| 1. Can U Hear Me? |
| 2. Ask Somebody Who Ain't |
| 3. Filled With Real |
| 4. Why U Gotta Be Feelin' Li |
| 5. If You Was Me |
| 6. Impregnated Tid Bits Of D |
| 7. Let's Be Hippies |
| 8. Freestyle #8 From Speech' |
| 9. Like Marvin Gaye Said (Wh |
| 10. Hopelessly |
| 11. Insomnia Song |
| 12. Poor Little Music Boy |
| 13. Ghetto Sex |
| 14. Tell Me Something |
| 15. Running Wild |
| 16. Just Another Day At The P |
| 17. Are You Just An Illusion |
Editorial Reviews
Japanese Re-release featuring Two Bonus Tracks: Just Another Day, and R U Just an Illusion.
Speech,Speech,EMI,Alternative Rap,Hip-Hop,Rap,United States of America
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Inarticulate Speech of the Heart
Van Morrison Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KYV Release Date: 1990-12-29 |
Tracks:
- Higher Than The World
- Connswater
- River Of Time
- Celtic Swing
- Rave On, John Donne
- Inarticulate Speech Of The Heart No. 1
- Irish Heartbeat
- The Street Only Knew Your Name
- Cry For Home
- Inarticulate Speech Of The Heart No. 2
- September Night
Customer Reviews:
I love Van...but this isn't my favorite........2007-04-09
So beautiful and haunting.......2005-12-28
Couldn't connect to this one.......2005-05-06
So I should start with some encouraging words for others who might want to explore this. Listen to the samples! I didn't. At best, this is an album of mood music, something to play in the background. It has some pleasant melodies, some artistic aspirations, and Van Morrison's voice has lost none of its appeal. Other reviewers find spirituality in his music, perhaps you will too.
That having been said, this really isn't quite as good as I rate it. I listened to this album off an on for weeks before deciding I wasn't going to get it. There is a great deal of repetition within songs and so no musical development. If the songs were spiritual, I would expect to go on a journey, not around in circles. The music has so little punch that it almost seems designed for anonymity. The potential exception is Irish Heartbeat, but it is spoiled by a very poor mix, as if it is chained down to be as mediocre as the rest of the album. His voice needs to stand out!
But I will come back some day and pick another one, he hasn't lost this fan yet.
Soulful and lilting: my favorite Van Morrison ever.......2005-02-22
Aside from his beautiful vocals, which are masterful as usual, there are several instrumental pieces on this recording. Back-up singers (gorgeous, full-voiced women) supply uncommon depth; the dreamy piano and guitar, breathy saxophone, and delicate bass work make this (honestly) the best "lie in bed all day Sunday with your lover" music I can think of.
It's an exquisite recording. I can't count the number of friends I've gifted with it. It's deep, and it's broad.
To quote him, "I'm just wild about it. I can't live without it" (the inarticulate speech of the heart).
Enduring Favorite.......2003-09-06
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Class Clown
George Carlin Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004X0OH Release Date: 2000-09-12 |
Tracks:
- Class Clown: Bi-Labial Fricative/Attracting Attention/Squeamish
- Wasted Time - Sharing A Swallow
- Values (How Much Is That Dog Crap in The Window?)
- I Used To Be Irish Catholic
- The Confessional
- Special Dispensation - Heaven, Hell, Purgatory And Limbo
- Heavy Mysteries
- Muhammad Ali - America The Beautiful
- Seven Words You Can Never Say On Television
Customer Reviews:
Carlin's Best Pure Comedy!.......2007-03-13
I loved the bits about the novelty shop with the artificial vomit and the Catholic school stories are hilarious even for those of us who went to public school. A true masterpiece!
