were scratches on the scratches. So I was overjoyed to see a modern "complete" recording with up to date sonics. For the most part, I haven't been too disappointed with the performances either.

Chailly is great on much of this music. Ameriques and Arcana are sonic extravagazas. And this is the best recording I've heard of Nocturnal and Ecuatorial. Chailly does a good job with the chamber pieces of the 20s and 30s, though I agree with other reviewers, Boulez is much clearer on Ionisation. Chailly misses some of my favorite parts, and I find it hard to hear the first snare drum theme. (I'm also quite partial to Craft's version, but I don't think it's available anymore.)

I also must add to the chorus of exceptions on the questionable material. The orhestrated version of the solo song has no place on this CD. It doesn't sound like Varese, more like Debussy, and though the song is quite impressionistic, I think we presume too much to orchestrate it and pass it off as "complete" Varese. And neither Tune Up nor Dance for Burgess really add much to our understanding of Varese, and are of questionable value. I suspect that Varese would have destroyed them completely had he been able. Much better to have a recording of the revised version of Ameriques. The revision is so extensive, that a side by side comparison would be illuminating.

All in all, I like this CD. Chailly's take on Varese is big and passionate, something that I think both Boulez and Craft miss. Abravanel comes close to this passion, but Chailly wins because of the gorgeous sonics. I highly recommend this CD to those interested in exploring the unique sound world of Varese.

5 out of 5 stars An aural knockout.......2002-02-01

Here are two discs with some of the most exciting 20th-century music around. Chailly and the Concertgebouw give definitive readings of Varèse's complex pieces, some written for a huge orchestra, and recorded in typically opulent London sound.

My favorites are, without a doubt, "Ameriques" and "Arcana," two explosive showpieces that will give your sound system quite a workout. But far from being merely loud, the scores have many beautiful textures (including quiet ones) scattered throughout the orchestra, and Chailly captures much of the glittering detail.

I even like "Tuning Up," which may seem like a less substantial work to most ears. To be fair, if the piece is not the last word in Varèse's imagination, it is clever enough for its short duration, and as with everything on this disc, the orchestra sounds superb and totally undaunted. Their virtuosity is both satisfying and thrilling, especially in such seldom-performed music.

Make sure your neighbors are away before turning up the performance of "Ameriques," though - the last few pages will blow your roof off.

I suspect Varèse would have loved this collection.
Chiller
Average customer rating: 4.5 out of 5 stars
  • Classic - Hold the Chills
  • Packed with creepy stuff
  • A real work-out for your system......
  • Great stuff!
 Chiller

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Classics from the Crypt
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  5. Very Scary Music: Classic Horror Themes

ASIN: B000003CVF
Release Date: 1989-08-10

Tracks:

  1. Opening Sequence
  2. Overture To The Phantom Of The Opera
  3. Night On Bald Mountain
  4. Danse Macabre
  5. March To The Scaffold From Symphonie Fantastique
  6. Pandemonium From The Damnation Of Faust
  7. In The Hall Of The Mountain King From Peer Gynt
  8. Synthesizer Effects
  9. Theme From The Twilight Zone
  10. 12,000 Volts
  11. 1. Prelude/2. Minuet/3. Pastorale & March
  12. Sleigh Ride From The Devil And Daniel Webster
  13. Prelude
  14. The Mad House
  15. Murder
  16. Overture To Sleuth
  17. Television Noise
  18. The Light From Poltergeist
  19. Super Sleuth From Without A Clue
  20. Funeral March Of A Marionette

Customer Reviews:

3 out of 5 stars Classic - Hold the Chills.......2006-06-25

This is a fine collection of mostly classical themes.
Some of them have nice creepy moments, but on the whole, it's just some solid music. Not something to buy if you want really "spooky" music, but worthwhile for some interesting listening.

5 out of 5 stars Packed with creepy stuff.......2000-12-16

This is an awesome album. It starts off with thunder crashing, running footsteps, a gate creaking, the wind howling, a cat screeching, a door opening, a woman crying that she needs help....and then SCREAMING! And then straight into track 2, the overture to 'The Phantom of the Opera'. Wow! The rest of the cd also features 'creepy' music from various sources, such as Alfred Hitchcock films, like Psycho, various classic works like Rimsky-Korsakov's 'Night on Bald Mountain', and also some other creepy sound effects. A good album not only for Halloween but I dare you to listen to it during a dark night with a thunderstorm raging outside.