Great Stuff.......2006-05-23
Funny.......2005-11-02
another .......... review "thing-a-ma-bobber " .......2004-08-17
A Carlin Classic.......2004-07-25
Caveat Number One: this is not the modern Carlin I'm talking about, the crotchety curmudgeon who is still very funny, but relies overmuch on four-letter words, cynicism, and pessimism. This is Carlin at the peak of his transformation from family-friendly Ed Sullivan entertainer to counterculture comic genius. His style at the time (the early to mid 1970's) was gentler, sillier; he was less likely to sneer, and more willing to smile, on these earlier releases. He delivered all the trenchant social observations and criticisms that show up in his later work--but here his humor seems more chiding, more cajoling, and less misanthropic. Instead of shouting at you, he speaks to you. The difference between the younger Carlin and the one we know today is more remarkable the more you think about it.
Class Clown is that remarkable man's best album. It weaves together fond childhood reminiscences of, and serious questions about, his Catholic upbringing; he combines them with sharp-eyed social commentary about Vietnam, pollution and Lenny Bruce-like observations on American standards. The Bruce influence comes through strongest, perhaps not surprisingly, when Carlin quotes him in "Values (How Much Is That Dog Crap In The Window?)." He goes off on a very Lenny-like reminiscence about growing up seeing the fake dog poop in the windows of novelty stores (and I just lost everyone under the age of 30 with that sentence); he wonders how one goes about buying it ("I'd like to see something in a dog crap, please!"), and speculates that there might be collectors of different breeds ("Do you have any Saint Bernard?" "Yes, but there's no room in the window for that...") Strange stuff, to be sure--and that really defines Carlin at this stage in his career. He was willing to be as weird as possible in pursuit of laughter.
He was also more willing to draw on real life (which he astutely recognized as generally being stranger than anything he could think up) than he is today. And both of those attributes--the willingness to find humor in his life, and the willingness to be as goofy as possible while doing it--make Class Clown a comedy milestone. A good example is one of my favorite moments, also one of the biggest laughs. Carlin, riffing on the weird noises class clowns make, talks about "popping the cheek," does it once or twice to illustrate-and then takes the joke to its goofy extreme by inviting the entire audience to do it too. The resulting noise is delightful--doubly so when the audience, hearing it, dissolves into hysterical laughter. That's something I really miss with Carlin, by the way. He used to invite his audiences along for the ride, daring them to be part of the act instead of just passive observers, and let them know it was all right to laugh at themselves as well as his jokes. That kind of gentle good humor is largely gone from his act, and I think it's our loss.
There's a lot of that gentle humor on Class Clown, most notably in his monologues about the progressive Irish Catholic school he attended. In the latter part of his career, Carlin has become somewhat rabid and one-sided about organized religion (and I have a definite opinion about his attitude, but they don't belong in this review so I'll spare you). On this album, though, Carlin is more willing to poke fun at his former religion, rather than make fun of it and hold it up to unfair ridicule. His harshest joke--"I used to be Irish Catholic...now I'm an American; you know, you grow..."--is the springboard for a series of fond, funny reminiscences about growing up Catholic. He recalls the environs, the school, and most of all the priests. It's obvious he has many affectionate memories of them from the way he talks about them, and it's equally apparent he bears them no ill will (unlike the modern Carlin, who seems to harbor ill will for everyone but himself). His funniest bit here is "Heavy Mystery Time," in which an Irish Catholic boy concocts an increasingly outrageous set of circumstances, in order to remove the sinfulness from a sin. There's nothing mean-spirited about it, nothing done with the intention of hurting anybody--it's just one man's delightful recollection of how boys behave, and how adults react to them.
That's really the heart of Class Clown--it's about the antic joy of childhood in a gentler time. Carlin's astute, wickedly funny observations about people and events are informed throughout the album by that gentleness, that antic, not-quite-lunatic pleasure. That aspect of George Carlin the performer is all but gone today, a reflection perhaps of the gentleness that is gone from our society-and more's the pity, as it's something I wish he (and we) had retained. But if you want to see what the man used to be like when he was an unadulterated genius instead of just pretty effin' funny, then listen to this album. I guarantee you'll be pleasantly surprised.