5 out of 5 stars A real work-out for your system.............1999-12-11

I've owned the "Chiller" CD since it's release in '89. At the time, I was working for a local Audio/Video/Music dealer, and was looking for 'demo' CD's containing not necessarily heavy bass, but ones displaying incredible dynamic range, and sharp transient peaks. I already owned a copy of "Time Warp", also on Telarc, and was intrigued when I read about "Chiller. Needless to say, I was extremely pleased with this disc. Not only did I get a disc containing some great treatments of classics, but the re-make of the "Psycho" suite is wonderful (the shower sequence is very faithful to the original)! A word of warning.....the dynamic range of this disc is not to be underestimated.....I drove an older amplifier into thermal shutdown VERY quickly with track #1. I haven't tried it since I've upgraded my home system....hmmm....might have to scare the neighbors tonight (or at least rattle a few dental fillings)!

5 out of 5 stars Great stuff!.......1999-10-09

This CD contains tons of great classic Halloween tunes. Even though the names might sound unfamiliar, you probably know most of the music on here through cultural osmosis. Heck, it's worth it just for "Funeral March of a Marionette" (the Alfred Hitchcock show theme.)
Bass Computer
Average customer rating: 4.5 out of 5 stars
  • Still unsurpassed
  • MT VERY FIRST BASS TAPE....
  • OLD SCHOOL BASS CD'S ARE ALWAYS BETTER
  • Carrying Kraftwerk into the millenium.
  • Great CD
 Bass Computer
Techmaster P.E.B.
Manufacturer: Newtown Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Soul | R&B | Styles | Music
BassBass | Rap & Hip-Hop | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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  1. I Got the Bass
  2. Bass Is the Name of the Game
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  4. You Hear It! You Fear It!
  5. The Album

ASIN: B000001LR2
Release Date: 1991-07-08

Tracks:

  1. Activate
  2. Time to Jam
  3. Bass By Numbers
  4. Scratchin' Megabass Mix
  5. D.P.E.
  6. Computer Love
  7. Bass Computer
  8. P.E.B. 500
  9. Don't Stop the Music
  10. Techno Bass Beats
  11. Power Bass Ultra Mix
  12. Bassgasm
  13. Bad Bass Mix
  14. Euromusik
  15. I Like the Boom
  16. Outerbass Mix
  17. Tech'in Slow n' Low [#]

Customer Reviews:

5 out of 5 stars Still unsurpassed.......2007-01-31

I enjoyed this CD (was it a tape back then?) when it was new. I recently rediscovered this, and the samples and beats are still fresh. My sound system can't hit the deep notes, but the deep notes aren't what make this CD.

BTW: I did some research on the samples from DPE, and they all seem to be from War of the Worlds.
"Full contact lost, Pasadena"
"I reckon we can make it"
"The next day, the dawn was a brilliant, fiery red" ..
"and all that remained was this gaunt, quiet."
"We can't win"
"This is my territory"
"Houston, come in"
"We got problems"
"We must stay cautious"

5 out of 5 stars MT VERY FIRST BASS TAPE...........2005-12-26

OH MY GOD!!!! This is the very first bass tape I ever owned!!! The flow of the bass with the music will make you num(System permitting)!! I love this album and I can't wait to get it in the mail!!! I'm so glad to be getting this on CD, I'm getting goose bumps!!!! A must have for any BASS HEAD!!!!

5 out of 5 stars OLD SCHOOL BASS CD'S ARE ALWAYS BETTER.......2005-12-01

ALL I CAN SAY IS THIS IS A MUST HAVE WE NEED TO HAVE MORE GOOD BASS HITTIN AND RUMBLING BASS CD'S LIKE THEY USED TO HAVE IN THE 90'S WE CAN'T FORGET THE CREAM OF THE CROP LIKE BASS BOY,DJ MAGIC MIKE,BASS OUTLAWS,DJ FURY,TECHMASTER PEB,BASS PATROL AND A FEW OTHERS ALL ARE GREAT FOR A SYSTEM NO MATTER IF U HAVE 10'S OR 15'S THEY ALL WILL MAKE YOUR SYSTEM PUSH YOUR SUB'S TO THE MAX AND WISH WE STILL HAD THESE GUYS AROUND PUTTING OUT CD'S BUT I GUESS IT'S GREAT WE CAN STILL FIND THESE AND ALWAYS REMEMBER ENJOY THE BASS.

5 out of 5 stars Carrying Kraftwerk into the millenium........2005-10-29

This is a good Techmaster P.E.B. album to start off with. It shows both sides of him (the melodic slow songs and the upbeat ones). He uses some samples on this album as well (which I hear were taken off the Bass Computer 2000 album). If it wasn't for Kraftwerk I wouldn't be listening to P.E.B., and you can see his appreciation for them on this album.

If anybody knows what is going on with P.E.B. these days, please let me know!!

5 out of 5 stars Great CD.......2005-05-29

This was my 1st bass CD. I had it for years until a friend lost it. I thought I would never find it because a music store told me that Techmaster quit making it. Techmaster created very good bass CD's, lots of different types of sounds on their albums.
Reich Remixed
Average customer rating: 3.5 out of 5 stars
  • Boring and unimaginative
  • Children of Reich Create Loving Homage
  • Decent, but disappointing overall.
  • Great music for an electronic fan
  • Proxy for a Reich's Greatest Hits CD?
 Reich Remixed

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Experimental MusicExperimental Music | Miscellaneous | Styles | Music
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  1. Proverb/Nagoya Marimbas/City Life
  2. Glasscuts, Philip Glass Remixed
  3. Remixed 2006
  4. Reich: Different Trains, Electric Counterpoint / Kronos Quartet, Pat Metheny
  5. Steve Reich: You Are (Variations)

ASIN: B00000I5LV
Release Date: 1999-03-02

Tracks:

  1. Music For 18 Musicians (Coldcut Remix) - Steve Reich
  2. Eight Lines (Howie B Remix) - Bang On A Can/Bradley Lubman
  3. The Four Sections (Andrea Parker Remix) - London Symphony Orchestra/Michael Tilson Thomas
  4. Megamix (Tranquility Bass Remix) - Steve Reich/London Symphony Orchestra/Michael Tilson Thomas/Theatre Of Voices...
  5. Drumming (Mantronik Maximum Drum Formula) - Steve Reich
  6. Proverb (Nobukazu Takemura Remix) - Theatre Of Voices
  7. Piano Phase (D*Note's Phased & Konfused Mix) - Double Edge
  8. City Life (DJ Spooky That Subliminal Kid Open Circuit) - The Steve Reich Ensemble/Bradley Lubman
  9. Come Out (Ken Ishii Remix) - Steve Reich
  10. Bonus Track 1 - Various Artists

Amazon.com

The beauty of Steve Reich's minimalist compositions can be found not in their repetition but in their evolution. Listening to the Kronos Quartet perform Different Trains, the listener quickly gets over the camp value of the conductor samples to discover an unfolding theme that harks back not only to bustling industrialism but also to the horror of the Nazi concentration-camp trains. Reich is a master of such subtle changes in sonics, and his impeccable timing turns simple phrases into musical tapestries. On Reich Remixed, some of dance music's more innovative artists pay homage to the composer in the way they know best: by sampling his works and remixing them into their own. Coldcut's take on Music for 18 Musicians adds a fast-paced techno flair to the classic composition, Howie B's Eight Lines respectfully keeps the integrity of the original piece, and Tranquility Bass peppers "Megamix" with voices and (eventually) beats. There are some misses here, and, most unfortunate, DJ Spooky's schizophrenic treatment of City Life lobotomizes a previously fine composition. No, you still can't dance to Reich, but you can see how others use him for source material. But after hearing these condensed and diced versions, you might find it's worth delving back into Reich's originals to hear what the fuss is all about. --Jason Verlinde

Customer Reviews:

2 out of 5 stars Boring and unimaginative.......2005-07-13

My opinion is that this compilation doesn't glorify Reich or electronica. I used to think that most techno enthusiasts and maybe even techno composers had probably never heard of him. While I've come to learn that this isn't true, I think this CD would be a good argument in favor of it. I certainly didn't expect Reich Remixed to compare with the originals. And there is certainly nothing wrong with a tribute. But everything here is against Reich's style, both too fast and too simple.

The Coldcut remix of Steve Reich's 18, unfortunately the best track on the disk, is laughable in comparison and a warning against the tracks that follow. After reading the reviews for the original Music for 18 Musicians, there are several people who can say nothing except that it is slow and boring. I think you might as well include Coldplay in that number. It is as if he recorded himself skipping forward through the first 5 or so minutes of the original and smiled at his creation.