(Caveat Number Two: Carlin swore less then than he does now, but there is a lot of adult humor and language here--especially the final track, the legendary "Seven Words You Can Never Say On Television" routine. The difference between then and now is that Carlin used to use swear words to examine our values and attitudes towards language; today he just uses swear words. Decide for yourself which is more appropriate.)
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Little Language Songs for Little Ones
Laura Dyer Manufacturer: Laura Dyer ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RHSD Release Date: 2001-07-15 |
Tracks:
- Do You Hear The Way Sounds Ring?
- Limericks
- An Undersea Adventure
- What a Colorful World
- Do You Know What It Means to Be a Shape?
- Imagination
- Garden Dance
- Can You Count to Ten?
- Busy Days
- Changing Seasons
- The Spider Shines Her Shoes
- All Aboard
- Celebrate the Holidays
- Good Manners Are The Key
- What Do We Eat?
- A Trip to the Fair
- Everybody on Your Feet
- Everybody Feels This Way
- Pets
- Things I Love
Album Description
Winner of the Education Clearinghouse 2002 Award of Excellence, this fun and fabulous album features 40 minutes of educational songs for your child ages birth to eight. Each song was written with a specific speech and language goal in mind. It has received 7 National Reviews/Endorsements and several local including the Music City's Nashville Parent Magazine. This soundtrack exposes your child to a wide variety of musical styles including jazz, folk, dance, pop, internation, and features fun sound effects and interactive songs too. The most educational songs are paced so that your child will be able to comprehend the lyrics and be able to sing along as well. Developed by a speech-language pathologist, this album reinforces all of the speech techniques taught in the Little Language for Little Ones Book.Customer Reviews:
Great Music!.......2007-04-25
Jennifer Smith.......2007-02-23
Little Language.......2002-04-12
Little Language.......2002-04-12
Parent's Guide Review.......2002-04-12
Reviewed by Katie Hoffmaster...
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The Iceberg/Freedom Of Speech...Just Watch What You Say
Ice-T Manufacturer: Sire / London/Rhino ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002LJF Release Date: 1989-10-03 |
Tracks:
- Shut Up, Be Happy
- The Iceberg
- Lethal Weapon
- You Played Yourself
- Peel Their Caps Back
- The Girl Tried To Kill Me
- Black 'N' Decker
- Hit The Deck
- This One's For Me
- The Hunted Child
- What Ya Wanna Do?
- Freedom Of Speech
- My Word Is Bond
Customer Reviews:
Truly A Hip-Hop Classic !.......2006-12-14
"Easy On The Cut....No Mistakes Allowed."
The hardest of his albums.......2006-07-27
Aside of his very old school stuff, I'd stick with this and the 1st album, forget the rest of his collection.
Classic Gansta Hip-Hop.......2006-02-03
Classic Gangsta Political Album.......2005-08-05
1st amendment fueled gangster rap.......2004-09-27
Ice-T throws down some of his best work ever on this record. Some standouts include the brilliant stretch of tracks 4-8. "You Played Yourself", the chilling "Peel Their Caps Back", the funny and hard rockin' "The Girl Tried to Kill Me", the very disturbing skit "Black 'N' Decker" and the turntable induced "Hit the Deck". Other standouts include "Lethal Weapon" and "My Word Is Bond".
This is probably the best Ice-T album behind Original Gangster. The Iceberg includes some of Ice-T's most memorable moments ever captured. It is a must have for any fan of Ice-T or old school rap and hip-hop.
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Bea Arthur on Broadway - Just Between Friends
Bea Arthur Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YTRL Release Date: 2002-02-12 |
Tracks:
- Lamb Recipe
- Fun To Be Fooled
- Introduction
- What Can You Get A Nudist For Her Birthday?
- Auditions
- Isn't He Adorable
- Fiddler on the Roof
- Let's Face The Music And Dance
- Bosom Buddies
- Angela Lansbury
- Threepenny Opera/ Pirate Jenny
- It Never Was YOu
- And Then There's Maude
- Some People
- The Soup Ladle
- Where Do You Start
- Bernie Schwartz
- If I Can't Sell It, I'll Keep Sittin' On It!