He isn't the only one who obviously missed the point. Most of the remixes use some of the cheapest sounding instruments and methods I've heard; these aren't just bad tributes to Reich, they are bad tributes to techno! And don't expect to hear phasing, which was introduced for the first time in Come Out and Drumming, in their remixes. That would require at least some trivial knowledge of Reich's contribution to minimalism, which these artists obviously do not have. And anyway, Reich used much more than rhythmic, vocal/musical repetition and staccato notes, let's get that straight.

I wasted my money on this one. If you haven't been introduced to Reich, I envy you! Try Music for 18 Musicians and Different Trains, many agree that those are among Reich's most powerful pieces.

5 out of 5 stars Children of Reich Create Loving Homage.......2005-04-16

The entrancing hobby of looping gave birth to essencially all forms of techno in existence today, and all followers should be thankful Steve Reich's cassette tapes messed up one day to create a looping effect. He soon became obsessed with overlapping sounds and varying tempos, a basic foundation for modern day electronic music. Such is the reason why a wide variety of artists came together to create a tribute album to this obscure classical composer, and the end result is a diamond in the rough.

If "Reich Remixed" has any style permeating through the whole album, it is the esoteric sounds of trance. Each track brings in a sentimental mourning, but also sings out hosannas of joy, hailing the appreciation of the father of techno. Tranquility Bass's "Megamix", succeeding fully in painting a mural of Reich's repertoire, Coldcut's loving recreation of "Music for 18 Musicians", and Howie B's "Eight Lines" tribute will draw you in with their joyful melodies. Yet darkness lies ahead as well. Andrea Parker brings in a creepy Trip-Hop version of "The Four Sections", perfect for committing a bank robbery if you get off on that. The bonus track from freQ Nasty & B.L.I.M. has the rough sound of Drum n' Bass without corrupting the original message, although it sounds a bit out of place on this album. The masterpiece is Nobukazu Takemura's "Proverb", which stacks the voices in one loop, which will make one double check the CD for scratches. It not only holds true to what Reich was attempting, but re-interprets.

To those who were already die-hard Reich fans, a word of caution. This CD will sound repititive, perhaps even like cheap rip-offs of the original tracks, as they cannot possibly recreate the massive pieces Reich composed in six or seven minutes of CD time. As well, there are slip-ups. "City Life" is butchered to pieces and essentially impossible to enjoy, and "Come Out" only highlights the limitations of techno's possibilities to create as compared to pen, paper, and a symphony orchestra.

The album explores techno's creative possibilities to new levels, and is an aural treat. Consider it Reich's first DJing experience, changing the world of music in the same way his originals shook the ear drums.

Highs: Techno symphony, with the same variety as an orchestra, skillfully mixed, loving and appropriate recreations of Reich's original masterpieces.
Lows: Reich's originals are better, sometimes butchered here, same repitive downfall of techno at times.
The Score: A-, Reich not Lost in Techno Translation.

2 out of 5 stars Decent, but disappointing overall........2002-01-05

There are a few really good tracks on this CD. My personal favorites are Music for 18 Musicians, Four Sections, the Megamix, and Piano Phase. The Desert Music remix (the bonus track) is okay, not great, but okay. And then there's the bottom end of the spectrum, which is everything else. Unfortunately, what I like is overpowered by what I dislike.

5 out of 5 stars Great music for an electronic fan.......2001-10-04

I enjoyed every one of these pieces on their own. I am familiar with most of the electronic artists and each one of these songs is beautiful. I had never heard Steve Reich's music before this. I enjoyed his music but, I didn't think that the remixes were completely true to his form. Reich's music has some good ideas that the remixer's somewhat expanded upon. I think the idea was to take some of Reich's ideas and put it in to a more modern style. If they wanted someone to rehash his ideas, then it would have been boring. I enjoy these artists, but there are artists out there that are using some of his ideas already, namely Plastikman and Tortoise. Overall the songs are great in any sense.

4 out of 5 stars Proxy for a Reich's Greatest Hits CD?.......2001-06-16

Of all modern classical composers, Steve Reich is the one whose music is most likely to attract the rock-oriented ear. 'Music for 18 Musicians' was a ground-breaking album which closed out the 1970s, and it took much of the audience that had been nurtured on Tangerine Dream's 'Ricochet' and, before that, Mike Oldfield's 'Tubular Bells'. It was only to be expected that other artists would start sampling Reich's works.

I can't get enough of 'Music for 18 Musicians' -- I bought it on LP in 1979, and two versions on CD. It is my No. 1 self-hypnosis album. So I was intrigued to discover how it would be re-worked for this album. I was disappointed, frankly. The Coldcut Remix provides no evidence that the DJ has listened beyond the first five minutes of the original.