- Personal Hygiene
- Who Cares
- Fifty Percent
- The Nun's Story
- You're Gonna Hear From Me
- The Chance To Sing
- The Man in the Moon is a Lady
Amazon.com
More comedy monologue than musical performance, Bea Arthur's one-woman show Bea Arthur on Broadway: Just Between Friends collects memories from the silver-haired star's life on Broadway (Fiddler on the Roof, Mame, The Threepenny Opera) and television (Maude, The Golden Girls)."I wanted to see if I had the guts to just come and be myself," Arthur says in this performance recorded in front of a live audience in December 2001. Alongside co-creator and pianist Billy Goldenberg, she offers wry and often funny anecdotes about her career and the people she's worked with (Angela Lansbury, Pia Zadora). When she does sing ... well, even decades ago Arthur didn't have a beautiful voice, but she's well-suited to the comedy songs. And her versions of Kurt Weill's "Pirate Jenny" and Goldenberg's own "Fifty Percent"--while they won't make anyone forget Lotte Lenya or Dorothy Loudon--are effective in their own right. Bea Arthur on Broadway is definitely more Bea than Broadway, but it's a career well worth remembering. --David Horiuchi
Customer Reviews:
And Then There's BEA!.......2007-01-20
Golden Girl Shines Brightly.......2005-10-21
Alive and Unforgettable.......2004-11-21
The simple truth was that I was stunned. Completely stunned. Again, this sounds as the same, alive, malicious woman who portrayed those "affirmative women" on TV (per her own words). She mocks her own voice, recalling the humiliation of being mistaken for the man of the house through the phone ... and some--who buy this disk with the intent of getting a faultless musical performance--might agree (and according to some reviews her, HAVE agreed) that her voice is perhaps too deep, too cutting, not pure enough. But this is NOT (and I stress it) a musical performance per se, it is not a perfectly rounded voice singing perfect standards.
What this disc is? A drama performance. The songs are intermissed with speech interludes, during which Bea narrates anecdotes from her past experience as an actress--and that's is PRECISELY what is MAGIC. You feel as though she's inviting you to witness the high points of her life, and it's a very nice place. The songs, seem alive as rarely before, because they are performed. She renders them with life, and make the most of her abilities.
I really appreciated some of the smaller things. You get to recognize her trademark, slightly embarassed, `You know' ... She'll make you laugh with good natured reminiscence ("A Mother's Ingenuity"!); some of the songs are delightfully imperfect, (I learned to love the half-sung/half-spoken "What Do You Start" ...), some others are wonderfully dynamic ("What Can You Get a Nudist For Her Birthday?", "Threepenny Opera/Pirate Jenny" ...), but all are very enjoyable ...
Be it "Isn't He Adorable?" or "If I Can't Sell It, I'll Keep Sittin' on It" ... every track on this disc will have you fondly reminisce or curiously discover the career of one helluva woman.
You really can't be disappointed. I promise.
If only we could have a visual as well!
A trip down memory lane..........2003-10-19
Bea is most known for her role on the sitcoms Golden Girls and Maude, but she's done so much theater work as well.
She was in the cast of the original U.S production of "Threepenny Opera" starring Lotta Lenya, and in the original cast of "Fiddler On The Roof" and "Mame". But Bea started her theater career in a show called "The Shoestring Revue".
Bea stoled the scene every night when she performed as yente the Matcmaker on "Fiddler On The Roof" and she also got a hole lot of response as Vera Charles on "Mame", starring Angela Lansbury. In this live performence Bea performs a collection of songs chosen by herself, such as, "Let's Face The Music And Dance", "Isn't He Adorable", "Fifty Percent" and her theme song from Mame "The Man In The Moon". Bea is absolutely one of our time finest performers, with her witty sence of knowledge and her indefiable voice she has establised herself as a broadway legend, alongside Judy Garland, Elaine Stritch, Mary Martin. She is one of the last broadway female legends alive. And still going strong, Bea is rounding 80, but you wouldn't notice.
Do yourself a favour and take a trip down down memory lane, it's your chance to hang out with the last female broadway legend around.
A Truly Remarkable Accomplishment.......2003-06-16
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Music of the Ancient Greeks
Ensemble De Organographia , Anonymous , Athenaeus , Euripides , Limenius , Mesomedes , Research Composer , fils de Euterpe Seikilos , and Philip Neuman Manufacturer: Pandourion ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003KWE Release Date: 1997-03-24 |
Customer Reviews:
Travel in Time with Ensemble De Organographia.......2005-12-13
Ensemble De Organographia re-created even Sumerian music. Their CD "The Music of Ancient Sumerians, Egyptians and Greeks" I also highly recommend for the lovers of the ancient music.
You could find both CDs on www.northpacificmusic.com.
In some ways, even better than "Musique de la Grece antique".......1999-07-07
I find it fascinating that Philip Neuman & Co., in reconstructing the original instruments for this recording, came up with very nearly the same tone colors that Atrium Musicae did with their reconstructions. So far as I know, there was no collaberation between the two groups -- least of all in their approaches to the ancient music. The Neumans and William Gavin sought a quasi-archaeological "authenticity"; Atrium Musicae, to infuse new life into the music through their own spirits. Comparing the results is like comparing the arrangements of the same song, "My Heart Will Go On", performed by Celia Dion and Kenny G: they seem alike, and yet very much unlike.
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Vaughan Williams: Symphonies 1-9 / Boult
Ralph Vaughan Williams , and Sir Adrian Boult Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007A3E2 Release Date: 2004-04-13 |
Customer Reviews:
Best of Boult's Vaughan Williams.......2004-08-01
Vaughan Williams his way.......2004-06-27
And that best describes what I feel about Sir Adrian Boult conducting Vaughan Williams in this collection. He lets the music speak for itself. He never tries to give particular emphasis to some element in the score as many conductors do. These recordings date from the 1950s, all but the 8th and 9th being mono. But the age of the recordings and the mono sound in no way detracts from the listening pleasure they bring. I put them alongside any of the competiton and these recordings hold their own or come out far ahead. I've compared them to three other complete cycles:
Boult/EMI - Amazon asin # B00004YA0V (8 CDs)
Handley/CFP - Amazon asin # B00006J3LP (7 CDs)
Previn/RCA - Amazon asin # B00011MK74 (6 CDs)
Compared to his own later readings on EMI, I find Boult gets a more restrained performance from the orchestra in these earlier Decca recordings, thus heightening the effect of letting the music speak for itself. And I find the Decca recording a little bit brighter and more well balanced. A good symphony to highlight this effect is the Sea Symphony. The choir in the EMI recording tries to hard to make the music sound good, where the choir in the Decca sounds relaxed, confident, unstrained. And the sound on the Decca is more open, less opaque than the EMI.
The Previn cycle is quite good throughout, and features several additional pieces, some of them rare in recordings (this Decca cycle occupies the fewest number of disks of the 4 cycles, 5, but only has the symphonies, nothing more). The obvious comparison with the Previn cycle is the Sinfonia Antartica, no. 7. Only Previn and this Decca recording include the narrative. Sir Ralph Richardson in the Previn is very dramatic and expressive, embellishing the text with much emotion. Sir John Gielgud on this Decca recording is by comparison quite unemotional; like Boult, he speaks eloquently enough to not seem monotonish, but lets the words do the talking, not his interpretation of the words. He makes a good fit for Boult's similar reading of the music. And Richardson makes a similarly good fit for Previn's more dramatic reading. I am quite fond of Previn's recording, but after I listen to the magnificent Boult reading here, I find myself appreciating Previn less, for he emphasizes one emotional element in the music at the cost of all others. The Decca was recorded 1952, but even today it is of demonstration quality, especially with the stunning organ in the ice fall scene. Try as hard as they may, no other recording has come close to this one, engineered by the famous John Culshaw.