But there's no heresy in modifying Reich's music. I welcome every effort to do so. I knew about half of the pieces selected here, so, for me, it's partly a Reich sampler. The great thing about the album is that not only did it get me buying more of Reich's output, but it also got me listening more to the originals.

For me, the stand-out track here is 'Piano Phase', which applies prog-rock values to a piece I didn't know at all well. It could so easily be Rick Wakeman or Keith Emerson playing the synth lines over the piano loop!

The opening track has grown on me over the years. At first listen, the Megamix seemed to have too many different samples crowded in; it seemed too ambitious in searching for common musical themes between no fewer than nine of Reich's albums. But now it flows nicely.

The closing track, supposedly based on the Desert Music, is a straightforward techno track, almost Prodigy-like, whose relationship to Reich's music seems entirely tangential.

I believe every Reich fan should hear this album, even though a few will find perhaps nothing to like. And I'd recommend anyone who buys this album without knowing Reich to listen also to 'Different Trains', 'Electric Counterpoint', and of course, 'Music for 18 Musicians'.

Until Nonesuch releases in the US the greatest hits CD compiled in Japan, we will have to rely on this as the only single-CD tour through Reich's works, however oblique and re-shaped these may be.
Music from the Once Festival 1961-1966
Average customer rating: Not rated
    		Music from the Once Festival 1961-1966

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
    SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    CompilationsCompilations | Classical | Styles | Music
    Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
    GeneralGeneral | New Age | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    ElectronicaElectronica | Dance & DJ | Styles | Music
    Movie ScoresMovie Scores | Soundtracks | Styles | Music
    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    1960s1960s | By Decade | Pop | Styles | Music
    Experimental MusicExperimental Music | Miscellaneous | Styles | Music
    1960-19691960-1969 | Decades | Compilations | Miscellaneous | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    ASIN: B0000C7PVT
    Release Date: 2003-09-23

    Tracks:

    1. Sonata - Robert Ashley
    2. Groups For Piano - Robert Ashley
    3. String Trio - Edith Perrow
    4. Epigram And Evolution - Robert Ashley
    5. Sinfonia For 12 Instruments And Magnetic Tape - Once Chamber Orchestra
    6. In The Autum Mountains - Shirley Zaft
    7. Two Pieces For Piano And Chamber Group - Bruce Wise
    8. The Fourth Of July - Robert Ashley

    Tracks:

    1. Matrix For Clarinetist - John Morgan
    2. Wedge - Once Chamber Orchestra
    3. Meanwhile, A Twopiece - Robert Ashley
    4. Sounds For Eleven - Once Chamber Orchestra
    5. Gestures II - Robert Ashley
    6. Bestiary I: Eingang - Once Chamber Orchestra
    7. Details (2b) - Robert Ashley
    8. Ballad - Philip Krumm

    Tracks:

    1. Large Size Mograph - Larry Leitch
    2. Fives - David Maves
    3. A Quarter Of Fourpiece - Hartt Chamber Players
    4. Two Worlds - Bob James
    5. Mosaic - Bob James
    6. Pianopiece I - Donald Bohlen
    7. Cassiopeia - Donald Bohlen
    8. Pianopieces II - Donald Bohlen
    9. A Portrait For Vanzetti - David Maves
    10. Greys - Gordon Mumma

    Tracks:

    1. Music For Clocks - Philip Krumm
    2. Diotima - Anne Aitchison
    3. 7PTPC - Larry Leitch
    4. Landscape Journey - John Morgan
    5. Advance Of The Fungi - William Albright
    6. In Memoriam...Crazy Horse - ONCE Festival Orchestra

    Tracks:

    1. Music For Three - Robert Ashley
    2. Time On Time In Miracles - ONCE Chamber Players
    3. Track - ONCE Chamber Ensemble
    4. Apple Box Concerto - Pauline Oliveros
    5. Quartet - William Albright

    Album Description

    Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformist West Coast. Yet during the 1960s Ann Arbor played host to one of the most extraordinary adventures in American music history: the annual ONCE Festival and its nexus of related activities.

    The primary aim of ONCE's founders--Robert Ashley, Gordon Mumma, George Cacioppo, Roger Reynolds, and Donald Scavarda--was to create a forum for the presentation of cutting-edge music. To this end they were phenomenally successful. Performers and composers--whether little-known or renowned--embraced the endeavor, demanding almost nothing in return. Perhaps most important, however, ONCE acted as a creative stimulus for its organizers. Scavarda describes the adventure as an explosion of pent-up energy: "Suddenly we could write anything we wanted and have it heard." And they did. The ONCE composers--and many guest artists--wrote a host of new works, some experimental, others more traditional.