Which brings me to the Handley recordings. Handley, incidentally, fully admitted he tried to capture the organ scene in Sinfonia Antartica as well the Boult/Culshaw recording, but couldn't quite pull it off. The 5th symphonty is for me the highlight of Handley's set. Handley's recording is a masterpiece both of musical interpretation and audio engineering. This Boult recording comes the closest I've heard to the Handly interpretively, perhaps even edging it out a little once again because of Boult's refusal to indulge in over expressiveness. The sound on the Handley has a littel bit of an edge, but not by much. The sound int eh Boult/Decca recording is nowhere near as lively and opulent as the Handley, but once again is far brighter and more open than the Boult/EMI.
Decca has pulled off one of the best engineering jobs with these remasterings. I found the sound to be excellent throughout. The Sea Symphony, Sinfonia Antartica, and Symphony No 9 in this set are not be missed by any Vaughan Williams fan.
So, does this get my top choice recommendation?
Maybe.
If it's going to be your only Vaughan Williams collection, I would recommend either the Previn or the Handley instead, for with those sets you get other pieces in addition to the symphonies, and thus a better representation of Vaughan Williams artistry. Boult's EMI set is the most comprehensive collection of works, and the readings of the symphonies are somewhat comparable to the Decca set, but the execution is nowhere close to the masterly execution in the Decca set, and thus diminishes its attractiveness.
But if you want the best collection of the symphonies and will supplement it with other choices for some of the other works, then by far I would chose this set for the symphonies.
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Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich Manufacturer: Lml Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000658H9 Release Date: 2002-05-07 |
Tracks:
- The Song Is You - Jamie Anderson
- How'd You like To Spoon With Me? - Jane Lanier
- The Land Where The Good Songs Go - Pamela Myers
- All The Things You Are - Alan Campbell
- The Folks Who Live On The Hill - Lee Lessack
- She Didn't Say Yes - Marissa Jaret Winokur
- Pick Yourself Up - Street Sounds
- You Couldn't Be Cuter - Marsha Kramer
- Shimmy With Me - Lea Thompson
- They All Look Alike - Bruce Vilanch
- There It Is Again - David Holladay
- Remind Me - Ron Rifkin
- In Love In Vain - Melissa Errico
- Make Believe - Linda Michele
- Ol' Man River - Brock Peters
- You Are Love - Dale Kristien
- I Won't Dance - Bonnie Franklin
Tracks:
- The Last Time I Saw Paris - Charles Busch
- Long Ago (And Far Away) - Pam Dawber
- They Didn't Believe Me - Pat Marshall
- Look For The Silver Lining - Rod McKuen
- A Fine Romance - Jane Carr
- Sure Thing - Sally Kellerman
- Don't Ever Leave Me/Why Was I Born - Joely Fisher
- I'm Old Fashioned - Robert Morse
- Yesterdays - Joan Ryan
- Smoke Gets In Your Eyes - Dorian Harewood
- In The Heart Of The Dark - Dale Kristien
- Can't Help Lovin' Dat Man - Valarie Pettiford
- The Way You Look Tonight - Hugh Panaro
- Life On The Wicked Stage - Carole Cook
- I've Told Every Little Star - Carole Cook
- Till The Clouds Roll By - The Company
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OHM: The Early Gurus of Electronic Music
Various Artists Manufacturer: Ellipsis Arts ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T0FZ Release Date: 2000-04-25 |
Tracks:
- Valse Sentimentale - Clara Rockmore
- Oraison - Ens D'Ondes De Montreal
- Etude Aux Chemins De Fer - Pierre Schaeffer