    What united the ONCE composers was their exploration of sound, whether through the medium of extended techniques on traditional instruments, electronic (or electronically modified) timbres, or the intersection of musical sounds with those of the environment.

    A major slice of ONCE's rich musical legacy--35 works constituting six hours of music--is presented here, almost all for the first time. These pieces are as diverse in style as they are compelling in expression. This landmark set, the most comprehensive document ever released of this legendary event, is an opportunity for anyone interested in contemporary music to hear history in the making. Included in the set is a 140-page booklet with a lengthy scholarly essay by musicologist and biographer Leta Miller and numerous rare photos of ONCE personages and performances.
    Rhythmic Fission: Digital Revisions of Classic Trax
    Average customer rating: 3 out of 5 stars
    • Lucid dreaming?
    • A Dreamy Listening Experience
    		 Rhythmic Fission: Digital Revisions of Classic Trax

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Dance & DJ | Styles | Music
    ElectronicaElectronica | Dance & DJ | Styles | Music
    TranceTrance | Dance & DJ | Styles | Music
    GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
    GeneralGeneral | Reggae | International | Styles | Music
    GeneralGeneral | Reggae | Compilations | International | Styles | Music
    Similar Items:
    1. The New World Opera
    2. A Much Better Tomorrow
    3. White People
    4. Trance Opera: The Complete Masterworks - Classic Meets Pop
    5. Spente le Stelle

    ASIN: B0001JXQ60
    Release Date: 2004-04-06

    Tracks:

    1. Chasing Bartok - Wolfgang 'Humbucker' Frisch
    2. Riddim Drum & Bass Mix - Dr. Nachtstrom
    3. Blues - Dr. Nachtstrom
    4. Addio Del Passato - Tracy Young
    5. Sirenes 2 Step Mix - Dr. Nachtstrom
    6. Via Verde - Darcosan
    7. People (Get It Together) - Miguel Kertsman
    8. Meditation - Dr. Nachtstrom
    9. Ritual Rhythm - Jovino Santos Neto
    10. Machines - Dr. Nachtstrom
    11. Espirito: Total Chill-Out, Brain Rejuvenator - Miguel Kertsman
    12. The Mermaid - Miguel Kertsman
    13. I Would Kiss You - Michael Habla
    14. New World - Michael Habla
    15. Bartalk Mix - Dan The Automator

    Customer Reviews:

    2 out of 5 stars Lucid dreaming? .......2007-02-13

    Oh, please! I guess it depends on your idea of dreaming.

    If you enjoy dozing off with the electric blender on high, then you've gotta place this in your bedroom.

    Seriously -- the musicianship is highly competent, and there is an obvious commitment to the entire production. But this CD is not dreamy.

    The album title nails it: "Rhythmic FISSION -- digital revisions of classic trax."

    4 out of 5 stars A Dreamy Listening Experience.......2004-06-01

    This music is ideal accompaniment for lucid dreaming...Some of the tracks are loud,fast, and flashy ("Chasing Bartok" track #1, "Machines" track #10 come to mind) while others are fragile and soothing ("Addio Del Passato" and "Espirito"). Any one of these songs would be a superb compliment to a movie soundtrack--they all have this movie-dream-type quality to them, whether the movie/dream is creepy, beautiful, sad, or just plain experimental electronic music. Tracks 12-14 are heavy on vocals: Track 12 is very similar to the enigma song "Beyond the Invisible", while "I would Kiss You" makes me think of Loreena McKennitt with a dash of techno-renaissance flair, and finally "New World" has its good moments, but sounds a bit Disney-esque. "Addio Del Passato" and "Espirito" are the best tracks on the whole album; they sound like the ideal Anne Rice movie soundtrack selections, with "Addio" serving for any goth-vampire-opera-or-nightclub scenes, and "Espirito" for any childhood flashback scenes (hey, that's just what it sounds like!)...

    If you've heard the "Verve Remixed" CDs, then I highly recommend buying this CD as well to help balance out your jazz with some classical. Plus the music is brand-spankin' new. So give this CD a chance.
    Classics
    Average customer rating: 5 out of 5 stars
    • Great Album!
    		 Classics
    Bang on a Can
    Manufacturer: Cantaloupe
    ProductGroup: Music
    Binding: Audio CD

    ComputerComputer | Electronic | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    Similar Items:
    1. Renegade Heaven
    2. Child
    3. Ethel
    4. Light
    5. The Passing Measures

    ASIN: B00006L3QP
    Release Date: 2002-10-04

    Tracks:

    1. Cheating, Lying, Stealing - David Lang
    2. Lick - Julia Wolfe
    3. The Manufacture Of Tangled Ivory - Annie Gosfield
    4. Tsmindao Ghmerto - Evan Ziporyn
    5. Red Shift - Lois V Vierk
    6. Amalia's Secret - Nick Didkovsky
    7. Industry - Michael Gordon

    Customer Reviews:

    5 out of 5 stars Great Album!.......2004-09-10

    Classics is definitely one of my favorite CD purchases of the last year. It is very visceral; there is a universal appeal in the directness of this music. Though the individual pieces are very different, they all share some qualities- strong rhythms, harmonic simplicity (although the out of tune piano in "The Manufacture of Tangled Ivory" adds great color to that piece), and the great sound of this group's unique instrumentation which fuses art and pop musical languages. You won't be disappointed!
    Bass Computer 2000
    Average customer rating: 4.5 out of 5 stars
    • The best system tester for over all sound
    • Techmaster- The God of Bass
    • The best bassgazm
    • Rap & Hip Hop?! I disagree.
    • Techmaster P.E.B at its BEST!!
    		 Bass Computer 2000
    Techmaster P.E.B.
    Manufacturer: Newtown Music
    ProductGroup: Music
    Binding: Audio CD

    BassBass | Rap & Hip-Hop | Styles | Music
    GeneralGeneral | Rap & Hip-Hop | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
    Similar Items:
    1. Bass Computer
    2. Back in Bass
    3. I Got the Bass

    ASIN: B00000DCJM
    Release Date: 1998-09-29

    Tracks:

    1. Activate
    2. Time To Jam
    3. Don't Stop The Music
    4. Bass Computer
    5. Bass Journey
    6. Bassgasm (Ultimate Woofer Test)
    7. Computer Love
    8. P.E.B. 500
    9. I Like The Boom
    10. Bass By Numbers
    11. Techno Bass Beats
    12. DPE
    13. Euromusik
    14. Techin' Slow 'N Low
    15. Basscomputermix
    16. My Computers (Ulitimate Tweeter Test)
    17. Eurotica

    Customer Reviews:

    5 out of 5 stars The best system tester for over all sound.......2003-04-16

    My name is William Tucker I am 28 years old and have listened to Bass ever since I was 12.This has always been my favoriate CD of all time.It has all the highs , lows and mids you need to tweek out your system.It was the first bass album I ever heard.And it is still the best I have ever heard.I have 6000 watts rms in my car pushing through 4 RFX power HX2 FOSGATE 12" subs. I Have hit 159.02 with the song BASS COMPUTER. Thank you TECHMASTER!!

    5 out of 5 stars Techmaster- The God of Bass.......2001-09-05

    All hail the god of bass. He does it all. Great songs. Great Scratching.Great Bass. Well used Kraftwerk samples. I wish I could meet this man in real life. Hell, I don't even know what his name is. He seems to disclose little about his self. There are differences between Bass Computer 2000 and the original Bass Computer. It seems there might have been problems with sample clearence that he couldn't get cleaned up. Many samples from the original have been ommited and replaced. The song DPE has been almost revamped. A few new songs have been added. If im not mistaken one song was removed. It almost consisted wholly of samples.(First song on the second side of the tape. I forgot the name.) Aside from all that. This cd is perfect. It can play as a bass cd. It can play as a New Age cd. It can play as an ambient cd. It deserves to carry the electronic torch started by Edgar Froese and company back in the late 60's. Rest well Edgar, the music is in good hands thanks to people like P.E.B.

    4 out of 5 stars The best bassgazm.......1999-10-12

    The people have the idea of how to mix the music to create more music. I have to say that this CD is one hell of a CD to listen specialy if you love Bass.

    3 out of 5 stars Rap & Hip Hop?! I disagree........1999-10-09

    This is a decent electronic album with, yes, a prominent bassline. I didn't get the feel of rap or hip hop from it because, bassically, I don't like either genre and I liked this disc. The samples are consistently clever and often amusing, making for a varied listen in whatever style it is. Uh...that's...um...word? A'ite!