- Williams Mix - John Cage
- Klangstudie II - Herbert Eimert/Robert Beyer
- Low Speed - Otto Luening
- Dripsody - Hugh Le Caine
- Forbidden Planet: Main Title - Louis Barron/Bebe Barron
- Elektronische Tanzste: Concertando Rubato - Oskar Sala
- Poem Electronique - Edgard Varese
- Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) - Richard Maxfield
- Apocalypse-Part 2 - Tod Dockstader
- Kontakte - James Tenney/William Winant
- Wireless Fant - Vladimir Ussachevsky
- Philomel - Milton Babbitt
- Spacecraft - MEV
Tracks:
- Cindy Electronium - Raymond Scott
- Pendulum Music - Sonic Youth
- Bye Bye Butterfly - Pauline Oliveros
- Projection Esemplastic For White Noise - Joji Yuasa
- Silver Apples Of The Moon, Part 1 - Morton Subotnick
- Rainforest Version 1 - David Tudor
- Poppy Nogood - Terry Riley
- Boat-Woman-Song - Holger Czukay
- Music Promenade - Luc Ferrari
- Vibrations Composees: Rosace 3 - Francois Bayle
- Mutations - Jean-Claude Risset
- Hibiki-Hana-Ma - Iannis Xenakis
- Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young
Tracks:
- He Destroyed Her Image - Charles Dodge
- Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
- Appalachian Grove - Laurie Spiegel
- En Phase/Hors Phase - Bernard Parmegiani
- On The Other Ocean - David Behrman
- Stria - John Chowning
- Living Sound, Patent Pending Music For Sound-Joined Rooms Series - Maryanne Amacher
- Automatic Writing - Robert Ashley
- Canti Illuminati - Alvin Curran
- Music On A Long Thin Wire - Alvin Lucier
- Melange - Klaus Schulze
- Before And After Charm (La Notte) - Jon Hassell
- Unfamiliar Wind (Leeks Hills) - Brian Eno
Amazon.com
Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl HanniCustomer Reviews:
excellent but uncomplete.......2006-11-12
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.
To call it music may be a bit limiting. .......2006-10-24
A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.
My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.
A worthwhile collection.......2006-01-11
It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.
Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.
OhMyGodHowDreadful.......2005-08-15
Kid Stockhausen.......2003-01-17
Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.
It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.
Average customer rating:
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Sousa Marches Played by the Sousa Band: The Complete Commercial Recordings 1897-1930
Manufacturer: Crystal Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SDBT Release Date: 1997-09-30 |
Tracks:
- Introductary Speech By John Philip Sousa - John Philip Sousa
- The Stars And Stripes Forever - The Sousa Band/John Philip Sousa
- The Honored Dead - The Sousa Band/Arthur Pryor
- The Mikado March - The Sousa Band/Arthur Pryor
- Mother Hubbard - The Sousa Band/Arthur Pryor
- The Gladiator - The Sousa Band/Henry Higgins
- Semper Fidelis - The Sousa Band/Walter B. Rogers
- The Picador - The Sousa Band
- The Thunderer - The Sousa Band/Walter B. Rogers
- The Washington Post - The Sousa Band/Arthur Pryor
- Corcoran Cadets - The Sousa Band
- The High School Cadets - The Sousa Band/Nathaniel Shilkret
- The Beau Ideal - The Sousa Band
- The Liberty Bell - The Sousa Band/Arthur Pryor
- Manhattan Beach - The Sousa Band/Walter B. Rogers
- The Directorate - The Sousa Band/Arthur Pryor
- King Cotton - The Sousa Band/Arthur Pryor
- El Capitan - The Sousa Band/Arthur Pryor
- The Bride Elect - The Sousa Band/Henry Higgins
- March From 'The Charlatan' - The Sousa Band/Arthur Pryor
- Hands Across The Sea - The Sousa Band/Rosario Bourdon