    5 out of 5 stars Techmaster P.E.B at its BEST!!.......1999-08-04

    First i like to say i had the original techmaster peb disc but i wanted to get this one for the additional 4 tracks and i was not disappointed =) This is the best Bass disc on the market and if you think your subs can handle the bass just try track 6. Bassgasm =) and my personal favorite computer love =) by the way i have had about 60 bass discs and this is the BEST no contest =) Good going Techmaster P.E.B. keep up the work and lets do some more like computer love and bassgasm =)
    Computer Games/Space Race
    Average customer rating: 3 out of 5 stars
    • Mi-Sex album compilation
    • Classic from the '80's is Back in Print!!!
    		 Computer Games/Space Race
    Mi-Sex
    Manufacturer: Collectables
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    GeneralGeneral | Vocal Pop | Pop | Styles | Music
    GeneralGeneral | Broadway & Vocalists | Styles | Music
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    1. Night People
    2. Essential
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    4. Flowers
    5. Age of Plastic (+3 Bonus Tracks)

    ASIN: B0000996GG
    Release Date: 2003-09-16

    Tracks:

    1. Computer Games
    2. Graffiti Crimes
    3. Wot Do You Want?
    4. Not Such a Bad Boy
    5. Stills
    6. But You Don't Care
    7. Loser
    8. 21-20
    9. Camera Kazi
    10. Inside You
    11. Space Race
    12. Pages and Matches
    13. Living in September
    14. I Don't Know
    15. Slippin' Out
    16. It Only Hurts When I'm Laughing
    17. People
    18. Good Guys Always Win [Satire]
    19. Ghosts
    20. Burning Up
    21. Ice Cold Dead

    Album Description

    Named after the Ultravox song "My Sex," this New Zealand/Australian-based new wave rock band had hits with the singles "Computer Games" and "Space Race." This CD contains the band's second and third albums, both originally released by Epic in 1980.

    Album Description

    With roots in the punk & art-rock movements New Zealand group Mi-Sex created their own brand of new wave. In 1979 the single 'Computer Games' topped the Australian charts & went on to become an international club hit. Two of the Mi-Sex's original Epic Records albums, both originally issued in 1980, are now available on one compact disc. Features 21 tracks including 'Graffiti Crimes,' 'Burning Up' & the hypnotic 'Computer Games', to name just a few of the featured new wave dance tunes. Collectables. 2003.

    Customer Reviews:

    2 out of 5 stars Mi-Sex album compilation.......2007-01-10

    Some dubious mastering on this CD. The sound is very thin, could be software compression, and on some tracks (Blue Day in particular) the mix seems to be a mono sum of one stereo track because some key instruments and licks are very faint or missing entirely. Most likely because they were panned to one track of the original stereo mix - the track missing off this master!

    The whole CD sounds like a bunch of highly and poorly compressed mp3's but better than nothing if you can't find a genuine master.

    4 out of 5 stars Classic from the '80's is Back in Print!!!.......2003-09-17

    Space Race was a classic album when it was released back in the '80's. Fans of The Fixx, early Simple Minds, and Classix Nouveaux should relate well with this cd. This is synth tinged guitar New Wave. Mi Sex was a New Wave/New Romantic band from New Zealand that had a few hits " Space Race" and "Computer Games". I had both of these albums on vinyl and am quite happy to see these re-released on compact disc. For more info go to www.allmusicguide.com

    Dance Music:

    1. Bass Extreme
    2. Battle Scars to Prove It
    3. Bedlamitez Rize
    4. Best of the Best [Soundtrack]
    5. Best of the Best [Soundtrack]
    6. Big Chief Presents: All Side the Best Side
    7. Brick Track Vs Gitty Up, Pt. 2 [CD-single] [Import]
    8. Bully's Wit Fully's [Explicit Lyrics]
    9. Busted [Explicit Lyrics]
    10. Cirque

    Dance Music

    dance music

    Dance Music

    Squerez? [Import]

    Beethoven: Piano Concertos 1 & 5

    Al and Zoot

    Smooth Sounds of the Great Dance Bands

    Fire in the Hole

    Anastacia [Import]

    A Jazz Romance - A Night In With Verve [Box set]

    Balakirev: Symphony No. 2; Tamara; Overture on Three Russian Themes

    Avoid Freud

    Arnold Bax: Tone Poems

    All Ways...

    Ansium [Import]

    18 Grandes Exitos [Import]

    Haydn Masses - Nelsonmesse ~ Harmoniemesse ~ Paukenmesse ~ Kleine Orgelmesse

    Jazz Music jazz-music-12