- Hail To The Spirit Of Liberty - The Sousa Band/Herbert L. Clarke
- The Man Behind The Gun - The Sousa Band/Walter B. Rogers
- The Invincible Eagle - The Sousa Band/Walter B. Rogers
- The Stars And Stripes Forever - The Sousa Band/Arthur Pryor
Tracks:
- Imperial Edward Coronation March - The Sousa Band/Herbert L. Clarke
- Jack Tar - The Sousa Band/Arthur Pryor
- The Diplomat - The Sousa Band/Herbert L. Clarke
- The Free Lance - The Sousa Band/Herbert L. Clarke
- Powhatan's Daughter - The Sousa Band
- The Fairest Of The Fair - The Sousa Band/Arthur Pryor
- The Glory Of The Yankee Navy - The Sousa Band/Walter Rogers
- The Federal - The Sousa Band/Edwin G. Clarke
- The Stars And Stripes Forever - The Sousa Band/Arthur Pryor
- The Lambs' March - The Sousa Band/Herbert L. Clarke
- New York Hippodrome - The Sousa Band/Herbert L. Clarke
- The Pathfinder Of Panama - The Sousa Band/Herbert L. Clarke
- Liberty Loan - The Sousa Band/John Philip Sousa
- U.S. Field Artillery - The Sousa Band/John Philip Sousa
- Bullets And Bayonets - The Sousa Band/Joseph Pasternack
- The Chantyman's March - The Sousa Band/Nathaniel Shilkret
- Sabre And Spurs - The Sousa Band/John Philip Sousa
- Solid Men To The Front - The Sousa Band/John Philip Sousa
- Wedding March - The Sousa Band/Arthur Pryor
Tracks:
- The Golden Star - The Sousa Band/Joseph Pasternack
- Comrades Of The Legion - The Sousa Band/Joseph Pasternack
- On The Campus - The Sousa Band/Joseph Pasternack
- Who's Who In Navy Blue - The Sousa Band/Joseph Pasternack
- Keeping Step With The Union - The Sousa Band/Joseph Pasternack
- The Dauntless Battalion - The Sousa Band/John Philip Sousa
- The Gallant Seventh - The Sousa Band/Joseph Pasternack
- Nobles Of The Mystic Shrine - The Sousa Band/John Philip Sousa
- Ancient And Honorable Artillery Company - The Sousa Band/Nathaniel Shilkret
- The Black Horse Troop - The Sousa Band/Joseph Pasternack
- The National Game - The Sousa Band/Joseph Pasternack
- The Gridiron Club - The Sousa Band/Arthur Pryor
- The Pride Of The Wolverines - The Sousa Band/Arthur Pryor
- The Sesquicentennial Exposition March - The Sousa Band/Arthur Pryor
- Riders For (Of) The Flag - The Sousa Band/Rosario Bourdon
- Golden Jubilee - The Sousa Band/Rosario Bourdon
- The Harmonica Wizard - The Sousa Band/Rosario Bourdon
- The Royal Welch Fusiliers (No.2) - The Sousa Band/Rosario Bourdon
- The Salvation Army - The Sousa Band/Rosario Bourdon
- Sabre And Spurs - The Sousa Band/Arthur Pryor
- Solid Men To The Front - The Sousa Band/Arthur Pryor
- The Stars And Stripes Forever - The Sousa Band/Arthur Pryor
Customer Reviews:
Something very precious.......2004-11-16
Great historical resource.......2000-08-24
However, these recordings are an invaluable resourse for students, performers, and teachers. Even with the limitations of early recording devices, there is no better demonstration of the style and nuance of the "March King" than these performances under his own baton. Also, the chance to actually hear Sousa's voice as he introduces the great "Stars and Stripes Forever" is to step into the past.
Dance Music:
- Superman [CD-single]
- Superman [CD-single]
- Swervin' on Seventeens [Explicit Lyrics]
- System Terminator
- Thanks for Asking
- The Beast, Vol. 2 [Explicit Lyrics]
- The Collection, Vol. 1 [Explicit Lyrics] [Import]
- The Game Praise Me: Chopped and Screwed [Explicit Lyrics]
- This Is Madness [Import]
- Ultra Low Frequency
Dance Music
Of Malice and the Magnum Heart
Schumann: Symphony in C No2, Op61; Liszt: Orpheus No4
Stairway to the Stars [Box set] [Import]
The Soul of a Genius [Enhanced]